In Loving Memory of Mikko Steffen

In Loving Memory of Mikko Steffen
Born November 1, 2007
Adopted May 24, 2008
Died May 8, 2023

This is the story of a dog who has been a part of our family for fifteen years and connected all of the other dogs we’ve ever had. This is the story of a miracle dog who beat the odds over and over again. This is the story of Mikko the white poodle.

Mikko’s Life

Bringing Him Home

At the time we adopted Mikko, we had just moved into our first house after living in a series of apartments. We had our first dog, Aria, and we were looking for another dog to be a playmate for Aria in the wide open spaces of our new home that we hadn’t filled with much furniture yet.

Heather had fond memories of the poodles she had when she was a kid so she wanted another poodle. She found Picket Fence Poodles, a poodle rescue organization that was a mid-length drive away. Listed on their site was “Perry”. For this adoption, it required people with poodle experience and people who were willing to adopt a dog with special needs, because he was born with luxating patellas, where his kneecaps are not fixed in place the way they should be.

We set up a meet and greet with Picket Fence Poodles to meet him, with just the two of us going to meet him at the home of the rescue organization. We had a great time playing with him, we talked about his leg issues, talked about his care, and we decided to take him home.

He had been born at a poodle breeder. Because of his legs, he was unable to walk when puppies normally learn to walk. They had planned to euthanize him, but he was so cute they kept putting it off and carried him around and then, surprise, he actually started walking on his own! He managed to get enough strength in his legs that he was still able to learn to walk. So at that point they gave him over to the rescue organization. They warned us that he would never be able to jump or to climb stairs, but of course that didn’t matter to us.

We decided we didn’t like the name “Perry” (this was before the days of Perry the Platypus or we might have kept it) and he didn’t respond to the name yet anyway. We named him “Mikko” after Mikko Koivu who was a long-running player on the local NHL hockey team The Minnesota Wild.

We brought him home and introduced him to Aria, and they became best friends and playmates. Of course, there was plenty of conflict. Aria was the more dominant of the two, but Mikko didn’t want to up on that, so he would try to boss her around.

Nicknames

So many variations on the name, we would call him Mako, Mikko Mako, Makiko, Meeky, Squeako, Beako, Squabeako, Mr. Mikko, Magical Mikko, and so many variations of each.

What Made Him Special

Determined

Aria was still pretty young at the time too but Mikko never had enough playtime. They would chase and play and wrestle and playfight, and then Aria would jump up to the back of the couch and watch smugly with the terrain advantage while he barked from the floor and tried to reach her. He would alternate between putting his front paws on the couch and doing tiny little hops that were nowhere near high enough, to taking a running jump from four feet away which he landed on the ground before he reached the couch.

This went on and on for days and weeks and finally he managed to jump up onto the couch and even surprised himself, and then when he jumped back down he couldn’t figure out how to get back up again, though he did eventually figure it out.

Still, the stairs were an obstacle. Aria could run down or up the stairs without any problem and he would get so mad if she left him behind, so she would go up or down and then taunt him and he wanted to do the stairs so badly because he couldn’t let he just gloat like that. We taught him to go up stairs first, by putting him one stair down and coaxing him up while we stood below to catch him if he slipped. Then two stairs, then three, and soon he was confident enough he could go up the whole flight.

At the time, we watched TV on cable and the only cable jack was downstairs, so we would watch TV in the basement. This worked fine when Mikko couldn’t take the stairs, but once he learned to go up but not down then he would decide to go upstairs and then would sit at the top of the stairs and bark for someone to carry him down. So, yes, we did eventually teach him to go downstairs too.

From the start, he defied expectations from sheer determination.

Bossy

From when he was young he tried to be the most dominant dog in the house. Which really didn’t work with Aria, but he could get away with bossing Timmy around when he was there, especially as Timmy got older and confused Mikko would try to coach him and say “don’t do that, you’re being weird” when Timmy would wander or get stuck in a corner.

His determination was not always a positive trait, even to himself. For some reason, he would sometimes get very angry if he was left in a kennel with a bowl of water, and he would furiously try to bury it with his nose, sometimes until his snout was bloody from pushing. When he was older and was having some difficulty maintaining his appetite he sometimes did the same with food left for him, but then sometimes he would try to bury it for a while, then he would eat some, then he would try to bury it again.

He would always bark at leaves blowing in the wind as if they had offended him personally, and if he happened to catch a tailwind he would look as if he thought someone was blowing on his butt.

Compassionate

If someone cried he would always go to them and want to be held and lick their tears away.

If Aria got locked in a closet by accident as she often did when she followed someone in there, then Mikko would found out where she was and would come get someone to come get her out, and would keep giving significant looks at the closet door until someone let her out.

Unusual

Probably some of this came from his luxating patellas, but Mikko had some weird postures. Mikko loved pillows and beds, but he tended to never lie in them all the way, always draping himself across the edge of the bed with half his body outside of his bed. When he was young he also liked to squeeze into tiny dog beds with Aria. He’s the only dog I’ve seen who would kneel with one or both legs instead of always sitting on his butt (which prompted people who didn’t know him to think he was going to pee). And when he laid down he would like to lay with his legs splayed out that we liked to call a “Mikko-skin rug”. He was also never able to pee with one leg lifted like most male dogs do.

When you brought him to bed at night and he was getting settled in, he would often do a sort of superhero stretch where he laid on his back and stretched one foreleg away in front of his face.

Friendly

Besides making immediate friends with Aria, and with Timmy who became our third Musketeer, when he was younger, Mikko would always be the greeter and ambassador of the group. When we walked the dogs, or when we had visitors, he would always be the first one to meet the new dog, because he never saw a dog he didn’t want to play with.

Unfortunately he gradually lost much of this trait of being able to immediately click with new dogs, perhaps due to increasing arthritis and other health issues, though he remained playful with people and his dog roommates for most of his life.

One time when he was young we set a big upright mirror down on the ground, the upper portion of a furniture hutch. Mikko saw his reflection and was obsessed with it, barking and pawing at his reflection and trying to get it to play with him, rearing up on his hind legs and pawing at it to try to reach the other dog, looking on the other side of the mirror and surprised he couldn’t find it there.

Communication

For barking, Mikko had one volume: loud, and his barks were very animated. More so than other dogs, he would throw his head back like the recoil of a cannon as he fired each loud bark into the world. Some of our other dogs we could teach to bark quietly on command, with a “say please” they would give a quiet talking-level bark. We taught Mikko to do this too, but with him it was either “full volume” or “mute”. When he was on mute, he would make the full head-throwing-back motion of a bark, but make no vocal sound whatsoever, just the soft “click” of his teeth.

When he wanted something, he would stand right next to you and look up with his gigantic eyes, and then lift one paw and scratch softly at your leg–scratchscratchscratch and then look again. He would alternate this with his own unique vocalizations that were a variation on a whine, but would sound like “hoot hoot hoot” like a monkey.

He could answer the question “Where’s Heather?” (or other member’s of the household). If you asked that, he would recognize which member of the household and would either find that person in the same room and point at them like a hunting dog with one front leg raised and head pointed, or would go find them in a different room. Even if the person was hiding he would keep at it until he found them.

If you took him out to use the lawn, sometimes he would pee and then head back for the house. But then if you asked him “Mikko, do you need to poop?” he would actually stop, seem to consider it, and sometimes he would head back to the lawn to poop. Like “oh yeah, thanks for reminding me.”.

