TV REVIEW: Chuck Season 4

written by David Steffen

Chuck was an action spy action/drama/comedy show, starring Chuck Bartowski (Zachary Levi), who started as a down-on-his-luck geek working at the BuyMore fixing computers, when he ended up with a supercomputer with government secrets downloaded into his brain, as he has been used as an intelligence asset. And later in the series he got an upgrade to the software that also gave him various physical skills like martial arts. Season 4 aired from September 2010 to May 2011.

In this season, Chuck and his partners Sarah (Yvonne Strahovski) and Casey (Adam Baldwin) face a new adversary in Alexei Volkoff (Timothy Dalton), a criminal mastermind who is still working with Chuck’s mother who he hasn’t seen since he was a child. Everything changes while remaining the same as the CIA takes over the Buy More and converts it into an official base, and builds out new areas that even Chuck and his partners don’t have access to.

While Season Three had started out shaky but got stronger, Season Four is reasonably solid throughout, new situations, expanding on Chuck’s physical abilities, and taking new steps in the relationship between Chuck and Sarah. The Buy More continues to offer the comic relief while also tying into the CIA plots, while also changing as the managerial structure changes and now Morgan (Joshua Gomez) is in on Chuck’s secret so manages to involve himself more and more. At the same, it’s hard not to miss the early seasons of the show where Chuck was clever but flighty and not physically adept. But the show has changed into something different, even if the first couple of season were special in their own way.

Well worth watching!

MOVIE REVIEW: Bumblebee

written by David Steffen

Bumblebee is a 2018 action science fiction film distributed by Paramount that’s a prequel to the Transformers film series that started with Transformers in 2007.

A war rages between two factions of intelligent shape-changing robots on the mechanical planet of Cybertron. The vicious Decepticons have scattered the remaining Autobots and driven them into hiding. Optimus Prime (Peter Cullen), leader of the Autobots sends the Autobot B-127 (Dylan O’Brien) to find a place for a new base. B-127 lands on Earth in 1987 and although hunted there, manages to survive the landing but soon gets into a fight with a Decepticon that leaves him mute and wounded, and he barely manages to turn into a VW Beetle before powering down.

The Autobot is revived by 17-year-old girl Charlie Watson (Hailee Steinfeld), who learned mechanic skills from her father before he passed away. Charlie’s family doesn’t have a lot of money and for Charlie that means lack of freedom because she doesn’t have a car, so when a junkyard dealer gives her the broken old Beetle for a birthday present, she sees it as a major opportunity.

Charlie befriends the Autobot and gives him the name “Bumblebee” and teaches him more about life on Earth, especially the importance of keeping his presence there secret. But when she revived Bumblebee, he emitted a transmission that has drawn a pair of Decepticons to investigate, and now Bumblebee is hunted by both the military and by the Decepticons. A neighborhood boy, Memo (Jorge Lendeborg Jr.), stumbles upon the secret and Charlie tells him everything, and the three of them fight to keep Bumblebee and Earth safe from the Decepticons who would destroy them all.

Although I was not among those who hated the 2007 Transformers movie, I understand the criticisms of it and the sequels have only gotten worse from there (primarily because of tasteless unfunny jokes and military fetishism) to the point that I’d more or less given up on the movie franchise, at least until the creative minds behind it changed. Bumblebee redeems the series a great deal, making it much more of a character story than its predecessors and making me care about the characters again. The character of Bumblebee has always been a favorite character for me, one of the smaller Transformers and always an underdog and he was the best part of the 2007 movie. I loved that he got his own movie here and I loved the friendship that develops here between Bumblebee and Charlie, especially with Bumblebee as the bumbling newcomer to the planet who doesn’t know how any of this works. The acting is great across the board, and I really cared about Charlie and her grief about her father’s death and abouther quest to get a car to get some more freedom in her life.

I like Bumblebee’s new look, redesigned from the other movies, and they did a great job portraying his emotions through body language since for most of the movie he doesn’t have a voice and his face lacks the articulation to express emotion that other Transformers have.

This was a fun and great movie, a return to the fun and kid-friendly roots that the series had gotten away from. I highly recommend it, and I hope that there are more Transformers movie in the future that are more like this kind of film.

MOVIE REVIEW: Shazam!

written by David Steffen

Shazam! is a superhero action/comedy movie released in April 2019, distributed by Warner Bros Pictures, based on the DC Comics character first seen in 1939.

In 1974, a boy named Thaddeus Sivana (Ethan Pugiotto) is inexplicably transported to the home of a wizard (Djimon Hounsou) who says he is looking for someone pure of heart to take over his duty to protect the world from the embodiment of the seven deadly sins who are imprisoned in statues in that place. The old man finds Thaddeus wanting and sends him back with nothing. For the next several decades, the wizard continues his search, finding no one who meets his criteria and an adult Thaddeus (Mark Strong) completes his lifelong quest to find the wizard again and free the seven deadly sins.

Meanwhile, in the modern day, 13 year old Billy Batson (Asher Angel) is a runaway foster kid on a quest to find his mother from whom he was separated when he was small. He has been bouncing from foster home to foster home for quite some time and has no intention of settling anywhere until he finds his mom.

He is assigned to a foster home run by Victor (Cooper Andrews) and Rosa Vasquez (Marta Milans) with five other foster siblings, including Freddy Freeman (Jack Dylan Grazer) who is a superhero fanatic in a world that actually has superheroes (he has a bullet that hit Superman). Determined to stay aloof from his new foster family as he prepares to make his next break for it, Billy is magically transported (as Thaddeus was decades before) to the home of the wizard, who finds Billy worthy and grants him immense magical powers by saying the wizard’s name: “Shazam!”. He finds himself back in normalcy, except that the magical powers have changed him into a muscular grown-up body (Zachary Levi) in a permanent superhero costume with magical powers that he doesn’t know how to control yet. Driven to desperation by this turn of events, he returns to the foster home to recruit Freddy’s help, and Freddy is happy to contribute to this new superhero’s origin story.

