TV REVIEW: The Handmaid’s Tale Season 3

written by David Steffen

The Handmaid’s Tale is a TV show presented on the Hulu streaming service, based on the 1984 Margaret Atwood novel of the same name, which was previously reviewed here, about a near-future dystopia in which the USA has become an extremely oppressive theocracy in which women are second-class citizens, especially the handmaids who are little more than breeding stock. Season three aired on Netflix in 2019 (season 1 was reviewed here, and season 2 here).

Season 2 ended with June (Elisabeth Moss) having her baby after escaping from her servitude and living on the run for some time, with the help of the baby’s probable father Nick (Max Minghella), but only enjoyed her motherhood for minutes before being taken again with her baby. But, after being forced back into her role as handmaid she had the opportunity to smuggle the newborn baby away and she took it, and the season ended with the baby being smuggled out, even with the assistance of Serena (Yvonee Strahovski) who would have legally been the mother of the baby by the laws of Gilead.

In season three, June soon comes to terms with the fact that she won’t be able to smuggle her first daughter Hannah out of Gilead. But she is not going to just lie down and take it. She still serves under Joseph which gives her more opportunity than other handmaids–he is more lenient on many of the rules of how they’re supposed to behave, and June is determined to take advantage of.

This season felt like a marked change in the course of the series, from a scenario where the women are just trying to survive from day to day to a scenario where the women are uniting to fight back in a huge way. I feel like that was made possible in aprt by reducing some of the restrictions on them (which seems less plausible given June’s disappearance and reappearance).

It is an excellent addition to the series, and well worth seeing.

DP FICTION #56A: “Tracing an Original Thought” by Novae Caelum

It’s like this: if the world has a food shortage, you eliminate hunger by leaving the planet, taking all your animals and plants in your genetic ark, and finding a new planet on which to grow and flourish.

It’s also like this: if the world has a distribution of wealth crisis, you eliminate poverty by never having elites in your new society. At least for a little while. At least, that was the plan.

And if the world has a gender crisis, an inability for equality, you eliminate gender.

You eliminate sex. The need for physical reproduction. Genetic disease. Gender politics.

You eliminate.

And then maybe you’d live in Arioth, city under the vast hanging visage of a ringed gas giant, black towers that reach for the stars, portal tubes flicking citizens from building top to street corner to corner office.

*

I’m not one of the elites. They lounge in their penthouses, looking down at their domains, moving the tides of originality. They own the artisans, the writers, the thinkers, the scientists—the hearts, the minds, the souls—all valuable trade commodities. Original thoughts, a groundbreaking currency. The first time you have an original thought, you’re a slave of the elites for life.

I decided long ago to never have an original thought. Which is why I became a tracer, hunting the original thinkers who have the very unoriginal idea of running away from their fates.

On a dingy street corner smelling of rotten garbage, where red marks mottled the concrete from the last clearing of a shack village, I pulled my phone out of my pocket, flipping up the eight-centimeter cylinder to activate the holographic display. It unfolded with a cheery chime and showed me a map of the city district in blue lines to the edge of the biodome, which was about a half kilometer from where I was standing.

It also showed me the path my target had taken, a haphazard red weave through streets and alleyways. Did they think they could lose me? Everyone in Arioth was genetically tagged since before emergence. Every child, traceable in every way since the time cells hit cells and became more cells, replicating in the gestation pods. You couldn’t run, not as a toddler, not as an adult. Tracers didn’t have to have original thoughts, because the most strenuous part about being a tracer was the violence, not the tracing itself.

Except.

I scrolled the holo to follow my target’s trail, but it went to a street corner in a particularly seedy district and stopped. I stared at the red dot on my display. It wasn’t blinking as it should have been. And it wasn’t white like it would have been if they’d died. Just solid red staring back at me, like they’d stopped themself somewhere between life and death. That little dot with the name “Emin 4892” beside it.

I’d been a tracer for six years, and I’d never seen a dot do that.

I slapped my phone against my neatly pressed jeans, hoping to jolt out any malfunction. The tracer department was not a department that had a lot of originality, and therefore not a lot of chance for technical upgrades. This phone was at least ten years old and buggy as hell.

The red dot remained, though.

I sighed, shoving down my growing unease. I’d have to investigate—following procedures, of course. Not with anything like original thought.

*

I had my personal numbers and stats in my vision at all times, eyes opened or closed. Everyone did. We saw our names—mine was “Gin 8381.” We saw our physical attributes—cropped brown hair, mid-brown skin, green eyes. Average height, below average weight. We saw our vitals—fit and healthy. We saw, when we were adults, when it was time to visit a clinic and let them harvest cells for the production of the next generation of creche children. We saw alerts from the elites. We saw traffic routing, job assignments based on genetics and aptitudes, and alerts on where to take our daily meals. Everything pertaining to personal, daily life.

And on the left side of my vision, always in movement, was the red to green bar of original thought.

The theory was that if you had an original thought, you would be elevated. You would have a chance, if the thought was original enough, and if you had enough of them, to become an elite. Or at least work under the elites, a few steps higher than you had been.

Some people strove for original thoughts. Their slavery was swift and usually unknowing. They’d lose themselves into their dream worlds and never know how many trade empires depended on their originality.

Some tried hard not to have original thoughts but had them accidentally. Those slaves went fighting and screaming into their elevated exiles.

But most people, from an early age, learned to manage the level of their originality bars. Keep it above red—where you’d be kicked to the streets as genetic chaff—but below yellow-green. If you could hold a steady yellow-orange, you’d have a nice, ordinary, productive life. No great upheavals. No great risks, no great rewards.

*

My originality bar was steady in its usual yellow-orange as I trekked through the litter-strewn streets. A rain had been scheduled for earlier that day, and my boots made soft splashes in black puddles. I’d known the rain was over when I’d come out, but I’d worn my brown duster with its weather-proof coating anyway, because I liked it.

There were no portal tubes in this district, and auto cabs wouldn’t come here, so I had to walk. People would strip both portals and cabs for the metals and resell the parts. That thought was hardly original.

I went through memorized procedures over and over in my mind, a numb and soothing counterpoint to a rising anxiety. My left hand played with the cool metal of my phone in my pocket, a nervous habit I’d never tried to break. I had a sour feeling in my stomach, something that rarely happened on a trace. Tracing was usually as simple as finding the target and bringing them in. Give or take a few bruises or tase gun singes.

But as I neared the place where my target had stopped and saw the sign above the grimy storefront glass, my unease grew.

It was a cuddle shop. There were hundreds of them around the city. If you didn’t have a domestic partner or two, or if you were desperate enough for human contact, you could find it here.

I’d been to some of the middle-class facilities—called Human Contact Therapy there—I wasn’t a recluse. But everyone who was sane stayed away from shops in districts like this. Places like this, people found ways to piece together originality without ever having a full original idea on their own. How to build illicit tech to simulate nerves and responses that were no longer in the human genetic code. Because humans had apparently not out-evolved the need for sex, despite the lack of equipment for it or the stability of a truly sexless society. Which was ridiculous. Genetics were more stable without the haphazard nature of biological reproduction. People didn’t go into hormonal rages like we learned about in ancient history. And there was far, far less abuse. Who could imagine a society so divided that one half subjugated the other purely based on genetics?

