Anime Catch-Up Review: Yamada-kun and the Seven Witches

written by Laurie Tom

yamada-kun and the seven witchesI didn’t watch Yamada-kun and the Seven Witches during its initial run in Spring 2015 because I saw the title and key art, and it looked like a harem show to me. One guy, seven witches. It’s not my personal fantasy.

But that’s not what Yamada-kun is about at all.

Ryu Yamada is a high school delinquent, known for getting into fights, coming to school late, leaving early, and failing in class. That changes one day when he literally falls onto honor student Urara Shiraishi, who holds the highest grades in their class. After waking up he discovers they’ve switched bodies, and she’s actually run off and gone back to class in his body so she doesn’t miss lecture.

Though they’re two students who otherwise wouldn’t give each other the time of day, Shiraishi and Yamada quickly figure out what happened, and that they switch bodies when they kiss. They decide to take advantage of that with Shiraishi taking tests in Yamada’s place and Yamada (as Shiraishi) getting her out of her shell so she has a social life.

The fun explodes as more people figure out their secret and tests are performed to figure out the full extent of the body swapping ability, and yes, it can be daisy-chained, with Yamada switching to whoever he kisses regardless of whose body he is currently in, and switching his new host to the body he was formerly occupying (which can be a third party entirely). The voice actors and animators have a great time with this, and it’s generally pretty easy to figure out who is currently in whose body based on their performance.

Because the kiss to body swap works on anyone, this also means that there is a lot of kissing across gender lines and crazy scenes where Yamada is demanding someone kiss him because he needs to control them for some reason. Though Yamada himself appears to be straight, he (eventually) doesn’t have an issue with kissing guys if he thinks the situation demands it.

When other witches are introduced, it becomes apparent that each of them have different powers that are activated by kissing.

The result is that Yamada-kun tends to have more kissing per episode than most anime have their entire run.

There is plot in Yamada-kun besides the wacky hijinks, but it only comes out in the second half of the show as the primary cast tries to identify all seven witches that exist at their school. There is a reason that each of the witches have the specific powers they do, and it’s tied to the various insecurities that teenagers have while in high school.

Helping the witches is ultimately what the series is about, but likely not what Yamada-kun will be remembered for.

Mostly I enjoyed it for the egregious abuse of kissing-activated magic powers in an otherwise mundane setting where getting one’s first kiss is considered a big deal. I also really like Yamada and Shiraishi as leads.

The pair of them are refreshing as love interests, because they’re pretty comfortable kissing each other right off the bat. They’ve seen each other’s junk while in each other’s bodies (the show gets that out of the way in the first episode) and after the initial reveal they don’t worry about it anymore. Shiraishi’s forwardness is also a nice change from the typical female lead in anime, as she’s the one who typically initiates the kiss.

Though the manga is still running, Yamada-kun the anime completes an entire story arc that could easily be considered the end of the series if no future episodes are ever animated. I highly recommend it for anyone who likes a little romance alongside some magical hijinks.

Number of Episodes: 12

Pluses: entirely self-contained story arc, voice actors and animators do a fantastic job of letting the audience know who is currently in whose body, all that kissing!

Minuses: Tamaki’s introduction comes out of nowhere for a significant character, occasionally feels a little rushed to get all seven witches in, a few minor details won’t make sense if you look at them too hard

Yamada-kun and the Seven Witches is currently streaming on Crunchyroll and is available subtitled.

 

laurietomLaurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie is a previous grand prize winner of Writers of the Future and since then her work has been published inGalaxy’s Edge, Strange Horizons, andCrossed Genres.

Welcome to Night Vale: Ghost Stories (Live Show)

written by David Steffen

Welcome to Night Vale is most well known for their podcast (written by Joseph Fink and Jeffrey Cranor), formatted as a small town radio show set in a sleepy little horror town ala Stephen King or H.P. Lovecraft.  The podcast is nearing its 4th anniversary and 2015 saw the release of a related novel of the same title from Harper Collins.

