The Best of Lightspeed Magazine Podcast 2018

written by David Steffen

Lightspeed Magazine is the award-nominated science fiction magazine edited by John Joseph Adams, and their podcast is  produced by the excellent Skyboat Media.  They publish about half of the stories they publish in text.  They published about 49stories in 2017.

The stories eligible for the upcoming Hugo award season are marked with an asterisk (*), with novelettes eligible for the season marked with a double asterisk (**).

The List

1.“Under the Sea of Stars” by Seanan McGuire*
The tale of an expedition to find the truth about a family legacy.

2.“The Quiltbag” by Ashok K. Banker*
The sort of story where you’re trying to figure out what’s going on until the end.

3.“The Streets of Babel” by Adam-Troy Castro*
Cities roam the wilderness scooping up outcasts and incorporating them into themselves.

4.“Hapthorn’s Last Case” by Matthew Hughes**
Another in the Kaslo Chronicles series, this one a mystery story.

5.“A Love Story Written on Water” by Ashok K. Banker**
A tale of immortal beings sent to be born into humans bodies in the mortal world.

Honorable Mentions

“From the Root” by Emma Törzs*

“The Last To Matter” by Adam-Troy Castro**

“What is Eve?” by Will McIntosh



The Best of Clarkesworld 2018

written by David Steffen

Clarkesworld continues strong this year with a mix of science fiction and fantasy, and edited by Neil Clarke, with Kate Baker producing and usually narrating the podcast. I am sure they will continue to be heavily represented on the awards ballots, and they remain prolific as ever, publishing 80 stories in 2018 by my count.

Their partnership with StoryCom continues, which provides a steady stream of translations of Chinese science fiction, which I continue to enjoy the different perspectives and flavor and to find new Chinese authors this way.

Every short story that is eligible for Hugo nominations this year which were first published by Clarkesworld are marked with an asterisk (*), novelettes are marked with a double-asterisk (**), novellas are marked with a triple-asterisk (***).

The List

1.“A World to Die For” by Tobias S. Buckell**
Your post-apocalyptic hunting party is stopped, and they ask for you, and they say they were sent by you.

2. “Umbernight” by Carolyn Ives Gillman***
A search party goes out in search of a supply pod from the homeworld, risking the dangers of the umbernight when dangerous radiation pours down from the other sun.

3. “To Fly Like a Fallen Angel” by Qi Yue, translated by Elizabeth Hanlon**
Hiding from authorities in the underground box that holds what’s left of civilization, this story never gave me what I expected at any point.

4. “Master Zhao: The Tale of an Ordinary Time-Traveler” by Zhang Ran, edited by Andy Dudak**
The food delivery guy claims to be a time-traveler with very little control over his fate.

5. “Thirty-Three Percent Joe” by Suzanne Palmer**
Smart prosthetics in a world of rampant war, smart enough to argue with each over about what’s best for their host.

6. “Octo-Heist in Progress” by Rich Larson*
Exactly as much fun as it sounds!

7. “Marshmallows” by D.A. Xiaolin Spires*
Augmented reality with Christmasy overlays, where homeless veterans become giant marshmallows

8. “Two-Year Man” by Kelly Robson
In a rigid class system, a lower-class “two-year man” rescues a baby from work and brings it home.

Honorable Mentions

“Death On Mars” by Madeline Ashby

“Dandelion” by Elly Bangs*

“MayFly” by Peter Watts and Derryl Murphy

“Swift as a Dream and Fleeting as a Sigh” by John Barnes

The Best of Escape Pod 2018

written by David Steffen

Escape Pod is the weekly science fiction podcast, one of the Escape Artists family of podcasts.  At the beginning of 2017 it was edited by Norm Sherman, but when he stepped down from the role two co-editors have filled the positions: S.B. Divya and Mur Lafferty.

In February Escape Pod once again participated in the Artemis Rising event across the Escape Artists podcasts, publishing fantasy stories written by women and nonbinary authors.

Escape Pod published a total of 42 stories in 2018, which is lower than usual because of a combination of longer stories that were split across multiple episodes, as well as mixing in “Flashback Friday” episodes this year, which are republications of stories published earlier in Escape Pod’s history–since Flashback Friday stories have already been considered for previous Best of Escape Pod lists here, they were not considered this time.

Every short story that is eligible for Hugo nominations this year which were first published by Escape Pod are marked with an asterisk (*). 

The List

1.”And Then There Were (N-One)” (Parts 1, 2, 3, 4) by Sarah Pinsker
The author Sarah Pinsker attends a convention of Sarah Pinskers from other dimensions. And then Sarah Pinsker is murdered! Dun dun DUUUUN.

2.”The Revolution, Brought to You By Nike” (Parts 1, 2) by Andrea Phillips
Nike’s new viral marketing campaign is aimed at changing the world.

3.”Caesura” by Hayley Stone
Finding ways to make an AI write poetry as a form of grieving.

4.”Beatrix Released” by Shaenon K. Garrity*
Beatrix Potter, controlling a team of clever animals.

5.”Anna and Marisol in Time and Space” by Tim Pratt
Time travel romance!

Honorable Mentions

“After Midnight at the Zap Stop” by Matthew Claxton*







DP FICTION #47C: “The Dictionary For Dreamers” by Cislyn Smith

Apology

(n) A sincere, though ultimately futile, effort to make right a wrong. Always involves books.

Example:
This. She didn’t mean to. It was a mistake.

 

Arise

1. (v) To get up from a position of repose.
2. (v) To become evident or apparent.

Example:
Time to get up. You arise from the bed, drifting, almost floating, toes straining down to reach the ground, arms flailing a bit for balance, before you thump-settle back into place.

Shake your head. Yes, that was odd. Still, you’ve forgotten about it by the time you’re dressed. Just one of those things.

 

Belong

(v) To be in the right and proper place, to fit in.