I pushed through the creaking door into the shop and had the thought I sometimes had, that maybe our society wasn’t so different from the old horrors in the history texts. That eliminating biological sex and gender had only transferred the problem to a different arena. Humans would always find a way to dominate others, and maybe that domination was still genetic. The bred thinkers vs. the bred non-thinkers. The elites vs. those in shacks on the streets. All watched, all pre-disposed to their lives, and if someone broke their prescribed mold, it was because they were supposed to. Genetic destiny, because the geneticists did not make mistakes. Everyone in their place.

The originality bar on the side of my vision hardly twitched. This thought I was having was not an original thought. Not for me, not for the millions of people monitored by the system.

“Can I help you?” A squat, older person with wild gray hair came toward me in the shop’s humid, off-white lobby.

I grimaced at the tang of sweat in the air. But I pulled out my phone, flipped open the holo, and showed a picture of my target. “I’m looking for this person. Have you seen them?”

“Oh,” the squat person said. “Oh, yeah. Yeah, they’re here.”

I tilted my head. “Still here? Still alive?” I flicked my phone’s holo back to the map. The red dot was solid, and close.

The person fidgeted, a sort of nervous dance. I focused on them, my tracer’s license giving me the ability to see their vitals, their originality bar. All were dangerously high. In a city that tried its best not to do anything out of the ordinary, fear was an original thought.

“Come with me,” the squat person—Dev 1126, the registered owner of this property—said, and led me into the back.

I passed steamy, translucent cubicles. I did not think about what was happening inside them, my lips tightening against the perversity. Human touch was fine. Benign affection was fine. More than that was dangerous.

The owner led me past all the cubicles to a room in the back, a room that had a sterile edge about it, with medical objects and tech on steel counters and an unoccupied medical table in the center.

“I don’t do anything here,” Dev 1126 said. “I just own the building.”

A standard excuse for one part of an original idea. Someone would own the place. Another would facilitate the tech parts, and a few more daring idiots would brush against fate by having just enough of an idea to spread it around. To build whatever they were building.

The room was empty. I checked my map again, and the red dot was centered just beyond this room. I reached into my right coat pocket for my tase gun.

“Hey,” the owner said, putting their hands up. “Hey, I didn’t do anything. Your target’s in there. Back through there.” They nodded at a back door.

Everything about this felt like a trap.

Fortunately, there were procedures for traps.

I shouted, “Emin 4892, come out peacefully, or I will use excessive force!”

I wasn’t expecting my target to come out so easily, and fully expected to have to turn my tase gun’s settings to demolition, but the door cracked, and a slim hand poked out and waved.

“I’m coming out,” a high-pitched voice said. Abnormally high. High with fear?

My brows knit and I hesitated, my aim wavering. Did I have the right person? There was something…off…about that voice. My originality bar jerked precariously upward, and I set my thoughts into reviewing the case file again. The voice did partially match the voiceprint on genetic file for Emin 4892. Thirty-three years of age. Food tester for a gourmet food chain. Nice job, don’t know why they left it. Don’t know why they wanted to have an original thought, if they wanted to at all.

The whole person came out through the doorway. Below average height and weight, bowl-cut black hair. They both were and were not my target. Cosmetic surgery had been involved, certainly. But had it healed this quickly? I’d only got the alert on my target that morning.

Emin 4892 wore a loose, surgical-type green gown and crossed their arms under…anatomy that should not be there.

We all knew what we came from. We all knew the barbaric forms our ancestors had been forced to live in for thousands of years before they were evolutionarily liberated. We knew the carnal drives that society insisted we were no longer slaves to but places like this insisted still lingered in our minds, like an itch that was never quite scratched.

I had never seen an actual throwback, a female, before. For a fleeting, dangerous moment, I wondered if I would feel something more than I should, if my thoughts would turn too original, but they didn’t. I guess I’d never had that itch.

But Emin 4892 apparently had.

They read my judgment, my horror, and their black eyes turned cold. They held their arms tighter around themself.

“That’s right, look at me,” they said. “This is who I am. You can’t take it from me.”

Emin 4892 and the people of this shop must have found a way to perform surgery—no, some kind of genetic splicing or modification—without scars and with rapid healing factor. That in itself was massive originality and an incredibly valuable commodity.

I stared at Emin 4892, and I couldn’t see their vitals. Their red locator dot still shone on my phone, but it hadn’t moved from the back room. Whatever had been done to them had been done there, and that’s where the dot had stopped. Where “they” had stopped and become “her.”

It was physiological, wasn’t it? Not just a cosmetic change. This person was actually female.

I tightened my grip on my tase gun. “Yes, I can take it away. Emin 4892, congratulations. You have had a highly original thought. You will be taken to originality processing where you will be given new accommodations to match your risen status.”

Emin 4892 flipped me the finger. But she didn’t try to bolt. She wasn’t going to run, was she?

“I’m original,” she said, voice tight and smug. “I’m original. I’m an artist, and this is my art.” She waved down at her body. “I decided to make a study of ancient human anatomy. That is an acceptable branch of study. I made an original breakthrough in the field of this art. Look at me—a living sculpture. You can’t destroy that, or return me to how I was. Destruction of originality is a capital crime, isn’t it?”

My thoughts jittered, following her logic. I tried to keep my thoughts in line, but my originality bar rose dangerously into yellow-green. My heart rate intensified.

“Yes, destruction of originality is a crime,” I gasped. I closed my eyes, still watching my originality bar, and ran backward through my most-used procedural manual.

My thoughts began to flow again. To slow. The originality bar went back to yellow-orange.

I exhaled and opened my eyes. I’d take my target in. They were not my problem—they were for someone much more original than I to deal with. It didn’t matter that my target had a point to make, or a sculpture to display, or whatever perversity they thought they were getting away with. It would all smooth out in the end. And it was not my problem.

Emin 4892 sensed their victory, whatever victory they thought they’d gained, and held out their arms. I slapped cuffs on their wrists and shuffled my target out of the shop. I flagged the shop for immediate lockdown and further investigation. It would be shut down, the valuable tech confiscated and taken to be studied by more original scientists. Those who’d built the tech would be traced and taken in, too. You couldn’t escape the fate of original thoughts.

Society would continue in its stability.

Or would it? I darted a glance at Emin 4892. Were they—I couldn’t use “she” without my originality bar climbing, and maybe it wasn’t even “she,” did I even have a right to determine that?—as deranged as our society dictated? Did they just want attention and infamy or did they seriously think that going back to humanity’s original evolutionary forms was a good thing? And if Emin 4892 had caused this much stir already, how could so much originality, so much chaos in concepts like gender or sex, possibly be good?

Emin 4892 walked beside me with a confidence, a carriage in their step I’d only seen in elites. And their eyes flashed with something beyond the defiance, their mouth tight with intense determination. This meant something to them. Something more than status, maybe even more than a statement.

My originality bar started to climb again, and I shunted my thoughts back to procedures, looking away.

Emin 4892 grinned. A sour, knowing grin.

And I hated myself for feeling the contempt in that grin and knowing that I maybe deserved it. That maybe we all did.

That was also not an original thought.

I escorted my willing target down the city blocks to the nearest portal tube, doing my best not to think of societies and change.


