GAME REVIEW: Robotron 2084

written by David Steffen

Robotron 2084 was developed by Eugene Jarvis and Larry DeMar of Vid Kidz  and released in 1982. A multi-directional shooter survival game, where the object is to survive in a fight against endless waves of killer robots while rescuing human survivors along the way.

The game uses a dual-joystick movement and shooting scheme that made it easy to share controls with a friend, and featured some major hardware innovations for the time that allowed large numbers of enemies to be animated on the screen at the same time making for exciting fast-paced action. At any given time you are being swarmed by robots for multiple directions and you have to move in any direction to avoid them while firing in any direction as well–the direction of firing is independent of direction of movement, so you can fire in the direction you’re moving, or fire backward, or fire to the side. (This scheme was used for later games like Super Smash TV if it seems familiar).

This game’s dual-joystick independent control also makes it suitable for two players cooperative play–one player per joystick. I played it with kid, for which most 80’s arcade games are way too hard, and together we were better than I was by myself, with me controlling the movement (and really just concentrating on dodging) and them controlling the shooting from the moving.

I played this game for the first time at the Game Changers exhibit at the Science Museum of Minnesota.

Visuals
Not the most detailed, but where this one really shines (for its era) is the number of animated things on the screen at a time!

Audio
Typical for the era.

Challenge
High.

Story
Simple (not unusual for that era).

Session Time
Depends how good you are!

Playability
Simple controlers, with basic direction joystick and directional shooting, but hard to master, it’s hard to do both at once and the challenge ramps up quickly.

Replayability
Not in the usual way I mean, but if you like this kind of game there’s certainly plenty of fun to be had.

Originality
It was a major innovation at the time that has inspired other games since then.

Playtime
I don’t know how long it would take to play all the way through.

Overall
A lot of fun, especially if you get a chance to play it on the arcade console, especially with a friend. I haven’t found a really convenient source to play this game, but it’s had some console ports to SNES among others you might be able to find.

GAME REVIEW: Xevious

written by David Steffen

Xevious is a 1983 vertical-scrolling top-down shooter arcade game published by Namco.

In the game you have two weapons: a laser that fires straight forward that can destroy air targets, and a bomb that fires forward suitable only for land-based targets. As you travel through the level, other flying ships are firing back, as well as ground-based turrets and tanks, reflective obstacles that can only be avoided, as well as boss fights.

I played this game for the first time at the Game Changers exhibit at the Science Museum of Minnesota.

Visuals
Quite good for the era! Much more detailed than some of its contemporaries.

Audio
Typical for the era.

Challenge
High.

Story
Not much story (typical of the era and format).

Session Time
Depends how good you are!

Playability
Simple, apart from it not being immediately obvious that ground forces CAN be destroyed (lasers fire over the top of them and it takes a little trial and error to figure out the bombs). Joystick for movement, and two fire buttons.

Replayability
Not in the usual way I mean, but if you like this kind of game there’s certainly plenty of fun to be had.

Originality
It was a groundbreaking design of this type of its time, so any perceived lack of originality may be because you’ve played other games inspired by it..

Playtime
I don’t know how long it would take to play all the way through.

Overall
This is a fun shooter arcade game if you like classic shooter games this is a solid one from the era. If you want to play it now you can find it on some recent-ish game systems, such as Game Boy Advance on Amazon for $12.

MOVIE REVIEW: Descendants 3

written by David Steffen

Descendants 3 is the third in a series of musical action Disney Channel original movies, and was published on The Disney Channel in August 2019. The kingdom of Auradon is perfect, and populated entirely by Disney movie heroes and their kids (who are somehow all within a few years of each other in age, despite the Disney movies being set in significantly different technological time periods and regions). All of the Disney movie villains and their kids are exiled to the gloomy Isle accessible to only a few, except the few VKs (villain kids) who were allowed out of the island to integrate with Auradon society a few years ago.

Mal (Dove Cameron), daughter of Maleficent, is the most famous of those, since she is dating King Ben (Mitchell Hope), son of Beauty and the Beast. Her VK friends who were released before are Evie (Sofia Carson), daughter of Evil Queen from Snow White (and they never thought of a better name for that character), Carlos (Cameron Boyce, who passed away before the movie was released), the son of Cruella de Ville, and Jay (Booboo Stewart), son of Jafar.

Mal and her friends visit the Isle in an official capacity to pick a few more VKs to integrate into Auradon society. As they’re leaving, the powerful villain Hades (Cheyenne Jackson), attacks Mal with his magical ember, and appears to almost succeed, starting a new panic among the citizens of Auradon who are afraid that they will never be safe, and Mal proposes closing the Isle forever.

Meanwhile, back in Auradon, Audrey (Sarah Jeffery), daughter of Aurora, after years of always feeling second best to Mal, takes this opportunity with so many of the rulers being out of Aurodon to visit the Isle, and steals several magical items from the museum where they’re stored and starts to make her own power play.

The music in this movie was the best of the three yet, and was more varied in style–the other movies went for a kind of uniform pop aesthetic with a bit of a punk flavor (an approximation of it, I should say, it is still the Disney Channel), this one mixed in some different styles like 80s rock ballads.

I found the plot harder to get into than the other ones, because there wasn’t a clear villain. You find out quite early on that Hades is Mal’s dad and it becomes pretty clear that he wasn’t actually trying to kill her when they faced off at the boundary of the Isle. And the conflict about sealing the Isle is so artificial I found it hard to relate to–as Hades points out, he’s not even a regular villain, he is literally the god of the Underworld, they should just let him out and do his Underworlding. And never in all of this do they consider just… finding a way to provide the Isle with more resources to live on. Auradon is the land of plenty, but the villains and their kids are literally starving within their enclosure, and though there are those sympathetic to the VKs, everyone in general blames the villains and their kids when they really seem to just be surviving as best they can in general.

