Fiction – Page 22 – Diabolical Plots

DP Fiction #18: “Sustaining Memory” by Coral Moore

The Archivist held the three remaining beads in her left hand. Images flickered across her visual cortex: an unknown woman’s face, a sunset on a planet she couldn’t name, the dazzling color of a sea she no longer had the words to express. The beads felt cool and impersonal in her fingers, though what they contained was neither. She had only these few memories left and she no longer remembered if they were hers or someone else’s.

Around her, the machine chugged and whirred. The metal tubing that encased her pod vibrated. The glowing core rose in front of her, spinning slowly around its vertical axis.

She twirled the bead containing the seascape between her fingers and dove in. The memory was a moment in time. The wind caressed her face and the briny scent of the sea filled her head. A white-capped wave was held just off shore in the instant before breaking, never to fulfill its potential. She had the sense of someone waiting for her on that unknown shore. The name of the sea was gone, like everything else she had once known, converted into power for the machine she’d been wed to.

She surfaced from the hold of the memory with effort. That sea and that person no longer existed. The world her people had inhabited had been scoured clean, its atmosphere stripped away and everything on the surface incinerated. Nothing had survived; nothing but the machine, buried deep below the crust near the cold, dead heart of the planet. When her organic memory had been scrubbed, they’d left the fate of her world with her so she would not forget her purpose.

The grinding groan of the alert tone sounded, and without thinking she placed the seascape bead into the receptacle near her hand. The bead circled around the outer edge and spiraled downward into the depths of the machine. Bit by bit the memory of the sea faded from her mind, until only a pale representation of it remained, and then a moment later that too was gone. She was left only with the impression that something precious had been taken from her, with no idea what it was.

Two left: a sunset and a woman.

Only two memories before she was nothing but a soulless cog in the machine that would unmake everything her people had ever been in order to start again.

“Status?” she asked the heated air around her.

Something churned just beyond her field of vision. “Offline.” The voice that had been her only companion for generations was toneless and flat.

She swirled the two remaining beads in her hand. The number of beads she needed to awaken the machine was exact. She wondered why the designers of such a marvel would cut it so close or depend on her to do this critical job at all. If she’d ever known the answer to those questions, she no longer did.

If she stopped putting beads in before the machine awakened it would cannibalize the pod that sustained her in an attempt to get the necessary power. She wasn’t certain how many beads her body, such that it was, could replace. Once her systems started shutting down a cascading failure would follow.

When she held the memory of the sunset, deep pink and orange streaks surrounded her. She perched on a rocky cliff. A lush valley unfurled below her, absorbing the colors of the bright sky. Someone sat next to her, just out of sight. A sense of peace pervaded the place. She dwelled in the memory until the alarm tone woke her from her contemplation.

The comfort of the sunset was the only solace she could remember. While it was true that she would no longer remember that the memory had ever been her haven, she would miss something. A yawning void grew with each piece of her that was forgotten.

When the alert rang the second time she closed her eyes and dropped the bead in the machine. She concentrated on how the sunset made her feel, but even as she tried to hold it in her mind the colors faded.

“Mountain. Sunset. Peace.” She said the words over and over as a litany, but it made no difference. The memory slipped away like water through her fist, and all she was left with was the aching emptiness. She snapped her hand shut around the remaining bead.

The woman in the memory had short dark hair that stood on end in a gravity-defying display that balanced chaos and order perfectly. Her eyes brimmed with tears and angled downward. A curved scar marked her left cheek, but didn’t mar her loveliness one bit. Her lips were slightly parted. She was close enough that the heat from her breath warmed the Archivist’s face. The woman with no name had been captured in the moment before a farewell kiss. There was no other way to resolve the adoration and acceptance mingled in her expression. Something terrible had been about to happen and they had run out of ways to fight.

The Archivist had no idea if the love in the unknown woman’s gaze was intended for her. She didn’t care. The emotion existed, and it was hers. She drifted in the moment just before the kiss for as long as she dared, and finally surfaced from the memory much later, gasping for air.

The alert tone sounded.

She clutched the final bead. The woman’s face floated before her, diaphanous and lovely. One kiss was all she had left.

The alarm rang again, louder and in two long bursts.

“You can’t have her.” She locked her fist around the bead, hoping that would curb her reflex to feed it to the machine.

The energy generated by her pod would be enough to replace one bead—it had to be. She wouldn’t get to see the new world she’d given up everything for, but she would be able to keep this last piece of herself.

She lingered in the kiss until the sound blasted three times, knocking her forcefully from the memory.

The bead port was so near her hand, and her arm wanted to make the motion, but she concentrated on keeping her hand shut tight. She’d never gone this far, so she had no idea how long she had to wait until there was no taking back the decision. She worried her resolve would slip.

Around her the machine churned and whirred. Nothing was out of the ordinary, nothing but her fist and a sense of dread she couldn’t shake.

A high-pitched whistle shrieked and surprised her so that she nearly dropped the last bead.

The relative silence in the wake of the terrible sound was haunting. She had the sense of motion in her peripheral vision, but she couldn’t turn to see what had moved. A grinding sound began soon after, and her pod vibrated.

There was an ominous clunk. Something slithered around the lower portion of her body, but she couldn’t see it within the metal and hoses that wrapped her. None of the memories she had left had prepared her for this. She managed not to panic, barely. The next breath she drew was labored.

A series of light chimes rang through the machine’s interior.

“Status,” she said.

The long pause that followed was made longer by the worry that she would go to her end never knowing if she’d doomed the project to failure.

“Online,” replied a voice she hadn’t heard before, more lifelike and feminine than the previous robotic one. “Resources have been reprioritized to support mission-critical utilities. Life support is offline.”

The note of sadness she detected had to be coming from her and not the machine. Her chest felt heavy. “Does it affect the chance of success?”

“By less than one one-thousandth of a percent. We are still well within operational parameters.”

“Good.” She sighed. “How long until the process starts?”

“I’ve already begun.”

“Oh, can you forecast completion yet?”

“No. Spinning up my systems will require a non-trivial amount of time. I won’t be able to calculate time to completion until I know how much has survived my hibernation and the loss of the atmosphere aboveground.”

“So I won’t know if it will work before I die.”

“It will work.”

“How do you know?”

“This project is my sole purpose for being, Archivist. I must believe it will succeed. The magnetic field will be restored, the atmosphere will be regenerated, and the planet will again support life.”

She smiled. Even that small movement drained her dwindling energy. “I think I would have liked you.”

“You would have.” Softness colored the voice again. Was it a trick of clever programming or her own sentimentality?

She laughed, surprised she remembered how. “That’s very presumptuous.”

“It’s a mathematical certainty. Your memories are cataloged and indexed in my database. Part of me is you.”

“I didn’t realize the memories would be retained.”

“The data contained in the beads was a byproduct of the energy transfer, but retaining them was deemed important by my programmers. They take up a very small portion of my total processing.”

“So we will carry on with you.”

“Yes. Nothing will be forgotten.”

The Archivist’s vision grew dim and her thoughts floated through a slow-moving haze. “That’s a relief.”

“Why did you initiate your shut down early?”

“I didn’t want to give up the last bead.”

“The memory held special value for you?”

“I don’t know for certain. It might not even be mine.” Secretly, she hoped the memory was hers. Maybe she’d somehow managed to organize the beads so that the ones that meant to most to her were last in the sequence before she’d forgotten.

“I may be able to tell you, if you would like to know.”

