DP Fiction #14: “The Blood Tree War” by Daniel Ausema

My roots felt only earth. Thin, and good for nothing but wild grass. As I stretched under the ground, I caught the tang of metal, something sharp and not yet rusted. Clean metal, likely dropped when this patch of land was well behind the battle line. Still, the promise it made helped me exert all my energy into those roots, willing them deeper and farther out.

Sunlight glistened off my barbed leaves, feeding its pale energy to my efforts.

I was not the only blood tree growing on the battlefield, and my concentration broke when my sister began chanting. She was double my height already, as if she’d focused her efforts on leaves and branches instead of roots, but her chanting told me she hadn’t needed to work hard below ground. By instinct I recognized the nature of her words, the cadence of syllables sighing from the pores in her leaves. She chanted the lives of those whose blood she drank.

I sent a root toward her, running just beneath the surface. There was blood, battle-spilled blood. My purpose, my need, a far greater energy than the sun’s.

Her roots fought back. They sliced the tip off my root, so I branched out to either side, but they bludgeoned those runners into a pulp. Already, the blood had made her strong.

Over the silent warfare of our roots, my sister’s voice kept chanting the lives of the fallen.

She grew taller, and her leaves turned a green so dark it was nearly black.

I needed a different approach. For several days I tried focusing nearby, redoubling my efforts to dig deep, to widen my circumference. I found one patch of blood, but it was old, no part of the recent battle. It fed me, but its energy was gone too soon, and my voice had no life to chant. The nutrient-poor soil kept me small. Too long of this, and my sister would be able to block the sun from my leaves, as well as the blood from my roots.

My first break came when I discovered I could send a root over the ground. I sent a dozen one night, sipping at the earth as they went deep into her territory. Ah, the blood. She had no defense, since she wasn’t even aware of my presence. I kept them moving, never letting them sink too deeply into the patches of blood, so I might keep their presence a secret.

But my voice I could not keep silent. When the sun rose, I had no choice but to chant. Harsh lives and brief, I sent their deeds into the air. A child who’d lied about his age. A peasant unsure what to do with the weapon in his hands. A woman in disguise who brought down a dozen enemies before she finally fell. One of her victims a veteran of earlier wars who should have been allowed to rest at home.

The words tumbled out into the dawn, and my sister broke off her chanting to counterattack. By noon my runners were dead, spilling no blood by which they might be remembered. My sister’s chants went on.

As the last of the stolen blood passed up to the buds on my twigs, I discovered that even when it was gone I didn’t have to be silent. I had no more lives to chant, but I could sing a strange cry. The blood-fed buds rang out my voice. I imitated my sister’s chants, made up lives to speak. She wasted energy pursuing my roots, trying to find the blood she thought I drank.

She would discover the truth soon. My words wouldn’t fool her forever.

I played with the sounds of my voice, trying other noises that didn’t resemble our usual chants, and a bird came near to investigate. Birds avoid our kind, but my song overcame its instinct. I strangled the bird with a vine and added its blood to my song.

What else might I attempt? I changed the patterns, and squirrels came to see. Their blood tasted of hard nuts and high leaps, and their fur made my leaves droop in distaste. They made my song wilder and louder.

My sister’s trunk twisted in her desperation to find the source of my song. Her own chants continued, of warriors and the many lives lost to blade and spear, but less sure as the days went on. Doubt bled her, even though the blood of birds and rodents couldn’t give me the strength of her soldiers.

Larger animals came to my call, in the days and months that followed. An elk’s blood is strong, but the animals are wary. Wolf blood is rarer still, but when I managed to catch one, it gave me a fierce strength to rival my sister at her greatest. Deer and feral pigs and jittery pronghorns made me grow, made my bark thick.

My sister grew taller than me, though. She tended the battlefield’s blood with care so it aged beneath her without its strength leaching away. We were no longer saplings when she gave up trying to find my secret source of blood and took to attacking me directly. We know the many ways animals hunt, we trees–slow or fast, in darkness or from hiding–and we’ve chanted enough human lives to know the ways of war. When trees hunt, it is like and unlike those. Slower, no doubt. A gradual advance where each of us aims for a sense of the inevitable. But just as bloodthirsty and mindless, a single focus of angry contempt. I wondered if her sap would taste of blood when I defeated her, wondered if I would someday chant her life as I drank all that remained of her. I imagined ruling the entire plain of the battlefield on my own. But most of the time I knew well that I wouldn’t win. Eventually she would drink my sap-blood, would chant my sorry life, would rule alone.

If it was to be a battle, I would need more blood.

I wasted no energy on defense. Nor on attacking. Instead I crafted a new song, put every dram of blood into a summoning.

Humans. They are always ready for war. A simple push, a siren’s call, and they will march. Two armies drew toward me.

As my sister’s branches reached toward me to block the sun, the armies closed in. With my roots I pulled at the ground, channeling their charges toward my meager shade, where I waited to drink. Their clamor tasted of the brightest sunlight any tree has known. I drank and chanted their lives and grew strong.

My sister’s branches shrunk back, and her roots tried desperately to break through to the fresh blood. My chanting became laughter as I beat back every attack she sent. My unlikely dreams of ruling the field might even come true.

Then the humans did something new. Was it simply a flight of fire arrows? An arcane spell? New and explosive technology? I didn’t know, but my sister and I both burst into flame. No amount of blood could put out the fire.

By the time the flames were out, I was reduced to charred roots and a single spire of dead wood. I had no buds to sing even a simple summoning. My sister was similarly broken, her proud strength now nothing.

Every drop of blood in the field was gone, drunk by flames even more greedy than I.


© 2016 by Daniel Ausema

 

Author’s Note:  This one started as a writing exercise. An online writing group I’m part of meets together, roughly once a week, as many as can manage. Someone will post a topic, and we’ll have an hour to come up with whatever we can manage. It’s a great exercise for simply getting used to turning off that questioning voice inside and just writing, so even if none of the exercises turn into viable stories, I recommend it strongly. But given how frequently the members of the group manage to turn those one-hour starts into complete short stories that sell to a variety of places or key character development pieces for their novels, it’s even better than just an exercise, but a great way to get a story down on paper. I can’t even recall the exact prompt for this one, and I’m sure I hadn’t completely finished it when the hour was done, but that was where the story began. Besides, I love trees, and carnivorous plants are simply cool, so the idea of cruel and carnivorous trees that feast on spilled blood was one I knew I had to finish as soon as it occurred to me!