And especially given that Mal was a VK, and knew what it was like to live there, it was very hard to relate to her in this movie, when she decides to close the barrier for good, especially given that it’s her Dad, which she doesn’t really think was trying to kill her, gets in a skirmish with her. It appears that her whole stance on this was set up entirely so that she can have a change of heart to give the story a moral, but at this point, and given her history, the moral is sort of a “duh” moment that she had already reached two movies ago and only reverted for plot purposes.

So, I wouldn’t expect big things from the plot, especially in terms of Mal’s character. The soundtrack is probably the best of the three. And I think this is Cameron Boyce’s last movie if you want to remember him fondly, he passed away at an unusually young age.

DP FICTION #57A: “Consider the Monsters” by Beth Cato

Jakayla crouched in front of her dark closet. She hadn’t turned on the light because that was an awfully rude thing to do when trying to talk to the monster hidden inside.

“You gotta listen to me,” she whispered. “The news is saying really bad things, like rocks are gonna fall out of the sky and a lot of people are gonna die. You can’t stay in my closet. You gotta go to the basement. There’s dark spaces down there for you to hide in. I won’t tell no one you gone there.”

“Jakayla!” She turned to find Grandma leaning into the bedroom. “I got to run to your auntie’s house. The phone network’s down.”

“The phones don’t work?” Jakayla gasped. “Why? I didn’t think anything had fallen yet?”

“Nothing has, yet. Everyone’s trying to talk to everyone on the phone, and the system can’t handle that. Listen, girl.” Grandma waddled forward to cup Jakayla’s face. “We’re going to be just fine, you hear me? Don’t you worry. Just stay here. We’ll have everyone here together in the basement tonight.”

Jakayla nodded, wide-eyed.

“I love you. You be safe.” Grandma took a few deep breaths and planted a quick kiss on her forehead. A moment later, she was gone. The walls shuddered as the front door closed.

Jakayla whirled to face the closet again. “She don’t want me to worry, but I’m not worrying. Grandma wants to save all our family, and I’m trying to save you, too. Just ’cause you’re a monster don’t mean you don’t count.” She paused, head tilted with hope of an answer from her closet. “I can’t wait ’til night for you to talk. Just go to the basement, okay? If you get scared, bring Fluffinator the Stuffed Unicorn from the box right there. She always helps me feel braver.”

Jakayla hurried through the apartment. Grandma’d left on the TV. Jakayla would have gotten yelled at if she did that. A big red “BREAKING NEWS” banner filled the bottom of the screen. One woman talked in front of a big computer-made graphic of Earth with a lot of lines going all over and a whole bunch of colors, words everywhere like “projected impact zone” and “tsunami risk” along with countdown timers.

She knew all about tsunamis because her cousin had this one video game where a tsunami happened. Those scenes had scared her a lot until Grandma told her she shouldn’t worry because they couldn’t even see the water from their apartment.

“Plus, we’ll be in the basement,” Jakayla said to the TV. “Grandma said that’s the safest place to be. It don’t even leak like it used to.”

She rushed onward. Out the sliding door, their tiny backyard held a big pile of black garbage bags. Grandma’d said she’d throw out all Uncle Jerry’s belongings unless he paid what he owed in rent. This was as far as she’d thrown everything. Now weeds grew on some of the bags.

Jakayla nudged a sack with her foot. Further back in the pile, something rattled.  “Hey, monster. I know you won’t come out or talk in daylight. You’re worse than the closet creature like that. But you can hear the television from here, right? You know what’s coming?”

She waited for a reply, because it was a polite thing to do. Somewhere nearby, sirens wailed and dogs howled like bad back-up singers.

“Here’s the thing,” she continued. “I know you got a good home in these bags, but you should come to the basement. I’ll be there with a bunch of people and the closet monster, too. There’s room for you.”

An odd clicking sound caused Jakayla to glance indoors. The living room was dark, the room quiet. “Oh. The power went out. No more TV.” Her voice suddenly sounded high-pitched. Scared. But she had to be brave so the monsters stayed calm. She took a few deep breaths, like Grandma did before she left.

“I need to go,” she told the pile of bags. “I want you to be okay. You live in Uncle Jerry’s trashed stuff, so you’re kinda like family.” A pop-pop-pop sound like fireworks carried from way off in the distance.

How soon until the rocks fell near here? She pictured the map from the news. The news lady had said something about her city being in a red zone. Red was Jakayla’s favorite color, but a red zone didn’t sound so good. That meant she needed to be fast, “lickity-split, zoom-zoom!” like the bird in her favorite cartoon. She had to go to the old church down the block to warn the gargoyles, then dash to the park on Howard Street to tell the shadow in the sewer pipe, then get home, all before Grandma got back.

She ran through the house. First of all, she had to visit the closet again. She hoped the monster there wouldn’t mind if she borrowed Fluffinator the Stuffed Unicorn. She needed her favorite unicorn with her as she warned her other friends about the awful things to come.

The basement would be crowded tonight, with lots of family and monsters, but that was okay. Grandma said they’d all be together. They’d make it through. In the end, that’s what mattered.

 


© 2019 by Beth Cato

 

Author’s Note: I wrote this story as part of a Weekend Warrior flash writing contest on Codex. I don’t recall the exact prompts that inspired this story, but I really wanted to show a child’s compassion in the thick of a terrible crisis.

 

Nebula-nominated Beth Cato is the author of the Clockwork Dagger duology and the Blood of Earth Trilogy from Harper Voyager. She’s a Hanford, California native transplanted to the Arizona desert, where she lives with her husband, son, and requisite cats. Follow her at BethCato.com and on Twitter at @BethCato.

 

 

 

 

 

 

 

 

 


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TV REVIEW: Pushing Daisies Season 2

written by David Steffen

Pushing Daisies was a fantastical and whimsical murder mystery romance show that aired for 2 (both very short, the first one cut short by the writer’s strike) seasons between 2007 and 2009.

Ned (Lee Pace) is a piemaker, who lives a mostly quiet life, but who has a secret ability to reanimate the dead with a touch. If he touches any dead thing (plants, animals, humans, included), then it will come alive again no matter what condition it’s in. If he touches them again, they will be dead forever with no way to raise them again. If he leaves something alive for more than one minute, then some other alive thing in the near vicinity will die, something of a similar level of order of complexity (i.e. a small animal for a small animal, or a human for a human).