Like most dogs he would wag his tail when he was happy, but he also had a very distinct tail wag when he was nervous about something. Instead of wagging at a constant rate he would wagwagwagwag three or four times very quickly and then pause, and then wagwagwagwag again.

When he was young he would love to have training sessions where he would learn to sit and lie down and try to learn other tricks. He was great at “spin left”, if you said that with some treats in your hand he would spin and spin and spin and spin. Surprisingly, he never ever did get the hang of “spin right”. You would try to lead him around that way and he just seemed to find it perplexing.

Although he had sporadic digestive issues for much of his life, he was usually pretty good about getting us some warning. Sometimes I would wake up to the hork-hork-hork sound of him preparing to vomit, and sometimes I could wake up fast enough to pick him up and carry him to the bathtub for easier cleaning. Sometimes.

Woolly

He had the most beautiful fluffy white fur, that he looked like a little lamb, and was so soft. Like any poodle, he absolutely needed to be clipped periodically, because poodles don’t shed, their hair just keeps growing. When he came back from the groomer his fur would always have been freshly washed and dried and brushed so his fur was just like touching pure fuzz. As he went between groomings his hair would get longer and would separate into big spiral shapes and get heavy and start drooping, which was an easy way to know it was time to get the dogs groomed again.

We joked that we should shear him and sell the fur to make Swiffer sweepers, because the fur was extremely absorbent. If we walked him on a dirt trail his legs would turn almost black up to the knees. If I didn’t pick up the grass clippings after I mowed, he would come back inside with green sleeves.

People Person

Besides chasing and wrestling with the other dogs, he loved interacting with people however he could. If anyone laid on the floor, he would always immediately go over to them and get comfortable on their belly or back. We have never had another dog who liked lying on people so much.

He also liked to sit behind people’s necks on the couch, and loved to be carried behind people’s necks with his front on one shoulder and his back on the other.

He was the most trusting dog we’ve ever had for having his belly up. He wouldn’t even mind being held in your arms with his belly up. In fact, when he was very comfortable he would be a limp noodle with his neck dangling loosely.

He was always a playful nibbler. If you held a hand out to him he would licklicklick your finger, and then put your finger in his mouth and give a very gentle squeeze with his teeth, licklicklick chew chew, licklicklick chew chew, the same pattern over and over again.

Toys

He loved toys. He was a big fan of playing fetch, he would bring toys over and over if you kept throwing them, and he was pretty good at catching them in mid-air. Our living is carpeted and then we have a rug by the front door on hardwood–if you threw a toy over there he would hop over the wood section between them like a little deer.

He had a habit of dismembering stuffed animal dog toys and playing with the limbs. Among his favorite toys were a zebra leg, a crab leg, and a monkey paw (we of course trained him not to make any wishes on it).

He loved to pull the fuzz off of plush toys, and would just sit there and rip, rip, rip. And if you were like “Mikko, have you been defuzzing” and he would look up at you with his giant innocent eyes and a green or purple goatee of fuzz. If anyone left any toilet paper or tissue where he could reach it he would shred it everywhere.

He loved bones too, but what he loved more than bones is putting a bone ON a toy or vice versa, and chewing both of them at the same time.

Treat balls were one of his favorite things (plastic balls filled with treats where some would dump out randomly if they rolled it around enough). He was the only one who could figure out how to pick them up–they were too big for our digs to fit the whole ball in their mouth, but there is a little opening where the treats come out and Mikko was clever enough to get a couple teeth in there enough to grip. He would play with that thing for a long time.

Walks

He always loved walks, and when he was young he would always make the absolute most of them, easily getting twice the steps of anyone else on the walk, because he would walk to the full extent of the leash allowed to him, and then he would zigzag to the far left, to the far right and back and forth.

One of his favorite things was sniffing the white splats of bird poop, he would always stop to smell every single one, even if there were a bunch of them he would thoroughly work through them. If there were any white chalk or white paint markings on a walking path he would always investigate those too, and was probably disappointed at the lack of fecal aroma.

Fears

Many dogs are afraid of thunder or lightning. Mikko never was much bothered by it, even when other dogs were trying to hide from the storm he would curl up and nap. But he was often afraid if someone passed gas, even if that someone was him, he would look back at his butt like someone snuck up behind him. And he was very afraid when someone started crafting, perhaps because of the noises that holepunchers or other crafting tools make. We liked to joke that his only weakness was farts and crafts.

With Others

With Aria

When we first got Mikko, Aria was the only other dog. They were instant friends, though there was plenty of conflict. They fought over food and bones but were pretty much always ready to play with each other, or go for a walk, or bark at the door and Mikko loved to stand on his hind legs at the door and paw with both front legs like he was trying to dig through the door.

They were always learning from each other. When Aria was an only dog she would always try to save treats for later by going behind a piece of furniture and “burying” the treat in the carpet by placing it gently on the carpet and pushing with her nose like she was pushing dirt over the top. She learned not to do that pretty quick when Mikko would follow along behind it and immediately eat it.

In most situations he wasn’t as smart as Aria, but if he was sufficiently motivated he could be very clever. He would love to taunt her if he had a bone, he would hold it sticking out of the side of his mouth and walk up to her, and if she grabbed for it he would spin around to get it out of her reach. He also would find ways to draw her away from a bone she was chewing. They both loved to bark at the front door when pedestrians or animals were outside, so if she had a bone he would sometimes go bark at the front door like there was something out there, and then when she joined him, he would loop around behind her and grab her bone. She learned the trick pretty quick and would try it on him, but he was too clever for that, he would run to the door but he would remember to grab the bone first.

They loved to chase each other so much. We had a couch downstairs in a huge area without much else around it, and they would chase each other around and around until you couldn’t tell who was chasing who. She was definitely the stronger of the two and on a straightaway she could definitely outsprint him. But she also had more momentum because of her greater mass. So he could take sharp ninety degree turns at his top speed while she would swing wide into a wider oval shape as she tried to make the turn and they would end up being pretty evenly matched.

With Timmy

We adopted Timmy within the first year that we had Mikko, so he completed the Three Musketeers that were all together for four years. When Timmy and Mikko were both young they would love to play together and wrestle too, both of them rearing up on their hind legs and grappling with each other. Both of them lived to a very old age, so it’s always still a little surprising to look at those early videos and see how spry and energetic they both were.

With Violet

In December 2012, when Aria passed away unexpectedly at only age 5, Mikko was distraught. His usually high energy level went way down and he didn’t want to do anything but sleep. We adopted Violet in a relatively short time after that, just before Christmas travel, to try to help him through that with a new extra companion. Violet and Mikko took well to each other immeidately. Theywould play-bow and like to chase each other around. As Mikko got older, his arthritis and other conditions meant he got a less playful so Violet had to find her playtime elsewhere, but they got along most of the time. Mikko was always pretty bossy, and Violet was usually happy to be a follower.

They lived together for almost ten years, for almost two-thirds of his life.

With Michael

We adopted Michael after Timmy passed away in 2018, and Michael lived with Mikko for the last five years of Mikko’s life. By that time, Mikko was usually not super big at playing with other dogs, though occasionally we could coax them to play tug of war briefly, more likely they would both play fetch with one person alongside each other. Otherwise they generally got along as long as someone playing fetch with Michael didn’t throw the toy over Mikko so that Michael would bowl over him.

