BOOK REVIEW: Dead Until Dark by Charlaine Harris

written by David Steffen

Dead Until Dark is a romance/mystery/horror novel published in 2001, the first in the Sookie Stackhouse series of novels by Charlaine Harris, which is the basis of the HBO show True Blood (I reviewed the 7th and final season here, though keep in mind that will be spoilery if you’re just getting started)

Sookie Stackhouse is a twenty-five-year-old waitress living in the small town of Bon Temps, Louisiana.  She is also a telepath–she can hear people’s thoughts, whether she likes it or not.  This has not been as useful as you might think, and has mostly served to make her a bit of an outcast.  Among other things, she has found any semblance of a romantic life is impossible with this ability, since she can hear her date’s hidden thoughts, not great for a first-date kind of situation.

Not too long ago, science perfected the production of synthetic blood.  Designed as a medical product, its announcement had wider effects than anticipated, when vampires all over the world revealed themselves to be real.  The synthetic blood allows them to survive without feeding on humans,  and so many vampires have chosen this time to reveal themselves and integrate into human society.

People as a whole are still getting used to the idea. There are plenty of humans who think vampires are monsters no matter their claims to peace.  There plenty of vampires who would have rather remained hidden.  When a vampire comes to live in Bon Temps, Sookie finds herself immediately drawn to him.  His name is Bill Compton, and has taken up residence in the Compton house across the graveyard from where Sookie lives with her grandmother.  When she meets him she is shocked to discover that she can’t hear his thoughts.  With him, she can finally just be a normal person and not have to deal with every little thing he’s thinking at every moment.  Shortly after, she discovers him behind the bar where she works about to be drained of blood (which fetches a pretty price as a drug), but Sookie manages to scare them off, and befriends Bill.

Meanwhile, women who have sex with vampires start turning up dead, and Sookie’s brother Jason is the prime suspect.  He’s always been a bit of a womanizer, but Sookie knows he didn’t do it, so she agrees to help him clear his name.

This first book in the series matches the main events of season 1 of True Blood pretty closely.  There are some major characters from the TV show missing, and some other ones are drastically different, but overall the main throughline is pretty close.  The main thing that has taken a lot of getting used to in switching from the TV show to the books is that Sookie is the only POV character.  This means that many of the other characters are barely onscreen at all and don’t have nearly as rich of backstories as they do in the books.  Even Jason, who is the prime suspect and the brother of the protagonist, does not play a huge role in the books.

The tone between the books and TV show do feel drastically different to me.  The TV show feels like a drama/horror show while the book feels mostly like a romance in the style of narration it uses.  I find that I like the Sookie of the TV show better than the one in the book–she seems generally more engaged and competent on that side of things while the version in the book.

I don’t mean for this to be only a comparison between the TV show and the book.  After all, the TV show wouldn’t exist if the book hadn’t already been successful.  But having seen them both, and when a book and a season have a closely aligned plot, it’s hard not to draw comparisons.

There are sex scenes and…  Well, I know that sex scenes are super hard to write.  Make them too purple and they can get a little bit absurd, but push too far the other way and they can be too clinical.  The sex scenes in this book can tend a bit toward the absurd side.

Overall, I enjoyed it, though the romance book narrator voice has taken some getting used to.  I wouldn’t say it’s overly profound, but it’s an easy and relaxing read and this is the book that started the whole franchise.  If you have seen the TV series, you should consider reading this to see where it all started.  If you haven’t seen the TV series but have read the book, then you should consider watching the TV series to see a different interpretation of the characters and events, with a lot more backstory on the secondary characters.

 

MOVIE REVIEW: 10 Cloverfield Lane

written by David Steffen
10 Cloverfield Lane is a 2016 suspense movie published by Paramount Pictures.

After an argument, Michelle (Mary Elizabeth Winstead) leaves her boyfriend and drives solo across Louisiana late at night.  After hearing reports on the radio of sweeping blackouts on the east coast, a pickup drives her off the road.

She wakes up in a cellar on a mattress on the floor, hooked up to an IV bag, and with a brace on her knee chained to the wall.  Soon she meets Howard (John Goodman), who claims to have rescued her from the side of the road and is nursing her back to health, and that he is keeping her there for her own good.  They’re in a fallout shelter under his farm, and he claims they’re both lucky to be there, because he says that war has broken out and the shelter is the only thing keeping them safe from the fallout.

He unchains her brace from the wall and lets her loose, and she tries to attack him to get loose but fails.  She meets the other resident of the shelter, Emmett (John Gallagher, Jr.), and find Henry’s oppressive rules laid over their life together there.  Is there really a war going on out there?  Can she and Emmett find a way to escape?  Is there anything to escape to?

If you’ve seen the movie Cloverfield  you might have some suspicion about what’s really really going on above ground, but the connection was so tenuous (only the similarity in name and knowing they were both J.J.Abrams movies.  I had that suspicion, but I also suspected that Abrams might’ve just chosen the title as a red herring so that you had to constantly wonder about what is going on up there.

Great suspense movie, and I was never sure where it was going.  John Goodman plays a solid villain, creepy and malevolent even while he puts on a guise of reasonability in between threats.  Excellent movie, high stakes, always kept me guessing.  It’s free to view on Amazon Prime.

DP FICTION #32A: “Lightning Dance” by Tamlyn Dreaver

Lightning Dance sat next to Willa Bernardi on the side of the road. Rain splattered down around them, damp and uncomfortable, and the heavy smell from the gutter wrapped the air. Dance balanced a cigarette between her gloved fingers; its red tip glowed in the dark street. Somewhere in the distance sirens blared through the city. The police, ambulance, fire brigade: everyone came, and also probably the media.

