DP FICTION #36A: “9 Things the Mainstream Media Got Wrong About the Ansaj Incident” by Willem Myra

1. Jeter and Amir were neither thugs nor terrorists. They were dumb kids, plain and simple. They meant no harm to anybody, human or alien. They were armed with blatantly obvious toy guns and throughout the whole ordeal they used PG language.

2. They weren’t turned into ash. Weren’t deleted from existence with the pull of a trigger. There was no disintegration ray involved. The alien guarding the main gate used vasoconstrictor-based pistols. That’s how Jeter and Amir died, from internal bleeding. The medical report that wasn’t shown on TV confirmed it.

3. Many have speculated about why they tried to trespass on the Ansaj military base. To the three main theories I say: no, no, and no. They were not spies (Jeter and Amir? Two twenty-something nerds who couldn’t even jump over a fence? Please!). They were not thieves. They were not on drugs. They were, however, like most of us, in search of money and fame.

4. Right before dying, they didn’t shout, “Allahu Akbar!” or, “Go back to your home, alien scum!” like many make-believe eyewitnesses have reported. What Jeter and Amir really said was, “Where’s the kaboom?” They were quoting Marvin the Martian from Looney Tunes (heck, they were even cosplaying as him) in what was supposed to be the title of the video: WHERE IS THE KABOOM? [PRANKS OUT OF THIS WORLD].

5. Jeter wanted to become an actor, having never experienced the grimier sides of LA. Amir was to start college in autumn, convinced by his parents that this was the best he could do with and about his future. The two of them first met not on Craigslist, like one CNN article clams, but through a workshop on successful public speaking.

6. They were wannabe YouTubers. Unable to find an audience on their own, they had accepted to work for a 1-million subcribers prankster channel in exchange for exposure and two hundred bucks each per video. For their debut video they were to shoot aliens with Nerf guns, shout quotes that might appeal to 90’s kids, and try their best to get a reaction out of the aliens. Little did they know the aliens couldn’t recognize a fake weapon from a real one.

7. Once they stopped panicking, the aliens did their best to resuscitate Jeter and Amir. They even called the county sheriff’s men, but it was too late by then. I know: I was one of the three guys filming the “prank” from a safe distance.

8. One thing the mainstream media actually got right: the aliens are not at fault here. But neither are Jeter and Amir. Yes, they did something reckless expecting no lasting consequences from it. But they were pushed, manipulated, brainwashed even. The only one truly at fault here is Mitchell Joysel, founder of the PrankedYaHard YouTube channel. He convinced them what they were doing was legal and socially acceptable. That they would get a shitload of views out of it. “If you have any second thoughts,” he told them, “think about this. You could be the first humans to prank an alien—ever! You do this, you’re gonna be mentioned in history textbooks for centuries to come.” Jeter and Amir—their only sin was stupidity. The greedy, boorish prick here is none but Mitchell Joysel.

9. The Feds got a hold of the CCTV footage showing Jeter and Amir’s attempt at a prank and subsequent death. Not on our footage, though. I still have my perspective and so does, unfortunately, Mitchell (he bought the recordings from the other two cameramen; I didn’t want to sell mine, didn’t seem right to put a price on someone’s death). He is going to release a video this weekend, has it scheduled already from what I’ve been told. He’s going to preface it saying the Feds had threatened him with a lawsuit or some BS, but that he felt morally obliged to share it with the world, to show the people the truth. Don’t believe him, guys. It’s all a ruse. He doesn’t care about Jeter or Amir or any of you. All Mitchell cares about is making easy money. Which brings me to us. I am posting this video to ask you guys to: not watch whatever Mitchell’s going to release, to dislike it to hell, and to flag it for violent or repulsive content. Please, guys. I get it, Jeter and Amir shouldn’t have done what they did, and maybe they deserved to die. However, that doesn’t mean that some thirty-something douchebag comfortably sitting in his LA flat should benefit from all the spilled blood. Do you really think that sounds right? I don’t. People say the YouTube community is heartless, immature, and toxic. The worst online community out there—or at least one of the worst after 4chan’s. I’ve been on YouTube for a couple years now and I know you guys are capable of nice things. So what do you say we prove them all wrong? Let’s come together once more and stop Mitchell Joysel from monetizing this tragedy. Alright? Thank you, guys.


© 2018 by Willem Myra

 

headshot-willem-myraWM is the author of a surreal fiction chapbook, Kennel-born, out from Thirty West in the summer of 2018. His work has popped out here and there in Litro, Geometry, AntipodeanSF, and elsewhere. Drop him a line @WillemMyra

 

 

 

 

 

 


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MOVIE REVIEW: Despicable Me 3

written by David Steffen

Despicable Me 3 is the 3rd in a series of comedy/action computer animated films feature ex-supervillain Gru and his family:  three adopted daughters, and his partner also-ex-supervillain Lucy.  Gru (Steve Carell) and Lucy (Kristin Wiig) work together at the Anti-Villain League to take down villains like they themselves used to be. Together they track down the 80’s child star turned villain Balthazar Bratt (Trey Parker), but fail to capture him.  This combined with an AVL change in management, and both Gru and Lucy are fired from the AVL.  Lucy is struggling with her newfound status as parent, and now Gru is struggling to deal with being unemployed–should he take up his first occupational love–supervillainy?  Pulling him out of his doldrums, Gru is contacted out of the blue by a brother he never knew he had named Dru (also Steve Carell).

The movie has much of the irreverent silly feel poking fun at spy movies like James Bond, and gets much of its humor from the continued antics of Gru’s minions, his tiny yellow high-spirited lackeys who are always up to mischief.  Balthazar Bratt’s villainy is a great source of silliness as well, with lots of 1980s in-jokes for the parents–from his personal fashion sense to the style of his gadgetry.  If you’re looking for light silliness with action, this isn’t a bad choice.

But I personally found the Gru/Dru plotline boring and annoying.  I thought the idea of a long lost brother Gru never heard about was a fun idea, but I feel like they should’ve hired new voice talent instead of just having Steve Carell who has played the lead for three movies play a second lead role.  I mean, I like Steve Carell, but I don’t think re-casting the same actor multiple times is ever likely to improve a movie.  So, largely because of this, I preferred the first movie (and what I’ve seen of the second on cable).

 

MOVIE REVIEW: Coco

written by David Steffen

Coco is the newest adventure/comedy animated film from the ever-popular moviemakers Disney/Pixar, released in November 2017.  The movie tells the story of Miguel, a young Mexican boy who is an aspiring musician in a family where music has been forbidden since Miguel’s great-great-grandfather abandoned his family to pursue his music career.  Miguel idolizes the legendary musician Ernesto de la Cruz.

