THEATER REVIEW: Elf (The Musical)

written by David Steffen

Elfthemusical.jpg

Elf is a musical theater production that made it’s Broadway debut in 2010, based on the 2003 movie of the same name.

The play features a very similar plot to the movie, starring Buddy, a human who was accidentally brought to the North Pole by Santa Claus when he was a child and raised by Christmas elves ever since. Buddy is now an adult and struggling to fit in because of his gargantuan size and underperformance in the toy factory (lacking the elfish extreme aptitude for toymaking). He happens to overhear someone say that he’s really a human. He finds out that he had been given up for adoption by his mother who passed away, but his father is a businessman working in New York City.

So Buddy sets out to find his father Walter Hobbs, who is working at a publisher in the Empire State Building that makes children’s books. He has no familiarity with the human world, how money works, or that anyone thinks that Santa Claus isn’t real. Walter Hobbs has a wife and son and doesn’t welcome the presence of a man dressed as a Christmas elf who claims to be his son.

I love the movie version of this. I’m generally not a Will Ferrell fan, but to me the movie was Will Ferrell at his best, with the perfect performance for the wide-eyed innocence of a human being who has grown up in the miniature saccharine world of the North Pole, and much of it comes from the unexpectedness of the story. The play, since it’s based on the movie, loses much of the novelty inherent, and it does very little new with the concept. It does add the musical element of it, but as far as musicals go, it didn’t have any songs that stick in my head the way they do for a great musical (the only one that I remember at all is the title song “The Story of Buddy the Elf” and I think I only remember that one because they played it frequently on TV commercials for months ahead of time. On top of that, it was hard not to measure the main actor’s performances against Will Ferrell who, as I say, I’m not generally a fan of but pulls of this particular role quite spectacularly.

If the story sounds like fun, I would definitely check out the movie version, but the theater version didn’t wow me.

GAME REVIEW: Super Smash Bros. Ultimate

written by David Steffen

Image result for super smash bros ultimate

Super Smash Bros is the fifth entry in a multi/single player fighting game starring famous characters from Nintendo games and games by other companies, this one for the Nintendo Switch. In typical fashion, only a limited number of characters is available from the beginning, the twelve playable characters from the original Super Smash Bros. But this game includes all playable characters from all previous Super Smash Bros games, and with additional playable characters, for a total of 76 playable characters that can be unlocked. This is not including DLC, which will add additional characters, the first couple of which have already been announced: the Piranha Plant from Mario games, and Joker from the Persona series.

Many of the characters are ones you’d expect from a Nintendo cross-game mixup, like Mario, Luigi, Bowser, Peach, Link, Zelda, Samus Aran. There are also quite a few characters from the Pokemon franchise, including Pikachu, Mewtwo, Lucario, and the Pokemon Trainer who can cycle between Charizard, Ivysaur, and Squirtle within the same fight. The cast includes Solid Snake from the Metal Gear series with various explosives, Ken and Ryu from Street Fighter games, a bunch of characters from the Fire Emblem series, as well as quite a few oddball references like Mr Game & Watch and R.O.B. and the Wii Fit Trainer.

The series has a huge following, you can find anything you could want to know out there by searching, profiles of all the fighters including how to best use their special moves and what specific games individual special moves reference, videos of gameplay, tournaments, lots of gameplay tips.

The controls are easy enough to pick up that someone can become basically competent pretty quickly–movement with the joystick, jump with the joystick or jump buttons. Basic attacks are a single button which can be modified by tilting, holding, or “smashing” the joystick in one of the major directions or by performing attacks in mid-air (these tend to be punches/kickes of various kinds). Special attacks are a different button and tend to be more varied and have to do with this particular character’s abilities, like Bowser’s fire breath or Solid Snake’s land mines, or Pikachu’s lightning bolts, which have variations based on holding the joystick in different directions. Then there is dodging and blocking (which beginners tend not to use, in my experience).

To be an expert, there is a lot to learn about what moves are superior to other moves, what moves will pack extra punch if timed or spaced just perfectly, how to time dodges and blocks to become a very elusive target. I am not an expert, and I doubt I will ever be, a lot of these details are incredibly hard to master. But there is a lot of middle ground between being easy to pick up and extremely hard to master, and if you think a brawling game with famous video game characters sounds fine, give it a try if you haven’t tried the series yet! If you have tried the series, it is a solid entry with the major benefit of having ALL of the previous characters (some characters were in one game but not in the next, so if you’d missed that one game you’d missed that character entirely, but this one is all-inclusive).

Challenge
It’s as challenging as you want it to be, as you can set the challenge level. As far as, like, historical street fighter type games go, it’s easier to pick up the controls, because you don’t have to memorize special move key combinations for each character. But there are complexities to which moves can work against which other moves, the timing of hits and the timing of dodging or shields, that to become an expert at the game you would have to spend a lot of time learning and honing your reflexes.

Story
There is a story mode, but story is certainly the weakest point of any Smash Bros game, more or less just an excuse for a series of battles but without being particularly interesting or compelling on its own.

Session Time
Most battles will take a maximum of a few minutes win or lose, and in certain modes you can even put a strict time limit on it if you want to be done more quickly, so it’s a very easy game to pick up and set down.

Replayability
With a total of 78 playable characters in the game, not including DLC, there is a lot of variety just in variations of moves and play styles. Combine that in the various single player modes, and then multiple player modes, and there is a lot of potential for replay.