Example:
This is your home. Obviously. You feel it in your feet, the way they settle on the floor when you get out of bed. Just so. You feel it in the air. You crack your neck and stretch and just know. That’s how it is.

 

Camouflage

(n) A disguise to help someone or something blend in, a way to pretend that you belong.

Example:
The landscape shifts constantly, adjusting. For you. It’s subtle — a tree moves here, a car is further down the street and a different color there, and the sky is the exact shade you like just when you need it to be. You don’t notice it, consciously. You’re not meant to, after all. The back of your mind sees it, though, notices the effort, and relaxes. Yes. This is right. This is home. This is where you are meant to be.

Mostly.

There is a tiny part of you that thinks maybe the curtains should stay the same color, even if you do regret them two weeks after putting them up. That sometimes wonders, if just for a second, why the spice jars never run out of your favorite things and marvels at just how nice the neighbors are.

It’s easy to ignore.

 

Close

1. (adv) Near
2. (adj) Dear
3. (v) To end

Example:
“I’m sorry, only close relatives are allowed after visiting hours.”

 

Content

1. (n) The material included or addressed in a book, a movie, or a dream.
2. (adj) In a state of simple peace.

Example:
You.

 

Current

1. (adj) In the present. Right now.
2. (n) That which pulls you along in a given direction.

Example:
On a quiet city street, a man walks just in front of a woman, feet crunching in tandem on sidewalk snow. Suddenly, she speaks, her voice very clear in the cold morning air.

“Last night I dreamed I got pulled out to sea, and then there was a storm. I was trying to stay above water, but the storm was doing strange things to the waves. They started turning to glass and ice all around me — planed crystalline pieces splashing and curling up and crashing near me. It was beautiful, honestly. I felt so guilty, though. I couldn’t tell the difference between the glass and the ice, and so many things I touched were broken or melted as I scrambled to keep my head above water. I felt like I was breaking everything beautiful around me.”

He can’t help himself. He turns to the stranger in the blue peacoat behind him, who’s just shared this private little moment, and says, “You were only trying to stay alive.”

But now she’s moving past him, headphones on, looking down at the phone in her hand. The conversation wasn’t with him. “No, I woke up first. Sure. Sure. See you later.”

This is happening now.

 

Dictionary

(n) a tool for discovering meaning.

Example:
The truth points to itself.

 

Dreamer

1. (n) One who experiences a dreaming state, usually while asleep, moving through a world of ideas.
2. (n) One who yearns or wishes for something not in evidence.

Example:
“So, what do you think happens to the people in a dream?”

“You mean in general, or… what?”

“Like, when the dreamer wakes up, right?”

“God, you’re in a philosophy class aren’t you? Friends don’t let friends sign up for philosophy courses.”

“I’m not, actually. And there’s nothing wrong with philosophy! I just… never mind. It’s stupid anyway.”

“Oh, don’t be like that! Hey, where are you going?”

 

Example

(n) An illustrative item.

Example:
White sheets, shadows stretched across them, and a prone form in the bed. There are monitors, beeping. Clear plastic tubing runs down from an IV stand, is taped to a bruised hand. Her closed eyes are not moving. She is lonely. She will be gone, soon. And then?

 

For

1. (preposition) Belonging to
2. (preposition) Because of
3. (preposition) Concerning, about
4. (preposition) In support of

Example:
Dictionary For Dreamers.

 

Forget

(v) To lose memory of something.

Example:
Evidently there was an accident. It was nothing to do with you. Should I send another book? I am inclined towards apologies.

 

Gentle

1. (adj) Kind, tender
2. (v) To pacify

Example:
You are holding a leaf, turning it gently by the stem in the autumnal sunlight, watching the way the colors shift across its surface. Red. Orange. Green. Brown. There’s a whole year in your hand. You run a fingertip along each of the veins, being careful of the brittle edges, and then you place it — just so — back on the leaf pile where you found it.

The ground ripples as you walk away.

 

Home

1. (n) Where the heart is.
2. (v) To return by instinct, back to the heart.

Example:
“Do you hear that?”

“Like someone crying, right? That is so weird.”

“Yeah. I thought I heard someone say ‘I just want to go home’ and then it started.”

“Did you leave the television on upstairs?”

“No, I’m sure I didn’t. I’ll go check, though. See if you can figure out where that’s coming from.”

“I can barely hear it now. What am I supposed to do, look under the couch and inside the fridge? There’d better not be anyone crying in there. Well now I can’t hear it at all. Hello? Are you coming back downstairs? Where’d you go?!”

 

Inspire

1. (v) To fill someone with an urge to create
2. (v) To breathe in

Example:
You are all my muse. Exhale.

 

Join

1. (v) To connect or link things together
2. (n) The seam or place where things come together

Example:
The handle of his favorite mug broke this morning when he grabbed it out of the kitchen cabinet. A handful of handle made him laugh a little, and now he sits at the kitchen table, superglue at hand, preparing to patch things up.

But first, he can’t help but touch the broken bit, exploring the gentle topography with his index finger. It reminds him of losing a tooth as a kid — it feels raw and exposed and he winces in sympathy, but still he probes the place which used to be whole, and now there’s a hole instead.

He’s surprised by the remnants of glue on the mug — how many times has this happened before? How could he not have noticed, or did he just forget? Surely it will be as good as new soon, though. Surely.

 

Kill

1. (v) To end life. To cause death.
2. (v) To put an end to a process.

Example: How soon is soon?

 

Lie

1. (v) To be in a horizontal state, resting.
2. (n) Untruth.

Example:
“Are you all right? You need to lie down or something?”

“No, I’m fine.”

 

Miss

1. (n) A polite form of address for a young woman.
2. (v) To fail to touch, to not make contact.
3. (v) To notice the absence of someone or something.

Example:
“Miss? Excuse me, miss? You can’t sleep here.”

And

“I can’t miss this connection.”

And

“Did you miss me?” (Yes. Yes. Yes.)