With Mabel

Mabel joined the family when Violet passed away and Mikko was already quite old. Between his different health problems he had a lot less patience in general and was no longer the greet and ambassador he used to be. But he was very patient with Mabel the big overbearing lumbering giant.

He was always very good with Mabel, sort of a father figure and she adored him from the moment she met him. If he was doing something she always wanted to be right there doing it with him. As he got older and his health complications got worse, we found we needed to start watching them very closely because sometimes her infatuation would manifest in unhelpful/unhealthy ways where if he fell down she would try to jump on top of him (and with him being so old and weak and her outweighing him by a significant margin), and one time even bit him pretty hard though since she didn’t have any teeth no permanent harm was done.

With Cooper

When Cooper and Mikko were both young, they would love to play and wrestle and roughhouse with each other. Cooper lost the knack for it, but they still got along pretty well most of the time. Though they didn’t live together they would see each other at least a few times a year, and both knew each other for almost fourteen years together.

With the Cat-In-Laws

Mikko, as noted elsewhere in this memorial, was always a big barker, and the cats were among his favorite bark-targets and any cat that would run away from him would get a steady barking and chase, though I don’t think he would honestly have had any idea what to do with a cat if he caught one.

With the Kid

The kid and Mikko when the kid was young would both excite and sometimes terrify each other. Mikko would chase the kid as the kid was toddling around and the kid would squeal and giggle and run away.

As Mikko got older and started slowing down, the kid was also getting older and toning down the uncontrollable toddler energy, and eventually Mikko learned to trust the kid and would even let the kid hold him and pet him. Some of our professional family photos he would take while Ian held him to keep him still.

Medical Adventures On the Way

Mikko and Violet had a common desire to chew small plastic objects, which was very unfortunate when the kid was very young and would leave small plastic objects everywhere. Pacifiers were a particular favorite, but any plastic toy would do. Sometimes we find part of a chewed-up toy and we wouldn’t know whether Mikko or Violet ate it and we would have to bring both of them to the vet to induce vomiting. He also ate some leaves of a plant that we found out was toxic and had to take him in for that.

Mikko had problems with smegma buildup throughout most of his life. I won’t go into details here, but if you decide to do a search for the word, you probably want to leave the image search off until you read what it is.

In the last couple years of his life, we started to notice he would get a “bubble butt” sometimes, where he would have a section near his butt that was literally like a little inflated balloon. It didn’t seem to bother him, and with a little pressure it could be pushed into his body. It turned out that this was a prolapsed bladder. As he aged he was losing quite a bit of muscle mass, and so there was more of a gap in his pelvic area where muscles would normally be and his bladder could sneak out through there. The vet said a surgery was available where they would try to fix the bladder in place and suture some of the muscles together so there was no space for it to sneak through. We were fully planning on doing this, when he got an intestinal bleed from something unrelated and had to delay it due to not wanting to anesthetize him while he had another condition. By the time we got all that sorted out, he was struggling with other health problems again and we decided to put it off. It was some risk to do so, because if his bladder became strangulated it might have meant extreme pain and a visit to the emergency room, but doing the surgery would also have been quite risky at that point. He continued to have the bubble butt for the rest of his life, but it never really seemed to bother him, and didn’t escalate.

One time fell and managed to jam his tail on landing and he couldn’t wag it at all for a while, and he wagged his tail so much generally this was very difficult for him.

One time when we had a guest over at our house and we were working on putting the dogs in a separate room, Mikko tried to sprint out to the living room to see them and got deflected just enough by someone’s leg to run full speed into a doorframe and knocked a tooth loose in the front of his jaw.

The Sad Part

In 2018, when he was having some problems with urination we took him to the vet to get him checked out, to see if there was crystals in his urine, that sort of thing. As part of that, the vet did a sonogram and concluded that he had a tumor in his bladder and that vet pretty much said that we should say our goodbyes because we had between weeks and months to be with him whether or not we started cancer treatment. He was still generally very healthy and we didn’t want to give up on him so we were considering whether for a dog cancer treatment would affect his quality of life too much, but before we made any major decision we got a second opinion and they couldn’t find any sign of a tumor, so the other vet’s original diagnosis seemed to be based on one image and maybe there was a weird angle or something. We decided not to move forward with cancer treatment, given that there was no clear sign, and given that he lived five years longer after that and no sign of a tumor presented itself, in retrospect it must have been an incorrect diagnosis. This didn’t actually play into his end of life health issues in any way, but I put it in this section because it was scary and sad anyway.

In September 2020, he had a strange and scary episode where he started acting dizzy, fell over, and then was breathing fast and heavy after that. Fast and heavy breathing can be a sign of serious urgent issues and can indicate pain among other things, so we took him in right away. He had had a heart murmur for years before that, and they said that the issue was that he was going into congestive heart failure where the heart enlarges from gathering too much fluid, we were already familiar with this from when Timmy went through it. So they sent us home with a diuretic to try to pull some of the fluid out of his lungs. Over the next twenty-four hours this didn’t help at all, and at times was up to 95 breaths per minute resting which is much higher than it should be. We ended up taking him to the emergency room and they found that there was fluid outside of his lungs pressing on his lungs and making it hard to breathe. He was diagnosed with protein-losing enteropathy (PLE), a digestive issue which causes albumen protein to leak, which pulls water out into the abdomen and causes other issues. They put him on a special low-fat diet after that, and we had to be very careful what kinds of foods and treats that we gave him, because going off-diet could send his health plummeting again.

He had always had irritable bowels, and during this time we struggled with further digestive symptoms like colitis, and had to constantly watch him for bouts of foul-smelling strange-looking diarrhea, though much of the time he was fine. He went on like that for quite some time, having good health most of the time on this diet and with an increasing set of medications to help with his heart and his PLE, and with periodic checkups with the cardiologist and internal medicine to adjust his medications now and then, as we watched his albumen very closely to make sure it didn’t go too far. He sometimes had bouts of digestive issues but was manageable most of the time.

In October 2022, he started having some weird violent flinching reactions to movement or to light. We thought it might have been due to him gradually losing his eyesight as his eyes clouded over. And then he had the scariest medical episode of his life thus far. He was just coming in from using the lawn, and he seemed to freeze up like a statue, all his legs going rigid. I was getting the leash off of him and he just tipped over onto his side as I called for Heather who was across the room. She came and picked him up and he was as stiff as a board with his legs and neck outstretched. We tried to comfort him with words and touch as best we could, though we couldn’t tell if he could hear us. He stayed like that for maybe thirty seconds and then suddenly he went as limp as a rag doll, with his head lolling down at an unnatural angle.

We really thought he was dead, and we were frantically telling him we loved him just in case, and he started to come awake, very groggy and confused. We of course rushed him to the emergency room and spent a long night there. At first they told us that it couldn’t have been a seizure, because nothing seemed to indicate a cause. But some of his digestive conditions make some tests give weird results, so they didn’t realize at first that he had dangerously low calcium, which was probably what caused the seizure. So we added more medicines to his daily regimen to manage his calcium levels and that stabilized him for quite some time.

Every month we were surprised but blessed that he was still with us and we cherished our time with him. We were both working from home, which did make it easier, because we could take him into one of our offices with us, and could usually rush him outside if he needed it. No more having to put him a kennel during the workday.

As time went on in those last months, he had more difficulty with appetite, more difficulty with vision, and controlling his bowel movements, and loss of muscle mass, and slept more and more. He had bad days pretty more and more often and we started to have conversations about when we would have to say our final goodbyes. We had to rotate between foods to try to tempt him into eating, but we were limited in our options because of the PLE.