 

Daniel Ausema headshotA runner, writer, reader, teacher, and parent, Daniel Ausema has had fiction and poetry appear in many publications, including Strange Horizons and Daily Science Fiction. He is also the creator of a steampunk-fantasy, serial-fiction project, Spire City, which is now entering its third and final season. He lives in Colorado, at the foot of the Rocky Mountains.

 

 

 

 


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Ray Bradbury Award Review 2016

written by David Steffen

The Ray Bradbury Award is given out every year with the Nebula Awards but is not a Nebula Award in itself.  Like the Nebula Awards, the final ballot and the eventual winner are decided by votes from members of SFWA, the Science Fiction and Fantasy Writers of America (which despite the name has an international membership).

I like to use the award every year as a sampler of well-loved science fiction and fantasy movies from the previous year.  I have been very happy with this tactic, and this year is no exception.  I try to watch every movie on the ballot that I can find by rental (usually via RedBox, or occasionally from Comcast On Demand) and review them all within the voting period.

This year, on the ballot but not on this list is the episode of the TV show Jessica Jones titled “AKA Smile”.  Since I haven’t seen any episode of the series, even if I could get a copy to watch I didn’t feel it would be fair to review a single episode of a show I’m not familiar with.

At the time I am writing this preliminary post, I haven’t yet rented The Martian, but I intend to.

1. Max Max: Fury Road

Humanity has wrecked the world.  Nuclear war has left much of the earth as a barren wasteland.  Humanity still survives, but only in conclaves where those in control lord their power over the common people.  Those in power hoard water, gasoline, and bullets, the most important resources in this world, and guard them jealously.  Immortan Joe is the leader of one of those conclaves, with a vast store of clean water pumped from deep beneath the earth, and guarded by squads of warboys who are trained to be killers from a young age.  Despite these relative riches, what Immortan Joe wants more than anything is healthy offspring, his other children all born with deformities.  He keeps a harem of beautiful wives in pursuit of this goal.  When his general Imperator Furiosa goes rogue and escapes with his wives in tow, Immortan Joe takes a war party in pursuit, and calls in reinforcements from Gas-Town and Bullet Farm to join in the fight.  Mad Max of the title is captured at the beginning of the story and strapped to the front of a pursuit vehicle to act as a blood donor for a sick warboy, to give him the strength to fight.

I am only a bit aware of the original Mad Max franchise.  When the previews for this movie came out, I thought it looked completely unappealing.  I honestly didn’t understand what other people were raving about when they were so excited about it as the movie’s release date approached, and after they saw it in theaters.  I wasn’t expecting to see it at any point, so I read some reactions and found them interesting but still didn’t feel compelled to see it.  I finally decided I would see it when I heard some reviewers giving the movie a bad review because they thought it was awesome and action-filled but that this concealed a feminist agenda and they were angry that they had been tricked into liking a movie that had a feminist message.

I finally rented the movie, expecting it to be pretty much just okay, but really quite enjoyed it.

Charlize Theron as Imperator Furiosa was badass, and I hope there are more movies with her in this role.  Tom Hardy as the eponymous Mad Max was also solid.  Really, great casting all around, and it was really cool to see a woman in one of the lead roles of an action movie where she is an essential part of the action.

Probably one of the coolest things about the movie are the vehicle designs.  Since most of the movie takes place on the road in pursuit, there is plenty of opportunity for these vehicles to be showcased.  They are so much fun just to look at, that I more than once laughed in delight at the absurdity of a design.  My particular favorite was the sports car with tank treads driven by the leader of Bullet-Farm.

Similarly, costume design and other character design were incredible.  It’s… hard to play a flame-throwing electric guitar as serious, but it’s just one example of the over-the-top design that should be stupid, but somehow it all works and ends up being both exciting and hilarious.

It had a lot of striking images, sounds, moments.  In this bleak, most desperate of landscapes you see the most depraved of the depraved of the most heroic of the heroic.  There were heroes to root for, but even those heroes are no pristine blameless creatures, because no such people have survived so long.  Rather the heroes are those who want to try to make some small change for the better in the world around them.  The movie is basically one long chase scene, full of action, full of surprising and epic and violent moments.  I wouldn’t say it’s for everyone, by any means.  But I thought it was a really incredible film, despite coming into the movie with reservations.


2.  Star Wars: The Force Awakens

(this review copied verbatim from my review of the movie posted in January)

The movie picks up about as many years after the original trilogy as have passed in real life, I suppose.  The First Order, the still active remnants of the Empire, is still opposing the New Republic that replaced it.  A group of storm troopers of the First Order raids a Resistance camp on the desert planet Jakku, looking for information.  Resistance fighter Poe Dameron (Oscar Isaac) hides the vital information in the droid BB-8 and sends it away from the camp before he is captured. One of the stormtroopers known only as FN-2187 (who is later nicknamed Finn) (played by John Boyega) chooses to turn his back on a lifetime of training and chooses not to kill anyone in the raid.  Finn helps Poe Dameron escape.  Together they meet Rey (Daisy Ridley), a Jakku scavenger and they join forces to get BB-8’s information to the people in the Resistance who need it.

I enjoyed this movie.  It wasn’t the best movie I’ve ever seen but I enjoyed it from beginning to end and I am glad to see someone has been able to turn around the series after the mess Lucas made of the second trilogy.  The special effects were good, and not the fakey CG-looking stuff that was in the second trilogy.  The casting of the new characters was solid and it was great to see old faces again.  To have a woman and a black man be the main heroes of the story is great to see from a franchise that hasn’t historically had a ton of diversity.    It was easy to root for the heroes and easy to boo at the villains.  The worldbuilding, set design, costume design all reminded me of the great work of the original.  I particularly liked the design of BB-8 whose design is much more broadly practical than R2D2’s.  Kylo Ren made a good villain who was sufficiently different than the past villains to not just be a copy but evil enough to be a worthy bad guy.

