DP FICTION #37B: “Soft Clay” by Seth Chambers

I wander the Chicago streets unseen. I’m plain, drab, faceless. I’m a shadow drifting through the world of form. It isn’t all bad, being this way. I ghost into theaters and museums and concerts without paying. Guards see me bypass the lines and slip through the doors, but somehow I never quite register.

Being nobody has its perks but now I hunger to be somebody once again, to have a name again. To do this I must find the right man to follow. I wander the Chicago Loop looking for certain telltale signs of pain, longing, emptiness.

We live in a world of grief and so it doesn’t take long to find him. He carries himself with an undefined heaviness and peers through a fog of yesterdays. His emptiness drags me along.

I follow him into a coffee shop and stand behind him in line. He doesn’t notice me because there is nothing to notice. I am nobody. I am soft clay in search of a potter. I won’t know who I am until he shows me. I touch his hand. He glances back but I still don’t register on his radar.

And yet, in that brief touch I feel his longing. I loop my finger around one of his and this time he finally fixes his gaze on me. I peer up at him, only now I have a freckled face with a cute nose, framed with auburn hair. He gasps. They usually do. I smile, just the way she used to smile.

My God, he says.

Then we’re at a table, my small hands enveloped in his large ones, coffee all but forgotten, our eyes locked. I become more her by the second. Elsa is her name. His memories of Elsa blaze to life. I become a little shorter and plumper. I grow to like strawberry ice cream and mystery novels with cats in them. I fell off a horse when I was a little girl.

I hear it like a rolling echo in my head, the same words, said to me by a hundred men: Is it really you? It can’t be!

You’re right. It isn’t.

I pull my hands away and return to being plain, drab, soft clay.

No. I’m not her. But I can become her.

He glances about, like they all do, and I know what he’s thinking: Are there hidden cameras? Is this some reality TV show? A prank? A sick joke? 

I take his hands and become her once again, even more so this time, and his doubts vanish. He is hooked. We talk. We make a deal. Money is passed from him to me. I don’t tell him the truth: that I need to become Elsa as much as he needs me to be her.

We go to his Michigan Avenue hotel room and sit on the queen-size bed. We hold hands and I swim in his memories.

I say: Tell me about her.

We were in love but never got married. Then she died. It was so sudden. I married somebody else but—

He stops.

But your wife can never know how much you miss her.

God no.

We’re quiet for a long time. Then he speaks again, only this time he isn’t talking about her but to her. To me. To Elsa.

I’ve missed you so fucking much! All the stupid, silly little things you did. You would piss me off sometimes because there was that crazy energy between us. And the way you laughed! You know what I used to say about you? That you were one half sweetheart and one half lunatic.

I laugh, just like Elsa. Because I am her, more and more and more with each passing minute.

Why the fuck did you have to go and die like that? I didn’t even know you were sick. I married somebody else, you never knew her. I go away on business, like now. I never cheat. Not because of her, though. My God! It’s because of you, Elsa. Because of you.

His cell phone rings.

I tell him to answer the phone, that I’ll be quiet as a mouse. Something Elsa used to say all the time. She had lots of cute sayings like that. I let go of his hand and scootch away from him.

He answers and talks to his wife for a few minutes. I don’t really listen. I feel Elsa slipping from me. I try to hold on. Elsa had parents and went to school and held down jobs, but those memories wisp away like dandelion seeds in the wind. I search my mind for my own past, as I have so often before, and come up empty.

He hangs up the phone and looks at me, a drab and pale thing sitting on the bed of his fancy hotel room. I need to become somebody, need to be molded and directed, but it’s a strain. It takes a lot of energy.

I reach for him again. He pulls away. He’s wondering, What is this creature beside me? I’m floating away. I need to become Elsa again.

He demands, How did you do that? Did you drug me? What the hell is going on?

I have no idea how I do it. I only know this hunger to become somebody, to feel, to live. For a short time I felt his love for Elsa, poor dead Elsa, and could almost believe that love belonged to me. I ache to be her again.

I reach for him, quicker this time. I latch onto his hands, my small fingers clamping so tight he shouts. I don’t let go until I’m Elsa again, sitting on the bed. He still has questions but they don’t matter. Elsa is with him. I look like her, smell like her. My skin is soft and warm, just as Elsa’s was. He throws his arms around me and says my name: Elsa, oh Elsa!

We talk, we embrace, we order room service, we make love. We talk deep into the night and fall asleep in each other’s arms, with him still murmuring my name over and over.

Elsa, Elsa, Elsa.

***

I awake, no longer Elsa, and slip away while he sleeps. I have money now. I leave this fancy hotel and check into a cheap dive, one of those TRANSIENTS WELCOME places, where I don’t have to show ID. I get my key and go upstairs.

I enjoyed being Elsa but the strain has been great. I sleep for a long time.

*

Sometimes I’m the One Who Got Away.

