The Best of Drabblecast 2016-2019

written by David Steffen

The Drabblecast is a weekly (theoretically) podcast of strange stories for strange listeners (such as yourself). It is edited, published, and hosted by Norm Sherman. In 2016-2017 it gradually fell into hiatus for a couple years until a big relaunch plan with a Kickstarter to help keep it going. It’s very exciting that the podcast is going again and I hope it goes well. This list covers the years of 2016-2019, which includes stories both before and after the hiatus.

I don’t consider my own stories for these lists, but I did want to mention that two of my own stories have been published in Drabblecast in that time: “I Will Remain” (narrated by Nick Camm) and “We Do Not Speak of the Not Speaking” (narrated by Norm Sherman).

I do consider stories that I previously published on Diabolical Plots, but add an extra story to the list so that it doesn’t bump one off the list.

Stories eligible for Hugo and Nebula awards for this year are marked with an asterisk (*).

The List

1. “The Best Scarlet Ceremony Ever!” by Shaenon K. Garrity*
An original story commissioned for Lovecraft month, advertised as Sweet Valley High meets Lovecraft.

2. “Giraffe Cyborg Cleans House!” by Matthew Sanborn Smithread
One of the most ungainly household cyborgs really just wants to help however it can, but life isn’t easy for a household giraffe cyborg.

3. “Necessary Cuts” by Bryan Miller*
Another original story for Lovecraft Month, this one about copyediting a Lovecraft style book of madness.

4. “Beauty Tips for the Apocalypse” by Karen Heuler*
An original story for Women and Aliens Month, which is exactly what it sounds like.

5. “Night of the Living POTUS” by Adam-Troy Castro
Whenever a new President is sworn in, on the first night of his Presidency he has to face off against the resurrected vicious versions of every POTUS that preceded them.

6. “The Translator” by Eboni J. Dunbar*
Being a translator for aliens is much more than simply learning a language.

Honorable Mentions

“1977” by Carrie Vaughn

“Loving Armageddon” by Amanda C. Davis

DP FICTION #60B: “The Cliff of Hands” by Joanne Rixon

“Lhálali’s bloody viscera,” Eešan cursed. She searched the cliff face for a hold and found nothing. Finally she spotted a thread-thin crack and wedged her wingtip claw in it so she could reach upward with her stubby grasping-hands.

“Watch out,” Aušidh said. “If you fall now you’ll get hurt, won’t you?” She dipped in a little swoop less than a winglength away from Eešan in the air. The shadow of her wide membranous wings rippled across the uneven stone and the little burst of wind ruffled the sparse black fur on Eešan’s back.

The others circled farther away, the curves and points of their silhouettes slowly churning the air as they gawked. Eešan was putting on enough of a spectacle that half her hatchmates had turned up to watch.

“Yes,” Eešan said tightly. It made her feel sick to have to speak her fear out loud. “If I fall, I’ll die.”

“Oh.” Aušidh circled up and around again, landing on the cliff face just beneath Eešan, her grasping-hands and wingtips confidently catching in a clean four-point landing on the irregular stone surface. “I didn’t think you were that high up yet.”

“Don’t be stupid, you wouldn’t die,” Xhufu called down from her perch on a little outcropping several winglengths higher than Eešan. “You might break a bone if you didn’t slow yourself at all, but anyone can glide if they try.”

“Of course she would die if she fell,” Dhabelh scoffed, dropping to hang upside down from her grasping-hands to get her face closer to the conversation. “Eešan is pinwinged, what do you think pinwinged means?”

Eešan clenched her jaw and reached up. For her hatchmates the sick terror that twisted in her chest might as well be a vague rumor. As far as Xhufu could understand, anyone could glide. She couldn’t comprehend the hard, boring reality of life with only one functional wing.

Eešan’s left wing wrist had broken as she hatched; her shell had been too thick and her eggclaws too weak. The complex joint had healed as gnarled as a wind-sculpted eešanyalh bush on the edge of a canyon. Now, she was so pinwinged that she could barely get herself around the rookery on the ropes and baskets used to ferry babies and the elderly up the cavern sides. She had never had the strong, flexing shoulders that propelled her hatchmates as they ate up the sky.

“We could get you down, Eešan,” Uliinh said. She launched off the side of the cliff and into the air, flying across Eešan at a diagonal and latching onto the rocks above her. The turbulence of Uliinh’s wings almost knocked Eešan loose. For a frantic beat of her heart Eešan clenched at the stone, pulling her misshapen left wing as close as it would come to her body to keep from falling to her death.

“Between the four of us,” Uliinh said, “we could glide you down again. You don’t have to prove anything, you know. Just be patient with the Choir, they’ll persuade themselves.”

Eešan huffed out a bitter laugh and reached up again, hauling her body another winglength up the cliff. Uliinh was wrong, twice over—Eešan wasn’t sure even this dramatic scene she was throwing would be enough to convince the Choir, and she was sure Uliinh couldn’t catch her if she fell—but she didn’t have it in her to argue and climb at the same time.

Twenty winglengths above her, the orange-brown sandstone turned red with the handprints of every adult in the rookery. Sun beat down on the painted prints; the heat on her back and head was making her dizzy. The sunlight on the dips and protrusions in the cliff face cast tricky small shadows, fooling the eye into seeing room to maneuver where there was none.

The color difference between the dark gray siltstone at the bottom of the cliff and the paler white and orange sandstone layered above it created temperature fluctuations that made the drafts here unpredictable and sharp. That combined with the strange shape of the cliff was what made it the Cliff of Hands, where each child of the rookery flew into adulthood. Only a skillful flyer could come at the Cliff at just the right angle to make a pass at the Hands and, without landing, leave a handprint there on top of the cloud of handprints left by the rookery’s ancestors.

Only a skillful flyer could earn adulthood, the right to raise their voice in the Choir, and the rookery’s respect. She knew that respect would only ever be partial for someone pinwinged, but she wanted it desperately anyway, craved every speck of it she could get. Thinking about it twisted the fear in her chest into rage, and she channeled it into her muscles, powering her another winglength upward.

There—a crevice in the cliff face gave her holds for both the clawed digit at the tip of her right wing and her right grasping-hand.