Miguel is determined to enter the music competition on the Day of the Dead (the one day of the year when the dead are allowed to come back from the other side to visit their living relatives, as long as those relatives hang photographs of them in their honor), when his grandmother discovers his guitar and smashes it.  Still determined, he breaks into the tomb of Ernesto de la Cruz to steal the guitar enshrined there.  Stealing from the dead on the Day of the Dead curses him to be sent to the land of the dead (with his stray dog friend Dante tagging along) where only his dead relatives can free him back to the land of the living.

While there he meets all of the dead members of his family (all of the dead people are skeletons) and their animal spirit guides, seeks out Ernesto de la Cruz, as part of his quest to return home to his family.

Pixar is easily one of my favorite moviemakers, and Coco is in the upper end of Pixar’s movies.  It’s a wonderful, enjoyable movie, lots of laughs, lots of fun action and dramatic moments, the main character and his doggy sidekick are very lovable, and his family are relatable as well, even when they’re also infuriating.  And, true to Pixar form, it made me cry.  Highly recommended!

MOVIE REVIEW: The Last Jedi

written by David Steffen

The Last Jedi is Episode VIII of the main number Star Wars series, picking up soon after the events of The Force Awakens, and with many of the same characters as well as some new ones.  Rey has just arrived at Luke Skywalker’s secluded hideout to ask for training.  The First Order has broken the New Republic, so that all that’s left of the republic is very limited resources and people, and the First Order has taken over rule of much of the inhabited planets.  Kylo Ren continues to be a main figurehead of the First Order, even as young and inexperienced as he is, and he answers to Supreme Leader Snoke, his Sith master.

I quite enjoyed this latest entry in the Star Wars series, probably one of my favorite installments yet, in large part because it builds on the fun and adventure and strong characters of the previous versions, but it plays with expectations in interesting ways.  We have all been trained by past movies to expect that certain plot elements will be present, and when they’re present they will invariably turn out a particular way.  I’m not terribly opposed that style, especially for a movie like Star Wars that’s primarily meant to be fun and exciting, but at the same time it is refreshing to have those expectations played with.  I loved what they did with the Rey/Luke interaction, there were lots of fun epic battles, I loved what they did with the Rey/Keylo interaction, and I particularly loved the new character Rose Tico, a rebel maintenance worker who befriends Finn.  It was great to see Leia back, even though I was waiting to see how they were going to handle the story given the death of Carrie Fisher.

One thing that surprised me was that it seemed like there was a lot more comedy in this volume than in previous movies in the series, which I found a pleasant surprise.

I have heard some people say they didn’t like the movie for this reason or for that reason, usually citing plausibility reasons.  You can like or dislike a movie for whatever reason you like, but I admit I find citing plausibility as a reason for disliking The Last Jedi.  The entire series is based on implausibilities.  Laser swords.  Planet-destroying weapons.  Fatal design flaws in planet-destroying weapons that could’ve been prevented with a vent cover or a 90-degree angle in a vent system.  The plausibility issues are a Star Wars tradition.  As long as there’s lots of good characters and action and fun, I’ll forgive a lot of plausibility issues.

I would highly recommend seeing the movie.

 

 

 

DP FICTION #35B: “Brooklyn Fantasia” by Marcy Arlin

Griffin was an undocumented immigrant griffin from Cardiff, Wales.  He lived with Bringer of Dreams, a semi-materialized entity from Albuquerque, and Fossil Leaf, an animate rock, on the first floor of a run-down salt box row house in Vinegar Hill, Brooklyn.

Griffin had golden fur and an emerald beak and was extremely vain about his fingernails. Rumor had it that he had known Richard the Lion-Hearted, but since he had started the rumor, no one believed him.

Bringer of Dreams had run away from New Mexico after a minor scandal with a coyote. He usually wore a large blue, black and red mask and green tunic. He was seven feet tall with large red feet. Bringer wanted to wear skulls on his belt, but his roommates discouraged this, citing health statutes in New York City.

Fossil Leaf was flat and grey, and had once been a Zamia furfuracea cycad. He had escaped being chomped by a dinosaur, way back when, but was undone by volcanic ash. Last year construction workers at the condo site next door had tossed him on to the stoop of the row house.

The neighborhood was cheap, as yet ungentrified, and only five blocks from the semi-regular G train. There was a slummy Key Food supermarket for shopping. The housing projects on the other side of the Brooklyn Queens Expressway were a short flight away.

This September, like every last Sunday of the month, the landlord came by to collect the next month’s rent, which they left in the mailbox outside the front door. But instead of just taking the money (a cashier’s check) and leaving a receipt as usual, he banged on the door.

No one answered. He kept banging. Finally Griffin got pissed at all the noise while he was trying to take a nap. He flung the door open. Bringer of Dreams and Fossil Leaf stood out of sight, listening.

“What!?” Griffin roared.

The landlord, being a Brooklyn slumlord, was unfazed by the appearance of a large roaring golden creature. He had seen worse.

“You gotta move, you and your buddies. I sold the building last week and the new owners are going to tear this shithole down. The bulldozers are arriving on Friday.”

“We got a lease,” Griffin informed him. “Till January.”

“Sorry. That’s the way the cookie crumbles. I got one and a half mil for this place, and your lousy $850 does not compare. If you don’t leave I call the City Marshall.”

“What about the next month’s rent we just gave you?” inquired Griffin, perhaps too politely.

The landlord shoved an eviction notice at Griffin and turned to go. Huge mistake.

Griffin ate him, rent, fanny pack and all. Then he closed the door, leaving a slight red patch on the stoop.

Bringer of Dreams sighed. Fossil Leaf said nothing. He had been homeless before.

An hour later, as they sat in the living room, trying to figure out their next step, Griffin regurgitated the landlord’s bones on the kitchen linoleum. Bringer of Dreams got up from the sofa and spirit-melded them together into a jangly skeleton and hung them from the front door.

Still, it was dinnertime and discussion about living arrangements could wait. As usual, no one had gone shopping, so they decided to order a pizza from Domino’s. Nick’s Pizzeria wouldn’t deliver to them anymore since Griffin had eaten the delivery guy.

Fossil wanted broccoli on the pizza. Bringer wanted black beans and corn, which Fossil Leaf said was stupid. Bringer got insulted and tossed Fossil Leaf against the wall. Fossil cursed at Bringer and tried to smash his feet. Griffin told them both to shut up or he would claw them to pieces, which shut Bringer up. Fossil Leaf kept yammering on about what is and what is not a vegetable.

They decided to go halvesies.

Griffin hated pizza. He opened the front door, smiled at the skeleton and flew up to the roof to catch the sunset. He licked his fur and feathers until the oils reached their tips to absorb some Vitamin D. He had to think about the move.