 

Nous

(n) The mind, moving, moving, moving

Example:
When you can’t sleep, and you’re staring at the ceiling in the dark, listening to all the little noises that seem so loud. You’re tired. You need to sleep. You know this. But you resist the temptation to check the time and roll over and try counting backwards, or maybe flexing your toes one at a time under the sheets, and feeling the thud of your heartbeat just so, interrupting your thoughts. Not that you’re thinking of anything. No. Just the sleep you need. Well, and maybe that thing you want to write, and now there’s a list of things half growing there in the space behind your eyes, disjoint and fragmented. If you manage to drift down into restlessness, the list will precipitate through your dreams, to-dos and phrases and fragments of numbered items settling in to the nonsense you think of as dreams, held together loosely by the tenuous threads of story your mind insists on imposing.

It’s OK. Let it go.

 

Open

1. (adj) Having the interior accessible
2. (v) To cause to be receptive

Example:
“I can’t get this damned jar open.”

“What’s in it, anyway?”

“I don’t know. Could be anything. Beets. Confetti. Time. The stuff you keep in jars, right?”

“The stuff you keep in jars maybe. Here, give it to me.”

“I really think we might have to break it. It’s so stuck.”

 

Precipitate

1. (n) A substance deposited from a solution.
2. (v) To cause something to happen.

Example:

She stands in a snowy field, trees stark inked lines on the horizon. She’s young, in a warm blue peacoat, too-big hat sliding down over her eyes. Her mittened hands turn upward to the sky, gathering snowflakes, and then she presses them together. A sheet of white paper shifts from between her fuzzy palms to the ground, compressed from the crystals falling from the sky, and she opens her hands to the heavens again. And again. And again. The pages accumulate around her legs, piling up, faint and shadowy words smearing the white as the light fades.

She finally turns to look at you, but you’re gone.

 

Quicken

1. (v) To give something life.
2. (v) To make something move faster.

Example:
Something is behind you, something dark and dangerous. You dare not look back. The hallway stretches ahead and behind, shadowy, the walls turning in ways that don’t quite make sense, as you run. Your steps quicken, and you can hear, far away, something rhythmic and mechanical. You move toward the sound.

 

Reality

(n) No. I’ve been defining reality for too long. Look up ‘gentle’ instead. That’s a nice one.

 

Start

1. (v) To begin, as one does, at the beginning.
2. (v) To jump a little, in surprise.
3. (n) The beginning, where one begins.

Example:
I’m sorry. I don’t remember now. It’s been so long, and I’m tired.

 

Turn

1. (n) Opportunity
2. (v) Change direction
3. (v) Change state

Example:
“Go on, sweetie, it’s your turn now.”

The woman pushes the child toward the swimming pool. She takes two stumbling steps forward, bare feet on hot concrete, and then stops. The water shimmers, like glass, like ice. The orange waterwings are too tight on her arms, and there are too many people, and her tummy hurts, and it smells like chemicals and other people’s ambition. She turns and runs away through the crowd, past the too-long legs of her mother, back into the cool echoing darkness of the locker room. She just wants to get away. She isn’t watching her footing, on the water-slick tiles by the hard wooden benches and sharp metal lockers.

The world holds its breath.

 

Underlie

(v) To be foundational, the cause of something.

Example:
It’s not a lie if it’s everywhere, if it’s underneath everything. Right? So why do I feel so guilty?

 

Visionary

(n) One who sees more, though they may understand less.

Example:
The ladybug crawls along the back of your hand, having been liberated from the windowscreen. You’re looking closely at its spots, and the closer you look, the more there seems to be to see. Finally, you look away, half laughing. It almost felt as if something were looking back at you, from that infinite fractal regression of spots on spots on spots. You put the little insect outside, on a leaf.

 

Wake

1. (v) to arise from sleep, to stop a dream.
2. (n) A funerary vigil

Example:
“I’m sorry, but she’s never going to wake up. There’s nothing we can do.”

 

Xenolith

(n) A rock fragment differing in composition and origin from the rock or crystal enclosing it.

Example:
How did things get so strange? There aren’t enough books to make this right.

 

You

(pronoun) The person being addressed.

Example:
You never saw her. You were nearby — physically or conceptually — and were drawn in. You think this is about you, but that doesn’t make you vain. It has been. Mostly. About all of you. Go on now. Turn the page.


© 2018 by Cislyn Smith

 

Author’s Note: I’ve always been a semi-lucid dreamer, exploring weird dream worlds half aware and with an overwhelming sense of responsibility for the things happening in the dream environments. I had a dream one night wherein I earnestly tried to apologize to everyone I met, but nobody ever quite understood what I was saying or why. I woke up thinking I needed a dictionary to apologize properly, sat on that idea for a few days, and wrote this story shortly after.

 

Cislyn Smith likes playing pretend, playing games, and playing with words.  She calls Madison, Wisconsin home where she enjoys the company of three cats, some humans, and an assortment of cool bacteria. She has been known to crochet tentacles, write stories and poems at odd hours, and gallivant. She is occasionally dismayed by the lack of secret passages in her house. Her poetry and fiction have appeared in The Best of Electric Velocipede, Strange horizons, Star*Line, Remixt Magazine, and Flash Fiction Online.

 

 

 

 

 

 

 


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The Best of Podcastle 2018

written by David Steffen

Podcastle is the weekly fantasy podcast published by Escape Artists, edited by Jen Albert and Khaalidah Muhammad-Ali.  As well as weekly full-length feature episodes, they also publish occasional standalone flash stories as bonus episodes, as well as triple flash stories for the occasional feature episode collection.

In February Podcastle once again participated in the Artemis Rising event across the Escape Artists podcasts, publishing fantasy stories written by women and nonbinary authors.

Podcastle published 55 stories by my count in 2018.

Because #4 on the list is a story I originally published, I made the list one story longer so that it wouldn’t push another story off.

Every short story that is eligible for Hugo nominations this year which were first published by Podcastle are marked with an asterisk (*).

