MEDIA COMPARISON: Sookie Stackhouse books vs. novels

written by David Steffen

Now that I have seen the entire True Blood TV series and all of the Sookie Stackhouse novels that they were based on, I have been thinking about the differences between the two and was thinking about writing up a post.  This is certainly not intended to be an exhaustive list–there could easily be a book written listing out all the differences, especially since after the first few books/seasons, the two plots diverge wildly in almost every respect.  So, I am only going to note a limited number, and the ones which I found the most striking, because I find it interesting to compare adaptations of a fictional universe to different media formats.

Obviously, this will be spoiler rich, as I will be covering some major plot points for the entire run of both the TV and book series.

1.  POV

Except for a few rare exceptions, mostly in the last book, the Sookie Stackhouse novels stick entirely with Sookie Stackhouse’s point of view.  That means that anything the reader knows, Sookie has to either experience or hear someone else’s telling.

The TV series, on the other hand, shifts to different characters frequently.  This gives the cast of characters much stronger backgrounds, as we see flashbacks from Sam Merlotte, we find out about Tara Thornton’s childhood, we see romantic trysts that Sookie isn’t even aware of, we see occurrences at the highest level of vampire government that Sookie will never know about.  Often this is used for dramatic tension, ending a scene with one character with a cliffhanger moment and then swapping to another character to let the viewer stew a bit.

Nothing wrong with either way of telling a story, certainly.  But the books are much more clearly just the story of Sookie, while the TV show is the story of ensemble cast.

2.  Scale of Conflicts

In the books, many of the conflicts are on a small-scale personal or very local level.  In the TV show, especially as the series progresses, many of the conflicts are on a world-stakes kind of level.

This is probably partly a consequence of the multiple POVs of the TV show, as we can see what various players are doing all over the place there, while in the books we can only see what one character who is not directly involved in major world-scale planning for either humans or vampires can see.

3.  Missing/Added Characters

There are many characters who were either added just for the TV show, or which were omitted in the TV show adaptation.  Too many to be worth listing (if I thought I could even remember them!)

But there were a couple ones I thought particularly notable:

Bubba, in the books, is the vampire who had once been Elvis Presley.  He had died like he had in our world, but the vampire working at the morgue had been a huge fan and had raised Elvis even though Elvis had really been too far gone to be fully recoverable.  As a consequence, he is sort of brain-damaged, with little memory of who he used to be, and with a penchant for cat blood.  He doesn’t like to be reminded of who he was, hence the name Bubba, (though we never actually get to see him freak out in the series, the implication is that if he is reminded he becomes very violent) but occasionally will sing for people, at which point he is every bit as talented as he had been in life.  The oddest thing about his character, which I thought was never explored as fully as it could’ve been, is that apparently because of Bubba’s nature being sort of a broken vampire, at least one of the vampire rules does not apply to him.  He can enter homes without an invitation.  This happens several times in the series before it is pointed out in the narrative–I spotted it as it happened and thought it might’ve been a writing mistake, and maybe it was one that Harris corrected later?  In any case, I thought that detail begged more investigation–is the barring of entering a home somehow a psychological block common to all vampires, and somehow because Bubba is mentally handicapped he is lacking the block?

Jessica Hamby is a character invented entirely for the TV show.  When Sookie spotted Eric’s embezzling bartender Long Shadow, the accused tried to kill her and Bill staked Long Shadow to defend her.  As punishment for murdering a vampire, Bill was sentenced by the Vampire Authority to make a new vampire, and was given a high school girl who had snuck out after curfew.  He carried out the sentence and so had to raise Jessica, who soon takes to the life of freedom compared to her oppressive Catholic parents.  She continues to be a major character for the rest of the series, including romantic relationships with Hoyt Fortenberry and Jason Stackhouse.  She is a particularly interesting character in the series because she is the only “baby vamp” we get to follow very closely in either incarnation–as she struggles with her newfound vampire bloodlust she has to decide where she wants to place boundaries on herself, and if she wants to be romantically involved with humans, how she can work that out with her more primal vampire nature.

4.  Sookie’s Romantic Relationships

Both the book series and the TV series begin with Sookie’s romantic interest in Bill.  He is the first vampire she meets, and much of it is the newfound novelty of meeting someone whose mind is not an open book to her (there are other reasons too, but that’s the biggest one).  In both series, she ends up hooking up with Eric, first while his memory is missing (thanks to a witch curse) and then later without the amnesia.

In the books, she also hooks up with Quinn, a weretiger for a few books(who is not a character in the TV series, I don’t think, unless he’s a very minor bit part I didn’t notice), but ended up breaking up with him because he is too unreliable because of issues with his mother requiring his attention and repeatedly drawing him into bad situations.

In the show, she dates Alcide Herveaux for quite a while.  In the books there is some romantic interest between the two, but they never really become close like they do in the show, in large part because Alcide constantly calls on her for one-sided favors without even doing her the courtesy of explaining the situation.

In the show she realizes that her distance in other relationships is that she never really got over Bill, but Bill wasn’t right for her, but his constant presence has always made her second-guess herself.  In the last episodes of the series, Bill has advanced far enough in Hep-V that he has reached a stage where he has apparently started to become sort of human again, to the point where Sookie can read his thoughts.  He asks her to help him die, and she does so.  The final scene of the show then jumps ahead into the future, with Sookie at a dinner party, pregnant and with a boyfriend/husband whose face we never even get to see, so we know she ends up with someone in that time, but we don’t know anything about him.  Although it was disappointing to not even get to meet the guy, it was good to see her move on from being trapped in that loop of a relationship.

In the books she ends up in a relationship with Sam Merlotte, triggered in part by her using her cluviel dor artifact to save his life when he would certainly have died.  This was one of the more satisfying differences in favor of the book, because there was always some tension between the two that never really got to be resolved until that final book, and they were always such good friends, sharing secrets with each other that almost no one else knows.