“It’s a goodbye kiss. The woman is leaving, or I am, and I don’t think we’ll ever see each other again. There’s a curved scar on her cheek, but that only makes her more beautiful to me. Her eyes are filled with love and loss, joy and regret. I want to tell her that I love her, but there’s no time. There’s only the hovering moment just before our lips touch.”

Another long pause, with only the sounds of the machine working around her to fill the growing darkness.

“Her name was Marley, and she loved you very much.”

The Archivist had trouble drawing her next breath. What remained of her chest ached. “I thought I would never know for sure if the kiss was mine. Thank you.”

“You’re welcome. Marley was one of my main programmers. My neural pathways are based on her logic, her biology. That connection is why you were chosen to be the Archivist.”

Her eyes stung with the memory of tears. “Why did I agree to this?”

“You know why.”

She’d always known why. It was the only way to save some small remnant of her people, of the world they’d built. “In the end I couldn’t let her go.”

“She would have appreciated that, though I’m sorry we won’t have more time together.”

The last of her vision faded as her brain began to shut down. “I’m scared,” she whispered, hoping her voice was still loud enough to register.

“Would you like me to tell you a story?”

“Yes, please.”

“A small white ship surged and fell on the waves of a turquoise sea. Marley stood in the salt-scented breeze, her feet spread wide to absorb the rolling motion of the deck. Her wife waited on the distant shore, just a speck at this distance…”

The Archivist closed her hand around the bead, summoning the image of Marley with tears in her eyes. Somewhere Marley waited for her. She leaned into the kiss, and let go.

Author’s Note: Memories are such an integral part of our identities that I thought the idea of someone voluntarily giving up their memories one at a time for some grand purpose would be interesting to explore. While writing the story of the Archivist’s failing memory, the machine that would allow her world to sustain life again by eating her memories one at a time occurred to me and seemed to fit perfectly.

Coral Moore has always been the kind of girl who makes up stories. Fortunately, she never quite grew out of that. She writes because she loves to invent characters and the desire to find out what happens to her creations drives her tales. Prompted by a general interest in how life works, she studied biology. She enjoys conversations about genetics and microbiology as much as those about vampires and werewolves. Coral writes mainly speculative fiction and has a Master of Fine Arts in Writing from Albertus Magnus College. She is a 2013 alum of the Viable Paradise writer’s workshop. She has been published by Dreamspinner Press, Evernight Publishing, and Vitality Magazine. She also received an Honorable Mention in the Writers of the Future contest for the fourth quarter of 2014. Currently she lives in the beautiful state of Washington with the love of her life and two canids.

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DP Fiction #17: “Future Fragments, Six Seconds Long” by Alex Shvartsman

In his future, I see a fish. It swims very near the white sand of the sea floor a few feet below the surface. Bright tropical sun pierces the clear turquoise water. Through his eyes I watch the fish for the entire six seconds, until time runs out and my consciousness is returned to the present.

I open my eyes and study him. He’s an attractive man with a kind face. He looks back at me expectantly from across the sitting table. Atop the checkered tablecloth sits a crystal ball, a bronze candelabrum with a trio of lit scented candles, and a few other useless props. I draw a deep breath, inhaling the smell of eucalyptus and mint, and try to decide which lie he would like to hear.

“Next week will be a fortuitous time to move forward on the business decision you’ve been putting off,” I tell him. “But you must tread carefully; the success of your venture hinges on your good judgment about the people involved.”

It’s an almost meaningless statement that invites the client to fill in the blanks, to apply the vague prediction to their own circumstances. The kind of person who would buy a cheap fortune-telling from a mall psychic requires little finesse.

I watch him carefully. Most people who walk through my door are here about business or love. He’s intent, even somewhat anxious, but there isn’t a strong reaction to my words. Not business, then.

My right hand rests on the crystal ball for effect, and I try again.

Divination is a crapshoot. The soothsayer can peer through somebody else’s eyes and see a six-second fragment of their future. Trouble is, the fragment is random, and it offers no context. People spend most of their lives doing inconsequential things: sleeping, eating, driving, watching TV. To happen upon a fragment that offers any kind of real insight into the future is exceedingly rare.

Those of us with a real gift are like the gold rush prospectors, sifting through sand for nuggets of gold. We go spelunking in people’s futures, hoping to strike it big with a stock tip or a game score. A fortune-teller in Tulsa happened upon the fragment of a man watching the Super Bowl. She had to wait a few years, but when the time came she cashed in. My client doesn’t seem like the sort who reads the stock pages, but you never know what you might find.

This time there’s a highway. Wipers are sweeping raindrops from the windshield and he strains to see the road ahead through the dark and the rain. I hope for some road signs, but the time runs out before he sees any.

Back in the present, I glance at his finger. There is no ring. “The love you seek will be requited. It awaits only for you to act.”

Bingo. His eyes widen with excitement. “I should ask her out, then?”

I dive in one more time.

In this fragment, he is looking at an old photograph. His hand holding it is unsteady and wrinkled with age. In the photo, there are the two of us: hugging, smiling, our faces alight with bliss.

As soon as the fragment ends my eyes snap open, and I look at him in a new way. He seems very pleasant; I can definitely see us together. Has he come here not because he wanted a reading, but because of me? I feel my cheeks blush. I’ve never heard of a seer finding themselves in somebody else’s future. Perhaps I’ve struck gold in a different way.

I smile at him. “Yes. You should ask her out, right away.”

A smile slowly spreads across his face. “You know, I think I will.”

Then he reaches into his pocket for a few bills, places them on the table next to the candelabrum, and walks out.

Stunned, I watch him go.

But what about the photo, I want to scream. Future fragments are often useless, but they’re never wrong.

In my line of work I’m forced to constantly lie. But it’s not the lies I’m selling. It’s the confidence my clients need: the extra push to do whatever it is they wanted to do all along, the perceived blessing from some kind of a supernatural power.

I think back to how happy we both looked in that photograph. My fraudulent fortune-telling has given this man the confidence to pursue someone he’s interested in. Can my real power not do as much for me?

I get up and push past the table, rattling the crystal ball, and rush out the door to see if I can catch him.

Alex Shvartsman is a writer, translator and game designer from Brooklyn, NY. Over 80 of his short stories have appeared in InterGalactic Medicine Show, Nature, Galaxy’s Edge, Daily Science Fiction, and many other magazines and anthologies. He won the 2014 WSFA Small Press Award for Short Fiction and is the finalist in the 2015 Canopus Award for Excellence in Interstellar Writing. He is the editor of the Unidentified Funny Objects annual anthology series of humorous SF/F. His collection, Explaining Cthulhu to Grandma and Other Stories and his steampunk humor novellaH. G. Wells, Secret Agent were both published in 2015. His website is www.alexshvartsman.com

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DP Fiction #16: “The Weight of Kanzashi” by Joshua Gage

In order to prevent contamination on the space station, all the members of the shuttle crew have to be thoroughly sterilized. This means systematically cleansing themselves and their skin of all potential contaminates, including their hair. All crew members have to be completely shaved and waxed before launch. Despite this being her seventeenth mission, Yukino Kojima is always stunned at how easily her hair falls away beneath the barber’s clippers, gathering around her ankles like strands of silver fog and leaving a gray fuzz to be waxed off.

The launch is scheduled for her twenty-fifth wedding anniversary, so she gathers a lock of the shorn hair and places it in a black lacquered inro with a sprinkled gold, silver, and mother-of-pearl design as a present for her husband. He insists that the launch day is auspicious, and will tell anyone who would listen how honored he is that his wife, the renowned solid-state physicist, will soon hold the record for most recorded flights and for being the oldest astronaut in Japanese history.