The List

1.“The Last Exorcist” by Danny Lore
A magazine article about Naheem, the last great exorcist in the modern day where demon-possessed people are a legally protected class.

2. “The Fumblers Alley Risk Emporium” by Julian Mortimer Smith
You can get almost anything at the Risk Emporium, as long as you’re willing to pay.  It is no place for the desperate.

3. “Never Yawn Under a Banyan Tree” by Nibedita Sen
…or a ghost may leap down your throat and make itself very inconvenient.

4. “The Aunties Return the Ocean” by Chris Kuriata
The magical and spiteful aunties who live among us steal most of the ocean and bargain with their neighbors to give it back.

5.  “A Non-Hero’s Guide to the Road of Monsters” by A.T. Greenblatt
A non-hero treads the path where hero after hero has failed, finding new ways to face the challenges.

6. “Waters of Versailles” (Parts 1, 2, and 3) by Kelly Robson
A man tries to make a name for himself in high society in Versailles with the help of a nisky companion helping him bring plumbing to the palace.

Honorable Mentions

“Hosting the Solstice” by Tim Pratt*

“The Island of the Nine Whirlpools” by E. Nesbit

A Fine Balance” by Charlotte Ashley

“The Threadbare Magician” (Part 1 and 2) by Cat Rambo

 

 

 

 

 

 

 

 

 

The Best of Pseudopod 2018

written by David Steffen

Pseudopod is the weekly horror podcast edited by Shawn Garrett and Alex Hofelich.

In February Pseudopod once again participated in the Artemis Rising theme across the Escape Artists podcasts, publishing horror stories by women (including some originals picked out from a special slushpile just for this purpose).

Pseudopod publishes episodes weekly, with occasional Flash on the Borderlands episodes that collect 3 similar-themed flash stories for a single episode, for a total of 63 stories published in 2018, by my count.

Stories that are eligible for this year’s Hugo and Nebula Awards are marked with an asterisk (*), all of which would be credited to Pseudopod as the original publisher.

The List

1. “Emperor All” by Evan Marcroft*
What would you do if you realized you could control everything with your mind?

2. “The Good Mothers’ Home For Wayward Girls” by Izzy Wasserstein*
You don’t want to be the new girl.

3. “Fool’s Fire” by Tim Pratt
Modern day will o’ wisp tales.

4. “Beyond the Dead Reef” by James Tiptree Jr.
Classic horror from one of the masters.

5. “The Challenge From Beyond” by H.P. Lovecraft, Robert E. Howard, C.L. Moore, A. Merritt, and Frank Belknap Long
An epic story written round-robin style by some of the most famous writers of their time.

6. “Free Balloons For All Good Children” by Dirck de Lint*
There’s no so thing as a free lunch.

Honorable Mentions

“The Town Manager” by Thomas Ligotti

“Mofongo Knows” by Grady Hendrix

“A Visit to the Catacombs of Via Altamonvecchi” by Joe Weintraub

 

 

 

 

DP FICTION #47B: “The Man Whose Left Arm Was a Cat” by Jennifer Lee Rossman

Thomas Fitzpatrick McAllister’s life was the very essence of boring and uneventful, to the extent that even his goldfish, who up until recently had always been a veritable fountain of excitement, had taken up the hobby of listening to dial tones while staring listlessly at the wall. It wasn’t even a particularly interesting wall, though it must be noted that it was painted a rather vibrant shade of ecru, and was quite possibly the most vibrant shade of anything in the entire apartment. Though Tom never entertained guests, whenever a plumber or handyman happened to complement the ecru wall, Tom was quick to point out that it had been that color when he moved in, and that the previous residents had probably been wild, uninhibited hippies who had bought the paint in the middle of a psychedelic trip.

Though his life had consisted of undressed salads, unscented deodorant, and a vast variety of other un-things for as long as he could remember (which was nearly everything since his traumatic fourth birthday, when some well-meaning but ill-informed aunt had attempted to give him a box of crayons), his comfortably dull, quiet life would soon be violently thrust into a world of excitement. And not a moment too soon, or this might have been an incredibly uninteresting story.

The morning began with a sunrise, as mornings tend to do, though Tom remained sound asleep in his matching gray pajamas and his soft (but not too soft) beige comforter, unaware of the beautiful swaths of colors that existed just beyond his window. He awoke at precisely seven o’clock to the unmelodic beeping of his alarm clock. He showered, dressed in a gray suit and grayer tie, and ate a balanced breakfast of plain yogurt and off-brand oat rings, milk on the side.

After thoroughly washing his dishes with unscented dish detergent and taking a plethora of unexciting vitamins, Tom left his apartment at seven forty-five and arrived in the lobby of his building at just the right time to casually bump into a woman who perplexed and intrigued him in equal amounts.

Her name, if her mailbox was to be trusted, was “Wendiie,” spelled with two I’s and an E in place of the traditional, far less ridiculous Y. A peculiar name with a nonstandard spelling that made Tom wonder about the mental state of her parents. And yet the name fit her so impeccably well that he didn’t particularly mind.

The woman must have been a rainbow in a former life, for that was the only explanation for the vivid, haphazard colors she wore with such abandon. Her flowing clothes were so loud that they competed for attention with her jangling bracelets and off-key humming. She never wore the same outfit twice, and often completed the ensemble with a hat embellished with the face of a cartoon character. A different hat with a different character every day. He wondered where she stored them all.

Tom found her enchanting, and he choreographed his day around her schedule in the hopes of catching a fleeting glimpse of the variegated specter. He wasn’t attracted to her so much as flummoxed by her very existence. It wasn’t very often that one met a person so completely one’s opposite, and he sought to know everything about her. What did she eat for breakfast, and was it as intriguing as her knitted shawl with the multicolored pom-poms?