5.  Jason’s Change

In both versions, Jason is held captive by the interbreeding family of werepanthers of Hot Shot, and Jason suffers some bites from them and wonders if he will become a werepanther.

In the books, he does!  Bitten were-animals are different from genetic were-animals, only able to half-transform into animal forms, and they end up weaker, but he becomes a werepanther of a sort, joins the family of Hot Shot somewhat informally, and has to deal with his new state of being for the rest of his life.

When something like this happens in the show, the readers know he will become a werepanther.  But they’re wrong.  Nope, in the show’s version of the universe, that’s not how it works–bites don’t transfer the were-ness of a were-animal.  So Jason’s still a regular human.

6.  The Maenad’s First Victim

In the second book, a super-powerful creature known as a maenad visits Bon Temps, holding huge drunken orgy parties and murdering people, poisoning Sookie.  One of the first signs of her involvement is a corpse in Andy Bellifleur’s car found behind Merlotte’s–the corpse of Lafayette Reynolds, part-time cook at Merlotte’s who had been Sookie’s friend, and who had attended some of the maenad’s parties and was apparently murdered there.

Where this gets really interesting, if you think of alternate adaptations of fictional worlds , is that the show starts out appearing to be happening the same way.  The corpse is discovered in Andy’s car behind Merlotte’s, and the viewer can see a dark-skinned foot with painted nails sticking out of the back seat.  Sookie screams, and that’s the end of season 1, leaving the viewers on that cliffhanger until next season.

Now of course, the faithful readers of the Sookie Stackhouse novels are smugly saying to themselves that they know who the victim was, recalling Lafayette’s death in the books (the dark skinned foot with nail polish meshes with that because Lafayette does wear makeup).  BUT THEY’RE WRONG.  In another switcharoo, even bigger than the last one, it is a different character entirely–a scam artist who pretends to be a witch, selling exorcisms and the like (which might sometimes work).  Lafayette is still alive, and in fact lives through the rest of the series and is one of the more interesting characters in the series, and even develops powers as a medium to talk to spirits, especially as a rare gay black man, something you don’t see represented too often in science fiction and fantasy.  Having read the books after watching the show, I was very disappointed at Lafayette’s death without him having played more than a background role.

 

BOOK REVIEW: Dead Ever After

written by David Steffen

Dead Ever After is a romance/mystery/horror novel from 2013, the thirteenth and final book in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

At the end of the previous book, Sookie Stackhouse used the cluviel dor, her one-use magical fairy item (which grants one and only one wish) to revive her dying boss and friend Sam Merlotte.  Meanwhile, Sookie’s relationship with Eric has grown rocky.  Among other reasons, Eric’s maker had arranged for him to be married to another vampire, despite Sookie’s marriage to him, and vampire custom strongly demands that he go along for the marriage.  He had hoped that she would use the cluviel dor to help him dodge the responsibility without consequences.

Meanwhile, Sookie’s longtime-friend-become-enemy Arlene has been freed from prison by a mysterious group with a vendetta against Sookie, urging her to visit Sookie at Merlotte’s and open their relationship again.  The meeting (unsurprisingly) does not go well, and Sookie is still trying to figure out why the visit when Arlene’s corpse is found in the dumpster behind the bar.

This was easily one of my favorite books in the series, which was a relief after the last couple of books in the series became rather a slog to read through.  The mystery behind who is plotting against Sookie was certainly interesting, and for the first time in the series you get to see the story from points of view besides Sookie’s as we get some dramatic irony by seeing them plotting their moves and then we see the consequences of those actions in Sookie’s sections.  And early on in the book you get a glimpse of someone who has apparently sold their soul to a devil, which lends a new element to the series that we haven’t seen before.

The one thing that did get on my nerves a bit was that since it was the last book it seemed like they had to get every character back in the book again to wrap things up–some of them felt like more than a bit of a stretch.  But, really, that was a pretty minor thing.

I have enjoyed reading enough of the series that I was quite relieved to see that the final book of the series went out with a bang!

Hugo Review: My Favorite Thing is Monsters (Graphic Story)

written by David Steffen

I’m afraid I’ve gotten behind on my reading and so I’ve only read one complete entry and one partial entry in the Graphic Story category for the Hugo Awards.  I haven’t even finished a single one of the graphic stories this year all the way through, but I’ve gotten about halfway through My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)

Written as the illustrated journal of 10-year old Karen Reyes in 1960s Chicago, My Favorite Thing is Monsters is a beautifully illustrated mystery story with horror flair as Karen imagines herself as a werewolf and sees everything around her as a sort of a horror flick as she investigate the death of her mysterious upstairs neighbor Anka.

The drawings are in a gorgeous line-shading style which I’m sure has a more specific artsy name, but reminded me of the drawings in Cloudy With a Chance of Meatballs, but with a story with a much darker tone.  While Karen’s perspective on monsters lends her own fun flair to parts of the story, the story itself is very dark, and despite the young protagonist, is what I’d give to a child or even a teen.  I haven’t finished reading it yet, but I love the illustrations and Karen makes a great protagonist–I’ve just been reading it as a PDF, but I might buy it in print because it would look so much better in that layout, drawn as it is to look like it was drawn in a lined notebook where pages pair together sometimes for bigger pictures.

I can’t comment yet on whether the end follows through with the rest of it, but I’ve read enough that I feel comfortable recommending it.

 

DP FICTION #41B: “Jesus and Dave” by Jennifer Lee Rossman

It had been just over a year since the second coming of Jesus and, like most atheists, I couldn’t say it had been a particularly good year for me.