Ned didn’t know about this ability until his mother suddenly died when he was a child and he brought her back with a touch, and dead again when she touched him again. And he learned the other part of the rule that same day because his mother stayed alive again long enough to pay the consequence and the father of his best friend and neighbor Charlotte Charles (aka Chuck) (Anna Friel) died as a result, and she moved away to love with her aunts.

Ned has been working on the side to help private detective Emerson Cod (Chi McBride) solve murder cases. Ned’s abilities are very convenient for such a venture, because he can raise the murder victim and ask them some very quick questions before making them dead again, before there are consequences. But one such case (at the beginning of the series) is murdered tourist Charlotte Charles, and Ned doesn’t have the heart to lose her again, so he keeps her alive. They develop a romance, albeit an untraditional one since they can’t touch again on penalty of her death. She feels that she can’t tell her aunts Vivian and Lily (Ellen Greene and Swoosie Kurtz) that she’s alive. Ned feels he must keep his own secret from everyone except Emerson and Chuck, including his only employee, Olive (Kristin Chenoweth).

Despite the extremely dark premise, the show as a whole is relatively lighthearted in tone with odd and whimsical set and costume designs and clever dialog, and much of the show being centered around the awkward romance, and around the banter between Cod and the others. The premise is contrived, but if you overlook that and just look at how it’s used to structure the show, it’s a fun mystery to watch.

The second season, you could tell that the writers were working under threat of cancellation because the arcs are kindof muddied, longer arcs building and then suddenly resolving without much fanfare, and then shorter arcs without much sign of new larger arcs until the end when there’s a hasty wrapup. All in all, I think they did a pretty good job wrapping everything up with how this sort of thing all goes. The whole two seasons is only about the length of a normal season of a show, so it’s not a huge time commitment, but it is a lot of fun to watch.

TABLETOP GAME REVIEW: Sushi Go! Party

written by David Steffen

Sushi Go Party! is a 2016 expansion of the fun and fast-paced strategy point-scoring game Sushi Go! (previously reviewed here). The basic gameplay of the game is the same: each player starts with a hand of cards, plays a card facedown and then flips it over, and passes their hand to the person next to them and rotates. Points are scored at the end of each round except the desserts which are saved until the end for scoring.

Sushi Go Party! takes the solid concept and execution of the original game and simply expands it with more kinds of cards. You still only have the same number of types of cards per game, but you can choose a different set for each game–you choose one roll, three appetizers, two specials, and a dessert (and the reliable-scoring nigiri are always included).

The original game had types that you would get points by collecting more of, collect 3 sashimi for 10 points, 2 tempura for 5 points, more dumplings for more points apiece. But Sushi Go! Party has tofu, for which you get 2 poitns for 1 tofu, 6 points for 2 tofu, but 0 points for 3 or more tofu. Or eel, for which 1 is -3 points, but 2 is worth 7. The specials in particular have more weird varieties, like the menu which lets you look at the next 4 cards in the deck and pick your favorite, or the special order which can mimic any other card you’ve already laid down.

The original Sushi Go! is a great strategy game that keeps itself interesting with the strategy, and Sushi Go Party! just multiplies that. You can change the game significantly by swapping in some different cards, and so there’s even more potential for replay. Great game for all ages.

Audience
All ages who are old enough to be ready for this type of strategy. My 5 year old plays it very well and loves every minute.

Challenge
Can be quite challenging, and can be made more or less challenging by swapping in different card sets to make you think of new strategies for different combinations.

Session Time
You can play a full game in maybe 10-15 minutes, so reasonably quick, if not as quick as some other games.

Replayability
Lots of replayability, your strategies might or might not be rigid, but the variations of the card combinations and the other player’s strategies serve to keep it fresh, and once you’ve figured out a good strategy for a particular set of cards, try a different set.

Originality
Even considering the original Sushi Go! the new sets of cards are a huge expansion of variety and originality.

Overall
A very fun and fast-paced strategy scoring game where chance plays a big enough factor that the best strategist isn’t going to just walk away with a win easily. Suitable for people of all ages, and is a lot of fun. Highly recommended. Only downside compared to the original Sushi Go! is that the other one is a little more compact and easy to set up, because you don’t have to separate out all the cards like you do with this one–so if you’re going to bring it to work to play with friends at lunch or something the original has the advantage of being easy to move and set up.



MOVIE REVIEW: The Secret Life of Pets 2

written by David Steffen

The Secret Life of Pets 2 is a 2019 computer-animated children’s comedy by Universal Pictures and Illumination, the sequel to the first movie from 2016 (which was reviewed here). As with the prior film, the cast of the film are pets living in a New York City apartment building, who venture out into the city to have adventures, unbeknownst to their owners.

This one is about… well, honestly that’s hard to pin down in a quick synopsis, because the cast of characters are plit from each other and having separate adventures for most of the movie. Max (Patton Oswalt, rather than the original actor Louis CK) and his newer dog family member Duke (Eric Stonestreet) are now used to each other, but their life is thrown into turmoil when their owner Katy (Ellie Kemper) gets married and has a baby, Liam (Henry Lynch). Max and Duke are apprehensive about the new member of the family at first, but as the child grows Max in particular grows a very close bond with him . When they take a family trip to relatives in the country, Max has his hands full trying to keep the kid safe in a new environment. Meanwhile, Gidget (Jenny Slate) back at home has been tasked with protecting Max’s favorite toy, and soon has to face a cat lady’s mob of semi-feral cats. And a new cast member, a Shih Tzu named Daisy (Tiffany Haddish) enlists the help of the rabbit Snowball (Kevin Hart), in helping rescue a captive tiger from a traveling circus.