Originality
The first Super Smash Bros was very original, I hadn’t seen a cross-game-universe fighting game on that scale before. At this point it’s the fifth entry in the franchise, and working from a proven formula, always increasing the scale and tweaking the rules, though I wouldn’t say this entry is any more original.

Playtime
As much or as little as you want, really. If you want to unlock all of the playable characters and you want to unlock all of the achievements, you could spend a long, long time at it.

Overall
I have been a fan of this franchise since its launch on the Nintendo 64 in 1999, and they would have to seriously screw it up to not get my recommendation. The controls are easier to pick up than a lot of fighting games and it is just fun and goofy to face favorites by Nintendo against each other, like Bowser vs Samus Aran or Pikachu vs Ganandorf or King K. Rool against Ryu from Street Fighter. You can buy it digitally directly from Nintendo, or buy it on a cartridge from various retailers for $60.

MOVIE REVIEW: Spider-Man: Into the Spider-Verse

written by David Steffen

Image result for into the spider verse wikipedia

Spider-Man: Into the Spider-Verse is a 2018 animated superhero movie from Marvel Studios.

Miles Morales (Shameik Moore) looks up to Spider-Man even though his policeman father (Brian Tyree Henry) hates him. His uncle Aaron (Mahershala Ali) takes him to an abandoned subway station to make some graffiti, and he’s bitten by a radioactive spider there. He starts to manifest his spider powers the next day in an embarrassing encounter with the new girl Gwen Stacy (Hailee Steinfeld).

While searching for the abandoned subway station again, he stumbles across Spider-Man (Chris Pine) fighting to stop an alternate reality gateway made by Spider-Man’s nemesis Wilson Fisk (Liev Schreiber) (aka the Kingpin). Not long after Miles meets another Spider-Man (Jake Johnson), and he’s not the only one.

The animation in this movie is gorgeous, capturing the comic book style and feel and using comic book styling for emphasis and fun. The plot is weird and action-packed and full of twists and turns. The writing is superb, the voice-acting is great, the humor is perfect. It’s the first animated Spider-Man feature film, and the first one starring the Miles Morales Spider-Man character.

Highly recommended, watch it, you won’t regret it.

The Best of Strange Horizons 2018

written by David Steffen

Strange Horizons is a freely available online speculative fiction zine that also publishes nonfiction and poetry.  Their editors-in-chief are Jane Crowley and Kate Dollardhyde.  Their senior fiction editors are Lila Garrott, Catherine Krahe, An Owomoyela, and Vajra Chandresekera, and their podcast is edited, hosted, and usually read by Anaea Lay.  They publish a variety of styles of stories and have regularly attracted award nominations in recent years.  All of the stories and poetry in the zine are published in the podcast.  In 2018, Strange Horizons published about 50 stories .

Stories that are eligible for this year’s Hugo awards are marked with an asterisk (*).

The List

1.“The Fortunate Death of Jonathan Sandelson” by Margaret Killjoy**
Hacker uses compromised drones to harass high-level executives of world-wrecking corporations, but is accused of murder.

2.“Some Personal Arguments In Support of the BetterYou (Based On Early Interactions)” by Debbie Urbanski*
This is a really interesting point of view piece, in favor of the “BetterYou”, a copy of yourself that fits some definition of an ideal you who joins your family.

3.“Variations On a Theme From Turandot by Ada Hoffman*
Very meta-story about evolving permutations of a play repeated over and over.

4.“Copy Cat” by Alex Shvartsman and K.A. Teryna*
What could a cat do to keep its home after its owner dies?

5.“Venus Witch’s Ring” by Inda Lauryn*
Make a deal with a devil, and the bargain is never what you expect.

Honorable Mentions

“The Trees of My Youth Grow Tall” by Mimi Mondal*

“Dying Lessons” by Troy L. Wiggins*

“Her Beautiful Body” by Adrienne Celt*

DP FICTION #48B: “How Rigel Gained a Rabbi (Briefly)” by Benjamin Blattberg

Rabbi Dov Applebaum argued—quite eloquently, he thought—for keeping the spaceship to its original flight plan. After all, there were Jewish children on Orion Station who needed Torah lessons before their upcoming B’nai Mitzvah. And yet the AI refused to listen to him and instead plotted a new course towards the distress signal on Rigel-7.

When the AI stated that intergalactic law compelled them to answer a distress call, Dov might’ve kept quiet—he wouldn’t actually have kept quiet, but he might have—but when the fakakta computer started citing Jewish law, Dov had to object.

“True, Leviticus says not to ‘stand idly by the blood of thy neighbor,'” said Dov, “but there are many interpretations of the Jewish law around distress signals. For one, what is a neighbor, galactically speaking?”

Dov could have discussed this for days, turning the argument about so that every angle of interpretation caught the light. But he only had hours before landfall and the AI had stopped actually listening anyway. Dov was used to that. His students throughout the galaxy didn’t listen, so why should his ship? Dov tried to imagine the Jewish children on Orion Station wailing and rending their garments over the delayed arrival of their favorite rabbi, but it was easier to imagine them eating synth-pork and forgetting what it meant to be Jews.

To add to Rabbi Dov’s woes, as his ship entered orbit and prepared to descend to the surface of Rigel-7, the Rigelian ambassador Cho’sun called on the viewscreen to forbid Dov from landing.

The spider-like Rigelian spoke its own language, which sounded to Dov like Coney Island being picked up with little warning and shaken. Luckily, Dov had a universal translator, a small black box clipped onto the upper sleeve of his flight suit, loaded with an AI that had been trained specifically to Dov’s native language. The box seemed to hum and clear its throat before translating.