We found that we could never leave him alone with Mabel in that last stretch because although she seemed to adore him, sometimes if he was acting strange like stumbling or struggling to get up she would react incongruously and either jump on him, or even one time she bit him though she had no teeth. We’re still not sure if she was just trying to help somehow, or if this was some kind of instinctual reaction or what.

The spring came late in 2023, but when the weather was nice enough we would still take him for walks, but we would take him in a stroller while we walked the other dogs on leashes, as he still enjoyed the fresh air and the sights.

We gave him a hair clipping in the spring with the help of Heather’s mom, because we couldn’t send him to the groomer anymore with all his conditions and he had gotten quite shaggy. It took three of us to do it, because he was getting pretty cranky about it at that time and snapped at the clippers a lot.

As May arrived, he was barely anything but skin and bones–when we had to give him a bath after a digestive issue, and all the fur clung to his skin, his ribs and other bones protruded very prominently.

He started to have trouble standing and walking for any period of time. We would feed him by hand in a bed, and when we took him outside we would stand him up and he could manage it after a couple tries and then we would carry him back inside. He got very sensitive about his head, which he normally would like to be pet, but if anyone pet him on the head in the last few days he would snarl.

He stopped eating his prescription food entirely and we had talks hourly about what we could do, what we could try, what other kinds of simple non-fatty foods we could try to feed him, and whether we needed to make the difficult decision yet. Finally, we decided, with him not eating anything and struggling to take care of his basic needs, we needed to make the tough call. We decided we would give him a chance to eat some junk food as a last hurrah, so on the last day he got to eat Arby’s roast beef, hamburger, chicken nuggets, and some other things that we normally could not allow him to eat.

The last week or so of his life, he could get very sensitive about being touched in certain contexts and he would snarl to try to get his space. Which, if he needs space, that’s fine, but it did make nights difficult because the dogs sleep in the bed and any slight movement would set him off. But it all worked out much better when we decided to put an open-topped soft-sided kennel by our bed, with a dog bed and a blanket inside it. That way he could have his space without being bumped, and we could know that he was safe and not wandering the house, and nearby so we could help him if he needed it. The last night with us, even though he was having trouble walking and didn’t seem to always know where he was, he was still diligent about informing us when he needed to go out, he reached the side of the kennel and clawed it with his paw so it made a zipzipzip sound and woke me up so I could take him out.

We used a home service, the first time we have done it that way instead of doing it in a veterinary setting.. After work we got him to the park for a last walk in the stroller before the vet came to our home, gave him special snacks. He passed away with the three of us holding his feet and petting him gently (but not on the head). After the first medication seemed to have him conked out, Heather patted him on the head and he still had some fight in him then because he snapped at it. But soon he slipped away peacefully, with his family at his side.

What Came After

Mabel missed him fiercely, looking around the house for him wondering where he was. Her general anxiety seemed to be worse. If she hears Michael yowling somewhere , then she has been freaking out trying to get to wherever he is. Maybe she worried that Mikko’s disappearance is not the last. We watched some old videos of Mikko; in the ones where Mikko barks she recognizes his voice and looks around for him.

Heather always looks for signs after a dog passes that the dog is coming back to visit. When Violet passed, she saw three cardinals in a group (one for each dog we had lost), so she was watching for cardinals again after Mikko passed. She didn’t see more than two cardinals the day after he passed, but she did find Mikko’s zebra leg, crab leg, and monkey paw lined up neatly under the projector screen where we watch TV and swore she hadn’t seen any of those for a while.

DP FICTION #103B: “Requiem” by P.H. Low

edited by David Steffen

Don’t you understand? I only ever wanted to make you proud.

***

This is dawn: fields shading from black to grey, flicker-fading starlight, our voices raised against the wind and the red scarves whipping our faces. Our song levitates us ten feet in the air, above dirt roads packed down by wagon wheels and chariots: Carl Lang’s Canter, an ode to unseen horses and sunrise and longing. When we sing—as long as we sing—our feet do not touch the ground.

The town in which we finally stumble back to earth is a tiny nest of weathered homesteads: cows collared with slow-tolling bells, a rooster’s crow, the smoke of yesterday’s fires a thin scrape against the air. A wooden pole stands in the main square, dark with carvings—poems, its makers would claim, never songs. I have seen dozens like it, windblown as excuses.

We surround the faded house to which Maestro has directed me, shivering against the wind. The sky teeters on the brink of rose and indigo; in the rising light, our robes glow like ghosts.

“For the Great Sound.”

I raise my gloved hands against the cold. Seven pairs of eyes meet mine—an octet, two singers for each voice part. Each of us newly minted lieutenants, eager to prove to the Empire our worth.

“For the Great Sound,” they murmur in turn, and adrenaline arches through my body.

I was born for this. Have trained all eighteen years of my life for this.

I sing our starting notes—a high clear D minor triad, no pitch pipes, not with us—and our voices call down fire.

***

This town. One of the Emperor’s spies heard a violin, its sweet unmistakable lilt escaping through the crack in a window, laughter muffled but not silenced by cold stone walls. The instrument itself is not strictly outlawed—only voices bend the earth, the air—but where there is a tune, there are songs, and where there are songs—

Foolish, these people. It has been a hundred years. They should have known.

***

We learn four songs for fire, one for every two years we spend in the Conservatory.

Ember, to warm.

Spark, to illuminate.

Flare, to signal.

Inferno, to destroy.

We discover, today, that the Inferno blazes red as the brightening sky.

I discover, today, that I can hear the violinist’s screams as she burns, even through her walls.

***

We touch down before the Conservatory wall as blush-streaked clouds pearl to white, our robes still dusted with ash. We could sing them clean, of course, and we do, for performances. But this is different: this is the blood streaked on the sheets of a first wedding night, this is the battle scar lanced across a once-soft hand, this is our only trophy when traitor and house have burned to ground.

“I hate when we hear them.” The second tenor—Cas. He leans into his roommate as we pass beneath the Conservatory’s marble watchtowers; the fog of their exhales curl into a single creature.

“Why?” I ask, and the two of them stiffen in tandem, feet lifting a beat too long. “The town is better off now than it was before.”

“You’re Hanwa,” the roommate tries—eyes lingering too long on my black hair, my olive-toned skin—and shrivels under my glare.

“The Empire honors all who serve it.” I stride back to barracks ahead of them, my red scarf flashing behind me, and hum the first few phrases of Inferno—my part only, and therefore harmless—over and over.

***

I wonder if you blame yourself.

I wonder if you think that first piano a mistake: the chipped ivory greyed with sweat and age, the wooden contraptions you strapped around my feet so that, at age four, I could work the pedals but not walk away from the bench. I wonder if you regretted sending me to the church elder who twisted my ears, or the sawdust-grubbed coins you slipped into his pockets as I pounded my fists on the piano bench and screamed.

I will not blame you. There is no fault to be found in a dark man in a pale empire, who only wanted the best for his daughter.

But what did you expect, stranger in a strange land? What did you think would happen?

When the soldiers came, whose song did you think I would sing?

***

“Bravo, Vitka,” Maestro tells me, one hand on my shoulder. Our steps echo off fluted columns, the wide marble hallway with its blue pools of floored sunlight, and my breath catches again—the Darbaum Conservatory, and I am inside, eye to eye with its commanding officer, addressed by the Imperial name I chose. “Cas tells me the house was but a smudge of ash by the time you were done.”