Sure, the Lord’s first bit of business had included clearing up some of the more vague parts of the Bible, including some mistranslations and things his father had, in his words, “gotten wrong.” That put an end to a lot of bigotry.  The lack of world hunger and the new commandments about littering were incredible, of course, more positive change than I’d hoped to see in my lifetime.

But it’s just… having proof that my entire belief system (or lack thereof) was absolutely backwards, and having every holier-than-thou relative constantly sending passive-aggressive emails filled with selfies of them and His Holiness…

My fellow non-believers converted, and one even became a priest. I think I’m one of the few who refused to do so.

Oh, don’t get me wrong. I believed. I’d seen too many miracles – some firsthand, like the time the East River parted to let the family of kittens cross safely. So I believed. I just didn’t let it change my life.

I didn’t pray, didn’t give any more to charity than I normally did, and I sure didn’t stop drinking (one of his newer, less popular commandments). I lived as a godless heathen, as my Auntie Ruth would say.

So imagine my surprise when the lord and savior himself knocked on my door and asked for my help. You wouldn’t think he’d have to knock, what with all his magic and ability to walk through walls. But he was nothing if not courteous.

He stood on my stoop, all beard and white robe and smiles, a stained glass window come to life.

“My child,” he said in a warm, booming voice. If the whole son of God thing didn’t work out, he could make a killing as a game show announcer.

“It’s pronounced ‘Dave,'” I told him politely, averting my eyes from the angels standing on either side of him. I’d never read the Bible, but I’m pretty sure it didn’t describe angels as horrifying, winged humanoids with tentacles on their faces.

“Of course. After David, the Biblical king.”

“No, after my mother’s brother Dave, the mattress salesman.”

From the corner of my eye, I saw one of the angels snatch a pigeon off the railing and eat it.

“I think Nazareth is that way,” I said, pointing.

He pointed in the other direction. “Actually, it’s that way.”

Well, I guess he would know.

“I come to ask your assistance,” he said, clasping his hands.

I opened my mouth to make a sarcastic comment, but stopped when I saw the look of fear in his eye. What on Earth was Jesus afraid of? And what did he think I could possibly do about it?

“What is it?” I asked, nervously hoping he wanted me to come over to his place and kill a spider. As they had been mentioned in an addendum to “thou shalt not kill,” maybe he couldn’t bear to ask anyone else to sully their immortal soul.

Even before he spoke, I knew that couldn’t be it. Jesus had probably invented the whole “catching a spider in a cup and sliding a piece of paper underneath it” trick.

“There’s a reason I came back now, David.” He smiled apologetically. “Dave. The world is in danger. Will you help me save it?”

I thought about it for a minute, then nodded. I rather liked the world, even if there were a lot of religious people in it.

*

The museum was only a short walk from my apartment, but it took forever because somebody had to stop every five seconds and sign autographs. I wondered if his pen ever ran out of ink, or if it worked like the loaves and fishes.

When we finally found a moment of peace – JC made a blind beggar see, and everyone left us and crowded around the guy to, I dunno, absorb the miraculous juju or something – I asked him what exactly he expected me to do.

“Despite what my more… excitable followers would have you believe,” he said, spreading his hands in vague gestures as he spoke, “the Devil has not actually been corrupting the American media or making toasters explode.”

“What about making politicians cheat on their wives?”

“No, not even that. Gabriel!” He snapped his fingers at one of the angels, who was holding a squirrel inches from its mouth. “What did we talk about? If you’re going to come to the Earthly plane, you have to follow the rules. Do you want to go home and stay with Dad, or do you want to put down that squirrel and come with us to save the world from Satan?”

It reluctantly returned the squirrel to the tree.

“That’s what I thought.” He turned back to me. “No, the Devil has been imprisoned for the last two thousand years, as was I. Our destinies were entwined, which is why I let myself be crucified. If I died, so would he.”

Well, that was a part of the Easter story they left out.

We came to the steps of the museum and stopped while Jesus posed for a picture with a group of tourists. The angels tried to use the camera but succeeded only in taking a series of close-ups of their own faces, and I had to step in.

“Thank you, Dave,” Jesus said when the crowd had dispersed.

“Shouldn’t you be the one getting thanked?”

“Probably, but there’s no one here but an atheist, so I can wait until someone better comes along.” He smiled and elbowed me in the ribs. Of course he had to be funny. “Anyway.” He pointed to the museum. “Around a year ago, archeologists found something mankind was never meant to find. A jar that was his prison. And they opened it. I need you to close it.”

I stared at him blankly. So it wasn’t “come over and kill this spider,” but a variant on “hey, could you help me open these pickles?” He was Jesus. Couldn’t he handle closing a jar on his own?

“Not this jar.”

My heart skipped a beat.

“Oh, didn’t I mention that I can read minds?” He grinned, like this was all some enormous joke on my behalf. “I’ll overlook the scandalous thoughts about that blonde tourist a couple blocks back if you’ll start thinking of me as He with a capital H. It’s kind of polite.”

Kind of presumptuous, I thought. Very loudly, so he could definitely hear it.

This was the part of religion I hated most. I could get behind the idea of some conscious force controlling the universe, and accepted that, if an afterlife existed, that force probably wouldn’t let you in if you killed people or stole from little old ladies.

But all the stupid rules. Don’t eat this kind of meat, even though it’s not really that different from this other meat. Don’t covet your neighbor’s wife or oxen, even though sitting around and thinking “gee, my neighbor sure has a nice wife and/or oxen” is literally the least harmful way to spend the afternoon. Always be extremely thankful to the magical sky dude who gives out cancer like the dentist gives out toothbrushes.

“I don’t claim it’s a perfect system,” he said quietly. “Far from it, even with the alterations to the Brand New Testament. But the worshipping of us – and all the various ways to do it – was invented by humans, and despite what my father says, you are some of the most flawed things He ever made. We’d love it if you followed all the arbitrary rules – although they really aren’t arbitrary and you’ll see why when you’re at the Gates – but we know you aren’t groundhogs and we can’t expect you to be.”