“Listen, schmuck,” said the Rigelian through the translation box, “we have no laws to protect outsiders and you’ll just have to live with the consequences.”

Dov glanced at the translation box skeptically and tapped at it with one chewed nail. He couldn’t hear any loose parts in there—and if there were, what could he do about it?

“You hear me, schmuck?” Cho’sun waved its anterior arms in emphasis.

“Ah,” said Dov, as he attempted to stroke his red-brown beard thoughtfully, as his teachers had done and their teachers before them. The effect was rather ruined by his beard’s tendency to float up in microgravity, the curly mass haloing his jaw. “But you see, Ambassador, I am not landing—the ship is.”

Cho’sun made a sound like a garbage disposal chewing up dinosaur bones. The universal translator rendered this as laughter at first and then clarified: “Dismissive laughter.”

“Ambassador,” said Dov, “intergalactic law demands that distress signals be answered by the nearest available ship.” Even if that ship was a weaponless family transport that currently held no family, just Dov and his collection of Judaica, including a parchment Torah in a chased silver case all the way from Earth. That treasure he rarely brought out: only for brief ceremonies and never while his people were noshing.

“Universal law, shmuniversal law.” The ambassador flexed its claws, which might have been body language for emphasis or negation or something else entirely. Dov had skipped taking xeno-linguistics in college and the translator had its limits. “And in any case, Mr. Bigshot, we plan to take care of our own distress call, thank you very much.”

“Ah, so there is nothing to be distressed about?” Dov looked over at the terminal where he imagined the AI to be, a slight air of triumph in his raised eyebrow.

“Nothing at all distressing,” agreed Cho’sun. “As soon as we find them, we will kill off the entire unclean species that is sending whatever call you are receiving.”

Dov grimaced like he’d tasted a bad piece of whitefish. “It sounds, Ambassador, like you are speaking of genocide.”

Insofar as a spider can smile, the ambassador did. “Aha, now you understand.”

Dov’s bad fish expression deepened and he sighed. He couldn’t see any way to avoid landing on Rigel-7. He raised his hands and shrugged, the ancestral Jewish gesture for “What can I do about this? Nothing.”

Even the ambassador, who had probably never met a Jew before, seemed to take Dov’s meaning. Its voice took on a husky edge: the Empire State Building being scraped the length of Long Island. “We will cleanse Rigel-7 of this degenerate species and if you interfere, your life will be forfeit, schmuck.” The viewscreen went dead, the communication cut.

After a long moment of sighing, Dov flipped on a tablet, calling up commentaries on mediation by the most esteemed rabbis, as well as accessing a brief summary of the Rigelians. Their description—violent, xenophobic—sounded to Dov much like his ancestors’ stories of growing up with the Italians in Yonkers. And hadn’t they made peace there before moving to Scarsdale and Florida?

Perhaps Dov could be the one to bring Rigel-7 into the intergalactic community. He’d rather keep to his schedule and be teaching Torah to ungrateful children on backwards space stations, true, but if he had to make peace between two warring tribes on Rigel-7 and go down in history, so be it.

Perhaps, with his help, no one would die.

***

They were all going to die.

Cho’sun had called these other aliens a “species,” but the ambassador had called Dov a “schmuck,” too, so what did he know? Truth be told, Dov felt less like a schmuck and more like a schlemiel: not the clumsy waiter spilling the soup, but the guy the waiter spills soup on. Only in this case, it was more like the universe itself was spilling soup on Dov.

To Dov, these aliens didn’t seem like a distinct species. For one thing, there just weren’t that many of them, maybe ten total, camped out here in the middle of the green-black jungle. The jungle itself smelled faintly of burnt sugar, like overspun cotton candy, and was lush and thorny. Dov had time to discover the thorns as he hiked a few miles from the only clearing where his ship could land, since this benighted planet hadn’t any spaceport or roads or Chinese food. It was unpleasant, even if the air was breathable and the only large predators here were the man-sized, spider-like Rigelians.

Like the ones standing in front of Dov, asking for help, and not really listening when he said he couldn’t give them any.

“No, I don’t have ray guns on my ship,” explained Dov again. “What should I have ray guns for?”

The aliens talked to each other in voices that sounded like the Long Island Expressway being rolled up and eaten like pastrami, in the same language that Cho’sun used. Not only did they speak the same language and look nearly identical to Cho’sun—the same dark compound eyes, chitinous exoskeletons, and abundant limbs—but they waved away Dov’s well-thought-out arguments with the same motions. Dov wasn’t sure what set these Rigelians apart or why he hadn’t become a dentist with a nice little practice on Mars.

“Given your similarities, why do the Rigelians hate you so?” asked Dov.

Yen’tah, a smaller and slightly reddish but just as horrifyingly chitinous and hairy spider-thing, bristled, rising on its posterior four legs. “I reject your question—we too are Rigelian! It’s divisive speech like that—”

The other Rigelians began to yell at Yen’tah, making even more noise than it did. Dov’s translation box parsed their commingled cries: “hush, sheket, enough already!” Yen’tah made a gesture that Dov assumed was rude among egg-laying, non-binary sentients, but it stopped speaking and a moment later the ones who had shouted Yen’tah down quieted to a low grumble.

“The Kin hate us Other-kin because they do not believe in change and we have changed,” said Buch’ker, who was larger than all the other Rigelians and spoke in a voice that sounded like a Ferris wheel making love to a container ship. Buch’ker cocked its head to one side and then the other, a gesture that indicated thought among the Rigelians. Buch’ker was considering how to explain to Dov, and eventually it said, “We see the world differently.”