She concentrated on the rock, ignoring her hatchmates chattering and fluttering around her, and stretched her left grasping-hand as far up as it would go. That wasn’t very far: grasping-hands were good for landing, latching on to a surface and clinging, but climbing steadily upward wasn’t a movement that came naturally. Her short lower limbs could only reach half as far as her wings, making her progress slow and awkward.

“This is so pointless,” Dhabelh said. “Even if you make it all the way up to the Hands—and I don’t think you’re going to—it’s not going to count.”

Eešan was glad that at least Dhabelh wasn’t trying to imagine how Eešan was going to get down. At the edge of her vision, sweat blurred the shapes of individual bushes and rocks below together with their own shadows into a rust- and copper-colored blanket.

More sweat gilded the tough membrane that stretched along her sides from the long tips of her wingfingers to the outer edge of her grasping-hands, but her broken wing couldn’t stretch out to let the sweat evaporate in sheets. She’d always had trouble regulating her body temperature because of that.

“It has to count, doesn’t it?” Aušidh flitted behind her, one side to the other side and then back again.

Eešan scowled and pointedly oriented her ears away from Aušidh, ignoring her.

“No.” Dhabelh hung from one grasping-hand, then switched to the other, making climbing look easy. Of course, if she lost her grip and fell, her wings would catch her. “That’s not flying the Hands. She’s not flying it.”

“There’s no rule about flying it.” Aušidh sounded puzzled and Eešan squashed an intense flare of frustration. Aušidh was always so frustratingly naïve. “You just have to put up your handprint. That’s what I did.”

“No one’s been stupid enough to try this before,” Xhufu put in. “Who knows what people will think.”

“But Aušidh, you flew it. How does the ritual go?” Dhabelh’s question was rhetorical; everyone knew how it went. “You take off a child and fly into the cloud of ancestors and land an adult.”

“It would still count,” Aušidh insisted.

“We would need a Choir to decide,” Xhufu said. “Eešan, did you ask what everyone thought? I didn’t hear about it.”

“I didn’t hear about it either,” Uliinh said.

“If you didn’t hear about it, obviously I didn’t ask for a consensus yet,” Eešan muttered. She did not have the patience for this conversation right now. “You fire-shit sun-eaters.”

The dust from the cliff stained her belly and chest a dusty orange, bright against her black skin. Sweat gathered under the bandolier that crossed her torso. To save on weight, she’d taken everything off it except for a hand-sized grass basket full of paint. She’d woven the basket herself, spent weeks collecting clay, watadh eggs and the eešanyalh bark that gave the paint its bright red color.

It had taken help, another way she was ruining the ritual. She couldn’t fly, so she couldn’t gather eggs from the watadh nests on the cliffsides herself. Although Pwabeš hadn’t asked why Eešan wanted the eggs, Eešan hadn’t been keeping her plan a secret. But she hadn’t tried to present it to the whole rookery either. She’d been too afraid they’d tell her she wasn’t an adult so she wasn’t qualified to make the decision to risk her life for social status.

She was so shitting tired of being a child.

Eešan climbed silently for several minutes and Dhabelh and Xhufu flew off—not far, just catching a thermal until they rose above the clifftop and soared there, in sight but beyond talking range. Aušidh and Uliinh stayed on the cliff face with her.

Ten winglengths to the bottom of the Hands. Uliinh shifted on the rock impatiently, flapping out into the air and then returning to the same spot. She was waiting for Eešan to give up; she probably had some stupid plan to call the others in to carry Eešan to the ground when her limbs gave out. The bottom of the canyon was too far below for that heroic plan to work, though, Eešan knew. If she reached the sunset alive, it would be because she’d climbed not just to the bottom of the Hands but all the way to the top and over the lip of the Cliff. That way she could rest and then shuffle down the slope on the other side.

Her chest was tight with fear she was losing the will to ignore. She reached up, her pulse loud in her ears. The movement triggered the ache in her limbs that would eventually weaken her. Eventually, she wouldn’t be able to climb.

When she’d been planning, she hadn’t thought she could be this terrified, not the whole time. She’d imagined herself as more courageous, as losing the fear once she began. Now it was too late to back down. She would be strong enough, or she wouldn’t.

It was almost funny. She’d trapped herself into seeming brave.

Six winglengths below the Hands, the rocks jutted out from the cliff and she had to climb up and out, clinging under the rock over empty space. Right wing, left grasping-hand, right grasping-hand. Her left wing membrane caught the air and the wind tried to suck her out into thin air. She flexed her shoulders, twisting hard to pull herself back flush with the stone above her. Right wingtip again, and as she pulled herself up the protrusion, a gust of wind threw a scatter of sand in her face.

“Be careful,” Uliinh said. She half-spread her wings then paused.

“Yeah, thanks,” Eešan couldn’t help snapping. Uliinh, with her strong symmetrical wings, wasn’t the one with something to fear here. Yawning emptiness ached underneath her.

Without a spare hand to wipe her eyes, she had to wait for the breeze to dry the blur of sandy tears. When she could almost see again, she reached with her right grasping-hand and dug her fingers into a thin crack in the stone, moving herself sideways to get around the edge of the protrusion and back to a section of the cliff that was merely vertical.

The tricky wind blew up against her, pressing her helpfully into the stone. She wrapped her left grasping-hand around a knob of sandstone and hauled her body up.

Then the crack shifted under her right grasping-hand, the whole layer of stone sloughing away from the cliff. The wind caught her right wing membrane. It sucked at her, pulling her out and away.

Her left wing scraped uselessly against rock. Her left grasping-fingers began to slip off the round knob of stone.

No. Staying a child forever was a kind of death, and she had rejected it. She rejected the wide open space just as strongly, with sick sharp twist of her guts.

The gritty stone tore sharply at the pads of her fingers, bright red flashes of pain in a thundercloud of fear.

“Ancestors and descendants,” Aušidh swore as she finally noticed that Eešan was falling.

Eešan’s flailing right wingtip claw caught on a small divot in the stone with an agonizing twist—caught, and held.

Her right grasping-hand found another small flaw in the stone. She shoved her fingertips into it, grinding the rough stone into the raw scrapes on her fingers like friction could fuse the two surfaces into one.

Breath rushing in short, panicked pants, Eešan pressed her torso and wings as close to the cliff as she could. Her heart drummed in her ears, fear and relief fusing together. It had happened so quickly. Death one second, and then she’d caught herself.