Other times I’m the Childhood Sweetheart.

Or the Dearly Departed.

I sift through the remnants of other peoples’ memories. I think about the names I had. The memories and the names fade because they don’t belong to me. They are merely heirlooms I borrow. I have no name of my own, not that anybody ever asks.

After some time in the cheap hotel, I emerge and walk through the Loop once again. I’m merely wandering, not yet looking for somebody new to follow. Being Elsa was nice. The warm glow of her energy has stayed with me.

But now, as I wander through the Loop, I’m back to being nobody. It seems like it has always been this way: me spotting the right man, following after, dipping into his mind, and becoming the love of his life for one glorious night. It feels like I was made for this.

I go to a bagel shop. It always surprises people when I talk to them. The young lady behind the counter punches my order into her machine. She looks so confused, wondering why this drab, formless shape is talking to her. She seems like a nice person, though, and I want to hug her. She asks my name, so they can call it when my order is ready. I tell her Elsa. I feel like a thief, stealing Elsa’s name like this. But it’s so delicious! I have a name.

When my order is ready, the girl calls my stolen name: Elsa? I get my food and say awesomesauce! Because that’s another cute thing Elsa used to say. But Elsa is a faded memory.

When I sit down, a man looks my way. He’s somebody I’ve seen before. Something stirs inside me. Nobody ever looks at me when I wander alone, but he does. Tall, sharply-dressed, distinguished gray hair that lends him a quiet authority.

He has a laptop open but keeps stealing glances my way. Does he need me to become somebody? No, I don’t think so. Why does he look familiar?

It comes to me: He’s been following me. Just as I’ve followed so many people. How could that be? Nobody ever sees me, let alone follows. I’m not used to this. My heart pounds and I don’t know what to feel.

I pick up my bagel and step over to his table. He looks up and sees me. He doesn’t see some Lost Love. He doesn’t see the One Who Got Away. He sees me, I can tell. Plain, drab me, with no past and no name to call my own.

I have other memories of him but they’re locked away and I can’t get to them. I hear them like voices from a further room.

He reaches for my plain, drab hand. I snatch it away and drop the bagel. I’m aware that he’s standing, calling to me, but something drives me off. I bolt through the revolving door, run headlong into the crowd on LaSalle, people shouting.

Without warning, the need to be somebody descends and claws me like a ravenous bird. I follow first one man then another and another. I can’t concentrate. Borrowed memories swirl and slam through my head. It’s dizzying. I run and stumble for hours.

***

I’m on the south side and it’s dark before I finally latch onto somebody. I find him in a bar. Or he finds me. His name is Dale. He glares at me through a haze of hatred. He sees me: haggard, worn, angry. My face is drawn up in sharp angles and dry skin.

You bitch. You goddam filthy bitch, what are you doing here?

I try to tell him: I’m not who you think I am, I only look like her. As I try to explain, his memories of her seep through me like dirty oil. His only name for me is Bitch.

I told you what I’d do if I ever saw you again. I told you never show your face round here. Then, loudly to another man: Hey, Bubba, look who’s here.

Bubba looks up from where he was about to sink the eight ball. He eyes me and frowns. He’s huge and looks like a confused gorilla. He doesn’t see Bitch. He sees plain, drab me.

Dale latches onto my arm. He is very strong and it hurts. His foul energy slams into me. Other men have a grab bag of mixed feelings but Dale’s hatred is undiluted. I throw up walls inside myself but his rage invades, relentless and without mercy. Against my will, I become Bitch, more and more.

Now Bubba’s eyes blaze with recognition and he sneers: Tiffany! He throws down the cue stick and lumbers over. He slides one fat, puffy hand over my face. His memories of Tiffany crawl inside my head like spiders. I cry out and both men laugh. Somebody chucks quarters in the jukebox. Music blares. I scream for help but nobody gives a shit.

This has never happened before: two men seeing me as the same woman at the same time. I become an amalgam of their memories of this woman. My name is Bitch. My name is Tiffany. I have a thing for Vicodin and alcohol and rough sex and any other distraction the world can throw at me. When I was a kid my mother got so mad she ripped out a lock of my hair and it never grew back. I had a back alley abortion when I was thirteen.

Dale hauls me across the bar. I am Bitch. I am Tiffany. Was I always her? I can’t tell. But I’m Bitch now and she damn sure knows how to fight. I snatch a bottle from somebody’s table and let Dale have it upside the head. It shatters and Dale goes down. Bubba comes at me but I lay into him good with the broken end of the bottle.

Bitch screams. Tiffany runs.

I plow through the front door into the street and a car screeches to a stop. The driver curses. I stumble. Dale and Bubba can’t be far behind. I spot a nice car, a fancy SUV that’s out of place in this neighborhood. Tiffany knows how to hotwire cars. Do I have time?