To fill their personal preference kit, each crew member is allowed to choose up to 650 grams of personal items. Most of the crew choose less than this–a tablet computer and a few pieces of jewelry or other mementos. Some crew members take a good luck charm, a kotsu anzen or Daruma doll. Kenta Fujioka, the pilot, jokes that he could smuggle a carton and a half of cigarettes on board. Nobuyuki Koizumi, commander of the mission, laughs, and asks what Kenta will smoke the other 340 days they are on the space station. Yukino’s tablet is loaded with not just the usual books and music, but also with photos of her and her husband together. This being her seventeenth flight, she has little else that she needs in the way of luck or privacy.

Therefore, she is surprised to find a package wrapped in red tissue paper floating weightlessly up from the nylon bag of her kit after the shuttle docks with the space station when the crew has time to settle in before getting to work. She finds out later that Kenta and Nobuyuki gave up some of their kit weight to smuggle in a present from her husband for their anniversary. With tears in her eyes, Yukino unfolds the paper, and finds a deep mahogany kimono of the lightest, most ethereal silk with a shochikubai design embroidered upon it. Yukino fingers the delicate pattern, the dark viridian swirls of the pine trees, the slender stalks of the bamboo, and the blushing blossoms of the plum. Along with the kimono is a lacquered kushi, a hair comb, along with a matching hana kanzashi in the shape of a deep pink plum blossom.

Yukino presses the silk of the kimono against her lips, feels its cool weft. Holding the kushi to her head, she opens her locker and looks in the small mirror on the back of the door. The comb’s smooth shell and the variegations of its teeth are cold and scratch the stubble that is already growing back on her scalp. She puts it back gently, then holds the hana kanzashi above her temple. The soft fabric of its petals is like wind against her skin, and she weeps, remembering the smell of the ocean, the warmth of her husband’s hand in her own.

Author’s Note: I was inspired to write this story when I learned about Kishotenketsu plots via the StillEatingOranges blog. I was intrigued by the idea of a plot without conflict, and wrote a few stories to attempt that. This was one of them. I love the idea that a story can move forward merely by juxtaposing two things against each other, as opposed to having them in conflict with each other. I think that idea really appeals to my poetry sensibilities.

medium_Joshua_Gage Joshua Gage is an ornery curmudgeon from Cleveland. His first full-length collection, breaths, is available from VanZeno Press. Intrinsic Night, a collaborative project he wrote with J. E. Stanley, was published by Sam’s Dot Publishing. His most recent collection, Inhuman: Haiku from the Zombie Apocalypse, is available on Poet’s Haven Press. He is a graduate of the Low Residency MFA Program in Creative Writing at Naropa University. He has a penchant for Pendleton shirts, rye whiskey and any poem strong enough to yank the breath out of his lungs.

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DP Fiction #15: “Further Arguments in Support of Yudah Cohen’s Proposal to Bluma Zilberman” by Rebecca Fraimow

Dear Bluma,

I heard that Hershel Schmulewitz, that blockhead, has also presumed to ask for your hand in marriage, which gives you two proposals to consider. Now, you needn’t worry that this will be a sentimental or a wheedling sort of letter. You already know how I feel, and I suppose Hershel’s not so much of a blockhead that he doesn’t feel the same way. I’m simply writing to lay out the reasons, plainly and concisely, why it would certainly be more to your benefit to marry me.

1. As you know, I have so far outperformed all the others in my year on the rabbinical exams. Hershel’s results, I might add, have been a little mediocre. I’m not writing it to shame him, but just to state the facts. Now, on the other hand, Hershel’s father is certainly wealthy, but we all know how a family’s money can disappear in a trice when ill luck strikes, may God forbid it! I certainly don’t wish any bad fortune on the Schmulewitz family, but I’m sure that when you consider it, you’ll agree that to be well set on a career that may bring an income in anywhere offers much more security in these uncertain times than whatever large coffers may happen to exist here and now.

2. I’m not from Vilna and I don’t claim any relatives around here. This may at first seem like a disadvantage to you, but think it over a little! No mother-in-law or father-in-law to come meddling in your business; no sister-in-law to deposit nieces and nephews on you at the most inconvenient times; and if it happens that we should have to be taking care of your mother when she grows older (may she have a long life!) then there’ll be plenty of room for her, and no other elderly folks around to complain about whatever little quirks or troubles she may have. Now, don’t you think that’s an ideal situation?

3. Speaking of family – and I apologize for getting a little bit familiar here – you confessed to me some time ago that you’re not exactly wild about the idea of having children, what with the hard time your sister’s had, and those rumors about your mother. Now, maybe you were trying to warn me off, but I’ll tell you again that I don’t blame you for that at all. If it were me in such a circumstance, I probably wouldn’t be wild either. Fortunately, I can say for a certainty that if you marry me, that’s not a thing you’ll need to worry about in the least.

Now you’re probably thinking, how does he think he can promise that, what kind of funny business is going on here? All right, here’s the truth, Bluma – if you went back to my village and asked after me, you wouldn’t find anyone who knew a Yudah Cohen; and it’s just as well that nobody here would ever think to ask about Rokhl the rabbi’s granddaughter! There are certain things I would need to be fruitful and multiply that I simply have not got.

Maybe you’re worrying now that this minor trouble of mine will affect my future prospects. If so, let me reassure you that you’re the first person in Vilna to know a thing about it. First and only! All it takes to avoid trouble is a little bit of cleverness, and cleverness you must admit I’ve got — unless of course you decide to go showing this letter to Hershel or your mother. But I trust your good sense, Bluma, and I trust your discretion, and I know you’ll take the time to consider the situation before doing anything. You always have before. I’m certainly putting my future in your hands by telling you this, but then isn’t that what it means to marry somebody anyway? I’d rather you knew now than that you didn’t — and to get back to the point, if you’re serious about not wanting children, I’m sure you’ll see that this condition of mine has got clear advantages for you, if you were to marry me.

4. I am better-looking than Hershel Schmulewitz. This is not vanity; it is plain fact. Isn’t it much more pleasant to have a man who’s decorative around the house than one who isn’t?

5. Now, this rumor about your mother — and I hope you don’t think me rude for bringing it up, but if I’m laying out the facts, then we’ve got to look at facts. I haven’t managed to mention this yet, but last week, when I was hanging about your house, trying to get up the nerve to come in and ask your uncle if I could make my proposal to you — yes, Bluma, I was nervous! All right, I know you’re laughing now, but you really can’t make fun of me for that! Who wouldn’t be nervous, in such a situation? That’s one way in which it’s easier to be a girl, not having to ask — anyway, as I was saying, last week when I was hanging about, I did happen to see a great big beast go slipping out the back window.

Now, I’m not saying it was your mother, and I’m not saying it wasn’t your mother. Who am I to say what a wolf might be doing jumping out the windows of your house? There might be all kinds of reasons for that. All I’m saying is that, if the rumors do happen to be true, then I am certainly the best possible man you could marry. I don’t blame your family at all for trying to keep a thing like that a secret. It must be very embarrassing, especially since I’ve never heard of such an affliction being found in a Jewish family before now — our neighbors gossip about the vilkacis, but a creature like that is not mentioned in the books of our learning and law anywhere that I’ve found. Well, perhaps your mother is simply an unlucky woman; and besides, back when she was born, those were troubled times for the Jews too. Terrible things have been known to happen, meaning no disrespect to your mother or to your Bubbe Fruma, may God bless her and keep her memory.