“Skwayašúliwa’s shitting mouth,” she breathed. She was alive.

Aušidh hopped belatedly into the air and fluttered to a spot just below Eešan like she thought she’d be able to catch her if she fell.

“Dhabelh, Xhufu!” Uliinh whistled, calling them down from the thermal.

“Stop worrying,” Eešan said. When she risked a glance up she saw bright red blood seeping out around the base of her right wingtip claw. She’d splintered it. “Shit.” She laughed, a little hysterically. “If I fall that means the Choir will have to count me as an adult, right? If I die in the middle of this they’ll talk about my corpse like I’m a real person?”

“No!” Aušidh said. “Stop talking like that, Eešan.”

“I’ll talk how I shitting want to.” The giddy panic rush was making her rude. Ruder. She didn’t care. The Hands were right there.

Two more painful winglengths up and the stone in front of her face turned red with old paint.

“Need a hand?” Xhufu snickered as she landed a winglength away. “Get it? A hand?”

For Xhufu there was nothing dangerous happening here. The reminder hurt like an old, deep bruise. Eešan squeezed her eyes shut for a second, then opened them to grope for her basket of paint.

“Here.” Aušidh shifted closer and reached out, turning the loop of bandolier that had migrated as Eešan climbed until the paint was behind her back. “Can you reach it?”

“Thanks.” Eešan dug the fingers of her left grasping-hand into the thick paint. It was almost too dry to use after baking in the sun so long, but she spit into her palm and made a fist, squishing the paint in the moist saliva and spreading it around.

Then she reached out and pressed her hand to the Cliff. When she pulled it back, a fresh red print shone out at her.

It looked exactly like every other handprint: three fingers, a thumb, the pads of her palm forming a sacred three-sided circle. For once, she was no different than anyone else, now or at any point in the tangled nest of history that cradled the rookery. Eešan shut her nostrils flat like she was in a sandstorm, an indescribable feeling rising up in her lungs. Relief and anger all mixed together with pride and the spitting bluster that had gotten her all the way up here.

She’d done it.

“How much longer is this going to take?” Dhabelh asked.

“Why? Getting hungry, lump-ass?” Aušidh said.

Eešan took another long moment to memorize her handprint. She would probably never see it again; she couldn’t just fly past it to confirm it existed like everyone else could. Then she reached upward for her next hold.

“I saw you put your handprint there,” Dhabelh persisted. “So you don’t need me here anymore.”

“Right,” Eešan said. Her grasping-hands throbbed. “You can go if you want to.”

“Stay, Dhabelh.” Uliinh rolled her neck worriedly. “She isn’t down yet. What if she falls?”

“Even if you force the Choir to admit you, everyone is still going to know you didn’t fly it,” Xhufu said. She spread her wings, ready to launch. Eešan could see the sun glowing through Xhufu’s wing membranes, the light picking out each vein that ran through them, before she dove sharply to the side and came out of it a hundred winglengths away.

Eešan would never know what that was like, to dive like that. To get the last word in a conversation because she could just escape it.

“That rotten intestine was supposed to stay until you reach the top,” Aušidh grumbled. She climbed at Eešan’s pace, a few winglengths below her. “She’s selfish. I don’t know why you told her about this.”

“The Choir will listen to her,” Eešan said, although she wasn’t sure it was true. Her wingtip was leaving small streaks of blood on the half-faded handprints she was climbing over. It would take months for the claw to recover from this abuse. It would probably blacken and fall off before it healed. “She’s not a liar—she’ll confirm that she saw me place my Hand. It won’t be just my friends witnessing for me.”

Aušidh cleared her throat of dust and spit a hunk of phlegm off to the side, obviously a commentary on Xhufu. Uliinh drifted into a shady spot and clutched at the stone, watching, waiting for Eešan to fall. Dhabelh surprised Eešan by joining Uliinh instead of following after Xhufu.

The top of the Cliff waited several dozen winglengths above her. Eešan climbed.


© 2019 by Joanne Rixon

Joanne Rixon organizes the North Seattle Science Fiction and Fantasy Writers Meetup and is a member of STEW and the Dreamcrashers. Her short fiction has recently appeared in The Malahat Review, Fireside, and Terraform, and you can find her on twitter @JoanneRixon.


If you enjoyed the story you might also want to visit our Support Page, or read the other story offerings.

MOVIE REVIEW: Spies In Disguise

written by David Steffen

Spies in Disguise is a 2019 computer-animated action/comedy film produced by Blue Sky Studios and distributed by 20th Century Fox. The movie follows super-suave celebrity spy (ala James Bond) Lance Sterling (Will Smith), who is on the top of his game, able to infiltrate an enemy’s facility and make it look effortless with a combination of martial arts, gadgets, and catchy one-liners.

But Sterling seems to meet his match facing off against an unknown adversary with a robot hand (Ben Mendelsohn), when he takes the blame for the theft of an expensive drone, and barely escapes agency headquarters when Marcy Koppel (Rashida Jones) of the agency tries to to apprehend him for it. He makes an unlikely friend in a gadget-inventor Walter Beckett (Tom Holland) he got fired from the agency that same day for his flashy but pacifist gadgets. Shortly after, Sterling unknowingly drinks down an experimental chemical formula that turns him into… a pigeon, albeit a pigeon with human intelligence and speech. Being a pigeon makes most of his tactics… less than effective, though it does have a certain appeal in the fact that there is a major manhunt looking for him but they don’t know he’s a pigeon.

I went into this movie with low expectations. It looked like an okay movie to take a kid too, and I thought there was a pretty good chance that I would nap through it. But I thoroughly enjoyed it, I thought it was a lot of fun, and I really enjoyed Will Smith in particular–it reminded me in some ways of his character in the original Men In Black, suave when he needs to be, but out of his element, with a sense of humor that helps him get through more difficult times. I liked the interaction between them, Sterling’s confident and gungho but violent means eventually coming to see the benefits to Beckett’s preferred nonviolent engagement. The villain is suitably scary and easy to root against. My particular favorite part of the movie were the comic relief from the secondary pigeon characters.

I would recommend it, especially if you have kids, but even if not.