At least that boy gave credit where credit was due. “Yes, sir.”

We walk shoulder to shoulder through the mahogany double doors, thrown open to fresh winter air, then down the sweeping staircase. Maestro’s epaulets glint red and gold—four stripes like a future.

“There is talk,” he says, “of your company touring this season.”

A second dawn blooms in my chest. “Is there?”

He looks at me sideways. “I’m only telling you what I’ve heard.”

Darbaum has twenty companies of fully trained Kor, nearly two hundred voices. Ours is one of the smaller ones, but we never needed to be many, only the best. I would know—I chose them myself. I incline my head. “We would not be worthy of such an honor.”

At the base of the staircase, we pause. An old man stoops beside the adjoining road, robed in brown. A stranger, not a soldier, whom the guards have somehow allowed through.

When he looks up, his eyes widen, and he calls me by my Hanwa name.

***

No.

That man is not you. That man—bony-shouldered, twig-thin arms, white wisps of hair strewn over balding shine—cannot be you.

“You,” he says, his outstretched finger trembling, and I sing of crushed lungs and fleeing air until he sinks to his knees.

***

I do not kill him.

I do not kill him, because the Empire has not yet decreed it, because it is not my place to decide whether he is deserving of life or death.

I only let him fall, and as a couple second-years drag him away, grey robes fluttering, I watch Maestro’s eyes crinkle into a smile.

The stranger dies later, in the infirmary, fists clutched to his heart.

***

Again, you said, your breath heavy on the back of my neck.

Again.

There were never any blisters on my fingers—only an ache in my wrists and elbows, fear charring ash on the back of my tongue. I always got it right ten repetitions too late: ten lashes, two more hours stiffening on the cold bench, wincing every time I didn’t reach high enough.

Again, you said, and I watched a tear slip silver between the keys, burning a new vein like weakness. And I think, now, that you had no song but this: the shout and the lash, your arm weighted with all the lives you never lived; your insistence, in this country where you were suddenly nothing, that I live them all instead.

***

Crimson curtains rise on a mahogany-paneled amphitheater, a sea of silent faces. The Empire does not like to loose its hold over political prisoners, even after the labor camps; our people are too weak to handle the truth of governing, and rebellions may spark at a few overwrought stories.

And so: this room, velvet-swathed and trimmed with gilt, the prisoners’ wrists bound to their chairs and lined up like an offering. Pink trails leaking out of their mouths, from tongues excised by sixth-years in grey.

I raise my arms, hum an A and then D-sharp: the devil’s interval.

Song of Dissolution is dangerous even in pieces—we have only ever rehearsed in twos or threes, lest the world begin to twist—but in its fullness, every part will slip between three others at a time, echoing, amplifying, modulating. Accidentals will fall like stones in a stream—ripple through the main thread until the entire melody shifts, pulsing and perfect, and dissolves every living thing within its parameters to sand.

No one ever leaves this song alive—sometimes, if they’re not careful, even its singers.

Cas’s gaze meets mine. Behind him, another five hundred glares, heavy with apprehension. My palms tingle; my throat pulls taut. Ghost tongues lick the shells of my ears.

Behind me, I hear my Hanwa name.

The amphitheater goes liquid and slow, my hands frozen in the sign of universal surrender. Beyond the stage, half a thousand souls suck in the last oxygen they will ever breathe, blood sliding acrid down their throats.

Focus. One slipped note and the song’s power will ricochet. We will have to start over, if we have not already crumbled to powder—begin again and again until the fabric of the world bows, burns.

I hold the F-sharp behind my tongue. My pulse roars.

I am Kor, I tell myself. I am unbreakable.

My hands rise of their own accord, the old dance beaten into their bones, and on the count of four they fall like blades.

***

You arranged that first and only gathering—gathering, not a performance, because performances were events attended only by the Emperor and his entourage and cause for execution for anyone else. This gathering only a wind-beaten barn on a hillside, steeped in sunlight and old hay; the blacksmith’s sons grunting the piano up the hill as I stood quietly under a blossoming redbud. Only the slow plink of other children’s attempts, their mothers’ dry coughs and light clapping after.

And then. Then. The creak of the old bench, the linen rustle of my new white frock, and my hands danced across the keys as if they had been born knowing, and this was my language: not the stilted sounds I forced out in the schoolhouse, swamped by boys’ laughter and tainted with every word you spoke to me; not my head ducked in silence as the town ladies pursed their painted lips.

This, dark wings curled inside my ribcage. This, singing out of my hands.

No one would quite meet my eyes, after.

You must be twice as good, you said, and I was. I was.

***

Our octet sings of autumn: leaves red as proclamations, sun sunk cold beneath turning ground, high hills sharp with the melancholy of coming snow. It is a melody to tug at your heart and your bones; to take you apart, particle by particle, until all that is left of you is dust.

The prisoners listen, impassive at first. Then Ana slides into the arc of a soprano solo, the rest of us fading on a minor triad, and the darkness loosens like a sigh.

My hands, conducting, go still. From the seats, sand drifts upward, snow-soft, glittering under the lights. Hands disintegrate to nubs, pull out of manacles—except by the time the first man thinks to flee, he has no feet to stand on, then no calves, no knees.

Their eyes are the last to go: pinpricks of light, inscrutable as stars. Some of them, perhaps, the same brown as mine.

When we finish, quiet fills the amphitheater like a sunlit afternoon. Sweat gleams on our foreheads; my throat is a dry scrubland. I meet my singers’ eyes one at a time. We survived. We survived.

Then Cas, the idiot, chuckles—and we fall to our knees, howling with a laughter that should not be.

***

Maestro meets me outside the green room. His hair is dusted white—the third-years’ clean-up Whirlwind not terribly precise yet—but his uniform is starched ceremony-sharp.

“The Council would like to hear you in Kelsburg,” he says, both hands clasping mine, and a strange vertigo twists inside me, as if I have left my body. “They’ve commissioned a new octet from Carl Lang. Mountains and Night Sky. Absolutely sublime.”

The old man’s face ghosts the edge of my vision, his eyes flashing a warning. No.

But he has no power over me. Not anymore.

“Perfect,” I say, and smile so hard it hurts.

***

The morning after the gathering, the soldiers came to our town.

Flash of white at my bedroom window, song trailing the air like the first breath of summer, and I slammed out the door, my heart a bird thumping between my ribs.

“Take me with you,” I shouted, and my voice slapped the walls of other houses, cracked through my neighbors’ open windows. The blacksmith’s curtains flicked. I didn’t care. “I’m ten, I play the piano, my father wants me to go to university for it but I’d rather learn to sing—”

The Kor stopped in midair.

Two towering pillars of white, golden hair and eyes of lightest ice. Angels, I couldn’t help but think, come to answer the prayer sung by my hands.

“How old did you say you were?” the one to my right asked, and even their voice was a melody.

I lifted my chin. “Ten.”

“Then we will have you tested for the Conservatory.”

They did not ask my name. One of them nodded over my shoulder—to you, stooped in the shadows of the house, the lines of your face deepened with many hours beneath the sun. You, who had seen me run; who were already stooping under the weight of having raised a traitor.

You touched your interlaced fingers to your forehead in the old manner—I had seen you, some nights, thus salute the shrine in the corner of our bedroom—and bowed.