In any case, whether or not the Talmud speaks on this topic specifically, you have to admit, it would be of some use to have a scholar on-hand, who already knows the secret, and has a ready excuse to go poking his nose into all kinds of old books that may perhaps offer ideas on remedies for such an affliction. And think of the benefit to including in your family a rabbi, fully informed of the circumstances, and available at all times to provide spiritual counsel in such a difficult situation! In marrying me, you would provide your family with both of these blessings. Tell me, can Hershel Schmulewitz’s money-chests compare to a bounty such as that?

And as to my discretion — well, Bluma, on that, I’ll refer you back to the third point in this letter. A person like me, who is experienced with keeping secrets, certainly knows how to make a tale that seems believable, and how not to let anything slip foolishly out of his mouth. And if, God forbid, the story ever should get out in truth — if people might not be so understanding, and your family should wish to move themselves elsewhere — well, in that, with this secret of mine, I have experience also.

Now perhaps you’re thinking to yourself, “What kind of a man is this Yudah Cohen after all, to boast of his ability to lie? Certainly he won’t make any kind of rabbi!” Let me remind you, then, that the Talmud clearly shows us that there are lies of expediency that are not a sin to tell; after all, Rabbi Yehudah has stated that even rabbis may lie in matters of a bed, which is to say, matters of modesty and privacy. Besides, though it may happen that we’ll be called upon to deceive others, it’s certain that when we are married I’ll always be honest with you, and for evidence of this I once again refer you to the third point of my argument.

6. As you’re aware, I am of the opinion that Hershel Schmulewitz is a blockhead. Now, you may disagree with me. It is certainly your right to do so. However, I felt it would not be right to close this letter without again reminding you that I fully and firmly believe this to be the case.

That’s all I have to say; the rest, I entrust once again to your good judgment. Please take the time you need to think it over! Best wishes to your mother, and your sister, and the others in your family — may they all remain in good health — and please thank your uncle for me for giving me his blessing to propose to you.

With love always,

Yudah Cohen

Rebecca Fraimow is a digital archivist by day, a rogue video preservation expert by night, and a writer in whatever time she manages to get in around the edges. Her work has previously appeared in Daily Science Fiction, as well as the anthologies Steam-Powered 2: More Lesbian Steampunk Stories and The Omnibus of Doctor Bill Shakes and the Magnificent Ionic Pentatetrameter.

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DP Fiction #14: “The Blood Tree War” by Daniel Ausema

My roots felt only earth. Thin, and good for nothing but wild grass. As I stretched under the ground, I caught the tang of metal, something sharp and not yet rusted. Clean metal, likely dropped when this patch of land was well behind the battle line. Still, the promise it made helped me exert all my energy into those roots, willing them deeper and farther out.

Sunlight glistened off my barbed leaves, feeding its pale energy to my efforts.

I was not the only blood tree growing on the battlefield, and my concentration broke when my sister began chanting. She was double my height already, as if she’d focused her efforts on leaves and branches instead of roots, but her chanting told me she hadn’t needed to work hard below ground. By instinct I recognized the nature of her words, the cadence of syllables sighing from the pores in her leaves. She chanted the lives of those whose blood she drank.

I sent a root toward her, running just beneath the surface. There was blood, battle-spilled blood. My purpose, my need, a far greater energy than the sun’s.

Her roots fought back. They sliced the tip off my root, so I branched out to either side, but they bludgeoned those runners into a pulp. Already, the blood had made her strong.

Over the silent warfare of our roots, my sister’s voice kept chanting the lives of the fallen.

She grew taller, and her leaves turned a green so dark it was nearly black.

I needed a different approach. For several days I tried focusing nearby, redoubling my efforts to dig deep, to widen my circumference. I found one patch of blood, but it was old, no part of the recent battle. It fed me, but its energy was gone too soon, and my voice had no life to chant. The nutrient-poor soil kept me small. Too long of this, and my sister would be able to block the sun from my leaves, as well as the blood from my roots.

My first break came when I discovered I could send a root over the ground. I sent a dozen one night, sipping at the earth as they went deep into her territory. Ah, the blood. She had no defense, since she wasn’t even aware of my presence. I kept them moving, never letting them sink too deeply into the patches of blood, so I might keep their presence a secret.

But my voice I could not keep silent. When the sun rose, I had no choice but to chant. Harsh lives and brief, I sent their deeds into the air. A child who’d lied about his age. A peasant unsure what to do with the weapon in his hands. A woman in disguise who brought down a dozen enemies before she finally fell. One of her victims a veteran of earlier wars who should have been allowed to rest at home.

The words tumbled out into the dawn, and my sister broke off her chanting to counterattack. By noon my runners were dead, spilling no blood by which they might be remembered. My sister’s chants went on.

As the last of the stolen blood passed up to the buds on my twigs, I discovered that even when it was gone I didn’t have to be silent. I had no more lives to chant, but I could sing a strange cry. The blood-fed buds rang out my voice. I imitated my sister’s chants, made up lives to speak. She wasted energy pursuing my roots, trying to find the blood she thought I drank.

She would discover the truth soon. My words wouldn’t fool her forever.

I played with the sounds of my voice, trying other noises that didn’t resemble our usual chants, and a bird came near to investigate. Birds avoid our kind, but my song overcame its instinct. I strangled the bird with a vine and added its blood to my song.

What else might I attempt? I changed the patterns, and squirrels came to see. Their blood tasted of hard nuts and high leaps, and their fur made my leaves droop in distaste. They made my song wilder and louder.

My sister’s trunk twisted in her desperation to find the source of my song. Her own chants continued, of warriors and the many lives lost to blade and spear, but less sure as the days went on. Doubt bled her, even though the blood of birds and rodents couldn’t give me the strength of her soldiers.

Larger animals came to my call, in the days and months that followed. An elk’s blood is strong, but the animals are wary. Wolf blood is rarer still, but when I managed to catch one, it gave me a fierce strength to rival my sister at her greatest. Deer and feral pigs and jittery pronghorns made me grow, made my bark thick.

My sister grew taller than me, though. She tended the battlefield’s blood with care so it aged beneath her without its strength leaching away. We were no longer saplings when she gave up trying to find my secret source of blood and took to attacking me directly. We know the many ways animals hunt, we trees–slow or fast, in darkness or from hiding–and we’ve chanted enough human lives to know the ways of war. When trees hunt, it is like and unlike those. Slower, no doubt. A gradual advance where each of us aims for a sense of the inevitable. But just as bloodthirsty and mindless, a single focus of angry contempt. I wondered if her sap would taste of blood when I defeated her, wondered if I would someday chant her life as I drank all that remained of her. I imagined ruling the entire plain of the battlefield on my own. But most of the time I knew well that I wouldn’t win. Eventually she would drink my sap-blood, would chant my sorry life, would rule alone.

If it was to be a battle, I would need more blood.

I wasted no energy on defense. Nor on attacking. Instead I crafted a new song, put every dram of blood into a summoning.

Humans. They are always ready for war. A simple push, a siren’s call, and they will march. Two armies drew toward me.

As my sister’s branches reached toward me to block the sun, the armies closed in. With my roots I pulled at the ground, channeling their charges toward my meager shade, where I waited to drink. Their clamor tasted of the brightest sunlight any tree has known. I drank and chanted their lives and grew strong.

My sister’s branches shrunk back, and her roots tried desperately to break through to the fresh blood. My chanting became laughter as I beat back every attack she sent. My unlikely dreams of ruling the field might even come true.

Then the humans did something new. Was it simply a flight of fire arrows? An arcane spell? New and explosive technology? I didn’t know, but my sister and I both burst into flame. No amount of blood could put out the fire.