The door of the SUV swings open and he gets out: the distinguished-looking man who was following me earlier. He opens the back door of the SUV. I dive in and he slams the door. He gets in and cranks the engine just in time because Dale and Bubba are hot on our ass.

He peels out just as the two men begin pounding the shit out of the SUV. He drives off and very soon pulls onto Lake Shore Drive. I weep in the back seat. I’m still Bitch and I hate this man and hate all men and hate myself.

Only slowly does Bitch drain away and I go back to being nobody. I weep some more. I don’t know which is worse: being Bitch or being nobody.

He drives for a long time, not saying a word. He lets me cry it out. Eventually, he pulls into a lot and parks. He turns and looks over the front seat. He sees me. I can tell. He doesn’t see Elsa or Bitch or Tiffany or anyone else. He sees me.

I ask: Who are you?

I look at him. He gazes back, a sad smile spreading across his face.

My name is Wolfgang Bollinger. I’m your father.

I tell him I have no father or mother. I had no childhood. I never fell off a horse when I was a little girl. I never had a job. I don’t like strawberry ice cream or mystery novels with cats in them. I don’t know how to fight or hotwire cars.

There is sadness about him but it’s different from the pain I look for in a man. I don’t understand. I grab his hand. He doesn’t pull away. I slip into his memories and become confused because they’re mixed in with my own. The memories that I kept locked away.

We both remember: a vast cavern of a place with all the latest high-tech equipment. I float in a warm vat of amber fluid. A younger version of this man comes by and talks to me. It’s a laboratory but he doesn’t treat me as a test subject or a guinea pig. He presses his hand against the clear side of the vat. I open my eyes, somehow knowing he is there. I press my hand against the clear wall and we smile at each other.

But I still don’t understand.

Why, oh why, would he do such a thing?

I created you to become my lovely Lisa. We were together eighteen years and I missed her more than life itself.

Lisa?

You became her and we got to say all the things we never got around to saying when she was alive. I had always been so busy with work, but then I got another chance. It was a brief but magical time.

We sit quiet. The windows fog up. Eventually, he speaks again.

I still love her and miss her and think about her. But after that night, the deep and horrible pain was gone. My heart was able to heal.

Yes, I remember now!

And then I slipped away. Into the night.

You did.

So I was your daughter because you created me. Then I became your wife for a night, because that’s what I was made for. But who am I now?

Tears flow from his eyes. He crumples in upon himself like a paper sack and pulls his hand away. He has no answer to give.

I crawl from the back to the front passenger seat. He won’t look at me. His gaze is fixed on his lap. His shoulders shake with quiet sobs. I reach over and take one of his hands in both of mine.

I say: Look at me.

It takes him a long time but he looks. I begin to change. This time I become somebody he has never seen before, but our minds are joined and so he knows who it is.

Isabelle? My God. This can’t be. It’s you. Isabelle!

His wife lost her in the first trimester. That was nine years ago. I feel myself shrinking down to child size. I giggle, my voice airy and carefree.

Hi, Daddy.

What I’ve done! What I made of you! It was a sin. I created you for my own selfish ends.

I pull his head onto my tiny shoulders and let him weep. I tell him everything is okay. I don’t need to know who I am. I don’t need a horse or strawberry ice cream or mystery novels with cats in them. I have everything I need.

I have a father who loves me.

I have a name.

My name is Isabelle.


© 2018 by Seth Chambers

 

Author’s Note: This story, along with my other changeling tales, is a way of exploring the experience of being adrift, socially invisible, and without personal identity.

 

sethSeth Chambers was born with a Pentel Rolling Writer in hand and has been pathologically addicted to writing ever since. In his quest for life experience, he has worked as an army medic, mental health counselor, farm hand, wilderness guide, bike messenger and ESL teacher. His writings have appeared in F&SF, Daily SF, Fantasy Scroll, Isotropic Fiction, and Perihelion SF. His novella, “In Her Eyes,” was a nominee for the Theodore Sturgeon Award and included in Prime Book’s, The 2015 Year’s Best Science Fiction and Fantasy Novellas.

 

 

 

 

 

 

 


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The Best of Toasted Cake 2015-2017

written by David Steffen

Toasted Cake is back!  After the last Best of Toasted Cake list for the year 2014, Tina Connolly decided to put her idiosyncratic podcast on hiatus.  With a young child in the house and books on deadline, Tina needed to find more time.  But she has missed it enough, and she has decided to run Toasted Cake for a school year run, and revived the podcast in September for that reason.  So, this list covers the last few months before hiatus in 2015, the one story Toasted Cake slipped quietly into the feed in 2016, and the fall portion of the school year run of the revival, for a total of 35 stories considered for this list.

Toasted Cake has already raised author pay rates, so now pays at least 1 cent/word, which is also exciting.  It sounds like Tina might want to run the podcast longer term if there’s some Patreon support, so if you love some weird flash fiction you might want to consider tossing in a couple bucks a month.