Are there things I could pick apart?  Sure.  Some of it felt a little over-familiar, but that might have been part of an attempt by the moviemakers to recapture the old audience again.  I hope the next movie can perhaps plot its own course a little bit more.  And maybe I’ll have some followup spoilery articles where I do so.  I don’t see a lot of movies in theater twice, but I might do so for this one so I can watch some scenes more closely.  I think, all in all, the franchise was rescued by leaving the hands of Lucas whose artistic tastes have cheapened greatly over the years.  I know some people knock Abrams, and I didn’t particularly like his Star Trek reboot, but Star Wars has always been more of an Abrams kind of feel than Star Trek ever was anyway.

I enjoyed it, and I think most fans of the franchise will.

(You also might want to read Maria Isabelle’s reaction to the movie, posted here in February)

3.  Inside Out

None of us is a single person. Within each of us are variations of alternate selves that all vie for control in any given situation.  We feel like different people depending on the people around us or the setting, and that’s because we can be different people.  This movie takes that idea and makes it literal.  In the world of Inside Out, each of us is basically a machine and our mental space is made of warehouses for memory storage, vaults for the subconscious, and the all-important control room.  In each person’s mental control room are five versions of themselves: Joy, Sadness, Fear, Disgust, and Anger.  They negotiate to handle the control panel which determines the person’s every action.  The outer storyline follows an 11 year old girl named Riley whose family is moving to a different city.  Her excitement about the movie is changing to sadness as she misses friends left behind, and has trouble coping with other changes in her life that was going just the way she wanted it.  Her parents always want her to be happy and her internal reaction is for Joy to always keep Sadness away from the controls.  The conflict between the two emotions sends both of them out of the control room and into the confusing labyrinth that is the rest of the brain.  If Joy ever wants Riley to be happy again she has to get herself back to Riley’s control room, and Sadness is along for the ride.

This movie was a lot of fun.  The casting was great all around, but especially with the casting of Amy Poehler as Riley’s Joy.  Most of the structure of the inside interactions within Riley’s head were based on what we understand of human psychology, which made it not just fun but also a pretty apt analogy for the circus we’ve all got going on inside our heads at any given moment.  There’s a lot to be examined here: among other things, the importance of the other emotions besides just happiness.  Both Riley’s inner story and her outer story are interesting in their own right and are twined together to make an even more satisfying whole.

4. The Martian

During an American manned mission on Mars, a fierce storm strikes the base camp of the astronauts.  One of the astronauts, Mark Watney (played by Matt Damon) is left behind and presumed dead as the rest of the crew aborts the mission and leaves the planet to escape the storm.  But Mark is not dead.  He is alone on the planet with only enough food to last for a year when the soonest he can expect rescue (if anyone realizes he’s alive to attempt a rescue) won’t be for several years.  Determined to live, he sets about the task of survival–cultivating enough food and water to live, and contacting NASA so they can send help.

I can see why this movie got so much critical acclaim.  Usually my tastes don’t align with the Oscar Awards much, but I can see why this one did.  There was a lot to love about the movie–soundtrack, solid casting and acting, great writing, a cast of characters that support each other and succeed through cooperation.  Most of all it managed to capture that sense of wonder that surrounded the exploration of the moon decades ago.  As real manned trips to Mars come closer and closer to reality, it’s easy to imagine this all happening.  (Note that I don’t have enough background to know to what extent the science in the movie was authentic or not, but it felt pretty plausible at least, which is good enough for me)

 

5.  Ex Machina

Software engineer Caleb Smith wins a week-long getaway to the home of Nathan Bateman, the reclusive CEO of the tech company where Caleb works.  Bateman reveals that he has been working privately on the development of AI and the contest was arranged to get Caleb to his private lab in isolation.  The AI is housed in a human-like body with realistic hands and face but with a visibly artificial rest of her body, and she goes by the name Ava.  After agreeing to extreme secrecy, Bateman reveals that Caleb has been brought there to determine if she passes the Turing Test, a theoretical experiment in which one examines an AI personality to determine if it can pass for human.

I was skeptical of this from the first reveal that it was going to be based around the Turing Test.  I am skeptical of the Turing Test as more than a momentary discussionary point because it claims to be a test of intelligence, but it’s really a test of humanity-mimicry.  For an artificial intelligence to appear to be truly human would probably mean that it would have to feign irrationality, which is a poor requirement for a testing of an intelligence.  I thought the movie worked pretty well with the flaws in the concept of the test by moving beyond the basic theoretical Turing Test and starting with a later development of the same concept in which the tester already knows the  AI is artificially created, but wants to see if the tester can still be convinced emotionally of the being’s humanity despite knowing its humanity is manufactured.  This still has the flaw that the thing being tested is human-mimicry and not actual intelligence, but it seemed like the movie was aware of this continued flaw and in the end I thought that by the end I was satisfied that the AI had not just been treated as a human-analog but a separate entity in its own right, which made the movie much more satisfying than I had thought it would be.

 

DP FICTION #13: “One’s Company” by Davian Aw

He finds a forest clearing on a planet of perpetual night in the two hours out of a thousand years that stars spread twinkling across its sky. It’s pure luck that he lands there on his random planet sampling. It’s the most beautiful, peaceful, ethereal place that he has ever seen.

There are no people on this planet. It will never be inhabited. Life evolved to little more than trees (if they are trees, those branching things) that get their food from the soil beneath and what sun that struggles through the clouds. Rocky outcrops ring the clearing in sharp relief against the sky. Beneath the starlight, he forgets about his life and loneliness.

He’s still alone here, but it’s different in the fresh unsullied alien air that fills his lungs as he rests between untrodden grass and unwitnessed skies, different from spending each evening alone in a busy, crowded city, full of strangers he’s too shy to talk to and too scared to try and understand.

Clouds crowd back across the gap, shrouding starlight behind their familiar shield. Darkness falls to rule the clearing. Peter knows it’s time to leave.

He logs the coordinates on his device.

This place would be perfect.

***

Excursion Two

The next evening, he tweaks the saved coordinates to arrive some distance away. His office cubicle fades from view. And there he is, his younger self: gazing spellbound at the stars. There’s no need to bother him. It might risk a paradox thing. But it’s nicer, all the same, having someone else around. He smiles.

***

Excursion Three

He pops up near the tree line. Work-exhaustion pains his face. He sees his two selves in the distance and thinks it might be nice to greet them: just to have someone else to chat to, because people do that after work. But nervousness still stays his feet. Tricky things, paradoxes, and knowing how to talk to people.

