The Best of Clarkesworld 2019

written by David Steffen

Clarkesworld continues strong this year with a mix of science fiction and fantasy, and edited by Neil Clarke, with Kate Baker producing and usually narrating the podcast. They published 80 stories in 2019 by my count.

Their translation stories are many of my favorites, as they have been for the past few years. Not only have they been publishing translations from Chinese authors, but also from Korean others, and a full third of the stories on this list are translations.

Every short story that is eligible for Hugo nominations this year which were first published by Clarkesworld are marked with an asterisk (*), novelettes are marked with a double-asterisk (**), novellas are marked with a triple-asterisk (***).

The List

1. “Symbiosis Theory” by Choyeop Kim, translated by Joungmin Lee Comfort, narrated by Kate Baker**
This story is incredible, but it’s also a journey that I don’t want to spoil with snappy synopses. It begins with an artist who has memories of a place that she had never been.

2. “The Thing With the Helmets” by Emily C. Skaftun, narrated by Kate Baker *
Cursed roller derby helmets and an alien invasion!

3. “To Catch All Sorts of Flying Things” by M.L. Clark, narrated by Kate Baker **
There is a truce among the intelligent species in this colonized area, but suddenly an egg is destroyed, the last egg of a species, and this genocide must be investigated.

4. “Operation Spring Dawn” by Mo Xiong, translated by Rebecca Kuang, narrated by Kate Baker **
Our future ice age is winding down, and now it is time to investigate all of the long-term experiments designed to make the world habitable again before reviving the remnants of humanity.

5. “How Alike Are We” by Bo-Young Kim, translated by Jihyun Park and Gord Sellar , narrated by Kate Baker ***
A ship AI wakes up in a synthetic human body with no memory of why this is happening, even though the angry crew insists this was on their own insistence.

6. “Gaze of Robot, Gaze of Bird” by Eric Schwitzgebel , narrated by Kate Baker *
The most peculiar AI behavior, which might appear to be a glitch from a casual observer, may have a profound underlying design.

7. “The Face of God” by Bo Balder , narrated by Kate Baker *
When the god, a giant humanoid figure, crash-lands and is discovered to have supernatural healing powers, in its parts, the surrounding people make use of this new resource as best they can.

8. “Confessions of a Con Girl” by Nick Wolven , narrated by Kate Baker
When social media for every person are publicly displayed and any person can affect another’s reputation with an up or down vote, what would the world look like?

Honorable Mentions

“Eater of Worlds” by Jamie Wahls , narrated by Kate Baker *

“The Weapons of Wonderland” by Thoraiya Dyer , narrated by Kate Baker *

“The Second Nanny” by Djuna, translated by Sophie Bowman , narrated by Kate Baker **

“The Future is Blue” by Catherynne M. Valente , narrated by Kate Baker

The Best of Lightspeed 2019

written by David Steffen

Lightspeed Magazine is the award-nominated science fiction magazine edited by John Joseph Adams, and their podcast is  produced by the excellent Skyboat Media.  They publish about half of the stories they publish in text.  They published about 48 stories in the podcast.

The stories eligible for the upcoming award season are marked with an asterisk (*), with novelettes eligible for the season marked with a double asterisk (**).

The List

1. “Hello, Hello” by Seanan McGuire, narrated by Justine Eyre
Great tech invention that revolves around a translation program that seamlessly translates a person’s language including body language into your native language so that you can’t even tell that they are not doing it (including, i.e., sign language)

2. “Her Appetite, His Heart” by Dominica Phetteplace, narrated by Paul Boehmer*
A man goes on a quest to find the woman he broke up with a year ago after having a revelation. But she is not as easy to find as he would hope.

3. “A Conch Shell’s Notes” by Shweta Adhyam, narrated by Stefan Rudnicki*
Everyone knows that everyone has a voice inside their head that lays out the great options of your life, but we never know what the voice is saying to other people.

4. “The Death of Fire Station 10” by Ray Nayler, narrated by Stefan Rudnicki*
Unlike most other buildings in the era of this story, Fire Station 10 was not born smart, it was only upgraded that way later. She has a special place in all of our hearts.

5. “Between the Dark and the Dark” by Deji Bryce Olukotun, narrated by Stefan Rudnicki**
We monitor our colonies out there for signs of degradation, including signs of cannibalistic tendencies, so that we can end a colony before it becomes a danger to them. Is it always as obvious a choice as it seems?

Honorable Mentions

“A Bad Day in Utopia” by Matthew Baker, narrated by Justine Eyre*

“A Hundred Thousand Arrows” by Ashok K. Banker, narrated by Stefan Rudnicki**

DP FICTION #61A: “The Eat Me Drink Me Challenge” by Chris Kuriata

The first YouTube video received over seven million hits before being taken down.

A shaky camera held by a giggling friend captured a teenage boy standing in a well-tended backyard. Dressed in cargo shorts, he stared solemnly down the lens before announcing, “I’m Shyam Rangaratnam, and this is the Eat Me Drink Me Challenge.”

After taking a deep breath and a dramatic pause—as all on-line daredevils do before embarking on their potentially painful stunt—Shyam broke the seal on the familiar purple vial, and emptied the liquid onto his tongue.

An audible poof sounded as the teenager twisted and writhed, shrinking away like an ice cube under running water. The camera zoomed into the grass, swishing back and forth before discovering miniature Shyam—no bigger than a salt shaker—cavorting through the leafy green jungle he’d thrown himself into.