She said nothing as she hurried out the lobby door, carrying a large sequined bag filled with endless mystery. Where was she going? Why was she going there? Did she sort her books by title or by author’s name? She probably didn’t sort them at all, the wild rebel, and left them scattered about in piles on the floor while her bookshelves were filled with… with what? Tom tried to think of the most outrageous, non-book item that one could put on a bookshelf, and decided upon whimsical sculptures of dolphins wearing hats.

Why they wore hats and how they kept the hats secured on their heads while swimming through the ocean, he did not know. For a moment he entertained the possibility that they might use chin straps, until he came to his senses and remembered that dolphins did not have chins.

His mind full of unsolvable mysteries that would fuel him for the day, Tom left for his uneventful job as a lawn growth analyst, where he would sit for eight hours in a small room lit by ultraviolet lights, not only to watch grass grow but to take exhaustive notes in minute detail about the speed at which it did so. It was a menial job which he thoroughly enjoyed, and on any other day he would have boarded bus number four at precisely seven fifty, sat in his regular aisle seat three rows back on the left, and arrived at the large, brown building exactly sixteen minutes before nine o’clock.

This day was different, and Tom knew this the instant he saw a man with a very large tortoise. Surely tortoises were not allowed on public transportation, and it did not wear an orange vest signifying it as an emotional support tortoise. Tom almost walked right back off the bus again at this cavalier lack of rule following, but then he saw the seat beside his. Instead of the quiet, older gentleman with the large glasses, beside whom Tom had ridden wordlessly for five years and seven months, the window seat three rows back on the left was occupied by a refreshing ray of prismatic light.

Tom sat down and secured his seatbelt as the bus lurched into motion. Wendiie glanced at him with a sort of impersonal pleasantness, and he realized that someone as gray and precise as he would be of little interest to someone as colorful and whimsical as she. He wanted to talk to her, to speak of philosophy and poetry and ask her why she had that purple streak in her hair, but his mouth went dry and his mind went blank, and he could only manage a weak “Hello.”

Wendiie smiled, a spark of recognition lighting up her eyes that were the color of something very, incredibly blue that Tom had seen before but could not name at the moment. Possibly a poisonous frog or the sky over a tropical island. “You live in my building, don’t you?”

Tom nodded, and anything he was about to say left his mind as Wendiie’s oversized bag began to stir. After a moment, a furry little face peeked out and gave an irritated meow. He stared at it for a moment, the looked back to Wendiie. “You have a cat in your bag,” he informed her, in case she wasn’t aware.

“I do.” She put a finger to her painted lips as a laugh escaped them. “She isn’t allowed on the bus, but I won’t tell it you won’t.”

In general, Tom felt about cats the way he felt about most animals. That is to say, it was nice that they existed but he wasn’t wildly enthusiastic about having them in his home (he made an exception for the goldfish, as it had been his mother’s and the dog pound had refused to take it). That being said, for an animal that did its business in a sandbox and probably had a penchant for leaving disemboweled rodents around the house, he supposed this cat looked like a respectable enough cat. It was gray, and Tom liked that.

On a whim, Tom reached out to pet the cat, thus marking both the first time he had pet a cat and the first time he had done anything on a whim. He found it was not an unpleasant experience, and considered the possibility of doing it again at some point in the future.

The irony of planning to do something on a whim was lost on Tom, but it would soon become irrelevant. Neither Tom nor any of the other passengers on the bus—not the mother and child, the peculiar man carrying the rather large tortoise, nor Wendiie herself—had even the slightest hint of a clue that, at that very moment, bus number four was carrying both a bomb and an amoral scientist in need of test subjects.

It all happened incredibly quickly. One moment, Tom was complimenting Wendiie on the uniformity of her cat’s toenails, and the very next thing he knew, he was laying in bed and staring up at a fluorescent lighting fixture that he did not recall owning.

He had been dreaming, he decided, though this didn’t explain why he had tubes in his nose and arm. What an efficient way to live, he marveled. Why hadn’t he thought of this earlier?

A woman appeared in Tom’s field of vision, her sour face as unreadable as his mother’s handwriting. She seemed to be pleased that he was alive and awake—a sentiment with which Tom wholeheartedly agreed—yet apprehension played in her big, brown eyes. She began to speak several times, but seemed to have forgotten how. Finally, after quite a bit of hemming and hawing and tugging at her left earring, she said in a quiet voice, “I’ll get Dr. Polk.”

She walked away, leaving Tom alone with his thoughts, the fluorescent light, and a rather irritating itch on his left temple. He raised his hand to scratch it, and discovered that his arm was immobile. Removing the sheet with his other hand, he subsequently discovered a cat lying on his left forearm.

He supposed it was Wendiie’s cat, though all cats looked the same to him and he based this supposition purely on its color and the uniform length of its toenails. It wore a rainbow collar bearing a tag that read “Linda”, which confirmed his suspicion. Wendiie was most definitely the type of person who would name a cat Linda.

The cat, which had been sleeping soundly draped across Tom’s arm and chest, now yawned and opened her eyes, looking at Tom with very much the same confused expression of unrecognition that he had given the fluorescent light a moment earlier. She tried to stand but fell, as if her rear legs had given out. Wondering if her legs had been injured in the accident, Tom further pulled the sheet back and made a most curious discovery.

The cat, he found, had not been laying on his arm at all. In fact, this would have been an impossible feat, as his arm existed to only just below the elbow, having been, he could only assume, dismembered in the accident.

Ordinarily, Tom would have reacted to such a discovery with shock and disgust and an outpouring of words which his mother had instructed him to never say in polite company. Instead, owed no doubt to the calming liquid pumping into his arm, he merely examined the remains of his arm with a curiosity he normally reserved for such intriguing articles as the nutrition facts on his off-brand cereal.

It had been a good arm, and he would miss it dearly, especially when trying to open jars and wash beneath his remaining arm, but in the grand scheme of things it was no great loss and the surgeon had done a remarkable job of attaching the cat.