The Best of Podcastle 2019

written by David Steffen

Podcastle is the weekly fantasy podcast published by Escape Artists, which at the beginning of 2019 was co-edited by Jen Albert and Khaalidah Muhammad-Ali.  During the year Khaalidah Muhammad-Ali stepped down and now at this time the podcast is co-edited by Jen Albert and Cherae Clark. As well as weekly full-length feature episodes, they also publish occasional standalone flash stories as bonus episodes, as well as multiple short-short stories for the occasional feature episode collection.

Podcastle published 50 stories by my count in 2019.

As it happens, every story on this list was originally published prior to 2019, so none of them are eligible for Hugo and Nebula awards, but there are plenty of other great stories published there for you to consider if you like that sort of thing.

The List

1. “The Resurrectionist” by J.P. Sullivan, narrated by Wilson Fowlie
The skill of resurrecting people has fallen out of favor but there are still people who do it, it’s a matter of visiting the deceased in their dreamlike interstitial space and bringing them back across the divide by hook or by crook.

2. “The Bone Poet and God” by Matt Dovey, narrated by Eliza Chan
Every bone carries four magical runes on their body, engraved to the bone, including one that they are born with and isn’t revealed until they die.

3. “The Masochist’s Assistant” by Auston Habershaw, narrated by Matt Dovey
It is no easy job being the assistant of a magical masochist who demands he be killed at regular intervals every day.

4. “Balloon Man” by Shiv Ramdas, narrated by Kaushik Narasimhan
Whatever is true, the opposite is also true. That is the way of stories.

5. “The Deliverers of Their Country” by E. Nesbit, narrated by Katherine Inskip
Dragons are back in the world and proving to be quite a menace, which Effie only finds out when one gets stuck in her eye.

Honorable Mentions

“I am not I” (part 1 and 2) by G.V. Anderson, narrated by Tatiana Grey

A Toy Princess” by Mary de Morgan, narrated by Eleanor Wood

“When Leopard’s-Bane Came to the Door of Third Heaven” by Vajra Chandrasekera, narrated by Peter Behravesh

The Best of Escape Pod 2019

written by David Steffen

Escape Pod is the weekly science fiction podcast, one of the Escape Artists family of podcasts, edited by S.B. Divya and Mur Lafferty.

Escape Pod published a total of 41 stories in 2018, which is lower than it has been in some years because of a combination of longer stories that were split across multiple episodes, as well as mixing in “Flashback Friday” episodes this year, which are republications of stories published earlier in Escape Pod’s history–since Flashback Friday stories have already been considered for previous Best of Escape Pod lists here, they were not considered this time.

And let me say that Escape Pod has been in incredible form this year–it was very hard to winnow the list down to this length, and I had to cut stories that I would recommend to get it down to the length. If you like what you read in this list, there are many many more where that came from!

Every short story that is eligible for Hugo nominations this year which were first published by Escape Pod are marked with an asterisk (*). 

The List

1. “Failsafe” by Tim Chawaga, narrated by Tina Connolly*
Failsafes are legally required human components to automated systems that serve as impediments to machine uprisings by being able to refuse to participate if something starts happening. There aren’t many left and they are left and they are chosen specifically for their empathy.

2. “When Robot and Crow Saved East St. Louis” by Annalee Newitz, read by Louis Evans
I love stories of artificial intelligences that do great things because they find new ways to apply their specialized programming, and this is one of those! In this case a drone designed to help the CDC stop disease outbreaks early.

3. “Optimizing the Verified Good” by Effie Seiberg, narrated by Trendane Sparks
Battlebots! This story is about a cleaning bot that operates in a battlebot arena cleaning up the damaged parts after battles to clear the way for the next battle. It decides that a more optimal way to keep the arena clean would be to reduce the amount of damaged robots–another in the subgenre of robots following their programming and doing unexpected things as a result.

4. “The Great Scientist Rivalry on Planet Sourdough” by Beth Goder, narrated by Divya Breed, Mur Lafferty, Adam Pracht, Alasdair Stuart, and Tina Connolly
Hilarious full-cast recording with multiple point of view characters all with their own clashing motivations.

5. “Flash Crash” by Louis Evans, narrated by Ibba Armancas*
Another in the robots following their programming and doing unexpected things, in this case an investment AI expanding as it goes.

Honorable Mentions

“Spectrum of Acceptance” by Nyla Bright, narrated by Maxine Moore*

DP FICTION #60A: “Invasion of the Water Towers” by R.D. Landau

The water towers never showed up on film. That should have been a sign. In the before times, there were water towers on every rooftop. They were highly visible, distinct from the rest of the landscape, cylindrical bodies with conical heads and long spindly legs. Maybe if we hadn’t been so busy whining about work and finding the perfect brand of deodorant and wondering if that cute barista was flirting with us (They weren’t. It is literally their job to smile and draw hearts in foam and have perfect hair. We as a society need to get over ourselves) we would have asked ourselves why the water towers didn’t want us to see them represented in the movies. Maybe if we hadn’t sharpened those not-thinking skills by not thinking about global warming and drone strikes and the asbestos in the ceiling that coated our hair like dandruff, we would have asked the right questions before it was too late.

Three days before the invasion, my barista, Zed (not the barista I mentioned earlier, that was a hypothetical barista and anyways, their eyes are way too green, like who has eyes that green, it’s obviously colored contact lenses and I could never date someone who puts colored pieces of plastic in front of their eyes) said, “I think the water tower on my building moved last night.” 

“Oh really?” I said, my pulse beating at a normal tempo for a pulse to beat.

On the day of the invasion, I was waiting for Zed to turn around so I could put milk and sugar in my coffee, when the radio cut off the Inoffensive Station suddenly: “We interrupt this regularly scheduled broadcast to report that the water towers are moving. We do not know what they are, where they came from or what their intentions may be. All citizens of New York and New Jersey are required to stay indoors.”

We all checked Twitter, desperate for more news, but the water towers had destroyed the internet. Stripped of our dignity and our Wi-Fi, we sipped in stunned silence until Zed said, “free drinks for anyone who helps barricade the doors,” in a voice so confident and commanding and melodious and mellifluous and pleasing, that everyone obeyed instantly. We hauled tables and chairs and sacks of beans against the door.

Then a water tower shuffled past. I could see its long spindly legs through the advertisements for Basilisk Frappuccino that covered the window. Zed held a chair out legs first as a weapon. The other barista thrust a customer in front of him as a shield. I did… something badass and heroic. But the water tower passed us by, paying no attention. Afterwards, everyone sat on the floor drinking caffeine because what we really needed during an alien invasion was a faster heart rate.