“Aw shit, dude,” the friend behind the camera guffawed as he stomped his sandaled foot into the grass. “Look out! I’m going to crush you!” In his over-exuberant Godzilla impression, the camera man came frighteningly close to stomping Shyam for real. Every adult watching the video cringed, astounded by how close these kids came to filming a gruesome tragedy.

Escaping his friend’s joking foot, Shyam scrambled through the blades of grass—each one capable of slicing him as deep as a piece of sheet metal—and climbed into the dollhouse positioned in the middle of the lawn. Toy collectors identified the dollhouse as a vintage My Little Pony Lullaby Nursery (which in the box sells on Ebay for upwards of two hundred dollars) that likely belonged to Shyam’s mother back in the 80’s.

The dollhouse rumbled, shaking like a rocket ship preparing for blast off. First, the plastic roof popped into the air, making way for Shyam’s head just before as his arms burst through the side walls and his feet came out the bottom.

Woozy, Shyam stood up and stumbled back and forth with the body of the dollhouse still wrapped around his chest. The hard plastic dug into his neck, cutting off his air supply.

“I can’t breathe” Shyam croaked, clawing at the Hasbro plastic. “Dude, I’m serious.” He fell to the ground and rolled like a burning man performing STOP DROP AND ROLL. The camera went shaky as his friend rushed to help, shutting off—just as all great internet videos do—a moment too soon.

*

The first to make the long, arduous trip up the rabbit hole was the Mad Hatter. Going up is always more difficult than going down. Given the chance to do the journey over, the Hatter would have gone sideways.

Despite arriving with best intentions, eager to leave behind the wild past that resulted in the multiple death sentences necessitating his emigration, the Hatter joined a bad crowd. Millinery shops always attract dangerous outliers, and soon the Hatter found himself at the centre of an underground anarchist movement: The Gonzo Flamingos.

When FBI officials infiltrated the group in the 1980’s, the Hatter made a deal with the US government. In exchange for a reduced prison sentence for the Flamingos’ acts of vandalism and destruction, he gave the military a sample of Eat Me Drink Me, which he’d smuggled out of Wonderland sewn into the band of his hat as an insurance policy for emergencies such as this.

The Hatter understood the value Eat Me Drink Me held in this new land.

During Reagan’s conflict with the USSR, no military scheme was deemed too wacky; be it training Olympic gymnasts in the art of karate, or building satellites to zap nuclear weapons in outer space like a game of Missile Command. The Hatter’s Eat Me Drink Me was analyzed, synthesized, and reproduced in high volume. Thousands of soldiers were shrunk down to allow the easy dissemination of armies into enemy territory, where they’d return to normal size and overpower. Genius strategy.

Only problem was the Russians soon had Eat Me Drink Me of their own. The red-loving Queen of Hearts, angered over the Hatter’s escape from her majestic death sentences, hoped to jeopardize his deal by sending an envoy of knaves up the rabbit hole bearing Eat Me Drink Me for the Soviets.

With both sides possessing the same strength weapons, the threat of mutually assured destruction created peace.

In the late 90’s, the horrifying truth was revealed that great numbers of soldiers shrunken down in preparation for a full scale operation were never restored to full size due to a lag in the production of Eat Me. A documentary film chronicled a group of such soldiers who’d been living in a shrunken community in Afghanistan, made of US and Russian soldiers alike, both having quit any allegiance to the countries that had forsaken them. The documentary concluded with a heartbreaking sequence where the filmmaker offered a dose of Eat Me he’d acquired from a mysterious source, but after taking a vote the shrunken former soldiers decided they couldn’t return to full size after years of living small, and chose to remain in the community they’d formed beneath the rocks and the sand.

In 2002, the US government offered an apology to the families of missing shrunken soldiers, now estimated to be over a thousand. Instead of reparations, a monument was unveiled in the shadow of the Vietnam memorial wall, standing seven inches high and requiring a magnifying glass to read the names of each soldier etched into the alabaster column. The controversial monument had been designed by a Hawaiian artist well known for his ability to write the Lord’s Prayer on a grain of rice.

*

To no one’s surprise, the Mad Hatter was turned down at every parole hearing and served each year of his sentence until 2007 when there was no choice but to release him. Those closest described him as bitter over his treatment by the prison system, and his resentment only grew when he was included in a class action lawsuit brought forth by the families of the shrunken soldiers.

Maybe he needed the money, or maybe he was out for revenge, but after meeting with the heads of several underground businesses, he sold the recipe for Eat Me Drink Me and the horrible, wonderful stuff flooded the market, available for the first time to the average person.

*

Nostalgia propelled the popularity of Eat Me Drink Me as a recreational drug. Children of the 80’s who suffered nightmares of miniature soldiers crawling out of their toilet drains or climbing into their throats at night to choke them now leapt at the chance to reclaim the childhood anxieties their parent’s shitty generation had saddled them with. Approaching the end of their thirties, they flocked to Eat Me Drink Me as a cozy reminder of their youth, like the golden age of Madonna, audio cassette tapes, WrestleMania, or anything else their pre-teen children didn’t know or care about.

Obviously, the stuff wasn’t sold at Costco—you had to know a guy who knew a guy, but there were tons of those guys around. Eighty bucks bought a nice dose of Eat Me Drink Me. The drug could be purchased in full confidence. This was no sandwich baggie of broken up herbs, or a frightening clump of there-could-be-anything-in-there powder wrapped in a dirty wad of paper. Eat Me Drink Me came in a professional purple vial of liquid and a coin-sized tin of fresh cake. The producers clearly valued quality.