I have generally preferred Marvel movies to DC movies and the biggest reason for that is that it seems like most recent DC movies (certainly with some exceptions) have focused entirely on the brooding and the dark, while Marvel movies seem to have figured out how to strike a balance between darkness and light. This movie, to me, shows me that DC can do that mix really well when they get the right talent behind the movies. There were quite a few darker moments, while the movie in general is pretty light some of the scenes with the villain and his crew of sins are likely to give some kids nightmares if they see it, much of the movie is about the growing friendship between Billy/Shazam and Freddy as they document and explore Shazam’s superpowers, and about the rest of the foster family. The movie does a good job with action, but what really makes it is the friendships and the family and the fun and love that comes from that.

Great movie, really enjoyed it, solid acting all around, great writing, there are a few parts that might be too scary for young kids. I highly recommend it.

DP FICTION #52B: “Bootleg Jesus” by Tonya Liburd

Out where rock outcroppings yearn to become mountains, there was a town cursed with no magic.

In this town, there was a family.

In this family, there was a girl.

She was nine, almost ten, Mara. Childhood hadn’t completely lifted its veil. She had an older brother, Ivan, who was fourteen, and whose voice was changing. Elsewhere, puberty would have signaled all sorts of preparations – acceptance into a special group home as much for his safety as for the general public – while his Unique Gift manifested. Watchfulness. Guidance. Training.

But not here.

Here the rocks, the soil, of the mountains had a special property that had been artificially duplicated thousands of years ago, and before that, the rock itself was transported. Here the rocks and soil prevented the manifestation of magic. There was no ‘curse’, really, of the dampening of magic – just something some said.

Everyone here in this town got along here by their wits, their brains, their strength – things were done from scratch if possible.

For what else had they to do here, this far away from civilization.

So, like everyone here around the age of puberty, Mara’s brother was special, yet not special, because of the rocks.

Mara would be special, yet not special like her older brother someday, like her mummy and daddy, like the rest of the adults. Like the people, families, who showed up sometimes on the outskirts, wanting to find a place for themselves here.

*

One day, Mara was playing in the house, and her father sent her to the yard. Some houses had garages, like hers, and some didn’t – like the oldest of the houses of the people who never had to arrive, who’d been here all along.

The garage wasn’t off-limits, and she was bored, so she went digging around inside.

One after another, she found an item, an item of before, before her family arrived, before she was born, and she discarded them.

In the back of all the clutter in the garage, there stood a bust of a Jesus. Unlike most busts and portraits of Jesus in the Western Hemisphere, this Jesus had brown skin and black features. It was supposed to give advice when priests and counsellors weren’t to be had. “They make them all blonde and blue eyed,” she remembered her mother saying disparagingly. “Like that’s how he was in that part of the world. As if he’d blend into the Egypt that was, if he was there. Hah!” And that would be the end of any religious discussion in the house. This Jesus was manufactured several decades ago as an answer to all the lilly-whiteness in the world, calling them Bootleg Jesuses, and one was bought by an ancestor so the family would remember they had a black ancestor as they headed into whiteness, white-acting, white-passing.

This Jesus had a heart on his chest that he presented to the world with rays of light—or in this case, neon rays—like in numerous postcards. His hair was dreadlocked. All of this was inside a metal box, made to be placed on a table, with no plug where it could be plugged in. So; what made it run?

Oh, she knew. It would run in any other place in the world, where magic ran free…

Where there existed people with Unique Gifts so powerful that they were considered gods…

She picked it up, and put in on a small round picnic table she had to unfold.

She smiled at it.

“Red and yellow, black and white,” she began to sing in her young voice, “we are precious in his sight. Jesus loves the little children of the world…”

It was the only religious thing that she knew, because her mother insisted that if anyone told her that her Jesus was wrong, she was to answer by reminding them of that song.

“Jesus, do you love me?” Mara giggled.

She heard it sputter to life; it lit up. The dreadlocked head of the Jesus bowed up and down, up and down. Then stopped, the light illuminating its white robed chest going out.

Mara gasped, her mouth hanging open. Then she put her hands to her mouth and squealed.

“Mummy, Daddy, Ivan, Jesus bowed to me!”

“That’s nice, dear,” her mother said, and that was the end of that. But little Mara would never forget. The Bootleg Jesus became her favourite thing in the house, in all the world.

*

If one looked around, or even past the hills, there was one constant: goats. They climbed where man feared; they frolicked where man could tame them. So man ate them.

They made a soup out of them called “goat water”.

Mara liked to be outside, and so did her older brother Ivan and their friend Sydney, who visited them often, and one day they all had goat water outside, and they enjoyed it, and it became a thing for them. Goat water, outside. At the borders of the town. Where the wild goats were.

And Mara always brought the Bootleg Jesus with her. Everyone humoured her at first. Then, as the years passed, it became more of a sentimental habit. “Mummy and Daddy don’t have to come with us, Bootleg Jesus will watch over us as we eat and play… haha…”

Everyone knew it wouldn’t work, right?

*

Years.

They remove the veil childhood had over knowing how the world really runs.

Mara knew pain, now. She felt her brother’s.

Mara knew fear and hopelessness. She felt Sydney’s.

Mara knew dreams of being one with the earth, of feeling its ponderous power in her veins, of letting the power out through her to be free.