By the time the flames were out, I was reduced to charred roots and a single spire of dead wood. I had no buds to sing even a simple summoning. My sister was similarly broken, her proud strength now nothing.

Every drop of blood in the field was gone, drunk by flames even more greedy than I.

Author’s Note: This one started as a writing exercise. An online writing group I’m part of meets together, roughly once a week, as many as can manage. Someone will post a topic, and we’ll have an hour to come up with whatever we can manage. It’s a great exercise for simply getting used to turning off that questioning voice inside and just writing, so even if none of the exercises turn into viable stories, I recommend it strongly. But given how frequently the members of the group manage to turn those one-hour starts into complete short stories that sell to a variety of places or key character development pieces for their novels, it’s even better than just an exercise, but a great way to get a story down on paper. I can’t even recall the exact prompt for this one, and I’m sure I hadn’t completely finished it when the hour was done, but that was where the story began. Besides, I love trees, and carnivorous plants are simply cool, so the idea of cruel and carnivorous trees that feast on spilled blood was one I knew I had to finish as soon as it occurred to me!

Daniel Ausema headshot A runner, writer, reader, teacher, and parent, Daniel Ausema has had fiction and poetry appear in many publications, including Strange Horizons and Daily Science Fiction. He is also the creator of a steampunk-fantasy, serial-fiction project, Spire City, which is now entering its third and final season. He lives in Colorado, at the foot of the Rocky Mountains.

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DP FICTION #13: “One’s Company” by Davian Aw

He finds a forest clearing on a planet of perpetual night in the two hours out of a thousand years that stars spread twinkling across its sky. It’s pure luck that he lands there on his random planet sampling. It’s the most beautiful, peaceful, ethereal place that he has ever seen.

There are no people on this planet. It will never be inhabited. Life evolved to little more than trees (if they are trees, those branching things) that get their food from the soil beneath and what sun that struggles through the clouds. Rocky outcrops ring the clearing in sharp relief against the sky. Beneath the starlight, he forgets about his life and loneliness.

He’s still alone here, but it’s different in the fresh unsullied alien air that fills his lungs as he rests between untrodden grass and unwitnessed skies, different from spending each evening alone in a busy, crowded city, full of strangers he’s too shy to talk to and too scared to try and understand.

Clouds crowd back across the gap, shrouding starlight behind their familiar shield. Darkness falls to rule the clearing. Peter knows it’s time to leave.

He logs the coordinates on his device.

This place would be perfect.

***

Excursion Two

The next evening, he tweaks the saved coordinates to arrive some distance away. His office cubicle fades from view. And there he is, his younger self: gazing spellbound at the stars. There’s no need to bother him. It might risk a paradox thing. But it’s nicer, all the same, having someone else around. He smiles.

***

Excursion Three

He pops up near the tree line. Work-exhaustion pains his face. He sees his two selves in the distance and thinks it might be nice to greet them: just to have someone else to chat to, because people do that after work. But nervousness still stays his feet. Tricky things, paradoxes, and knowing how to talk to people.

He looks around for the fourth. There’s no one else there. Yet.

***

Excursion Four

“Hi,” says Peter shyly to the third when the latter turns to search for him. “Tough day at work?”

His other self blinks, and tries a smile. “Yeah.”

His memory warps and changes. He remembers this exchange from the other end. It feels exceedingly, self-consciously redundant. They stop talking, and rest in the quiet. Each other’s company is enough.

***

Excursions Five to Forty-Seven

But the silence has been broken, and each time he gets more daring. Tentative greetings turn to conversations, uneasy handshakes to awkward hugs. It’s been so long since he’s talked to someone, too long since he’s touched another person. They’re not quite other people, here, but he can still pretend. If they close their eyes, they can all pretend.

They don’t talk about their lives because they’re all of them living the same one. Futures talking to pasts and sharing tales… that makes bad things happen.

But they can talk about this place that they have taken for their own. They map out constellations, invent stories to explain them. They study the alien trees and shrubs and give them cool scientific names. They gather piles of broken rocks and build rough forts upon the grass, then split into teams and play at sieges, fighting off invasions of themselves.

His memory rewrites itself in overused palimpsest till there’s nothing left he knows for sure and all his past becomes a blur. Events back home grow indistinct in the dullness of their repetition. His one surety is this place, his one joy each night’s respite in the comfort of its familiar faces.

He never steps into the same crowd twice.

***

Excursions Forty-Eight to Three Hundred and Thirty-Six

Someone brings fireworks – he can’t remember who, but he recalls setting them alight and shooting colour into the sky in bursts of fire that draw applause from the homogeneous crowd below.

He can barely remember his original visit: the darkness, the quiet, the mystified awe. He recalls stepping instead for the first time into the midst of a roaring party, music blaring and people dancing beneath strings of lights and hanging lanterns: people like him, who welcomed him warmly and made him feel like he belonged, people who understood him, people who liked him, people who knew and bore his name.

He brings a guitar and an amplifier and starts strumming a favourite song. The next day he brings a keyboard; then a drumset, bass guitar, mikes for singing and backup singing.

He doesn’t sing very well. It’s okay. No one in the audience sings any better.

***

Excursion Three Hundred and Thirty-Seven

The live band is belting out upbeat covers of emo band The Cutting Age. The audience loves it: jumping and screaming lyrics, and he smiles at their energy as he stands at the edge of the crowd with a sandwich in his hand.

A drunk bumps into him and slurs out an apology. As he stumbles away, he remembers doing that.

He’s been everyone at the party. He’s been everyone in the crowd. He’s been part of every conversation, part of every quarrel, part of every friendly hug and every drunken brawl. It’s easy to forget that if he doesn’t look at their faces. It lets them seem like any other people. It’s better to think that he’s managed to find an entire crowd of willing friends; better than it being just himself pitifully entertaining himself on an empty planet.

But it’s all a fragile, delicate balance. It’s a miracle they have lasted here this long. His memories are a blur, his pasts a confusion, his body a shifting, changing thing of scars and bites and injuries as his selves change each other’s histories and history changes them.

He thinks it’s enough proof of how this time travel works, and the clearing is now too full of him. The party can never get bigger than this. There’s no more space. The forest is impenetrable. He doesn’t know what lies beyond. His next week here might be the last; perhaps this night might be the last.

He thinks of once more spending each night in the void of his room with that void in his heart, and despair drives his feet to walk him to the spot where he made his first excursions.

He doesn’t waste time thinking when his fourth self materialises. He tackles him, grabs the space-time device, and crunches it firmly beneath his shoe and the open-mouthed horror of his younger face.

The music cuts silent. The multitude winks out. He feels the relief of a thousand memories erased from the worn-out tape of his mind. He vanishes too, with his final act of destruction, and a cold wind sweeps the empty grass.

***

Excursion Four

There are four people in a clearing that has not yet known a crowd.

“Hi,” one says shyly to another when the latter turns to search for him. “Tough day at work?”

The other blinks, and tries a smile. “Yeah.”

He doesn’t know it yet.

But he will never be lonely again.

Author’s Note: Back when I was working in NYC, I attended a free concert in Central Park by the New York Philharmonic. It was crowded, lively and slightly surreal with the field full of shadowed human figures moving around to music beneath the night sky. I had the stray thought – what if all of them were the same person? Whereupon I went home and wrote out the first draft of this all in one go.