On top of this, they also do live touring shows that tours both around the US and has gone to Europe, to Australia and New Zealand.  The shows are in a similar radio-show format as the podcast, (with some differences that I’ll explain).  The live shows are unique–they’re not just rehashes or previews of podcast episodes.  After each live touring show is done they generally release recordings of that show.

I recently went to their “Ghost Stories” live show.  It was my second Welcome to Night Vale live show that I attended.  This show centers around a city-wide ghost story competition, wherein the “winner” is converted into a ghost by very practical means.  Most of the main throughline of the show consists of the host Cecil telling his own entry to the competition in several parts, interspersed with the usual radio show features like Traffic and Weather (which is musical intermission) and Community Calendar, as well as guest stars telling their own ghost story entries.  Cecil’s story was very interesting and revealed some character history that I don’t think the podcast has revealed at this point.

Last time I went to a live show was a little bit lukewarm on it simply because it had a very different feel from the podcast and I wasn’t expecting that difference.  This time I found that having an idea what to expect made it easier to align my expectations and just enjoy myself.  So, if you like the podcast and are considering going to the live show at some point, knowing the way the live shows are different might be helpful to you.

As with any live show, especially live comedy, the experience is enhanced by the crowd itself–a funny joke tends to feel funnier when you’re in a laughing crowd.  So the live show is special in its own way for that reason.

Differences between the podcast and the live show:

  1.  Because the show may tour for quite a few months, its timing does not have a clear alignment with the podcast which is released twice every month.  This generally means that the episode as a whole is going to be of the tangential variety, rather than tying into a main plotline on the podcast.  Many of the podcast episodes are like this too, mind you, but the live show can’t be otherwise.
  2. Because not all guest stars may be able to tour to all locations, the show can’t depend on any specific guest.  For instance, Wil Wheaton, Dylan Marron, Retta, who all have guest roles at times may be at some but not all shows.  This means that guest parts are going to tend to be very modular–they relate to the overall plot of the show, but the plot of the show can never depend on them.  In the case of the Ghost Stories show this means they come on, tell a ghost story, banter a bit with Cecil, and then leave.  Cecil Baldwin,  (who plays Cecil Palmer the radio host and main narrator), is of course at all of the shows as the main speaker, and Meg Bashwiner (the voice of Proverb Lady and Deb the patch of sentient haze) also seems to be a steady actor in the live show, but I think all other guest spots are designed to be interchangeable.
  3. The show starts with the musical guest opening with a series of songs, and the same guest returns for the Weather segment.

 

Anime Review: Schwarzesmarken

written by Laurie Tom

schwarzesmarken

Schwarzesmarken takes place in East Germany in an alternate 1983 where aliens have landed and are slowly taking over the planet in a torturous land battle. The aliens do not appear to be particularly intelligent, content to win battles through sheer numbers, but since they cannot be reasoned with, humans have no choice but to fight.

Though the aliens can be slain with conventional weapons, mecha are particularly useful for taking out the living alien artillery, and the 666th squadron, nicknamed Schwarzesmarken, is East Germany’s best unit.

Though the series did not immediately grab me, the opening episode had enough potential that I decided to come back, and it grew on me more than I thought it would.

First of all, the show had several things working against it. 1) It’s a prequel to Muv-luv Alternative, which is a series I’ve passed on watching because it’s based on a visual novel with dating elements aimed at heterosexual men. 2) It has a predominantly female cast, which in anime doesn’t necessary mean they’re looking to expand the female audience as much as to provide fanservice. 3) I was afraid it would end up being a harem anime where the “luckless” male protagonist would end up with the affections of multiple women.