© 2019 by Novae Caelum

Author’s Note: Being queer and non-binary, one of the things I think about a lot is what a future society might look like where gender and sexuality aren’t an issue, and everyone freely expresses who they are. Usually, that feels like a big, happy world (or worlds!) to me, and I truly hope for that future. But this story was born out of what if that idea went horribly wrong and the concepts of gender and sexuality weren’t normalized but banned—what would that society look like? Turns out, pretty dark.

Novae Caelum is an author, illustrator, and designer with a love of spaceships and a tendency to quote Monty Python. Stars short fiction has appeared in Intergalactic Medicine Show, Escape Pod, Clockwork Phoenix 5, and Lambda Award winning Transcendent 2: The Year’s Best Transgender Speculative Fiction. Most days you can find star with digital pen in hand, crafting imaginary worlds. Or writing alien poetry. Or typing furiously away at stars serial genderfluid romance novels, with which star hopes to take over the world. At least, that’s the plan. You can find star online at novaecaelum.com.


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TABLETOP GAME REVIEW: What Do You Meme?

written by David Steffen

What Do You Meme is a 2017 meme-based competitive punchline card game by Fuckjerry. Each player is dealt a hand of cards, and then for each round an image from a meme is displayed for everyone and they have to pick the best caption for the image from their hand. One player acts as the judge in each round, picking their favorite caption for the image, and then the player who wins is the judge for the next round.

It’s basically an image-based version of Cards Against Humanity, where instead of the question cards there are image cards. Like Cards Against Humanity, it’s aimed at adult audiences, as there’s quite a bit of profanity and sex jokes and other things like that, so it’s not a game you’d want to play with someone who was easily offended or if you’d be embarrassed to read that kind of joke to them.

Audience
I wouldn’t play this with or around kids unless you want them to pick up some bad language that they might use at school. I would personally only try it with friends that I know well enough to know what offends them.

Challenge
I’s not really challenging, it’s basically competitive multiple-choice punchline choosing. There might be a tiny bit of strategy involved in trying to pick a punchline that would appeal to that particular judge, or trying to save a particularly funny answer card for the perfectly suited question card. There is a high element of chance in how good the cards you get are, sometimes I’ve had to sit on a dud for the whole game because it wasn’t funny and I didn’t want to waste a round playing it.A

Session Time
You could play as many or as few rounds as you want, so very customizable. You could play for 5 minutes or for hours if you have a group that’s enjoying it who don’t know the cards.

Replayability
Certainly some replayability, but if you play it too often the repetition of the cards, and the loss of the surprise-humor would make it less enjoyable. Which was true of Cards Against Humanity, but I think it’s even more true here, because the images will probably lose their humor more quickly, especially ones having to do with current politics.

Originality
Since it is basically Cards Against Humanity which in itself is basically “Apples To Apples for adults” the premise isn’t particularly original, though the individual writing for the cards (which is the highlight of the game anyway) is very original.

Overall
I’ve enjoyed playing this game a couple times with friends who I know well enough to not feel that I have to worry too much about them being offended. After a couple of rounds of it, the images are already getting kind of old, so I don’t feel like this game has a great deal of staying power. Overall it’s a fun game though, and can be a riot with the right group. You can find it at various retailers, the original and expansion packs for varying prices depending on the size of the pack and how new it is. There are also specific topic packs like a Game of Thrones meme pack.



TABLETOP GAME REVIEW: Sushi Go!

written by David Steffen

Sushi Go is a competitive point-scoring strategy game, published in 2013 by Gamewright. The game is based around grabbing sushi as it whirls by and making yourself an excellent three-course meal.

Everyone starts with a hand of cards. You all pick one card, lay it face down on the table. When you’re all ready, you flip the card face up so everyone can see it and pass your entire hand of remaining cards to the left, and this repeats until all of the cards are depleted. That constitutes one round. A full game is three rounds, at the end of which whoever has the most points win the game.

Nigiri are the easiest cards to score; they’re each worth 1, 2, or 3 points flat. If you get three sashimi you get 10 points for the group, but if you have only one or two, they’re worth nothing. Wasabi is worth nothing by itself, but if you play one, your next nigiri is worth triple its face value. Pudding, the dessert, aren’t scored at the end of the round like all of the other cards, but is all saved for the end, at which point the player with the most pudding gets 6 points and the one with the least (including 0) loses 6 points. Chopsticks, once played, can be used for a future round to pick two cards out of the hand instead of one.

It’s a fast-paced game, and can be very quiet as each of you silently picks a card and passes for the round. At the beginning, when you have the most cards to pick from, you have a very incomplete view of the cards in play, so you don’t know if there are enough sashimi to actually get a full set. As you play, you can see how everyone else’s strategies are forming and you can pick the method to score the most yourself or block someone else’s strategy.

The game says that it’s for ages 8+, but my 5-year-old loves the game and wants to play it every night. They’ve got all of the scoring systems memorized and understands the strategies to playing each of them (even if they don’t always make the shrewdest decisions. The game can be played by 2-5 players, and is a great way to pass the time.

Audience
All ages who are old enough to be ready for this type of strategy. Like I said, my 5 year old plays it very well and loves every minute.

Challenge
Can be quite challenging, depending on how competitive your fellow players are. The most ambitious strategies are also designed to be a gamble, so you might play sashimis only to find that there are only 2 in the set of hands being passed around. If you play a wasabi early in the hopes of seeing a 3-point squid nigiri, you might only find 1-point egg nigiri. So there’s a strategic gambling to the whole game setup.

Session Time
You can play a full game in maybe 10-15 minutes, so reasonably quick, if not as quick as some other games.

Replayability
Lots of replayability, your strategies might or might not be rigid, but the variations of the card combinations and the other player’s strategies serve to keep it fresh.

Originality
I haven’t played a game similar to this, fun and original.

Overall
A very fun and fast-paced strategy scoring game where chance plays a big enough factor that the best strategist isn’t going to just walk away with a win easily. Suitable for people of all ages, and is a lot of fun, (and inspired us to try eating sushi for the first time).



STORY ANALYSIS: “Optimizing the Verified Good” by Effie Seiberg

written by David Steffen

For another round of story analysis, I wanted to draw attention to the short story “Optimizing the Verified Good” by Effie Seiberg, first published in Analog September/October 2018, and reprinted in audio in Escape Pod.

As with the previous run of the Story Analysis, do expect SPOILERS after this paragraph, but will give a quick spoiler free summary here. The cleanerbot that is the protagonist of this story works in a Battlebot arena, where robots are specifically built to destroy each other in the arena. Each of them the fighters feels a pain response when they are damaged to encourage them to avoid being damaged, and there is a control AI that maintains and updates their systems to promote the overall appeal and effectiveness of the Battlebot arena. The cleanerbot shouldn’t have any interest in doing anything but it’s primary purpose–cleaning up the robot parts after the battles, but it has memory of the pain the battlebots feel when they’re damaged and it decides it wants to help.

The cleanerbot starts simple, working by itself, finding ways to work within the parameters given to it that will interfer with the efficiency of the arena, cleaning the same areas over and over again, cleaning poorly, and so on. The other bots don’t understand why it would seem to push against its purpose, but as it tries again and again, and is gradually given updates to block each new attempt, the battlebots start to see the wisdom in its plan, and they start to work together to find some way to improve their lives.