Positively, no one became an addict. No one blew through their kid’s college fund to fuel all-night EMDM binges. The drug was used sparingly, like a weekend trip to the cabin. Most Eat Me Drink Me was consumed on birthdays and anniversaries—special occasions when the kids were sent to a sleep over, or Mom and Dad booked themselves into a hotel room.

Yes, Eat Me Drink Me was primarily used as a sexual aid.

There’s no need to be graphic; becoming small and restoring yourself has all sorts of applications in the bedroom. I bet you’re thinking of half a dozen right now. Experimentation came naturally.

Therapists who specialized in intimacy counselling saw their business plummet. The divorce rates for people married between 1995 and 1999 lulled.

*

The same scene played out in households across North America.

Kids looking for a confiscated phone or video game memory card would sneak into their parent’s bedroom and snoop through the nightstand. Brushing aside socks and underwear, their fingers would knock into something hard at the bottom of the drawer. Horrified, the kids would find themselves holding the recognizable set of purple vial and miniature cake tin.

“Gross out! I can’t believe they’re doing that in the house. Now I can’t get the visuals out of my head.”

*

The two minute and seven second video posted by Shyam Rangaratnum reshaped his generation’s entire perception of Eat Me Drink Me. Within twenty-four hours of uploading his challenge video, tens of thousands of kid’s were searching their parent’s bedroom, rescuing Eat Me Drink Me from the realm of disgusting, old person sex and making it a part of modern day, youthful fun.

The formula of the video was easy to replicate; get small, climb into a toy dollhouse, get large, and smash the toy to bits. Sure-fire hilarity.

Every kid brought their own twist to the Eat Me Drink Me Challenge, making their version better than the one that had inspired them.

One video showed a young man climb into a Barbie dollhouse his friends threw off a bridge, capturing him exploding out in a burst of pink plastic shards before splashing unharmed into the water. Another showed two young women playing Han Solo and Chewbacca sitting in the cockpit of the Millennium Falcon before blasting the good ship to smithereens like it smashed into an asteroid. One fool hardy young man straddled a lit cherry bomb, growing back to normal size milliseconds before detonation. The explosion burned a hole in the crotch of his pants and left him rolling across the asphalt parking lot from the nut punch, but if he had mistimed eating the cake by as much as a heartbeat, he would have been torn apart into dangling little pieces.

*

Every school held special assemblies, bringing in speakers to warn teenagers about the dangers of playing around with EMDM.

“You may think this is all fun and games, but no one knows the long term effects of chemically induced concision coupled with accelerated restoration. Just say no.”

Kids jeered and laughed. They’d heard about the “Just Say No” campaign from their parents when Nancy Reagan peddled the same corny platitude. Either someone they knew, or they themselves had taken the Eat Me Drink Me Challenge with no ill effects. All this handwringing and unfounded scare-mongering was ridiculous, and would be laughed at in twenty year’s time, like Reefer Madness or Duck and Cover.

*

The Mad Hatter’s legal troubles were never ending. An artisan tea maker claimed he came up with the recipe for Eat Me Drink Me and sued for patent infringement. During depositions, it came to light the Mad Hatter had used Eat Me Drink Me on multiple occasions without his paramour’s consent. As many as thirty victims came forward. His passport was revoked. Already suffering financial hardship, and facing eviction from his garden on Mount Pleasant, the Mad Hatter ended his tea party by hanging his belt over top of a door. In the end, all he had left was seven hundred dollars in mint condition coins.

*

Most internet fads disappear into the sands of time, like the ALS ice bucket and the Harlem Shake, but the Eat Me Drink Me Challenge lingers, tormenting those who took part and forever chilling those who didn’t with the reminder, There but for the grace of God go I.

For once, the adult’s warning had merit. There turned out to be long term detriments to using Eat Me Drink Me. These effects went unnoticed amongst the parents of these teenagers, as they had already shut down their reproductive factories.

But their children had yet to perform all their life experiences, and so they bore the brunt of Eat Me Drink Me’s disastrous after-effects.

Post-mortems showed that Eat Me left the system within seventy-two hours. Drink Me, on the other hand, lingered in the body like radioactive material. Before cremation, all corpses need to be tested for traces of Drink Me. Just as a pacemaker in a crematorium will cause an explosion, burning a body with Drink Me will poison the air for a two mile radius.

Drink Me attacks the reproductive system of both males and females. A male who has ingested Drink Me carries remnants in his sperm. A female carries remnants in the lining of her uterus. Not the eggs, because the eggs are already formed at birth.

The babies came out small. No more than the size of a tooth.

A shrunken baby happened when just one of the parents had been exposed to Eat Me Drink Me. If both of them had ingested the foul stuff then the baby came out like… well, it’s probably better not to know. Normally, people say your imagination will always be worse than the truth, but in this instance, there’s no way you can imagine something worse than the truth. Trust me.

Although the shrunken babies were carried to full term, the hospital treated them like preemies. The miniature infants received intensive care. Staff volunteered overtime. An unspoken agreement had been made, that modern medicine would overcome the insidious effects of Eat Me Drink Me, and the children would not be made to suffer for the ill-advised decisions made by their parents or their grandparents. One day, there would be cause for celebration. Rather than perish, the shrunken babies would prevail.

*

Shyam Rangaratum, the young man whose boredom and natural sense of showmanship set this whole ordeal into motion, of course sired a shrunken child. Like everyone else, he held out hope his son would outgrow his disability, that by his first or second birthday he would catch up to normal size. That didn’t happen. The medical community’s attempt to introduce Eat Me into a baby’s system did not take. Shyam knew his son would never grow bigger than his middle finger.

Other than that, his child was completely healthy. He learned to walk and talk just as well as the children of Shyam’s friends. Shyam’s son often smiled. He was capable of experiencing happiness.