Fortunately, it’s not as bad as that. Even though it is a prequel, it’s watchable on its own with the understanding that the aliens will not be defeated by the end of the show. The female cast is varied enough that members of the main 666th squadron don’t get mistaken for each other (and there are women in incidental roles outside the squadron, including a middle aged woman in charge of a military base). The outfits are fanservicey, but there are few butt shots, outside of when one sleazebag male commander is around (presumably his POV) and he’s not in every episode.

But best of all, main character Theodor is a complicated protagonist. He might not have much luck, but he’s not hapless. As a teenager Theodor and his family tried to flee East Germany only to be captured by the Stasi, who were historically among the most effective secret police forces in existence.

His family’s capture, murder, and the fact he sold them out during his own torture, weighs on him. Though he’s now a soldier for East Germany and scarcely believes in the party line, he’s afraid of taking any steps towards freedom because he knows what that costs. The way to survive is to keep one’s head low and just do the job.

That begins to change with the arrival of Katia Waldheim, a defector from West Germany with an idealistic hope that both Germanys can work together again. Furthermore, Theodor learns that Irisdina Bernhard, his commanding officer, is not the Stasi informant that he thought she was, and in fact is willing to work against them.

Though this is a mecha anime, a lot of time is spent on political maneuvering between different parties and even within the 666th squadron. Aliens are the outside threat, but they are not the only one, and possibly not even the most dangerous one. What’s guaranteed though is that every episode will have a mecha battle, and the marvelous thing is that each of the battles feels like it earns its place in the story. The battles are never filler.

That said, there are some questionable decisions made throughout the series considering that East Germany’s very existence is at stake. (Poland isn’t a country anymore, it’s fallen to the aliens.) Cynics might feel unsurprised that when the country needs unity the most is when it’s least able to come together, but considering how remorseless the aliens are, I can’t help wondering if the human antagonists really think it’s worth winning a battle if they lose the war.

The body count is on the high side and the show doesn’t shirk from showing violent deaths, though most are concentrated towards the beginning and the end. There is some censorship of the graphically worst death (to an alien), but bullet and shrapnel wounds remain visible and people end up bleeding a lot.

One thing I do want to mention though, because it’s a trope I usually try to avoid, is that Schwarzesmarken seems to have this weird little sister attraction going on, both with Theodor’s younger (not blood-related) sister and another character who explicitly reminds him of his little sister. Theodor himself doesn’t seem to be interested in that train, but the writers have no problem putting him on board, and in the case of his adoptive sister, saying that the situation gets messy is an understatement.

Since this is a prequel I’ll note that the ending does not resolve the alien problem, but it otherwise comes together and all the plot threats as relevant to the characters involved are tied off.

Overall I think this is one of the better mecha series I’ve watched and if one is not immediately dissuaded by what may well be one of the world’s creepiest little sister characters, it’s worth checking out for the well scripted battles and the unusual setting.

Number of Episodes: 12

Pluses: unusual period setting of communist 1980s East Germany, complicated worldview with few good answers, Theodor is an unusually damaged protagonist for anime making him a welcome change of pace

Minuses: spray-on bodysuits, even though the characters are mostly German they often behave in a culturally Japanese fashion, and what is with the little sister fetish?

Schwarzesmarken is currently streaming at Crunchyroll and is available subtitled. Sentai Filmworks has licensed this for eventual retail distribution in the US.

laurietom
Laurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie is a previous grand prize winner of Writers of the Future and since then her work has been published in Galaxy’s Edge, Strange Horizons, and the Year’s Best YA Speculative Fiction.

DP Fiction #18: “Sustaining Memory” by Coral Moore

The Archivist held the three remaining beads in her left hand. Images flickered across her visual cortex: an unknown woman’s face, a sunset on a planet she couldn’t name, the dazzling color of a sea she no longer had the words to express. The beads felt cool and impersonal in her fingers, though what they contained was neither. She had only these few memories left and she no longer remembered if they were hers or someone else’s.

Around her, the machine chugged and whirred. The metal tubing that encased her pod vibrated. The glowing core rose in front of her, spinning slowly around its vertical axis.