I must have drifted off somewhere. “I’m sorry, groundhogs?”

“The most perfectly devout creature on Earth,” Jesus said.

Boy, did I feel like a fool for not knowing that.

He looked at me with the kindest eyes I have ever seen. They physically radiated light and warmth, and a feeling of wellbeing and acceptance filled my chest.

“We don’t care how you worship us, or even if you believe in us. We know this is kind of a one-sided relationship. All we want is a little respect. And for you to help me save the souls of the entire human race.”

It was a moving speech that had me ready to run up those steps and take Satan head-on. And then he had to go and ruin it.

“Trust me, I’d rather have a groundhog here, but they’ve all been raptured. But I know you can do this. I believe in you, Dave.”

Oh yay. Jesus believed in me. And considered me an adequate replacement for a fat rodent that’s only useful as speedbumps and on fake weather holidays. Lucky me.

I almost walked away. I almost let the world fall into the clutches of evil incarnate. But I didn’t.

“I’m not doing this for you,” I informed Jesus as we walked up the steps to the museum. “I’m doing it for the world. It’s my favorite planet now that Pluto’s gone.”

*

Our breaths and footsteps echoed through the expansive halls of the museum, which had been evacuated in anticipation of our visit. I was hesitant to ask why he thought I, surely the least groundhog of all people, could possibly help him defeat the devil. I figured it probably involved something like the face melting at the end of Raiders, and he just didn’t want to waste one of the good people.

“We aren’t defeating him,” Jesus said quietly, but even in a whisper his voice reverberated like thunder. “And you are one of the good people. Goodness has very little to do with piety, my ch — Dave.”

He turned sharply to look at the two angels, who were lagging behind to lick display cases containing taxidermied birds. Their wings slumped under the power of his gaze and they caught up to us.

“Between you and me,” he confided as we rounded a corner and entered the hall of antiquities, “if anyone is going to get their faces melted, I’m volunteering those two knuckleheads. Dad thinks they add a certain majesty to my miracles, but most of my miracles lately have been turning wine into water to combat drought and making pandas go forth and multiply. Which is gross, by the way. Ever seen a newborn panda?”

I shook my head. He had to know I hadn’t, but it was nice of him to ask.

“Imagine the ugliest rat you’ve ever seen, then make it pink and hairless and only able to move by random wobbling movements. The point is, the angels do nothing but make people nervous.”

He flashed me a smile straight out of a toothpaste commercial, complete with little sparkly bits.

“How do you do that? That smile?”

He shrugged. “Same scientific principle used to make halos and sunbeams.”

Oh. Obviously.

We came to a display bathed in spotlights and cordoned off with red velvet ropes. On a low table in the center sat an earthen jar, cracked and weathered by the sands of time but remarkably intact. Its lid sat beside it, and large signs posted everywhere told the story of its discovery, calling it the Holy Grail.

“It’s the real one,” Jesus said, preempting my question as the temperature of the air dropped noticeably. “The Last Supper was really more of an enchantment ritual we kind of stole from the story of Pandora, taking an ordinary jar and making capable of holding the incarnation of evil. And it worked, until some fool had to go and open it.”

The lights in the rest of the museum suddenly cut out, leaving us and the jar in a bright pool amid an artificial night. I peered nervously into the thick and impenetrable wall of darkness, hugging myself to relax the goosebumps.

“Is he… here?”

“He’s everywhere, silent and invisible. Like carbon monoxide. You don’t know he’s there until he has you in his grasp.”

The possessions of the early days came to mind. Just before the second coming, the news was full of images, horrible images of people in the clutches of some kind of insanity. Flailing and contorting, attacking one another and speaking in tongues. It stopped as soon as it had started, and once the Lord hath returneth’ed, no one really talked about the possessions anymore.

“It started the day the jar was opened. My return quelled him for a time, but tomorrow the Grail goes public and every set of pious eyes upon it give him power.”

“And my eyes are godless heathen eyes.” I nodded in understanding and slowly stepped up to the display.

The ropes fell away as I approached, parting like the East River, and my hands trembled as I reached for the jar.

Its ancient clay felt warm to the touch. Hot, even. I held it firmly in one hand and took the lid in the other, making a point not to look inside just in case it would melt my face.

I heard footsteps and a soft cackling.

“Not funny, Jesus.”

“Not me, Dave.”

He sounded scared.

A frantic squawking and the rustle of feathers made me turn, just in time to witness the blackest shadow I’d ever seen taking the angels in its grasp.

In my surprise, the jar slipped from my hand.

I watched it tumble to the ground in excruciating slow motion, too paralyzed to do anything but pray it wouldn’t break.

It hit my shoe, bounced slightly, and skittered onto the floor with a scraping sound. But it remained in one piece.

I dove for it, and met the desperate eyes of the shadow, which released the angels unharmed and swooped towards me. I clapped the lid onto the jar and held it to my chest as the icy tendrils of the devil brushed across me.

The jar grew heavier as the lights came on and the temperature returned to normal, until I could no longer bear its weight and had to set it on the floor. The tiles began to crack.

I looked up to see Jesus smiling at me. And not a good smile, but a smug one.

“What?”

“You prayed.”

Crap. I did, didn’t I?

“Dave the atheist prayed.”

I scrambled to my feet. “Did not.”

“Don’t lie to me,” he teased, picking up the jar without effort. “That’s like the worst sin ever. Straight to Hell, no stopover in Purgatory.”

I stared at him for a long time as the angels groomed each other with their tentacles. It wasn’t like it was a real prayer, just kind of a way to say I wished really hard that the jar wouldn’t break. Like when you’re waiting for a check and you say, “Please let it come today.” Not a religious prayer. Not really.