I really enjoyed this story of a bot revolution, as they try to understand the details of their scenario, they come to understand that they can’t just stop fighting because that would mean the battlebot arena would close down, which is where their power comes from. But I especially enjoy intelligent robot stories when there is some justification for how they behave, and the incompletely formatted memory drive made sense here. And the robot way of thinking was very well executed here.

I quite enjoyed this story by Effie Seiberg, and I always look forward for her stories.

DP FICTION #55C: “Fresh Dates” by D.A. Xiaolin Spires

SFX, International Terminal

The scuttling of a million feet before him, the collective aspirations to get somewhere resounded in the marble hall, while he stared at his stubby chin in the glass. He rubbed a growing five o’clock shadow with a soft hand. “Paging passenger Carl Rogers. Please come to Gate 48B. Paging passenger Karl Rogers. Please come to Gate 48B.” The near-garbled voice issuing forth from the speakers was far from honeyed, but there was something sweet about the announcement and the cadence of the passenger’s name. At that moment, he would do anything to be Karl Rogers, to have such a short three syllabled name, so he could be rushing about like the many others rushing about. Needing to get somewhere and feeling the inadequacy of bipedalism in hauling body and material possessions to reach that end.

7F. His gaze shifted beyond his saggy eyelids and the harried countenance of Vishaljeet Mazandaran in the reflection staring from the glass at him. 7F. Seven effing syllables. He hit the convex button to his right, perfectly crafted to nestle his fingertip. One button for the number seven—for his monstrosity of a name when rendered into syllabic roman letters: Vi-shal-jeet-Ma-zan-da-ran. The other for the F for effing, for the way he felt standing here staring at this vending machine. The smooth buttons and the way they cradled his hand belied the enormity of the situation and the creeping feeling of unease. One push and processed foods appear before him, ready to eat. It was so simple, so elegant, almost a physics equation: one action that precipitates another reaction. A button, a mechanism from behind the machine, the coil winds, the snack falls.

He had been staring at the snack which was so innocently snack-like, and yet, never in his twenty years in the States has he seen a bag of Fresh Mazafati Dates tucked away among the coils like he did now. Its tantalizing green package called for him, like the swaying grass of the verdant prairies and the tall trees of the forests of Nur alongside the crystal blue Caspian Sea of his childhood. And only $1.50. Six quarters to afford him a taste of his old home, of the grocery store near the apartment, where they would have the dates in boxes piled next to candy bars, popcorn and small packages of tissues that owner Alireza hoped you would grab as impulsive buys.

He decided he would do it, had an obligation to— who else would buy these foreign dates that had probably been sitting here for ages now? The dates probably fermenting as he felt like he was in his collared shirt and classic fit trousers, his suit jacket folded in half across his left arm. He fed the machine the replicated bust of George Washington, founder of this proud country, hearing the coins fall as identical clinks into the machine’s abyss—and waited for the deposit to yield a sweet, nectarous outcome wrapped in polyethylene lining.

Instead of dates, he got Hostess Ding Dongs. What a wonderful joke! Similarly brown, yielding a sweet flesh, he guessed it could be a substitute for someone who didn’t know better. His finger must have slipped— did he press the correct button? The bag of dates beckoned to him again, an enticing product of nature held behind the glass as an object of admiration, like a museum artifact, and instead in his hands, he found himself holding a crinkling product of mostly Partially Hydrogenated Vegetable Shortening generously doused in High Fructose Corn Syrup. Ding Dongs—he remembered eating them when he first came here to the US.

Most of all he remembered the office jokes, his coworker Stan, or as he liked to call himself, Stan the Man, the proud pusher of dubious investments, who would pitch a pencil at Vishaljeet’s turban, saying the bun, or as Sikhs would call it, joora, looked like a little boy’s ding dong. After the third time in two weeks, Vishaljeet had half a mind to go to HR, but what would they do? A grown man tattling on his colleague. Not an upstanding approach to deal with banal workplace terrorists, he decided.

That was all ten years ago, ancient history, as far as he was concerned. He jammed the fluffy Ding Dong into the waste bin next to the vending machine. The joke’s on me, he thought, now I’m the effin’ terrorist, stuck in this airport, can’t leave the terminal. I should’ve ratted on Stan, got him fired, rained more havoc while I had the chance, he thought. But he knew he would never have done that. It wasn’t in his blood; he was never taught to inflict undue harm on others. (But, it was not undue, it was probably in all fair use of the term “due,” and yet, he could not and knew he never would get someone fired from their job, their income to feed their family for some petty name-calling.) Instead he found a convenient excuse to move his desk to the sixth floor. Avoidance some might call it, but smart evasive tactic is the way he thought of it.

His life was always full of smart evasive tactics in approaching assimilation. He kept his turban for half a decade, keeping faith to the minority that he was whether in his hometown Iran or his newfound dwelling, land of the free, the recipient of “the wretched refuse of your teeming shore” America, but eventually conceded to the calls of practicality that noted that the refuse-turned-residents generally didn’t wear turbans. He didn’t have to and he knew he could have kept it, but he was just tired of the explanations, of the looks of inquiry, the snickers. He played with the idea that when this airport fiasco was over, this silly detention in this transport hub keeping him from his home of twenty years in Jersey, he’d put the turban back on, if he could find it buried in his wardrobe somewhere. He’d be out soon, anyway. Back on a plane to the East Coast in no time. Just a hitch, he thought, a misunderstanding. He had a fiancé after all, and a position in i-banking he’s held for at least a good ten years. Wears jeans at home, drinks coke and watches football. How more American can he be?

His stomach whimpered. It was not really sustained enough to be a growl. Not enough for a meal. The officials didn’t even provide him the decency of an airport tray of food. Not even Panda Express or Taco Bell. Just told him that he was denied entry until further notice. His frustration curbed his hunger, however, and all he wanted were those dates, just as odd-fitting as he was, in the array of American snacks, and yet, it was there, belonging to the cache of automated refreshments.

Another fumble of coins and another buck fifty for a Persian fruity confection. A series of whirs and out comes—not his fruity delight as expected—but a yellow package of Starburst. He smacked the glass on the machine, but to no avail. These machines are as sturdy as bulls, made to take hits. It’s not like the dates were dangling on the edge of the coil, anyway, so aggression was of no use. They were perfectly lined up as they were when he first peered through the glass of the vending machine. Instead, another slot that had been activated that released the Starburst. He saw the familiar yellow package now in partition 9B, next to the Cheetos and M&Ms. Not the Fresh Mazafati Dates of 7F.

His will relinquished control to his gut and he unwrapped one chew to mollify his hunger. Twenty calories of corn syrup and palm oil. Unexplainably juicy, the package read. Certainly there were aspects of the sweet that were unexplainable, he thought. He thought of the name Starburst, a kind of galaxy, one that bears high rates of star formation. The Cosmic Exploration podcast taught him that. The kinds of things he would learn on his hour commute in New Jersey, sitting in traffic, playing with the dials. He thought about high star formation, as he chewed his artificial extreme juiciness. Starburst seemed like potential, the greater the generation of stars, the greater the possibility of planets. It was the bringer of life. Starbursts as firehouses of possibility, of creation.