“Do as you wish,” you said softly, your mouth moving as if you knew some poem, some song, that would not gutter out like a candle in the sweep of the Empire’s storm. You did not look me in the eye. “Be good, child.”

You did not say my name, either.

“I will,” I said solemnly, my feet already turned toward my saving angels, and I meant it, and it was that easy.

***

Curtains rise on arches of stone. Chandeliers slant the walls amber, paint the air honey-thick. This is the Kelsburg Cathedral: a marvel of marble and glass, a prism of glitter when the earth turns toward dawn. Premiere stage for the Great Sound, and for us.

Our audience is eager this time—all powdered wigs and lush velvet cloaks, song-paled faces and bosoms crooned to voluptuousness.

“Sing!” they cry as we circle onstage, our white robes glowing from recent serenade. “Sing!” As if our voices could not kill them in a minute. As if they are not playing with fire.

But we can sing beauty, too, and Mountains and Night Sky carries us to the top of the Empire’s highest peak, the Milky Way flung high into the dark. Out beyond the velvet folds of sound, someone begins to weep.

Come back, you say, and then you are standing beside me on the peak, hand outstretched, and it’s really you this time: dark-haired, broad-shouldered, your mouth hardened the way it did when my fingers slipped yet again on the keys. This is not what I wanted for you.

The song wraps me in gossamer, a silken swath of stars. I keep conducting; my voice skims along roads I have paved in midnight rehearsals and traveled in dreaming. If I stop now, the illusion will wither, cast us as a company of fools. And there is Darbaum to consider: we will not be the first of its graduates to have slipped a note, but Maestro will know, and everyone listening. The school will lose face.

Not now, I think, but you shake your head.

You don’t know what they will ask of you next.

My throat moves in reply. Spit shoots down the wrong path, and shock lances my fists as I choke, try to swallow, breathe, breathe—

Instead, I cough, and the stars break.

***

“Vitka,” Maestro says, and his eyes are so kind. Cas stands silent and knowing behind me; a crimson bandage wraps Ana’s ear where the thwarted song lashed out mid-phrase. “Are you all right?”

Sleet spatters our foreheads. We are huddled outside the cathedral, cold seeping through the cracks in our boots, waiting for a carriage. No songs of unseen horses now—the rest of the company is too afraid to try.

The people dashing past us to ice-slick carriages pay us no mind, as if we have become one with the sopping hedges.

I raise my chin. My throat is dry, now. My knuckles warm with the echo of fingers wrapped around mine.

You used to hold my hand, when we walked into town. As if you could keep me safe.

“Yes, sir,” I say.

Maestro’s gaze flicks to my scarf, and it is my turn to be afraid. “Good.”

***

The next week, Maestro tells me of a whole town, singing. The Empire’s command: Inferno in the broadest parameters we’ve ever cast, a mile-wide radius of destruction.

No, you say, as I grin.

Yes.

***

We sing, we break.

Grandhalls crumble; horse-drawn carriages stagger and burn. A treasonous composer collapses in his ivory tower; seditious dukes gasp their last breaths in Oslar, drowned in oceans of sound and fury. Nobles stop to greet us in the Conservatory halls; Maestro begins to smile once more.

With every song, I tongue the fear at the back of my throat and vow: never again.

But even so. Even so. Your face darts through the fringes of my dreams. Your gravity bends me in an arc around your will. Your voice plunges into the soft place beneath my sternum; slashes down, spilling warmth.

And I feel myself crumble, hourglass-slow, into the shape you always wanted me to be.

So I sing louder. I break faster and for an hour, a day, I drown you out.

***

Our last stop is the Emperor’s palace, Mountains and Night Sky ghosting our inner ears alongside a new commission from the Emperor himself. This stage is its own world—colored glass threads the high beams, wrist-thin stone columns shoot up to a high crimped ceiling; as we arrange ourselves for sound check, sing a few experimental phrases, I think about the time you rode the carriage with me to Hettgart University, folded your hands as I craned my head up at centuries-old frescoes. The Emperor’s commission today is just that: Glory. An alto-tenor duo like a herald-march of trumpets, bass lines austere and forbidding as mountains touched with winterlight. Broken midway, its parameters incomplete, the song will whiplash as utter void.

B, D-sharp, F-sharp. My absolute pitch does not fail me. My hands do not shake as they rise. The eight of us breathe in together and soar from phrase to phrase, harmonies bloomed spring-bright and sparkling with dew.

Halfway through—a golden swell beneath my ribcage, clean scent of ocean, the Emperor’s distant inhale like a catching sob—your voice blows warm in my ear.

I love you.

You know that, right?

My throat closes.

In the silence, I watch my hands fall.

***

I love you.

I don’t know if you did. If you do. I don’t know if this weight you thought was love simply failed to translate, or how much of your strength was desperation, or whether it was a thing you used to know, the way one learns a poem by heart and then loses it to the slow grind of time. I don’t know if I can forgive you for once holding my hand, or myself for needing you to.

Only this: that I was never your promise to keep. That my future was never yours to bequeath me. That you wanted, and I ran, and maybe our need outpaced both of us—yours to sing through me, mine to be more than your song.

But I was always going to be your daughter. I could never have run away.

***

This time, when the song recoils, it shoots straight for my heart. As if it knows.

3308 words

P. H. Low is a Rhysling-nominated Malaysian American writer and poet with work published or forthcoming in Strange Horizons, Tor.com, Fantasy Magazine, and Death in the Mouth: Original Horror By People of Color, among others. P. H. attended Viable Paradise in 2019 and participated in Pitch Wars in 2021, and can be found online at ph-low.com and on Twitter and Instagram @_lowpH.

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DP FICTION #103A: “Every Me Is Someone Else” by Andy Dibble

edited by David Steffen

I’m seeing me in hospice. My mother. That me.

No. She. I have to remember. She’s in hospice, and I’m her son. I’m a son going to see his dying mother. I can do this. It’s not so hard to pretend. There are others. They aren’t me. Every me is someone else.

Although pronouns always seem like figures of speech. Except I. I always fits, and me.

I can fake it. I can pretend. But my mother—she’s a telepath too. I can shut her out, but what son does that? I can do this. What kind of son doesn’t go see his dying mother?

Room 301. It must be in the other wing. Past the kitchen where there’s a stainless-steel vat of some awful toffee pudding. It’s disgusting, and I’m not even sure which of my mouths is eating it. The yellowing wallpaper in the hallway has a nautical theme—reefs and waves and kids building sandcastles. They aren’t me. There’s no mind in paper, no me. If only every me were paper.

What kind of son wishes his mother were paper?

I’m a medical assistant coming down the hall in polka dot scrubs. I’m walking on the other side, glancing at me.

No, she. But a different she than my mother. It’s hard to keep track. Each is like an organ, involuntary functions only. My therapist says thinking like that is egotistical, but how am I supposed to care about others, when others is just something I tell myself?

It just seems so irresponsible, to assume other minds inside other bodies, to extrapolate from my own case. How weak is that? It’s a sample size of one. I had to take statistics, even though I’m a grad student in humanities. Other minds seem so made up.

I remember my name is Laeticia, and I have to pass meds to six residents in the next five minutes. My other name? Her name, even though she doesn’t have a nametag on, and she’s been working a double shift because a co-worker called in sick, that I have been, and I try to smile for me but don’t mean it, and I don’t mean it. I am Laeticia.

Laeticia is someone else. I’m Josh. I’m Joshua.