Tom paused a moment. That certainly didn’t sound right. He looked again to be sure, and found that there was, indeed, a cat attached to his forearm. Specifically, the front two-thirds of a cat, sewn onto his arm in such a natural way that made him wonder, if only for a second, if perhaps he had been born with a cat on his arm, though surely he would have noticed such an abnormality before now.

He raised his arm, straining to lift Linda with what remained of his arm muscles, and tried to use her toenails of uniform length to finally scratch the itch on his left temple. The cat declined to cooperate, and he was forced to use his right hand. He then positioned the cat, feeling rather like a fantastic puppeteer, so he could look her in the eyes. They were a bright shade of blue, big and round and innocent like those of her owner, and Tom wondered if Linda felt as confused as he did.

A white-haired man wearing a pristine lab coat and mismatched shoes entered the room, laughing jovially to someone in the hall. His demeanor changed abruptly upon setting his eyes on Tom and Linda. “Ah,” he said. “I see you have discovered my handiwork.”

Tom knew he should have felt angry. If waking up to find a cat surgically attached to his body didn’t make a man want to flip over tables and throw lamps, then what would? After a moment of thought, Tom decided that he was angry. Incredibly, furiously angry. However, much like discovering that one wall in his otherwise ideal apartment had been painted a scandalous shade of ecru, there was nothing he could do about it now. (He had considered painting the wall, of course, but shuddered at the thought of visiting a paint store and all its colors.)

Doctor Polk, as the man in the lab coat introduced himself, launched into a grand speech about how Tom had been in an accident, how his arm had been beyond repair, and how the poor little cat had been so near death. He told of his own research into forbidden medical experiments, of his hobbies of making taxidermy jackalopes and, and of the angels who told him to try the unspeakable.

In all honesty, the part about the angels may have been a hallucination on Tom’s part. For all the good it did, the calming liquid pumping through his body did make sounds rather garbled and unintelligible, as well as briefly giving him the ability to taste numbers, but he understood the general idea of what the doctor was saying, and was allowed to go home after several days. The logic of sending home the subjects of an unsanctioned medical experiment confounded Tom, but Dr. Polk was clearly not in his right mind. No one in their right mind would wear mismatched shoes.

Tom discovered rather quickly that living with a left arm which had a mind of its own—and the mind of a cat, no less—was not nearly as enjoyable as he thought it would be, a fact worth mentioning as he had never been under the impression that it would be enjoyable at all.

His left arm would bat pens out of reach and scratch his sofa. She would lick herself and Tom, and later make the most nauseating hacking sounds while regurgitating the hair she had ingested. Showering—any activity in which water was involved—required quite a bit of effort, and his left arm was absolutely terrified of the toilet. He had never had a cat before, but assumed it would be infinitely less unpleasant if he had the ability to be more than eighteen inches from the cat at any point in the day.

As weeks turned to months, however, Tom grew oddly accustomed to his situation. He worked from home, monitoring lawn growth via webcam, and left his apartment once a week to check his mail, wearing an oversized coat and pulling down the sleeve to conceal the cat.

His days were no longer orchestrated around brief Wendiie sightings, though he did see her on rare occasions. She did not hum or dance but walked slowly and with a slight limp. She wore heavy black dresses that skimmed the ground, and could often be found gazing forlornly at the “Missing Cat” posters with which she had wallpapered the lobby.

Tom often wondered whether it would be beneficial for her to know that Linda had survived the accident, or if the knowledge that someone had surgically attached the cat to the forearm of her uninteresting neighbor would only upset her. This debate soon dominated his thoughts, and he could think of nothing but.

He could never come to a conclusion either way, but decided that it wouldn’t matter. Someone like Wendiie, intriguing and perplexing and simply lovely, would never give someone as bland and dull as Tom the time it would take to explain how he had come to have her cat affixed to his arm.

Tom languished in these thoughts until the evening came that he happened to serendipitously enter the elevator at precisely the same time as Wendiie. “Sixth floor,” he mumbled, pulling the sleeve over Linda and desperately hoping she wouldn’t meow. And that was when something, a very wonderful something, occurred to him.

His left arm was a cat. He couldn’t be uninteresting if he tried, with a cat for an arm. Even if she thought him being absurd, Wendiie couldn’t possibly deny the fact that “My left arm is a Siamese cat named Linda” was quite possibly the most interesting phrase a person could ever hope to assemble in English or any other language.

As the elevator slowly inched upwards, Tom gathered every shred of courage and finally spoke a phrase which, though admittedly not the one he had intended, was assuredly the most interesting sentence he had ever said in his entire life. “One of my walls is painted ecru.”

Wendiie looked out in confusion from behind a curtain of black hair which lacked a purple streak. “What?”

“My walls are mostly eggshell, but I have one that’s a horribly gaudy shade of ecru, and I wanted to know what color your walls are. Because you fascinate me.”

She stared at him curiously and, when the elevator reached her floor, she took him by the hand—the right one, thankfully—and led him to her apartment. She opened the door into a living room flooded with color and wind chimes and, as Tom had suspected, bookshelves that did not contain books but rather statues of dolphins (though they were not wearing hats, and he could never have predicted the little platypi riding the dolphins). The walls were painted with surreal murals of unicorns, the tables ornamented with antique clocks and scented candles, the window treatments opened wide to welcome the sunset.

Perhaps recognizing the familiar surroundings, Linda poked her head out of the sleeve and meowed. Wendiie looked at the cat, and then at Tom, in a mysteriously understanding way, as if she had suspected this all along. She reached out to pet the cat, and her hands trailed upwards and found the seam where cat became arm. After a brief pause, Wendiie rolled up his sleeve and wordlessly examined the sight before her.

She laughed and lifted the hem of her heavy black skirt off the floor. Tom was pleasantly surprised to discover that, from the ankle down, Wendiie’s right leg was a tortoise. He knew then that his life would never be unexciting or uneventful again, and that night, in a decision he made on the whimsiest of whims, he and Wendiie and the cat and the tortoise painted every single one of his walls a most scandalous shade of ecru.