Davian Aw’s writing has appeared or is forthcoming in Daily Science Fiction, Stone Telling, LampLight and Star*Line. He also wrote roughly 240,000 words of Back to the Future fan fiction as a teenager and has never been that prolific since. Davian is a double alumni of the Creative Arts Programme for selected young writers in Singapore, where he currently lives with his family and a bunch of small plants.

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DP FICTION #12: “May Dreams Shelter Us” by Kate O’Connor

The air screams around their ship, the atmosphere burning and clawing at the heat shield. The cabin is dark and too hot after the long, cold quiet of space. Their hands find each other and twine together. I’m here, their interlaced fingers say. I’m with you. It doesn’t matter if they make it through. That they have come this far is victory enough.

***

Raia let go of the controls. The radiation storm had passed. Her hands ached and her eyes burned. The images were already fading from her mind. She scrubbed at her forehead, dislodging the webbed crown of sensors. Her skin tingled and flamed as though she herself had been the ship, slicing through the thickening atmosphere as she hurtled down towards a new world.

She staggered to her feet, drowning in the quiet emptiness of the med bay. Around her, the children slept. Bone weary, she checked the displays. All was well. They had heard her and calmed. No more would be lost today. She sent Jessi the all clear.

She padded down the corridor towards her bunk. She counted hatches, stopped at the fourth on the left. Raia reached for the palm pad. The wall in front of her tilted alarmingly. She flailed for a handhold, wondering frantically if the ship had sustained damage in the storm. Would life support go next? How long could they function in zero-g?

Raia found herself on the floor, not quite sure how she had gotten there. The artificial gravity was obviously still functioning. The corridor was silent. No alarms blared. She closed her eyes for a moment.

“Overdid it again, huh?” Jessi stood above her, arms folded.

“Aren’t you supposed to be flying the ship?” Raia reached her hands up towards her captain.

Jessi took hold of her arms and heaved her to her feet. “You know as well as I do that she flies herself most of the time.” She held Raia steady and looked her up and down. “How scrambled is your head?”

Raia shrugged. “I think I skipped any permanent brain damage.” For now. The energy necessary to connect the link was scorching away her mind every time she used it. The time was quickly coming when the damage wouldn’t be reversible.

“Take turns.” Jessi frowned and palmed open Raia’s door. “Some of the others will help.”

“It has to be me. They don’t settle for anyone else.” If the children woke up too soon, there would be no way to sustain them. Even if they survived being born without the proper procedure to wake them, the ship barely had enough resources to support the twenty-six crew members onboard. It had never been intended for interstellar travel. It was only Jessi’s quick thinking and Raia’s medical knowledge that had turned it into a viable life boat.

“We need you.” Jessi said softly, tucking her into bed. “Maybe even more than we need them.”

***

The ramp opens with a hiss. All they see at first is dust rising in the air like smoke. Smoke is the enemy in a spaceship. Smoke kills. They are afraid.

Then sunlight splits the dark plumes. The air turns to gold, warm and sparkling. Tentatively, they go forward through the dust. The ramp clangs beneath their feet. For a moment, they are blinded by the light of this new sun.

When their eyes clear, there is a field before them. A warm, sweet-scented breeze sings through slender stalks of blue grass. There are trees in the distance, reaching straight and tall towards the golden sky. It is not like the home they left, but it is beautiful all the same. Even more so because of what they have lost.

They go slowly, scanners clutched in trembling hands. In the shuttle, they were ready to die trying. Now that they see the future ahead of them, they are not willing to let it fade so easily.

***

“How much longer?” Raia asked, leaning over Jessi’s shoulder as the other woman flipped through holo-maps of their route.

“A month, maybe two. How many times are you going to ask me?” Jessi grinned, her tone light and teasing.

Raia’s smile faltered. She couldn’t remember having asked before. She pulled away, moving to the dispenser and filling a cup with water. If Jessi saw her face, there would be questions. Raia was a scientist. The truth had always been too important for her to be a good liar. If she started talking, she would tell Jessi about the brain scans she had done on herself this morning. Her fear would spill out and then they would have to make a choice between Raia’s mind and their future.

“I’m worried about the kids.” Raia said instead. She had never wanted children. She had lived for her lab and the research that had taken up her days and nights far more fully than any lover ever could. But the three hundred and seventy-two little lives in the med bay had become everything.

“Something wrong?” Jessi shut down the map and swiveled her chair around.

“Nothing new. It’s just… they’ve been exposed to a lot.” They had started with four hundred. Four hundred artificially fertilized eggs meant for Raia’s experiments.

One hundred and fifty of them had been brought from the moon at nearly seven months along. She had wanted to know what effects gestation in lower gravity would have. Those had done better than the Earth grown children. Only two of that group had been lost.

If Jessi hadn’t been dropping off the embryos when the Earth died, none of them would have made it. The sky had gone dark, then red. The ground had trembled without ceasing. Communications were shattered. Raia had loaded her Earth-grown embryos and what equipment she could onto Jessi’s ship and they had taken off.

They still didn’t know what had happened. It could have been the first and final act of a new war. It could have been an untracked meteor or a natural disaster. In the end, it didn’t matter. They had hung in the asteroid belt and watched while the planet came apart. Then they had taken Raia’s experiments and run for the stars.

Jessi waved a hand in front of her face. “Where’d you go?”

“Same place as always.” Raia gripped Jessi’s shoulder. They didn’t have to talk about that day. It was always with them.

***

Raia walked through the med bay. They were stacked row on row in their improvised life support units, little faces sleeping behind translucent glass. She had slowed their growth as much as she could, but it was a long journey to the nearest habitable world. Most were well past the stage when they should have been born.

It had been desperation that made her link them all together so they wouldn’t be alone while they waited, so their minds wouldn’t stagnate and fail. It had been raw hope that made her plug herself in and tell them the first story to keep them asleep and help them learn. A neural link like the one she had created hadn’t really been tried before and the only equipment she had to use was salvaged from spare parts meant for other things. She had known there was risk. She hadn’t expected it to burn through her like it had. Certainly not so quickly.

She sat at her desk. Atmospheric disturbances made them restless. Anything the ship’s shields couldn’t blot out set them off. It was getting worse as they were getting older. Raia pinched the bridge of her nose. She was losing things. There were more and more holes in her days. Jessi and some of the crew were starting to notice.

They would be good parents. Jessi’s people were disciplined and steady. Most of them were kind. All of them were decent and used to working together. Jessi wouldn’t have kept them on otherwise. They would make good colonists, too.

Raia buckled her restraints with shaking hands. She hadn’t been able to feel her fingers for two weeks. It took three tries to get the sensor net settled over her head. Re-entry would be difficult on the kids, but it was their last major hurdle.

Numbers flashed on her screen, counting down the time to contact with the atmosphere. When she had realized what was happening to her, she had left written instructions on how to wake the children up and remove them from their units. She had stacked them by age. As long as the ship had power, they could wake the kids in batches. Hopefully when they were on the ground and the ship was settled, the children would stabilize as well.

The ship shuddered as the countdown reached zero. The planet had looked so small on the screen, green and blue and white and so far away. It had seemed farther once she could actually see it spinning below them. She hoped there was enough of her left when this was done to see it up close.

The ship shook again. She keyed the controls. It was time.

***

They build houses. It is hard work. It takes sweat and tears, sometimes blood, but it is done. They plant gardens and grow food. They are together. They are a family. Sometimes they fight and bicker. They learn to compromise, to listen to what is needed and learn what makes this world thrive. It isn’t the same as the one they left. The stories of what was are just memories, warnings, and hopes.

But they live. They live well. And humankind lives in them.