Dance had pushed her mask up off her face, and without it she looked almost too human. She was beautiful, but faint lines of cynicism marked her mouth and eyes.

Willa huddled further into herself. She tried not to shiver in the chilly air. The rain had plastered her hair to her face. She’d lost her shoes somewhere, and her frozen feet were scratched and muddy. Her blue satin dress, which she’d thought so beautiful — which she’d thought made her beautiful —was ruined, the material stained and torn. Willa stared at her toes and wriggled them.

Dance wore elegant white boots that enabled her to leap from building to building, from wall to ground, as she fought the villains of the city. She didn’t have regenerative powers, but she was never hurt; she moved too quickly. Not many knew that, but Willa did. Willa knew everything about Dance — or so she thought, once upon a time.

Willa darted a quick look at Dance as the hero took a long drag from her cigarette. The street was empty of anyone but them. The sirens grew closer, but no one had passed the abandoned district and stopped to gawk; they’d follow the sirens. The constant sound of water mingled with the slow crumble of the half-demolished building behind them. One functioning street light reflected off the river of water gurgling through the gutters; the rest of the metal poles had been torn up and used as weapons in the fight between Lightning Dance and Unbender. He had used the poles; Dance fought with speed and lightning and pure grace.

The remaining light lit up the street all too clearly. A clump of something unidentifiable swirled by in the gutter, and Willa prodded it with her toe. She almost wished she shivered in the safe, obscuring dark.

“Your boyfriend?” Dance asked unexpectedly between drags; her voice was husky.

Willa hadn’t even known the hero smoked. “Yes,” she said quietly.

Garret had been charming and witty, and raised so many red flags, but she’d ignored them because she could never say exactly why he made her uneasy. Men like him never paid attention to women like her, and she’d alternated between amazement and terror that she’d do something wrong. She didn’t know if Garret had been real — if he was the person behind Unbender’s mask or if he was the mask.

“Babe, you have shit taste.”

“Yes.” Willa remembered the posters on her wall, at first of all the heroes, but then only of Lightning Dance. She remembered the scrapbook of newspaper clippings, then internet articles, the montage of computer backgrounds, and the embarrassing fantasies through high school she wouldn’t even share with her best friend. She still had everything stashed in a box in the back of her cupboard.

Dance muttered something under her breath, cursing, and Willa hugged her knees tightly to her chest. Her wrist hurt. Dance had dropped her down the stairs to get her out of the way, and she’d landed badly. Tears pricked her eyes, and she was glad then for the rain that spat around them.

“Not even going to say thank you?”

“Thank you,” Willa said mechanically.

Dance snorted. She stretched out her lithe body clad in white Lycra that somehow remained clean despite the fight and the mud and the dirty gutter. She didn’t look uncomfortable in the rain, only indifferent. “Not very grateful, are you?” She snuffed her cigarette on the wet sidewalk, then tossed it out onto the road.

“You shouldn’t do that,” Willa said.

The hero, one hand on her mask to slap it down and the other poised to push her to her feet, paused.

Willa flushed. “It can cause fires,” she whispered.

“Huh.” Dance half-smirked. “Not in this weather. Pretty sure I just caused a hell of lot more fires anyway.” Dance jerked her thumb back over her shoulder at the demolished building.

A piece of crumbling wall crashed down and drowned out the sirens. The explosion of dust momentarily overwhelmed the stench of the gutter. Any fires within probably sizzled before the growing onslaught of the rain. It had been an empty warehouse. Garret had said it was an exclusive nightclub. Willa hated nightclubs. It hadn’t seemed odd when they entered the abandoned district; exclusive often seemed to mean luxury in squalid surroundings.

Dance leant back again and pulled another cigarette from her belt but didn’t light it. “Do I know you?”

“No.”

The hero’s lips twisted. “Fair enough. Half expected a ‘you saved me once before’ there. It’s normally what I get.”

“You did once.” Willa rested her chin on her knees and stared fixedly at the road. “I was five.”

Dance snorted again. “Sorry, babe, don’t remember.”

“I don’t expect you to.” And she didn’t. She’d walked on air for days. She’d fallen in love with Lightning Dance then and there, and she’d thought she’d never fall out. “You rescue people all the time.”

“Way too many sometimes,” Dance muttered.

Willa twisted a fold of her soaked dress into her clenched fists. The sirens grew louder, and the rain heavier.

“You know…” Dance said slowly. “I do remember you. I think.” She twirled her cigarette in her hand and touched a fingertip to its end. With a slight sizzle of lightning, the cigarette glowed.

“I doubt it.”

“Yeah, I do. You told some dude off for littering then, too.”

Willa had. She’d stood up, a tiny child scratched and bleeding, and berated the bemused mayor. Dance had laughed, looked right at Willa, and told her not to change.

“The mayor.” Dance took a long drag on her glowing cigarette.

“Yes.” Willa bit her lip. “That was me.”

She’d almost rather Dance didn’t remember her. Her eyes ached through the rain. Her arm, still locked around her legs, throbbed from elbow to fingers, and she didn’t dare move it.

She wondered if Garret was dead or if he’d escaped. Nothing had been clear in the fight.

“Well.” Dance breathed a smoke ring that lasted only a second before the rain ripped it apart. “You were a lot more grateful then.”

“Yes.”

“What changed?”

Willa tilted her head back to the sky. Despite the rain, she could see a sprinkle of stars. A quick burst of light that sped across the clouds was probably Sprint. The city had a league of heroes; some places could only handle one.