After great discussion and soul searching, Shyam and his wife Uma decided to conceive a second child. They agreed it was the right thing to do, even knowing full well the baby would be born shrunk.

“We could get a donor,” Shyam said. “You’re fine. You could have a normal baby without me.”

In bed, Uma pulled Shyam close. Times were still early, and she had faith the shrunken babies would forge a new normal. It seemed cruel to deny their son a sibling, someone who would share his perspective of the world, someone with whom he could scheme and dream.

Shyam and Uma’s children will never feel the need to move to the desert where bitter old soldiers live hidden under the sand. Instead, they will master the real Eat Me Drink Me challenge, claiming their rightful place in the world, living so well even the giants will envy them.


© 2019 by Chris Kuriata

Chris Kuriata lives in (and often writes about the Niagara Region). His stories about home-invading bears, whale-hunting clowns, and time-traveling kittens have appeared in many fine publications such as Shock TotemOnSpecThe NoSleep Podcast, and on-line at The Saturday Evening Post. Find out more about his work at https://chriskuriata.wordpress.com or on Twitter @CKuriata


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The Best of Pseudopod 2019

written by David Steffen

Pseudopod is the weekly horror podcast edited by Shawn Garrett and Alex Hofelich.

Pseudopod publishes episodes weekly, with occasional Flash on the Borderlands episodes that collect 3 similar-themed flash stories for a single episode, for a total of 60 stories published in 2019, by my count.

Stories that are eligible for this year’s Hugo and Nebula Awards are marked with an asterisk (*), all of which would be credited to Pseudopod as the original publisher.

The List

1. “The Last Sailing of the Henry Charles Morgan in Six Pieces of Scrimshaw (1841)” by A.C. Wise, narrated by Alasdair Stuart
Presented like art museum descriptions, as the title suggests, of a lost ship.

2. “Black Matter” by Vivian Shaw, narrated by Robert Eccles*
A necromancer who works for the NTSB and is responsible for determining the cause of transportation disasters by talking to the dead!

3. “House Party Blues” by Suzanne Palmer, narrated by Halloween Bloodfrost
Monster point of view as something that can possess and eat human beings, excellent POV work.

4. “Last Week I Was Esther” by Deborah L. Davitt, narrated by John Bell*
Another great monster POV tale, a monster who wears its victims personas, but also carries them as voices inside its head forevermore.

5. “The Happiest Place” by Kevin Wabaunsee, narrated by John Bell*
Theme park after the end of the world!

6. “In Regards to Your Concerns About Your ScareBnB Experience” by Effie Seiberg, narrated by Tina Connolly*
Just like what it sounds like, a review of a horror hotel!

Honorable Mentions

“The House That Dripped Character” by B.G. Hilton, narrated by Ron Jon*

“Tiny Teeth” by Sarah Hans, narrated by Ibba Armancas*

“What Throat” by Annie Neugebauer, narrated by Dagny Paul and Stephanie Malia Morris*

The Best of Cast of Wonders 2019

written by David Steffen

Cast of Wonders is the YA branch of the Escape Artists podcasts, edited by Marguerite Kenner and Katherine Inskip, covering all speculative genres and aiming to appeal to YA audiences.  Marguerite Kenner announced at the end of the last episode of the year that that was the last episode she was editing before stepping down. She will be missed!

This year’s offerings included their usual staff pick re-airing of stories from last year (which are not considered for the list since they were already considered for a previous list), and stories for their Banned Books Week theme, for a total of about 43 stories considered for the list.

Short Stories that are Hugo and Nebula eligible for the year are marked with an asterisk (*).

The List

1. “The Last Banquet of Temporal Confections” (Part 1 and Part 2) by Tina Connolly, narrated by Alethea Kontis
This is one of my favorite stories in years. The layers! Based around confections that draw you back into immersive flashbacks that evoke a particular feeling based on the ingredients of the confection.

2. “Blame it on the Bees” by Rachel Menard, narrated by Tina Connolly*
A teen grieving over her dead friend discovers that her friend’s soul has become housed in a flower.

3. “Common Grounds and Various Teas” by Sherin Nicole, narrated by Jesenia Pineda*
A family that can harness the power of stories, and finding your own way in a family tradition.

4. “A Singular Event in the Fourth Dimension” by Andrea M. Pawley, narrated by Dani Daly
Tale from an android child’s point of view, about how she fits in with her family, and how roles change as the family changes.

5. “Why I Spared the One Brave Soul Between Me and My Undead Army” by Setsu Uzume, narrated by Katherine Inskip*
From the point of view of a necromancer overlord, and the one she spares, and what comes of it

Honorable Mentions

“An Evil Opportunity Employer” by Lawrence Watt-Evans, narrated by Khaalidah Muhammad-Ali

The Best of Drabblecast 2016-2019

written by David Steffen

The Drabblecast is a weekly (theoretically) podcast of strange stories for strange listeners (such as yourself). It is edited, published, and hosted by Norm Sherman. In 2016-2017 it gradually fell into hiatus for a couple years until a big relaunch plan with a Kickstarter to help keep it going. It’s very exciting that the podcast is going again and I hope it goes well. This list covers the years of 2016-2019, which includes stories both before and after the hiatus.

I don’t consider my own stories for these lists, but I did want to mention that two of my own stories have been published in Drabblecast in that time: “I Will Remain” (narrated by Nick Camm) and “We Do Not Speak of the Not Speaking” (narrated by Norm Sherman).