He looks around for the fourth. There’s no one else there. Yet.

***

Excursion Four

“Hi,” says Peter shyly to the third when the latter turns to search for him. “Tough day at work?”

His other self blinks, and tries a smile. “Yeah.”

His memory warps and changes. He remembers this exchange from the other end. It feels exceedingly, self-consciously redundant. They stop talking, and rest in the quiet. Each other’s company is enough.

***

Excursions Five to Forty-Seven

But the silence has been broken, and each time he gets more daring. Tentative greetings turn to conversations, uneasy handshakes to awkward hugs. It’s been so long since he’s talked to someone, too long since he’s touched another person. They’re not quite other people, here, but he can still pretend. If they close their eyes, they can all pretend.

They don’t talk about their lives because they’re all of them living the same one. Futures talking to pasts and sharing tales… that makes bad things happen.

But they can talk about this place that they have taken for their own. They map out constellations, invent stories to explain them. They study the alien trees and shrubs and give them cool scientific names. They gather piles of broken rocks and build rough forts upon the grass, then split into teams and play at sieges, fighting off invasions of themselves.

His memory rewrites itself in overused palimpsest till there’s nothing left he knows for sure and all his past becomes a blur. Events back home grow indistinct in the dullness of their repetition. His one surety is this place, his one joy each night’s respite in the comfort of its familiar faces.

He never steps into the same crowd twice.

***

Excursions Forty-Eight to Three Hundred and Thirty-Six

Someone brings fireworks – he can’t remember who, but he recalls setting them alight and shooting colour into the sky in bursts of fire that draw applause from the homogeneous crowd below.

He can barely remember his original visit: the darkness, the quiet, the mystified awe. He recalls stepping instead for the first time into the midst of a roaring party, music blaring and people dancing beneath strings of lights and hanging lanterns: people like him, who welcomed him warmly and made him feel like he belonged, people who understood him, people who liked him, people who knew and bore his name.

He brings a guitar and an amplifier and starts strumming a favourite song. The next day he brings a keyboard; then a drumset, bass guitar, mikes for singing and backup singing.

He doesn’t sing very well. It’s okay. No one in the audience sings any better.

***

Excursion Three Hundred and Thirty-Seven

The live band is belting out upbeat covers of emo band The Cutting Age. The audience loves it: jumping and screaming lyrics, and he smiles at their energy as he stands at the edge of the crowd with a sandwich in his hand.

A drunk bumps into him and slurs out an apology. As he stumbles away, he remembers doing that.

He’s been everyone at the party. He’s been everyone in the crowd. He’s been part of every conversation, part of every quarrel, part of every friendly hug and every drunken brawl. It’s easy to forget that if he doesn’t look at their faces. It lets them seem like any other people. It’s better to think that he’s managed to find an entire crowd of willing friends; better than it being just himself pitifully entertaining himself on an empty planet.

But it’s all a fragile, delicate balance. It’s a miracle they have lasted here this long. His memories are a blur, his pasts a confusion, his body a shifting, changing thing of scars and bites and injuries as his selves change each other’s histories and history changes them.

He thinks it’s enough proof of how this time travel works, and the clearing is now too full of him. The party can never get bigger than this. There’s no more space. The forest is impenetrable. He doesn’t know what lies beyond. His next week here might be the last; perhaps this night might be the last.

He thinks of once more spending each night in the void of his room with that void in his heart, and despair drives his feet to walk him to the spot where he made his first excursions.

He doesn’t waste time thinking when his fourth self materialises. He tackles him, grabs the space-time device, and crunches it firmly beneath his shoe and the open-mouthed horror of his younger face.

The music cuts silent. The multitude winks out. He feels the relief of a thousand memories erased from the worn-out tape of his mind. He vanishes too, with his final act of destruction, and a cold wind sweeps the empty grass.

***

Excursion Four

There are four people in a clearing that has not yet known a crowd.

“Hi,” one says shyly to another when the latter turns to search for him. “Tough day at work?”

The other blinks, and tries a smile. “Yeah.”

He doesn’t know it yet.

But he will never be lonely again.


© 2016 by Davian Aw

 

Author’s Note: Back when I was working in NYC, I attended a free concert in Central Park by the New York Philharmonic. It was crowded, lively and slightly surreal with the field full of shadowed human figures moving around to music beneath the night sky. I had the stray thought – what if all of them were the same person? Whereupon I went home and wrote out the first draft of this all in one go.

 


davianaw_dp
Davian Aw’s writing has appeared or is forthcoming in Daily Science Fiction, Stone Telling, LampLight and Star*Line. He also wrote roughly 240,000 words of Back to the Future fan fiction as a teenager and has never been that prolific since. Davian is a double alumni of the Creative Arts Programme for selected young writers in Singapore, where he currently lives with his family and a bunch of small plants.

 

 

 

 

 

 


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Introducing: The Submission Grinder Newsletter

written by David Steffen

Since the start of 2016 I have been working hard on completing some major upgrades to the Submission Grinder site.

For those of you who may not be familiar with it, the Submission Grinder is a web tool for writers to find markets for their fiction: market listings, a search engine to find markets that fit your criteria, a submission tracker, and anonymized submission statistics to get an idea of what kind of response time can be expected from a particular market.

As part of the development work, in January the Grinder began sending out weekly Submission Grinder newsletters to subscribers which contained a list of recently added markets with links to the Grinder listing for each of those markets.  The newsletter also includes updates on Submission Grinder feature development, and fundraising updates.

Starting next week, the newsletter is expanding to also include lists of markets that have recently opened or recently closed, making it easy to keep track of changes in market status, all delivered right to your inbox.

And, best of all, each of these lists is filtered based on user preferences for genre and pay rate, so you only hear about the kinds of markets you have personal interest in.

To sign up for the newsletter you don’t have to be a registered Grinder user, or even have experience with the site’s features.  All you need to is sign up here and enter your preferences for filtering.

There is also a separate newsletter to talk about Diabolical Plots’s publishing projects, which you can sign up for here.

DP FICTION #12: “May Dreams Shelter Us” by Kate O’Connor

The air screams around their ship, the atmosphere burning and clawing at the heat shield. The cabin is dark and too hot after the long, cold quiet of space. Their hands find each other and twine together. I’m here, their interlaced fingers say. I’m with you. It doesn’t matter if they make it through. That they have come this far is victory enough.