Bringer made the call to Domino’s. The pizza came after half an hour. Bringer put the pie on the living room floor. Fossil Leaf flipped into the box and smooshed himself in the cheese. Bringer removed his mask and gobbled down his half.

When the sun set, Griffin cat-padded down from the roof, using the rickety stairs in the hallway to the apartment. He was disgusted to see a cheesy tomatoey Fossil Leaf crashed on the sofa watching The Amazing Race.

Bringer of Dreams was getting dressed for a night prowl through the dreams of some unlucky souls in the projects. He changed into his headdress, his Ricky’s Novelties acrylic fox tail and his hand-made blue and green synthetic deerskins. If he wore the real stuff, people would come up to him and yell about animal cruelty.

“You are resplendent,” said Griffin. Bringer appreciated the compliment. He worked on his appearance.

“We’re leaving,” Griffin shouted to Fossil Leaf, who was on the couch channel-surfing and muttering about there being nothing on TV anymore. Griffin needed to stretch his wings and case the neighborhood looking for a suitable place.

“Don’t forget to clean the cheese off the furniture,” Griffin yelled. “It’s disgusting in here.”

“Screw you,” said Fossil Leaf, settling on a Law and Order rerun.

“See you later, brother. Got some heads to haunt,” said Bringer of Dreams cheerily, and sauntered off under the BQE down to Sands Street, adornments jangling.

As Griffin flew over New York City, snatching rodents, he pondered their situation. This apartment they had found by pure accident. He had run into Bringer, who was also looking for a place, while roaming the roofs of downtown Manhattan. Bringer thought a walk across the Brooklyn Bridge might be fun. At the exit ramp Griffin had flown off and landed on the roof of their current house. No one lived there. They moved in and one day the landlord showed up and said they had to pay up or be evicted. That was three years ago.

Now, Bringer of Dreams materialized in Apartment 8D in the projects. A young nurse who worked at Methodist Hospital slept deeply, exhausted from a 12-hour shift. Her walls were hung with colorful tapestries and pictures of her family back home in Grenada. Bringer sang her a song about oceans and pelicans. She woke up sweating and in tears. She thought about quitting her job at the hospital to go home and take care of her mother.

At sunrise, the two night-stalkers returned to the apartment. The TV was smashed to smithereens. Fossil Leaf was lying on the sill in the kitchen next to the geraniums, basking in the southern exposure sunlight. He sobbed softly. He wailed about missing photosynthesis.

“Get over it,” said Bringer. “We’re talking 65 millions years, give or take. Want some breakfast?” He went to the kitchen and opened a package of instant oatmeal.

Griffin was exhausted. He plopped on the raggedy brown carpet in the living room, avoiding the greasy pizza box, and started to clean himself. He was sick of Fossil’s kvetching. Maybe they should just split up.

Bringer had gone into the bathroom to have a shave. He called to Fossil Leaf.

“You really should get out more, my friend. Maybe the park? Go dancing?”

“Oh fuck off, will you,” muttered Fossil Leaf. “What do you know about my life? You are barely corporeal.”

“My, my. Corporeal. Aren’t we fancy,” said Bringer. He finished shaving.

“Shut up, both of you.” Griffin squawked loudly. He put his hind leg down and sighed. “Tomorrow we got to find a place. Now I need to sleep.”

He went back up to the roof for a catnap. He curled his long sleek tail around his beak. Bringer of Dreams went to his room, removed his clothes and curled up under the light blue IKEA comforter. Fossil Leaf fell into a bowl of Lucky Charms and was soon snoring.

On Tuesday, Griffin took Fossil Leaf with him to look at a place in Park Slope that was advertised on Craig’s List. Not surprisingly, what was advertised as a two-bedroom turned out to be a refurbished boiler room with two particleboard closets.

“$2,275 for this crap!” exclaimed Griffin, and promptly ate the real estate broker.

“She said she had a place near the BQE. You could’ve waited to chow down,” said Fossil Leaf.

“I hate being lied to,” replied Griffin. “Anyway, too much pollution with all that truck traffic.”

On Wednesday, Bringer told them that he had seen a “For Rent” sign in front of a six-story apartment building in Clinton Hill, a hop, skip, and a jump from Vinegar Hill. It was a co-op whose owners lived in Dubai.

They checked it out. Bringer tried hard to look human and pretty much convinced the owner that he was a trans-species performance artist with a trust fund. The only issue was that all the renters had to be approved by the Board.

“What the hell is a credit rating?” said Fossil Rock.

“Whatever it is, I am sure we don’t have it,” said Griffin. “Too bad. Sounds like a great place, parquet floors, dishwasher, doorman.” He clacked his beak hungrily.

“Would you please stop thinking about dinner for a change?” said Bringer of Dreams. “We’re going to be bulldozed in two days.”

Griffin had a friend in Prospect Park, a golem who had been left there by a rabbi from Crown Heights. Maybe it knew of a place. Never hurt to ask. Two bedrooms and one bath. Fossil Leaf usually slept on a sofa. He had to admit he’d miss the guys if they split up.

That evening, Griffin jumped onto the top of the B69 to Prospect Park.

He got off at Grand Army Plaza and loped to the northeast side of the park. He caught and ate a bunny and a squirrel.

Golem knew of only one place, way the hell out in Sheepshead Bay, by the water. Some abandoned fish restaurant. Golem claimed the area was unlikely to gentrify any time soon, given that it was at least 90 minutes from the Financial District. There were plenty of fish. And fishermen.

Thursday night they trekked out to Sheepshead Bay to look at the ex-fish restaurant. There was a full moon. The fish were awake, snipping at bugs on the water’s surface. Small fishing boats moored at the docks gently rose and fell, giving off a sweet flounder smell. Their white sides glowed and guided the trio to the abandoned building not far from the wharves. Across the inlet a few lights could be seen from the homes of the Manhattan Beach families, waiting anxiously for the next hurricane.

It was quite peaceful.

The building was a dull weathered red, with once-white doors and window frames. Inside were cobwebs, mice, rats, mold, and rotting dampness. A sign hung off the roof that said “Sal’s Fried Fish. All you can eat-$5.96.

“That’ll be the day,” said Bringer. “You can’t get a latte for under $7.00 in Brooklyn anymore.

“I hate it,” complained Fossil Leaf. “You can hear the dead. Not to mention wildlife.”

“Would you two please stop?” Griffin was really tired. He now owed Golem a favor for finding this place for them, and you didn’t owe favors lightly to golems.

“According to the golem, some dead geezer owns the place and will let us live here, no questions asked, for five hundred a month. There’s a toilet in the back, and a phone line. I checked and there are plenty of Italian places around, so you two will be well supplied with pizza. What do you say?”

“I still hate it,” said Fossil Leaf. “Too much water.”