I do consider stories that I previously published on Diabolical Plots, but add an extra story to the list so that it doesn’t bump one off the list.

Stories eligible for Hugo and Nebula awards for this year are marked with an asterisk (*).

The List

1. “The Best Scarlet Ceremony Ever!” by Shaenon K. Garrity*
An original story commissioned for Lovecraft month, advertised as Sweet Valley High meets Lovecraft.

2. “Giraffe Cyborg Cleans House!” by Matthew Sanborn Smithread
One of the most ungainly household cyborgs really just wants to help however it can, but life isn’t easy for a household giraffe cyborg.

3. “Necessary Cuts” by Bryan Miller*
Another original story for Lovecraft Month, this one about copyediting a Lovecraft style book of madness.

4. “Beauty Tips for the Apocalypse” by Karen Heuler*
An original story for Women and Aliens Month, which is exactly what it sounds like.

5. “Night of the Living POTUS” by Adam-Troy Castro
Whenever a new President is sworn in, on the first night of his Presidency he has to face off against the resurrected vicious versions of every POTUS that preceded them.

6. “The Translator” by Eboni J. Dunbar*
Being a translator for aliens is much more than simply learning a language.

Honorable Mentions

“1977” by Carrie Vaughn

“Loving Armageddon” by Amanda C. Davis

DP FICTION #60B: “The Cliff of Hands” by Joanne Rixon

“Lhálali’s bloody viscera,” Eešan cursed. She searched the cliff face for a hold and found nothing. Finally she spotted a thread-thin crack and wedged her wingtip claw in it so she could reach upward with her stubby grasping-hands.

“Watch out,” Aušidh said. “If you fall now you’ll get hurt, won’t you?” She dipped in a little swoop less than a winglength away from Eešan in the air. The shadow of her wide membranous wings rippled across the uneven stone and the little burst of wind ruffled the sparse black fur on Eešan’s back.

The others circled farther away, the curves and points of their silhouettes slowly churning the air as they gawked. Eešan was putting on enough of a spectacle that half her hatchmates had turned up to watch.

“Yes,” Eešan said tightly. It made her feel sick to have to speak her fear out loud. “If I fall, I’ll die.”

“Oh.” Aušidh circled up and around again, landing on the cliff face just beneath Eešan, her grasping-hands and wingtips confidently catching in a clean four-point landing on the irregular stone surface. “I didn’t think you were that high up yet.”

“Don’t be stupid, you wouldn’t die,” Xhufu called down from her perch on a little outcropping several winglengths higher than Eešan. “You might break a bone if you didn’t slow yourself at all, but anyone can glide if they try.”

“Of course she would die if she fell,” Dhabelh scoffed, dropping to hang upside down from her grasping-hands to get her face closer to the conversation. “Eešan is pinwinged, what do you think pinwinged means?”

Eešan clenched her jaw and reached up. For her hatchmates the sick terror that twisted in her chest might as well be a vague rumor. As far as Xhufu could understand, anyone could glide. She couldn’t comprehend the hard, boring reality of life with only one functional wing.

Eešan’s left wing wrist had broken as she hatched; her shell had been too thick and her eggclaws too weak. The complex joint had healed as gnarled as a wind-sculpted eešanyalh bush on the edge of a canyon. Now, she was so pinwinged that she could barely get herself around the rookery on the ropes and baskets used to ferry babies and the elderly up the cavern sides. She had never had the strong, flexing shoulders that propelled her hatchmates as they ate up the sky.

“We could get you down, Eešan,” Uliinh said. She launched off the side of the cliff and into the air, flying across Eešan at a diagonal and latching onto the rocks above her. The turbulence of Uliinh’s wings almost knocked Eešan loose. For a frantic beat of her heart Eešan clenched at the stone, pulling her misshapen left wing as close as it would come to her body to keep from falling to her death.

“Between the four of us,” Uliinh said, “we could glide you down again. You don’t have to prove anything, you know. Just be patient with the Choir, they’ll persuade themselves.”

Eešan huffed out a bitter laugh and reached up again, hauling her body another winglength up the cliff. Uliinh was wrong, twice over—Eešan wasn’t sure even this dramatic scene she was throwing would be enough to convince the Choir, and she was sure Uliinh couldn’t catch her if she fell—but she didn’t have it in her to argue and climb at the same time.

Twenty winglengths above her, the orange-brown sandstone turned red with the handprints of every adult in the rookery. Sun beat down on the painted prints; the heat on her back and head was making her dizzy. The sunlight on the dips and protrusions in the cliff face cast tricky small shadows, fooling the eye into seeing room to maneuver where there was none.

The color difference between the dark gray siltstone at the bottom of the cliff and the paler white and orange sandstone layered above it created temperature fluctuations that made the drafts here unpredictable and sharp. That combined with the strange shape of the cliff was what made it the Cliff of Hands, where each child of the rookery flew into adulthood. Only a skillful flyer could come at the Cliff at just the right angle to make a pass at the Hands and, without landing, leave a handprint there on top of the cloud of handprints left by the rookery’s ancestors.

Only a skillful flyer could earn adulthood, the right to raise their voice in the Choir, and the rookery’s respect. She knew that respect would only ever be partial for someone pinwinged, but she wanted it desperately anyway, craved every speck of it she could get. Thinking about it twisted the fear in her chest into rage, and she channeled it into her muscles, powering her another winglength upward.

There—a crevice in the cliff face gave her holds for both the clawed digit at the tip of her right wing and her right grasping-hand.