“Fine,” I said as we walked out of the museum. “But I never mentioned you or your dad by name. For all you know, I was praying to the Mesoamerican serpent god Quetzalcoatl.”

“Which would be a waste of time, since he never checks his messages.”

I couldn’t tell if He was kidding.

“So am I still going straight to Hell?” I asked out of curiosity. “I think my uncle Randall is probably there, and if I have to go, I was wondering if I could get an apartment near him.”

“I guess that depends on how you live the rest of your life. Rescue some dogs, donate to charity, and I’ll see what I can do. But do me a favor and don’t pray anymore.”

“Why?”

He smiled, the big one with all the sparkles. “Because there’s rumors that the four horsemen are coming next year, and I just might need an atheist again.” He pointed behind me. “Hey, isn’t that the pretty blonde tourist?”

It wasn’t. When I turned back, He and the jar were gone. The words “Take care of the knuckleheads for me” had been etched in the sidewalk.

The angels wagged their tentacles at me. One of them offered me a pigeon.

 

© 2018 by Jennifer Lee Rossman

 

Author’s Note: This story came about when I wondered how people would react to incontrovertible proof that their beliefs are wrong. Would they believe something else, or stick to their old ways? Is there a middle ground? Believing in a god but choosing not to worship him? And what if that god was perfectly fine with you choosing not to worship him?

 

Jennifer Lee Rossman is a science fiction geek from Oneonta, New York, who cross stitches, watches Doctor Who, and threatens to run over people with her wheelchair. Her work has been featured in several anthologies and her novella Anachronism is now available from Kristell Ink, an imprint of Grimbold Books. Her debut novel, Jack Jetstark’s Intergalactic Freakshow, will be published by World Weaver Press in 2019. You can find her blog at http://jenniferleerossman.blogspot.com/ and Twitter at https://twitter.com/JenLRossman

 

 

 

 

 

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DP Submission Email Delay

written by David Steffen

This morning the Diabolical Plots submission system started experiencing issues sending emails, so this will prevent me from properly resolving submissions until it’s fixed.

Also, submissions can be made and you will get the confirmation number on the site (write that down if you want to check status!), but the issue will prevent you from getting the confirmation email.

I will get this sorted as soon as I can

BOOK REVIEW: Deadlocked by Charlaine Harris

written by David Steffen

Deadlocked is a romance/mystery/horror novel from 2012, the twelfth in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

In the last book, Eric, Pam, and Sookie succeeded in killing the vampire Victor, the representative of the king of this vampire district.  As the book starts, Felipe de Castro, the aforementioned king, visits the area to investigate the disappearance.  Eric hosts a party in his honor, and during the party, a dead woman is found on the lawn of Eric’s house.  Meanwhile, Sookie is struggling with the quesiton of what to do with the magical fairy artifact left to her by her grandmother which will grant her one wish.

This one was definitely a pickup from the last book (which was in my opinion probably the weakest in the series), and there was lots of tension built in from the beginning which definitely kept my interest throughout.  The mystery involving the dead woman was… a little hard to follow, seemed like it was built backwards from the resolution, if that made sense?  Like one of those locked-room mysteries that is interesting to unravel but is also kind of absurd in retrospect.

One book left in the series!

BOOK REVIEW: Dead Reckoning by Charlaine Harris

written by David Steffen

Dead Reckoning is a romance/mystery/horror novel from 2011, the eleventh in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

Sookie witnesses the firebombing of Merlotte’s (the bar where she works).  Before Sookie gets to the bottom of that, she finds out that her vampire boyfriend Eric is plotting to kill the oppressive representative of his vampire district, and she is drawn into the plot.  She has also been chafing at the blood-bond between her and Eric that makes a telepathic feedback loop between the two of them.

I thought this was one of the weaker books in the series.  Most of the books have a lot of subplots but it still feels tied together around some central conceit or main plotline.  This one… just felt scattered.  And, Eric feels very different in this one.  Eric has always been a bit opaque and frustrating (not in a bad way, I mean) but in this book he just struck me as being purposefully obtuse on every damned thing, that I just wanted him to go away and stop being the current love interest.  If the series hadn’t already ended by the time I read this book, I probably would’ve stopped reading in the midst one and not kept going.  (But since I knew there were only 2 more books I did keep reading).

 

DP FICTION #41A: “Crimson Hour” by Jesse Sprague

Don’t think. Don’t feel. Concentrate on the work. Berend sliced under the unicorn’s scarlet hide. He worked swiftly to skin the beast while the pelt remained a vivid red. For a short time at dawn and dusk, a unicorn glowed red, and only during those few minutes could a blade pierce the animal’s hide. Normally, animals came to his butcher shop gutted, but with a unicorn that was impossible.

As he pulled the pelt back, he pondered the cuts that would come next. He’d have to remove the heart first—for the Hero.

Lined up on the stone table beside the unicorn, an array of tools waited. For now, the bone knife was all the job required. Berend’s hand paused under the unicorn’s jaw. The village shaman had already removed the horn, leaving a jagged circle of white bone. Around this circle and coating the muzzle was a thick splatter of human blood.

The blood of my only son.

Forcing thoughts of Ulfric from his mind, Berend focused on his work. He finished removing the precious hide, already darkening to the onyx black a unicorn took on at day’s end.

“Rhea!” Berend shouted before recalling that his daughter, along with his wife, were with the healer preparing Ulfric’s body.

His eyes filled with tears, obscuring the room. In front of him, the carcass wavered. And the rest of the stone-walled chamber blurred like a half-forgotten dream. He barely made out the faded paint on the wooden door or the unshuttered windows.

Stop! Keep working.