She and her brother ate goat water near the outskirts of the town. Sydney was absent.

Again.

Ivan’s knuckles were white as he sipped spoonful by spoonful, his eyes dark and fathomless, partially hidden by his dark hair.

Mara looked at him while she ate and winced. She was twelve now. She opened her mouth to speak.

“Ivan…”

“Don’t.”

She sighed, wincing.

They both knew why Sydney wasn’t here with them; she was apprenticed with Mr. Stewart, who demanded long and hard hours. Meeting together was a “childish thing”, a thing of the past. She had better things to do.

But that wasn’t true, was it? They both knew what was really going on behind closed doors, in Mr. Stewart’s house, to Sydney. She’d told Ivan, and then Mara; and Mr. Stewart was a friend of Sydney’s family, and they went back a long way. No one would believe her if she said anything, Sydney knew, what with her mother and her father and their fights.

The next time they managed to meet to have goat water Mara stared at the Bootleg Jesus, a childhood comfort, accusingly.

“Weren’t you supposed to protect us?” she squeaked, not wanting even the wind to hear, so embarrassed was she to still hold onto this faint hope.

She slapped it.

Light and gears sputtered to life, and the Bootleg Jesus’s head went down and up.

Mara sprang onto her bare feet. A strong breeze blew up, and she held her long black hair down with one hand, her brown skirt back with another.

Ivan and Sydney looked her way, expressions curious.

She kicked it.

Again light and gears sputtered to life, and the Bootleg Jesus’s head went down and up.

“WHAT?” Ivan said, springing to his feet as well.

Mara fell to her knees before it, taking it in her arms, then setting it down carefully.

“J… Jesus, do you love me?” she asked it, her voice tremulous, her mind back in the cluttered, unused garage, when she still had her naïveté and her heart was untarnished by life’s darker corners. Where she’d thought about godhood.

The bootleg Jesus lit to life again, bowing its head. A tinny voice. “Yes, Mara.”

Ivan approached. “So what’s inside it? What’s the key thing that makes it run?”

“…You wanna open it up down to its nuts n’ bolts and destroy it to find out? Because I don’t see anyone here who knows how to take it apart and put it back together,” Sydney said.

And all the way home, Mara smiled a gentle, private smile, like she and the Bootleg Jesus that she held in her arms, all the way home, shared something special.

*

“Mara!” her brother called loudly.

She was in the yard, picking out some garlic for this evening’s meal of goat water.

“It’s not working,” he yelled. The Bootleg Jesus.

She got off her knees. “Let me try.”

In the garage, sitting at a table, she said gently, smiling, “Jesus, are you there?”

It came to life, white robe going bright, neon rays from the heart glowing, the head bobbing down and back up. “Yes,” it said in that tinny voice. Then the lights went out, and it stopped moving.

Ivan slapped the table in frustration. “See, it only likes you.”

Mara’s smile went wider. “Maybe because I’ve always had faith.” She turned to leave.

“Wait!”

Mara turned back.

“Ask it for me, then.”

“Ask it what?”

“Will Sydney and I ever get married? Will we get Mr. Stewart to stop?”

“Jesus…”

It lit up, head bowing. “Yes… and no.” It went dark.

Ivan bolted out of his seat and marched out of the garage, punching the door to the house as he passed.

The house rumbled slightly.

“What was that? Earthquake?” She heard her mother wonder out aloud.

“In this area?” she heard her father say.

Mara was the only person who went to the outskirts of the town with the Bootleg Jesus that day.

And the next.

*

Ivan came outside with Mara this time.

Ivan paced back and forth through the lush grass around the bust of the Bootleg Jesus. “So you work, huh? Huh! Well, then tell me this!” he pounced before the bust, snakelike, hissing.

His bottomless brown eyes shone like brown diamonds with the tears in them. “Then tell me what to do about Sydney. She hurts. I hurt. But she hurts more. People hurt her. I want her there when I tell my parents about us, I want her to be able to come out here with me whenever she and I want – what to DO ABOUT THAT?”

The bust of Jesus sputtered with light from within, the head bowed back and forth and a mechanical, tinny voice spoke. “Lose the battle. Win the war.” The light from within sputtered out; it went still.

Mara smiled. Ivan stayed, where he crouched, thunderstruck, fingers gripping green blades of grass, before the Bootleg Jesus.

*

The next day Mara was out, alone again.

Her bowl of goat water lay in the grass, the sun starting to descend. She’d been out here for hours, crying.

“Jesus…”

The Bootleg Jesus lit up.

“What… can I do about Ivan and Sydney? I mean, can I make Mr.Stewart stop?”

“Yes.”

“…How?”

“Force.”

“What do you mean?

The Bootleg Jesus’s dreadlocked head bobbed up and down, the whites of its eyes electric-white. “Do what your heart desires.”

Mara gasped. Hastily, she wiped tears from her eyes. “Will he die?”

“Yes.”

“Will I die?”

“No.”

“Is it worth it?”

“…yes.”

Do what your heart desires… crumble and destruction… death and victory…

Grabbing onto her dark hair from both sides, Mara raised her head and screamed to the sky. The bowl flew away. The ground beneath her rumbled, a nearby tree shuddering its green leaves.

*

Mara walked up the steps to Mr. Stewart’s porch—were those cracking sounds coming from underfoot?—and banged open the flydoor and inside door to Mr. Stewart’s house, the flydoor rattling on its hinges.

She saw Mr. Stewart inside. In a pair of pants and undershirt. He watched her approach.

He wasn’t one to mince words. “What do you want.”

She walked right up to his face. “Leave. Her. Alone.”

