The Best of Escape Pod 2016

written by David Steffen

Escape Pod is the weekly science fiction podcast, edited by Norm Sherman, what is I think the longest running science fiction podcast out there.

In February Escape Pod once again participated in the Artemis Rising event across the EA podcasts.

Escape Pod published 43 stories in 2016.

Every story that is eligible for Hugo Award is marked with an asterisk (*).

 

The List

1. “Recollection” by Nancy Fulda
A treatment is available for Alzheimer’s, but it can only restore your ability to remember–the memories that have been lost are gone forever.  A man recovering from treatment struggles to fit in with the family that loves him.

2.  “In Their Image” by Abra Staffin-Wiebe*
What do religions make us do?  Examined by looking at alien religions.  Awesome philosophical SF.

3.  “Among the Living” by John Markley*
What if first responders were equipped with power armor?

4.  “Murder or a Duck” by Beth Goder*
Humorous parallel world traveling story.

5.  “Myspace: A Ghost Story” by Dominica Phetteplace*
What happens to all those dead accounts you leave behind on old sites?

Honorable Mentions

“Brain Worms and White Whales” by Jen Finelli*

 

 

 

 

 

 

 

 

 

The Best of Podcastle 2016

written by David Steffen

Podcastle is the weekly fantasy podcast published by Escape Artists.  At the beginning of the year it was co-edited by Rachael K. Jones and Graeme Dunlop.  Partway through the year Rachael retired and her co-editor seat was filled by Jen Albert.  As well as weekly full-length feature episodes, they also publish occasional standalone flash stories as bonus episodes, as well as triple flash stories for the occasional feature episode collection.

Within 2016, Podcastle also increased their pay for flash fiction, which I believe should have started their 1-year counter for becoming a SFWA-qualifying market!  Hoping that will happen anytime soon now.

In February Podcastle once again participated in the Artemis Rising event across the Escape Artists podcasts, publishing fantasy stories written by women and nonbinary authors.

I will note, too, that this has been the hardest of the Best Of lists to make this year because there were so many stories that I was simply in love with that it was hard to weed it down to a list of reasonable length.  Everything on this list I loved, and there were some I had to make the hard decision to bump off the list that I also loved.

Every story that is eligible for Hugo and Nebula nominations this year which were first published by Podcastle are marked with an asterisk (*).

Every story that is eligible for Hugo and Nebula nominations which were first published by another publisher and then reprinted in Podcastle are marked with a double asterisk (**)–if you want to nominate them, follow the link to find out who the original publisher was to give them proper credit.

I pondered for quite a while whether I should feel free to include the #5 on the list, since I was the original editor and publisher of it here on Diabolical Plots.  I exclude my own stories from any of my lists with the reasoning that I can’t properly judge my own work, and I wondered whether I should do the same for stories that I published.  I came to the conclusion that I CAN judge stories that I published, because I already had to do so to publish them in the first place, picking those stories out of the much larger slushpile.  These stories won’t automatically make a Best Of list, but I feel it’s reasonable to consider them.  But, in case anyone would rather not see a story I didn’t published bumped off the list by a story that I did publish, I have included one more story on the list than I normally would have, so that I didn’t have to bump one off.

The List

1. “Beat Softly, My Wings of Steel” by Beth Cato*
Science fantasy story in which the souls of dead horses can be reborn in mechanical pegasus bodies, and how this is used for the war effort.  Our protagonist wants to use such a body to escape a war zone.

2. “Golden Chaos” by MK Hutchins
Different regions have different natural/magical laws, including the chaos which is constantly in flux.

3. “The Bee Tamer’s Final Performance” by Aidan Doyle*
The fleet of circus ships have been taken over by bees living in the hollowed-out corpses of clowns.

4. “Archibald Defeats the Churlish Shark-Gods” by Benjamin Blattberg*
Hilariously unreliable narrator, telling the story of a research trip with a companion in which he is always the hero, even when he obviously isn’t.

5. “Further Arguments in Support of Yudah Cohen’s Proposal to Bluma Zilberman” by Rebecca Fraimow**
Written a letter of proposal from a rabbinical student to the woman he wishes to marry.

6. “Thundergod in Therapy” by Effie Seiberg**
Zeus tries to find his place in the modern world, while undergoing therapy for some of his more problematic behaviors.