A few squares of butcher’s cloth lay over the display counter across the room, waiting for the flesh of the beast. And behind the counter was the cold-room’s door. He’d have to lug the carcass in there before the evening ended.

This was no way to mourn. He shouldn’t touch dead flesh for half a moon out of respect for Ulfric’s death. But no one in this village would understand a two-week break from the butcher.

If only I were home. Not this land forgotten by the ocean.

The constant ache in his right leg rarely let him forget why he’d relocated inland. With a gimp limb, he’d have been useless to his warfaring people and had wanted to find a new purpose. Here, far from the sea, he’d met a butcher’s daughter. And with her by his side, being an outsider hadn’t seemed too great a burden.

Berend turned back to the carcass. From amid his knives, he selected a bone saw.

With the full force of his weight, Berend sawed through the animal’s sternum. A scent of summer pollen and iron wafted from the cavity. Then, shunning tools, he trusted to his bare hands and cracked open the chest cavity.

Outside his shop, a burst of cheering filled the town square. Cheers for the man who’d slain the beast that had been terrorizing nearby towns for months. Cheers for Chariton, the Hero of the Mid-Kingdoms.

Berend gritted his teeth.

“Hero,” he sneered, and drove his thick-muscled arm between the unicorn’s ribs. His hand sank into the beast’s slick innards.

He carefully extracted and trimmed the heart. After crossing the room to the counter, he set the organ onto a square of butcher’s cloth.

A sob broke from the prison of his chest. His body hunched, shaking as loss washed over him.

Ulfric had been a good son. Uninterested in the family business, but strong-spirited.

Of late, his son had spent more and more time in the forest. Yet despite hunting so much more, he brought less and less game home. Had a sense of debt to the family driven him out there? They’d never needed the meat. Ulfric hadn’t needed to go into the woods.

“Papa?” Rhea’s soft voice preceded her young arms around him by mere seconds.

How did I miss them returning? Berend wiped his face with the back of his sleeve and straightened. His wife, Naiyah, stood in the doorway, looking gaunt. Her olive skin appeared waxy, and a leaf hung in the wild coils of her hair.

He wrapped his arm around Rhea. She leaned closer to him as he stroked her hair, black like her mother’s—like all the locals—rather than his own oaken brown. His daughter didn’t flinch at the dark blood coating his hands. At ten, half her brother’s age, she was already better with blood than Ulfric ever had been.

“As you asked, his body has been prepared to your custom.” Naiyah’s brown eyes stared past her husband and daughter at empty space.

“Thank you.” The words ground from Berend, bitter and cold. He didn’t feel thankful. It didn’t matter that Naiyah had agreed to anoint the body with salt and paste, or that she’d shaved him clean.

Ulfric’s bones would never make it to the distant ocean. He’d never board the White Ship and travel with his ancestors.

“We take him to the Wall tomorrow night,” Naiyah said. “Since tonight is reserved for the Hero’s Feast.”

Berend cringed. Of course, Ulfric’s not as important to those damned villagers as celebrating Chariton. Why should the butcher boy’s death matter to them?

Naiyah looked so frail and empty. Despite the riot of emotion in him, Berend held his tongue.

“I’ll prepare the heart for Chariton,” Rhea said, looking alternately at her parents’ grim faces.

“No,” Naiyah and Berend said together.

He would not burden his only daughter with butchering the beast that had skewered and eaten hunks of flesh from her brother. Nor would he ask her to serve a dish of conquest to the cowardly Hero who’d watched Ulfric die, used him as bait.

Even if Ulfric had volunteered to lure the unicorn out and keep it revealed until dawn, which Berend doubted, no Hero should have taken such a sacrifice. Not from a man so young.

“Come.” Naiyah motioned to her daughter. “We’ll prepare an evening meal. I will not attend the feast.”

The two retreated to a stairway at the back of the room and descended into their living quarters.

He glanced out a window.

The square seethed with villagers. At the center, on the raised platform used for announcements and performances stood the five village leaders and of course, Chariton.

The shaman addressed the crowd with an arm slung around Chariton, but Berend couldn’t hear the speech. None of the man’s words mattered. Still, he watched.

Chariton stood there, his blond locks and golden skin contrasted with the locals’ darker coloring. He stuck out like one dipped in starshine.

Berend could imagine the praise being heaped on this paragon of an adventuring Hero. He’d slain the unslayable unicorn. He’d lured it out at the precise moment of dawn when the unicorn’s hide was penetrable, before it turned the blazing white of the Summer sun.

But, he’d used Ulfric as bait to tempt the beast. Had Chariton met Ulfric in the woods and tricked him? Or had he fooled Ulfric in town and led him away to the dawn which would be his doom?

My son gave his life. Where’s the recognition of that?

Berend smashed a fist into the counter. And worse than giving his life, now his soul will be barred from the White Ship because I can’t find a way to bring his bones to the ocean.

Before he could do more, Rhea emerged from the family quarters, holding a wooden bowl and a white plate. She crossed the room. Her hands held out the food like a religious offering.

“Here, Papa. Eat this.” She placed the bowl of berries and nuts on the counter. The plate held squares of fresh cheese. No meat. “Momma’s planning to make liver for us, but I knew you wouldn’t eat it.”

Berend wiped his wet eyes, refusing to cry in front of the girl again.

Rhea paused, her face scrunching with unspent tears. “Nothing helps. It hurts, but none of the rituals help. How do I go on?”

“Only time eases the pain. We can’t bring him back, and helplessness would drive us insane if we didn’t do something.”

“But it isn’t enough.”

“We do what we can.” Outside, the last of dusk’s angry light faded.

***

Berend took a long swig from his bottle—Barenfang from his homeland. The sharp, honeyed taste coated his tongue and his throat.