“I thank you, fine purveyor of caffeine,” I told Zed, who was leaning on the counter, exhausted.

“Thanks,” said Zed with a tired smile that did not make me imagine massaging their shoulder blades while they lay naked in a bed of coffee grounds. 

After the water towers seized control of the banks, the city government and the bagel shops in that order (according to the radio which might have been controlled by the water towers), after we huddled in the Starbucks for 72 hours, living off soymilk and increasingly stale lemon poppy seed muffins, after we cried and wet our pants and said our prayers (we meaning everyone but me – my pants and eyes stayed dry), after we gave up hope of seeing our families or our friends or our safety-code-violating apartments ever again, we ran out of food. Various solutions were proposed: cannibalism, shoe-eating, waiting for the government to save us. While we voted, the other barista chewed on an elderly customer’s hair.

“STOP,” said Zed, in a booming voice like a sexy sea captain. “It’s way too early to turn to cannibalism.”

“Hair is dead cells,” said the other barista. “So it isn’t technically cannibalism.”

“We have to go out and get food,” said Zed. 

The (probably-water-tower-controlled) radio had warned us that if we went outside, we would be captured by the water towers. Rumor had it that the water towers drank their prisoners. So everyone avoided eye contact with the same intensity as when an accordion player asks for money on the subway (everyone including me.) 

Zed sighed. “I’ll go alone then.” They removed the barricades, while the rest of us huddled in a pile on the opposite corner. They opened the door.

A water tower crawled in, then a second, then a third.

“We have come for the coffee,” said the water tower.

Zed brandished the blade of a dismantled coffee grinder. “We can’t let them take our coffee! Who’s with me?”

No one said anything.

The three water towers surrounded Zed, sloshing angrily. “You will make us coffee, or you will be eliminated.”

Zed was beautiful and flawless and perfect in every way but they were only a barista. What good is a barista against a water tower?

“What can I get for you?” said Zed.


© 2019 by R.D. Landau

R.D. Landau recently fled New York. Her work has appeared in Star 82 Review, Heavy Feather Review and tl;dr among others. Her hobbies include watching musicals, making truffles and hiding under the bed. 


If you enjoyed the story you might also want to visit our Support Page, or read the other story offerings.

TABLETOP GAME REVIEW: Pass the Pigs: Pig Party

written by David Steffen

Pass the Pigs: Pig Party is an expanded version of the game Pass the Pigs. In case you haven’t played Pass the Pigs (which I’m guessing you haven’t) it is a simple game where you score points based on how the pigs land. For instance, a single pig on its feet is called a “trotter” worth 5 points, up to a pig which is balancing on its snout and ear, a “leaning jowler”. You can keep rolling and building up points until you decide to stop and keep the points or you get a “pig out” (two pigs on their sides one showing a spot and one not showing a spot).

Party Edition works a little differently in that in each turn you are rolling for a particular goal and every player tries to get that goal in turn, and there are expanded rules that involve rolling 8 pigs all at once and scoring based on the number of pigs that match certain patterns.

It’s simple for little kids to understand which does make it good for families with young kids!

Audience
Suitable for very young kids (with older people to help with the scorekeeping if they want to play for real).

Challenge
Mostly based on random chance, though with a bit of chance because of whether you choose to keep rolling or not–each roll has a chance of accumulating more points or completely blanking out your turn.

Session Time
Quick game–if you played a full round you’d probably be done in 10 minutes.

Replayability
Not a lot of novelty, likely to wear out pretty quickly except for pretty young kids.

Originality
Although of course it’s a spinoff, odds are most have never played a game where you roll pigs for points, so certainly gets some points for novelty..

Overall
Reasonably compact, easy to learn and play for young children. Likely to wear out its novelty for older players before too long but would be a good way to pass some time with little ones.

TABLETOP GAME REVIEW: Uno: Super Mario Edition

written by David Steffen

Uno: Super Mario Edition is a special edition version of the familiar Uno game much-beloved by generations (which in itself I’m guessing is based on the existing game Crazy Eights, but with trademarks and special cards).

For those not familiar, the goal of Uno is to get rid of all of the cards in your own hand. When it’s a players turn, they want to lay down a card in their hand based on the top card on the discard pile. They can lay one down if it has the same color (equivalent to a “suit” in a regular card deck) or the same number/value. In this way it’s very similar to Crazy Eights, but instead of the number “8” being wild, there is a special Wild card just for that purpose, which can be laid at any time, and allows the person to choose the color for the next turn. And there are also additional cards like “Skip” (skip a player) and “Draw Two” which forces the next player to draw two cards. If a player can’t play a card from their existing hand they keep drawing until they can. When they get down to one card, that player has to also shout “Uno” before another player does, or they have to draw two additional.

Mario Edition has most of the same deck, albeit with new artwork on the cards based on the Super Mario series of games. It also has a couple new cards: a Super Star card that can be played to reflect a “Draw Two” or “Draw Four” card back at the one who played it, and a Blank Wild card which lets you make up your own rule for a wild card (i.e. you could make it also act as a skip, or it could let the person playing it choose someone to draw a card, or it could make every other player draw a card).

Really it’s not that much different from the regular game, though I suppose if you really love Mario the artwork on the cards would be worth picking up a different game.

Audience
Uno has a pretty broad age group, which makes it a suitable game for playing with mixed-age groups.

Challenge
It’s pretty easy to learn how to play and most of the challenge comes from sheer chance–i.e. if you have bad luck and have to draw and draw and draw it sets you back significantly.

Session Time
Hard to tell, I’ve had some games drag on when no one seems to get the right cards.

Replayability
Can play it for quite a while though it does start to feel repetitive before too long.

Originality
This edition doesn’t add much beyond the original Uno, if you have Uno already, this isn’t exactly a significant expansion.

Overall
If you already own Uno, getting this game probably won’t be that exciting of an edition. If you don’t already own Uno, you could consider this one for its game-based artwork. I’ve seen the game for about $6 retail.

BOOK REVIEW: Jonathan Strange and Mr. Norrell by Susanna Clarke

written by David Steffen

written by David Steffen

Jonathan Strange and Mr. Norrell is a 2004 fantasy novel by Susanna Clarke conveyed as a historical account of two magicians interested in the revival of English magic in the 19th century.