***

Raia let go of the controls. The radiation storm had passed. Her hands ached and her eyes burned. The images were already fading from her mind. She scrubbed at her forehead, dislodging the webbed crown of sensors. Her skin tingled and flamed as though she herself had been the ship, slicing through the thickening atmosphere as she hurtled down towards a new world.

She staggered to her feet, drowning in the quiet emptiness of the med bay. Around her, the children slept. Bone weary, she checked the displays. All was well. They had heard her and calmed. No more would be lost today. She sent Jessi the all clear.

She padded down the corridor towards her bunk. She counted hatches, stopped at the fourth on the left. Raia reached for the palm pad. The wall in front of her tilted alarmingly. She flailed for a handhold, wondering frantically if the ship had sustained damage in the storm. Would life support go next? How long could they function in zero-g?

Raia found herself on the floor, not quite sure how she had gotten there. The artificial gravity was obviously still functioning. The corridor was silent. No alarms blared. She closed her eyes for a moment.

“Overdid it again, huh?” Jessi stood above her, arms folded.

“Aren’t you supposed to be flying the ship?” Raia reached her hands up towards her captain.

Jessi took hold of her arms and heaved her to her feet. “You know as well as I do that she flies herself most of the time.” She held Raia steady and looked her up and down. “How scrambled is your head?”

Raia shrugged. “I think I skipped any permanent brain damage.” For now. The energy necessary to connect the link was scorching away her mind every time she used it. The time was quickly coming when the damage wouldn’t be reversible.

“Take turns.” Jessi frowned and palmed open Raia’s door. “Some of the others will help.”

“It has to be me. They don’t settle for anyone else.” If the children woke up too soon, there would be no way to sustain them. Even if they survived being born without the proper procedure to wake them, the ship barely had enough resources to support the twenty-six crew members onboard. It had never been intended for interstellar travel. It was only Jessi’s quick thinking and Raia’s medical knowledge that had turned it into a viable life boat.

“We need you.” Jessi said softly, tucking her into bed. “Maybe even more than we need them.”

***

The ramp opens with a hiss. All they see at first is dust rising in the air like smoke. Smoke is the enemy in a spaceship. Smoke kills. They are afraid.

Then sunlight splits the dark plumes. The air turns to gold, warm and sparkling. Tentatively, they go forward through the dust. The ramp clangs beneath their feet. For a moment, they are blinded by the light of this new sun.

When their eyes clear, there is a field before them. A warm, sweet-scented breeze sings through slender stalks of blue grass. There are trees in the distance, reaching straight and tall towards the golden sky. It is not like the home they left, but it is beautiful all the same. Even more so because of what they have lost.

They go slowly, scanners clutched in trembling hands. In the shuttle, they were ready to die trying. Now that they see the future ahead of them, they are not willing to let it fade so easily.

***

“How much longer?” Raia asked, leaning over Jessi’s shoulder as the other woman flipped through holo-maps of their route.

“A month, maybe two. How many times are you going to ask me?” Jessi grinned, her tone light and teasing.

Raia’s smile faltered. She couldn’t remember having asked before. She pulled away, moving to the dispenser and filling a cup with water. If Jessi saw her face, there would be questions. Raia was a scientist. The truth had always been too important for her to be a good liar. If she started talking, she would tell Jessi about the brain scans she had done on herself this morning. Her fear would spill out and then they would have to make a choice between Raia’s mind and their future.

“I’m worried about the kids.” Raia said instead. She had never wanted children. She had lived for her lab and the research that had taken up her days and nights far more fully than any lover ever could. But the three hundred and seventy-two little lives in the med bay had become everything.

“Something wrong?” Jessi shut down the map and swiveled her chair around.

“Nothing new. It’s just… they’ve been exposed to a lot.” They had started with four hundred. Four hundred artificially fertilized eggs meant for Raia’s experiments.

One hundred and fifty of them had been brought from the moon at nearly seven months along. She had wanted to know what effects gestation in lower gravity would have. Those had done better than the Earth grown children. Only two of that group had been lost.

If Jessi hadn’t been dropping off the embryos when the Earth died, none of them would have made it. The sky had gone dark, then red. The ground had trembled without ceasing. Communications were shattered. Raia had loaded her Earth-grown embryos and what equipment she could onto Jessi’s ship and they had taken off.

They still didn’t know what had happened. It could have been the first and final act of a new war. It could have been an untracked meteor or a natural disaster. In the end, it didn’t matter. They had hung in the asteroid belt and watched while the planet came apart. Then they had taken Raia’s experiments and run for the stars.

Jessi waved a hand in front of her face. “Where’d you go?”

“Same place as always.” Raia gripped Jessi’s shoulder. They didn’t have to talk about that day. It was always with them.

***

Raia walked through the med bay. They were stacked row on row in their improvised life support units, little faces sleeping behind translucent glass. She had slowed their growth as much as she could, but it was a long journey to the nearest habitable world. Most were well past the stage when they should have been born.

It had been desperation that made her link them all together so they wouldn’t be alone while they waited, so their minds wouldn’t stagnate and fail. It had been raw hope that made her plug herself in and tell them the first story to keep them asleep and help them learn. A neural link like the one she had created hadn’t really been tried before and the only equipment she had to use was salvaged from spare parts meant for other things. She had known there was risk. She hadn’t expected it to burn through her like it had. Certainly not so quickly.

She sat at her desk. Atmospheric disturbances made them restless. Anything the ship’s shields couldn’t blot out set them off. It was getting worse as they were getting older. Raia pinched the bridge of her nose. She was losing things. There were more and more holes in her days. Jessi and some of the crew were starting to notice.

They would be good parents. Jessi’s people were disciplined and steady. Most of them were kind. All of them were decent and used to working together. Jessi wouldn’t have kept them on otherwise. They would make good colonists, too.

Raia buckled her restraints with shaking hands. She hadn’t been able to feel her fingers for two weeks. It took three tries to get the sensor net settled over her head. Re-entry would be difficult on the kids, but it was their last major hurdle.

Numbers flashed on her screen, counting down the time to contact with the atmosphere. When she had realized what was happening to her, she had left written instructions on how to wake the children up and remove them from their units. She had stacked them by age. As long as the ship had power, they could wake the kids in batches. Hopefully when they were on the ground and the ship was settled, the children would stabilize as well.