“Ah, a philosophical difference,” said Dov. “As a Jew, I have some experience—”

The Otherkin around him cut him off, their bulbous abdomens grumbling. The whole noisy rabble reminded Dov unexpectedly of a congregation held too long at service, with the promised land of cookies and gossip so close.

Buch’ker pointed to one of its eyes, as shiny as new challah, and said slowly, as if to a young child, “We see the world differently.”

After some clarification, with Buch’ker talking ever slower, Dov eventually realized this talk of “seeing the world differently” was the literal truth, as well as a metaphor. As metaphor: whereas the Kin avoided change and only maintained the technology they had inherited, the Otherkin believed change was acceptable, particularly when it would help them avoid extinction. And as literal truth: the Otherkin had experienced a genetic shift that allowed them to sense many different wavelengths. Though as they hadn’t developed a theory of genetics yet, Buch’ker explained this as simply a difference between its family—all the spider-aliens here being closely related—and the other Rigelians.

Also, Yen’tah explained, their thoraxes were smaller or hairier or something, but Dov couldn’t see it.

While Buch’ker explained this, two of the Otherkin scuttled up the trees and began to dismantle their nests high in the canopy overhead. These nests were temporary structures, Buch’ker had said before, put up and taken down as the Otherkin migrated through the jungle, staying ahead of their distant cousins and would-be murderers. A few others began to look up at their nests, realizing that Dov couldn’t help them, that running away would be their only hope. Maybe, if they were lucky, the next starship they called with their distress beacon would be more help.

And if not, more running, more distress calls, and more running.

The original distress beacon was still beeping—Dov’s ship relayed the call to his suit, despite his request to the AI to not do that, please. Dov had even asked the Otherkin to turn off the beacon, fearing that the Kin could track it.

Alas, explained the Otherkin named Gon’nef whose eyes were oddly close together, they had just recently invented the distress beacon and had not yet invented the off switch. A few Otherkin made a noise that seemed like laughter at that.

But Dov decided to leave that topic alone, especially after Buck’ker told him that the Kin had viewscreen technology that operated only on that frequency, but not a lot of other communication technology. The Kin couldn’t track this new signal since they didn’t invent any new technology, just lived with whatever old things they had and never changed.

“This taboo against change, this is taught to the Kin from your Creator or Creators?” asked Dov then, looking forward to discussing comparative religion rather than the first topic the Otherkin had wanted to discuss: ray guns.

“What kind of a cockamamie question is that?” grumbled Yen’tah.

“No,” said Buch’ker, “the Creators didn’t teach anything to the Kin before the Kin ate them.”

But now, with the Otherkin packing their nests and preparing to run, Dov felt rather sympathetic to that distress beacon, calling off into the interstellar night for help that might never come. There was something deeply Jewish about it. Dov could almost imagine the Otherkin as the Israelites of the book of Exodus, under the cruel yoke of the pharaoh.

“I have a plan,” said Dov proudly. “We run.”

“This he calls a plan?” Yen’tah sneered.

“If we run, we can escape,” said Dov, “as long the Kin can’t track our signal.”

***

“We easily tracked your signal,” said Ambassador Cho’sun, as it entered Dov’s prison cell, high up in an ancient tower. “But then you probably figured that out when we caught you.”

Dov turned from the window, where he’d been watching his spaceship’s rocket trail, but after he saw the look on Cho’sun’s face, Dov almost turned back. On a human, Cho’sun’s expression would’ve been called a deep frown, but on a human that expression wouldn’t have exposed so many chitin-brown, needle-sharp teeth.

Dov pulled at his flight suit to try to smooth it out and got his beard caught in the suit’s velcro at the neck. “Ambassador, intergalactic law demands that I be allowed to communicate with my home government.”

Cho’sun ignored him. It placed a black box between them and settled itself into the narrow room as best as it could. To fit here, Cho’sun had to fold and tuck its legs under it, like a spider who had extensively practiced yoga. Like most of the city that Dov had seen—while being carried by angry Rigelians—this room was built to a different scale and shape than these natives. The Kin literally lived in houses made for others who had come before them, which, even for Dov, was taking respect for tradition a little too far.

Cho’sun tapped the black box, paused, then tapped it again, this time harder.

“Ambassador, I demand—”

Cho’sun picked the black box up and held it up to its ear canal and shook it, before placing it down and pressing it one more time, firmly. Dov heard a slight pop, like a jar of garlic pickles being opened. Cho’sun clicked its mandibles, which Dov had learned was the Rigelian way of nodding to oneself. Then it began to talk.

“You putz, I told you not to land and what did you do?” Cho’sun fell silent, staring at Dov.

After far too long a silence, the Rigelian added, “That’s not rhetorical, mister. This is your trial right here, nu? You want we should execute you now? Don’t say anything, fine with me.”

Dov paused stroking his beard, getting it caught in velcro again. Buch’ker had told him the Kin would hold a trial before executing and eating him—more respect for tradition, Dov supposed. He just hadn’t thought his impending death would be quite so impending. Dov considered his situation against the long history of the Jews: this was not the worst situation his people had been in. It was not a very comforting thought.

“You want me to explain what I did?” asked Dov.

“Blockhead! We know what you did—you had the gall to save those unclean things with your…” Words failing it, Cho’sun waved a claw towards the window, towards the rocket trail, a column of smoke in the daytime sky. “They all escaped, so I hope you’re happy with yourself.”

