Diabolical Plots Lineup Announcement! (from July 2024 Window)

written by David Steffen

Hello! I am here to announce the original stories that were chosen from the general submission window that ran in July 2024.

First, some stats:
# of Stories Submitted: 1323
# Rejected (First Round): 1220
# Rejected (Final Round): 57
# Withdrawn: 15
# Disqualified: 2
# Rewrite Requests: 6
# Accepted: 23

Note that the overall numbers might include some authors twice in some circumstances. This can happen if an author withdraws before any of the first readers read it, they are allowed to submit another story in its place. Also, if a submission becomes a rewrite request, if the author submits the rewrite while the window is still open then the rewrite would become a second submission to the window. Or a combination of these could make several submissions for a single author.

The overall submission count is lower than the previous window by about a hundred, but there was still plenty of great stories to choose from, enough that we had to send rejection letters for many stories we would have been happy to publish.

This year we recruited a new first reader team because our first reader team carrying over from year to year had grown smaller over a couple years as some first readers got busy with other life things and couldn’t come back. The team with a bunch of new members worked their way through the queue with amazing speed while giving each story the same full opportunity as every other story–many hands make light work. This helped keep the window flowing as the editors never had to wait for a submission to have two votes on it (as you can tell by this announcement coming out almost 6 weeks earlier than last year’s announcement despite the window running about the same time of the year!). Our first readers are an amazing crew and we appreciate their immense help! Check out our staff page for a partial list of our first readers if you want to learn more about them!

If you have any comments or questions feel free to comment here or to send us a message through our contact form.

Changes Since the Last Window

We did have a few relevant changes to the submission system software since the last submission window.

In previous years, we did occasionally request rewrites from authors if we thought a story was almost an acceptance and we had something specific and concrete that we could request that (if the author was interested) could move it to become an acceptance. This was always handled outside of the submission system, where one of the editors would mark it as a Rejection but would edit the rejection letter to request chances and invite the author to send in changes. Changes in these cases were generally handled by having the author email one or more of the editors directly, and wasn’t handled by the submission system at all, which made it harder to keep track of, harder to collaborate on (need to forward it to other editors for them to see rather than being in a central location).

After the window last year, just before posting the summary, the submission system has been set up now so that a submission can be marked with the terminal status of Rewrite Request. When a Rewrite Request response is sent, it automatically also includes a special one-time resubmit link. The author can use this at any time. They can use it during the same window, which will bypass the usual one-submission-per-window limit. They can use it when there is no submission window. The link expires after a year (just for data cleanup purposes) but we can regenerate a link after that year on request. When a submission comes back into the system it will be treated somewhat differently, such as notifying both the Editor-In-Chief and the requesting editor. It will also bypass the usual requirement for two first readers to vote on it before it’s resolved, because it has already been seen by editors and was of interest enough to cause a Rewrite Request result. In addition, the submission system links to both the current text and the original text so the editors can compare what has changed if they like.

We also added the ability to handle solicitations to authors through the system. We occasionally solicited authors before, but it was always handled entirely out of the system which again made it harder to coordinate and keep track of it. This works very similarly to the Rewrite Request, producing a one-time link. The main difference is that a solicitation can be generated out of nowhere instead of requiring an existing submission record to start from.

And, since last year we added to the submission form an option for the author to enter Content Notes for the first reader team. We’d tried this in a previous year but had gotten some feedback on the way it was implemented that prompted us to pause the idea and come back to it later when we had time to take the feedback into account. Content Notes are never required but are appreciated! Our first reader team appreciates having a heads up on things like whether the story has the death of a pet, or spousal abuse, or things like that: that way a first reader can either brace themselves for it, or can choose to skip over it if they choose to and let another first reader who is more ready for that to handle it. When our first readers are often reading dozens of stories a week (sometimes even more!) that it can be very taxing to walk into stories with some topics without having a head’s up first and these content notes are very helpful. Authors, though not required to do this, seemed to use it very conscientiously, as stories that our first readers thought should have a warning usually had a relevant warning. So we appreciate authors participating in this when they are able!