English magic has been on the decline for centuries, to the extent that those who call themselves magicians in the 19th century are really no more than scholars studying the history of magic, rather than practicioners of the magic arts themselves. Theories abound as to the cause of the decline, but little is known for sure. There does, however, appear to be one actual practitioner of magic, one Mr. Norrell, who has been known to perform the occasional magical feat, though he is reclusive and secretive.

English magic began with the arrival of the Raven King, a human with ties to the Fairy realm, but he disappeared hundreds of years ago with little explanation.

This novel is an annotated volume telling of the story of Mr. Norrell and of Jonathan Strange (more information about whom is available only late enough in the book that it feels like any mention of him would constitue a spoiler!). Historical footnotes about the significance of various events help educate a layperson on the rich historical background upon which these events rest.

When I started this book, I found it hard to get into the pacing. Throughout the book it was hard to tell where the book was going, was hard to tell which characters I was supposed to be following, and sometimes several chapters would seem to be entirely tangential. I am not one to feel obligated to finish a book if I’m not into it enough. But there was always enough to get me to read a little bit longer, and finally by the middle I was entirely charmed by the style of storytelling and would happily recommend the book. I don’t think everyone would be able to pull this off but Clarke did a splendid job making this feel like a real history, and I felt like I very much knew the characters, and the writing style was very much like books written in that period of time that it did a lot for plausibility of the story. I admit I am a sucker for explanatory footnotes of sometimes excessive quantity and size (perhaps because I always enjoyed them in Pratchett’s work). This book took me a long time to finish, it is not short, and it is at times pretty dry, but I ended up loving it and now I want to watch the tv series based upon it.

DP FICTION #59C: “Gorilla in the Streets” by Mari Ness

He’s hairy. He grunts a lot. He can be – there’s no kind way to put this – a little clumsy, and even his best friends say his table manners could use a little work.

But at barely the age of 30, he’s become Wall Street’s best performing hedge fund manager, with an estimated fortune of $36 billion, and with bankers, CEOs and even – it’s rumored – a United States president and several prime ministers jumping at the mere twitch of his finger.

Despite being a – there’s no way to put this politely – a gorilla.

How, exactly, a lowland gorilla managed to claw his way to the top of the financial industry is one question that’s brought me here today, to this charming New York café overlooking Central Park. Trees have a calming effect on Magot Stanton, I’ve heard, and “calming” is definitely the mood you want when you are about to meet up with a five foot, 10 inch gorilla who can easily rip your arms off, if he wants. At the suggestion of one of his extremely efficient personal assistants, I’ve ordered one of the café specials for both of us: a New York version of a full British high tea. The assistant has assured me that Stanton is particularly fond of the finger sandwiches created with freshly baked banana bread, with strawberries and cream for dessert.

It’s impossible to miss his entrance, marked as it is not just with his signature thumping gait, but the sudden hush, followed by small gasps and whispers. New Yorkers may claim to be used to the presence of a gorilla at their establishments, but the reaction suggests otherwise. Even William and Kate might not get this sort of reception.

Then again, Stanton is said to rarely leave the Wall Street area before 5 pm on weekdays, and although this is Friday, it’s also Central Park.

Stanton doesn’t appear to notice the looks, the gasps, or even the surreptitious attempts to casually point cell phones in his direction, despite his notorious dislike of pictures. (His attorneys note that although social media has linked Stanton to multiple assaults on photographers, none of these allegations have ever been independently verified, and no charges have been made. Indeed, an independent review of records made by The Financials shows that Stanton has a remarkably clean legal record: every lawsuit made against him has been dismissed, and he has never even received so much as a parking ticket.) He stalks through the room on all fours, his knuckles leaving a sharp clang with each step – a clang I later realize is coming from the rings that deck his hands. He can walk on two feet – YouTube once had video evidence, since taken down, but nothing ever quite vanishes from the internet – but for this café, at least, he’s chosen his more natural gait.

I’m calm – at least, I tell myself I’m calm – when he finally reaches the table, sitting down with surprising grace for one so, well, big. Which is when I realize: it’s one thing to see this on TV; it’s another to sit across the table from a talking gorilla.

His suit is impeccably tailored: the three rings that gleam on his hands surprisingly restrained, not just for a gorilla, but for a Wall Street titan. He smiles, and it’s both more charming and alarming than I expected. He begs my forgiveness in advance for any lapse of table manners – he’s recently hurt his left hand, he explains, without offering any further details, and forks and knives are difficult for him at the best of times.

He pours the tea – a delicate oolong, his favorite – and splashes in cream and sugar with, it must be admitted, rather less of that surprising grace. Quite a bit of that cream lands on the table cloth; the sugar ends up going even further. I say nothing as I take the tea pot from him, pouring my own cup. Just now, the café is full of people with far worse table manners; from the corner I can see several people giving us what they seem to believe are surreptitious glances.

That’s hardly uncommon when you’re interviewing a celebrity, but still, something seems, well, different, about this. The waitress assures us that scones, followed by the finger sandwiches, are coming right up. I take a sip of the tea and pull out my tablet. Unlike other interviewees, Stanton didn’t just agree to have the interview taped; he insisted on it. His own tablet, I realize, is out on the table, filming us both.

We are supposed to be discussing his rumored interest in one of Hollywood’s large conglomerates. But since he’s more or less opened the topic, I decide to go ahead and raise the question: how did a lowlands gorilla end up running a powerful hedge fund?

Under the fur, I think his shoulders tense. But he answers the question easily enough, as if he’s prepared for it.

His inspiration, he says, was Tarzan.

“I watched those films over and over. The Disney one, the earlier ones, that really boring British one – I was inspired. I even hunted down the books, and I gotta tell you, reading wasn’t my thing. But the way I looked at it, if a rich white baby could turn himself into a gorilla and lead a tribe – well. This gorilla could turn himself into an ultra-privileged Hamptons brat. The stockbroker stuff was more for something to do.”