7.  “Defy the Grey Kings” by Jason Fischer
Humanity lives under the oversized heel of our elephant overlords.

Honorable Mentions

“Send in the Ninjas” by Michelle Ann King*

“Love Letters on the Nightmare Sea” by Rachael K. Jones**

“Squalor and Sympathy” by Matt Dovey**

“Tumbleweeds and Little Girls” by Jeff Bowles*

 

 

 

 

 

 

 

 

 

 

 

 

The Best of Pseudopod 2016

written by David Steffen

Pseudopod, the weekly horror podcast edited by Shawn Garrett and Alex Hofelich, has now been running for more than ten years, an incredible feat for a podcast, which often fade away after a year or two. 2016 marked some major moments in the podcast’s history–they increased their pay rate for flash stories, which I believe should have started their one-year timer for eligibility to become a SFWA-qualifying market, they ran a successful Kickstarter campaign to fund the paying of narrators for the podcast, and also launched an anthology (which includes, among many others, my flash fiction horror story “What Makes You Tick”).

In February Pseudopod once again participated in the Artemis Rising theme across the Escape Artists podcasts, publishing horror stories by women (including some originals picked out from a special slushpile just for this purpose).

Pseudopod publishes episodes weekly, with occasional Flash on the Borderlands episodes that collect 3 similar-themed flash stories for a single episode, for a total of 63 stories published in 2016.

Stories that are eligible for this year’s Hugo and Nebula Awards are marked with an asterisk (*).

The List

1. “Like Dolls” by J. Lily Corbie*
When the story begins, the protagonist is already dead, and pretty much content to be so.  But her betrothed digs her up, disturbing her restful state, dragging her back to the land of the living.

2. “The Christmas Spirits, a Tale of the White Street Society” by Grady Hendrix
One of a series of stories in a series about the White Street Society.  The series is hard to describe without reading it, speculative stories based around a sort of “old boys club” in New England, sort of comedies based around how horrible the worldview of the members of this society are.

3. “Night Games” by Aeryn Rudel
I don’t really like baseball.  I’m kindof tired of vampires. But somehow, to my great surprise, this vampire baseball story totally works for me.

4. “The Fisher Queen” by Alyssa Wong
This is the story of Lily, who works on her father’s fishing boat whose primary catch is mermaids.  Mermaids are prized as an exotic catch, and one day in the hold, one of the mermaids talks to her.

5. “Cold Spots” by Lena Coakley*
A love story between someone who is still alive, trying to recapture the memory or the ghost of their dead love.

6. “Falling Under, Through the Dark” by Damien Angelica Walters
A story of living through the deepest of grief after the most tragic of loss.

Honorable Mentions

“Mr. Hill’s Death” by S.L. Gilbow

“The Show” by Priya Sharma

“The Masters” by Theodore Cogswell

 

 

 

 

 

 

 

 

 

 

 

 

Left off at Dermot, page 2

The Best of Strange Horizons 2016+

written by David Steffen

Strange Horizons is a freely available online speculative fiction zine that also publishes nonfiction and poetry.  Their editor-in-chief is Niall Harrison.  Their fiction editors are Lila Garrott, Catherine Krahe, An Owoyo, and Vajra Chandresekera, and their podcast is edited, hosted, and usually read by Anaea Lay.  They publish a variety of styles of stories and have regularly attracted award nominations in recent years.  All of the stories and poetry in the zine are published in the podcast.  This list covers all of the stories published since the last Best of Strange Horizons list posted here on November 9, 2015.  In that timeframe, Strange Horizons published 52 stories.

Since last year they have upgraded their website so it looks all shiny and new.

This year they added a new feature when they reached a fundraising goal to add Spanish translations.

Stories that are eligible for this year’s Hugo and Nebula awards are marked with an asterisk (*).

The List

1. “The First Confirmed Case of Non-Corporeal Recursion: Patient Anita R.” by Benjamin C. Kinney*
Story of hauntings from the point of view of the ghost, who in life had been a researcher, as she tries to research her own non-corporeal state.

2.  “Das Steingeschöpf” by G.V. Anderson*
A story of a new member of a sculpting guild, sent to repair one of the ancient living sculptures known as Steingeschöpf.

3.  “The Witch’s Knives” by Margaret Ronald*
The story begins as a woman ends a long quest to rid her husband of a curse that has made him into a beast.