Toasted Cake did publish one of my own stories, my only original story published in 2017, “Cake, and Its Implications” published  just before the end of the year, a funny flash story about an android who loves cake.  But of course I don’t consider my own fiction for these lists.

Note that I did end up including a story that Toasted Cake reprinted that I originally published (#2 on the list).  I decided to make the list one item longer than it would usually be to accomodate for this, so that a story I published wouldn’t bump another off the list.

Every short story that is eligible for Hugo nominations this year which were first published by Toasted Cake are marked with an asterisk (*).

Welcome back, Tina, and long live Toasted Cake!

 

The List

1. “Un Opera nello Spazio (A Space Opera)” by Oliver Buckram
A space opera that’s an actual opera.

2.  “St. Roomba’s Gospel” by Rachael K. Jones
A sentient Roomba lives in a church and tries to help preach the gospel to the congregation.

3.  “Copy Machine” by Shane Halbach
What would you do if you could copy yourself?

4.  “Carla at the Off-Planet Tax Return Helpline” by Caroline M. Yoachim
The story is exactly what the title sounds like.  🙂

5.  “Beholder” by Sarah Grey
In a world where everything is defined by social media popularity, how do those of us who are less savvy get along?

6.  “So You Have Been Claimed By a Magical Cat” by Beth Cato*
Also exactly what the title sounds like. 🙂

Honorable Mentions

“Gunfight Over an 8-bit Rhythm Two-Step Skank at the O.K. Corral” by Ken Brady

 

 

 

The Best of Strange Horizons 2017

written by David Steffen

Strange Horizons is a freely available online speculative fiction zine that also publishes nonfiction and poetry.  Their editors-in-chief are Jane Crowley and Kate Dollardhyde.  Their senior fiction editors are Lila Garrott, Catherine Krahe, An Owomoyela, and Vajra Chandresekera, and their podcast is edited, hosted, and usually read by Anaea Lay.  They publish a variety of styles of stories and have regularly attracted award nominations in recent years.  All of the stories and poetry in the zine are published in the podcast.  This list covers all of the stories published since the last Best of Strange Horizons list posted here on November 9, 2015.  In that timeframe, Strange Horizons published about 53 stories (it’s hard to get an exact count because the poetry podcasts are mixed in the same feed).

This year they posted extra episodes as part of a Resistance special issue after the US presidential inauguration in January, and hosted a special issue in October for Arabic translations.

This year they added a new feature when they reached a fundraising goal to add Spanish translations.

Stories that are eligible for this year’s Hugo awards are marked with an asterisk (*).

 

The List

1. “Krace is Not a Highway” by Scott Vanyur*
An AI designed to monitor highway repair conditions keeps on going, doing its best, after societal collapse.

2.  “Utopia, LOL?” by Jamie Wahls*
A person woken up in the extreme far future where humanity is organized by a benevolent AI master, guided by one of the few humans still coherent enough to guide him.

3.  “Oshun, Inc.” by Jordan Ifueko*
Goddesses who live by eating shards of people’s souls try to find ideal candidates.

4.  “Owl Vs. the Neighborhood Watch” by Darcie Little Badger*
A young modern-day Apache woman who is visited by Owl as a harbinger of unspecific disaster does her best to guard her neighborhood against it as best she can.

5.  “Three May Keep a Secret” by Carlie St. George*
Two teenagers help each other fight elements of their past that are literally haunting them.

Honorable Mentions

“Sasabonsam” by Tara Campbell*

“The Dead Father Cookbook” by Ashley Blooms*

“Only Calculate the Motion of Heavenly Bodies” by Marcia Richards*

 

 

 

 

 

The Best of Cast of Wonders 2017

written by David Steffen

Cast of Wonders is the YA branch of the Escape Artists podcasts, edited by Marguerite Kenner, covering all speculative genres and aiming to appeal to YA audiences.  I think their definition of YA is significantly broader than most, which I see as a positive thing–I had very broad tastes when I was a young adult, so it makes sense to me anyway.

After Cast of Wonders joined Escape Artists in 2016, they increased their pay rates which helped them become qualified as a SFWA-qualifying market, which is a great sign of progress.

In 2017 they produced weekly episodes very regularly, and during their Banned Books week they published a story a day for an extra stretch of bonus content, for a total of about 63 stories

Cast of Wonders reprinted one of my own stories in 2017, titled “Always There”, about a grandmother who has maybe died but not yet admitted it (it is an episode on the subject of grief).

 

Every short story that is eligible for Hugo and Nebula nominations this year which were first published by Podcastle are marked with an asterisk (*)

The List

1. “Lost In Translation” by Afalstein Kloosterman*
The ancient texts prophecying the chosen one are… hard to translate.  This has caused some problems seeking the fulfillment of those prophecies.

2.  “Random Play All and the League of Awesome” by Shane Halbach
Teenagers with debatable superpowers form a semi-superhero team.