“You don’t go anywhere, so why do you care?” said Bringer of Dreams. He sniffed the salty air. “I mean, a person could come up with some really nice dreams here. All watery and drowny. Tangled up in nets. Getting lost in a storm. I like it.”

“I guess it’s okay,” mumbled Fossil Leaf.

The place put Bringer in a good mood. He had grown up in high desert, and the ocean breeze was a refreshing change.

Griffin flew them back to Vinegar Hill and gathered up their few possessions. They went down to DeKalb and got the D train out to Sheepshead Bay. It was 4 AM and no one on the train noticed them, or if they did, they didn’t care. Or if they cared, they pretended they didn’t. New York subways, for goodness sakes. Everyone rides it.

It took them a couple of hours to settle in. Friday morning the rising sun streamed in the front window of their new place. Fossil Leaf, in spite of himself, went to bask on the ledge in a planter that held the dead shriveled leaves of a rubber plant. It still had some dirt; he dug himself a comfy little depression.

Bringer found an upstairs room where the former owners used to take their mistresses. It still held a large gilded mirror and a cedar closet.

Griffin found a balcony that faced the inlet. The wind ruffled his neck feathers. He stretched his claws, flexed his tail, and lay down with a large sigh.

All the mice and rats left rapidly.

He thought, you know, sometimes if you have to move, you can actually find a nicer place. He closed his eyes, contented.


© 2018 by Marcy Arlin

 

Author’s Note: BROOKLYN FANTASIA began as a writing prompt by Betsy James in one of her amazing online workshops. She suggested we look at an altar we have, or one created by one of the other participants. Fellow SF writer Kathy Kitts uploaded a photo of hers that included, um, a miniature griffin, a Hopi katchina doll, and a fossil leaf.  Now what would those three creatures do together? My husband and I had just moved into a new place in Brooklyn. The four months of hellish apartment hunting came to mind. Hence, the story.

 

Marcy Arlin member of Brooklyn SF Writers group (BSFW) at The Brooklyn Commons 06/16/16Marcy studied at the Gunn Center with Chris McKitterick, Andy Duncan, & Kij Johnson, and with Betsy James. She is a fellow at the Writer’s Institute (NYC) and is a Fulbright scholar to the Czech Republic and Romania. Marcy is Artistic Director of the OBIE-winning Immigrants’ Theatre and has taught theatre at CUNY, Yale, Brown, University of Chicago (her alma mater), Pace. Marcy’s theatre work with immigrants, interculturalism and social justice is a strong influence on her spec fiction. Publications: Daily Science Fiction, perihelionsf.com, Kaleidocast 1 & 2, Broad Universe Sampler, Man.In.Fest. Experimental Theatre Journal. She is a producer/host for the BSFW podcast and is editor of Czech Plays: 7 New Works, Immigrant Artist Interviews (tcgcircle.org),Eastern European Playwrights: Women Write the New (SEEP Journal). In the works is a science fiction murder mystery. Marcy  is a member of Brooklyn Speculative Fiction Writers and Theatre Without Borders and lives in Brooklyn with a ghost and two cats. (bio photo by Melissa C. Beckman)

 


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2018 Publishing Schedule

written by David Steffen

2018 will mark some exciting new additions to the Diabolical Plots publishing lineup.  As well as publishing original fiction online, as Diabolical Plots has been doing since 2015, these stories will also be collected into ebook anthologies.  The main goals of this effort are twofold.  First, to find new readers for Diabolical Plots that ebook platforms like Amazon and Kobo will provide.  Second, to try to work toward the original fiction breaking even financially–which has not been the case in the past.  That will help ensure that I’m able to keep doing this long-term.

For this to work as well as possible, the ebook anthology will eventually need to publish stories before they’re available on the website.  So you’ll be able to read them early in the ebook, but you will be able to wait until they’re on the website to read for free.  But since the website has a few-year headstart, it’s going to take some catching up.

To this end, 2018 will mark a pretty busy publication schedule to get this plan on track.  Also, if you have been a donor or are thinking about being a donor, if you donate at a $5/month level, you’ll get the ebooks early as long you maintain that–and this will be a great year to do so, with an ebook every quarter through March 2018.

I am very excited to see how these changes work out, to make the whole publication more sustainable.  Thank you, as ever, for all of the support and feedback you all have given me over the years!

So, here are the books planned for the next 15 months:

1. March 2018:  Diabolical Plots: The First Years
–This will include all 25 stories published in the first two years (between March 2015 and March 2017) on Diabolical Plots, with newly commissioned cover art by Galen Dara.

2.  June 2018: Diabolical Plots: Year Three
–This will include all 24 stories published in year three on Diabolical Plots (between April 2017 and March 2018), with newly commissioned cover art by Amanda Makepeace.

3.  September 2018: Diabolical Plots: Year Four
–This will include all 25 stories published in year four on Diabolical Plots (scheduled between April 2018 and March 2019).  Note that this will be the anthology that overtakes the publishing of stories on the actual site, so for about 12 of those stories the first place to ever read them will be in the anthology.

4.  December 2018: The Long List Anthology Volume 4: More Stories From the Hugo Award Nomination List
–Same concept as the prior three, assuming there is enough author buy-in, but these have moved pretty steadily, so I think it makes sense to keep going.

5.  March 2019: Diabolical plots: Year Five
–This will include all the stories that are purchased as part of this year’s slush window, which of course are yet to be determined.  Note that this anthology will publish before any of the stories have been on the site.

 

DP FICTION #35A: “Six Hundred Universes of Jenny Zars” by Wendy Nikel

Sometimes I forget which universe I’m in.

It happens most often on days like today. I’ve spent the last twelve hours in the makeshift lab I threw together in the basement of the University, tucked away in some long-forgotten storage closet where the boxes of toilet paper are so old that the brands that produced them don’t exist anymore.

All I want to do now is go home, nuke myself one of those Salisbury steak meals that always burns my tongue, boil a pot of tea, and curl up with a good book. Something fluffy and filled with the kind of one-liners that transcend dimensions, jokes that I can laugh at without worrying whether they have a deeper meaning somewhere else or what my shrink would say.

I ride my bicycle home. It’s the safest mode of transportation when I’m dimension-jumping, and it’s all I’m allowed here. I’ve tried to drive cars in parallel universes, just because no one stops me, but they’re tricky. Even in this dimension, cars have each got their quirks, but elsewhere, those little differences can be deadly. In #497, people drive on the wrong side of the road. In #287 and #381, the gas pedal’s on the opposite side. In #088, they’re all equipped with self-eject buttons, labeled with the same symbol that’s used for in-seat heaters in our universe. Good thing I checked the manual that day.

When I get to my apartment and the key doesn’t fit, I realize I’ve done it again.

Somehow, I’m in the wrong universe.