And so, as a young gorilla, he swung his way into the hearts – and the home – of a Hamptons family. He readily admits that the family money was a help, although he notes that sometimes getting that money wasn’t easy. Stanton says he found himself regularly challenging and challenged by his father – “one of those natural dominance things, you know? Happens to everyone.” When not fighting with his father, he took class after class, immersing himself in books, languages and mathematics studies. He had plenty of spare time, since he was not allowed to join regular Phys Ed classes (“I scared everyone,”), was not, at the time, much of a partier, and only had a few close friends as distractions. His one hobby, apart from languages (Stanton claims to speak fluent English, French, Portuguese, German, Umbuntu and “some” Arabic, and plans to start learning Mandarin “the second I have a chance”), was music, something he studied mostly alone.

A stint at Yale – completed in three, not the usual four years (“they wanted me off campus as quickly as possible, and I was delighted to comply”) and an MBA from Harvard polished him off, and he was almost ready for his first job at a Wall Street bank. Almost.

“I couldn’t fit through the doorway.”

I spill a bit of my tea. “What?”

“Couldn’t get through the doorway. They’d interviewed me at Harvard, so no one had really thought about this. I showed up, got up the narrow stairs – building looked like it was from the Middle Ages, I swear – and then I come in, and it’s like, one half the size of normal American doors, which are already hard for me to squeeze through.”

I’m fascinated. “No one thought of this?”

“No one.”

“So what did you do?”

“Punched through the door.”

Our scones arrive at just that moment; his large fist closes over one of them and moves it to his mouth before the plate even reaches the table.

“Broke down the door and a bit of their wall.” His mouth widens, showing all the crumbs inside. “God, that felt good. Shortest employment of my life, but damn.”

His next job was a bit more of a success – at least, he said, he could get through the door, although finding a chair that could fit him, and a keyboard he could use comfortably, proved more difficult. He refused to ask for disability accommodations. “I’m not disabled. I’m a gorilla.”

He soon had a bigger problem: at the time, that investment firm was pushing a “soft touch” approach. “And I’m a gorilla.” He could manage this – barely – on the phone, but not, apparently, in person. He says he lasted only three months at the job – the firm’s corporate records say six weeks – and needed about eight solid months of wallowing in banana liquor before he could try again.

“Of course part of the problem was that I really hadn’t done that in college, you know. Much less during my MBA program. Gone on a drinking spree, that is. I was trying to work, to prove to everybody that I could be serious, could be intellectual, could do it. And it worked. Earned two college degrees in four years.” (Yale records confirm that Stanton did earn enough credit hours to make him eligible for two BAs, although he was granted only one, with a triple major in mathematics, history and accounting.) “Which meant I really didn’t do the other things. The human things. I didn’t connect.”

The banana liquor binge did something to help that, as did re-establishing ties with his few friends from Yale, and his family members back in the Hamptons, all of which helped center and stabilize him.

“I went back and watched Tarzan again over and over. I drank. I watched the ocean. I climbed into a few trees. Talked to friends. Sulked, if we’re going to be honest about it.”

At the end of this, he found yet another job at another Wall Street firm. “They were hesitant. Very hesitant. By that time, the story of me and the door had gotten around, and well, I didn’t really have that great of a reputation. Nobody wanted to explain me to an insurance company. But Cutter Holdings thought I might be useful in certain negotiations.”

Useful how?

“Hmm. Er. Well – I think they thought I might intimidate people.”

And did he?

Just at that moment, our finger sandwiches – including a large pile of cream cheese on banana bread – arrive. Stanton’s lips stretch. He swoops up a stack of the sandwiches and crams them into his throat. His hand comes thumping down on the table.

I don’t repeat the question.

After five years at Cutter Holdings, Stanton decided to stake out his own firm. He is legally unable to disclose the terms of his exit from the company, he explains, almost apologetically. I don’t press the issue; a Cutter Holdings spokesperson had said something similar when I was researching this article.

Whatever the circumstances, his exit – and his founding of his new firm – were soon complicated by the unexpected death of his father in what three separate police and a later independent federal investigation determined was absolutely, positively an accident.

That accident is also something I decide not to ask about now; Stanton has just broken a tea cup. It’s swiftly replaced, along with our excellent pot of oolong tea, but still, not the best moment to bring up accidents.

His father’s death left Stanton with a Hampton estate, a waterview home on Palm Island, Miami, and a luxury condo in Aspen, Colorado. Stanton rarely uses the Aspen condo, preferring to lend it out to friends or preferred clients; he doesn’t like the cold. Unlike most other billionaires with Miami homes, he doesn’t own a boat – he reportedly gets seasick – but that cold intolerance does mean that he makes frequent trips to that private estate, startling boaters who see him lounging on his deck.

Both the Hampton estate and the Miami home are, rumor has it, equipped with small hidden jungles under hothouses, where Stanton can retreat from the world and relax. The Hampton estate also contains several large trees which Stanton is rumored to take shelter in, along with several ever-present tablets constantly running different apps and videos. He does not confirm or deny these stories, saying only that watching the sea calms him.

Whatever the three homes – and a Swiss estate purchased just a few years ago – might suggest, Stanton is swift to deny the rumors of women, cocaine, and otherwise high living. “Everyone thinks it’s just like that movie. Wall Street. When the truth is, you just don’t have the time. I’m on my computer, my phone, basically 24/7. You can’t just do this lightly. You have to research. Plan. Calculate. And I’ve got these huge thumbs.”

To help, he’s had specialized keyboards, computer screens and office furniture made to accommodate his bulk and physical limitations. He has six personal assistants to handle “virtually everything” right down to peeling bananas for him – “Living with humans, you learn to dislike the skin. And then, one day, I started calculating just how long I was spending peeling bananas, and I was horrified. Horrified. So it’s a budget thing for me.”

As are several other seeming luxuries: the custom hanging beds in every one of his houses – “I get a bit sick of saying it, but, gorilla –”. Professional masseuses charge additional for gorillas, and the ability to fall asleep immediately is worth millions on its own, Stanton says. The private limousines and drivers – Stanton can drive, but finds most vehicles uncomfortable for his size; getting driven also allows him additional time to speak with clients. The private jet – “Seats are way too small, and I can’t get into those bathrooms, either.” Followed by a short laugh. “And since I own a small percentage of some of those planes – well, damaging those isn’t in my best interest.”