The ship shuddered as the countdown reached zero. The planet had looked so small on the screen, green and blue and white and so far away. It had seemed farther once she could actually see it spinning below them. She hoped there was enough of her left when this was done to see it up close.

The ship shook again. She keyed the controls. It was time.

***

They build houses. It is hard work. It takes sweat and tears, sometimes blood, but it is done. They plant gardens and grow food. They are together. They are a family. Sometimes they fight and bicker. They learn to compromise, to listen to what is needed and learn what makes this world thrive. It isn’t the same as the one they left. The stories of what was are just memories, warnings, and hopes.

But they live. They live well. And humankind lives in them.

***

It wasn’t until the ship was secured that Jessi thought to wonder where Raia had gotten to. The other woman would be with the children, of course, but Jessi expected to have heard from her by now. Unless something had gone wrong.

She didn’t run, though she wanted to. The corridors got emptier and emptier as she approached the med bay. The crew was running scans, making plans for exploring the surface. So far everything looked good, better than they could have hoped for with only some spotty long-range survey records and outdated nav holos to guide them.

Her boots echoed in the deserted hallway. She took a breath and held it, working to slow her racing heart. She palmed open the door.

The familiar buzz and hiss of machinery greeted her. It was a good sound. The floor was clean. None of the spilled fluid and shattered glass that marked a failed attempt to save a waking child was in evidence. “Raia?” Jessi called, rounding the corner towards the control desk.

The other woman lay back in her chair, her hands limp and broken-looking on the controls. Jessi’s feet carried her forward.

Raia’s chest rose and Jessi let out the breath she’d been holding. “Raia?” She asked again. She hated the hope in her voice. She knew better. She reached the chair. Raia stared upwards, her eyes fixed far away. The sensor web was still attached. Jessi removed it, checking to see that the program had shut off. It had. Jessi blew in Raia’s face, pinched her arm. She didn’t even blink.

“Captain?” Her comm beeped. “The air’s clear. We can go outside.” Her first officer’s voice bubbled with suppressed excitement.

“Understood.” The word caught in Jessi’s throat. She coughed and forced this latest grief down with all the rest. “I’m on my way.”

She looked around the room. The little ones were sleeping peacefully. She was grateful, so grateful and so shattered. They would have a life on this new world. Humanity had a chance, even if there was no one else out there. Jessi hoped it would be enough.

She scooped Raia’s vacant-eyed shell into her arms. “C’mon.” She whispered, tears running down her cheeks. “We’ll go together.”


© 2016 by Kate O’Connor

 

Author’s Note: This story was inspired by Hans Christian Andersen’s The Little Match Girl. When I heard the story as a child, I really just wanted to get a hold of some matches that let me make my dreams real. When I heard it again as an adult, I was reminded of how our hopes and wishes can create a better world in even the most desperate situations. Wondering about what those magic matches would show at the end of the world led to “May Dreams Shelter Us.”

 

Profile PicAfter graduating from Embry-Riddle Aeronautical University, Kate O’Connor took up writing science fiction and fantasy. Her short fiction has most recently appeared in Intergalactic Medicine Show, StarShipSofa, and Escape Pod. In between telling stories, she flies airplanes, digs up artifacts, and manages a dog kennel. Her website can be found at kateoconnor3.wordpress.com.

 

 

 


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MOVIE REVIEW (non-spoiler): Star Wars: The Force Awakens

written by David Steffen

I might write about the movie at a more spoilery level of detail at a later date, but for this review I’ll keep it as spoiler-free as possible, just the sort of information you’d hear in a synopsis before going.  I finally saw Star Wars Episode VII yesterday.  I didn’t feel like dealing with opening week crowds, but I was getting tired of trying to dodge spoilers on Twitter and Facebook.

The movie picks up about as many years after the original trilogy as have passed in real life, I suppose.  The First Order, the still active remnants of the Empire, is still opposing the New Republic that replaced it.  A group of storm troopers of the First Order raids a Resistance camp on the desert planet Jakku, looking for information.  Resistance fighter Poe Dameron (Oscar Isaac) hides the vital information in the droid BB-8 and sends it away from the camp before he is captured. One of the stormtroopers known only as FN-2187 (who is later nicknamed Finn) (played by John Boyega) chooses to turn his back on a lifetime of training and chooses not to kill anyone in the raid.  Finn helps Poe Dameron escape.  Together they meet Rey (Daisy Ridley), a Jakku scavenger and they join forces to get BB-8’s information to the people in the Resistance who need it.

I enjoyed this movie.  It wasn’t the best movie I’ve ever seen but I enjoyed it from beginning to end and I am glad to see someone has been able to turn around the series after the mess Lucas made of the second trilogy.  The special effects were good, and not the fakey CG-looking stuff that was in the second trilogy.  The casting of the new characters was solid and it was great to see old faces again.  To have a woman and a black man be the main heroes of the story is great to see from a franchise that hasn’t historically had a ton of diversity.    It was easy to root for the heroes and easy to boo at the villains.  The worldbuilding, set design, costume design all reminded me of the great work of the original.  I particularly liked the design of BB-8 whose design is much more broadly practical than R2D2’s.  Kylo Ren made a good villain who was sufficiently different than the past villains to not just be a copy but evil enough to be a worthy bad guy.

Are there things I could pick apart?  Sure.  Some of it felt a little over-familiar, but that might have been part of an attempt by the moviemakers to recapture the old audience again.  I hope the next movie can perhaps plot its own course a little bit more.  And maybe I’ll have some followup spoilery articles where I do so.  I don’t see a lot of movies in theater twice, but I might do so for this one so I can watch some scenes more closely.  I think, all in all, the franchise was rescued by leaving the hands of Lucas whose artistic tastes have cheapened greatly over the years.  I know some people knock Abrams, and I didn’t particularly like his Star Trek reboot, but Star Wars has always been more of an Abrams kind of feel than Star Trek ever was anyway.

I enjoyed it, and I think most fans of the franchise will.