4.  “We Have a Cultural Difference, Can I Taste You?” by Rebecca Ann Jordan*
Non-human POV as an alien (the last of its species) that’s primary sense is taste.

5.  “Water, Birch, and Blood” by O Horvath and Sara Norja*
A woman abruptly remembers her childhood trip to a portal world, and tries to find her way back.

Honorable Mentions

“Tigerskin” by Kurt Hunt

“Dragon-Smoked Barbeque” by M.K. Hutchins*

“Timothy” by Philip Schweitzer*

 

 

DP Fiction #24: “The Avatar In Us All” by J.D. Carelli

For my 88th birthday, I celebrate with a bottle of bourbon. I fumble with the anti-intoxication meds my doctor insists I take, the dispenser flying out of my hands and across the kitchen table. “Goddammit!”

Chrissy walks in, putting her hands on her hips in disapproval. Her face is her mother’s, but when I look for my eyes, all I see are the blank, grey eyes of an android. Not my daughter, only her avatar.

“Is it so hard to ask for help?” she snaps. The avatar has a faux personality—based on Chrissy’s—but the motherly tone in her voice tells me my daughter is sitting halfway around the world, jacked-in.

“I’m an old man,” I say, reaching for the bourbon. “Why bother?”

She walks over to the table, deftly dispenses a tablet, and pops it into my mouth. Sitting down in a chair beside me, she pushes two glasses my way.

“Do you at least have a glass of something where you are?” I ask, filling both glasses.

She chuckles. “It’s morning over here, Dad. You know that.”

“I know,” I say, washing the pill down with the bourbon. “I was just testing you.”

“Sure you were.” She follows my lead, downing the glass.

I fill them both again. “You know I’m just going to empty your stomach reservoir and drink it, right?”

She harrumphs.

“Do you have time to watch The Tonight Show?”

She groans. “No. I have to get to work, but my avatar will keep you company. I doubt you’ll even notice.”

I will. “Fine.”

We nurse our second glasses as the crickets chirp outside. Chrissy purses her lips, letting me know she has something to say. I raised her to be plainspoken, so I know it must be something particularly awkward. I know exactly what she will say.

“Why won’t you come here?” she finally asks.

“Ugh,” I say with a wave of my hand. “Now that would kill me.”

“Come on,” she says, putting a hand on my arm. The warmth and pressure feels just like Chrissy. “It’s been years since you last visited. Guangzhou has changed a lot. It’s clean, organized.”

“Guangzhou without all the pollution? It’s just not home if you’re not wheezing after a brisk walk.”

She laughs. “I miss that American sarcasm, too. Bring it with you. Besides, I could show you around the lab. You’d get a kick out of what we’ve done with the place.”

I moan. “I retired too early. I wouldn’t remember anything.”

“Yes you would,” she says. “At least send an avatar.”

“Are you kidding me? My old body can’t take that.”  Creating a template for an avatar is like an MRI that takes four hours.  Just the thought of it makes me weary.

She sighs. “If you don’t want to come here, I’ll just have to go there. After this phase of construction is complete, I’ll have some time.”

“No, no,” I say, getting angry. “This is huge for you. And the world. Don’t worry about me.”

“It’s not just you,” she says. “I could visit Michael, too. They just moved into their new house.”

“I know. I talk to my grandson, you know.”

Her face lights up. “Why don’t you go visit them? You’d love upstate New York this time of year.”

“No. I’m fine right here on the west coast. Still waiting for it to break off and drift into the Pacific.”

“Come on, Dad,” she says with a push in her voice. “You can’t just rot there.”

“Don’t you have to get to work?”

“Dad.”

“No.”

“Christ. What’s the matter with you?” she chides.

I slam the glass down on the table. She goes silent, and so do I. We are too similar for our own good. After a short respite, she sighs. The avatar blinks and I know she’s gone.

“Would you like me to turn on your show?” it asks.

I grunt, moving to the living room. The bourbon comes with me.

***

Morning hurts.

Pulling myself up from where I had slept on the sofa, I stare down at the empty bottle on the coffee table.

“Aren’t you glad you took the pill?” the avatar asks. My heart skips a beat, but I notice its dead eyes are staring at the blank wall display. It turns to me, plastering a preprogrammed smile onto its face.

“Don’t you have anything better to do?” I ask. The aroma of fresh ground coffee hits my nose and I feel a pang of guilt. “Isn’t Chrissy home yet?”