3.  “More Than Machines Will Fall to Rust” by Rachael K. Jones*
A pair of friends become superhero and archenemy, can they rekindle their friendship?

4.  “The Scent that Treason Brings” by Holly Schofield*
A bookbinder in a hive society decides to rebel against the oppressive leadership.

5.  “Cross the Street” by Marie Vibbert*
When city design makes it harder and harder for poor people to survive, it can become an obstacle to even get from place to place.

6.  “Single Parent” by Sarah Gailey*
Great story about a widowed father trying his best who is called into his kid’s room and finds a real monster there.

Honorable Mentions

“Contractual Obligations” by Jaime O. Mayer*

“Brothers in Stitches” by Dantzel Cherry*

“Strong as Stone” by Effie Seiberg

The Best of Lightspeed Magazine Podcast 2017

written by David Steffen

Lightspeed Magazine is the award-nominated science fiction magazine edited by John Joseph Adams, and their podcast is  produced by the excellent Skyboat Media.  They publish about half of the stories they publish in text.  They published about 47 stories in 2017.

The stories eligible for the upcoming Hugo award season are marked with an asterisk (*), with novelettes eligible for the season marked with a double asterisk (**), and novellas with a triple asterisk (***).

The List

1. “The Greatest One-Star Restaurant in the Whole Quadrant” by Rachael K. Jones*
Hilarious (in a very dark way) story of a ship of cyborgs trying to pass as a human restaurant ship in a remote part of the galaxy.  Soon it becomes very clear that the priorities of the individual cyborgs are not aligned.

2.  “Infinite Love Engine” by Joseph Allen Hill*
Fun and hilarious over-the-top space opera.

3.  “The Dragon of Dread Peak” (and part 2) by Jeremiah Tolbert***
Sequel to Cavern of the Screaming Eye (should probably read that one first), this continues the adventures of a band of teenagers questing in the pockets of dungeon-space that open randomly.

4.  “Cake Baby (a Kango and Sharon Adventure)” by Charlie Jane Anders*
Strapped for cash space crew for hire takes a job to get DNA from radiation-proof babies born into a religious group that denies modern technology.  Very fun story.

5.  “Probably Still the Chosen One” by Kelly Barnhill*
“You must wait here,” the Highest of the High Priests told her, before returning back through the magical doorway in her childhood home.  But time works differently on different sides of a magical portal.  How long would she have to wait?

Honorable Mentions

“Remote Presence” by Susan Palwick**

“The Heart’s Filthy Lesson” by Elizabeth Bear

 

 

 

 

 

 

 

 

 

 

The Best of Clarkesworld 2017

written by David Steffen

Another great year for Clarkesworld, lots of great stories by authors both familiar and new.  Clarkesworld remains the most prolific of the podcasts I listen to, clocking in at 82 stories for the year of 2017, and with a much higher wordcount limit than most of the others, that comes to significantly more words.  Neil Clarke continues as editor, and Kate Baker continues to produce, host, and narrate most of the episodes of the podcast.

They continue to publish monthly stories published from Chinese through a relationship with StoryCom, which have been among many of my favorites.

Every short story that is eligible for Hugo nominations this year which were first published by Clarkesworld are marked with an asterisk (*), novelettes are marked with a double-asterisk (**).

The List

1.  “The Secret Life of Bots” by Suzanne Palmer**
A maintenance bot is given the major task of dealing with a major invading bioform on a ship, and is forced to consider the utility of improvisation.

2.  “Who Won the Battle of Arsia Mons?” by Sue Burke **
Battlebots on Mars become a major reality program.

3.  “A Series of Steaks” by Vina Jie-Min Prasad**
A 3-D printer forger is coerced under dire threat into forging a banquet of fine steaks for a major wedding.

4.  “Some Remarks on the Reproductive Strategy of the Common Octopus”  by Bogi Takács*
Octopus hive minds overcome the obstacles to octopus higher learning.

5.  “Second Person, Present Tense” by Daryl Gregory
Science has shown that our lower brain functions “decide” what we’re going to do a fraction of a second before we have made the “conscious” decision.  A new drug lengthens that delay indefinitely, making us question our definition of consciousness.

6.  “The Bridgegroom” by Bo Balder**
A new caretaker of an intelligent bridge is tempted by its seductive words to betray those who employed him for that purpose.

7.  “The Blood of a Martian” by Allen M. Steele
A hired guide on Mars takes a researcher to take DNA samples of the native Martians to determine how closely related they are to humans.

8.  “The Waiting Stars” by Aliette de Bodard
Heartfelt explorations of the effects of imposing someone’s culture onto a person from another culture.  This is one from de Bodard’s Xuya universe.