The Lineup

The Witches Who Drowned
by R.J. Becks

On the Effects and Efficiency of Birdsong: A Meta-Analysis
by F.T. Berner

The Unfactory
by Derrick Boden

The Glorious Pursuit of Nominal
by Lisa Brideau

Irina, Unafraid
by Anna Clark

The Statue Hunt
by E. Carey Crowder

The Matador and the Labyrinth
by C.C. Finlay

Please Properly Cage Your Words
by Beth Goder

The Rat King Who Wasn’t
by Stephen Granade

In His Image
by R. Haven

The Interview
by Tim Hickson

Paths, Littlings, and Holy Things
by Somto Ihezue

The Year the Sheep God Shattered
by Marissa Lingen

Resurrection Scars
by Sheila Massie

Application For Continuance: vMeet Restroom Utility (RedemptionMod)
by Ethan Charles Reed

Will He Speak With Gentle Words?
by A.J. Rocca

Laser Eyes Ain’t Everything
by Effie Seiberg

(Skin)
by Chelsea Sutton

When Eve Chose Us
by Tia Tashiro

The Octopus Dreams of Personhood
by Hannah Yang

The Saint of Arms
by Mason Yeater

Skin as Warp, Blood as Weft
by Lilia Zhang

Our Lady of the Elevator
by Shiwei Zhou


Announcements! (Submission Window, First Reader Applications, Staff Changes)

Submission Window: July 8

We are delighted to announce our next general submission window!

Submissions will be open for two weeks, from July 8 through July 22, via our submission portal. We consider one story per author, with a wordcount of 3,500 words or less; we pay 10c/word; and simultaneous submissions are fine. See our Submission Guidelines for full details and more information!

Call for First Readers (BIPOC now, everyone May 27)

We are now looking for volunteers interested in being First Readers for Diabolical Plots!

First Readers are a crucial part of our submission windows, helping us navigate through the many hundreds of stories we receive every year, and making sure every story gets consideration and the spectrum of opinions and viewpoints we need to make our choices well.

Reading submissions is also a fantastic learning experience for anyone who loves reading, writing, or editing. It’s an opportunity to sample an incredible range of writing, from every style and every level of professional expertise. It’s also a way to get ‘behind the scenes’, see how the magazine is run, and get involved in bringing stories to the world. If you love short stories, we suspect you will have a blast.

At Diabolical Plots, we see First Readers as an opportunity to offer mentorship and new connections! We’ll walk you through everything that First Reading entails; we’re always open for conversations about reading, writing, and publishing; and we’ll hold regular discussions and exercises, specially aimed at new First Readers, highlighting all kinds of different ways stories can work (or not work!) for us, and what goes into submission reading and the magazine process.

Diabolical Plots offers a small honorarium to all First Readers who participate in a submission period. We recognize that it is not commensurate with the tremendous amount of work our amazing First Readers put in, but we feel it’s vital to provide what compensation we can, and it is important to us to show our appreciation.

It’s always important for us to maintain a diverse First Reader team with a wide range of identities and experiences; we are immediately open to applications from people who identify as BIPOC (Black, Indigenous, or people of color).  We will open to First Reader applications (at the same link) from all demographics on May 27.  The applications for all will be open through June 3.

A Farewell and a Welcome

After a fruitful year here at Diabolical Plots, Chelle Parker will be stepping down from the editorial team this summer. A professional freelance editor, and previously copyeditor and then managing editor at Fireside Magazine, as well as a reviewer for Publishers Weekly, Chelle has been wonderful to have as a member of our team. They’ve weighed in on acquisitions, dev edited and copy edited stories, developed our in-house style guide in collaboration with David, advocated for First Readers and fellow editors, assisted with our 2023 Hugo Award Nomination List project, been a veritable fountain of knowledge on language and grammar, and so much more—we’ve gained and grown immeasurably from their time and efforts with us.