Silence.

He scowled.

Then Mr. Stewart roughly took her arm. And that was it.

Then it seemed like Mr. Stewart wasn’t trying to grab her, he was trying to let go. He started to shake. Then he began to convulse. His eyes rolled back ’til you could see the whites; he fell onto a couch seat.

Mr. Stewart had set something in motion inside Mara, and it wasn’t going to stop now.

She had been staring at Mr. Stewart all this time, and she had been hyperventilating. She couldn’t… stop.

Behind the house, she heard a teeth-rending crack. Mr. Stewart’s house seemed to have picked up on his shaking; she looked about wildly.

Mara ran to the door. As her foot stepped in the doorway, a crack split the floor under her feet in half. She jumped down the stairs, onto the ground. The split went into the house, and other cracks branched away from it, taking over the whole house. Windows splintered. The upper floor groaned like it needed to eat, and started caving in alarmingly, warping the roof. Neighbours were coming out of their houses, pointing, shouting and a couple were screaming.

She looked up, past the whole house, to the mountain face that was behind it. And saw the crack in the rock above. Rocks of various sizes were breaking free and pounding down on the house’s roof. She held her breath. The crumbling seemed to stop. Then she realized what it was that was making this all happen.

Her.

She let her breath out in a scream, a scream to release all holding back, all fear, to let the wild things out – or the wild things in. The cracking of the mountain behind the house thunderclapped the air, and huge rocks began to fall. The house rumbled down to its foundation, crushed from above.

People scattered, really screaming for their lives now. But nothing hit them. Nothing hit Mara, either.

Mara simply stared. All the pressures of growing older—and never being old enough for your autonomy—and the ways adults around her had abused that notion… all of it inside her. Calm.

*

She could smell the goat water being made by her mother from the front gate. She eyed a green onion in the garden as she passed and it unrooted itself, trailing her. Her mother froze as she ascended the back steps into the kitchen.

She’d heard, then. Seen. She knew.

The spoon her mother was stirring the pot with lifted from her hand and went into Mara’s. “Let me.”

Lips trembling, her mother stepped back.

Mara put the spoon down and took hold of the green onions still hanging in the air, turning the tap on to wash them. When that was done, she took up a knife—which caused her mother some consternation—and started chopping them, then put them in the pot to cook.

“You always cooked it for me… so many times… I know it by heart now.”

“…Mara…” her mother said, voice trembling.

“Yes?” Mara turned, fingering the knife.

Her mother swallowed.

Mara noticed her mother eyeing the knife and put it down gently. She smiled slowly.

Her father walked carefully up behind her mother, placing his hands upon her shoulders. “You’re… such a big girl now…” he attempted.

“Not so big,” Mara said. “Ivan and Sydney are older.”

“Yes, yes, that’s right,” her mother said, swallowing nervously again.

Her mother stood tall and lifted her chin, lips trembling. “We’ve never hurt you,” she said, trying to be strident.

“No… no you never did. Not you. Not Daddy.”

“You know you can always talk to us,” he said, a strained smile on his features.

“Not about everything, though,” Mara said.

Ivan and Sydney burst upon the scene.

“Mara!”

Mara’s head snapped to see her brother and Sydney behind her, coming up the stairs. The knife lifted from the counter to point at her parents in the blink of an eye. The house rumbled slightly. The air thrummed.

“C’mon, now, Mara,” Ivan said, a cautious laugh, “put the knife down.”

Mara sighed. The knife went back to its place on the counter. The air went still.

“You ain’t gonna hurt anybody now,” Ivan said.

Mara nudged her face towards her parents. “They think I might.”

“No they don’t,” Ivan said, his voice getting louder. “They don’t think you’ll hurt them. Right?”

They nodded.

“Ivan,” Mara said, “Why don’t you tell mom and dad what you wanted to say for so long now?”

Ivan’s lip trembled.

“Well?”

His gaze went to the white floor. “Not like this,” he mumbled.

“Now’s a good time as any.”

Ivan stepped forward, holding Sydney’s hand. He took in a deep breath. “Mom, Dad, Sydney and I love each other. I’d love to marry her someday and I hope that we can have your blessing… now that Mr. Stewart can’t hurt her no more.”

“You have our blessing,” Mara’s father said.

They stood in silence. Mara sighed, turning to look out the kitchen window.

“Well, now what, Mara?” Ivan said. “You have all the cards.”

“No I don’t,” she said softly. She turned back to the kitchen. “I can’t stay here anymore.”

“Why not?” Ivan retorted.

“Here’s a place where no magic can be, yet here I am, manifesting. There’s people out there who know what I can do. They’ll know about me soon enough. There’s places for people like me. You don’t see people like me in public for long.”

“Mara…” her brother started.

“You know it, and I know it,” Mara said. “I have to go.”

“What… what can we do for you?” her father said. Her mother looked near tears.

“You can give me a bowl of that goat water, to go,” she said. “It was always what kept the three of us together.”

“Anything else?”

“The Bootleg Jesus,” she said, a warm smile finally coming to her face.

“I can give you the backpack with the sleeping bag in it,” her father said. “Not like we needed to camp out here with the stars, the open sky…” he caught himself, and coughed.

“I’ll get it,” Ivan said, ducking out of the room.

Mara’s mother began weeping silently, then stepped forward to prepare the soup for her.

“I don’t want you to go,” Sydney said, stepping forward to embrace Mara. She shed tears on Mara’s shoulder for some minutes, before breaking away, wiping at her nose.

“Here, take my poncho,” Ivan said, coming back, dropping the items on the floor.