Honorable Mentions

“Shiomah’s Land” by Nisi Shawl

“Bonding With Morry” by Tom Purdom

“The Psychology Game” by Xia Jia, translated by Emily Jin and Ken Liu*

 

 

DP FICTION #37A: “What Monsters Prowl Above the Waves” by Jo Miles

We emerged, inching forth from the sea’s safe haven into the bright void above.

We had done it.

Sharp-edged light flooded the vehicle, casting disturbing shadows through the water within. Three of our arms, drifting lazily in a moment’s rest, merged shadows like a new menace from without. One arm whipped about in alarm, and we spun, searching, assuring our whole self that no danger was near. But that arm refused to calm. The interior of the vessel was safe – our other arms, questing, found nothing but smooth walls and each other, confirming we were alone – but the cloudy surface of our vehicle revealed only dim and distant shapes.

For proof of safety, we needed more. We rolled the vehicle forward until the hatch sat at the top, where it would not spill our life-water into the emptiness. First we popped off the hatch, then quested out with cautious arms, and finally stuck out our head to see what none of our cousins ever had seen and returned to tell of: the void-above.

In all our hunting, we’d never found such stark, forbidding emptiness. The sea’s edge lapped against a surface that looked to be rock, but was not. Too hot, and too flat. Unnatural. The flatness stretched away ahead, beyond the edge of our sight. Unnatural structures reared up on either side, adorned with indecipherable markings; sunlight flared off their pale, too-flat walls. The vanished builders had a peculiar taste for flat surfaces.

These structures were familiar: we knew them from such ruins as the sea had claimed for its own, but those ruins were well-settled now, teeming with all manner of creatures. Here, we detected no movement, no sign of builders, no life at all.

The void was vast and open, no shelter within reach of our arms. We did not trust it.

Yet we saw no dangers, no sign of such vile poisons as our cousins claimed would await us here, no traps to leave us helpless and desiccating beyond reach of aid. Their warnings never broke our curiosity’s grip, and nothing we saw from the water’s end changed our determination.

We would go on.

Retreating into our vehicle, we gripped the hatch with our suckers and pulled it tight behind us. The flatness, easy to traverse, would determine our route. Pulling ourselves up the forward side of the sphere, our weight set it rolling, and we advanced into the desolation.

Our arms climbed ever-upward, tireless, as we left the broad flatness for smaller channels. We rolled through spaces wild with sprawling plant-fronds, past structures that reached for the blue heights or hugged the ground. Such strangeness, yet its variations gradually grew familiar.

All this time, we’d seen no sign of animal life. So when the hiss sounded, close beside us, we flailed in alarm.

We nearly inked ourself, a startled and lethal instinct. Our body reddened, as much in distress at our near mistake as at the shock of the encounter. To spew ink within the sphere’s enclosure would blind us at once, poison us within minutes.

But what startled us?

Poking out a few brave arms, then our head, we saw it. Back arched, tail erect: utterly alien, horrible in its rage.

The beast had four limbs. Unlike the gangly builders, it stood on all fours, its long, facile tail thrashing behind it. Pointed protuberances atop its head curled forward, trained on us, and spiky matter stood upright atop its back. It hissed again, showing off small, sharp teeth, and bunched its muscles for a leap.

Alarmed, we jetted it with water, and the creature leapt aside with a yowl. Taking advantage of its distraction, our arms took swift action, not waiting for our head’s agreement. They tugged the hatch shut and leapt up the sphere, reversing our direction, rolling us away at speed.

We made it halfway back to the sea before our head talked sense into the rest of ourself. Our roll slowed, stopped.

What was that creature? Grotesque as its form appeared, it seemed no threat to us, certainly not within our vehicle. But looks could mislead. Could it spew poison? Extend that eel-like tail to lash at us? How dangerous would a second encounter be?

Could we return home, tell a tale of a ferocious land-monster, and admit that we darted off at first sight of the thing? That we nearly inked ourself in fear?

That was not why we labored so long to construct our vessel, nor why we traveled so far. Our color faded to a cautious pink, and we reversed our course.

The creature sat where we left it, watching. This time, it thrashed its tail but did not stand or hiss. For a time, we watched each other in mutual fascination and disgust. We sensed in it a fellow hunter, patiently waiting and learning, wary but not hostile yet.

Then, to our astonishment, it rolled onto its back in the dust and showed its underside in submission. It nosed a stack of round metal objects, mewing pitifully. Imploringly? Treacherously? Hungrily? We debated its possible intentions. Though we lacked a point of reference, it did look thin and ragged…

Before we reached a decision, our most curious arm decided for us, snaking toward the nearest metal cylinder. Stacked tidily against the door of a dilapidated structure, the cylinders seemed prepared for some purpose. Did they belong to the creature? Did it live here?

A few suckers sufficed to lift one cylinder for a closer look. As it passed overhead, the creature flew into motion, yelping and leaping into the air after it. We turned our jet toward it, ready to fend off an attack, but the creature sat and stared at our arm, head tilted in such obvious expectation that we fluttered in amusement. Turning our examinations to the cylinder, it proved similar to those cylinders we sometimes found in the submerged ruins. Those usually contained… yes, of course.