As Chelle departs, we are pleased to welcome Amanda Helms, who will be stepping into the vacant editor role! Amanda is a biracial Black/white fantasy, science fiction, and sometimes horror writer whose stories have appeared in or are forthcoming from FIYAH, Uncanny, Beneath Ceaseless Skies, and other fine venues. Amanda has been with the Diabolical Plots team since 2021, where she has been among our most prolific First Readers—her many insightful comments and gift for getting to the heart of a story have helped steer acquisitions, and we have tremendous respect for her taste and work ethic. Her background as a former editor in educational publishing is a major asset, and she’s eager to apply those skills in working with Diabolical Plots authors. Two of her stories have previously been published in the magazine: “The Efficacy of Tyromancy over Reflective Scrying Methods in Divining Colleagues’ Coming Misfortunes” is a great example of speculative academic fiction, and has the distinction of being our first unTweetable story title—at the time it was published, Twitter still had the 140-character limit— while “Midwifery of Gods: A Primer for Mortals” is a great example of the kind of ‘format story’ that Diabolical Plots loves to publish. Welcome, Amanda!

The 2023 Hugo Award Nomination List (With Links!)

Compiled by Hal Y. Zhang, with assistance from Chelle Parker and David Steffen

This has been a memorable year for the Hugo Awards. For the last eight years, Diabolical Plots has produced an annual volume of stories from the longer list of nomination statistics: The Long List Anthology. The project started in another memorable year, with the intent of bringing attention to more of the works favored in those nomination statistics, with the primary goal of giving those authors a boost in readership, and that effort has been successful, as those anthologies are still finding new readers every year.

The longer nomination list is traditionally published within hours of the end of the Hugo Awards ceremony at WorldCon. This time, the list was published three months after the ceremony, in January 2024, and that was the least of the departures from the norm for the awards. We aren’t going to rehash all of those details here, but you can read up on some of the controversy over at Jason Sanford’s Genre Grapevine.

With all of the complications of this year’s nomination list, Diabolical Plots has decided not to produce a new volume of the Long List Anthology this year. We do still want to help boost readership for the amazing authors involved, however, so in lieu of the anthology, we have done our best to compile the most comprehensive list of links to the works from this year’s Short Story and Novelette categories that we could.

Works in this list have been organized alphabetically by author name (romanized in the case of Chinese authors). Please note that not all stories have English translations, and that we have used the translated titles provided by the Hugo Awards administrators for those that do not, which are marked with an asterisk. If anyone knows of translations, either Chinese to English or English to Chinese, for any of the stories on this list that we’ve missed, please let us know.

—David

Best Short Story Finalists and Long List

《2039: 脑机时代》/ “2039: Era of Brain-Computer Interface”
by 阿缺 / A Que

《菌歌》/ “Do You Hear the Fungi Sing?”
by 陈楸帆 / Chen Qiufan

“Destiny Delayed” / 《迟到的命运颂歌》
by Oghenechovwe Donald Ekpeki

《尽化塔》/ “Fogong Temple Pagoda”
by 海漄 / Hai Ya

《孤独终老的房间》 / “Lonely Room”*
by 郝景芳 / Hao Jingfang

《命悬一线》 / “On the Razor’s Edge”*
by 江波 / Jiang Bo

《437火锅诞生记》 / “437 Birth of Hotpot”*
by 凌晨 / Ling Chen

《白色悬崖》 / “The White Cliff”*
by 鲁般 / Lu Ban

《通济桥》 / “Tongji Bridge”
by 路航 / Lu Hang

“Rabbit Test” / 《兔子测试》
by Samantha Mills

《雪中追忆》 / “Memories in Snow”*
by 任青 / Ren Qing

《还魂》 / “Resurrection”

by 任青 / Ren Qing

《火星上的祝融》 / “Zhurong on Mars”
by 王侃瑜 / Regina Kanyu Wang

“D.I.Y.”
by John Wiswell

《无面之城》 / “Unfaced City”*
by 杨晚晴 / Yang Wanqing

Best Novelette Finalists and Long List

《旧日之花》 / “Flowers of the Old Times”*
by 陈虹羽 / Chen Hongyu

《不做梦的群星》 / “Stars Don’t Dream”
by 迟卉 / Chi Hui

“If You Find Yourself Speaking to God, Address God with the Informal You” / 《如果你发现自己在跟健身大神对话,那就别太拘谨》
by John Chu / 朱中宜

“Two Hands, Wrapped in Gold”
by S.B. Divya 

“Solidity”
by Greg Egan

《时空画师》 / “The Space-Time Painter”
by 海漄 / Hai Ya

“Murder by Pixel: Crime and Responsibility in the Digital Darkness”
by S.L. Huang / 黄士芬