I duck into the row of rhododendron that run along the edge of the apartment building (they’re magnolias in my universe) and try to sort out my thoughts, figure out where I went wrong. I didn’t see anyone else as I was leaving the lab, but considering it’s a Saturday (unless I’m in universe #185, in which case it’s Bananaday, I kid you not), that didn’t automatically tip me off. The apartment building is the same, beat-up, ugly, low-income housing unit as in my universe, the only place that would let me rent with my record.

I must have overshot my return trip, but to what degree? Am I in universe #549, that uses social media “likes” as currency and that tried to legally elect a toad as president? Or #599, where buffalos are kept as pets? From my limited view through the rhododendron blossoms, it’s hard to tell, though the lack of buffalo droppings on the sidewalk makes me think it’s probably not the latter.

I take a deep breath. I’ll be okay. Just as long as it’s not #600, where all food has been replaced by Ranch Bee’s All-Natural Protein Bars… those things are revolting, and it’s getting dangerously close to dinnertime. I’d rather starve than choke down another one of those.

The dimension-hopping device and my notes are still in the lab across campus, so — despite my stomach’s grumblings — I have to head there first to sort this out. And I have to do so without running into my other self.

I’m not being hyperbolic when I say I hate myself. As if my own consciousness and what I’d done weren’t bad enough, then there’s all of the alternate ‘me’s whom I have to work around. As far as I know, I’m the only one that’s figured out how to hop from one dimension to the next, and who knows what the other ‘me’s would do if they met me on the street. For some reason, we’re all stuck here in this same pretentious university town with its same pretentious street names (Liberty Row? Freedom Lane? Albert Einstein Avenue?). Me, I can’t help it that I’m stuck here; I’m not allowed to cross state lines. But all the other ‘me’s have somehow gravitated here by some twisted cosmic joke. Probably just to thwart me.

Think, Jenny, think.

It’d help if I knew what universe this was. Then I’d know where the other ‘me’ might be and which of the people and places in this town to avoid. But unless I see a buffalo tromp down the sidewalk on a leash in the next few seconds, hiding in the bushes isn’t going to help.

I step out onto the sidewalk, mount my bike, and enact plan A: ride as fast as I can back to campus, grab the device, and get out of here as fast as humanly possible before I really screw things up.

I’ve just turned onto Madame Curie Memorial Drive when a pickup with 22-inch rims barrels through the intersection, cutting me off and nearly turning me into squashed buffalo dung on the asphalt. I swerve and somehow avert disaster, but the whole time my head is spinning because I’d know that Hulk-green pickup anywhere, in any universe. And here it is, all in one piece, with its fender intact and an uncracked windshield. Which means this is one of the universes where I didn’t take it on an adrenaline-fueled joyride and crash it through Mr. Wilson’s fence, killing his prize dairy cow Buttercup.

“Hey, Jenny! Want a ride?” The voice somehow rises over the engine’s din.

I avoid eye contact and wave a hand in the universal gesture for “go away” (at least I hope it’s universal, that it doesn’t mean something embarrassing here), but I can still feel the truck rumbling behind me. Why can’t he just leave me alone?

Some people believe in soul mates, the one person whom you’re destined love. If such a thing transcends alternate universes, then Lex Fischer is my soul hate, the one person who’s destined to be my downfall.

“C’mon, J-Zars,” he calls, using a nickname he knows I hate (then again, maybe the alternate Jenny here doesn’t mind it). “It’s been almost two years since Dougie’s party. You have to forgive me sometime.”

My feet drop from the bike pedals, stopping me dead on the sidewalk.

So there was a party in this universe.

Seeing the truck in one piece, I’d assumed that none of that night’s events had happened here. But obviously the divergence between my timeline and this one was sometime after the fact. Here was my chance to find out how things might have turned out differently.

I shouldn’t… but my curiosity wins out.

Lex has got the door of his truck swung open for me, but I don’t trust him in this universe any more than I would in any other, so I just stand on the sidewalk and shout to him. “Forgive you for what?”

“For…? C’mon, Jenny,” he pleads. “You know what I mean.”

I hold my ground, though I know what I really should be doing is ducking out of sight, running away, and getting back to my own messed-up version of the universe.

“You know… for slipping the vodka in your drink. It was a joke.”

It was a joke. That’s what he’d said that night back in my universe, right before I screamed something intelligible at him, grabbed his keys, and raced off to his truck. Not my brightest idea, but hey, I don’t handle alcohol well. Unfortunately, since Lex’s dad is friends with the DA, that one bad idea and the involuntary cowslaughter that followed led to six months of jail time, a big, ugly mark on my permanent record, and a parole officer from whom the only escape is darting in and out of parallel universes.

In short, that joke ruined my life.

“Come on,” he pleads. “Can’t you let it go? I called you a cab like you asked! It’s not like anyone got hurt!”

Huh. So that’s how it happened here. Now that I have the information I wanted, I turn and pedal across the grass before I can do something that the ‘me’ here might regret. I duck between two of the University’s buildings at the first opportunity. When I finally reach the building where my makeshift lab is located, not only is the outside door propped open, but the one to the storage area is ajar as well. I throw my bike to the ground, hoping that this universe’s ‘me’ wasn’t too inconvenienced by its disappearance, and press myself against the wall to listen.

No doubt about it, someone’s shuffling around downstairs in the storage area, right where I’ve left the teleport device and my notebook. I promise myself that if I get out of this, I’m going to be more careful about where I keep it. Impatient, I inch toward the door and nudge it open further so I can peer in. After running into Lex, my nerves are rattled, and I need to get out of here now. This day couldn’t possibly get worse.

Except it does.

The body that’s kneeling beside my green backpack is all too familiar. So are the hands flipping through my spiral notebook and the eyes staring at the teleportation device. I chomp down on my thumb to keep myself from screaming at the other ‘me’ to back away and leave my stuff alone. I should’ve known that another ‘me’ would be the one to seek the solitude of this abandoned storage room; that’s totally something I would do.

Her eyes are wide in surprise as she reads the notes written in her own handwriting. Her hand is on the device, now on the dial, now on the button. The button that would shift her from this dimension to another.

I have to say something. My hand is on the door, ready to push it open. I have to stop her before she leaves with my only means to get back home.

Or do I?

If she’s anything like me (which how could she not be?), she’s not going to take no for an answer. She’s not going to sit by and simply watch me go on my way. No, she’s going to want in on this, too. She’d see it as an adventure. So why not let her?

This is what I’ve been searching for all along, isn’t it — an escape from the wrong turns of my past, a universe where Lex Fischer hasn’t ruined my life? And all I have to do is let her disappear from it, and it’ll be mine for the taking.