We applied pressure to the lid with a few additional suckers and pried it free. The creature yapped wildly, and as we lowered the container to the ground, eagerness outweighed its caution. It dove forward, devouring.

Fascinated, we crept closer, inching down the surface of the sphere. Our bravest arm reached cautiously toward the creature’s head. It froze, wary, and sniffed at us. Then it returned to eating. Taking this as permission, we touched its head with a careful arm-tip, stroking it lightly, feeling its odd soft coat of cilia and the skull beneath it. The beast was intelligent, a fellow hunter — not so smart as a dolphin, or even the dimmest breed of our eight-legged cousins, but cleverer than a grouper or an eel. When it finished eating, it rubbed its head against our arm and curled up, its torso rumbling softly.

What strange wilds do you inhabit, little hunter? What alien prey swims through your dreams?

It did not answer. Maybe it did not understand. We returned to our sphere and began to roll away.

It hopped up with an excited chirp, batting at our vehicle as if in play. Its antics threw off our momentum, and we paused, considering. The creature rubbed its head against the sphere, peered up with hopeful green eyes. We sighed, expelling a soft puff of mist into the air. Very well.

Picking up three more of the metal cylinders, we stashed them in our vehicle for later. This time, when we rolled away, we let our strange new companion pad along beside us.


© 2018 by Jo Miles

 

Author’s note: Once I started learning about octopuses, I became a bit obsessed. Octopuses are truly, remarkably cool creatures. They can change to any color or pattern at will, and can squeeze through the smallest gap. They can solve complex puzzles with their many clever arms — not only dexterous, but literally clever, because they have more neurons in their arms than in their heads. Though solitary by nature, they’re insatiably curious and playful. In her book The Soul of an Octopus, Sy Montgomery describes them as virtual aliens right here on Earth. We’ve explored their homes many times; it seemed only right that they’d want to explore ours in turn.

 

jo-miles-headshotJo Miles is a science fiction and fantasy writer and a 2016 graduate of the Viable Paradise writers’ workshop. She has short fiction in the Agents and Spies anthology and the Mad Scientists Journal. She also runs FutureShift, a project working to broaden the intersection between speculative fiction and social change work. When she’s not writing, you’ll likely find her hiking up a mountain or riding her bike. She lives in Maryland, where she is owned by two cats.

 

 


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The Best of Escape Pod 2017

written by David Steffen

Escape Pod is the weekly science fiction podcast.  At the beginning of 2017 it was edited by Norm Sherman, but when he stepped down from the role two co-editors have filled the positions: S.B. Divya and Mur Lafferty.

Escape Pod was already a qualifying market for writers to become members of the Science Fiction and Fantasy Writers of America, but in 2017, its three sister podcasts joined the list as well, making all of Escape Artists’ ongoing publications qualifying markets!

In February Escape Pod once again participated in the Artemis Rising event across the Escape Artists podcasts, publishing fantasy stories written by women and nonbinary authors.

Escape Pod published a total of 52 stories in 2017.

Every short story that is eligible for Hugo nominations this year which were first published by Escape Pod are marked with an asterisk (*).  If the original publisher was someone besides Escape Pod, the original publisher is noted in parentheses for award-eligible fiction.

 

The List

1. “Unit Two Does Her Makeup” by Laura Duerr*
I love a well-thought-out AI story, and this one is great, exploring the interaction between two AIs who have different roles in a company and how that affects nuances of their behavior and many minor choices affected by these values.

2.  “Planetbound” by Nancy Fulda* (from the anthology Chasing Shadows)
Those living off-Earth have joined into a state of ongoing connectedness with their fellow human beings, and have become largely separate from those on the planet.  One of those people come back to Earth so that everyone off-Earth can experience what it’s like.

3.  “Red in Tooth and Cog” by Cat Rambo
A woman discovers an ecology of feral smart devices in the city park.

4.  “Texts From the Ghost War” by Alex Yuschik*
Story told as wartime text messages with a mechwarrior.

5.  “Trash Talk” by Holly Schofield
A story exploring how the economic disparity of the uses of advanced technology.

Honorable Mentions

“That Game We Played During the War” by Carrie Vaughn

“Vegetablemen in Peanut Town” by August Marion*

“A House of Her Own” by Bo Balder

 

 

The Best of Podcastle 2017

written by David Steffen

Podcastle is the weekly fantasy podcast published by Escape Artists.  At the beginning of the year it was co-edited by Graeme Dunlop and Jen Albert.  Partway through the year Graeme retired from the position and his co-editor seat was filled by Khaalidah Muhammad-Ali.  As well as weekly full-length feature episodes, they also publish occasional standalone flash stories as bonus episodes, as well as triple flash stories for the occasional feature episode collection.