“Babe?” Dance looked at Willa as if she was actually interested, and the cynicism in her face faded a little.

Willa sighed. “I grew up.”

The hero laughed and flicked her barely touched cigarette away. “I always thought that was a good thing.”

Willa thought she could hear the engines of the emergency response vehicles now as well as the sirens. They had to be near. “Not always,” she said before she realised she was talking – before she remembered she was sitting and waiting and hoping Dance left to save someone else. “When you’re little, you believe in everything.”

“Reckon if you’d closed your eyes and said this ain’t real, Unbender would have disappeared?”

Willa hugged her legs tightly to her. “No. You believe in heroes and good people and bad people and everything makes sense. When you’re older you realise…”

“Ah.” Dance tapped her fingers against the pavement. Lightning twitched across the concrete, and the rain evaporated with a hiss. As soon as the lightning disappeared, the dry patches disappeared too. “Sorry, babe. There are good people out there. I’m probably not one of them.”

Willa ducked her head. Lightning Dance was one of the good people. And Dance had to be good – she’d saved Willa when Garret would have killed her. She saved people. She protected the city. She just…

“That’s the problem with being a hero.” Dance’s lips twitched, a bitter movement. “People expect you to be perfect.”

She had been perfect when Willa was five and even when Willa was twenty.

Dance rose and wandered down the road; she flipped her mask down, preparing to leave, and suddenly looked much less human and much more the hero on the pedestal where Willa had put her. Willa dunked her feet into the freezing water in the gutter. Her cuts stung, but some of the mud washed away.

Looking back, Dance paused. “Hey, babe, don’t do that. The water’s probably contaminated.” Lightning flared around her and lit the street.

Willa blinked stupidly; then she looked down at her feet. A strangled laugh caught in her throat. It seemed Dance couldn’t help herself: she had to stop and say something because she saved people despite themselves, even when it irked her.

It wasn’t Dance’s fault Willa had grown up. It wasn’t Dance’s fault Willa had worshipped her to begin with.

It didn’t make Willa feel any better.

She drew her feet from the gutter, and Dance nodded in satisfaction.

“Two minutes, and the ambos will be here. You’ll be fine. I’ll see you around, babe.” Her teeth flashed in a grin beneath her perfect white mask. “If I’ve rescued you twice, I’ll rescue you again.”

She darted away, up the wall of the nearest building as if it was flat ground, and Willa sat alone in the street.


© 2017 by Tamlyn Dreaver

 

author-picTamlyn Dreaver grew up in rural Western Australia and now lives in Melbourne. She’s never had a secret basement or a dragon nesting in the backyard or anything nearly as interesting so she makes up stories about them instead. She can be found on the web at www.tamlyndreaver.com and tweeting at @tamlyn_dreaver.

 

 

 

 

 

 

 

 


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MOVIE REVIEW: The Hunger Games: Mockingjay Part 2

written by David Steffen

The Hunger Games: Mockingjay Part 2 is the 4th and final movie in the Hunger Games movie series, which is based on the second half of the third book of the written trilogy by Suzanne Collins, and was released by Lionsgate Films in November 2015.

Twelve districts are ruled over by the capital of PanAm.  In continued punishment for a rebellion 75 years ago, the capital rules over the districts oppressively, including forcing children from each community to participate in annual Hunger Games–tournaments to the death both for the entertainment of the capital and to send messages about rebellions.  Inspired by the rebellious actions of Katniss Everdeen of District Twelve, and from their new stronghold in District Thirteen that was previously thought destroyed by almost everyone, the districts are in open conflict with the capital for the first time in 75 years.

When the last movie left off, Katniss Everdeen, who has continued to play the hero for the cameras, now as an avatar of District Thirteen, has been reunited with her former Hunger Games partner and longtime love Peeta, but he has been brainwashed by the capital so thoroughly to twist his love for her into hatred, and he almost succeeds in killing her.  Their next move against the capital is to bring Katniss and Peeta through dangerous boobytrapped sections of the city to make their move against President Snow on-camera.  Katniss isn’t convinced that President Coin of District Thirteen is much better.

The trilogy of books this is based on is powerful and heartfelt, and the movies are reasonably fair adaptations of them.  As with most movie adaptations of books, I’d say the books are better if only because there is more space to spread out and we can get to know the internal conflicts of the characters in more detail, but these movie adaptations, including this one, are some of the best I’ve ever seen and are well worth watching, and I’m glad that because of the movies more people will be familiar with the stories.  Excellent conclusion to the movie series, well worth watching.

Long List Anthology Volume 3 Kickstarter

written by David Steffen

The Kickstarter for the Long List Anthology Volume 3 is launched as of this morning!  This is the third in a series of anthologies collecting works from the longer list of works that got a lot of Hugo Award nomination votes from the fans.

The art this year is a lovely piece by Amanda Makepeace.