She concentrated on the rock, ignoring her hatchmates chattering and fluttering around her, and stretched her left grasping-hand as far up as it would go. That wasn’t very far: grasping-hands were good for landing, latching on to a surface and clinging, but climbing steadily upward wasn’t a movement that came naturally. Her short lower limbs could only reach half as far as her wings, making her progress slow and awkward.

“This is so pointless,” Dhabelh said. “Even if you make it all the way up to the Hands—and I don’t think you’re going to—it’s not going to count.”

Eešan was glad that at least Dhabelh wasn’t trying to imagine how Eešan was going to get down. At the edge of her vision, sweat blurred the shapes of individual bushes and rocks below together with their own shadows into a rust- and copper-colored blanket.

More sweat gilded the tough membrane that stretched along her sides from the long tips of her wingfingers to the outer edge of her grasping-hands, but her broken wing couldn’t stretch out to let the sweat evaporate in sheets. She’d always had trouble regulating her body temperature because of that.

“It has to count, doesn’t it?” Aušidh flitted behind her, one side to the other side and then back again.

Eešan scowled and pointedly oriented her ears away from Aušidh, ignoring her.

“No.” Dhabelh hung from one grasping-hand, then switched to the other, making climbing look easy. Of course, if she lost her grip and fell, her wings would catch her. “That’s not flying the Hands. She’s not flying it.”

“There’s no rule about flying it.” Aušidh sounded puzzled and Eešan squashed an intense flare of frustration. Aušidh was always so frustratingly naïve. “You just have to put up your handprint. That’s what I did.”

“No one’s been stupid enough to try this before,” Xhufu put in. “Who knows what people will think.”

“But Aušidh, you flew it. How does the ritual go?” Dhabelh’s question was rhetorical; everyone knew how it went. “You take off a child and fly into the cloud of ancestors and land an adult.”

“It would still count,” Aušidh insisted.

“We would need a Choir to decide,” Xhufu said. “Eešan, did you ask what everyone thought? I didn’t hear about it.”

“I didn’t hear about it either,” Uliinh said.

“If you didn’t hear about it, obviously I didn’t ask for a consensus yet,” Eešan muttered. She did not have the patience for this conversation right now. “You fire-shit sun-eaters.”

The dust from the cliff stained her belly and chest a dusty orange, bright against her black skin. Sweat gathered under the bandolier that crossed her torso. To save on weight, she’d taken everything off it except for a hand-sized grass basket full of paint. She’d woven the basket herself, spent weeks collecting clay, watadh eggs and the eešanyalh bark that gave the paint its bright red color.

It had taken help, another way she was ruining the ritual. She couldn’t fly, so she couldn’t gather eggs from the watadh nests on the cliffsides herself. Although Pwabeš hadn’t asked why Eešan wanted the eggs, Eešan hadn’t been keeping her plan a secret. But she hadn’t tried to present it to the whole rookery either. She’d been too afraid they’d tell her she wasn’t an adult so she wasn’t qualified to make the decision to risk her life for social status.

She was so shitting tired of being a child.

Eešan climbed silently for several minutes and Dhabelh and Xhufu flew off—not far, just catching a thermal until they rose above the clifftop and soared there, in sight but beyond talking range. Aušidh and Uliinh stayed on the cliff face with her.

Ten winglengths to the bottom of the Hands. Uliinh shifted on the rock impatiently, flapping out into the air and then returning to the same spot. She was waiting for Eešan to give up; she probably had some stupid plan to call the others in to carry Eešan to the ground when her limbs gave out. The bottom of the canyon was too far below for that heroic plan to work, though, Eešan knew. If she reached the sunset alive, it would be because she’d climbed not just to the bottom of the Hands but all the way to the top and over the lip of the Cliff. That way she could rest and then shuffle down the slope on the other side.

Her chest was tight with fear she was losing the will to ignore. She reached up, her pulse loud in her ears. The movement triggered the ache in her limbs that would eventually weaken her. Eventually, she wouldn’t be able to climb.

When she’d been planning, she hadn’t thought she could be this terrified, not the whole time. She’d imagined herself as more courageous, as losing the fear once she began. Now it was too late to back down. She would be strong enough, or she wouldn’t.

It was almost funny. She’d trapped herself into seeming brave.

Six winglengths below the Hands, the rocks jutted out from the cliff and she had to climb up and out, clinging under the rock over empty space. Right wing, left grasping-hand, right grasping-hand. Her left wing membrane caught the air and the wind tried to suck her out into thin air. She flexed her shoulders, twisting hard to pull herself back flush with the stone above her. Right wingtip again, and as she pulled herself up the protrusion, a gust of wind threw a scatter of sand in her face.

“Be careful,” Uliinh said. She half-spread her wings then paused.

“Yeah, thanks,” Eešan couldn’t help snapping. Uliinh, with her strong symmetrical wings, wasn’t the one with something to fear here. Yawning emptiness ached underneath her.

Without a spare hand to wipe her eyes, she had to wait for the breeze to dry the blur of sandy tears. When she could almost see again, she reached with her right grasping-hand and dug her fingers into a thin crack in the stone, moving herself sideways to get around the edge of the protrusion and back to a section of the cliff that was merely vertical.

The tricky wind blew up against her, pressing her helpfully into the stone. She wrapped her left grasping-hand around a knob of sandstone and hauled her body up.

Then the crack shifted under her right grasping-hand, the whole layer of stone sloughing away from the cliff. The wind caught her right wing membrane. It sucked at her, pulling her out and away.

Her left wing scraped uselessly against rock. Her left grasping-fingers began to slip off the round knob of stone.

No. Staying a child forever was a kind of death, and she had rejected it. She rejected the wide open space just as strongly, with sick sharp twist of her guts.