Because of an author pay-rate change in 2016, they qualified within 2017 as a qualifying market for the Science Fiction and Fantasy Writers of America, which means they have to meet certain criteria.

In February Podcastle once again participated in the Artemis Rising event across the Escape Artists podcasts, publishing fantasy stories written by women and nonbinary authors.

Podcastle has had a solid year; it was super hard to winnow the full list of 75 stories down to the necessary count.

Every short story that is eligible for Hugo nominations this year which were first published by Podcastle are marked with an asterisk (*), novelettes are marked with a double-asterisk.  If the original publisher was someone besides Podcastle, the original publisher is noted in parentheses for award-eligible fiction.

The List

 

1.  “How I Became Coruscating Queen of All the Realms, Pierced the Obsidian Night, Destroyed a Legendary Sword, and Saved My Heart’s True Love” by Baker & Dovey* (first published in No Shit There I Was)
Included in an anthology of bar-style exaggerated story, an over-the-top fun exaggerated epic fantasy.

2.  “The Chaos Village” (and part 2) by M.K. Hutchins**
Neuro-atypical man ventures into the chaotic ever-shifting area feared by most to explore.  Sequel to Golden Chaos.

3.  “Home is a House That Loves You” by Rachael K. Jones*
Everyone turns into structures of their choice when they get older.  You can live on to support your family long after your fleshy body passes away.

4.  “All of the Cuddles With None of the Pain” by J.J. Roth*
Artificial companions mimic human babies that won’t grow up and leave you behind.  But sometimes they become human…

5.  “Winter Witch” by Matt Dovey*
The witch can’t fix everything, but sometimes she can make a difference.

6.  “Zilal and the Many-Folded Puzzle Ship” by Charlotte Ashley*
An intricately built boat can be reconfigured in many different ways.

7.  “Six Jobs” by Tim Pratt
Recruited for magical work at a young age, moving from job to job.

8.  “Shadow Man, Sack Man, Half Dark, Half Light” by Malon Edwards* (first published in Shimmer)
A compelling dark story with less common monsters.

Honorable Mentions

“Blackbird Pastry” by Megan Branning*

“The Names of the Sky” by Matthew Claxton*

“A Whisper in the Weld” by Alix E. Harrow

“Maiden, Mother, Crone” by Ann Leckie and Rachel Swirsky

 

The Best of Pseudopod 2017

written by David Steffen

Pseudopod is the weekly horror podcast edited by Shawn Garrett and Alex Hofelich. 2016 marked some major moments in the podcast’s history.  2017 marked a major landmark for them when they were added to the SFWA list of professional short fiction publications, after raising their flash fiction pay rates to be in line with their pay rates for longer fiction, which means that all four of the Escape Artists podcasts are on the list–Escape Pod, Podcastle, Pseudopod, and Cast of Wonders.

After running a successful Kickstarter campaign in 2016 for their 10th anniversary to fun an anthology, that anthology went live in 2017, Of Mortal Things Unsung which included many Pseudopod favorites as well as some brand new original fiction.  (My story “What Makes You Tick” that had previously appeared on Pseudopod was reprinted in the anthology.)

In February Pseudopod once again participated in the Artemis Rising theme across the Escape Artists podcasts, publishing horror stories by women (including some originals picked out from a special slushpile just for this purpose).

Pseudopod publishes episodes weekly, with occasional Flash on the Borderlands episodes that collect 3 similar-themed flash stories for a single episode, for a total of 66 stories published in 2017, by my count.

Stories that are eligible for this year’s Hugo and Nebula Awards are marked with an asterisk (*), all of which would be credited to Pseudopod as the original publisher.

The List

1.  “Under the Rubble” by John Wiswell*
This story as told by survivors in a collapsed grocery store, which collapsed for reasons unknown.

2. “The Hole at the Top of the World” by Benjamin Blattberg*
What is at the top of Mount Everest?  What will happen when the summit is reached?

3. “Granite Requires” by T.J. Berry*
Each kind of stone requires its own sacrifices, some much more extreme than others, to everyone who lives in this small town.  Granite is among the most demanding.

4. “The Corpse Child” by Chris Kuriata*
It is believed that there is a cure of a sick child that involves placing the corpse of a child underneath their bed for the night.  Does it really work?

5. “Passover” by Caspian Gray*
In a concentration camp, a worker finds a body that won’t burn.

6. “An Unsent Letter From an Unnamed Student” by Aaron Fox-Lerner*
Who decided who is the monster?  What if both sides think that they’re haunted?

7. “Indiscretions” by Hillary Dodge*
All the little details in Mary’s day tell her something is wrong.  But what is it?

 

Honorable Mentions

“Four Hours of a Revolution” by Premee Mohamed*

“A Howling Dog” by Nick Mamatas*

“When First He Laid Eyes” by Rachael K. Jones