 

The stories lined up are:

Short Stories (base goal)

  • “Lullaby for a Lost World” by Aliette de Bodard
  • “A Salvaging of Ghosts” by Aliette de Bodard
  • “Ye Highlands and Ye Lowlands” by Seanan McGuire
  • “Things With Beards” by Sam J. Miller
  • “Red in Tooth and Cog” by Cat Rambo
  • “Terminal” by Lavie Tidhar
  • “Razorback” by Ursula Vernon
  • “Welcome to the Medical Clinic at the Interplanetary Relay Station | Hours Since the Last Patient Death: 0” by Caroline M. Yoachim

Novelettes (stretch goal)  

  • “A Dead Djinn in Cairo” by P. Djèlí Clark
  • “Red as Blood and White as Bone” by Theodora Goss
  • “The Venus Effect” by Joseph Allen Hill
  • “Foxfire, Foxfire” by Yoon Ha Lee
  • “The Visitor From Taured” by Ian R. MacLeod
  • “Sooner or Later, Everything Falls Into the Sea” by Sarah Pinsker
  • “Blood Grains Speak Through Memories” by Jason Sanford

Novellas (stretch goal) 

  • “Runtime” by S.B. Divya
  • “Chimera” by Gu Shi, translated by S. Qiouyi Lu and Ken Liu
  • “Forest of Memory” by Mary Robinette Kowal

 

I hope you are as excited as I am!  Thank you for your support!

 

DP FICTION #31B: “The Entropy of a Small Town” by Thomas K. Carpenter

I gave up the memory of my first kiss to fix the carburetor. It uncoiled from my mind like a constrictor that’d just figured out it was strangling a steaming pot of chicken soup, or the way an unclasped belt loosened and released a pair of tight hipster jeans from some skinny hips, maybe even Osmond’s.

Sitting in the attached garage surrounded by smudged grease, crumpled car parts, and a snot-filled rage that oscillated between “No, I’m fine” and “What the hell does any of it matter” I pictured that kiss as it slipped free.

It’d been awkwardly delivered by a girl in seventh grade, behind Hamilton Elementary School, where they parked the buses they didn’t have the funds to fix anymore. Her name was Abby Silver. She’d kissed me with open eyes and rubbery lips, and whispered my name, “Phillip?” as she pulled away.

Eventually, I couldn’t hold onto it and the memory became an object I couldn’t describe, like being told a word in an alien language and trying vainly to picture it. The first time I traded a memory, I tried to cheat the reaction by writing it down in exquisite detail first. Afterwards, it was like reading someone else’s diary, someone who knew you, but somehow in your small town, you’d never met. It gave me the uncomfortable feeling my life was being observed and recorded. I never tried that again.

When I looked back to my oil-stained hand, covered in little black cuts from torn steel, the carburetor looked solid and whole like a frozen gray heart. Even the dirt had been cleansed from its skin and my fingernails were angry dark crescents against it.

I was about to fix the radiator, crushed like a wad of spent tissue paper, when the screen door from the kitchen wheezed open. Osmond’s mother backed in with an arm full of laundry, untidy hair spilling over her lumpy black dress. I escaped out the side door before she saw me.

I headed towards the center of town, following signs of the accident. Using a memory from when I went to the water park forty miles away with my parents only to find that it’d closed, I uncurled the stop sign, putting it back into its stiff policeman’s pose, which only reminded me of Osmond’s father, red-faced and shouting in a world full of “No”. I ran from that corner, forgetting that I’d been trying to hold onto a memory, which one, I didn’t know, before it obliterated.

My physics teacher, Mr. Anderson —a puffy-eyed well-known bachelor who wore pink Hello Kitty! socks most days —had once explained that the second law of thermodynamics stated that entropy always increased.

The laws of entropy explained why life was always so complicated. Whenever Osmond and I skipped class behind the gym, he would smoke cigarettes and talk about whatever new band he was into, while I admired his pale, lean arms sticking out from an ironic Ramones t-shirt with expertly cut off sleeves. If either one of us was having a bad day, which was most of them for Osmond, we blamed it on entropy.

Why did Osmond’s dad drink whiskey and yell at him at night? Entropy. Why had the Grizzly Bears sold out on their latest album? Entropy. Why did there always have to be so much physics homework? Entropy.

The last one was all me, and a bit of a lie. Mr. Anderson was why I’d considered a career in physics and had even applied to MIT, his alma mater. But Osmond and I didn’t share any classes and I never had anything to really complain about, so I’d made it up.

But entropy couldn’t explain how I could exchange memories to fix things. By the second law of thermodynamics, I shouldn’t have been able to put things back to how they’d been before. Giving up the memory violated the law as much as the fixing did, because that made it like it had never happened.

When a cherry red Camaro drove past me on the way to the Quickie Mart, I used the epithets they hurled at me, ones I’d heard a hundred times before in this small town, and fixed the cracks in the sidewalk. I repurposed my memories so quickly, their insults burnt up on contact, like an icy rain falling into a hot fire.

I always wondered if the Streets Department ever noticed that the sidewalks and roads were in better shape than their age would indicate. Maybe they thought a concrete faerie was protecting its realm, and maybe it was.

When I got to the old oak tree that Osmond’s light blue Chrysler Dynasty had crashed into last week, I clasped my hand over my mouth, smelling the leftover oil and grease I couldn’t quite scrub free, and trembled like a knife thrown into the dirt.

Black skid marks stained the gravel-speckled street, turning to raw earth as the tires had hit the grass. The whole scene looked like a giant had punched the tree, dragging its Neanderthal knuckles through the dirt as it swung. Little bits of plastic were imbedded into the tree that had a crack wide enough to fit my hand snaking up the trunk. Already, the leaves on the north side had withered, curling up just like I had to do each night to get to sleep.

Fixing static objects like stop signs and carburetors was one thing. They were frozen entropy and maybe fixing them rearranged the atoms enough to satisfy the second law of thermodynamics. But living, growing things were another. They were entropy in motion, constantly changing and updating themselves.