《新贵》 / “Upstart”
by 鲁般 / Lu Ban

“A Dream of Electric Mothers” / 《电母之梦》
by Wole Talabi

“The Difference Between Love and Time”

by Catherynne M. Valente

“We Built This City” / 《此城由我们建设》
by Marie Vibbert

《图灵大排档》 / “Turing Food Court”
by 王诺诺 / Wang Nuonuo

《白头雀》 / “Whitehead Sparrow”*
by 杨健 / Yang Jian

《蜂鸟停在忍冬花上》/ “Hummingbird Resting on Honeysuckles”
by 杨晚晴 / Yang Wanqing

Announcement: Kel Coleman Stepping Down

written by David Steffen

Diabolical Plots is bidding a fond farewell to Kel Coleman, who is stepping down from their position on the editorial team to pursue rest, as well as other creative endeavors.

For those who don’t know, our working relationship with Kel started on the story side of things, when we had the opportunity to publish “A Study of Sage” in February 2021 (my first sale! – kel). Not long after, they joined the editorial team, resolving submissions for submission windows, helping to determine final acceptances, and editing stories for publication.

Kel also contributed to discussions about updating submission guidelines and publication policies, as well as reaching out to authors to establish working relationships. And they’ve been a big part of planning something I can’t talk about yet. We’re excited to see it come to fruition and we can’t wait to give them a shout-out when the time comes.

It has been a pleasure working with Kel, and I hope to have the opportunity to work with them again in the future. (the feeling is mutual! – kel)

Submission Window Update: First Story Announcement and Schedule Info

written by David Steffen

Hello! I’m here to give an update on the general submission window where we were taking submissions from July 17-31. We received 1451 stories for the submission window. The first round is complete, so everyone should have received an initial response of either a rejection or a hold notice. If you haven’t received one, check your spam folder, you can check your status on the submission site if you have your confirmation name, otherwise you can query us immediately.

Normally I announce the story lineup all at once with all the months, but we are running a little later than I had hoped, and so I’m slipping in the first story announcement right here:

The November story will be:
In the Shelter of Ghosts
by Risa Wolf

We have a couple other acceptances in hand, and we are having discussions right now to finalize the rest of the list.

On a related note, because we are running a little later than we had originally planned, we are publishing one story a month for a couple months to connect the schedule up. But we’re planning to return to our usual cadence of two stories a month at that point.

Announcement: New Assistant Editor! (Part 2)

written by David Steffen

Hello!

I am here today to announce another new Diabolical Plots staff member: Hal Y Zhang!

Hal Y. Zhang is a lapsed physicist and international transplant who splits her time between the east coast of the United States and the Internet, where she can be found at halyzhang.com. In addition to being the guest editor for the Spring 2022 issue of Fireside Magazine, she was also on the editorial staff at Reckoning and sub-Q. Her speculative prose and poetry have appeared in places such as Uncanny MagazineStrange HorizonsEscape Pod, and Future Tense. She is a fan of mild tea and sharp words.

We are looking forward to working with Hal and Chelle in the upcoming submission window. Join ust in giving a warm welcome!

Announcement: New Assistant Editor!

written by David Steffen

Hello!

I am here today to announce a new Diabolical Plots staff member: Chelle Parker!

Chelle Parker is a disabled Canadian queerdo with over fifteen years of editing experience, including five at the recently-closed Fireside Magazine. Projects they’ve worked on have been finalists for the Hugo, Locus, Eisner, and Norma K. Hemming Awards, and winners of the Aurealis and Angoulême Awards. Chelle has lived all over the world, learned seven languages, and run through a number of careers, including librarian, teacher, and radio DJ. They thrive on kindness, sarcasm, and Camellia sinensis. When they’re not hoarding books and advocating for the serial comma (seriously, they WILL die on that hill), you’ll find them out camping with their dog, who never judges them for putting their foot in their mouth. You can read more about them at www.mparkerediting.com.