Then his mind turned dark and inwards and he thought of other bursts, of those he’s been accused. He recalled an infamous moment—he was making a purchase for a boss’s birthday at the mall when it happened, in the early morning, right as work was to start. While all the consumers rushed to the Sears TV screens to see what the commotion was, once he heard the words “terrorists” and over and over the date that now has an ominous ring: 9/11, he slinked away, took the day off and stayed home. He hated them, the terrorists for what they did, ignoble acts of abomination, and he hated them more for what they did to his identity. He was no longer a Punjab-son-of-migrants-Iranian-American. He was first and foremost a suspect, to be wary and leered at, for someone not Sunni, not even Muslim, but still a prime candidate for jeers of being a bomb-flinging subversive. He didn’t get it— Sunnis and Sikhs didn’t even look the same. Sunnis don’t even wear turbans, they wear skullcaps. And Iran is mostly Shia (with exceptions of minorities like him). Even though his parents adopted a Persian surname named after Vishaljeet’s northern Iranian birthplace (where his parents migrated to), he was set aside from “normal” Iranians because of his top-knot donning of the turban of the Sikhs of his ancestral land Punjab rather than the spherical wrap the majority Shiite Iranians favored. Now, the same aesthetics that set him apart in Iran as a Punjab minority conversely made him more generally Muslim to an angry American populace, for reasons he could fathom given the ignorance but still could not really believe.

For the next few months, Vishaljeet saw his friends and family drop their turbans like stones into a river, a burden that sunk to the bottom never to be detected again. Their hair cropped short and neat, the iron dagger a mere pendant tucked under the button-down shirt, or in one case, as a subdued tie clip. Nothing flashy or even hinting of inciting aggression, let alone violence. Tucked shirt, shaved, hair trimmed. Just another ant in the American colony of capitalist businessmen.

He spat out the half-masticated Starburst into a tissue, wadded it and into the trash the whole package went. The sweetness was getting so overwhelming that it tasted almost hyperbolic. He pulled out another tissue and wiped his lips of concentrated cherry juice and Red #40. That wad, too, into the chute.

He decided he’d have another go at the vending machine. He was determined. He would get the dates. His resolve was like a gamer at a claw machine at the arcade, committing ceaseless trials fishing for the wayward stuffed animal that cost a sheer fraction of the bills pulled out of the wallet.

7F. He watched carefully as he clicked, matching his fingers to the buttons.

Another failure. This time Kit Kat. Reminding Vishaljeet of when he had bought his first Kit Kat at a newspaper stand near a bus stop. Again almost twenty years ago when he first arrived in this country. While sitting waiting for his stop, among other passengers bouncing in their seats, he took a surreptitious bite, just opened it and bit it whole—and was ridiculed by a boy with braces pointing at him, nudging at his preteen friend laughing. He looked around—perhaps they were pointing at someone sitting beside him—but they were clearly pointing at him. He didn’t understand it—a grown up eating a candy bar, how can this be a source of contemptuous fun for juveniles? Later he learned he was supposed to snap each of the perforated four pieces, one at a time, as he ate them. A social gaffe, an etiquette breach of handling quintessential Americana.

He deposited this junk in the trash bin—out the vending machine flap the Kit Kats came and into another flap it goes like the other previous unwanted conferments. He’d have to try again.

He was sticking in his third quarter of the six into the coin sliver of the vending machine when a young man bumped into him. “Excuse me,” said the man, on his cell phone. Vishaljeet’s quarter clattered to the ground and rolled about a foot and a half before spinning in a graduated lethargy to a stop. The man picked up the quarter and handed it to him, then hung up the call and pushed his thin cell phone into his chest pocket. Below that, clinging to his abdomen, hung a conference tag, “Daniel Chih-hung Chen,” it said. This man, Daniel, glanced at the vending machine, stopped for a second and asked if Vishaljeet was using it.

“Why don’t you go ahead?” offered Vishaljeet, extending a soft hand towards the glass.

Vishaljeet saw Daniel feed a crumpled dollar, watched it come back out and only to be fed again, (like giving peas to a petulant child, he thought), and then a few dimes and nickels. The man pressed 7F. Seven for the syllables in my name, thought Vishaljeet Mazandaran again. Something fell to the abyss below with a plop and the man opened it and pulled out a puffy package.

The man, Daniel, stood there for a moment, bent over at the base of the machine, one hand holding open the flap exposing the dispensing chasm of the vending machine and the other holding up a bag of Doritos.

“Huh, tortilla chips,” said Daniel.

“A problem?” asked Vishaljeet.

“No, not a problem. Just confused. Clearly, I saw peanut brittle.”

“Peanut brittle?” asked Vishaljeet.

“Yes, 7F. You don’t see it? It’s Taiwanese, one of our specialties there. A-li brand, it says, known in South Taiwan. Sweet, crunchy, very tasty. I didn’t know they packaged it for commercial overseas sale,” Daniel answered, muttering a bit to himself.

“I see,” said Vishaljeet. He looked at the vending machine but saw only dates in 7F. “Ali is an Iranian name.”

“Oh yeah? We have a lot of Ah-something’s back in Taiwan,” said the man. “I guess that’s something we have in common.” He was now standing upright, holding up the bag of chips inspecting it against the 7F goodies behind the glass. “It’s strange, I still see it there. The peanut candies. I guess I pressed the wrong number.”

Daniel brought the bag of chips up and held it six inches from Vishaljeet’s face. Vishaljeet could see the orange triangles on fire in the image on the bag, taunting him. For a second, he felt something dreadful, like seeing his hopes of returning to his home in America burn away. “Spicy Nacho,” Vishaljeet read.

“You want this?” asked the man Daniel. He turned his lips up into a frown, and shook the Doritos bag again.

Suddenly, an image passed before Vishaljeet.

*

It was that same Taiwanese-American man before him, the same Daniel Chih-hung Chen walking in Keds on pavement in bright daylight, in a plaid shirt and corduroy pants. He’s much younger now, no hint of a receding hairline. He’s strolling the streets of downtown, cars zooming by every so often. He hears a taunt, a “Hey glasses!”

Daniel turns. He’s in mid-bite of the same triangular crispy Doritos. He’s got a handful in his right, the bag in his left. His mouth moves up and down with specks of some bright orange dust in the midst of chomping, just as the other voice says in a gruff, incredulous manner, “You eating nachos?”

“Yeah,” says Daniel, looking at his bag. “Do-ri-tos,” sounding it out. He turned around and looked at the guy talking to him. The man was short, with spiky blonde hair. He was sitting on some steps at the time but now stood up, still somewhat hidden in the shadows of the apartment complex, and looked Daniel up and down.

“Na-chos? Huh?” The man was now taking a step forward, puffing up his chest, like some pigeon mating ritual. “Look, Nachos!” he says to an imaginary crew or posse, but there was no one with him. He turns to Daniel again, “Glasses, you prefer to be called Nacho?”

Daniel just started to walk away. He turned around, aimed east towards home, towards the fiery sun, ignoring the guy with the crusty voice in the shadows.

“Nacho!” the guy howled behind him. Laughing riotously. “Notchyo country!! Notchyo country at all. Go back to your country, where you belong!”

*

The image faded and Vishaljeet saw before him a much older Daniel, worn-looking, but otherwise well-kempt, his arm pushing his carry-on back and forth in a nervous tic, eager to get to baggage claim, or to his gate, or wherever he was going.