It shakes its head. “I don’t have her on GPS, which means she’s still at work.”

It’s strange talking to something that looks almost identical to Chrissy, but after a few months with the thing, I’ve grown accustomed to having something to talk to. The downside is that it makes me miss my daughter—the real one—all the more.

I stand up and get myself a cup of coffee. It follows me into the kitchen, handing me another mug. Rolling my eyes, I fill it up. The damned thing learned from the real Chrissy, who knows her mother and I shared a cup of coffee every morning for fifty-five years.

Shuffling out to the back patio, I enjoy the view. Children frolic on the beach below while a middle-aged couple walk a robotic dog along a footpath. “Keep it weird, Santa Cruz.” I used to walk Chrissy along the same beach. Her mother and I, that is. Have I taken Michael? Or his family?

As I take a sip of coffee, a thought occurs to me. “Avatar, get out here.” It does, and far more lithely than my sixty year-old daughter. “How much would a plane ticket be?”

“To where?”

“To here.”

It rolls its dead eyes at me, a perfect imitation of a five-year old Chrissy. “From where, then?”

“From Guangzhou,” I say. “And New York.”

It tells me, then says, “I doubt Michael could come, though, with work and the house.”

“You don’t get paid to talk,” I snap.

“I don’t get paid at all,” it says. “You know that.”

I round on it, looking it square in its empty eyes. “I don’t want to go there.”

“Why not?”

“I’m an old man. Don’t I get to be stubborn for no reason?”

“I find it hard to believe this is a recent development,” it says.

I narrow my eyes at it. “Chrissy?” The resemblance is uncanny.

“She’s on her way home.”

“Oh.”

It waves me on. “Out with it then.”

I’m tempted. “Will Chrissy know?”

“If she cares to review the files.”

I nod, taking another sip of coffee. “I don’t want to go for a reason as old as time. I’m irrelevant. Last time I visited Chrissy, she was so busy with work. She tried, she really did, but she has a life. As I did when I was her age. Same goes with Michael.”

“Why don’t you tell her that?” it asks.

“You’re programmed to mimic her emotions. How do you think she’d feel?”

It simply nods.

“I tried learning some of the new engineering they’re using at the lab, but it’s changed so much in the last twenty years.” I turn away, staring out over the beach. “If I could just get them to come here, maybe things would be different. They’d have fun here.”

“Dad?”

I spin around.

Chrissy’s blinking. “What were you saying about having fun?”

I look down to the coffee in my hand. “Back from work so soon?”

“Yeah,” she says. “I have to go back though, so they gave us a few hours for dinner.”

“Oh?”

“We’ve been having some problems with the lab’s containment protocols. I don’t really want to talk about it.” Her mouth chews something not really there. “Hope you don’t mind. I’m hungry. So what’s this about fun?”

“I thought it’d be fun to take a walk,” I say.

***

I watch the Tonight Show in the dark, looking over to the time display every few minutes. The avatar sits beside me, knowing to keep its mouth shut during the monologue. When it cuts to break, I sigh. “Chrissy?”

“Nothing on GPS,” it says.

“Why wouldn’t she tell me if she had to work early?” I wonder aloud.

“She’s very busy, I’m sure she just forgot.” It’s a reminder I don’t need.

“Those tickets?” I let the words hang in the air. “Forget them.”

“She’s often late. Don’t you think you’re being juvenile?” I’m not sure if it’s channeling Chrissy or my late wife.

“It’s like you said, they just don’t have time.”

“Then go there, Goddammit.” It spits the words.

The show resumes, but I’m too angry. “You didn’t talk like that when you first showed up.”

“I learn every time you two talk.”

I curse, moving to the other sofa. “You’re not her. Remember that.”

“Then go see her.”

“I told you, I—”

It cuts me off. “I know, you’d only be in the way. But is it any worse than how your life is right now? The only time you’re ever happy is when Chrissy is jacked-in and you forget I’m an avatar.”

The words cut me. “So, what? I should just go and bother her when she’s busiest?”

“When she was a child, did you ever chide her for bothering you when you were busy with some project or another?”

“No,” I say. “I tried not to.”

“And neither will she. Go.”

I realize it’s right. “Fine. Book the ticket to Guang-”

“Wait,” it says, its eyes snapping toward the display. “Something’s happened.”