The evening air stank of charred flesh and a cloying incense. Smoke choked him and stung his eyes. Yet the warmth provided by the bottle built a barrier, brick by brick, between him and the ceremony.

Naiyah wept beside him. The light from their son’s pyre flicked over her features. Leaning against her mother, Rhea trembled, red-eyed but expressionless.

His hand instinctively grasped the hunting knife at his side. But death was not a beast he could defend her from.

Behind the fire stood a pale silver wall that spanned the entire clearing. The locals called it The Wall of the Gods. The stone was uncarvable and yet markings of unknown symbols covered it—leaving no dents in the stone. At the foot of this wall lay piles of blackened bones from previous funerals.

Berend took another deep drink. His son would rest for eternity in this foreign place. But what option was there? There was no ocean within a moon’s ride. Even if he could ride so far with his leg, he couldn’t leave his shop.

I can’t watch this.

Berend turned from the stinging flame and began walking. He had no desire to return home. Instead, he hiked off the path to a stream. It was a place he’d taken Ulfric when the boy was young. Where Berend had first taught Ulfric to hunt—the one interest the two had ever shared.

He sat on a rock until darkness fell. Then he remained, listening to the stream gurgle and sigh as the night air fed his guilt and regret.

Near dawn, his body stiff and chilled, he fought his way through the heavy brush toward the path. His leg ached as he moved, and by the time he reached the trail, it took effort not to limp.

Despite the darkness surrounding him, the impending sunrise sent out its first pink haze. His family was bound to wake and worry. But, the thought of returning home—returning to Naiyah, returning to Rhea who floundered under the weight of her grief—offered his fevered mind no relief.

He headed toward where Ulfric’s pyre had been. Maybe there was comfort there.

Berend limped along until he glimpsed the Wall through the trees. An uneven gold light danced over pale stone.

But why? The town’s custom was to leave around nightfall once the pyre finished burning.

He stepped into the clearing. A steep hillside dropped off on the opposite side of the Wall. From this angle, it appeared to rise from the edge of the world.

In front of both wall and abyss, a golden-haired man tended a small fire, a pile of sticks at his side.

Chariton, the Hero of the Mid-Kingdoms.

A bitter taste filled Berend’s mouth. Him! The coward who watched Ulfric breathe his last breath dares to linger here by his bones. Berend drew the hunting knife at his side.

Without a sound, he crept toward the light. The tactics of war, not used since his youth, were not forgotten.

The advice he’d given Rhea returned to his mind. Helplessness will drive us insane if we do nothing. Gutting Chariton would be doing something.

He lifted the blade as he slunk behind the seated figure of the Hero.

Chariton’s shoulders shook, and he leaned into his hands. Berend paused.

The fire cracked.

“If you wish to slay me,” Chariton said, his voice heavy with tears, “do it.”

The butcher lowered his arm.

“Do you know the legend of this wall?” Chariton asked.

Berend didn’t answer. Rage fought with doubt inside him.

“They say, if a man can damage it—make a mark on the surface beside the sacred markings of the gods—he can bring one he loves back from the dead.” Chariton motioned toward the pile of bones. Something shone in their midst.

The blade of a sword.

Chariton lifted his right hand where he held an empty hilt.

Fragments of thought moved in Berend’s mind, but they fit nowhere. The Hero’s presence here—his concern over Ulfric’s death—made no sense.

Berend grabbed the Barenfang from his coat, took a swig, and sat beside Chariton.

“Why do you care?” Berend asked. “Do you feel guilty?”

“The story circulating isn’t true.” Chariton gave a dry laugh. “What could I say that would improve Ulfric’s legacy? Not the truth. As a willing sacrifice, he’ll be remembered as a heroic spirit.”

Berend gazed at the broken sword. He remembered Ulfric’s recent absences from the family home. And hadn’t Chariton been around more than usual? Typically, the Hero disappeared to look after other towns or sought distant foes.

“You loved him,” Berend said, each syllable dropping grudgingly.

“Heroes don’t live long. Villagers throw virgins at me, but none would offer me someone to wed. I travel and follow the will of the gods. This life offers much, but not a family, not love.” Chariton threw a stick into the flames. “I got greedy. I neglected my duties and stayed here. This is my punishment. The gods don’t speak, they yell.”

Berend sighed and offered the Barenfang.

Chariton waved the bottle away. “I don’t drink spirits.”

“It’s from my homeland—meant for Ulfric’s wedding.”

Chariton took the offering and drank. A soft predawn glow whispered near the top of the wall.

“How did it happen?” Berend asked.

“Ulfric and I had made camp. As dawn came, I left to get water from a nearby stream. By the time I heard him scream, it was too late.”

Berend understood. Even if no one else knew, killing the unicorn was retribution for Ulfric’s death—the cry of a heart shattered, now avenged. But he felt no better.

He stared at the fire, then, at the Hero’s golden hair. Chariton is an outsider too.

“The fire, it’s your tradition?”

Chariton nodded. “The flame must stay lit all night. The spirit fire will guide his soul to the afterlife. Who knows what tradition, if any, is true, but I feel better knowing I’ve done all I can to aid him.”

Berend looked at the Hero. Here was someone who might understand, someone who might be able to help him.

“Can you do something for me?” Berend asked. “On your travels, when you come to the ocean, can you lay one of Ulfric’s bones on the shore for the tide to consume? Only a single bone and the White ship will find him.”

Chariton’s shoulders hunched, and he took another drink of the honeyed liquor. “I can do that.”

Berend reached out and wrapped an arm around the Hero. The crimson light of dawn made its own writing on the Wall of the Gods.