As the synopsis might suggest, this movie is very scattered, which makes it hard to have a coherent read on the thing as a whole, and as a whole it was hard to really care about the stakes. And, the writing is not as good as the first one–the first one’s plot was not particularly good either, but there was better lines that were probably from standup comic. Overall it was pretty forgettable, there are much better kids movies

DP FICTION #56B: “Save the God Damn Pandas” by Anaea Lay

My job? Purity shaming pandas. It’s great. You loom over a living, breathing, talking embodiment of the international fixation on world peace and you shout, “Why won’t you fuck, you lazy motherfucker?” And then you play them some porn.

Okay, it’s not actually like that.

At all.

Really, my job kind of sucks.

*

“You. Purity shame. Pandas?”

The dinner entrées have just arrived. There’s a real wax candle, with fire and everything, on the table. Tinny speakers are playing pretentious string music. Wine which came from some sort of grape a hippie read bedtime stories to every night through the long summer fills our glasses. And my date is judging me. Hard.

“Why would you do that?” she asks.

Her name is Samantha. She’s wearing a red dress which, if we were animals, would mean she wants to get laid. Maybe she did want to get laid, five minutes ago, when all she knew about me was that I ordered the wine made from happy grapes. Now that she knows what I am, I may not make it to dessert. I am in serious trouble. “We have to do something. They’re going extinct.”

She gapes at me. If I made that face, my mother would be all ‘Don’t do that, Jason, you look like a carp. Are you a carp?” I don’t know much about carp. My job is pandas. “Can’t you use artificial insemination or something?”

Because that’s better. The pandas won’t even fuck, but how do you think momma panda is going to feel when a few weeks after she has a weird close encounter with a zookeeper she finds out she’s in the family way. Shit like that is where alien abduction stories come from, but the minute a cuddly furball with good PR is involved, the public is all over it. “Some of us think that wouldn’t be the best for Fen Fen’s mental health.”

Samantha is not following.

“Gestation and the eventual cubs have better outcomes if the mother agreed to the act that led to the pregnancy. We’re pretty sure Fen Fen would get very depressed if we inseminated her. She’s basically said as much. So we’re counting on Lan Lan to work some panda seduction.”

I clearly should have brought worms to my date, because I spent the rest of the main course trying to pry conversation from a carp. And no, dessert did not happen.

*

It was hard enough to get those fuzzy fuckers to breed before they could talk. But some jackass had the bright idea that if we used these new neural implant things that had been developed for stroke patients, we could give panda bears the ability to speak and we could explain the gravity of their lack of gravidity. Also, they were hoping for insights into the deep wisdom of the panda, or something.

What they got was Lan Lan the fat ass complaining about the tenderness of the bamboo we feed him, and Fen Fen the would be career woman with a penchant for writing memoir. Meanwhile I, Jason Constans, the Breeding Encouragement Specialist assigned to the fat ass, am basically a glorified sex therapist turned pimp.

So yes, I spend most of my working hours wanting to punch a panda in the face. That is not unreasonable.

*

“Sorry, man,” Cory, my roommate and best bud from way back in our collegiate days, says when I collapsed on our couch. “Bad date?”

I give the universal primate grunt of utter defeat.

“Was it her, or you?”

“Lan fucking Lan. It’s not enough for that celibate bastard to take down his whole species. He’s wrecking my life, too.”

Cory hands me a beer as he plops down on the couch next to me. We’ve had that couch since our first place, senior year of college. It’s part of the family. “Just don’t tell them what you do. You don’t have to open with the pandas-not-fucking thing.”

“It’ll come out eventually and then I’ll have another Rachel. I can’t do another Rachel, man.” Broke my heart. We were engaged. I was living the dream, ready for the picket fence and 2.5 kids and all of it. But she just had to meet Lan Lan, and what kind of monster has daily access to those cute! adorable! overgrown raccoons and won’t hook his fiancée up with an interview? Ten minutes of conversation with Lan Lan, and I was one sad sack of a dumped Breeding Encouragement Specialist.

Actually, it’s unfair to raccoons to compare pandas to them. Raccoons are ambitious little fuckers, and they can sense light with their hands. That is bad ass. Fen Fen’s incisive memoir aside, pandas are useless.

Cory takes a swig from his beer. “They won’t all turn out to be Rachel.”

“I was with her for two years. I can’t waste two years again. I’m getting old. My biological clock is ticking. If they aren’t going to survive finding out they’re dating a panda pimp, I need to get them out of the way in a hurry and look for the one who will.”

“Michael liked that I live with a panda pimp.”

“Michael was a nutcase, as evidenced by his idiotic life choices, first in dating you, then in not dating you.” I glance at Cory to see how he’s taking the ribbing. It’s only been a couple weeks since he and Mike broke up, and I’m pretty sure we’re to the teasing and ragging on the ex stage, but I haven’t tested it out yet.

Cory rolls his eyes and punches me in the arm. I called it right.

“Maybe we should go out and look for dates. Right now. You’re getting old, too. We are on the road to becoming the dude version of platonic cat lady roommates.”

He grimaces. “There’s nothing wrong with cat ladies, and I’ve got work in the morning.”

I do, too, but I’m not looking forward to it.

*

The problem with pandas, aside from everything, is all that bamboo. They’re bears who eat grass. Bears. Eating woody grass. Think about that for a minute. It’s basically the same as if we decided to subsist entirely on popcorn and stuck to it so hard that after a few generations our gut bacteria went, “Okay, fine, I guess we’ll do something with this, but you’re never going to be happy about it,” and so we were tired, sleepy, useless fucks all the time. But damn if we don’t like popcorn so much that we’re not going to bother looking for anything else. Yum, popcorn.

Do not talk to me about the nobility and enlightenment implied by an essentially carnivorous species going vegan so hard they subsist on glorified grass. I don’t care how eloquently Fen Fen writes about it. That is shit. And I would know; I’ve scooped plenty of her shit in my time.