 

Award Eligibility Post

written by David Steffen

I know some people don’t like award eligibility posts, thinking that they’re desperate pleas for attention.  As a reader, I like them because if I am behind on my reading they are a good place to catch up on the year’s published stories of another author, and as a writer to look back  at my own.  I don’t have any illusions that anyone is going to nominate me, and that’s fine–there are so many amazing people doing incredible work every year.  But I still think an award eligibility post is worthwhile, and if you don’t think so, then you should stop reading now.

This year, since I started selecting and editing fiction for Diabolical Plots, I’ll list the Diabolical Plots work first and then my fiction writing as a separate section.  For the purposes of this list I am thinking of the Hugo and Nebula Award categories because those are the awards I’m most familiar with.  Other awards have other categories that might be suitable.

People ask once in a while whether the Submission Grinder is eligible for a Hugo or Nebula.  It is not, because there are no categories that suit it for those awards.

2015 was the year the Long List Anthology was published, but it is not itself eligible.  Neither award has a category for standalone anthology (though I believe the Locus Award does), and all of the stories were first published in 2014 so are ineligible.  As the editor I would be eligible for the Hugo Award for Best Editor, Short Form for which I edited that anthology as well as the first ten stories of Diabolical Plots.

Diabolical Plots

Semiprozine

  1.  Diabolical Plots (prior to this year I believe it was a fanzine, now it’s a semiprozine)

Editor, Short Form

  1.  David Steffen (for Diabolical Plots itself, and the Long List Anthology)

Short Stories

  1.  “Taste the Whip” by Andy Dudak
  2. “Virtual Blues” by Lee Budar-Danoff
  3. “In Memoriam” by Rachel Reddick
  4. “The Princess in the Basement” by Hope Erica Schultz
  5. “Not a Bird” by H.E. Roulo
  6. “The Superhero Registry” by Adam Gaylord
  7. “A Room for Lost Things” by Chloe N. Clark
  8. “The Grave Can Wait” by Thomas Berubeg
  9. “Giraffe Cyborg Cleans House!” by Matthew Sanborn Smith
  10. “St. Roomba’s Gospel” by Rachael K. Jones

Fan Writers

  1.  David Steffen (also did fan writing work for SF Signal, and for Science Fiction Book Club)
  2. Laurie Tom
  3. Maria Isabelle
  4. Carl Slaughter

My Fiction Writing

Short Stories

  1. “Thus Spake Robby” in the Overcast
  2. “Tamers of the Green” in Sockdolager
  3. “Condemned” in the Coven Anthology, edited by Andi O’Connor
  4. “So You’ve Decided to Adopt a Zeptonian Baby!” at Podcastle
  5. “My Wife is a Bear in the Morning” at Podcastle
  6. “Echoes of Her Memory” in Stupefying Stories
  7. “Closing Statement” in T. Gene Davis’s Speculative Blog
  8. “Focus” in Space and Time
  9. “We Do Not Speak of the Not Speaking” in Stupefying Stories
  10. “Red Shoes of Oz” in Evil Girlfriend Media Shorts
  11. “To Be Carved Upon the Author’s Tombstone in the Event of His Untimely Demise” in Perihelion

DP FICTION #11: “The Osteomancer’s Husband” by Henry Szabranski

He warned his wife the villagers would come. With their pitchforks, their fire. Their hateful ignorance.

“I’m sorry,” he said. “We have to leave. They saw beneath my mask.”

She did not listen. This was their home. Their little cottage by the burbling mountain stream. Their hard-won resting place after years of rootless travel, where they kept their lovingly tended garden with its fragrant roses and flowering vines, where she eschewed her strange abilities and practiced only mortal skill. An ideal place for a family, though they knew they could never have children now.

When he began to protest her lack of urgency she forced him into stillness and silence. She had that power.

“We’ve made friends in town,” she said. “They’ve no reason to harm us.”

Always prepared to believe the best of people. Always willing to give them the benefit of the doubt. That was his wife. Too trusting. Too optimistic. One of the many reasons he loved her.

Struck mute by her spell, he could not share his thoughts. Or warn her of the fear and revulsion he had witnessed on the townsfolk’s faces when his mask slipped and they glimpsed his true nature.

“We mean you no harm,” she cried as the mob at last turned up at their rose-entwined gate. “Can’t you leave us in peace?”

No. They could not. They died even as she tried to spare them.

Banished into the deepest shadows of the house by her unbreakable command, he could only watch as the slaughter unfolded. In the end, the townsfolk’s bloody determination and sheer numbers overpowered her best defenses. Only when she fell and uttered her final spell was he at last free to move, but by then it was too late. Countless bodies littered the garden, their bones dissolved or stretched into gruesome, unsurvivable shapes. Hers lay at the center.

He ran to pick her up. He hugged her close, kissed her cooling skin, rocked her back and forth as if she were a child in need of comfort, as if holding her tight could prevent any further life force from escaping. But it was already gone. No power he possessed could bring it back.

More people from the town approached the house, stragglers to the promise of violence or perhaps those simply curious of the outcome. They darted away again when they saw the scale of the devastation. The true cost of their mindless intolerance. The osteomancer’s husband didn’t look up. He no longer cared if they returned.

On sudden impulse he laid down her body. He tore off his carefully painted mask, his human skin gloves, the cloak and thick clothes that padded and hid his body. He stood and walked to the potting shed — leaning precariously but otherwise undamaged by the violence — and retrieved a rusty but serviceable spade from inside. He stabbed the blade into the trampled lawn and carved out a shallow grave. No longer encumbered by his public disguise it did not take him long to bury his wife, his motions swift and efficient. Afterwards he sat down beside the freshly piled earth. He felt numb and hollow, unable to think of what else he should do.

He expected to die soon. To wind down. His fate was tied to hers, wasn’t that how it worked? Spells faded with their caster. But he had never really known much about her strange magic. He had always been more physical than cerebral, a doer rather than a thinker. Her perfect complement. Of her magic, he knew only that she used it to heal and to help. The children with their broken limbs. The horses and the cattle in the field when they stumbled and shattered their legs. Even the loudmouth drunkards who smashed their skulls fighting each other every payday night.

And he himself. He had felt her power, too, those years ago. Darkness one moment. Then back again, as if the fall had never happened. Except he had felt that terrible crack, that shooting final pain as his neck snapped. His lungs become so heavy he was unable to draw breath. He would never forget that.