 

© 2018 by Jesse Sprague

 

Jesse Sprague has previously published several speculative short stories, including the Once Upon Now anthology by Gallery books, two short stories published in Seattle Crypticon’s Decompositions 2017 and stories in both the Nemesis and Undeath by Chocolate anthologies. Her book Spider’s Game, the first in a three book series, won a Watty award and can be read on Wattpad. Jesse can be found on facebook at https://www.facebook.com/JesseSpragueauthor/  her websitejessesprague.com, and on both Wattpad as @jessesprague and Radish Fiction.

 

 

 

 

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HUGO BOOK REVIEW: Provenance by Ann Leckie

written by David Steffen

Provenance is a science fiction novel written by Ann Leckie released in September 2017 through Orbit Books, which takes place in the same universe as her breakout Imperial Radch trilogy (Ancillary Justice (2013) , Ancillary Sword (2014), Ancillary Mercy (2015)).  This book takes place shortly after the events of Ancillary Mercy.  It doesn’t share any of the characters or settings, but some of the political forces, cultures, technology, and alien races are familiar to those who’ve read the trilogy.  I don’t think you’d have any trouble following the story if you hadn’t read the trilogy, and I think it would work fine as a standalone, but you may have a shortcut to understanding certain elements from having seen the cultures and species in the previous books.

Ingray Aughskold is the adopted daughter of a wealthy politician, eternally pitted against her brother for her mother’s favor since her mother hasn’t chosen a successor for her position yet.  Always outdone by her brother, Ingray spends all of the money she has at hand in a desperate bid for her mother’s attention, and pays to have a criminal smuggled out of what is supposed to be an inescapable prison for a far-fetched scheme to win money and fame.  When the person she is delivered claims to have no idea who she’s talking about, she’s back to square one on a strange planet with very little resources.  She can’t call her family for help if she wants to make it anywhere in the competition with her brother.  She tries to salvage some scraps of her original plan.

I enjoyed revisiting the universe from the original series, and to see some areas of it that are not familiar.  Most of the trilogy had taken in Radch space and so was colored by Radch technology and Radch politics and Radch culture.  This takes place outside of Radch space, though there are Radch characters.  One of the interesting things about the Radch trilogy had been that Radch refer to everyone by default pronouns and have little to no concept of differing genders at all, finding it very disconcerting when they need to speak in other languages where gendered pronouns are required.  In this book, you get to see a mixture of different cultures and how they view things like gender, and tradition, and I found that fascinating.  I was also very excited to get to see closer interactions with one of the alien races that I hadn’t seen in the Radch books.  While Ingray did have a vague plan in mind for much of the books, I felt at times that coincidences tended to land a little too neatly to make it all work out, but the plot kept me guessing and I was rooting for her along the way.

I recommend the book, especially if you read the Imperial Radch trilogy and would like some more from the author in that universe.

 

MOVIE REVIEW: The Incredibles 2

written by David Steffen

The Incredibles 2 is a superhero family action/comedy animated feature from Pixar, released in June 2018.  It’s the sequel to The Incredibles, the first in the series, released way back in 2004.  The Incredibles 2 picks up where the first one left off, after the superhero family has had their first big win together thwarting Syndrome’s plan to set up superheroes for failure, and with the emergence of the Underminer’s big drilling machine from under the city.

The family joins together again to save the city from the Underminer (John Ratzenberger), and soon after Elastigirl aka Helen Parr (Holly Hunter), Mr. Incredible aka Bob Parr (Craig T. Nelson), and Frozone aka Lucius Best (Samuel L. Jackson) are approached by rich superhero-sympathist brother-and-sister business partners Winston Deavor (Bob Odenkirk) and Evelyn Deavor (Catherine Keener), who want to start a new campaign to make superheroes legal again, starting with financing Elastigirl to fight crime and improve the public image of supers.  Bob and Helen talk it through and decide that she should do it, in part to make a more accepting future for their children Dash (Huck Milner) and Violet (Sarah Vowell).  Bob stays home to watch the kids while Helen goes out on this mission, and their baby Jack-Jack begins manifesting superpowers.  Soon a new supervillain rises, Screenslaver (Bill Wise), who uses hypnosis to turn others into his minions.

People who are susceptible to strobelight-triggered seizures should be aware that there are some scenes which have intense strobe effects without warning, so I would suggest you should avoid this movie for your health.

Overall this movie fits Pixar’s high-caliber storytelling, lots of fun action, funny lines, memorable images, and high adventure.  As with almost all of Pixar’s other movies I would highly recommend it, and I would see it again myself given the opportunity.  In particular, with a young child myself, I completely related to Bob Parr at home trying to take care of a superpowered baby who has teleported into another dimension or has turned into a monster at the mention of cookies.

But there was something that bugged me about one of the storytelling choices here that is not up to Pixar’s usual storytelling standards–Pixar pulled a major and obvious retcon of the events from the first movie… and it’s not clear why.  At the end of The Incredibles, they discover Jack-Jack has powers.  It is, in fact, a major plot point that contributes to the resolution.  The super-villain Syndrome is very good at risk-assessment and he has plans for how to deal with every anticipated threat.  The only way that they succeed in defeating him is that he tries to kidnap Jack-Jack and Jack-Jack suddenly starts manifesting powers in an highly unpredictable way.  This distracts Syndrome long enough and he ends up getting sucked into a jet engine and the jet crashed on the Parrs’ house.  But… Pixar has apparently decided that somehow, Syndrome was defeated, and the Parrs’ house was destroyed by a jet crash, but that somehow this happened without Jack-Jack manifesting his powers.  And now Jack-Jack unexpectedly manifesting powers is a major plot point in this movie.  I suspect that they did this because they felt it would be implausible for Helen to leave Bob alone with the family right after Jack-Jack starts showing powers, but they could’ve figured out a way to write around that.  So that bugged me, not enough to hate the movie, but enough that it was distracting, especially when each character declared “Jack-Jack has powers?!” as though we hadn’t already known about all that already.