*

The day after Samantha’s aborted red dress, I do my zombie strut into the panda enclosure at my usual cheery dawn-o-clock in the morning, quadruple mocha caramel caffeine fest clutched in my hands. Everything is soft and quiet like things are when the sun hasn’t even bothered to crawl its ass out of bed yet. Lan Lan, the fuzzy mother fucker, is curled up in his custom designed rock cave built by some Swedish company that specializes in harmonizing Feng Shui principles with Scandinavian minimalism, all while authentically replicating nature. What that means is that the cave is made out of stones that were very precisely cut and fit together like an Ikea jigsaw castle, and somebody apologized to the rock the whole time they shaped it.

I’m still tetchy about the date with Samantha, so I don’t hesitate before firing up the projector and starting the day’s therapy right then and there. The enclosure is immediately transformed from a finely honed replica of perfectly balanced authentic nature, into an immersive theater experience. In this particular case, we’re immersed in a very authentic replica of Antarctic winter. The cave is overlaid with images of a wall of emperor penguins squinting against the wind and huddling together like the paragons of bad ass dedicated fatherhood they are.

Lan Lan opens one eye and harrumphs. “Bad date?”

“She wore red.”

“Then you should be more cheerful.”

“I would, except you ruined it again.”

“You could quit your job,” Lan Lan says. He’s said that before.

“Then I’d be the guy who walked away and let the glorious panda go extinct. That’s not going to win me any blushing brides, either.”

“You’re perverse.” Then he closes his eye and goes back to sleep. I’m tempted to have them install industrial fans so we can blast him with a fraction of the Antarctic winter. Or maybe we could give an emperor penguin the neuro-enhancement hardware we’d installed in Lan Lan and Fen Fen and let a real, dedicated member of a popular and thriving species talk some sense into our pig-headed mascots of peace.

I sip at my liquid confection, waiting for the sugar to hit and make me jittery, as I watch the movie. After twenty minutes we get to my favorite part, when the wind eases up and the sun breaks through. All the dads turn their tuxedo faces up and blink at the light. They look so god damned bewildered, like they’ve gotten into the groove of hellacious winter misery and had forgotten it was going to end. “Oh, right, spring! That’s a thing,” their beady little eyes say.

Then the penguin moms come swimming in from the ocean and waddle across the ice and dad gets his first meal in six months and falls over exhausted and they’ve got their little chick and it’s like the perfect triumph of the nuclear family on the world’s largest desert and the sugar finally hits which is the only reason my eyes got misty even though I’ve seen this movie something like five hundred times.

“Have you ever considered that I’m not the one who needs therapy?” Lan Lan asks, his voice rumbling through his chest because he doesn’t even bother to move his face from where he’s buried it in his paws. Parents would shit diamonds to let their kids see that pose this close. They deserve hemorrhoids.

“Do you see what they go through? And that’s just for one egg. You guys usually get twins out of the deal. Why is this so hard for you to get behind?”

“I’m not the family type. And neither is Fen Fen. There’s not enough penguin footage in the world to change that.”

“As far as we can tell, there isn’t a single member of your species who is the family type.”

“So we go extinct. Big fucking deal.” His butt waggles as he shifts to get more comfortable.

“You are the living, breathing embodiment of the symbol of peace. We can’t let that go extinct. What would that say about us?”

The long silence Lan Lan answers me with might be commentary if I didn’t know he was too lazy to work up the effort necessary to judge us. At long last he grumbles, “Make the penguins your symbol of peace.”

*

The dick thing about Michael and Cory splitting is that Cory wants to settle down and have kids as much as I do. I was honestly getting a bit jealous of him because it looked like Michael was going to be the one. My consolation was that I could be the weird straight uncle, like maybe Cory’s kids could be methadone to my raging paternal instincts or something. Dude has seriously let me down by letting that relationship fall apart.

*

“Bad day at work?” Cory asks when I got home. He’s already offering me a beer. All he needs is a string of pearls and he’d be a queer-guy Mrs. Beaver.

“I got sniffly over the penguins again.”

He sighs, withdraws the offered beer long enough to take the top off for me, then hands it back.

“Thanks,” I say, and take a long swallow. Then, “Is it cool if Kim comes over? We want to have a work confab thing, but keep it casual.” Kim is Fen Fen’s assigned Breeding Encouragement Specialist. Super sweet, with three-year-old twin girls who are constantly doing adorable things that get posted to Kim’s Facebook page. She was married before she got the job and her approach so far consists mostly of being utterly and jealousy-inducingly happy for all the world to see. She doesn’t seem bothered that Fen Fen isn’t getting the hint.

“Panda pimps unite?”

“If you cook for us, we’ll let you have one of the team T-shirts.”

“Deal.”

Cory does mysterious things to food objects in the kitchen while I bust ass cleaning up the apartment to make it presentable for company. Kim shows up with a bottle of wine and a loaf of bread.

We uncork the bottle right away and she and I hover near the kitchen island while Cory works. The bottle is nearly defeated, and Cory is serving something gloopy that smells like garlic and obesity when Kim gently steers the conversation toward work. “No, I’m serious. Fen Fen really has something good going on. She’s going to be a star.”

“A stand up panda act?” Cory asks as he grinds black pepper over the bowls. “Don’t they only have one punchline?”

“Exactly!” Kim says. “But she uses it really well. Even Jason will like this one.” She nudges me in the ribs to make sure I’m braced for it. “What does the female panda say when her sex therapist asks why she has low expectations for intercourse?”

I wince and bury my face in my hands.

Cory snickers. “Because he just eats, shoots, and leaves.”

“See. Brilliant!” Kim and Cory chortle.

I give the primal ape groan of abject despair. “You’re encouraging her.”

“Of course I am,” Kim says. “She’ll come around in her own time. And when she does, I want to make sure she’s as happy and fulfilled as she can be. That will lead to the best outcomes.”

“Don’t mind him,” Cory says as he hands Kim a bowl. “He’s bitter because he struck out at dinner last night.”

*

Kim waits until dessert to break the news that she and her husband are trying to get pregnant again. Twenty minutes later I’m on the couch trying not to bawl while Cory sees her out. He brings me an extra slice of Marie Callender’s calories-in-lieu-of-happiness pie, puts the plate on my knee, then sits down at my side. “You’ve got to get a handle on this.”