Dov considered for a moment before deciding, yes, he was a little happy with himself. It hadn’t been, all things considered, a bad plan for him to run while broadcasting a signal the Kin could detect on the viewscreen technology, while the Otherkin made their way to Dov’s ship, following a signal only they could detect. Dov had a deep, rabbinical urge for symbolism, which was satisfied by the fact that the signal the Otherkin followed was their own distress beacon, relayed from his ship.

Only now he realized the plan’s tragic flaw: he was going to die. It had seemed so clear—and so righteous—at the time for Dov to be the decoy: if any of the Otherkin were left behind, they’d be immediately killed and eaten. At least Dov got this farce of a trial. Not a long enough trial for people to come rescue him, but at least it was something, right?

“We know what you’re guilty of,” said Cho’sun, “we just want to know why. You can explain yourself. And then, the execution.”

“But what am I really guilty of?” asked Dov, a sudden flash of inspiration rising to the surface of his brain like a matzah ball of the perfect lightness and airiness. “The Rigelians wanted to cleanse Rigel-7 of the Otherkin”—Cho’sun bristled at that word, the tiny hairs covering its body vibrating with anger, no xeno-linguistics degree necessary to read that—”and I have done that. There are no more of… them on Rigel-7.”

“Our world is cleansed,” said Cho’sun flatly, “but we were looking forward to killing them all. And now we have to be satisfied with killing only you. And speaking of that,” and Cho’sun reached out to turn off the black box.

“Wait, I can explain better,” said Dov, half-reaching out to swat away Cho’sun’s claw. He caught himself and steepled his fingers as if in thought. “We Jews have an old saying from the Babylonian Talmud—a book of commentary on our laws—that says, ‘whoever saves a life, it is considered as if he saved an entire world.'”

“I do not understand,” said the Rigelian, claw still hovering over the black box.

“Ah,” said Dov, nodding, “you see, it’s a moral calculation that asks us to consider—”

Cho’sun waved him off. “Schmuck, it’s ‘book’ I don’t understand. Whatever those are, we don’t have them and don’t want them.”

But then Cho’sun cocked its head to one side and then the other, the Rigelian gesture for considering.

“And how is one life equal to a world?” asked Cho’sun.

“A lesson like that has to be interpreted,” Dov said quickly. He paused as he heard steps coming up the narrow stairs to his tower cell. The steps were halting and clumsy, the narrow stairs not at all suited to the Rigelian’s sprawling legs. And on top of the click of Rigelian claws, Dov heard something else being dragged, bouncing on each hard step with a clunk. Dov had a moment of vivid worry, imagining them dragging some torture device up to his cell.

Cho’sun had to move aside for the other Rigelians to make their way into the cell and drop what they were carrying in a pile at Dov’s feet. The Jewish children of Orion Station would’ve said it was a torture device, but after wiping away some leaves and mud, Dov recognized it all as his collection of Judaica and teaching materials.

They were dented here and there and all jumbled together—the Seder plate next to the shofar horn, his tefillin straps tangled around Elijah’s and Miriam’s cups, the menorah with one arm bent down, the Torah surfing on a sea of yarmulkes, and a classroom’s worth of tablets, loaded with lessons on everything from basic Hebrew to the most abstruse rabbinical commentary.

“We have only you and all of this,” said Cho’sun, gesturing to the pile. And then, with a little more hope in its voice, it added, “Is any of this edible?”

“No,” Dov admitted, “but I can explain how a life is worth a world.” He picked up a tablet, the least dented and mud-covered, checking that it was still working. He turned it on, flipped to the first page, and turned it to face Cho’sun. “This, here, is the letter aleph, the first letter of the Hebrew alphabet.”

Cho’sun looked skeptically at the image of the aleph on the tablet’s screen. “Listen, bubele, no more nonsense—this you call the answer to my question?”

Dov considered that for a moment, before answering. “It’s the beginning of an answer.”

“How long will this answer take?”

For once, Dov didn’t say what he thought—hopefully long enough for a ship to come rescue me—but merely shrugged, hands up, and gave Cho’sun the same answer his rabbis had given Dov back when he was a student. “It takes as long as it takes.”

Cho’sun looked back at the tablet, its head cocked first to one side, then the other. “Oy vey,” it said finally, and then clicked its mandibles. “What comes next?”

 


© 2018 by Benjamin Blattberg

 

Author’s Note: The seed of this story was probably planted by William Tenn’s “On Venus, Have We Got A Rabbi!” Not the story—just the title. (Though eventually I did read the story and you might want to check it out, too.)

 

Ben Blattberg is a software developer, improviser, and writer currently living in Austin, TX, as long as there are no follow­up questions on any of those facts. His stories have appeared in Tina Connolly’s Toasted Cake, Crossed Genres, Pornokitsch, Podcastle, and Pseudopod.

 

 

 

 

 

 

 


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The Best of Nightmare Magazine Podcast 2017-2018

written by David Steffen

Nightmare Magazine is the horror sister magazine of Lightspeed Magazine, published/edited by John Joseph Adams, with Wendy Wagner as senior editor, and their podcast produced by the excellent Skyboat Media.  The podcast publishes about half of the stories they publish in text.  They didn’t publish enough stories in 2017 for a list, so this list covers both 2017 and 2018.  They published 47 stories between the two years.

The stories eligible for the upcoming Hugo and Nebula award seasons are marked with an asterisk (*).