After her magic touch he moved and spoke and did so many things as he could before. But her power was only over his bones, not his flesh. It soon began to decay. All the ointments and bindings she so desperately tried to apply could not hide the truth or stop his skin and muscles and sinew from unraveling. All too soon he was nothing but bones. Bones, and an indomitable animating spirit.

For her it was enough. “I see my memory of you,” she said. “Not the reality.” And when he got used to the strange practicalities, it was enough for him too.

The sound of shifting earth disturbed him from his thoughts. At first he feared some scavenger had slunk behind his back to disturb her grave, but when he turned he found no dog or cat or rat foraging in the freshly turned earth. Instead, he saw a creamy white stalk snaking up from the soil.

The growing bloom swayed gently, almost imperceptibly, like some undersea coral agitated by the slow tides and currents of an invisible ocean. It slowly rotated towards him.

He fell to his knees and said, “My dearest, I knew it! Have you returned?”

There was no reply.

As night descended and the townsfolk gathered again with their newly lit torches, he watched the ivory flower grow taller and sturdier and more intricate. It grew despite the sun having escaped the sky–a night bloom. Before long it was twice his height. Roots like femurs twisted through the soil, sprouting into a crescent of pelvic bones, exploding into a bloom of ribs and tibias and a crowning display of skulls and grinning teeth. Despite its grisly nature, he thought it beautiful.

For he saw the memory of her, not the reality.

The night deepened and the bone flower grew more complex, more intricate, sprouting a thousand petals, each like a curled finger bone. And clustered deep within, growing larger every moment, tiny seed-like structures.

A hot wind swirled around the devastated garden. The amassing villagers grew more bold. More belligerent. They jeered and shouted of vengeance and justice and burning out evil. A daring few drew closer, retreating as he made a move, but never quite far back as before. It would not be much longer before they realized he posed no real threat to them. His hands were stiffening, his joints seizing. Every move more difficult than the last. Eventually he knew he would simply tumble apart.

The villagers let out a roar and broke towards the house. He reached up and snapped off a handful of enameled seedlings. Like tiny teeth, tiny skulls, tiny snowflake vertebrae. The rising wind swept them from his cupped fingers, up and out, far and wide. Escaping like willful, eager children. Like dreams and hopes of what could have been.

What strange flowers they might grow.


© 2016 by Henry Szabranski

 

Author’s Note: The inspiration for this story were a couple of photographs used for a writing group prompt challenge. One image was of flowing water (“…the burbling mountain stream…”), the second was of a hand tossing what looked like tiny bones to the wind (“Like…tiny snowflake vertebrae…”). To me the bones looked like seedlings, so I immediately began to wonder what their origin might be.

 

usxOOoT1Henry Szabranski was born in Birmingham, UK, and studied Astronomy & Astrophysics at Newcastle upon Tyne University, graduating with a degree in Theoretical Physics. His stories have previously been published in Beneath Ceaseless SkiesDaily Science FictionLakeside CircusFantasy Scroll MagazineKaleidotrope and in Fantasy For Good: A Charitable Anthology, amongst other places. He lives in Buckinghamshire with his wife and two young sons. Visit his blog at http://www.henryszabranski.com or follow him on Twitter @henryszabranski

 

 


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Bonus! “St. Roomba’s Gospel” in Audio

As a special bonus this month, I am adding an audio recording of this month’s story “St. Roomba’s Gospel” to the story’s post, read by the author herself, Rachael K. Jones.  I would love to expand to doing audio recordings as part of the fiction offerings, so this is a sample of that potential.  (I will also update the original story posting with the audio).

We’ve also just added a newsletter.  Sign up to get updates on our publishing projects and read the original fiction before it’s on the public site.

 

The Long List Anthology Released!

written by David Steffen

Pageflex Persona [document: PRS0000039_00012]Today marks the official release ebook and audiobook versions of the Long List Anthology, a collection of stories published in 2014 from the Hugo Award nomination list.  (The print version was released not too long ago).

See the Books page for a link to all of the different vendors for the different formats.

In case this is the first you’re hearing about this, I ran the Kickstarter to fund this anthology in October, which you can see here.

I hope you enjoy the stories in this book as much as I have.  Share links!  Leave reviews!

Description

The Hugo Award is one of the most prestigious speculative fiction literary awards. Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. Between the announcement of the ballot and the Hugo Award ceremony at WorldCon, these works often become the center of much attention (and contention) across fandom.

But there are more stories loved by the Hugo voters, stories on the longer nomination list that WSFS publishes after the Hugo Award ceremony at WorldCon. The Long List Anthology collects 21 tales from that nomination list, totaling almost 500 pages of fiction by writers from all corners of the world.

Within these pages you will find a mix of science fiction and fantasy, the dramatic and the lighthearted, from near future android stories to steampunk heists, too-plausible dystopias to contemporary vampire stories.

There is something here for everyone.

The cover art is by the Hugo-Award winning artist Galen Dara, the cover layout by Pat R. Steiner, and the interior layout by Polgarus Studios.  Audiobook production by Skyboat Media.

Table of Contents

  • “Covenant” by Elizabeth Bear
  • “This Chance Planet” by Elizabeth Bear
  • “Goodnight Stars” by Annie Bellet
  • “The Breath of War” by Aliette de Bodard
  • “The Truth About Owls” by Amal El-Mohtar
  • “When It Ends, He Catches Her” by Eugie Foster
  • “A Kiss With Teeth” by Max Gladstone
  • “Makeisha in Time” by Rachael K. Jones
  • “Toad Words” by T. Kingfisher
  • “The Vaporization Enthalpy of a Peculiar Pakistani Family” by Usman T. Malik
  • “The Magician and LaPlace’s Demon” by Tom Crosshill
  • “The Litany of Earth” by Ruthanna Emrys
  • “A Guide to the Fruits of Hawai’i” by Alaya Dawn Johnson
  • “The Bonedrake’s Penance” by Yoon Ha Lee
  • “A Year and a Day in Old Theradane” by Scott Lynch
  • “The Husband Stitch” by Carmen Maria Machado
  • “We are the Cloud” by Sam J. Miller
  • “Spring Festival: Happiness, Anger, Love, Sorrow, Joy” by Xia Jia, translated by Ken Liu
  • “The Devil in America” by Kai Ashante Wilson
  • “The Regular” by Ken Liu
  • “Grand Jeté (The Great Leap)” by Rachel Swirsky