I thought for a while about what memory would be strong enough to fix the tree. It would have to be something that went down to the core of who I was. I studied myself for clues: jeans so tight they looked painted on, a belt I painted gold because the stupid Sears here didn’t carry the kind of clothes I liked to wear, an aqua linen buttoned-down shirt.

The first memory I toyed with trading was the time Osmond and I were sitting on the picnic table someone had hauled out to Knoll Point, when we talked about my ability. I’d shown him how I could fix things, putting a broken pencil back together as proof. He asked if I could fix people. He had a hungry, vulnerable look about him. I tried to kiss him, but he pushed me back. It wasn’t like we hadn’t kissed before; we’d been having steady make out sessions for the previous month since we’d got drunk on cherry wine and I made my move.

“Can you fix people?” he asked again. “Can you fix what’s in their head?”

“What do you mean?” I asked in a throw-away voice, clutching my hands into fists.

He shifted on the table then, hands and face flinching in a syncopated dance, mouth jawing at the question he wanted to ask, but settling on the one that actually came out.

“My dad. Could you make it so he wouldn’t care?” he asked eventually.

I was so mad at the time, I didn’t even answer. I pulled out a lighter that we used for making cozy fires in the rock-lined pit, flicked the flame to life, and held my hand over it.

“Tell me you love me,” I demanded as I lowered my palm onto the flame. The pain bit into my hand, nerve endings searing and turning to black smoke. The outer layer of my skin cracked, black with char. My muscles jumped and flexed, ready to lift my hand free of the flame.

“I need a powerful memory to fix it,” I said through gritted teeth, imploring him with my face, constricted into a hideous mask to say the words.

“I love you, Phillip,” he said, his mouth opened into a wide circle of horror.

When I pulled the flame away, he grabbed my arm and turned my hand over, recoiling from the damage. Tears squeezed out of his eyes as he tenderly tucked my hair behind my ear.

I felt like such a bitch for tricking him like that, but I was mad at him that he didn’t love me like I loved him. I repaired the third-degree burns on my hand, with a memory I no longer remember, but it wasn’t what had just transpired between us.

When the flesh was knitted and whole, Osmond pulled back, and changed the subject to what we were going to do after school. Either I was a such a good actor that as I explained I thought I was going to go to Cal Tech to study architecture that he believed I traded away that memory, or that he was so wrapped up in the question he’d wanted to ask that he didn’t notice. Either way, that was the only time he’d ever spoken those words to me.

I left the old oak tree in the state I’d found it, realizing that if I kept trying to fix everything in this little town, I’d end up an empty husk of patchwork memories. Put enough holes in my past and eventually the lattice would collapse.

Hamilton General Hospital was only two blocks from the site of the crash. I snuck around the nurse’s station, using a guy rolling a rack of food trays with what seemed like a thousand quivering bowls of Jell-O as my shield.

Osmond was alone when I entered, his family had left for the day. His eyes were sunken and the mask over his mouth looked like something you’d see on an alien spacesuit. The tubes and wires turned him into a puppet that no one had bothered to animate. Only the faint mist of breath against the mask indicated he was alive.

I was sitting on the chair next to Osmond holding his hand when his father came in. He was wearing his Sheriff’s uniform. His jaw pulsed with an anger that made my eyes flick to the gun at his hip.

“I told you, you’re not welcome here,” he said, puffing up his chest. “You did this to him.”

I was glad there was a bed between us. Not glad, maybe frightened. Frightened of what I might have done if I’d been in the chair on the other side.

My lips hardened into knives, thin blades dripping with venom. “I wasn’t the one driving his car. Drunk.” He blinked. “And if you so much as touch me, I’ll tell every newspaper in the county about what happened.”

Osmond’s Sheriff father actually reeled on his feet as if I’d punched him right in the mouth. His knees buckled and his face went through contortions of thought as if he were walking across hot coals.

Osmond and I had been making out in his light blue Chrysler Dynasty when his father had found us. There was no question to what we were doing, Osmond’s hand was down my pants when the flashlight burned into the car.

His father had yanked me out, shouting gin-soaked curses. Osmond tried to defend me, clawing at his father like a wounded cat.

Osmond’s father never hit me, but I wish he had. Maybe then he wouldn’t have driven away in a drunken rage.

Osmond was shoved into the passenger seat, and the Dynasty spat gravel in every direction before fishtailing down the road, leaving the Sheriff’s truck idling by the side of the road with the door open and the lights on. I shuffled back into town, puffy-eyed, and came upon the wreck after the ambulance had already left.

The airbags had deployed, but the passenger side of the Dynasty had slid into the old oak tree and Osmond’s head had hit the glass so hard the concussion put him into a coma.

His father sank into the chair across from Osmond’s lifeless body and sobbed into his huge hamhock hands. When he finished twenty minutes later, he didn’t look up, and said these words as if nothing had transpired before: “I just want my son back.”

After the Sheriff left, I placed my other hand on Osmond’s and squeezed.

The funny thing about entropy was that as chaotic and destructive as it sounded, it was quite life-affirming. A static Universe was just a button of unreleased matter. A flower that couldn’t bloom was dead.

I placed my fingertips on his temples and summoned the memories of Osmond and I together: the way his smile twitched when he was thinking of me, his lean hips, laughing at the jocks sweating on a hot August day in their football pads, the taste of mint as he kissed me, skinny-dipping in Miller’s Creek before we both knew, the glorious burning entropy of the night sky as we lay on a blanket on Knoll Point holding hands and whispering to each other as if we might disturb the heavens.

Just as I was leaving the hospital room, the boy who’d been laying in the bed was awake. His brown eyes locked with mine as he pulled the mask down.