The List

1.“Dead Air” by Nino Cipri**
Particularly good narration on this one, presented as a series of recordings from a project where a woman records interviews with people she’s slept with.

2.“The Island of Beasts” by Carrie Vaughn*
What happens when werewolves are captured and confined to an island together.

3.“Kylie Land” by Caspian Gray*
An awkward kid befriends a kid with powers.

4.“House of Small Spiders” by Weston Ochse**
It takes a particular set of events for a house to have a soul.

5.“The Ten Things She Said While Dying: An Annotation” by Adam-Troy Castro*
A pedantic retelling of a gruesome death as told by the demon who caused it by entering our dimension.


Honorable Mentions

“Promises of Spring” by Caspian Gray

“A Mother’s Love Never Ends” by Halli Villegas




The Best of Cast of Wonders 2018

written by David Steffen

Cast of Wonders is the YA branch of the Escape Artists podcasts, edited by Marguerite Kenner, covering all speculative genres and aiming to appeal to YA audiences. 

This year’s offerings included their usual staff pick re-airing of stories from last year, as well as one story that was split into seven episodes, for a total of about 45 stories.

Short Stories that are award-eligible for 2018 are marked with an asterisk (*).

The List

1.“All Systems Go” by Gerri Leen
As told by intelligent cleaner bots at an airport.

2.“The Death Knight, the Dragon, and the Damsel” by Melion Traverse*
Recruited as a squire by an undead night, Cori and the knight set out to rescue a damsel from a dragon and get more than they bargained for.

3.“Secrets and Things We Don’t Say Out Loud” by José Pablo Iriarte*
A boy has the ability to find out all of everyone’s secrets with just a touch, but it’s a two-way connection, and he is fleeing with the woman who helped him escape from a lab.

4.“Ten Things Sunil and I Forgot to Prepare For, When We Prepared for the Apocalypse” by Shane Halbach
It is exactly what it sounds like, I like list stories.

5.“Skinned” by Amanda Helms*
Ransacking a warehouse with an android guardian in a post-apocalyptic setting to find skin repair kits to fix the guardian’s rusty skin.

Honorable Mentions

“Sidekicks Wanted” by Laura Johnson

“And Flights of Skuhwiggle” by Charles Lee McDaniel*




The Best of Toasted Cake 2018

written by David Steffen

Toasted Cake is the idiosyncratic flash fiction podcast published, edited, hosted, and most often narrated by writer Tina Connolly. As noted in last year’s Best Of list, Toasted Cake had gone on hiatus for a couple years to make more time for writing deadlines and raising young children, but in the fall of 2017 she brought it back as an ongoing publication, publishing weekly during the school year. 2018 is the first full calendar year of publication after the end of the hiatus.

Tina Connolly has great and varied editorial taste and she’s an experience and excellent narrator as well. If you like flash fiction that is weird and unique and many times fun (but not always, there is serious fare as well), you would do well to check out the podcast.

The List

1.“A Scrimshaw of Smeerps” by Shannon Fay*
Future holiday traditions, wherein we tell the children that cosmonaut Yuri Gagarin comes to our home every year.

2.“Re: Little Miss Apocalypse Playset” by Effie Seiberg
Internal corporate email chain about the business decisions underlying the realistically catastrophic children’s toy

3.“We Need to Talk About the Unicorn In Your Backyard” by Mari Ness
A letter from the homeowner’s association, about the unicorn in your backyard.

4.“Immeasurable” by H.E. Roulo
The new teen trend is to download an app that measures all of your real-life activities by reaching achievements based on your goals.

5.“The Empire Builder” by Eden Robins
The feeling when you wake up with a sentient train in your bed.

Honorable Mentions

“Dear 8B” by Matt Mikalatos






Award Recommendations 2018

written by David Steffen

Here are some recommendations for selected Hugo and Nebula categories. (Note that I’ve listed them in alphabetical order, rather than order of preference, and have listed more than the 5 ballot options when possible). I don’t think I’ve read any eligible novels this year, so that category is not represented.

Best Novella

“Umbernight” by Carolyn Ives Gillman, in Clarkesworld Magazine

Best Novelette

“A Love Story Written On Water” by Ashok K. Banker, in Lightspeed Magazine

“A World To Die For” by Tobias S. Buckell, in Clarkesworld Magazine

“The Last To Matter” by Adam-Troy Castro, in Lightspeed Magazine

“Dead Air” by Nino Cipri, in Nightmare Magazine

“Hapthorn’s Last Case” by Matthew Hughes, in Lightspeed Magazine

“The Fortunate Death of Jonathan Sandelson” by Margaret Killjoy, in Strange Horizons

“To Fly Like a Fallen Angel” by Qi Yue, translated by Elizabeth Hanlon, in Clarkesworld Magazine

“House of Small Spiders” by Weston Ochse, in Nightmare Magazine

“Thirty-Three Percent Joe” by Suzanne Palmer, in Clarkesworld Magazine

“Master Zhao: An Ordinary Time Traveler” by Zhang Ran, translated by Andy Dudak

Best Short Story

“After Midnight at the ZapStop” by Matthew Claxton, in Escape Pod

A Scrimshaw of Smeerps” by Shannon Fay, in Toasted Cake

“Variations on a Theme From Turandot by Ada Hoffman, in Strange Horizons

“Secrets and Things We Don’t Say Out Loud” by José Pablo Iriarte, in Cast of Wonders