“I’m sorry. I know. It’s just…I’ve always wanted kids and the whole world has always been telling me I’m not supposed to care and even my job is telling me that but Kim’s just, whatever, guess I’ll have another one. It’s not fair. I feel like I’m running out of time.”

Cory picks up the fork from the plate, opens my hand, then manually closes my fingers around the fork. “Shut up. Shovel pie into your mouth until I’m done talking.”

I raise an eyebrow at him, but take a bite of the pie.

“Michael and I split up – ”

“Because he’s an idiot,” I jump in to say. Cory stabs a threatening finger toward my pie. I shut up and take another bite.

“We split up because he wasn’t ready to settle down and I was tired of waiting for him.”

I…hadn’t known that part of it. “Oh, man, I’m sorry. You didn’t say – ” I stop when he slaps the back of my head. A brotherly slap, not a domestic abuse slap. A hey-dipshit-you’re-supposed-to-be-eating slap.

“I’m sick of waiting around for you, too. Catch up to the 21st century. Let’s have a baby.”

It’s a really good thing I don’t follow instructions well, because otherwise I’d be strangling on a bite of Marie Callender. “I’m not gay.”

“I wasn’t planning to get you pregnant. We’ve been living together forever, we throw a mean dinner party on short notice, and we both want kids. Either you can wake up and face the facts, or you can keep getting weepy about penguins. Your call, but I’m done living with a mopey sex-pusher.”

I take a moment with that.

Cory takes my hand, steers the fork to scoop up a piece of pie, then delivers it to my mouth. Which is hanging open. Apparently I learned carp impersonation from Samantha.

“Our kids don’t get to play football. Concussions are serious bad news.”

“Fair deal,” Cory agrees.

*

So, adopting has a fuck-ton of paperwork and takes forever. At the rate we’re going, we could have gestated a baby elephant. But whatever. We’ve got it. It’s not like we’re balancing an egg on our feet all winter.

I still want to give Lan Lan a black eye more often than not, but I’ve switched him over to some great footage of seahorse dads. It’s kind of peaceful to watch them bouncing along in the water.

Fen Fen’s got a Facebook page now to support her self-published memoir, so she’s getting inundated with the photos of Kim’s twins and her ecstatic baby bump updates. Cory and I are trying to keep pace by posting selfies with stacks of paperwork, but it’s not quite the same. Not going to lie, though; it’s still fucking awesome.

The new strategy for Team Panda Pimp is to conspicuously have so much fun, Fen Fen breaks down and asks for insemination, if nothing else, to get material for her next memoir. It might even work. The international symbol of world peace won’t lift a paw to save itself from extinction, but humanity will bend over backward to perform test tube miracles on their behalf. There’s got to be some inspiring symbolism in there somewhere.

And it really hammers home Cory’s point: fucking is not required to make a family.


© 2019 by Anaea Lay

Author’s Note:One of my very good friends is extremely frustrated by pandas, to the point where he’ll happily go on at length about what a waste of space they are, and how we ought to let them go extinct.  Frankly, he has a point.  I was thinking about him while watching a documentary on emperor penguins, one thing led to another, and here we are.  This story was more on than I realized though, as demonstrated by a pair of would-be penguin dads in Berlin.

Anaea Lay lives in Chicago, Illinois where she is engaged in a torrid love affair with the city.

She’s the fiction podcast editor for Strange Horizons, where you can hear her read a new short story nearly every week.  She’s the president of the Dream Foundry, an organization dedicating to bolstering and nurturing the careers of nascent professionals working with the speculative arts.

Her fiction work has appeared in a variety of venues including LightspeedApexBeneath Ceaseless Skies, and Pod Castle.  Her interactive novel, Gilded Rails, was released by Choice of Games in 2018.  She lives online at anaealay.com where you can find a complete biography and her blog.  Follow her on Twitter @anaealay.


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The Horowitz Method: A Metrics-Based Approach to Rank-Ordering Musical Groups

written by David Steffen (and no one else, alas)

INTRODUCTION

Since time immemorial, one of the perennial topics of humankind has been to compare music.  Whether pop is better than country, whether this band is better than that band, or this song better than that song.  Before the invention of writing, one can imagine heated arguments about who was the best drummer.

(ANGELICA, if you’re reading this, I’m sorry. For everything. But most of all I’m especially sorry for taking what we had for granted. Don’t worry, the parts that are bold-and-italicized are only visible to you, keyed off of your IP address. I can only hope that even though you’ve changed your number and email address that you might have left this one thing unchanged. I know you would be mortified if this were public, and wouldn’t hear the end of it from Maurice. I wouldn’t do that to you!)

Arguments are powerful things.  Relationships have formed and relationships have ended over this subject matter (because some of us become complete assholes on the topic and don’t think about other people), and we believe that many relationships can be saved if we can apply some elements of scientific rigor.  The subject matter as it has been historically framed is inherently too subjective and therefore is a breeding ground for disputes and hard feelings.  Even scientists, we who pride ourselves on being able to set aside our emotions and think rationally, have been known to make this mistake, though we of all people should know better. 

We posit that our mistake has been rushing into the discussion without agreeing upon criteria (and also about using absolute statements in combination with invectives, statements like “Anyone who likes 98 Degrees more than The Four Seasons is a complete @*&@#$ @#*@! have no place in a laboratory”. I was not lying, but I should have considered your feelings. I didn’t know how hard you would take that until you replied to say that One Direction was better than Third Eye Blind. That still stings.), and so have entered the debate in bad faith with the conclusion in mind ahead of the evidence.  We considered what criteria might be used for the judging of musical bands.  As with the objective comparison of so many other types of subject matter, we have come to the conclusion that the answer lies in mathematics.  When we sent Voyager to journey beyond our solar system, we wrote our message to the universe in the languages of music and mathematics.  If it’s good enough for aliens, it’s good enough for resolving disputes with our fellow music-loving humans. (I would send you a gold record!)