“Phillip,” he said, his tone imploring me to stay.

“You’re Osmond, right?” I asked, one foot in the antiseptic hallway.

His eyes flickered with confusion, twice, as if the first time wasn’t enough. He looked at the bed and the medical equipment which brought signs of recognition.

“Yes,” he said, his lips curling into disappointment. “Have a good time at Cal Tech.”

“How did you know I was going to Cal Tech?” I asked, stunned and trying to remember why I’d come to the hospital in the first place. I guess it was because I went to school with Osmond. I probably had a crush on him, though I’d never let him know it.

He looked around the room as if he was trying to find a script to read from.

“I guess I heard you mention it in class,” he said, dejected, which confused me in turn.

“Well, have a great life,” I said, and left the room.

I thought I heard something that sounded like, “I love you,” from his room. I hurried back in, my heart beating like a thunderstorm, hands and face tingling with electricity.

“What did you say?” I asked, breathless.

Osmond paused for a moment before saying, “You, too.”

The words dropped unceremoniously from my lips, “Oh, thanks.”

I left Hamilton General Hospital with the nagging feeling I was forgetting something. I’m sure it had something to do with leaving town in a few months. Maybe I was a little disappointed that I was almost eighteen and I’d never had a first love.

But that’s okay; I’m a flower bud buzzing with entropy. Someday I’ll bloom, and it’ll be glorious.


© 2017 by Thomas K. Carpenter

 

Author’s Note: A couple of different scenes sort of grew together in my head as I was contemplating the idea of trading memories for magic.  The first was the protagonist cradling a greasy carburetor.  I didn’t know why at the time until I had the scene with the lighter come to me on a run (I get my best thinking done when exercising).  The rest just snowballed from there.

 

author-photo-tkcThomas K. Carpenter writes in a variety of genres including: post-cyberpunk, historical fantasy, YA dystopia, alternative history, steampunk, and contemporary fantasy.  His short fiction can be found in Ellery Queen’s Mystery MagazineAbyss & ApexGalaxy’s Edge, and other publications including this one.  The Alexandrian Saga, his best-selling alt-history series, has reached readers worldwide, while his current series, The Hundred Halls, is a cross between Harry Potter and Supernatural at university.  The first four books of the series can be found on Amazon, starting with The Trials of Magic.

 

 


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BOOK REVIEW: The Handmaid’s Tale by Margaret Atwood

written by David Steffen

The Handmaid’s Tale is a near future dystopia published in 1985 about a United States of America that has become an oppressive theocracy.  ((It has also very recently become a TV series streaming on Hulu, but I haven’t seen the show so I don’t have an opinion one way or the other about that)

Offred lives in Gilead, the theocratic country that the United States has become in a near future.  The Christian Bible is the rule of the land, or at least a very strict interpretation of a very selective subset of the Christian Bible.  Tales of the “way things used to be” are a constant mantra told by those in power to justify the extreme measures taken to uphold the current law, tales of when women could not walk the street without being harassed, when women were expected to paint themselves for beauty, when women had to fear rape and assault.  Women are safe now, they say, treated as the precious vessels they are meant to be, to bear children as God intended.  There is a wall in town where the body of criminals are hung on display: atheists and homosexuals and adulterists and traitors and others.  All for the safety of the good citizens of Gilead, of course.

A lingering effect of the way things used to be is low fertility across the population, caused by some mixture of chemicals, diet, medications, intentional blocking of fertility, and other causes.  In the new world women who can’t produce children are unwomen, sent to labor camps to live short miserable lives.  Lower class women, at least.  Upper class women may be assigned handmaids who, inspired by the tale of Jacob’s handmaiden in the Bible, may act as a pregnancy proxy for an infertile wife (according to the dictates of Gilead, no man is infertile, it is always the wife).

Offred is a handmaid, assigned to a military officer.  The rise of Gilead is recent enough that she had had a family before the change, a family that was torn apart as Gilead declared second marriages void.  Even her name has been taken–“Offred” is not the name that she had before, but is derived from the man she is beholden to, as in “of Fred”.  She is watched very carefully, as she is considered a valuable vessel, and she is protected from everything, even herself–her room has shatter-proof glass in the windows, the ceiling fan removed, and the knives in the kitchen are locked away.  Every month when she’s ovulating, she performs her duty in order to become pregnant, and time is running out before she is declared an unwoman.

In the prologue to the book, in the copy of the book that I read, Atwood talks about some of the narrative choices she made.  When she decided to write a dystopia, she decided to do it without predicting any future technology, so nothing in the book is anything that wasn’t possible with technology at the time the book was written.  This sets it apart from stories like 1984, which depends on the possibility of thought control, or The Hunger Games, which uses various future technologies.

Another thing that sets it apart was that Atwood wanted to base the theocracy of Gilead on actual scripture, and to base all the things people do to each other on actual things from history.  This gives it a very different feel from many dystopias, because it feels like it could be just around the corner.  The book was published more than thirty years ago, but I’m not surprised that it has become a recent show, because many of the concerns and issues at the root of this book are still concerns today–especially with too many members of the US government passing laws based in theocracy.  Despite the separation of church and state inherent in the founding of the country, there are those who cling to the Puritan roots of that more than the word of the Constitution.

The Handmaid’s Tale is a chilling cautionary tale about where we could end up if we are complacent in the face of the rise of fascism.  I can’t recommend the book enough–it is a dark read, so brace yourself.  It is very well written, chilling, poetic, and moving.  I don’t have Hulu but I’d like to pick up the show when I can, perhaps if it comes out in a box set.