 


© 2018 by Jennifer Lee Rossman

 

Author’s Note: Years ago, I saw a commercial for the animated movie “Barbie and the Three Musketeers.” At one point I think the characters were putting their swords together and saying “all for one and one for all,” and one of the musketeers had a cat sitting on her arm. To me, it looked like she’d had her arm replaced by a live cat, and that seemed like a much more interesting story.

 

Jennifer Lee Rossman is a disabled writer, editor, and nerd whose work has been featured in several anthologies. Her time travel novella Anachronism is available from Grimbold Books, and she would like to apologize in advance for the twist ending. Her debut novel, Jack Jetstark’s Intergalactic Freakshow, was published by World Weaver Press in December. She blogs at jenniferleerossman.blogspot.com and tweets @JenLRossman

 

 

 

 

 


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The Best of Beneath Ceaseless Skies Podcast 2017-2018

written by David Steffen

Beneath Ceaseless Skies published has been publishing other-world fantasy since 2008, and has been edited by Scott H. Andrews since its launch.  They publish about half of their stories in audio, so if you like what you read here there is more stories that weren’t even considered on the BCS website.  This post covers two years of Beneath Ceaseless Skies–they didn’t publish quite enough stories in audio in 2017 for a full list.  Over that two year period, BCS published 42 stories on their podcast.

The stories that are eligible for this year’s science fiction awards (like the Hugo and Nebula) are marked with an asterisk if they are short stories(*).  BCS publishes all original fiction, but only that was first published in the 2018 calendar year is eligible.

The List

1. “Carnival Nine” by Caroline M. Yoachim
An incredible heart-wrenching story about what family and what you will do for the ones you love, focused on a family of clockwork people.

2.  “That Lingering Sweetness” by Tony Pi
Another excellent entry in this series of a confectioner magician who bargains with zodiac spirits.

3.  “On the Road to the Hell of Hungry Ghosts” by Richard Parks
Another in a series of great stories about a father-daughter monster hunting team.

4. “Penitents” by Rich Larson*
A post-apocalyptic science fantasy story about who and what are left behind, bizarre and interesting.

5.  “In Memory of Jianhong, Snake-Devil” by Richard Parks
The same series as #3, be sure to read them in order.

Honorable Mentions

“An Account of the Madness of the Magistrate, Chengdu Village” by Richard Parks*
Yet another in that series, obviously I quite liked the series.

 

 

 

Award Eligibility 2018

written by David Steffen

It’s time for that January tradition, the Award Eligibility post for Diabolical Plots.

This has been a year of change, as we’ve been trying a new publishing strategy; instead of publishing stories only on the Diabolical Plots website, we’ve been shifting toward publishing them in ebook.  Since there was a backlog of several years of stories already published, this resulted in three anthologies of stories that were first published on Diabolical Plots:

  1.  Diabolical Plots: The First Years in March 2018
  2. Diabolical Plots: Year Three in June 2018
  3. Diabolical Plots: Year Four in September 2018

Diabolical Plots: Year Four was particularly momentous, because it marked the point where the ebook publications have overtaken the website publications.  And because of this change, as well as this being the first full calendar year with 2 stories per month, more DP stories are eligible than have ever been eligible before, because all of the stories that were scheduled on the site from January 2018 to March 2019 are eligible (January 2019 to March 2019 stories were all in Diabolical Plots: Year Four).

As ever, I’m not saying you should nominate these, but I do get questions about what is eligible, so here is a list of what is eligible, if nothing else it’s nice to look back at what was new this year.

Here are the stories, alphabetically by author, which are all eligible under the Short Story category (by Hugo or Nebula rules)

Short Story

“Brooklyn Fantasia” by Marcy Arlin

“The Fisher in the Yellow Afternoon” by Michael Anthony Ashley

“How Rigel Gained a Rabbi (Briefly)” by Benjamin Blattberg

“Giant Robot and the Infinite Sunset” by Derrick Boden

“Soft Clay” by Seth Chambers

“Local Senior Celebrates Milestone” by Matthew Claxton

“Withholding Judgment Day” by Ryan Dull

“Medium Matters” by R.K. Duncan

“Artful Intelligence” by G.H. Finn

“The Divided Island” by Rhys Hughes

“The Hammer’s Prayer” by Benjamin C. Kinney

“For the Last Time, It’s Not a Ray Gun” by Anaea Lay

“The Memory Cookbook” by Aaron Fox-Lerner

“The Vegan Apocalypse: 50 Years Later” by Benjamin A. Friedman

“The Last Death” by Sahara Frost

“The Coal Remembers What It Was” by Paul R. Hardy

“The Efficacy of Tyromancy Over Reflective Scrying Methods in Divining Colleagues’ Coming Misfortunes, A Study by Cresivar Ibraxson, Associate Magus, Wintervale University” by Amanda Helms

“Glass in Frozen Time” by M.K. Hutchins

“What Monsters Prowl Above the Waves” by Jo Miles

“Still Life With Grave Juice” by Jim Moss

“9 Things the Mainstream Media Got Wrong About the Ansaj Incident” by Willem Myra

“Six Hundred Universes of Jenny Zars” by Wendy Nikel

“Heaven For Everyone” by Aimee Ogden

“Graduation in the Time of Yog-Sothoth” by James Van Pelt

“Pumpkin and Glass” by Sean R. Robinson

“Jesus and Dave” by Jennifer Lee Rossman

“The Man Whose Left Arm Was a Cat” by Jennifer Lee Rossman

“The Dictionary For Dreamers” by Cislyn Smith

“Crimson Hour” by Jesse Sprague

“Tank!” by John Wiswell

“Her February Face” by Christie Yant

Semiprozine

Diabolical Plots is eligible for the Hugo Award for the Best Semiprozine.

Editor, Short Form

I am eligible for the Hugo Award for the Best Editor, Short Form, for both Diabolical Plots and the Long List Anthology.