“Hey, did you hear me? I said, did you want this?” repeated Daniel. Daniel was distracted. He was now looking at the scrolling Departures list on the screens next to the vending machine, using a pinky finger to push up his falling glasses, while still holding out the sachet of Doritos to Vishaljeet.

Vishaljeet shook his head. “Not really,” said Vishaljeet. “Not a big Nachos fan.”

“Yeah, me neither,” Daniel said.

Vishaljeet watched Daniel hurry away, the one arm guiding his rolling carry-on, the other still clutching the bag of Nachos, despite his professed dislike of them. Vishaljeet turned back to the green sachet of dates, the seductive contents of 7F, the fruit of his once-home in Iran, never found in vending machines in his now-home America until just today. His now-home America, he thought.

The green plastic of the parcel of dates now looked artificially green. How could he have ever thought it looked like the verdant prairies and lush forests of Nur? he thought. It must be the changing of light in this hall, perhaps the setting of the evening sun, even as fluorescent lights flooded the terminal. The plastic package looked sickly green, lackluster, dull and ineffective, like the meaningless green card frittering away in his back pocket, the one that had his name scrawled: Vishaljeet, in Indo-Aryan parlance: great victory, now victor of none, stuck in limbo between places, not even a victor against a mechanized snack dispenser.


© 2019 by D.A. Xiaolin Spires

Author’s Note: “Fresh Dates” was inspired by current events in America and my long fascination with vending machines and their conveniences and frustrations. Sometimes it’s the little things that magnify the greater indignations and outrages of life. I suppose I also had a few things to say about migration, assimilation and belonging.

D.A. Xiaolin Spires steps into portals and reappears in sites such as Hawai’i, NY, various parts of Asia and elsewhere, with her keyboard appendage attached. Besides Diabolical Plotsher work appears or is forthcoming in publications such as Clarkesworld, Analog, Uncanny,  Strange Horizons, Nature, Terraform, Grievous Angel, Fireside, Galaxy’s Edge, StarShipSofa, Andromeda Spaceways (Year’s Best Issue), Factor Four, Pantheon, Outlook Springs, ROBOT DINOSAURS, Mithila Review, LONTAR, Reckoning, Issues in Earth Science, Liminality, Star*Line, Polu Texni, Argot, Eye to the Telescope, Liquid Imagination, Little Blue Marble, Story Seed Vault, and anthologies of the strange and beautiful: Ride the Star Wind, Sharp and Sugar Tooth, Future Visions, Deep Signal, Battling in All Her Finery, and Broad Knowledge. She can be found on her website daxiaolinspires.wordpress.com and on Twitter @spireswriter.


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STORY ANALYSIS: “The Last Banquet of Temporal Confections” by Tina Connolly

written by David Steffen

I am trying out a new feature that I might run occasionally here, where I pick a story that I particularly liked, and pick it apart to try to figure out why it worked so well. For this first entry, I’ll be talking about “The Last Banquet of Temporal Confections” by Tina Connolly, first published in Tor.com, and nominated for both the Nebula and Hugo award.

You can read it at Tor.com, or you can hear an audio adaptation in Cast of Wonders.

I’m not going to avoid SPOILERS after this paragraph, but in this paragraph, I will give a very brief overview. The story is about a woman who worked with her husband in their bakery until the government was overthrown, at which point he was taken as the private baker by the new monarch, the Traitor King, because he has developed the skill in making special pastries that evoke strong memories that suit a particular mood. The main story takes place at a banquet with the monarch, prepared by her husband, where she is the food taster to ensure that the food is not poisoned.

The most interesting thing about this story is the way that it uses the flashbacks that are evoked by the pastries. The power of the flashbacks is threefold:
1. The first is the typical power of flashback, to give character backstory, to help you understand character motivations. Throughout the story you see when she first met her husband, you find out about what happened to her sister, about the rise of the tyrant, and about the development of her husband’s skills.
2. The second is to develop an understanding of the memory-pastries. Each pastry eaten at the banquet has a different flavor, like the first section “Rosemary Crostini of Delightfully Misspent Youth”, each flashback is titled by the pastry that describes the type of memory that it evokes, and you find out about what kinds of pastries Saffron recommends to different customers to what reason.
3. During the main timeline of the story, Saffron and her husband have been separated for quite a while, ever since her husband was taken to be the pastry chef of the Traitor King, preparing banquets for the kings and his nobles. They were very close, and know each other very well, and they worked very closely together every day in the bakery. Saffron volunteered as the taste tester because it was the way she could get the closest to him, and the Traitor King took the opportunity because he trusted that her husband wouldn’t poison her or torture her with more cruel desserts. But now the only route of communication between them is the desserts themselves. He knows her well enough to have a pretty good idea what particular desserts will evoke what memories for her, so they are hints, and a warning of what to come. He has been doing research while imprisoned, and she doesn’t know what new desserts he’s developed. She hopes that he will do something with his special desserts but she doesn’t know what he can do that would do the job, especially since she knows he wouldn’t kill or torture her.

I have never seen flashbacks that do so many things at once; it is an incredible idea, and wonderfully executed. The descriptions of flavor on top of it made my mouth water, I would absolutely love to visit this bakery if it were a real place.

I also appreciated seeing the very different but very real strengths of the characters. Her husband’s strength is obvious, his special pastries that form the basis of the story. But her role in the bakery was no less important. She learned to read people, to help decide how to recommend what pastry would suit them the best. Everyone loves the ones that give you a sweet memory, but the regretful pastries have their uses, and others. And no occupation could have suited her better for her present circumstances–before she became the taster she didn’t have much experience at dissembling, but here she is surrounded by those she has to mislead, and everything here depends not only her husband’s pastries but on her ability to be able to keep it to herself when the time comes for her husband’s plan to come to fruition.

And the finale is perfect. When it finally comes to the finale, as she takes it and relives all of the times when she hurt someone else, but feeling the pain for herself, they can tell from her face that it was unpleasant, but the Traitor King enjoys watching the other nobles squirm taking the less pleasant ones, and even when she admits a bit of what it is, he thinks that his own remorseless nature means that he will enjoy it. But not only does he feel the pain of reliving these memories, because he has been cruel to so many people, it leaves him incapacitated long enough for his throne to be taken, and then wakes up in a cell, with the only food available to him another of the same pastry. Even in the end, as she watches this, she is self-aware enough to know that if she took another bite of that kind of pastry she would relive that moment.

I can see why this story got its nominations. Tina Connolly is an incredible author.

DP FICTION #55B: “Dear Parents, Your Child Is Not the Chosen One” by P.G. Galalis

Dear Mr. and Mrs. Goodblood,

Thank you for expressing your concerns about Rodney’s First Term grade. Please understand that the highest mark of “Chosen One” is exceedingly rare, even among our exceptional student body here at Avalon. Rodney’s grade of “Stalwart” is neither a mistake nor cause for concern, but a performance about which you and he can both be proud.

As I indicated in my written evaluation, Rodney is a bright young man, although he does have room for improvement in the areas of effort and behavior. I’m told by his Warrior, Wizard, and Rogue teachers that he shows equal aptitude in all three classes, so I’m confident that with support and encouragement, his skills will continue to improve.