She didn’t hug her parents as she took the soup and outfitted herself, although her mother looked like she was finally unafraid enough and wanted to do it for all the world. She did hug her brother though.

“Where’s the… oh.” Sydney said as the Bootleg Jesus floated into view.

Mara walked out the door, and down the steps. The sun was maybe a couple of hours from setting, but still hung low enough to set an orange glow across the sky.

The front gate opened of its own accord, and Mara stepped out.

This was all she knew for her entire life. And, just like that, she was unfit to stay here. She’d always been a keen reader, and what technology they had—like television—she knew that it took a massive Gift to do what she’d done today.

The Gift of those considered gods. Townships developed around them. People worshipped them. But they were hard to find, and they might show up in the public consciousness for a while, but just like that, their presence winked out and disappeared.

But she was all of twelve. And yet unafraid.

She looked back to her home. All that stood between her and it was the Bootleg Jesus, bobbing in the air. And it was fitting, in more ways than one.

It started with you, she thought, looking at it, lit up and ready for questions.

Would she ever get the time to control her Gift? Would she be allowed to? How far did her Gift go? Would she ever find out?

She looked forward, to the sky, then to the ground. They were all that stood between her now.

A god.

Mara took one step away from home, and then another.


© 2019 by Tonya Liburd

Author’s Note: If I recall correctly, it was the simplest of things – and this has happened before, for example, with the Ace Of Knives: a name of a player while I was gaming. They had the name Bootleg Jesus and it was a title and an idea generator. What is a Bootleg Jesus? etc.

Tonya Liburd shares a birthday with Simeon Daniel and Ray Bradbury, which may tell you a little something about her. She is a 2017 and 2018 Rhysling nominee, and has been longlisted in the 2015 Carter V. Cooper(Vanderbilt)/Exile Short Fiction Competition. Her fiction is used in Nisi Shawl’s workshops as an example of ‘code switching’, and in Tananarive Due’s course at UCLA, which has featured Jordan Peele as a guest lecturer. She is also the Senior Editor of Abyss & Apex magazine. You can find her blogging at http://Spiderlilly.com, on Twitter at @somesillywowzer, or on Patreon at www.Patreon.com/TonyaLiburd


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TV REVIEW: Chuck Season 3

written by David Steffen

Chuck was an action spy action/drama/comedy show, starring Chuck Bartowski (Zachary Levi), who started as a down-on-his-luck geek working at the BuyMore fixing computers, when he ended up with a supercomputer with government secrets downloaded into his brain, as he has been used as an intelligence asset.  Season 3 ran from January to May of 2010.

Season 2 ended with a major change as Chuck ended up downloading a brand new version of the Intersect computer into his brain which not only lets him suddenly remember government secrets at convenient times, but gives him a wide range of physical skills, especially martial arts.  No longer is Chuck just “the asset”, forever told to wait in the car and stay out of trouble.  Now he has the combat skills (without actually having earned them through training) to be able to take danger head on.  It had also ended with Chuck, Casey (Adam Baldwin), and Morgan (Joshua Gomez) all quitting the BuyMore, with Morgan moving to Hawaii with Anna.

Season 3 begins with much of that being rolled back–Chuck has taken some time off to try to become a full-time spy, even turning down an offer from Sarah (Yvonne Strahovski) to quit and run away, but it has not worked out well, so he ends up returning to work for the BuyMore.  Morgan’s dream to become a chef in Hawaii does not go well and Anna leaves him.  Team Bartowski ends up reuniting, albeit with a much more awkward mood because some drama happened between them that you don’t know about yet.  So, Season 2 felt like it was written as a series finale, and meant to give some sense of closure by ending an era in various ways, but when the writers began writing Season 3 realized they didn’t know how to write Chuck without the BuyMore, without Morgan, etc.  So the first several episodes the season were very awkward and felt off, I think because they were trying to put everything back together without it seeming ridiculous.  And especially with the relationship between Chuck and Sarah being kindof tense and bitter, I was starting to consider giving up on it, but it finally turned around became good again.

Despite the “putting everything back together again” feel, the season 2 finale did have a big permanent change in that Chuck does still have the upgraded intersection that lets him be an action hero.  This changes the dynamic of the show quite a bit because he’s no longer the helpless one, and also that he has to learn to control his emotions for this part of the Intersect to work properly. Which, I have mixed feelings about, because part of the appeal of the show was that the male lead is not macho, is not aggressive, is prone to talking about his feelings at inopportune times during the middle of missions.  After the first few episodes I think they made it work, and it felt like a solid show again, albeit a quite different show, it still had the parallel BuyMore hijinks, still had the comedy with the action, still had the relationship stuff between Chuck and Sarah.

And while the season is slow to start, some of the reveals and happenings later in the season are the best in the series yet.  So, I’d still highly recommend watching, just trying to push through the first 3 or 4 episodes if it’s seeming dull.

TV REVIEW: Chuck Season 2

written by David Steffen

In the premier season of Chuck, the title character Chuck Bartowsky (Zachary Levi) had been living an unextraordinary life working at the BuyMore after being kicked out of Stanford based on false accusations of cheating, and dumped by his girlfriend.  Until he gets an unexpected email from Bryce Larkin (Matt Bomer), (the one who got him kicked out Stanford), that contains coded images containing government secrets that download themselves into Chuck’s brain, and after that if he sees something that is in the Intersect (the name for the computer storing the data), then he will suddenly know the information.  So Chuck has been working with CIA Agent Sarah Walker (Yvonne Strahovski) who has been posing as his girlfriend, and NSA Agent John Casey (Adam Baldwin) who has been posing as a co-worker at the BuyMore.  Season 2 ran from 2008-2009.