Join me in giving Chelle Parker a warm welcome! 🙂

DP Submission Window, and “AI” Writing Policy

written by David Steffen

Hello! I know it has been a long time since we were open for submissions, but we are now ready to announce the next submission window. This one will be an unthemed general submission window, and will run for 2 weeks, from July 17-31st, 2023. Rules and terms are generally the same as before. One submission per writer in the window. Simultaneous submissions are allowed.

Since we had our last two windows both in July 2022, AI software has made leaps and strides in what it is capable of. So, planning this window feels like an appropriate time to update our submisssion terms on the subject of AI writing.

We have updated our guidelines to state clearly that we are not interested in receiving submissions of AI written or AI assisted writing. I will quote the relevant section here as well.

CAN I SUBMIT AI-WRITTEN WORK?

No.  You cannot submit work that was written or assisted by AI writing programs.  This includes ChatGPT and SudoWrite.  There are many reasons we have made this decision, but a large part of it that these programs are based on pulling their data from publicly available including many copyrighted works without the authors’ consent, and then being used to take away publishing opportunities from those same authors.  If some new kind of AI program is produced that is built on some other kind of technology, then we may revisit the policy at that time with the information available.  But until we update our guidelines to say otherwise we are not interested.  We prefer to support artists. If you disagree, we wish you the best of luck at other publications.

To be clear: when we speak of AI writing programs, we are not referring to spell-check, grammar-check, thesaurus, or prompt generators which may be helpful to a writer but for which the writer is still doing the writing.

Also, if you have written a story using AI and are thinking of submitting it anyway: keep in mind that you will need to confirm at time of submission that it was not written using AI.  And if your story were accepted, to be published you would need to sign a contract confirming it as well.  You won’t be doing yourself any favors, if what the AI produced was appealing, to put yourself in a place where you would have to knowingly breach a contract to publish it.

“Diabolical Thoughts” Lineup Announcement

written by Ziv Wities

In July, we opened a special submission window, for Diabolical Thoughts — our upcoming telepathy-themed issue, edited by me, Ziv Wities.

We’re extremely pleased to announce the stories we selected! Here’s the complete lineup:

  • “Rattenkönig,” by Jenova Edenson, takes us on a road trip with three teens who, without anybody else to lean on, are drawn and bound to each other.
  • “The Hivemind’s Royal Jelly,” by Josh Pearce, offers a wondrously weird take on what a “hivemind” might be.
  • “The Desert’s Voice Is Sweet to Hear,” by Carolina Valentine, is full of desperate telepathic duels in the depths of a desert that wants you dead.
  • “A Girl with a Planet in Her Eye,” by Ruth Joffre, introduces a whole world full of voices, all whispering, we’re here. We exist.

In addition, we’ve also purchased “Shalom Aleichem,” by Y.M. Resnick, a queer Jewish story about the angels who visit every Friday night, which we’ll also be publishing in the magazine in 2023!

We got such a wonderful, exciting variety of stories in the submission window; thank you so much to every single author who sent in a story, and to all our wonderful readers! We cannot wait to share these stories with all of you.

Short Story Lineup Announcement!

written by David Steffen

Hello! I am here to announce the original stories that were chosen from the general submission window that ran in July 2022.

First, some stats:
Submissions received: 1126
Disqualified: 5
Withdrawn: 2
Rejected First Round: 1025
Rejected Final Round: 82
Accepted: 12

In addition to the 12 stories selected from the general submission window, we also added an original story acquired outside of the general submission window.

These stories will all be published in 2023; I look forward to sharing them with you!

And here is the list, in alphabetical order by author name:

Six Reasons Why Bots Make the Worst Asteroid Miners
by Matt Bliss

Interstate Mohinis
by M.L. Krishnan

Devil’s Lace
by Julie Le Blanc

The Monologue of a Moon Goddess in the Palace of Pervasive Cold
by Anja Hendrikse Liu

Requiem
by P.H. Low

Dog Song
by Avi Naftali

Glass Moon Water
by Linda Niehoff

On a Smoke-Blackened Wing
by Joanne Rixon

Bottled Words
by Carol Scheina

Tell Me the Meaning of Bees
by Amal Singh

Diamondback V. Tunnelrat
by Nick Thomas

Re: Your Stone
by Guan Un

They Were Wonderful, Once
by Lily Watson