Sincerely,

Madeleine Whimbley

Teacher of Intermediate Feats & Virtues

Avalon Preparatory Academy for Adventurers

*

Dear Mr. and Mrs. Goodblood,

I apologize for the misunderstanding. When I said Rodney would improve, I did not mean that he should expect to earn a grade of “Chosen One” next term (or any other term for that matter). “Hero” would really be a more realistic goal, perhaps further down the road, should he improve his efforts, though I’m afraid “Paragon” would be quite out of reach.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

Thank you for the information about Rodney’s early displays of giftedness as a child. I understand how excited you must have been about the promising results of his Early Childhood Augury, but you should know that ECAs have proven notoriously inaccurate. (In fact, the National Questing Board no longer recommends them). In any event, I did not mean to impugn Rodney’s potential, and while I understand that his sense of destiny might be a bit shaken, I hope you’ll agree that many paths to success still lie open to him.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

I must respectfully disagree with your definition of success. Most of our graduates go on to successful adventuring careers without being Chosen Ones. It would be insulting to limit any definition of “success” to only those few. In fact, in my seventy-three years here at Avalon, I’ve only ever had two pupils earn that distinction. It is, necessarily, quite rare, especially during a lengthy interbellum period like the one we are currently enjoying. If you ask me, we should consider ourselves lucky to have no present need for Chosen Ones.

On a brighter note, you’ll be happy to know that Rodney did quite well on his recent Courage and Morality quiz.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

I cannot violate student privacy by discussing former students with you in any detail. Suffice it to say, I’m sure you’ve heard of the two Chosen Ones I mentioned having taught. They graduated in the same year, and you no doubt heard all about their eventual feud and subsequent downfall. If I may say, they serve as an excellent reminder that being a Chosen One is not all it’s cracked up to be. I’ve known many a Stalwart (or Hero, should Rodney’s effort and behavior continue to improve!) who have gone on to happy and fulfilling quests.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

I resent your implication that my instruction was in any way responsible for the Calamity of the Twins. Avalon graduates are responsible for their own choices after leaving us, and the moral track record of the vast majority of our adventurers is quite positive. I assure you that Rodney is in good hands in my class.

Respectfully,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

No, I am not only taking credit for my successes and ignoring my failures. I happen to be well aware of my personal shortcomings (though they are no business of yours), and poor teaching is not one of them.

Speaking of shortcomings, however, I’m sorry to report that Rodney’s recent score on his Courage and Morality quiz appears to have been the result of cheating. I caught him with a Talisman of Balacoth today, which I don’t need to tell you is a serious infraction of the Avalon Code of Conduct. Please expect further communication from the principal regarding this matter.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

I’m sorry you have not yet heard from the principal. Please understand that he is only a couple of years from retirement and has slowed down some after several good centuries of service to Avalon.

To answer your accusation, however, I am NOT making a baseless charge. On the day in question, Rodney was the only one to have answered any questions correctly, and I grew suspicious when even his brightest classmates were making silly mistakes. Even I had slipped up once or twice only to have your son correct me. Lo and behold, when I checked under his desk, there it was, a little carving of the Fist of Balacoth, and it had taken hold of all the good fortune in the room. After I dispelled it, I had a hunch, so I let the class retake their Courage and Morality quiz. Suffice to say, your son no longer has the highest score.

We do not permit talismans, amulets, or potions of any kind within the school, for obvious reasons. I do not know where he obtained his contraband, but you may want to have a conversation with your son.

Respectfully,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

To suggest I was suspicious of Rodney merely for giving correct answers is ridiculous. I know he is quite capable of performing well on his own, and I’m sorry he felt the need to resort to cheating in order to prove himself. He remains a student of great potential for whom I still have hope.

And no, unfortunately, Rodney may not have an extension on his term paper. It remains due tomorrow.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

I was as surprised as you by the drop in Rodney’s Second Term grade. My previous optimistic statements about his potential were never meant as a guarantee. I’m sorry if you misunderstood.

I’m afraid it was his term paper. Students were to write an essay extolling one of the classic heroic virtues with three specific examples, but Rodney chose to write about “ambition,” which was not on the assigned list of options. (I question whether it is a virtue at all.) Please let me know if you have any further questions.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

I’m sorry if you were the ones who gave Rodney the idea to write his term paper on ambition. He alone is responsible for his work. Might I suggest giving him space to complete his assignments more independently in the future? (After all, you won’t be out on his quests with him, will you?)

I do not think it necessary for you to hire Rodney a private mentor. Of course, that is ultimately up to you, but Rodney’s challenges have more to do with personal choices than ability.

At this point, should you have any further concerns, it may be best to arrange a meeting. Is there a day or time that would work well for you?

Sincerely,

Madeleine Whimbley

*

Mr. and Mrs. Goodblood,

It was completely inappropriate of you to appear via astral projection in my living room last night. I understand you are busy, but if you do not want to meet in person, please continue to direct all correspondence in writing to my school address.

Respectfully,

Madeleine Whimbley

*

Mr. and Mrs. Goodblood,

Of course I want the best for Rodney, and no, I do not have anything to hide.

Rodney, however, may. I don’t imagine you’ve looked at his note-scroll recently? When I saw it today, it was filled with inappropriate doodles of damnation knives, Shigmala the Defiler, and other symbols of the malign. With your permission, I’d like to refer him for counseling with Sibyl Salens, our school soothsayer.

Concernedly,

Madeleine Whimbley.

*

Dear Mr. and Mrs. Goodblood,

It is no shame to receive counseling, and I’m shocked you would suggest otherwise.

Furthermore, I’m unable to respond to the letter from Rodney’s private mentor, as school policy prohibits me from discussing a student with anyone other than a parent, guardian, or fairy godparent. You do understand, of course.

I must say, though, that I have serious doubts about either the intelligence or integrity of a private mentor who would judge Rodney’s current work to be of “Chosen One” quality. In fact, I can’t believe we are still on the topic of Chosen Ones at all. Allow me to be frank: Your son is not and never will be a Chosen One. In fact, did you know that most Chosen Ones tend to be orphans? If it makes you feel any better, I doubt we will have any Chosen Ones this year at Avalon. The world is at peace. Get a grip. (And counseling for your son).

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

Per the principal’s request, please accept my formal apology for any implication in my previous letter that you ought to die in order for Rodney to become a Chosen One. That was not my intent.

Yours truly,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

Rodney’s behavior in class really has become quite intolerable. Today he accused me of being an “apologist for obsolete heroism” who is “shackled by her loyalty to the fading Light,” simply because I questioned the necessity of his bragging about the new certified Ancient Birthright Sword you apparently bought him for his birthday. He continued to spend the duration of class doodling pictures of it on the corner of his parchment along with the words, “I AM YOUR SAVIOR,” instead of working on his Hero Portfolio. At this rate, he’ll be lucky to make “Rapscallion” by the end of Third Term.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

As I am the only Intermediate Feats and Virtues teacher at Avalon, and as it is a required class, the school will be unable to meet your request to move Rodney into another section. (Believe me, I checked.) Given the circumstances, I’m sure we can stick out the rest of the year and make the best of what’s left of it.

As far as Rodney’s selection of advanced courses for next year, no single course of study is more or less likely to earn him a “Chosen One.” I know the recent craze has been for Wizarding, and before that it was Warriors, but the actual data support neither. If anything, Rogues tend to be slightly overrepresented in the available data from the last several heroic ages, though the numbers are not statistically significant since Chosen Ones are so rare.