Using a private jet also allows Stanton to avoid most airport security procedures, something not really designed for gorillas. “We have to send out a few warnings in advance – I usually can’t go right through one of those X-Ray machines, for instance, and those new ones – what dy’a call them? The scatter things? You know? Forget it.” He has to be wanded. “Which is fine, but most people aren’t really ready to wand a gorilla, and I just don’t have time for that, you know? Every minute I waste on that is literally one million, easy, gone until I can get back on my phone. At a certain point, you have to look at those millions, and say, enough.”

His tea cup breaks in his hand. A watching waitress is there in an instant, replacing it and offering us a complimentary fresh pot of oolong tea, and assures us that the strawberries and cream and champagne are coming right up, along with more of the banana bread sandwiches – and some additional chicken curry sandwiches for me. I could use the sustenance, and I thank her politely.

A mention of another rumor – that he keeps a small family of gorillas hidden either on his Hampton estate or on a small island in Long Island Sound, depending upon who’s telling the story, complete with a small yet palatial customized jungle – is greeted with a snarl and a mention of his latest major acquisition: a large, near controlling interest in fruit supplier Apes For Fruit. Stanton also refuses to discuss what he eats when not talking to interviewers – a diet said to feature Kobe beef, civet cat coffee, and Hostess Twinkies – or discuss his religion. “Again. Gorilla. We’ll leave it at that.”

We do discuss other things, including his cutthroat reputation for really not liking competition – “I know it gets other folks motivated, but I really really don’t like competition. If there’s too many others after the same thing, either they’re eliminated or I’m out. More often the former –” his rumored upcoming takeover bid of a major media conglomerate – “Really can’t discuss that –” how he chooses his targets – that is, acquisitions – “Research. Research. Research. Sometimes lunch conversations like this –” the layoffs he’s orchestrated – “I’m proud to say that we’ve offered outstanding severance packages to employees who, in the course of events, Stanton Enterprises have determined to be non optimal to the future performance of our assets –” his purchase of six different internet sites focusing on cute animal pictures – “Not ready to discuss where we’re going with that, and it may be a failure – but I can’t resist those things.”

Cute animals?

“The otters get me. Every time.”

We’ve gone through five tea cups and a first round of strawberries before I ask what really, is it like, to be a gorilla working on Wall Street.

His eyes narrow. He pops some strawberries in his mouth before answering.

“It depends.”

Depends?

“On whether or not we’re meeting in person, or via email or phone.”

I stab a strawberry with a fork and gesture at him to keep explaining.

“People I just talk to on the phone, or via text, or email – they know I’m a gorilla, but then again, they don’t know.” He puts the sixth tea cup down. This time it doesn’t break. “People who interact with me in person – well. They know. It’s hard to explain. But there’s a difference.”

And maybe some awkwardness.

“Awkwardness?”

With so many of his fellow – I choke a little on the word – gorillas – remaining either in the jungles, or in zoos.

“Well. Yes.”

He seems to be waiting for a question. I take another sip of champagne.

Does he ever think about them?

“I’ve got a lot of respect for them. They work, you know, 24/7. 24/7. I think that’s something most people don’t appreciate. They go to a zoo, see one of us sleeping there, and they think, yeah, lazy gorilla – but sleeping right there? That’s performing. That’s work. I respect that.”

One of us.

“One of us, yeah.”

Still, it must make it awkward, interacting with people who usually see gorillas in zoos.

“Many of your fellow humans remain in even more degrading conditions.”

It’s a point I can’t deny.

Still. I should pursue this. I remember Stanton’s comment – echoing comments that he’s made to other media – that he really, really doesn’t like competition. I don’t know if that means other business moguls, or other gorillas, or humanity in general. I’ve talked to people: I know this is one of their biggest questions. Is Stanton unique? Or will Wall Street soon by overrun by gorilla billionaires? Is he planning on freeing gorillas from zoos and from their few, swiftly diminishing enclaves in Africa?

If he is planning something – or even contemplating something – it’s probably my responsibility not just as a journalist, but as a human, a Homo sapiens, to find out.

But I also can’t help looking at the pieces of shattered tea cups on the table, or remembering his growl from earlier when I mentioned the rumors of hidden enclaves of gorillas on his estates.

In any case, he’s standing. From the neck down, he almost looks elegant, in his tailored Brooks Brothers suit, now a bit stained from the remains of our tea. If I just look at his chest, I can almost – almost – convince myself he’s human, the way I did when setting up this interview with that so remarkably efficient personal assistant. I look up, at his giant face, now back to the mild expression he wore earlier in the interview, at his large teeth, now red and dripping. From strawberry juice, I remind myself. The interview is clearly over. I stand up and extend my hand, thanking him.

He takes it, but only for the briefest of moments. I wonder if I’ve offended him, tell myself it’s just a gorilla thing. I hope it’s just a gorilla thing. Because – as much as the fragments of china might say otherwise – there’s been a certain thrill to this tea, a thrill I’d like to feel again.

And then he’s off, lumbering past the powerful, the once powerful, and a few stray tourists. Chairs shift out of his path; I fancy I hear small sighs of relief. At the departure of a gorilla, or a Wall Street titan?

Impossible to tell. I don’t try. Instead, I grab my tablet, to start prepping for my next interview – with a name who remarkably didn’t come up in this interview: another multi-billionaire allegedly interested in that same Hollywood conglomerate, a woman who – they say – is really a big, bad wolf. I make reservations at a steakhouse for the two of us, all while wondering just what doors Magot Stanton will break next.


© 2019 by Mari Ness

Author’s Note: Most writers will tell you that Twitter is a distraction – a tempting distraction, but a distraction. And they are right. But every once in awhile Twitter gives me an idea – as here, when a conversation about Tarzan and the apes got me thinking about talking gorillas. I originally had something much sillier in mind – thus the use of the celebrity interview format – but this was the end result. I suppose you can also blame a bad habit of regularly reading celebrity interviews. But sometimes bad habits can lead to something. Sometimes.

Mari Ness lives in central Florida, near a lake filled with hidden alligators. Her fiction has previously appeared in multiple venues, including Tor.com, Clarkesworld, Lightspeed, Fireside, Apex, Nightmare, Daily Science Fiction, and McSweeney’s Internet Tendency. Her poetry novella, Through Immortal Shadows Singing, appeared in 2017 from Papaveria Press. For more, see her occasionally updated blog at marikness.wordpress.com, or follow her on Twitter at mari_ness.


If you enjoyed the story you might also want to visit our Support Page, or read the other story offerings.