“Octo-Heist in Progress” by Rich Larson, in Clarkesworld Magazine

“Hosting the Solstice” by Tim Pratt, in PodCastle

“Marshmallows” by D.A. Xiaolin Spires, in Clarkesworld Magazine

“The Death Knight, the Dragon, and the Damsel” by Melion Traverse, in Cast of Wonders

“Some Personal Arguments in Support of the BetterYou (Based on Early Interactions)” by Debbie Urbanski, in Strange Horizons

Best Dramatic Presentation, Long Form / Ray Bradbury Award

Ant-Man and the Wasp

The Incredibles 2

Kevin (Probably) Saves the World

Spider-Man: Into the Spider-Verse

Super Smash Bros. Ultimate, for Nintendo Switch

A Wrinkle In Time

DP FICTION #48A: “Local Senior Celebrates Milestone” by Matthew Claxton

The reporter is young, smells young even through the miasma of bleach and boiled vegetables. Three Willows Retirement Village is not an olfactory feast, so Millie is grateful for the scents of mango shampoo and coconut hand cream the girl brings with her.

“First of all, congratulations on the milestone!”

Millie wraps her knuckles around the gnarled head of her driftwood cane, leans forward.

“Congratulations?” She releases a calculated chuckle, gently chiding. “On not dying?”

“I just mean… I mean, not everyone gets to celebrate their one-hundred and tenth birthday!”

“Well, that’s very true. I’ve been blessed.”

“I was hoping you could tell me a little about your life. You must have seen so much!”

“Oh, yes.”

The girl has a notebook out now, pen poised.

“I was hoping you could tell me, what’s your earliest memory?”

The pods. The heat of the sun soaked into the sand by day, warming the cluster of egg-sacs. Warm, dark, protected. Her lungs and gills growing, the bones of her limbs hardening. Keratinous spurs on her wrists grew sharp, and the urge to surface gripped her hard. The skin of the egg parted like paper, and salty sand mingled with the cooling jelly. She had squirmed onto the beach. Her parents watched nearby, their horses shying.

Her siblings had crawled free, but she had been the first, the first to see the stars.

“I remember the beach. We always lived near the water, and I loved to run across the sand at low tide, when it was cool. When I was older we’d ride the old mare down. Tried to get her to gallop along the shore once, and she threw me right into a tidepool!” Millie forces a chuckle and a wry smile.

“You grew up on a farm?”

“Oh yes. Lots of chores to do. And schooling, of course. Mama educated us herself, us being so far out in the country.”

They stalked one another through the trees and fields, games of hunt and evasion. Millie had the sharpest nose. She could find her siblings hidden even when their skin changed to match the mottled pattern of leaf and twig. They pounced and bit one another, drawing blood and laughing, violently tender.

Later, Mother drilled them. Human languages first, English and Mandarin, German and Spanish. “You must be able to blend among them. You can’t rely on your hybrid DNA. Never let them suspect. The slightest slip could be fatal to our kind and our mission.”

After lunch it was their Home language, the keening and clicks, the consonants aspirated through flared gills. They studied the old poets and the old songs, in glyphs as twisted as the coils of barbed wire that marked the edges of their homestead.

The reporter leans forward, elbows on the table. “I suppose you didn’t have a telephone, or a car? Do you remember when the first time you saw a car was? Or a radio?”

Father held the communicator in his palm. Smooth as beach glass, liquid fractals pulsed from its center as he clicked and cooed.

“When will I be able to speak to Home?” Millie asked. 

“When the time is right,” said Father. “When you are old enough to begin work on the mission.”

He gently stroked her hair, palm still warm from the communicator. “Soon,” he promised.

“Radio seemed like magic. I heard it first at another family’s home. Voices through the air, you know. The first car I ever saw was considerably less pleasant — it was an old Model-T. The rattle and roar of the thing! I clapped my hands over my ears.”

The reporter nods, scribbling.

“You’ve lived through such turbulent times. What was it like to live during the World Wars?”

The government man’s heels beat hard against the cheap rooming house carpet. Millie held tight to the wooden handles of the garrote, ignoring the blood that seeped around the wire and dripped onto her good shoes. 

Too close. He’d come too close, had seen her emerge from the lake near the munitions factory.

When his heart stilled, she eased him to the floor, then collected every trace of her presence from the small room. She’d have to abandon her identity, find another source for the chemicals they needed for the third phase. The damned war had made the humans watchful, almost clever.

Not so clever that they wouldn’t be easily thrown off the trail. She left a torn page from a German-American Bund pamphlet in the back of the cheap plywood dresser. 

She left, not worrying about fingerprints on the doorknob. She didn’t leave any.

“Nothing as exciting as you may imagine. It was all victory gardens and scrap drives for me. The war on the home front. I was just fortunate that I didn’t have any children in harm’s way.”

“But you did have children?”

“Oh my, yes. Everyone had a big family, back then. A family meant a future.”

She and Henry didn’t bother to put their clothes back on, just walked out of the beach house and onto the moon-silvered sand. She dug the hole with a garden trowel.

“I’m worried,” he said. “We’ve lost contact with the Chicago brood.”

She dropped to her haunches. “Protocol. Scatter and hide. They’ve done it before, after a mission’s gone bad.”

“It’s been too long. I think they’ve been captured, or killed. One of those G-men pursuit teams maybe.”

She shuddered, half at his words and half at the birth-ecstasy. The egg mass slid out of her and filled the hole. Blue-veined embryos blinked at the black sky for a moment before she covered them with sand. She pressed one hand to the spot for a moment, felt their warmth.