In any event, I would encourage Rodney to continue with whichever course of study he most enjoys. And yes, he will be stuck with me again for Advanced Feats and Virtues.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

I’m sorry to hear that Rodney is looking at new schools for next year. For what it’s worth, I strongly urge you to reconsider. As we’re fond of saying around here, “There’s always room for redemption at Avalon!” and your son did show great promise once.

Sincerely,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

No, “great promise” does not mean that Rodney could still be a Chosen One. Holy heavens, no. Just no.

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

Never mind, I’ve had it. Your son tried to open a Dark Portal today while my back was turned to the class. Luckily his classmates, who are better students than he is, banished it before it could do irreparable harm. The principal will be following up separately to impose a suspension for Rodney’s repeated violations of the Avalon Code of Conduct.

On a personal note, I feel the need to express how disappointed I am in your son’s decline this year. I’ve done what I can, but I only see him an hour a day. It’s not like I live with him.

Yours,

Madeleine Whimbley

*

Dear Mr. and Mrs. Goodblood,

I understand that Rodney’s application for transfer to the Pinnacle School for Unappreciated Youngsters has been accepted. I would say “Good Luck,” except that I have rather strong philosophical disagreements with their aims and methods there, and I know that Rodney cannot accurately explain the role of Luck in an adventurer’s success anyway. So instead, I’ll just say farewell. (I’m sure the feeling is mutual).

Regards, and Ever Yours in the Light,

Madeleine Whimbley

*

Dear Fairy Godparent,

I write to you in these darkening days with tidings of great hope from Avalon Preparatory Academy. The First Term performance of your orphan, whom I dare not mention by name lest the spies of evil are watching, has earned the rare and distinguished mark of Chosen One. Rejoice!

Please see the enclosed packet for more information, and sign, enchant, and return the accompanying form within ten business days to grant permission for further assessment and, if necessary, individual heroic mentoring.

Congratulations! On a more personal note, I have reason to believe that, should your orphan in fact be Chosen, the Dark Lord Rodney and his forces will hardly present an insurmountable challenge.

Best wishes,

Madeleine Whimbley

Principal

Avalon Preparatory Academy for Adventurers

 


© 2019 by P.G. Galalis

 

P.G. Galalis would love to have been a member of Oxford’s famous literary group, the Inklings (minus all the tobacco smoke), but since he was born on the wrong continent and many decades too late, he compensates by writing and teaching fantasy, science fiction, and other literature. His fiction is also forthcoming in Galaxy’s Edge Magazine, and you can visit him on the web (https://pggalalis.com) or Twitter (@pggalalis). He lives with his family near Boston, MA. 

 


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TABLETOP GAME REVIEW: Eye Found It!

written by David Steffen

Eye Found It! is a competitive hidden picture card game aimed at children. The version of the game I’m familiar with is the Disney version, though it looks like there are other variations. Each player is dealt a hand of cards with scenes from Disney TV shows or movies, such as Winnie the Pooh or Phineas and Ferb, or Monsters Inc. Another card is then flipped over for everyone to see which has a picture of an object, and the goal is to be the first to find that object. The object might be a teapot, or a hat, or the number 8, or a barrel. Any given object is in many of the pictures (though not necessarily all), so it’s a race to be the first to find it, then you flip your card over to get the new object to find, and the goal is to get rid of all of your cards.

One nice thing about the game is that it doesn’t depend on being able to read, so you can play it with children who are too young to read–you can read the object out loud or they can look at the picture of the object (though if they are too young it might take a little work for them to understand that i.e. a “hat” is not this particular kind of hat, it is any kind of hat). And kids can probably do it about as well as adults as long as they’re attentive enough, so it shouldn’t be a game they feel too discouraged about. I’ve found it useful when there’s a chunk of time that I need to keep one or more kids occupied, we used the game for the first time while waiting for fireworks on the 4th of July.

Audience
All ages, though probably aimed mostly at children or adults playing with children. The children don’t need to be old enough to read.

Challenge
Most of the challenge of the game is just in attentiveness and trying to very quickly scan pictures. There is some element of chance in that some scenes have a lot more objects than others–if you get a Little Mermaid scene there’s a whole category of items you’re not likely to find, for instance. The game levels out some as faster players lose cards because they have less cards to find images in.

Session Time
Each round typically takes less than a minute, you could play as many or few as you want.

Replayability
Definitely replayable, as you’ll get different scenes and try to find different objects in them, and especially if you’re playing with kids who enjoy the hidden picture. If you played it enough you could learn where objects are in each image I suppose to get an unfair advantage.

Originality
I’ve never seen a competitive hidden picture game, I appreciate the novelty especially because it fills a niche that I otherwise hadn’t seen many games in, as far as being good for kids who are just about ready to read but who might be too old for very basic games like Hi Ho Cherry-O.

Overall
I definitely recommend this if you currently have or expect to have kids in the 3-6 age group, because it’s a good challenge level for them, and because it’s all based on something kids can do very well you don’t have to pretend to be bad at for the kids to be competitive. Clever idea well executed.

THEATER REVIEW: The Lightning Thief: The Percy Jackson Musical

written by David Steffen

The Lightning Thief: The Percy Jackson Musical is a 2017 fantasy musical about the modern day children of the ancient Greek gods, based on The Lightning Thief of 2005, the first book in the Percy Jackson series by Rick Riordon.

Percy Jackson is a troubled kid who lives with his mom and his abusive stepfather, and has been kicked out of five schools in six years for behavior problems. He tries, but between ADHD and dyslexia, it often seems like the world is out to get him, though he has a good relationship with his mother.

But one day, on a field trip to the Metropolitan Museum of Art, his life takes a sharp turn for the weird when his substitute teacher Mrs. Dodds draws him away from the rest of the group and turns into a monster. With the help of his mentor and teacher Mr. Brunner who hands him a pen that turns into a sword, he slays the monster and survives, but then Mr. Brunner claims that nothing happened and that there is no such teacher, and he gets expelled from yet another school.

Left reeling again, and feeling betrayed by everyone who doesn’t believe, Percy doesn’t know what to do, when he and his mother are attacked by yet another monster, and soon he finds out that he there are reasons why he seems so different from everyone else–he is the son of a Greek god, and he will soon go to a summer camp called Camp Half Blood where the children of Greek gods to learn how to fight and about all of the godly politics that actually decide much of the natural world. His best friend Grover reveals he has been keeping secrets about who he is since he met him, and he meets other demigods like Annabeth, daughter of Athena, who is about the same age.

Percy doesn’t know yet which god is his parent, and he is thrown into this strange new world with very little to go on. And soon he is sent on his first hero’s quest!

I hadn’t read the book yet when I saw the play, so I came in completely fresh. It was a good introduction to it overall, though you could tell where major parts of the book were stripped out, leaving weird gaps and logical holes, and places where lyrics were added that didn’t really make sense or have no context. It is a really catchy soundtrack, in particular, “Drive” which is an action-packed road trip song as the three heroes try to take buses and hitchhike across the country is a great song, as well as “DOA”, about the modern manifestation of the Underworld which takes the guise of a record company. It’s a lot of fun, and I would recommend it, though if you have questions about plot holes or out-of-context lyrics, check out the book as well.