As season two starts, the team goes on what Chuck thinks will be his final mission, to retrieve a component needed to make a new computer-based Intersect so that Chuck can retire.  What he doesn’t know is that Casey has been given orders to kill Chuck as soon as the new Intersect is running, because he’s too much of a liability.  (Since this is all in Episode 1 of the season you can guess that neither does our title character get killed nor does he get to go back to normal civilian life).

Season two was a great build from season one, expanding on a great formula.  The BuyMore still plays the comedic foil to the more serious spy action.  The main difference in format from the previous season is that Chuck is getting more accustomed to the spywork, the action, and the lying, which makes sense, but it’s still good old sensitive Chuck, usually trying to talk about feelings on a mission while everyone else is trying to concentrate on not being dead.  There are some major revelations having to do with Chuck’s family in this season that are awesome and fun.

I loved season two just as much as season one.  Highly recommended, fun, generally lighthearted, with lots of spy action.

GAME REVIEW: Baba Is You

written by David Steffen

Baba Is You is a puzzle game developed by developer Hempula Oli and released on Steam in 2019.

At first glance it seems like a pretty typical block-pushing puzzle game, where you move a character around and push blocks to reach the designated goal. But in this game, some of the blocks are words that when combined form the fundamental rules of the level, and the object is modify those rules to make it possible to reach the goal. The title of the game “Baba is You”, because every level in the game has to have a “___ Is You” rule which defines what kind of object is the player character. While many of the levels have Baba Is You rule to define Baba as the player character (Baba is a white four-legged creature), Baba is only you because of that rule… as you will discover if you accidentally break the “Baba Is You” sentence without replacing it with something else, and will not be able to continue, having no player character.

So let’s say the rules say that you win by touching the flag, but the flag is surrounded by impenetrable walls. Depending on the pieces available, you could win by making the walls pushable, or by making something besides the flag the way to win. Lots of different combinations are possible based on what rules are defined in the level and which ones are malleable (while all words can theoretically be pushed, often they are placed in unreachable parts of the level to make those rules basically immutable for the level).

The game gradually builds up, adding more nouns and verbs and adjectives to further complicate how you have to think about the rules to break them sufficiently to beat the level, such that even levels where you only have a few movable pieces can still be stumpers for quite some time and I find myself often picking through them in my mind as I’m doing other things, trying out different combinations of the available rules, and most of the stumpers I’ve figured out when I’m NOT playing.

The headspace of the game feels very similar to the headspace of a particularly novel and interesting computer programming task, takes you a while to get your head around it but then it is so satisfying when everything turns out the way you imagined. This game will probably be particularly appealing to people who enjoy that kind of challenge.

I haven’t finished the game yet, but I am well and truly hooked and I’ll keep picking at the remaining levels until I get them, and it’s very satisfying when I get one of the stumpers I’ve been stuck on for a while.

Visuals
Cute, in a simple way.

Audio
Fine, though I usually play with the sound off; it doesn’t appear to have made much difference.

Challenge
SO challenging puzzle game, though the game has a well-designed difficulty curve, the first levels breeze by because they’re ingraining the basic rules into your head, but as the simplest cases of those are exhausted and more words are added it becomes frustratingly difficult.

Story
No story, particularly, Baba is moving around a map trying to reach new areas, but you don’t really know what the point of it is.

Session Time
You can quit at any time, and any given level probably only takes a couple minutes once you figure out the strategy, so it’s easy to pick up and set down.

Playability
The movement is very easy, just arrow keys and you can also wait. Other things in the levels only move when the character moves so you can take your time to think if you need to, it’s not a game of fast fingers. The challenge is not in the difficulty of the gameplay.

Replayability
Haven’t finished the first playthrough yet, but I imagine it wouldn’t necessarily have a lot of replay value because you’ll know the puzzles, but maybe there’s some collectibles or unlockables to enhance that.

Originality
It is based around a familiar type of game but with rule rewriting system I’ve never seen before, ends up making it a whole new kind of game.

Playtime
I haven’t finished it yet, but I’ve spent 14 hours of playtime on it, and I’m sure the playtime will vary wildly from player to player based on how fast they solve the puzzles.

Overall
This is an excellent puzzle game if you enjoy mind-warping mental challenges and especially if you have a sort of programmer brain that likes playing with the framework that everything is built on, that when faced with a challenge that seems insurmountable, enjoys rebuilding the entire structure to make it surmountable. I highly recommend it though I warn you that it might drive you to distraction. It’s listed at $15 on Steam. If you’re not sure you understand what I mean by rearranging the rules, watch the video at the bottom of this review, it gives some useful examples.

DP FICTION #52A: “The Ceiling of the World” by Nicole Crucial

This is important. When Margaret moved to the city, you see, the office she worked in was on the top floor, five stories up. The train took twenty-five minutes to travel between Bleek Street—where her office was—and Swallow Avenue—where she lived. She took a room in a basement, and that basement room was ten feet below the ground, and through the eighteen-inch windows at the top of the room, daylight filtered in. The reassuring whisper-hum of the underground trains tickled the soles of her feet every few minutes. 

She’d kept hearing the city was growing. She figured, that’s where the jobs are—so she’d moved there. And yes, it was true, there were all kinds of jobs. You could be a copywriter, or a production assistant, or a construction worker, or pharmaceutical saleswoman, or a waitress at a fancy restaurant, or a waitress at a cheap diner, or a mail woman, or a graphic designer, or a barista, or a zookeeper, or a city planner, or an executive assistant, or a plumber, or an engineer, or a nail technician, or a food truck driver. That was part of the excitement: the possibility. The city was big enough for anything, bold enough to swallow anyone and spit back out a well-adapted spider monkey to climb the skyscrapers. Folks moved with an animal grace through the streets, stepping lithe around the potholes and trash, extracting quarters from their pockets without fumbling when the homeless people jangled their coffee cups. 