The display changes, suddenly covered in bright lights. I narrow my eyes and struggle to read the caption. “Tragedy strikes Guangzhou: Chemical Lab Explosion.”

I stare up at the display for a long time. The avatar moves to my sofa, slowly wrapping me with its arms. I realize I’m shaking. “What happened?”

“Reports coming in say there was a malfunction that caused a containment breach.” Its voice quavers, just like Chrissy’s did when she told me she was pregnant with Michael.

“Maybe…maybe she wasn’t there,” I say.

It squeezes me beneath its warm embrace and whispers. “I don’t have her on GPS.”

I look to it, its dead eyes dead forever. “Get the fuck away from me!” I push it off the sofa and it retreats into the kitchen. I hear it pacing back and forth.

Shaking, I watch the news story unfold. Sometime later, the avatar brings me a new bottle of bourbon. I snatch it away, clutching it to my chest. It sits down on the other sofa, and I can’t stand to look at it.

It speaks softly to me. “She went quickly. She never knew it was coming. There was no pain.” All the things I told Chrissy when her mother passed, it’s telling me now. Or whatever this machine is, it’s comforting me.

On our separate sofas, we cry.

***

As night turns to morning, the bourbon forces me to the bathroom. The avatar sits on the lip of the bathtub, rubbing my back. I can’t meet its eyes.

“Just go,” I say.

“Where?”

“Wherever you want,” I say. “Just go.”

It wrings it hands.

“Out with it,” I say, sensing a question.

“I can book a flight for you.”

I think about it and nod. “Fine.”

“There’s a six-hour sub-orbital leaving in two hours,” it says. “That’ll give you time to pack.”

“No,” I say, forcing myself to look. Its eyes are not Chrissy’s, but they’re not dead either. “Not to Guangzhou.”

“Where then?”

“New York,” I say. “And make it for two.”


© 2017 by J.D. Carelli

 

Author’s Note: Living abroad, I’m always an ocean away from family and friends. This makes me wonder how future technologies might change our concept of what it means to be present in someone else’s life. When I saw the rich depths of emotion in that, “The Avatar in Us All” was born.

 

jdcarelliJ.D. Carelli is an ESL teacher by day and a fantasy writer by night. The rest of the time he spends with his wife and daughter on a tropical island in Southern China. As a child, he fully believed that he could control the Force, and has been trying to reclaim that feeling on the page ever since. You can find out more about him at http://www.jdcarelli.com or on twitter @jdcarelli.

 

 

 

 

 

 

 

 


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The Best of Nightmare Magazine Podcast 2015-2016

written by David Steffen

Nightmare Magazine is the horror sister magazine of Lightspeed Magazine, edited by John Joseph Adams, and their podcast produced by the excellent Skyboat Media.  The podcast publishes about half of the stories they publish in text.  They didn’t publish enough stories in 2015 for a list, so this list covers both 2015 and 2016.  They published 46 stories between the two years.

2015 marked the publication of their Queers Destroy Horror special issue (guest edited by Wendy N. Wagner).  2016 marked the publication of their People of Colo(u)r Destroy Horror (guest edited by Silvia Moreno-Garcia).

The stories eligible for the upcoming Hugo and Nebula award seasons are marked with an asterisk (*).

The List

1. “The Modern Ladies’ Letter-Writer” by Sandra McDonald*
Written as a writing etiquette guide.  It gets weird.

2. “Golden Hair, Red Lips” by Matthew Bright
One of the stories in the Queers Destroy Horror special issue, this one is a modern take on the story of Dorian Gray during the breakout of the AIDS epidemic.

3.  “The Cellar Dweller” by Maria Dahvana Headley
“Buildings were built, in the beginning, everyone knows, to hold the dead down.”

4. “Where It Lives” by Nathaniel Lee
When your mental state has the ability to transform you physically, where does that lead?

5. “Bringing Out the Demons” by John Skipp*
For those haunted by demons, they can either learn to control them or to give in their power.  And who better to help someone whose demons are not under control, than others who know what they’re going through?

Honorable Mentions

“An Army of Angels” by Caspian Gray

“Vulcanization” by Nisi Shawl*

 

The Best of Beneath Ceaseless Skies 2015-2016

written by David Steffen

This post covers two years of Beneath Ceaseless Skies–they didn’t publish quite enough stories in 2015 to do a list.  Beneath Ceaseless Skies continues to publish quality other-world fiction, edited by Scott H. Andrews.  This list only covers the stories they published on their podcast, which is a bit less than half of the stories they publish–one podcast every two weeks.  They published 45 original stories on the podcast in 2015-2016.