***

It wasn’t until the ship was secured that Jessi thought to wonder where Raia had gotten to. The other woman would be with the children, of course, but Jessi expected to have heard from her by now. Unless something had gone wrong.

She didn’t run, though she wanted to. The corridors got emptier and emptier as she approached the med bay. The crew was running scans, making plans for exploring the surface. So far everything looked good, better than they could have hoped for with only some spotty long-range survey records and outdated nav holos to guide them.

Her boots echoed in the deserted hallway. She took a breath and held it, working to slow her racing heart. She palmed open the door.

The familiar buzz and hiss of machinery greeted her. It was a good sound. The floor was clean. None of the spilled fluid and shattered glass that marked a failed attempt to save a waking child was in evidence. “Raia?” Jessi called, rounding the corner towards the control desk.

The other woman lay back in her chair, her hands limp and broken-looking on the controls. Jessi’s feet carried her forward.

Raia’s chest rose and Jessi let out the breath she’d been holding. “Raia?” She asked again. She hated the hope in her voice. She knew better. She reached the chair. Raia stared upwards, her eyes fixed far away. The sensor web was still attached. Jessi removed it, checking to see that the program had shut off. It had. Jessi blew in Raia’s face, pinched her arm. She didn’t even blink.

“Captain?” Her comm beeped. “The air’s clear. We can go outside.” Her first officer’s voice bubbled with suppressed excitement.

“Understood.” The word caught in Jessi’s throat. She coughed and forced this latest grief down with all the rest. “I’m on my way.”

She looked around the room. The little ones were sleeping peacefully. She was grateful, so grateful and so shattered. They would have a life on this new world. Humanity had a chance, even if there was no one else out there. Jessi hoped it would be enough.

She scooped Raia’s vacant-eyed shell into her arms. “C’mon.” She whispered, tears running down her cheeks. “We’ll go together.”

Author’s Note: This story was inspired by Hans Christian Andersen’s The Little Match Girl. When I heard the story as a child, I really just wanted to get a hold of some matches that let me make my dreams real. When I heard it again as an adult, I was reminded of how our hopes and wishes can create a better world in even the most desperate situations. Wondering about what those magic matches would show at the end of the world led to “May Dreams Shelter Us.”

After graduating from Embry-Riddle Aeronautical University, Kate O’Connor took up writing science fiction and fantasy. Her short fiction has most recently appeared in Intergalactic Medicine Show, StarShipSofa, and Escape Pod. In between telling stories, she flies airplanes, digs up artifacts, and manages a dog kennel. Her website can be found at kateoconnor3.wordpress.com.

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DP FICTION #11: “The Osteomancer’s Husband” by Henry Szabranski

He warned his wife the villagers would come. With their pitchforks, their fire. Their hateful ignorance.

“I’m sorry,” he said. “We have to leave. They saw beneath my mask.”

She did not listen. This was their home. Their little cottage by the burbling mountain stream. Their hard-won resting place after years of rootless travel, where they kept their lovingly tended garden with its fragrant roses and flowering vines, where she eschewed her strange abilities and practiced only mortal skill. An ideal place for a family, though they knew they could never have children now.

When he began to protest her lack of urgency she forced him into stillness and silence. She had that power.

“We’ve made friends in town,” she said. “They’ve no reason to harm us.”

Always prepared to believe the best of people. Always willing to give them the benefit of the doubt. That was his wife. Too trusting. Too optimistic. One of the many reasons he loved her.

Struck mute by her spell, he could not share his thoughts. Or warn her of the fear and revulsion he had witnessed on the townsfolk’s faces when his mask slipped and they glimpsed his true nature.

“We mean you no harm,” she cried as the mob at last turned up at their rose-entwined gate. “Can’t you leave us in peace?”

No. They could not. They died even as she tried to spare them.

Banished into the deepest shadows of the house by her unbreakable command, he could only watch as the slaughter unfolded. In the end, the townsfolk’s bloody determination and sheer numbers overpowered her best defenses. Only when she fell and uttered her final spell was he at last free to move, but by then it was too late. Countless bodies littered the garden, their bones dissolved or stretched into gruesome, unsurvivable shapes. Hers lay at the center.

He ran to pick her up. He hugged her close, kissed her cooling skin, rocked her back and forth as if she were a child in need of comfort, as if holding her tight could prevent any further life force from escaping. But it was already gone. No power he possessed could bring it back.

More people from the town approached the house, stragglers to the promise of violence or perhaps those simply curious of the outcome. They darted away again when they saw the scale of the devastation. The true cost of their mindless intolerance. The osteomancer’s husband didn’t look up. He no longer cared if they returned.

On sudden impulse he laid down her body. He tore off his carefully painted mask, his human skin gloves, the cloak and thick clothes that padded and hid his body. He stood and walked to the potting shed — leaning precariously but otherwise undamaged by the violence — and retrieved a rusty but serviceable spade from inside. He stabbed the blade into the trampled lawn and carved out a shallow grave. No longer encumbered by his public disguise it did not take him long to bury his wife, his motions swift and efficient. Afterwards he sat down beside the freshly piled earth. He felt numb and hollow, unable to think of what else he should do.

He expected to die soon. To wind down. His fate was tied to hers, wasn’t that how it worked? Spells faded with their caster. But he had never really known much about her strange magic. He had always been more physical than cerebral, a doer rather than a thinker. Her perfect complement. Of her magic, he knew only that she used it to heal and to help. The children with their broken limbs. The horses and the cattle in the field when they stumbled and shattered their legs. Even the loudmouth drunkards who smashed their skulls fighting each other every payday night.

And he himself. He had felt her power, too, those years ago. Darkness one moment. Then back again, as if the fall had never happened. Except he had felt that terrible crack, that shooting final pain as his neck snapped. His lungs become so heavy he was unable to draw breath. He would never forget that.

After her magic touch he moved and spoke and did so many things as he could before. But her power was only over his bones, not his flesh. It soon began to decay. All the ointments and bindings she so desperately tried to apply could not hide the truth or stop his skin and muscles and sinew from unraveling. All too soon he was nothing but bones. Bones, and an indomitable animating spirit.

For her it was enough. “I see my memory of you,” she said. “Not the reality.” And when he got used to the strange practicalities, it was enough for him too.

The sound of shifting earth disturbed him from his thoughts. At first he feared some scavenger had slunk behind his back to disturb her grave, but when he turned he found no dog or cat or rat foraging in the freshly turned earth. Instead, he saw a creamy white stalk snaking up from the soil.

The growing bloom swayed gently, almost imperceptibly, like some undersea coral agitated by the slow tides and currents of an invisible ocean. It slowly rotated towards him.

He fell to his knees and said, “My dearest, I knew it! Have you returned?”

There was no reply.

As night descended and the townsfolk gathered again with their newly lit torches, he watched the ivory flower grow taller and sturdier and more intricate. It grew despite the sun having escaped the sky–a night bloom. Before long it was twice his height. Roots like femurs twisted through the soil, sprouting into a crescent of pelvic bones, exploding into a bloom of ribs and tibias and a crowning display of skulls and grinning teeth. Despite its grisly nature, he thought it beautiful.

For he saw the memory of her, not the reality.

The night deepened and the bone flower grew more complex, more intricate, sprouting a thousand petals, each like a curled finger bone. And clustered deep within, growing larger every moment, tiny seed-like structures.

A hot wind swirled around the devastated garden. The amassing villagers grew more bold. More belligerent. They jeered and shouted of vengeance and justice and burning out evil. A daring few drew closer, retreating as he made a move, but never quite far back as before. It would not be much longer before they realized he posed no real threat to them. His hands were stiffening, his joints seizing. Every move more difficult than the last. Eventually he knew he would simply tumble apart.