The gritty stone tore sharply at the pads of her fingers, bright red flashes of pain in a thundercloud of fear.

“Ancestors and descendants,” Aušidh swore as she finally noticed that Eešan was falling.

Eešan’s flailing right wingtip claw caught on a small divot in the stone with an agonizing twist—caught, and held.

Her right grasping-hand found another small flaw in the stone. She shoved her fingertips into it, grinding the rough stone into the raw scrapes on her fingers like friction could fuse the two surfaces into one.

Breath rushing in short, panicked pants, Eešan pressed her torso and wings as close to the cliff as she could. Her heart drummed in her ears, fear and relief fusing together. It had happened so quickly. Death one second, and then she’d caught herself.

“Skwayašúliwa’s shitting mouth,” she breathed. She was alive.

Aušidh hopped belatedly into the air and fluttered to a spot just below Eešan like she thought she’d be able to catch her if she fell.

“Dhabelh, Xhufu!” Uliinh whistled, calling them down from the thermal.

“Stop worrying,” Eešan said. When she risked a glance up she saw bright red blood seeping out around the base of her right wingtip claw. She’d splintered it. “Shit.” She laughed, a little hysterically. “If I fall that means the Choir will have to count me as an adult, right? If I die in the middle of this they’ll talk about my corpse like I’m a real person?”

“No!” Aušidh said. “Stop talking like that, Eešan.”

“I’ll talk how I shitting want to.” The giddy panic rush was making her rude. Ruder. She didn’t care. The Hands were right there.

Two more painful winglengths up and the stone in front of her face turned red with old paint.

“Need a hand?” Xhufu snickered as she landed a winglength away. “Get it? A hand?”

For Xhufu there was nothing dangerous happening here. The reminder hurt like an old, deep bruise. Eešan squeezed her eyes shut for a second, then opened them to grope for her basket of paint.

“Here.” Aušidh shifted closer and reached out, turning the loop of bandolier that had migrated as Eešan climbed until the paint was behind her back. “Can you reach it?”

“Thanks.” Eešan dug the fingers of her left grasping-hand into the thick paint. It was almost too dry to use after baking in the sun so long, but she spit into her palm and made a fist, squishing the paint in the moist saliva and spreading it around.

Then she reached out and pressed her hand to the Cliff. When she pulled it back, a fresh red print shone out at her.

It looked exactly like every other handprint: three fingers, a thumb, the pads of her palm forming a sacred three-sided circle. For once, she was no different than anyone else, now or at any point in the tangled nest of history that cradled the rookery. Eešan shut her nostrils flat like she was in a sandstorm, an indescribable feeling rising up in her lungs. Relief and anger all mixed together with pride and the spitting bluster that had gotten her all the way up here.

She’d done it.

“How much longer is this going to take?” Dhabelh asked.

“Why? Getting hungry, lump-ass?” Aušidh said.

Eešan took another long moment to memorize her handprint. She would probably never see it again; she couldn’t just fly past it to confirm it existed like everyone else could. Then she reached upward for her next hold.

“I saw you put your handprint there,” Dhabelh persisted. “So you don’t need me here anymore.”

“Right,” Eešan said. Her grasping-hands throbbed. “You can go if you want to.”

“Stay, Dhabelh.” Uliinh rolled her neck worriedly. “She isn’t down yet. What if she falls?”

“Even if you force the Choir to admit you, everyone is still going to know you didn’t fly it,” Xhufu said. She spread her wings, ready to launch. Eešan could see the sun glowing through Xhufu’s wing membranes, the light picking out each vein that ran through them, before she dove sharply to the side and came out of it a hundred winglengths away.

Eešan would never know what that was like, to dive like that. To get the last word in a conversation because she could just escape it.

“That rotten intestine was supposed to stay until you reach the top,” Aušidh grumbled. She climbed at Eešan’s pace, a few winglengths below her. “She’s selfish. I don’t know why you told her about this.”

“The Choir will listen to her,” Eešan said, although she wasn’t sure it was true. Her wingtip was leaving small streaks of blood on the half-faded handprints she was climbing over. It would take months for the claw to recover from this abuse. It would probably blacken and fall off before it healed. “She’s not a liar—she’ll confirm that she saw me place my Hand. It won’t be just my friends witnessing for me.”

Aušidh cleared her throat of dust and spit a hunk of phlegm off to the side, obviously a commentary on Xhufu. Uliinh drifted into a shady spot and clutched at the stone, watching, waiting for Eešan to fall. Dhabelh surprised Eešan by joining Uliinh instead of following after Xhufu.

The top of the Cliff waited several dozen winglengths above her. Eešan climbed.


© 2019 by Joanne Rixon

Joanne Rixon organizes the North Seattle Science Fiction and Fantasy Writers Meetup and is a member of STEW and the Dreamcrashers. Her short fiction has recently appeared in The Malahat Review, Fireside, and Terraform, and you can find her on twitter @JoanneRixon.


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MOVIE REVIEW: Spies In Disguise

written by David Steffen

Spies in Disguise is a 2019 computer-animated action/comedy film produced by Blue Sky Studios and distributed by 20th Century Fox. The movie follows super-suave celebrity spy (ala James Bond) Lance Sterling (Will Smith), who is on the top of his game, able to infiltrate an enemy’s facility and make it look effortless with a combination of martial arts, gadgets, and catchy one-liners.