The stories that are eligible for this year’s science fiction awards (like the Hugo and Nebula) are marked with an asterisk (*).  BCS publishes all original fiction, but only that was first published in the 2016 calendar year is eligible.

The List

1. “The Punctuality Machine, Or, A Steampunk Libretto” by Bill Powell
Written as a futuristic time-travel musical plays written in the 1800s, with a full-cast recording.  So much fun!

2.  “The Sweetest Skill” by Tony Pi*
The third in a series of short stories about the candy magician Ao, who can make magical animated candies as well as negotiating arrangements with spirits of the Zodiac for greater powers.  Again he is drawn into using his powers in the service of others.  This story stands by itself, but if you want to find out more about his powers, and why he owes the debts that he does, you should also read the first story, “A Sweet Calling” published at Clarkesworld, and the second story “No Sweeter Art” published at Beneath Ceaseless Skies in previous years.

3.  “The Night Bazaar For Women Becoming Reptiles” by Rachael K. Jones*
Jones has a penchant for the weird, and this story is a prime example.  In the city in this story, everyone has a daytime life and a nighttime life, each with different lovers and different occupations and different expectations.  The protagonist sells reptile eggs to women at the Night Bazaar that transform them into reptiles, but she longs for such a transformation herself.

4.  “Blessed Are Those That Have Seen, and Do Not Believe” by D.K. Thompson*
Another entry in the St. Darwin’s Spirituals story, a kind of steampunk noir where Darwin invented goggles that allow the wearer to see spirits, and there are other supernatural elements as well.

5.  “Court Bindings” by Karalynn Lee
The protagonist is the bodyguard of a princess against the assassins of foreign courts, while watching her grow in her magic to compel other living beings to her will.

Honorable Mentions

“The King in the Cathedral” by Rich Larson

“The Mountains His Crown” by Sarah Pinsker*

 

Hugo/Nebula Award Recommendations!

written by David Steffen

Having previously listing out award-eligible works that were written or published by me, here is my list of works that I think you might want to consider for Hugo and Nebula awards that were not written or published by me.

I’m working mostly from the Hugo Award categories, but a few of these categories overlap with the Nebulas as well.

The Short Story category is the one that means the most to me, so to help suggest more reading for anyone interested, I’ve listed 10 stories instead of 5.

Note that I have skipped any categories that I didn’t think that I was sufficiently knowledgeable enough about during the year of 2016.

Also, in any given category, the ordering does not mean anything–the order is not rank-order, so the first is not any different than the last, etc.

I left out the Campbell Award for Best New Writer, because I know a lot of amazing people on that list and I don’t want to make people feel bad they got left out (but I’m still going to have to pick 5 for my actual ballot!).

 

Best Novel

FIX by Ferrett Steinmetz

United States of Japan by Peter Tieryas

Best Novella

“Everybody Loves Charles” by Bao Shu, translated by Ken Liu (Clarkesworld)

“Chimera” by Gu Shi, translated by S. Qiouyi Lu and Ken Liu (Clarkesworld)

“The Snow of Jinyang” by Zhang Ran, translated by Ken Liu and Carmen Yiling Yan (Clarkesworld)

Best Novelette

“Fifty Shades of Grays” by Steven Barnes (Lightspeed)

“The Calculations of Artificials” by Chi Hui, translated by John Chu (Clarkesworld)

“The Venus Effect” by Joseph Allen Hill (Lightspeed)

Best Short Story

“Archibald Defeats the Churlish Shark-Gods” by Benjamin Blattberg (Podcastle)

“Beat Softly, My Wings of Steel” by Beth Cato (Podcastle)

“The Bee-Tamer’s Final Performance” by Aidan Doyle (Podcastle)

“The Night Bazaar For Women Becoming Reptiles” by Rachael K. Jones (Beneath Ceaseless Skies)

“The First Confirmed Case of Non-Corporeal Recursion: Patient Anita R.” by Benjamin C. Kinney (Strange Horizons)

“The Modern Ladies’ Letter-Writer” by Sandra McDonald (Nightmare)