It’s now or never. Once she’s gone, the device is gone with her, along with it the notebook that contains my last two years’ worth of work. It’d take me months to reconstruct the plans for another device, and even longer to figure out where ‘home’ is from here without my notes on the six-hundred different universes I’ve explored so far. But why would I ever want to go back there, to that universe where I was imprisoned by my past?

I take my hand off the door and step back. A noise like “zolt” fills the air, and I know even without looking that she’s gone. I’ve done it. I’ve stolen my life back.

I duck into the room and grab the purse she left behind. I gleefully rummage through her (my!) class schedule, car keys, and the keys to the off-campus housing that — from the address on the tag — is probably a million times nicer than the place where I’d been living.

I fly up the steps and nearly trip over my bike. Never mind that old thing. I have a valid driver’s license again. At the parking lot, I jam my thumb down on the unlock button, watching for the flashing lights that will indicate which car is mine. A newish convertible winks its headlights at me.

“And this is where the heroine rides off into the sunset,” I mutter to myself as I slide into the driver’s seat. My stomach grumbles a protest. “Fine, fine. First a drive-thru.”

I pull into the drive-thru and nearly ram my brand-new convertible into the car in front of me in shock.

In place of the menu, there’s a giant advertisement for Ranch Bee’s All-Natural Protein Bars, the only food sold here or anywhere else.


© 2018 by Wendy Nikel

 

bw-gp-treeWendy Nikel is a speculative fiction author with a degree in elementary education, a fondness for road trips, and a terrible habit of forgetting where she’s left her cup of tea. Her short fiction has been published by Fantastic Stories of the ImaginationDaily Science FictionNature: Futures, and elsewhere. Her time travel novella, The Continuum, will be available from World Weaver Press on January 23. For more info, visit wendynikel.com

 


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BOOK REVIEW: All Together Dead by Charlaine Harris

written by David Steffen

All Together Dead is a romance/mystery/horror novel from 2007, the seventh in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

Sookie is invited to a national vampire summit as part of Queen Sophie-Anne of Louisiana’s entourage.  Sophie-Ann knows of Sookie’s mindreading abilities and wishes to user her ability to give her an advantage in expected power struggles within the vampire hierarchy.  Sophie-Anne stands accused of murdering her husband (during the events of the last book) and one of the events happening at the summit is her trial, with charges pressed by her husband’s second-in-command.  Also at the summit is Barry, the only other mindreader she knows, who is now employed in a similar position as Sookie to use as an advantage in vampire scheming.  The anti-vampire church the Fellowship of the Sun has been ramping up their hostilities against vampires lately, and so security is extra tight.

Given the premise, it’s no surprise that there’s a lot going on in this book.  Vampires are known for their scheming ways, and so filling a huge hotel with the highest ranking vampires from opposing factions all across the country is bound to be tense and complicated and potentially violent.  There are schemes on schemes and there is plenty to keep the reader occupied trying to predict who is behind what.  In this book, you get to see quite a bit more detail about the internal vampire hierarchy, and there are a lot of other singular moments that let you get a better feel for the broader worldbuilding that we have typically only been able to get small glimpses of from only knowing a few vampires in small communities.

Easily the best in the series so far, by a longshot.  And, major bonus, there is nothing resembling this book in the TV series, so it is all fresh even to a TV viewer.

Award Eligibility 2017

written by David Steffen

The year is almost over, and here we are with the obligatory award eligibility post!

Usually I start with my own stories, but no new fiction written by me has appeared anywhere in 2017, so I will start with the new fiction that’s been published in Diabolical Plots.

ETA: I thought no new fiction written by me was going to appear in 2017, but one new story was published right under the wire on December 30th, so I’ve added that in since it was originally posted.

Please note that I’m not asking anyone to vote for these things.  There is a lot of amazing work out there and I hope you all read as much as you can and vote for what you think is the absolute best, no matter who publishes it.  But I do like to put these posts together partly to look back at what happened this year for myself, and also to put some links together for others who might be interested in checking some of this out.

If you would like to share your own award eligibility posts, please feel free to leave links in the comments to those.

Short Stories by David Steffen

“Cake, and Its Implications” by David Steffen, published at Toasted Cake

Diabolical Plots Short Stories

This was the first year with two stories per month at Diabolical Plots, though not quite for the whole year, for a total of 21 stories.

“Curl Up and Dye” by Tina Gower

“The Avatar In Us All” by J.D. Carelli

“Bloody Therapy” by Suzan Palumbo

“O Stone, Be Not So” by José Pablo Iriarte

“The Long Pilgrimage of Sister Judith” by Paul Starkey

“The Things You Should Have Been” by Andrea G. Stewart

“The Aunties Return the Ocean” by Chris Kuriata

“The Existentialist Men” by Gwendolyn Clare

“Regarding the Robot Raccoons Attached to the Hull of My Ship” by Rachael K. Jones and Khaalidah Muhammad-Ali

“Monster of the Soup Cans” by Elizabeth Barron

“The Shadow Over His Mouth” by Aidan Doyle

“For Now, Sideways” by A. Merc Rustad

“Typical Heroes” by Theo Kogod

“Strung” by Xinyi Wang

“The Entropy of a Small Town” by Thomas K. Carpenter

“Lightning Dance” by Tamlyn Dreaver

“Three Days of Unnamed Silence” by Daniel Ausema

“When One Door Shuts” by Aimee Ogden

“Shoots and Ladders” by Charles Payseur

“Hakim Vs. the Sweater Curse” by Rachael K. Jones

“The Leviathans Have Fled the Sea” by Jon Lasser

Semiprozine

Diabolical Plots itself is eligible for the Hugo Best Semiprozine category as a fiction publication.

Editor, Short Form

I am eligible for the Hugo Best Editor, Short Form category, both for editing Diabolical Plots and the Long List Anthology series.

Fan Writer

I am eligible as a fan writer for the reviews of various books (including the Sookie Stackhouse series by Charlaine Harris) and other nonfiction I post here on Diabolical Plots.

Laurie Tom is also eligible for the anime TV and movie reviews she posts here on Diabolical Plots.

 

Other Categories

 

People sometimes ask if the Submission Grinder is eligible for the any Hugo Awards.  As far as I can tell: no.  Which makes sense, the Hugo Awards being a fan-focused award, there are no categories for tools that help writers do their writing business.  Other awards might have suitable categories, such as the Preditors and Editors poll which typically has a category for writer’s tools, or the World Fantasy Award, which I think has categories for websites.

In any case, I really appreciate your interest!

Thanks!

DP FICTION #34B: “The Leviathans Have Fled the Sea” by Jon Lasser

Aye, Lass, I recall the first I saw a mermaid. I was young then, and captain of a whaler — Captain Elizabeth Jackson has a nice ring to it, I always thought. You’d never guess to look at this old lady that I was a whaler once, would you? Bring me a cup o’ the bumbo and I’ll tell you all about the siren: her flashing metal fluke, the cold fishy gleam in her eyes.