PROPOSAL

Therefore, I propose The Horowitz Method (I hope you’re not upset that I named it after you. I know it’s traditional for the founder/inventor of a scientific method or discovery to be its namesake, and while you didn’t propose the method nor write this article to propose it to the public, I wanted to acknowledge the role that you played in its instantiation. You are the best research partner that I’ve ever had, so rigorous and well-spoken and hilarious when you want to be, and while yes I have at times been jealous of your success, that success was earned and anyone is lucky to work with you. I also admit that another factor in choosing your name was that I hoped you would hear about the proposed method via mutual colleagues and would be curious enough to visit this page where you could read these messages. If you’re upset about the naming, I promise I am willing to change it), an objective method of rank-ordering musical groups in a metric-based approach that is thus subject to peer review.


But what mathematical measure?  If we were talking about comparing one song with another, it might be easier, for the music itself is inherently mathematical–meter, tempo, time, number of notes, pitches.  But a single musical group could have any number of songs, and the number could grow every day–what particular songs would one use to judge a group?  Their newest?  The whole body of their work?  And some bands release songs so regularly that any conclusion drawn would have to be re-examined very frequently. And that’s not even to speak about what particular measure to use which, we know from personal experience, becomes a dispute of its own.

No, if we are going to compare musical groups and expect a somewhat stable outcome, we must not compare their songs, we must compare traits of the group themselves.  The genre?  The style?  Again, too subjective, one could argue that a group is one or another or maybe both or something entirely new.  We need to focus in on something entirely indisputable. 

The band name.  (Please hear me out and look at the data. And I look forward to seeing your refutation in a prestigious journal instead of publishing it on your own site)

And, in order to apply mathematical rigor to it, the dataset we will work with will be band names with numbers in them. (yeah, I know, but I figured we had to start somewhere)

“My favorite musical group doesn’t have a number in it,” (Black-Eyed Peas) some of you are declaring at this very moment (Faust, Lionel Richie, Adele).  Then take heart in knowing that your favorite band is incomparable, in the mathematical sense.  If you want to compare your group with others, I’m afraid you’re out of luck, at least for the time being.  You may as well try compare (8/0) to (10/0), or compare a walrus to a the clock speed of Pentium processor, or a raven to a writing desk, the question inherently has no meaning, and if you don’t like the system, propose an alternative. (I dare you. You know you want to!)

By using a mathematical system, we can define and rank and draw some mathematical conclusions about the dataset.  This system doesn’t define which band is the “best” because that is an inherently subjective concept, but it does define which is the GREATEST, mathematically speaking. (That’s right, that’s how sorry I am, I am resorting to PUNS . In PUBLIC. May the Flying Spaghetti Monster forgive me. )

CORNER CASES

Even in something so simple as numerical ordering, there were some corner cases that are worth noting, especially when other researchers consider peer review.

Only groups that had a number clearly as part of the name were included in the dataset. Groups that clearly had numerical etymology but did not contain what we would recognize as the word we commonly use for the number were not included. This excluded, for instance, Pentatonix, which was a corner case in itself, but if we included root words then we felt it would have to include any other names that include root words, which might not always be easy to determine in every word that it may not be common knowledge that they are numerically based, such as “quarantine”.

But a number may be part of a larger word and still be included as long as the number itself is clearly visible and appears to clearly refer to the number. So, Sixpence None the Richer was included as the number 6 and Oneohtrix Point Never was included as the number 1, but Bone Thugs and Harmony was not included because “Bone” clearly is not meant to refer to the number “one” even though it contains the letter sequence.

At first, ordinal were included, like Third Eye Blind, as its integer number (in this case, 3). But, after considering the earlier decisions about not allowing words with number etymology in them, this seemed inconsistent with that. In an attempt at greater consistency, these were still included in the dataset, but as fractions whenever the word was correct–so Third Eye Blind was included as 1/3 rather than as 3. We expect that this will be a point of contention in peer review and we welcome the debate. (Note that I didn’t do this just so that One Direction would be greater than Third Eye Blind, and how dare you suggest I would undermine my own scientific integrity)

Roman numerals were included, but only when the numeral clearly referred to a number. So, King’s X was excluded even though the X might be considered a 10, because that doesn’t appear to be how it’s used. But Boyz II Men was included, because it is spoken as the number representation, rather than being pronounced “Boyz Eye Eye Men”.

Musical groups with more than one number in their name, like The 5,6,7,8’s, or Seven Mary Three, were treated as a dataset, included once for each number. This means that Seven Mary Three is both greater than and less than The Four Tops.

STATISTICAL RESULTS

Many of the results of this dataset are illustrative of the problems inherent in trying to summarize a dataset with extreme outliers. At the same time, the usual methods for excluding outliers seemed inappropriate for this particular application, because if we are to determine which band is greater than another, but exclude the greatest bands in the dataset, this would undermine. Note that, among other things, this means that the GREATEST band is also the ONLY band that’s above average.

The Greatest (Maximum): Six Billion Monkeys

The Least (Minimum): Minus Five

Average: 28,846,316.88

Standard Deviation: 416,025,135.8

Median: 5 (see data list below to see the bands with value 5)

Mode: 3

Again, note how the average and standard deviation in particular were skewed very high by the high outliers in the dataset, particularly the number of 6,000,000,000, when the majority of the rest of the numbers were less than 100.

HISTOGRAM

While the dataset as a whole is very spread out to make a displayable histogram, since 90% of the datapoints are between the values of 0 and 100, that a histogram of the data within this range could be interesting.

FURTHER STUDY

If this measure were widely adopted, it is possible that it would have the consequence of encouraging musical groups to be more likely to pick names with numbers in them, or to add numbers to existing names. We see this as a positive result in itself, though it could make future results require more peer reviews as bands try to pick the greatest number to improve their placement, which may bias the data.

Although we explicitly avoided ranking individual songs here, the same method has potential for that as well as albums or movie titles or books (i.e. 1984 is greater than Slaughterhouse Five) or really anything else that has titles that might include numbers in them.