She’d liked the office with the view—the bumpy horizon of skyscrapers, historic and glassy-obsidian-new; the obstructed but beautiful sky; the surrealist haze that lingered and that was equal parts factory, cigarette, and vape shop. She’d taken the job at the office with the view without really knowing what the job was about. It had something to do with spreadsheets and calendars. It didn’t much matter what she did. 

“Every morning I walk out of the train platform, and I look straight up and can hardly take my eyes off the ceiling of the world till I walk inside the building,” Margaret told her mother. 

The five-story building was a walkup, and Margaret didn’t mind. She hummed in the stairwell, failing to count her steps. 

This is important. She was distracted and dying to be enchanted. So it took her a while to notice. 

*

One evening Margaret came home and descended the stairs to her basement alcove. Her legs were powerful now, after a few weeks of climbing those five stories, the stairs to the subways, this path to her bed. 

At the bottom, she put her foot down, expecting the tile floor. Instead her pump found the slick edge of another worn stair. She stumbled, barely caught herself on the railing in time to avoid a face plant.

Strange, she thought. 

“These godforsaken shoes,” she said to her mother on the phone. 

The light falling from the high, squat windows seemed a little dimmer. 

*

She noticed, eventually, that where once she’d only been able to hum her favorite Johnny Cash song’s chorus three times while claiming the stairs at work, she now could almost finish a fourth repetition. 

Outside the gilt-edged windows in the historic office building, the construction workers and cheap diner waitresses and engineers looked a little smaller. 

“Nothing is ever finished, is it?” said her boss, dropping a stack of papers on Margaret’s desk. 

The factory-cigarette-vape shop haze shimmered outside the windows.

This is important—or rather, it’s not. In the evenings, when she got home and eased her heels carefully over the unexpected last step into the basement, Margaret could not have told you what she’d done all day. 

*

She noticed the clock more now. How the quiet, stuffy minutes in the train seemed to stretch out between the stops, unfurling, leisurely, absent-minded. When she looked up from the sidewalk, the edges of buildings hemmed the once-unbounded ceiling of the world, the perspective making them narrow dramatically toward the sun. 

Mail began coming in bins, directed to the “6th floor.” 

“Should we change our address on the website?” asked Margaret, who, she remembered in this moment, was in charge of such things. “Facebook?” 

“What do you mean?” asked her boss. He pointed to the website open on her computer—6713 Bleek Street, 6th floor. “It’s always been the sixth floor.”

Margaret read every address on every piece of mail backward, from the bottom line up, to be extra sure that her brain wasn’t automatically filling in a number. Still, the number 6 made her bones feel brittle, fragile. She was glad she took the 8 train home.

*

In her basement room, which she swore now sat two steps lower into the ground, she heard the train passing the wall directly next to her bed. Strange. It didn’t seem like sinking two steps should bring her bedroom latitudinal with the train. 

But, you see, she liked how the rumble had moved from under her feet to level with her chest as she faced the wall at night. It began to feel like the gentle but deep vibrations of a snoring lover, perched next to her under the sheets. 

*

On a Thursday night, she went out. The bar she ended up at was three blocks from her heightening office, a puzzling intentional mix of hole-in-the-wall-dive and classily dim-lit, marble surfaces.

She sat alone at the bar stirring a gin and tonic until some man decided she looked lonely enough. It was an accurate observation. He settled into the stool on her immediate left.

“Where are you from?” 

It was a question no one had ever asked in her hometown. 

She gave its name; added, sheepishly, as one was supposed to do if they hadn’t been raised in the city: “It’s just this little town. I moved to the city a few months ago.”

“Oh? What for?” he said, rolling the tiny straw from his drink between his thumb and forefinger. It was not a frenetic motion—it was something unhurried. 

This was where she was supposed to say what her job was, or admit she had attended an expensive university here. Even though she knew this, Margaret found that the question clotted in her ears, plugged her throat. 

“I work on Bleek Street,” she said. She was changing the subject; the man did not know this. 

“Oh—I work two blocks over.” He held her eyes. Margaret noticed, startled, that he’d looked her straight in the eye for their whole conversation. 

He smiled, a toothy, guileless, out-of-place smile. As if the proximity of office spaces were a serendipitous coincidence, not the rational result of two people wanting to drink after work and not wanting to take a train across the ever-widening midtown expanse just for that. Margaret stared at him, the pads of her fingers dripping condensation on her glass. She felt as if she were on the train again. Trapped in the split second of darkness and encroaching bodies in which she feared, irrationally, that she would never get off, that this was eternity. That the moment would never end, or if it did, that it would never leave her. 

“Have you noticed the buildings?”

“The buildings,” he repeated. 

“They’re… growing.” 

“Growing?” He leaned closer, placing his palm on the stool that separated them to steady himself. 

Strange: a stool, separating them.

“And sinking,” Margaret continued, unable to stop herself. “And moving further apart. The train takes longer. The underground sank deeper.”

He tilted his head. 

“Buildings,” he said again. “Growing.”

*

In the coming months, her office changed its address from the 6th floor to the 7th, then the 8th, 9th, 10th. It remained a walk-up. 

Four more stops appeared on the train between Bleek Street and Swallow Avenue. The stairs leading down to Margaret’s basement room added a platform and doubled back in a second flight, and she had to crouch while descending in darkness. No more light reached her from the small windows. 