Thank you for the bumbo. That’s the stuff! Show me what you brought?

Aye, she was one of mine: the scales overlap just so, like I took them yesterday off the lathe. More than a hundred scales for each tail. No wonder my hands ache so. It’s not just age but the work, too.

And where was I? Oh yes: I was captain of my own airship in those days, the Sea Eagle. Two hundred fifty tons displacement, teak decking, a balloon the like of which you’d never seen. We’d fly from the Sandwich Isles to Russian America in two days with all three propellers spinning on their out-decks. Just to talk of it, it’s like as I can smell the coal burning in the sweet sea air.

Half the whaling fleet had taken to the air after the disaster of ’54, sea-ships jammed up in that Russian ice. They’d gone too far and stayed too long hunting their prey. We should have taken the disaster as we would have a light-blimp warning us away from a mist-shrouded peak, but instead we steered toward that siren’s song.

That was my first year as captain; I was thirty-four, still bright-eyed and hungry to make my fortune. We flew over the Arctic Sea twice, lowering our ladders and dropping food and blankets for the boys we couldn’t fit on deck. Cost a pretty penny, and nearly half those boys made it home alive.

Yes, most sea-sailors were men. You’d be too young to remember. But up in the sky, we didn’t give a pound of sand how your tenders sat. Wasn’t as many men eager to take in that sea air after ’54, nor were lasses so heavy as the men. On a sea-ship, displacement doesn’t matter as much as when you’re balancing against the balloon.

We had a handful of gals with keen eyes who could spot leviathans from one hundred fathoms in the air, and we gave chase. Leastways, we did in the early years. By ’60, we could spend days combing the sea looking for a whale with nary to show for it.

We’d taken them all, you see? Maybe if we’d stuck to sea-ships we couldn’t have found them all, the way we did with air-ships. The Right Whale, the Humpback–all gone.

‘Twas a rain-dappled eve in ’62 when we flew into San Francisco, nothing to show for our voyage but a lot of debt to the colliers, and most of the crew was sleeping aboard ship.

I was pretty skint myself, but stood everyone to some vittles and a round of drinks at The Yellow Dog. Twenty diners digging a deeper hole in my pocket, but if there were whales or anything else worth a penny beneath that briny blue, I’d need a crew.

Everyone ate in silence, and drank their ale. You’ve never seen glummer sailors than these gals. It was Doctor Cross who broached the issue, after I’d ordered a second round.

“Cap’n, the leviathans have fled the sea.” She was the eldest of the crew, and revered by them. Skin the color of coal, she spoke with an island lilt I couldn’t guess and she wouldn’t volunteer. I’d heard tell she’d served on sea-ships in her youth, dressed as a man. “Can you feed us every night, or should we find new ships to sail?”

Rocky stood. She was tall, too tall for a sailor, but had a steady hand and a fearful eye with the harpoon.

“Ya old bat.” Rocky made an obscene gesture at Dr. Cross, but fondly. “It ain’t the leviathans have fled the sea. They’re out there, if we can find them.”

That was what I loved about Rocky, and why she was the whole crew’s favorite: her skull was as thick as a humpback’s, and she’d thrash for days at the end of a harpoon if that’s what it took. Still, I bristled at her calling Dr. Cross old—I was hardly older than our doctor. Rocky was wrong about the whales, but the crew had to decide, not I.

“They’re gone,” Doctor Cross said. One sensible voice.

“You think we fished ’em all out?” Catalina, my first mate. “Could be,” she allowed, “But what’ll we do?”

“Fish something else.” A sly smile crept across the Doctor’s face.

“Nothing pays like whales,” said Rocky. “That’s why we hunt ’em.”

“Mermaids.” The Doctor looked around the table. “Mermaids would fetch a good price.”

“Less work than cutting whales,” Rocky mused.

“No such thing as mermaids!” Catalina laughed.

“I talked with a sailor who saw one off Lahaina just a week ago,” said Doctor Cross. “Perhaps there are more.”

“Wouldn’t make sense to be just one.” Catalina nodded. She ordered another round on my account, and it was agreed. Half the gals didn’t credit the doctor’s tale, but most of those were like the coal engines. I filled their bellies and their hearts, and they followed me as high as the gas-bags could lift us. We were sisters of the sea, and I the eldest.

***

‘Twas off Lahaina, as Doctor Cross had heard, that I saw the sea-siren. Rocky spotted her from the crow’s nest.

“Ahoy,” she called, “That’s a siren off our port bow.”

I spotted her in my spyglass: a spark of light off her tail. She was wiry like an eel, all muscle over tiny bones. Her arms looked like they’d snap off in a current.

Between her waist and hips she looked sickly, a greyish pallor with a sort of sharkskin look, rough and unhealthy. But below that, a huge muscular tail flashed in the sunlight like a fish, green as a copper church-steeple.

When she saw that she’d been spotted, she opened her mouth to sing, but let out only a croak.

Now, we’d not much experience capturing a live animal what would fight back. Whales, we usually bomb-lanced them, blew a hole in the back of their heads. But it went easy, this part: we lowered the crane, which dragged the fishing skein in the water behind us.

“Full speed,” I shouted, and the coal-girls fed the bellies of their engines. The propellers moaned furiously as the steam-whistles blew. The net closed around the mermaid, who flopped angrily as we raised the crane, lifting her on deck.

The siren flopped about, tangled in the net, unable to stand. The crew tugged at the skein, finding the edges and spreading them apart, while the mermaid twisted and screamed.

I’d heard tell that sirens sang sweetly, but this one yowled like a cat who’d wagered her tail in a game of dice. Mayhap their yowling was why that old salt Odysseus had cause to plug his ears.

The screaming did let me know that she could breathe air just fine. I’d half expected her to gasp her gills like a fish, but she wasn’t a fish any more than I was, or the whales had been.

Rocky stepped onto the net and unthreaded the mermaid’s arms from the holes they’d worked into it.

“It’s all right.” Rocky patted the mermaid along her scales, as though she was petting a dog. “Captain, she’s—”

The mermaid’s face twisted from fear to rage quicker than I could follow. She lunged at Rocky and tore her throat out with her teeth, sharp as a great white shark.

I still wonder how Rocky suffered, but right then I couldn’t see a thing: the crew descended as one upon the siren, all but the coal-girls on the out-decks, Doctor Cross, and myself.

“Stop,” I shouted, but too quiet for them to hear me above the mermaid’s final wail. They tore her apart for Rocky, and I didn’t see as I could stop them if I wanted to.

They fed her top half to the sharks, chumming the water with her arms and hunks of her body. But her bottom half—that stayed on deck. Sharks don’t eat brass plate, no matter how corroded by the sea it might be.