It’s helpful to frame people as bodies, even though my therapist says that deprives them of dignity. Bodies are distinct. They don’t overlap. Perspectives get confused. Bodies don’t get confused, even when I’m not sure if I’m remembering or mind reading.

My mom is a body in room 103. The wallpaper above the door is an octopus, all orange arms and suckers. Must be a coincidence, or a bad joke. Octopuses are bad news for telepaths, and not just because I’m allergic to seafood. They’re crowded, like me.

Before I turn into the room, I see my mom from her own eyes: wasted, blue veins, yellowish skin, a bed sore beneath my left thigh. The fan directly above me circulating air. I haven’t bathed and smell like it. Time has set in.

I smell like death.

I recoil, violently away. My mind, our mind, me. Her mind is there, me touching me, trying to hold on, saying, Why aren’t you open to me? I’m your mother. Privacy is for deadheads. No, don’t speak. Why do I have to ask? Why aren’t you open to me? What’s wrong? What’s wrong?

I open myself to her, a sea parting. I turn into her room, and see her, her seeing her, seeing me. Me seeing me.

It’s me dying. There’s no her, not her dying. How could another die?

There’s disengagement. My mother in bed isn’t responsive. She hasn’t been since my stroke. Her stroke. A mind is deep, withdrawn and scuttling on the bottom of a shivering sea, crying for me to see, to see and acknowledge her in her separateness. Not separate as bodies are separate. There aren’t thoughts for it. There’s me.

There’d been such expectation. I cannot speak, but we can speak, mind-to-mind. That should be enough. It should be.

But I am just me to me, crowded on every side. I’m not afraid for her, her dying. I’m afraid for me. Hiding would’ve been kinder.

What kind of son doesn’t believe his mom is someone else?

***

Bao

Before my first session with Joshua, I replace the Georgia O’Keefe prints of desert flowers on the wall behind my desk with people living life: a potluck in early autumn, an older couple embracing, a toddler elbows-deep in birthday cake. I want to get off on the right foot. Joshua’s prior therapist hadn’t worked out for him.

I offer my hand as Joshua comes in. He taps my mind with his mind, and waits for me to return the telepathic greeting. I shake my head.

“I thought we—err, you—were a telepath.” He says you like the word is a conspiracy he isn’t sure he can share. “There was a form at the desk.”

“I’m a weak telepath who was a much stronger telepath.” I can still sense strong emotion, the kind that’s normally plain. But it’s enough for the state. I’m on the Telepath Therapist Registry and have to get “consent for telepathy” forms signed by my patients before I can meet with them.

Joshua doesn’t pry. That’s good. Strong telepaths often become dependent upon their talent and never develop social intelligence. Most likely, he’s Type 2—his talent broke out in adulthood. Although it’s uncommon for Type 2’s to struggle with boxing, distinguishing mind from mind.

“It’s nice to meet you, Joshua. I’m Dr. Luo, although feel free to call me Bao.” He shakes my hand. “Before we begin, I need you to promise me you won’t try to read my mind.” I think I can keep him out, but there shouldn’t be confrontation between us.

“But telepaths are open with us, with one another. Privacy is for deadheads, non-telepaths, I mean.”

“No, it’s not like that,” I say. “You could learn sensitive information about my other patients, and it’s important we trust each other, that we operate on a level playing field.”

Joshua frowns again. I think he expected to communicate mind to mind, that we could work his issues out purely in thought.

“I’m not sure I can do that,” he says.

Is he really so strong that his mind can just wander into mine? “Saddie, come here, girl.” My golden retriever pads over from her plush doggie bed and sits next to me. “If your thoughts wander, just focus on Saddie. She’d love for you to get to know her.”

“Alright, how do we begin?” Joshua asks as he holds his hand out for Saddie to sniff.

“I understand you’re a graduate student in Buddhist studies. The referral I have says that you TA’ed a course and gave all your students the same grade. Do you want to talk about that?” The referral also says that he only responds when addressed in the first person, but he’s past that.

“I was embarrassed, I guess.”

“Why embarrassed?”

“Isn’t it obvious?” Joshua says. He’s frustrated enough for me to get a whiff. “Can we talk about something else?”

“Sure, what do you want to talk about?”

Frustration again. I gather he wants to be led more than I’ve been leading him. “Can we just start again,” he says.

“That’s fine. Next week. We don’t need to discuss everything at once.”

On his way out, he bends to pet Saddie on the neck, where she most likes to be pet. “I’m a good dog?”

***

Joshua

Bao offers me the gliding chair when I come in. Saddie perks up on her mat in the corner with the eucalyptus plant. “Come here, girl,” Bao says. I like dogs. My mom likes dogs too, which makes sense. But occasionally there are cat people. Occasionally, I’m a cat person too.

“About grading my students,” I say. “You asked about that?” You is the hardest pronoun. It’s archaic, like thou, but everyone thinks it’s fine. “The thing is, we shouldn’t pretend, especially when it comes to morality. If a choice only impacts me, this-me, sure I can just go through the motions, but when I’m grading I’m supposed to be honest. I shouldn’t just make up distinctions I don’t believe in.”

“But don’t you think morality requires an understanding that there are other people?”

“Maybe, I just know it shouldn’t be based on lies.”

Bao says, “When I was a telepath—a stronger telepath—other minds were as plain as day to me, like colors in a rainbow. But telepaths don’t all see the mind the same way. Telepathy didn’t solve philosophy of mind, it just made it more of a social science, more based on interpretation and case studies than on neurology. So I think it’s fine to act from uncertainty, to act even supposing you’re wrong.”

“That just seems, disingenuous, I guess.”

“I can respect that. While we’re being genuine, I’d like to know your reason for coming to see me because I don’t think it has to do with your graduate student funding.”

I figure it’s time to trust Bao. He’s only me after all. “My mother is dying, and I went to go see her. But I knew that I was only afraid for myself. She knew, I mean. I knew that she knew. I—I mean she—was there so thin in that bed, like a bird, and I could only think about me dying.”

“So you want to see her again?”

“I should. I’m her son. But if I go, I’ll just disappoint her again.”

“Your mother’s also a telepath?”

I nod. “She’s non-responsive in other ways, but she can still communicate.”

“Have you considered only opening a part of yourself? I think she would appreciate you trying, an honest effort goes a long way.”

“Not for my mom. She’s very principled, doesn’t appreciate half-measures. She was really vocal in the telepath civil rights movement. We didn’t have much of a relationship when I was young. She was busy, and I hadn’t broken out, and she wasn’t sure how to connect with a deadhead.”

“I see. Are you willing to tell me how much time the doctors have estimated she has?”

I shrug. “Months, maybe less.”

“Hmm, what animal minds have you read?”

This again. “My last therapist had me try crows, chimps, even dolphins. Each was different, but still just me, like backstage on National Geographic.”

“Have you read an octopus?” says Bao.

“No, octopuses are dangerous for telepaths, aren’t they?”

“Oh yes, an octopus is why I’m not the telepath I was. But I think it’s our best shot, if you’re willing to take the risk. Are you?”

“I guess,” I say. “Telepathy hasn’t done me much good.”

“Getting burnt out, like I did, isn’t common. I wouldn’t suggest this if it was, but I want you to think seriously about what not being a telepath would mean to you. If connecting with your mother is what’s important to you, not being a telepath could be a setback.”

“I don’t think I’m going to just outgrow how confused I am. There was so much frustration, disgust even, with me. I couldn’t even acknowledge her without getting tangled up in myself. I couldn’t move beyond the immediacy of my own death, if that makes sense. Is there another option, something that might work fast?”