She didn’t see the man from the bar again. He’d entered his number into her phone and texted himself from it—a process that made her wrinkle her nose, but remain silent. But when she looked in her messages later, the conversation had disappeared. All her conversations had disappeared. 

Above her, the trains whispered and hummed. The vibrations fell on her as gossamer-light and chilling as spiderwebs. 

*

When she called her mother, the line rang indefinitely. She didn’t pick up; no robotic voicemail came to save her from the anxiety-adrenaline of waiting for the next ring, the silent begging for a dial tone.

Margaret waited for almost an hour, letting each ring saw on her nerves as if a nail file on a piece of string. 

“I miss you,” she said between tones. 

Ring. 

“I met a guy,” she tried. It felt hollow and she was glad, for a moment, that there was nobody on the line. She shook her head, hung up, and redialed: a clean slate. 

Ring. 

“I read a poem once—”

Ring.

“—something about, you know, city as lover.”

Ring. 

“Like how people are home.”

Ring.

“Um, okay, that’s not important.”

Ring.

“This is important.”

Ring.

“Do you remember when I was little?”

Ring.

“And I counted the cracks in the ceiling—”

Ring.

“Every night before I slept.”

Ring. 

“There were seventy-seven.”

Ring.

“I can’t find cracks to count anymore.”

After that, the phone stopped ringing. Only the laden, breathing silence of a receiver, depositing soundbytes into some irretrievable void. Maybe at least the phone company was recording. It comforted her to think that somewhere her voice was frozen, trembling over the syllables in “seventy-seven.” Finally a number that couldn’t change. 

*

A growing city requires all kinds, devours all kinds. Margaret passed the storefronts, caught the job classifieds in her periphery as she handed the morning paper to her boss. You could be an instigator, or a message, or a cookie tin containing only buttons, or a nosejob critic, or a law, or a grocery store mapmaker, or an Internet hoax, or a governess, or a pushpin collector, or a pocket square, or a bottle, or a ringbearer, or a liar, or a mathematician, or a lying mathematician, or a butterfly effect. 

That was part of the excitement: the possibility. The city was big enough for anything, bold enough to swallow anyone. Something about a primate with a prehensile tail. And you see, these days, you really needed to climb, and you really needed that extra limb to hold on with. There was nothing to do but climb. There was nothing to do but be swallowed.

Margaret did something with spreadsheets and calendars. It didn’t much matter what she did. 

*

On a Monday morning, six months after Margaret moved to the city, she stepped onto the sidewalk after a three-hour train ride.

She looked up at the ceiling of the world. She hadn’t been able to sigh about it to her mother for six weeks. Above her, a tiny misshapen circle of sky and an edge of blinding sun peeked from the encroaching gargantuan skyscrapers. The sky was more brick than blue now.

Margaret opened the door in her office building. She took a deep breath. 

She began the climb. She did not hum, because she knew if she did, her voice would give out on the way up. She failed to count her steps. 

She was distracted and enchanted to be dying. 

This is important.


© 2019 by Nicole Crucial

Author’s Note: I was living in New York City for a summer internship. Unsurprisingly, I felt like a very small and young and alone person in a very big city. Unlike other places I’d lived, New York only seemed to get bigger with time—not smaller—and I thought, what if that was literal? This piece was a way for me to work out my loneliness and frustration, the disappointment with myself and with the environment I was in. I’ve since gone happily back to living in and writing zany, semi-magical fiction about the South.

Nikki Kroushl (writing as Nicole Crucial) is finishing up her senior year as a student of various dark arts (one of them creative writing) at the University of North Carolina Wilmington. She writes fabulist fiction and self-indulgent personal essays. She is far too enthusiastic about planners, punctuation, pasta, caffeine, and Instagramming her cat. Read more of Nikki’s work at nicolecrucial.com.


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BOOK REVIEW: The Forever War by Joe Haldeman

written by David Steffen

The Forever War is a military science fiction novel written by Joe Haldeman and published by St. Martin’s Press in 1974.  It was followed by the sequels Forever Peace (1997) and Forever Free (1999) and A Separate War (1999), but it works as a standalone book (presumably having been sold and published as one).

The protagonist of the story is William Mandella, a soldier in an interstellar war against an alien adversary (known as the Taurans) that no one understands.  Even though humanity now has the technology to travel through wormholes for quicker interstellar travel, travel is still very slow from a bystanders point of view, and because of time dilation at very fast speeds, relatively fast for the travelers.  This has major implications for the length of the war as well as the way an arms race will play out, because when your ship and a Tauran ship make contact their technology could be hundreds of years more or less advanced than yours depending on the planet of origin and time of departure.  Mandella, through several long tours, experiences a much longer stretch of the war than most of his fellow soldiers, taking some civilian time in between.

I thought the novel did very well at the military SF part of the story, using the alien conflict as a metaphor for our wars, in the hopelessness and separation and desperation of soldiers, doing whatever they can to survive their tour.  This was magnified by the complications of space travel and fighting an alien when you don’t know their technology or language or anatomy.  Haldeman wrote the novel after serving as a soldier in Vietnam, and his experience shows through in the feel of the story, it feels very real.

The civilian and some of the interpersonal parts of the story even during the military sections, I found much harder to get into.  I don’t know if this is a consequence of shifting general views in the 44 years since the book was published, but whenever he was going through a civilian part of his life, I was ready for that part to end–in particular the character’s views on homosexuality as the culture around him grew more and more to accept homosexuality as the norm.  (The character didn’t strike me as homophobic, exactly, but it sometimes seemed like that was all he could see about the people around him)

Overall I thought it was good military SF, lots of actions and strategy, though frustrating at times.