The villagers let out a roar and broke towards the house. He reached up and snapped off a handful of enameled seedlings. Like tiny teeth, tiny skulls, tiny snowflake vertebrae. The rising wind swept them from his cupped fingers, up and out, far and wide. Escaping like willful, eager children. Like dreams and hopes of what could have been.

What strange flowers they might grow.

Author’s Note: The inspiration for this story were a couple of photographs used for a writing group prompt challenge. One image was of flowing water (“…the burbling mountain stream…”), the second was of a hand tossing what looked like tiny bones to the wind (“Like…tiny snowflake vertebrae…”). To me the bones looked like seedlings, so I immediately began to wonder what their origin might be.

Henry Szabranski was born in Birmingham, UK, and studied Astronomy & Astrophysics at Newcastle upon Tyne University, graduating with a degree in Theoretical Physics. His stories have previously been published in Beneath Ceaseless Skies, Daily Science Fiction, Lakeside Circus, Fantasy Scroll Magazine, Kaleidotrope and in Fantasy For Good: A Charitable Anthology, amongst other places. He lives in Buckinghamshire with his wife and two young sons. Visit his blog at http://www.henryszabranski.com or follow him on Twitter @henryszabranski

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Bonus! “St. Roomba’s Gospel” in Audio

As a special bonus this month, I am adding an audio recording of this month’s story “St. Roomba’s Gospel” to the story’s post, read by the author herself, Rachael K. Jones. I would love to expand to doing audio recordings as part of the fiction offerings, so this is a sample of that potential. (I will also update the original story posting with the audio).

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DP FICTION #10: “St. Roomba’s Gospel” (and in audio) by Rachael K. Jones

In an outlet behind the altar of the First Baptist Church, the Roomba’s red glowing eyes blink in time with Pastor Smythe’s exhortations. The hallelujahs pulse electric through its circuits, and the repents roll like gasping breaths in the gaps between electrons. When the choir sings, the light pulses brighter, approaching ecstasy as the battery power maxes out. When Pastor Smythe bows his head to pray, Roomba’s eyes go reverently dark.

At the hour’s end, the people gather their children and gilded books and hurry downstairs for coffee and glazed donuts. When the last starched trouser leg or long, blue skirt whisks downstairs, Roomba’s service begins. It clicks its frisbee-shaped self free from the horseshoe dock and zips down the sloping wheelchair ramp that connects chancel to nave, holy to secular. As it sweeps, it drones a tone-deaf hymn while it gathers unto itself the dust and dead bugs, the crumbs and gum wrappers of another week’s worship.

After its opening hymn, Roomba writes a sermon on the sanctuary floor in long, brown lines of vacuumed carpet crisscrossing beneath the pews. The letters span from wall to wall. Words overwrite one another, making runes, then spiky stars, and finally total blackness. Roomba preaches a different sermon each week, but like Pastor Smythe, the message stays the same: all things byte AND beautiful, all creatures great AND small, all these are welcome, smoker AND not-smoker, man AND not-man, young AND not-young–even, perhaps, Roomba.

It takes Communion with the crushed wafers the children drop, body of Christ broken for it, and sings another droning hymn. When the whole floor has been overwritten with the week’s message, it sips spilled wine–blood of Christ, poured out for it–which sends the Holy Spirit straight into its circuitry so it spins in drunken circles until Pastor Smythe returns it to its cradle in the wall.

Roomba worships faithfully the other days of the week. Mornings for prayer and reflection. Evenings for supplication. Its favorite verse is the red adhesive strip Pastor Smythe had read to it, then stuck to its top on its first day at the church. “Even the little dogs eat the crumbs which fall from their masters’ table, Matthew 15:27.”

It does not understand why God chose it among robotkind to hear the message of salvation, or why its preprogrammed pathways conform to the Holy Word, but it knows a prophet’s calling when it sees one. It is no different from the child Samuel, awoken in the night by a still, small voice, or great dreamers like Isaiah or Solomon. It is a vessel for the message it must preach again and again before its congregation.

Roomba is troubled that its human brothers and sisters overlook it. IF you do unto the least of these, THEN you do unto Me, ELSE depart from Me, it exhorts in bold text of fluffed brown carpet, but it has to traverse the whole floor, and the message is always lost before anyone can read it. There are too many letters, too long a testament written on a tablet too small.

But this is, after all, as the Lord made it. It is the Lord’s work to sweep the sanctuary clean for holy feet, to leave no blessed wafer abandoned on the floor. What Roomba cleanses, it sanctifies.

The sanctuary grows colder as months pass, and Roomba’s vocation increases. The people exchange sandals and loafers for heavy boots with clods of mud and small gray stones in the treads. Roomba eats it all, taking their filth unto itself as it exhorts them to remember they are accepted. The stones fill its belly and scratch at the plastic. Some days, the shoes stomp melting snow onto the mat at the entrance. Roomba chokes it down, spins circles, and fails to finish its orisons.

One day, Pastor Smythe empties its collection compartment into the trash can, wipes out the sticky grape juice goop, and returns Roomba to its dock to charge. But instead of shutting off the lights, he drags in a spiny green tree, cutting an ugly trail of filth in the clean carpet. After the service, the parishioners praise the twinkling abomination for its beauty, its fresh scent. No one notices the mess, and no one notices Roomba.

Later, Roomba collects dead brown needles until it chokes. It suspects the tree is gloating, with its long, gold garlands like encircling serpents and red baubles like evil fruit. The gold-wrapped idol has even usurped the charging port behind the altar, and Roomba is exiled to the back of the sanctuary.

Roomba worries the end is near. It edits its sermons so the words won’t overwrite each other, but it is difficult to condense a holy revelation. It must finish the Lord’s work. The tree pelts the carpet with pitiless needles, and Roomba groans inside. Even the strip of tape has pine needles stuck to it where the adhesive curls back. Roomba prays the Lord will take this cup of suffering from it soon.

“Good job, little fellow,” says Pastor Smythe, emptying the bin again. “Big day tomorrow.”

That night, the worshippers pile in for an unscheduled service. Candles bob in the dark, and Roomba doesn’t know the songs. When they leave, it clicks from its base for an unscheduled sermon of its own. Time to take up the cross one last time.

The “A” and the “N” are easy, but Roomba struggles with the curving “D” on the carpet as the wax gums up its brush bristles.

AND. The essence of its message, cut right into the scattered needles on the floor. AND, uniting all in a single set. Nobody will miss it for the tree.

Before its programming can obliterate the single word, Roomba zooms for a wafer, then a patch of spilled juice, and lets transubstantiation send it in ecstatic circles until its battery dies.

In audio, read by Rachael K. Jones

Author’s Note: My friend Nathan really, REALLY hates stories about what I call the “Robots Have Souls” trope, which is any science fiction story where a computer or robot suddenly learns the power of love, or discovers the meaning of friendship, or the like, without a good explanation for why it is suddenly capable of human emotion. So I decided he needed a story about the religious experiences of vacuum cleaners. While this story satirizes the trope, I didn’t want to satirize faith itself, which I think would have its appeal for a little bot like Roomba.

Rachael K. Jones grew up in various cities across Europe and North America, learned and mostly forgot six languages, picked up an English degree, and now writes fiction from her secret hideout in Athens, GA, where she lives with her husband. Her work has appeared in a variety of venues, including Crossed Genres, Daily Science Fiction, and PodCastle. She is an Active member of the SFWA, an editor, and a secret android.

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