 

THEATER REVIEW: Shrek the Musical

written by David Steffen
Shrek The Musical is a theater version of the 2001 CG Dreamworks comedy adventure Shrek.  As with the movie, the play is about the ogre Shrek who lives a contented secluded life in a swamp, but his solitude is interrupted with an influx of fairytale creatures who have been evicted by Lord Farquad to transform his kingdom into his perfect image of a kingdom.  When Shrek goes to confront Farquad (meeting Donkey, a talking donkey on the way) he is coerced into mounting a rescue mission of Princess Fiona from a dragon-guarded tower to bring her back to be Farquad’s bride.

The musical is an enjoyable adaptation of the movie, converting the existing plot by adding songs that fit into the themes of the original movie (the movie had a lot of music but it was pretty much all cover music of popular songs rather than being songs about the plot of the story).  I particularly liked the song showing Princess Fiona growing up in the castle in isolation imagining what Prince Charming will come to rescue here–it’s done with three lookalike actresses of three different ages and the song finishes with them all singing on a balcony together, and I thought that was fun.  The song “Let Your Freak Flag Fly” is also particularly fun.

If you liked the original, I think you’ll probably like this, though quite a few lines are lifted directly from the original.  And if you’ve never seen the original, if you’ve got a sense of humor and an interest in fantasy humor story, give it a shot!  Fun for the kids, too, we saw it at a children’s theater nearby and our four-year-old enjoyed it.

 

DP FICTION #31A: “Strung” by Xinyi Wang

The red string around Mom’s ankle does not lead to Dad, and Dad doesn’t have a red string at all. But she makes him laugh with his head thrown back, and he makes her smile the way I do at Ria Ruiz, the prettiest and smartest girl in not just my class but the whole first grade—so they must be in love, no matter what the Old Man in the Moon says.

“I hope I’m like you when I’m older,” I whisper one night, as Dad tucks me in.

He smiles and lifts his brows. “Bald?”

I scrunch up my nose. “No. I mean I don’t want a string, like you. I don’t want the Old Man to tell me who to love.”

Dad looks down at his unburdened ankles for so long I nearly fall asleep. Finally, he presses a kiss to my forehead. “Sweet dreams, Weilai.”

I change my mind for the first time two years later, when my oldest cousin gets married to a golden-haired lady who shares a string with him. The red between them coils at their feet, pulsing as they exchange beautiful words about fate and certainty. My parents are still happy together, but what if Mom would be happier with the person on the other end of her string? And if a scant ring of red appeared around Dad’s ankle one day, would he leave? Would he want to?

It would be better, I decide, to have a string and love who the Old Man says you should. That way, there is no doubt. Only certainty. For the first time, I consider myself lucky to have been born in the Old Man’s domain, under his sky with his moon overhead—to have eyes that can see the intricate web of red unspooled all around us.

But when my string shows up in the middle of my third grade math class, it unfurls like wildfire and bleeds out of the room instead of to Neal Lang, who I’ve loved for three whole weeks. I bite my tongue to keep from sobbing, but fat tears leak out anyway because whoever the Old Man wants me to be with is not this perfect boy who made me a daisy crown and asked me to be on his kickball team. A steady chant of “wrong wrong wrong” beats against my skull. My vision blurs, but not enough to wipe the red from the corner of my eye.

Miss Sabrina calls my parents when I can’t stop crying on my times table, and Mom carries me out to the car even though I’m getting too big for it.

“The Old Man is not absolute,” Mom says when we stop for milk tea on the way home. She lets me put my feet up on her lap while we wait for our order, gently rubbing my newly-bound ankle. “He was wrong about me.”

“How do you know?” I confetti my napkin and pinch the insides of my wrists to stave off fresh tears. “What if your destiny is better than Dad?”

Her mouth smiles. “Who could be better than Dad?”

I swirl a finger through the pile of napkin scraps before me, then shrug. “What if.”

Our strings trail off into the distance, in parallel. They snake across the street, around an elm, and out of sight. Mom stares out the window as she says, “I have more faith in me and your father than I do in any distant old man. Don’t you?”

As I chew on a mouthful of tapioca pearls, I change my mind again. About wanting a string, a destiny. About trusting, so wholly, the will of an invisible stranger. What does the Old Man know, anyway?

Over the next twenty years, I will change my mind twenty hundred more times—sometimes from day to day, hour to hour.

Mom and Dad get divorced, and my faith returns. As they sign their papers at the dining room table, Mom’s string runs, as ever, away from Dad—a stark warning that they were never meant to be. So if the Old Man knew they were wrong for each other, he must also know who’s right for me. With that belief lodged firmly in my bones, I spend a summer chasing my string. Mom and hundreds of generations-old stories say it’s futile; no one has ever found their destiny by looking. But I still devote three sweltering months to the search, tireless even when the red wisping away from my ankle leads me in infinite figure-eights through town.

A year later, my cousin and his beautiful, fated wife split as well—so I abandon faith again and take Katie Nilini to junior prom, even though my string arcs past her without ever brushing her skin. She beams as we dance to bad remixes and worse ballads, and my heart pounds when she sticks her fingers into the chocolate fountain and smears the melt across my nose. I hold her gaze all night, not once looking down at the red that winds away from us.

But when I kiss her on Monday, between classes, I can’t help staring over her shoulder at my string—running down the hall and out the door, away from her and her lilac perfume. The Old Man knows best, or he doesn’t. Either way, I can’t stop thinking about that damned sliver of red.