I already know there isn’t.

“No,” says Bao. “Everything else will be a process.”

“What makes you think an octopus won’t be just like all the animals?”

“The otherness of an octopus’s mind isn’t something you can interpret away. You’re confronted by it.”

***

Bao

I call Samuel, a friend from my roaring twenties, when telepathic skill wasn’t a protected category in anti-discrimination law, and work for telepaths was often underground. Samuel owns an aquarium. Or rather a glass-concrete home he converted from an aquarium, his way of getting around laws against owning exotic pets.

“How’re you, Mindfuck?” he says. I hate that name, but once upon a very high time, I picked it.

“Can I borrow Harriet?”

“Whatever for? I thought you were done with the Games.” He means Mind Games, high-stakes competitions where telepaths try to tease out what the other guy is up to.

“It’s for a patient.”

“Didn’t think shrinks did lobotomies.”

“You know it’s not like that.” Samuel had bet on me in the Games, on Mindfuck. I’d made him a lot of money, until the end when the target was an octopus. Its mosh pit mind was the last mind I read in detail, but it’s not like it fried my brain.

“Don’t think anyone knows the real downside. That’s why I keep Harriet around. Telepaths keep their distance.”

“Listen, he’s on a timeline, and there’s nothing else fast that hasn’t been tried.”

“Fine, although I need proof that your malpractice insurance will cover this if it goes sideways.”

“Thank you,” I say, relieved. I had no Plan B. Aquariums don’t keep octopuses anymore because of the danger. A surprising number of people have telepathic ability they aren’t even aware of and chalk it up to intuition.

***

Joshua

Bao said that I wouldn’t be able to keep the octopus out, that telepathy is like breathing for them. It’s how they organize themselves.

He hadn’t been exaggerating. Never been good at keeping thoughts in one body. No resistance, no greeting. Privacy is for deadheads. Drowning. I’m drowning. I’m?

There isn’t glass between us. There isn’t water. I’m breathing water. I have two thousand fingers. How many brains? Each sucker moves separately. Like a finger.

Arms in my brains. My arms have brains? Our arms have flourishing brains. They’re changing color, for camouflage. And we’ve never liked crab so much, have we? But we thought we were allergic to seafood. Ha, I’m an octopus allergic to seafood.

That isn’t right. Reading is supposed to be all surfaces and reflections. That’s what made me continue in Buddhist studies in the first place. The raw perception that mind is not a substratum. There’s nothing of a soul, none that we’ve seen. It’s just momentary thoughts, arising and collapsing into nothingness. Memory isn’t a vault, even an empty vault. It’s just what’s being remembered.

Reaching out, pulling down. Embracing myself again, wanting to know more. Arm in arm in arm. There’s no surface tension, we’re deep, like angler fish deep. Deep memory, intentions, the wavering behind, all the roiling behind consciousness. We’re probing: A threat? Have crab? Fish? Help us escape?

The inner voice is not one voice. We know that now. I had selected one voice and superimposed it on others: I’m a self. We should be too. But telepathy is how we coordinate, arms and head and beak and mouth. We are a swarm, passing messages, whispering.

I am an I—this helped us along, helped us pretend. I am an I made all the fissures in self incongruous. Remembering lives that don’t quite square with us, reading them, contrasted with the persistent sense that I am a unity, an I. We could hypothesize an I that is you.

But the struggle is gone now. What is you to us? We are not alien. The otherness is already inside. These words are not just a mystery, gawked at from the outside. They’re madness driven upon us, like a screw. That madness holds us together, keeps us sane. We are Laeticia. We are Bao. We remember. We are everyone—all voices synchronized.

What is another to us?

What is our mother to us?

We wish to know the answer. Ignorance is threatening. Sharks and eels eat the ignorant. But I—that abstraction, that monolith, that tight unity we no longer have use for—does not want to give an answer. It calls itself Joshua. It wants to hide that part of itself. It is selfish, covetous.

But we are not shark. We are not eel. We believe this. There is no reason, just as there is no reason for our arms being us—but still we go about believing it. Once when we were young, a shark tore our arm off and swam far away. The arm was still us, for a while—and then it grew back—but the shark never was. This we believe.

We believe we are not Joshua.

She turns, swims away. Sprays ink in the water.

I am Joshua. Not Laeticia. Not Bao. I am not my mother. They’re away, far away, separate.

I recall that, in some Buddhist traditions—some Mahayana traditions with all the bhumi levels and bodhisattvas with swords, the kind that always seemed like sophistry to me—the idea is that ultimately there are no distinctions. Distinctions only arise in the mind, and ultimately, even the distinction between minds and not-mind is a convention. Even mind breaks down under analysis. Even analysis breaks down.

Someone who realizes this, truly realizes this and is enlightened, doesn’t just dissolve into the ether, they don’t shed their connections with other minds. They return to everyday life and adopt its conventions. They put on everyday experience, like a freshly laundered suit. Not because everyday experience is real and other experience is not. Because they feel overwhelming compassion to help others realize the truth they experienced. So to teach, they reassume the same conventions that everyone believes.

Strangely enough, I think that’s what the octopus does when it approaches a mind and disengages to go about other business. There’s no reason for me to be different from her any more than there’s reason for her arms to all be the same mind. Each has its own brain. Each has autonomy. But because of evolution or some knack, she just assumes these are her, others are not. She has no principled reason. It’s not the way of things. It’s her way.

I think it can be my way too.

***

Bao

Joshua and I convince his mother’s hospice that we need to check her out, even though she’s actively dying and non-responsive, at least to anyone that isn’t a telepath. It doesn’t help that the only van Joshua could rent on his grad student stipend is a real rust bucket.

They recommend against it, strenuously. But they don’t have any telepaths on staff, so eventually they just go along with the idea that Joshua knows what is best for his mother. Though he has to wave his power of attorney in front of their director of nursing before she backs off. She insists that none of her staff will drive the van, which is precisely the point. The point is for Joshua and his mother to be alone. Undisturbed. Just two people.

I drive the van. I’m very good at not disturbing telepaths, at keeping them out. Playing Mind Games as long as I had will do that to you. I drive out of town, to green space between soybean fields after the suburbs taper off. There must be wildlife about, deer and field mice and gophers and worms, but this is the best we can do. Joshua never suggests it is less than enough.

Joshua and his mother are two people together, saying goodbye, mind to mind as telepaths do.

3189 words

Author’s Note: This story was inspired by my interest in the problem of other minds: How can we know minds other than our own exist? (Answers range from “We can’t” to “We can, and other minds can know our mind better than we do!”). The problem is especially interesting when considering minds of the radically other, like octopuses. The Buddhist studies angle came out of discussions I had with a professor in graduate school about whether certain Buddhist philosophies, like the Middle Way of Nagarjuna, are coherent or are meant to be.

Andy Dibble writes from Madison, Wisconsin, and works as a healthcare IT consultant. He has supported the electronic medical record of large healthcare systems in six countries. He holds a master’s of theological studies from Harvard Divinity School as well as degrees in computer science, philosophy, religious studies, and Asian studies. His fiction also appears in Writers of the Future, Mysterion, Sci Phi Journal, and others. He is Articles Editor for Speculative North and edited Strange Religion: Speculative Fiction of Spirituality, Belief, & Practice. You can find him at andydibble.com.

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