(And the most important under the topic of further study is whether you will see this as the olive branch it is meant to be. My research is lesser without you, and I hope you feel the same way about me. You know how to reach me, and I hope you do contact me. Most of all, and you know that I’m not good at the touchy-feely stuff, is that I miss you as a person. You are an incredible human being.)

THE DATA

Here is a list of the complete set of datapoints used in this study. While this is meant to be as complete a list as possible, it is recognized that this is likely not a comprehensive list, as with the Internet publishing where it is it can be hard to define whether a band is a band or not–i.e. what if there is a musical YouTube channel with a numerical username, or what if someone self-publishes a CD on their own website that no one has heard of. Further studies can propose methods of defining what exact musical groups should be included and which ones should not.

Six Billion Monkeys
10,000 Maniacs
Powerman 5000 (Yeah, I know, but numbers don’t lie)
Andre 3000
B2K
Death From Above 1979
The 1975
1349
1000 Homo DJs
999
MC 900 Foot Jesus
702
Galaxie 500
Appollo 440
311
Front 242
Blink 182
112
Zuco 103
The 101ers
100 Flowers
Haircut One Hundred
Ho99o9
98 Degrees
Old 97’s
Revenge 88
Combat 84
M83
Link 80
EA80
Seun Kuti & Fela’s Egypt 80
Resistance 77
JJ72
SR-71
69 Eyes
Sham 69
65daysofstatic
Eiffel 65
The Dead 60s
Ol ’55
2:54
The B-52’s
50 Cent
45 Grave
Loaded 44
*44
June of 44
Level 42
Sum 41
UB40
E-40
38
36 Crazyfists
Thirty Seconds To Mars
Apartment 26
Section 25
23 Skidoo
22-Pistepirkko
Catch 22
Twenty One Pilots
Matchbox Twenty
East 17
Heaven 17
16 Horsepower
13 & God
Thirteen Senses
13 Enginers
Thirteen Senses
d12
12 Stones
Finger Eleven
T-11
Ten Seconds Over Tokyo
Ten Years After
10cc
10 Years
Nine Inch Nails
Sound Tribe Sector 9
Ho99o9
The 5,6,7,8’s
DT8
The 5,6,7,8’s
Seven Mary Three
Zero 7
School of Seven Bells
Avenged Sevenfold
School of Seven Bells
L7
7 Seconds
7 Year Bitch
Shed Seven
The 5,6,7,8’s
Six Organs of Admittance
Slow Six
Appollonia 6
Eve 6
Sixpence None the Richer
Three Six Mafia
Sixx:AM
Six Feet Under
Nikki Sixx
Vanity 6
V6
Delta 5
The 5,6,7,8’s
Five
Pizzicato Five
Five Finger Death Punch
Maroon 5
Five Iron Frenzy
Ben Folds Five
The Jackson Five
MC5
Family Force 5
US5
Dave Clark Five
Section 5
B5
Count Five
5 Seconds of Summer
Grandmaster Flash and the Furious Five
Jurassic 5
John 5
We Five
The Five Satins
five star
Gang of Four
Four Tet
The Four Seasons
The Four Tops
The Brothers Four
The 4-Skins
The Four Pennies
The Fourmost
4 Non Blondes
4 Jacks and a Jill
Funky 4*1
Unit 4 + 2
The Three O’Clock
Dirty Three
Fun Boy Three
Seven Mary Three
3 Leg Torso
Bike For Three!
Three Mile Pilot
Dirty Three
Mojave 3
Opus III
Alabama 3
Three Dog Night
Three Doors Down
3 Mustaphas 3
3 Mustaphas 3
Three Six Mafia
Three Days Grace
3LW
The Three Degrees
Spacemen 3
Timbuk 3
The Juliana Hatfield Three
3T
Fun Boy Three
The Big Three
3 Colours Red
Secret Chiefs 3
Two and a Half Brains
Boyz II Men
Two Gallants
U2 (Sorry Bono)
Soul II Soul
Two Door Cinema Club
The Other Two
Aztec Two-Step
M2M
Two Man Sound
2 Live Crew
Unit 4 + 2
2 Chainz
Secondhand Serenade
2 Minutos
1-2 Trio
2wo
RJD2
The Other Two
2:54
Faith + 1
Oneohtrix Point Never
Doseone
One Republic
One Night Only
One Direction
KRS-1
The Only Ones
The Lively Ones
Funky 4*1
1-2 Trio
One Dove
Third Eye Blind
Third Ear Band
The Sixths
Eleventh Dream Day
13th Floor Elevators
Zero 7
Remy Zero
Edward Sharp and the Magnetic Zeros
Authority Zero
Zero Boys
The Minus Five

TV REVIEW: Castle Rock Season 1

written by David Steffen

Castle Rock is a horror/fantasy drama series based in one of the common fictional locations and with some of the fictional characters of Stephen King’s novels. Season 1 aired in 2018, and a second season is upcoming later this month. You may recognize the town if you’ve read the books: Cujo, Needful Things, or others.

Dale Lacy (Terry O’Quinn), warden of Shawshank prison in Castle Rock, Maine, commits suicide in an unsual and graphic fashion the day of his retirement. Soon after, a dark secret kept by Lacy is revealed–he has been keeping a young man (Bill Skarsgård) in a steel cage in an alcove of the prison that no one else knew about. The young man won’t give his name, and won’t say anything but “Henry Deaver”.

So they call Henry Deaver (André Holland), who grew up in Castle Rock and is now working in Texas as a lawyer for death row innmates. He has been a sort of local celebrity since he was a kid, when he disappeared with his father when the temperature was below zero. His father (Adam Rothenberg) was found shortly after that, injured in a fall from a cliff onto a frozen lake, but Henry wasn’t found until eleven days later, with no explanation for his whereabouts. Most of the townspeople decided Henry had attempted to kill his father; part of the reason he left the town was to get away from the accusatory glares of the locals.

Henry travels all the way to Castle Rock only to find that the new warden denies the existence of the man who asked for him. The situations just gets weirder and weirder as new details of the case come to light, and in usual Stephen King fashion, it’s hard to tell what’s real and what’s not.