But Sterling seems to meet his match facing off against an unknown adversary with a robot hand (Ben Mendelsohn), when he takes the blame for the theft of an expensive drone, and barely escapes agency headquarters when Marcy Koppel (Rashida Jones) of the agency tries to to apprehend him for it. He makes an unlikely friend in a gadget-inventor Walter Beckett (Tom Holland) he got fired from the agency that same day for his flashy but pacifist gadgets. Shortly after, Sterling unknowingly drinks down an experimental chemical formula that turns him into… a pigeon, albeit a pigeon with human intelligence and speech. Being a pigeon makes most of his tactics… less than effective, though it does have a certain appeal in the fact that there is a major manhunt looking for him but they don’t know he’s a pigeon.

I went into this movie with low expectations. It looked like an okay movie to take a kid too, and I thought there was a pretty good chance that I would nap through it. But I thoroughly enjoyed it, I thought it was a lot of fun, and I really enjoyed Will Smith in particular–it reminded me in some ways of his character in the original Men In Black, suave when he needs to be, but out of his element, with a sense of humor that helps him get through more difficult times. I liked the interaction between them, Sterling’s confident and gungho but violent means eventually coming to see the benefits to Beckett’s preferred nonviolent engagement. The villain is suitably scary and easy to root against. My particular favorite part of the movie were the comic relief from the secondary pigeon characters.

I would recommend it, especially if you have kids, but even if not.

The Best of Podcastle 2019

written by David Steffen

Podcastle is the weekly fantasy podcast published by Escape Artists, which at the beginning of 2019 was co-edited by Jen Albert and Khaalidah Muhammad-Ali.  During the year Khaalidah Muhammad-Ali stepped down and now at this time the podcast is co-edited by Jen Albert and Cherae Clark. As well as weekly full-length feature episodes, they also publish occasional standalone flash stories as bonus episodes, as well as multiple short-short stories for the occasional feature episode collection.

Podcastle published 50 stories by my count in 2019.

As it happens, every story on this list was originally published prior to 2019, so none of them are eligible for Hugo and Nebula awards, but there are plenty of other great stories published there for you to consider if you like that sort of thing.

The List

1. “The Resurrectionist” by J.P. Sullivan, narrated by Wilson Fowlie
The skill of resurrecting people has fallen out of favor but there are still people who do it, it’s a matter of visiting the deceased in their dreamlike interstitial space and bringing them back across the divide by hook or by crook.

2. “The Bone Poet and God” by Matt Dovey, narrated by Eliza Chan
Every bone carries four magical runes on their body, engraved to the bone, including one that they are born with and isn’t revealed until they die.

3. “The Masochist’s Assistant” by Auston Habershaw, narrated by Matt Dovey
It is no easy job being the assistant of a magical masochist who demands he be killed at regular intervals every day.

4. “Balloon Man” by Shiv Ramdas, narrated by Kaushik Narasimhan
Whatever is true, the opposite is also true. That is the way of stories.

5. “The Deliverers of Their Country” by E. Nesbit, narrated by Katherine Inskip
Dragons are back in the world and proving to be quite a menace, which Effie only finds out when one gets stuck in her eye.

Honorable Mentions

“I am not I” (part 1 and 2) by G.V. Anderson, narrated by Tatiana Grey

A Toy Princess” by Mary de Morgan, narrated by Eleanor Wood

“When Leopard’s-Bane Came to the Door of Third Heaven” by Vajra Chandrasekera, narrated by Peter Behravesh

The Best of Escape Pod 2019

written by David Steffen

Escape Pod is the weekly science fiction podcast, one of the Escape Artists family of podcasts, edited by S.B. Divya and Mur Lafferty.

Escape Pod published a total of 41 stories in 2018, which is lower than it has been in some years because of a combination of longer stories that were split across multiple episodes, as well as mixing in “Flashback Friday” episodes this year, which are republications of stories published earlier in Escape Pod’s history–since Flashback Friday stories have already been considered for previous Best of Escape Pod lists here, they were not considered this time.

And let me say that Escape Pod has been in incredible form this year–it was very hard to winnow the list down to this length, and I had to cut stories that I would recommend to get it down to the length. If you like what you read in this list, there are many many more where that came from!

Every short story that is eligible for Hugo nominations this year which were first published by Escape Pod are marked with an asterisk (*). 

The List

1. “Failsafe” by Tim Chawaga, narrated by Tina Connolly*
Failsafes are legally required human components to automated systems that serve as impediments to machine uprisings by being able to refuse to participate if something starts happening. There aren’t many left and they are left and they are chosen specifically for their empathy.

2. “When Robot and Crow Saved East St. Louis” by Annalee Newitz, read by Louis Evans
I love stories of artificial intelligences that do great things because they find new ways to apply their specialized programming, and this is one of those! In this case a drone designed to help the CDC stop disease outbreaks early.

3. “Optimizing the Verified Good” by Effie Seiberg, narrated by Trendane Sparks
Battlebots! This story is about a cleaning bot that operates in a battlebot arena cleaning up the damaged parts after battles to clear the way for the next battle. It decides that a more optimal way to keep the arena clean would be to reduce the amount of damaged robots–another in the subgenre of robots following their programming and doing unexpected things as a result.

4. “The Great Scientist Rivalry on Planet Sourdough” by Beth Goder, narrated by Divya Breed, Mur Lafferty, Adam Pracht, Alasdair Stuart, and Tina Connolly
Hilarious full-cast recording with multiple point of view characters all with their own clashing motivations.

5. “Flash Crash” by Louis Evans, narrated by Ibba Armancas*
Another in the robots following their programming and doing unexpected things, in this case an investment AI expanding as it goes.

Honorable Mentions

“Spectrum of Acceptance” by Nyla Bright, narrated by Maxine Moore*