“A Partial List of Lists I Have Lost Over Time” by Sunil Patel (Asimov’s)

“The Sweetest Skill” by Tony Pi (Beneath Ceaseless Skies)

“Thundergod in Therapy” by Effie Seiberg (originally published in Galaxy’s Edge, but the link is to free reprint in Podcastle)

“In Their Image” by Abra Staffin-Wiebe (Escape Pod)

Best Graphic Story

Gravity Falls: Journal 3 by Alex Hirsch and Rob Renzetti

Best Dramatic Presentation (Long Form)

Finding Dory

The Secret Life of Pets

Sing

Zootopia

Best Editor (Short Form)

Jen Albert (Podcastle)

Neil Clarke (Clarkesworld)

Graeme Dunlop (Podcastle)

Rachael K. Jones (Podcastle)

Norm Sherman (Escape Pod)

Best Professional Artist

Galen Dara

Best Semiprozine

Beneath Ceaseless Skies

Drabblecast

Escape Pod

Podcastle

Strange Horizons

Best Fanzine

File770

Quick Sip Reviews

Best Fan Writer

Mike Glyer (File770)

Charles Payseur (Quick Sip Reviews)

 

 

 

 

GAME REVIEW: The Last Guardian

written by Melissa Shaw

The Last Guardian is a gorgeously detailed, thoughtful action-adventure fantasy game. You play a young boy who awakens in a cavern with a large mythical creature who is chained to the floor. As the story progresses, you form a bond with the creature, Trico, as the two of you navigate through environmental puzzles set in enormous, elaborate environments, some of ancient ruins, some of dizzying heights. Sometimes you need Trico’s help to survive or progress through a series of puzzles, and sometimes Trico needs yours.

Designed and directed by Fumito Ueda, who brought us the iconic Ico and Shadow of the Colossus, The Last Guardian shows the influences of both of those games, particularly Ico. In this game, however, you leave all the combat to your enormous companion.

Although the game offers you only a small selection of simple gameplay mechanics to find your way through each map, it combines these mechanics in an ingenious variety of ways to create challenging and thought-provoking puzzles. Rarely is the path through an area clear at first glance. Fortunately, the game lets you take your time in most sections, which also enables you to explore the lush maps, some parts of which serve no purpose other than to enhance the sense of grandeur and detail of this world.

One of the most notable aspects of the game is the creature design. It may seem odd to use a word like “realistic” to describe a 20-foot-tall, feathered beast with a doglike face, a catlike body, and glowing blue horns, but Trico scans as a realistic animal, with idiosyncratic but recognizable behaviors. His animation blending is seamless, so nothing interrupts the realism of Trico on-screen. He is an appealing companion, by turns protective, affectionate, curious, and fearful. He grows attached to you, following you around, howling mournfully when you’ve gone somewhere he can’t reach. Although Trico moves like a cat, he isn’t perfect; he sometimes misjudges leaps and has to scramble to complete them. His imperfections make him all the more endearing.

Like any real animal, Trico is not a perfectly controllable creature. He has his own agenda and his own limitations. The game requires patience. It can be difficult to communicate what you want to Trico at first, and even when you can, it can take him a little time to do as you ask. The game also requires you to let go of precise control sometimes, and let Trico find his own way rather than waiting for you to direct him.

This game is not without its frustrations. Camera control is sometimes restricted, making it difficult to see. At other times, the camera moves abruptly from one place to another, often to avoid clipping through solid objects. These movements are jarring, and since you move the player character relative to the camera, they can interfere with gameplay. In addition, the game has an atypical controller scheme, with no option to reconfigure it or to reassign buttons. And although it’s a virtue that it is difficult to fall off Trico inadvertently, the flip side of that is that it can be difficult to jump or drop from Trico when you want to. In terms of the story, near the end of the game, there’s a brutal and disturbing cut-scene that’s hard to watch, and another cut-scene that leaves you wondering what you’ve been feeding your friend.

On the whole, though, The Last Guardian is a magnificent game: often quiet and moving, sometimes abruptly exciting, always immersive and beautiful.

10527_1187758026540_1606014926_30480607_3193812_nMelissa Shaw’s short fiction has appeared in Asimov’s, Realms of Fantasy, Analog, and several anthologies. Melissa is a Clarion West graduate and a “Writers of the Future” contest winner. She is currently writing for an as-yet-unreleased video game.