In college, I date but don’t commit. Five or six weeks into every relationship, I cycle from ignoring my string to agonizing over the destiny waiting at its end. Guilt over those wandering thoughts quickly fills my chest, and I pull back from my partners with vague excuses and genuine remorse.

A few ask, beg, scream for real explanations—and I tell them the truth. I palm my ankles and talk all night about the ethereal red that streams toward my unknown destiny. About wanting certainty, but being helpless against doubt. About my parents, my cousin, and my ever-changing mind.

They listen until they believe, even though—born outside the Old Man’s land, beneath a different moon and sky—they can’t see red like me. I swallow thickly, each time, and ask if they still want me after hearing all that.

They never do, but I never expect them to. After a dozen cycles in three years, I start choosing to be alone.

I don’t date again until my final year of grad school, where I meet Aaron Lao. He’s a professor, with eyes that see like mine, and he has his own string that doesn’t lead to me. We agree from date one that this won’t be serious, because his faith in the Old Man’s wisdom has never fluctuated like mine—he intends to spend his life with his destiny, once they find each other. I’m just for now, just until then, but I still fall in love with him over midnight talks about Confucian principles in wuxia novels.

“You’ll be happier with yours,” he says a year later, when he finally meets his destiny. His brow is creased, and he breathes an apology against my skin when he kisses my ankle. If I ask him to choose me, I’m afraid he might.

So I don’t ask, because he needs certainty that he’ll never have with me.

But knowing that doesn’t soften the loss. I wake up missing him for months afterwards, and I begin to hate the Old Man and his strings. Some nights, I drink and stick my head out the window and shout at the moon. Once, I sink to my kitchen floor and take a knife to my string. It curls like water around the blade, enduring, and I only succeed in slicing open my palms and spilling fresh red across my skin.

Therapy helps. Not immediately, but with time. After a year of weekly sessions with Dr. Aimee Ping, I unlearn my habits of glancing at my string a hundred times a day, of crossing my ankle over my knee and curling my fingertips beneath the band whenever I can spare a hand. Of caring entirely too much about the trickle of red that plagues my periphery.

By my ten-year high school reunion, I’m close to believing that I don’t need or want the Old Man telling me who to love. Close enough that I go up to Neal Lang at the reunion. My string still doesn’t run to him, but I still tell him I had the biggest crush on him in third grade. He laughs with his head thrown back as we talk, and I can’t take my eyes off him when he ducks across the gym to refill my punch cup.

I stay in therapy, and Neal and I stay in touch. Daily texts turn into nightly calls, and we start thinking of ourselves as a couple. We stay long-distance and non-exclusive at first, which helps stave off the guilt that once squeezed my lungs every time I’d glance at my ankle, away from a loving partner, and wonder. I almost tell him, a hundred times over, about destiny, a string he can’t see, and the Old Man in the Moon.

But I imagine swallowing thickly and asking if he still wants me after hearing all that, and fear of history repeating drives me to say, instead, “I love you.”

To say, eventually, “Marry me.”

We exchange vows at his parents’ church, and move into a condo with my dog and his two cats. Red spills from our home and runs unerringly toward my supposed destiny, but I think on it less and less—once a day, then once a week, then rarer still.

But as much as I want to, and as hard as I try, I can’t stop wondering altogether. Sometimes, unbidden, my mind drifts along the red river flowing away from Neal and floods with the idea of destiny. A pang of guilt accompanies each of those thoughts, and they coalesce over time into a dense weight beneath my skin.

On our tenth anniversary, we sprawl out beneath the full moon in our backyard. I’m bloated with good wine and Neal’s love and my decade-old knot of guilt, and I know I won’t be able to stand again without shedding a part of that weight. So as he makes me a daisy crown, I tell him everything. I talk about a string he can’t see, a weight he can’t feel. I describe the winding maybe that I sometimes stare at when we’re having breakfast at the kitchen counter.

And when I’ve talked my voice hoarse, I force myself to add, “If this is a deal-breaker, I understand.”

Neal is quiet as he turns the finished crown in his hands. Stray petals float down his wrists, and the heat of shame and fear slide down my chest in tandem. Finally, he places the crown on my head and hooks an ankle around mine.

“It’s okay,” he says. “I don’t mind.”

My breath stutters. “How could you not?”

He shrugs, his shoulder warm against mine. “The way I see it, everyone wonders. Whether or not they’ve got a string to follow. Thinking ‘what if’ doesn’t mean you love me less. It just means you wake up every day and choose me.”

“And—” I roll onto my side to look him in the eye, my own stretched wide. “And it doesn’t bother you that maybe one day I won’t?”

“Of course not,” he says, like it’s obvious. Like it’s easy. “Because it’s just as likely that one day, I’ll wake up and not choose you.”

I turn back to the moon, quiet for a long moment as Neal’s words loop in my mind. The crown’s petals are soft against my forehead, and Neal’s ankle is a solid weight atop mine. My red string, caught between us, squirms free and cascades into the distance, bright and stark beneath the light of the moon. It pleads for my attention, presents me with a choice.

Neal is smiling when I close my eyes and kiss him on the mouth. I choose him again the next day, and the next.

As for the ones after that—that’s between me and Neal, and not the moon.


© 2017 by Xinyi Wang

 

xw_headshotXinyi Wang was born in Beijing and raised in Northern California. They studied Creative Writing at UC Riverside, then resettled in the Bay Area to drink mass amounts of milk tea. When they’re not reading, buying hats, or refreshing the same five websites for hours on end, they write stories and babble intermittently on Twitter @byxinyi.

 

 

 

 

 


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