“It will be okay,” she said.

“Tell me about your husband.”

“Henry? We met at work, after I first moved to the city. I knew he was a good man, and, well, our families were friendly. We were a good fit.

“It turned out to be a real love match, though. That was rarer than the movies would have you believe.”

She pauses, contains herself. Let the reporter see the sorrow, not the anger.

“He died young.”

The first bullet caught him in the lower back. Purplish blood oozed from the wound as they ran through the alleys, seeking cover in the steam rising from the sewer grates. Men in long coats ran behind them, yelling into crude radios.

The second bullet struck higher, in Henry’s spine. His legs spasmed wildly as he fell. She grabbed his coat, pulled him with fierce strength, but the alley ended in a filthy courtyard.

“Go,” he hissed. She hesitated, and he sang the word in the speech of Home, his golden tones strained with pain. She scaled a fire escape, bullets shattering against the metal railings.

She looked back once. He wasn’t moving.

That winter, she found the leader of the FBI pursuit group. She watched his house burn on a cold night. No one got out, not the government man, not his wife, not their children.

“I still miss him. He was a good man. Left me with a little nest egg, fortunately. In my later years, I travelled, all the trips we’d meant to take together after we retired. But the loneliness… it can get to you, sometimes.”

Goa was comfortably warm, the monsoon kind to her skin. The mathematician at the university had proved amenable to sharing his notes. He was bright, too bright. She cupped the communicator in her hand and reached out to the brood in Bombay. They would need to arrange an accident.

After, she reset to commune with Home, but the device remained silent and dark.

Nothing. Three years, and no word.

What was going on?

The stars were cloaked by clouds, and the sky held no answers.

The reporter taps pen to notebook. She is already running low on questions. Millie sighs. She’s been through the gauntlet at one-hundred, and again at one-hundred and five. There are only a few questions left to go, then it will be time for the tooth-achingly sweet cake, and a walk back to her room.

“Did you ever expect you would live so long?” The question bursts forth, the pleading look says the girl would take it back if she could.

“No,” Millie says. “But when you’re young, you always think you’ll live forever.”

Millie’s knee ached, the arthritis a gift of her human genes. A hurricane was coming, rolling in across the Gulf and making for Florida. She could feel it even inside the sterile grey-carpeted halls of Cape Canaveral.

She pushed the mail trolley, dropping packages in cubicles and offices. When no one was looking, she palmed the scanner the Moscow brood had sent her over racked floppy disks. The scanner hummed in her hand like a wasp as it soaked up data.

They were stealing technology from the humans now, desperately trying to build an alternate means of communicating with Home. Pathetic, but what else could they do?

They could forget. Susan and Abel and Henry Junior spoke to her in English now, called her on Sundays and worried about mortgages as much as missions.

How many of the old poems did they still remember? How much could they be expected to remember, three generations removed from Home?

Thirty years, and no word.

“I suppose everyone learns the secret, if you go on long enough,” Millie says. “You just keep on living. You hope you find someone you can love to spend your life with, you try to do right by your children. You do your work, and hope things turn out well. They don’t, always. You have to make your peace with that. That’s about all I’ve learned, in my time on this planet.”

She sighs, and something in her face makes the reporter draw back a little. A little too much revealed there, the twinge of guilt at any crack in the facade. But she’s an old woman. Who will think her moods are anything worse than the product of a decaying mind?

The singing comes from the kitchen, singing and fire’s feral glow. The fools have somehow lit a full hundred and ten candles atop the white-and-blue frosted slab. It reminds her pleasantly of a burning house.

The chorus of “Happy Birthday” dies away.

“Blow out the candles, Millie!” shouts the home’s manager through lipstick-smeared teeth.

The reporter has her camera pressed to one eye. Fine, if they want a photo, she’ll give them one. She draws breath into lungs deeper than any human’s, and purses her lips.

The flames flicker and die, a hundred smoke trails coiling about like seaweed at slack tide.

The applause is genuine, the kitchen staff and nursing aids shouting in wonder. “Go Millie!” “Lookit that!”

The reporter leans in again, face bright. Good photo for her sad little page twelve human interest story, that’s all she cares about.

“What did you…” She breaks off. “Your brooch…”

Millie puts a hand to her sweater. The communicator hums with life. Fractals bloom across its surface in wondrous, glowing profusion. She clutches her hand around it hard, closes her eyes. It has been so long. One of the lost broods?

No.

Home, the signal strong and clear, the message simple: We are coming.

Millie smiles.

“Just a piece of costume jewelry, dear. What were you saying?”

“I, um, what did you wish for? When you blew out the candles?”

“If I tell you, it won’t come true now, will it? But I think you’ll find out soon enough.”

She lets them cut her an extra slice, and with relish she licks the frosting from her fingers.

On her way back to her room, she hums one of the hymns of home, in subsonics and whispered gill-speech too low for any human to hear.

Millie smiles. She is eager to clip out a copy of the young reporter’s story. Assuming there is another issue of the paper.

It would be nice to have a keepsake. It’s been a day for milestones.

 


© 2018 by Matthew Claxton

 

Matthew Claxton is a reporter living near Vancouver, British Columbia. His stories have appeared in Asimov’s Science Fiction, Mothership Zeta, and The Year’s Best Science Fiction 34. Rumours that he is three small dinosaurs standing on each other’s shoulders in a trenchcoat have never been proven. You can follow him on Twitter @ouranosaurus.

 

 

 

 

 

 

 


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