Other

Around this time of year people occasionally ask what The Long List Anthology and The Submission Grinder are eligible for, award-wise, since these lists are always Diabolical Plots short stories.

The answer is: not really any categories for the Hugo or Nebula, but possibly for other awards which I don’t keep up with as much.

The Long List Anthology is fiction, but by its nature it is entirely reprinted fiction from previous years, so all of the stories within it are already past their period of eligibility by Hugo and Nebula rules, and there are no categories for anthologies specifically.

The Submission Grinder is an online tool, which there isn’t a particularly suitable category for in the Hugo and Nebulas.

In both of these cases there might be categories in other awards, such as anthology categories in the Locus awards for the Long List Anthology, or categories in Preditors and Editors poll about writing tools.

If one felt very determined and maybe more than a little bit silly, I suppose one could nominate the Mighty Samurai cross-stitch photo series on the DP twitter account for Best Related Work.

DP FICTION #47A: “The Divided Island” by Rhys Hughes

On that island there are two kingdoms, equal in area, and both are distinct in character. The northern is a state of order and precision; the southern is a realm of chaos and indecision. Two borders with a narrow neutral strip between them mark the frontier. The northern is a wall of constant height that traverses the island in a perfectly straight line; the southern undulates randomly over the mountains and marshes.

There is no commerce between the nations, no diplomatic, cultural or academic exchange. The frontier is impassable; both regions are isolated and self-reliant. They receive foreign visitors rarely and discourage them with different methods; in the northern zone, by ignoring them until they leave; in the southern, by failing to protect them from violence. They are worlds unto themselves, reticent, exclusive.

Yet even divergent evolutionary paths can circumnavigate the sphere of possibilities and end up leading in the same direction. So finely tuned was the northern territory that no aspect of modern civilisation was absent from it and every facility enjoyed by the citizens of the most sophisticated outer countries was available to its denizens too. For example, it featured a zoo that was a public political experiment.

In this zoo was an enclosed area in which volunteers lived a life under the same conditions as the occupants of the southern zone. Law and order did not exist there; rules and regulations were made only to be violated as rapidly as possible. It was a capsule of chaos, a self-generated embassy of turmoil from the other extreme of the social spectrum, a stain on utopia, a logically necessary ugliness inside exactitude.

The rate of loss of volunteers was high, murder being the main reason, but there was no shortage of replacements. In such an ordered society, the zoo was the only opportunity for excitement and adventure. And it was in tune with the ideals of the kingdom, which was to manage everything in a competent and scientific manner, including brutality. A spot of anarchy in the lacquer of accuracy is part of that accuracy.

Unbeknown to the rulers of the northern state, the southern also had a zoo, but this had come about purely by accident. One day a man erected a fence haphazardly and the unplanned fence went in a ragged loop, joined up with itself and formed a compound. Inside this compound the random laws of chaos produced order, as they sometimes do. The order stabilised and persisted, another product of randomness.

Inside this compound people lived as citizens of the northern land did. They enjoyed security, reliability, equality. And so the two separate lands meshed at these points only, but not by design, only thematically. It was a wonderful illusion of mutual influence, and for years nothing occurred in either zoo to disrupt the situation on a grander scale. Both countries had a different system; and both had exemplary zoos.

Then logic played a trick, but whether that trick was mischievous and generous, or malignant and flamboyant, is still a matter for debate among those who ponder such topics. The zoos began a process without obvious end. The occupants of both demonstrated that the compounds really were authentic microcosms. An inevitable development, yet surprising to those who noted it, one that occurred simultaneously.

Thanks to the whims of chance, the volunteers in the chaotic northern zoo erected a fence that enclosed a smaller zoo in which order ruled. And those who lived in the disciplined southern zoo constructed a smaller zoo that contained a miniature state of chaos and flux. The next stage was for the residents of these smaller zoos to assemble even smaller zoos that had the opposite characteristics, and so on forever.

I suspect that you now believe the northern and southern kingdoms to be called Ying and Yang, but that would be too neat and allegorical. They have their own indigenous names that are hardly worthwhile giving here. I am one of the few foreigners to have visited both lands. My aircraft was in trouble; I bailed out. My parachute opened like the bloom of a pale sky flower with an aroma of fear, sweat and grime.

It was a cloudy day. I had lost my bearings. I was unclear whether my accident took place above the northern or southern half of the island. My landing was gentle and those on the ground completely ignored me. I was a stranger to be disdained. Unable to cope with this soul-eroding attitude, I tried to escape overland to the other kingdom; I did so and the physical integrity of my body was subsequently menaced.

It remains a mystery to me whether I landed in the northern kingdom and crossed to the southern, or whether I landed in the southern zoo and simply vacated the compound, or whether I landed in the northern realm and then entered the zoo there. Or perhaps my escape was from a smaller zoo to one even smaller. I lost count of the walls I scrambled over. At last I abandoned the attempt to establish my bearings.

Always the switch between law and chaos, stagnation and screams. It seems I am a necessary part of the equation. I have never left the island. I wander through geometries of harmony and confusion until I reach a wall over which I climb into a negative reality. I feel I am probing deeper into a labyrinth with the ultimate secret of human psychology at its centre, and not that I am merely lost in an extravagant conceit.

 


© 2018 by Rhys Hughes

 

Author’s Note: My story ‘The Divided Island‘ was inspired by my love for the work of Italo Calvino. His fiction often consists of fantastical thought experiments in which a concept or situation is rigorously subjected to both linear and lateral logic. The results are usually original and amusing. This is a type of fiction I love to read and also try to write.

 

Rhys Hughes has lived in many countries. He works as a tutor of mathematics. His first book, Worming the Harpy, was published in 1995, and since that time he has published more than forty other books. His fiction is generally fantastical and whimsical. A lover of paradoxes, he incorporates them into his fiction as entertainingly as he can. His most recent book is a series of stories set in Africa called Mombasa Madrigal.

 

 

 

 

 


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