I knelt. My knees smashed the deck and I cried out, not from the pain but for Rocky—and for the siren, and for my crew.

‘Twixt the bends and bevels of her fluke plates, their fittings and bolts scattered about, I saw a smaller plate with straight sides and sharp corners: a plaque the size of a calling card, an address engraved upon it. I tucked it away in my vest pocket.

***

I spent that night in a Lahaina boarding house, where I listened to the sailor next door. Her ship had hauled up something, it seemed, for she’d gotten drunk on rum and taken a couple of dock-walking boys up to her room. Boys like that, they would have taken to sea once. Now they thought it woman’s work, and instead they ennobled themselves, strolling the wharves and selling their bodies to sailors.

I told myself the pleasure-wailing that carried through my room’s cheap walls was why I couldn’t sleep. Truth told, it reminded me of that terrible siren’s last moments. Every time I closed my eyes I saw the fear and the rage from her eyes, like she was accusing me of something, and so I lay in bed turning that brass plaque over and over in my hand.

It seemed to me that a man or woman who’d leave a calling card like that would have good reason to be found. ‘Twas a pretty bronze tail, doubtless, but unworthy of such vanity.

Perhaps most of these plaques never found their way into sailors’ hands: tossed overboard and nestled among the oyster shells and empty bottles of some octopus’s garden, or unseen among a tail sold for scrap by a hungry whaler’s crew. Mayhap only diggers and worriers such as I would pocket them, or mayhap only we were foolish enough to have hunted a mermaid.

I still hadn’t shut my eyes by the hour dawn’s pale pink tentacles reached between the shutter slats, and I saw the world through a sleepless haze as thick as our engines’ coal smoke. My heart swayed like the Sea Eagle in a heavy storm, and the plaque felt like a message sung for my ears alone.

***

I’d called for the crew to be aboard ship by the very crack of noon, and they’d come. I kept looking for Rocky among them, but we’d sent her on home to her mother in Canton, Ohio. She’d talked about the green trees and hot summers of her childhood, and I hoped her soul would find peace there.

“You should say a few words,” Catalina said. She scratched an itch on her arm, right next to the tattoo of a whaler’s sandbag she’d had since she’d first taken to the air. “They miss her. They need to know where we’ll sail next.”

I opened my mouth to speak, but nothing came out. I croaked like our siren, for I had no answers to give, and nothing but a wordless ache for Rocky. Perhaps it was that, or perhaps my sleepless night lent me an ill humor. It ached behind my eyeballs like a bomb-lance, or a cannonball full of rum.

“Go on,” Catalina urged. “They need to hear from you.”

“Yesterday, we said goodbye to Rocky, and–” My voice cracked again. Doctor Cross put her hand on my shoulder. She aimed to reassure me, I didn’t doubt, but I slapped it away like her fingers were horseflies.

“I don’t know where the waters have taken the leviathans, nor what in the briny blue will fill our bellies and our pockets like they have. But we must set sail.”

“The mermaids,” someone shouted. “Let’s avenge Rocky!”

A cheer went through the crew, but I shuddered to hear it. Dr. Cross looked at me and shrugged. Catalina cheered with the rest of them, and I knew I’d lost my command.

***

I telegraphed the investors and left The Sea Eagle with Catalina in Lahaina without waiting for their reply. They would hire Catalina, or a new captain, or the crew would go pirate and elect one of their own. I didn’t care which as I rode a balloon to the Big Island, to Hilo.

The address on the plaque belonged to a workshop in an alley set back some ways from the wharf.

I heard the drizzle tap-tap-tap against the shack’s tin roof, the rustle of the grass curtain in the doorway.

“Hello?” I called. “Anybody in here?”

“Come in,” said a man’s voice. I went inside. He was a white man, the sort who washed up like driftwood from the sea in tropical villages. He looked newly middle-aged, as though time had ambushed him: streaks of grey in his hair and his half-hearted beard. He looked like a sailor but wore the delicate hands of a gentleman inventor. “Can I help you with something?”

I pulled his calling card from my gunny sack and placed it on his workbench. “You made it?”

“They have names, you know.” He wiped his rheumy eyes. “Who was it?”

“I didn’t know,” I said. “She had long brown hair, a body like an eel–she wailed a terrible song…”

“Molpe, then. I never could coax her to a sweeter song.” He sniffled. “She was the first who hadn’t asked to be a siren. How did she die?”

“We caught her in our nets. She killed Rocky–”

“I’m sorry to hear that, Madam. You’re captain of a whaler, then?”

“I was, until yesterday afternoon.”

“And when have you last seen a whale?”

I said nothing.

“They’re gone, you see. The Great Chantey of Being has lost another verse. And, if we do not want to be severed forever from the Lord Almighty, we must sing a new one.” He coughed fiercely; he did his best to cover it, but I saw blood in his handkerchief.

“Mermaids?”

“Sirens. To prey on sailors, who have become too strong. To call them down from the sky and repay their thoughtlessness.” The mechanic had a certain rough tenor to his zeal, the certainty of a man who knew he was dying and was looking on to greater things. I could see what he saw, if only I pointed my spyglass just so. “They’ve taken all the whales, but learned nothing. Something else will be next: the sharks, the tuna.” He shook his head.

And what had I done, when I left my ship in Lahaina?

“Elizabeth Jackson,” I said, “Captain of the Sea Eagle. Former captain.”

“Reginald.” The mechanic shook my hand. “Father of sirens.”

***

He died the next spring, on a rainy April morning, having taught me all his clever fingers’ tricks. The shape of his art wasn’t at all like hunting whales. Coaxing life from bronze, brass, and copper started with the end in mind. It was elaborate, obsessive, and tickled my fancy in a way quite different from sailing above the ocean, finding what was already there.

I felt I owed something to the beasts I’d taken from the sea without knowing the ends of my actions: something added to the world, not taken as though God had laid the ocean out for me like a holiday table.

Yes: I took up Reginald’s chisels, his screw-drivers and shears. I bought a lathe, a hammer better suited to my hand, to continue his work. A bone saw and a surgeon’s needle.

Now you come to me, bearing one of my nameplates, and ask what is to be done about the plague of sirens who bubble up from the briny depths.

I have a question for you in return: how many sailors have you to feed my daughters?


© 2017 by Jon Lasser

 

headshot-2016-04-2000px

Jon Lasser lives in Seattle, WA. He is a graduate of the Clarion West writers workshop. His stories have appeared or are forthcoming in Galaxy’s Edge, DarkFuse, Untethered: A Magic iPhone Anthology, and elsewhere. Find him on the Web at twoideas.org and on Twitter as @disappearinjon.

 

 

 

 

 


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