She twirled the bead containing the seascape between her fingers and dove in. The memory was a moment in time. The wind caressed her face and the briny scent of the sea filled her head. A white-capped wave was held just off shore in the instant before breaking, never to fulfill its potential. She had the sense of someone waiting for her on that unknown shore. The name of the sea was gone, like everything else she had once known, converted into power for the machine she’d been wed to.

She surfaced from the hold of the memory with effort. That sea and that person no longer existed. The world her people had inhabited had been scoured clean, its atmosphere stripped away and everything on the surface incinerated. Nothing had survived; nothing but the machine, buried deep below the crust near the cold, dead heart of the planet. When her organic memory had been scrubbed, they’d left the fate of her world with her so she would not forget her purpose.

The grinding groan of the alert tone sounded, and without thinking she placed the seascape bead into the receptacle near her hand. The bead circled around the outer edge and spiraled downward into the depths of the machine. Bit by bit the memory of the sea faded from her mind, until only a pale representation of it remained, and then a moment later that too was gone. She was left only with the impression that something precious had been taken from her, with no idea what it was.

Two left: a sunset and a woman.

Only two memories before she was nothing but a soulless cog in the machine that would unmake everything her people had ever been in order to start again.

“Status?” she asked the heated air around her.

Something churned just beyond her field of vision. “Offline.” The voice that had been her only companion for generations was toneless and flat.

She swirled the two remaining beads in her hand. The number of beads she needed to awaken the machine was exact. She wondered why the designers of such a marvel would cut it so close or depend on her to do this critical job at all. If she’d ever known the answer to those questions, she no longer did.

If she stopped putting beads in before the machine awakened it would cannibalize the pod that sustained her in an attempt to get the necessary power. She wasn’t certain how many beads her body, such that it was, could replace. Once her systems started shutting down a cascading failure would follow.

When she held the memory of the sunset, deep pink and orange streaks surrounded her. She perched on a rocky cliff. A lush valley unfurled below her, absorbing the colors of the bright sky. Someone sat next to her, just out of sight. A sense of peace pervaded the place. She dwelled in the memory until the alarm tone woke her from her contemplation.

The comfort of the sunset was the only solace she could remember. While it was true that she would no longer remember that the memory had ever been her haven, she would miss something. A yawning void grew with each piece of her that was forgotten.

When the alert rang the second time she closed her eyes and dropped the bead in the machine. She concentrated on how the sunset made her feel, but even as she tried to hold it in her mind the colors faded.

“Mountain. Sunset. Peace.” She said the words over and over as a litany, but it made no difference. The memory slipped away like water through her fist, and all she was left with was the aching emptiness. She snapped her hand shut around the remaining bead.

The woman in the memory had short dark hair that stood on end in a gravity-defying display that balanced chaos and order perfectly. Her eyes brimmed with tears and angled downward. A curved scar marked her left cheek, but didn’t mar her loveliness one bit. Her lips were slightly parted. She was close enough that the heat from her breath warmed the Archivist’s face. The woman with no name had been captured in the moment before a farewell kiss. There was no other way to resolve the adoration and acceptance mingled in her expression. Something terrible had been about to happen and they had run out of ways to fight.

The Archivist had no idea if the love in the unknown woman’s gaze was intended for her. She didn’t care. The emotion existed, and it was hers. She drifted in the moment just before the kiss for as long as she dared, and finally surfaced from the memory much later, gasping for air.

The alert tone sounded.

She clutched the final bead. The woman’s face floated before her, diaphanous and lovely. One kiss was all she had left.

The alarm rang again, louder and in two long bursts.

“You can’t have her.” She locked her fist around the bead, hoping that would curb her reflex to feed it to the machine.

The energy generated by her pod would be enough to replace one bead—it had to be. She wouldn’t get to see the new world she’d given up everything for, but she would be able to keep this last piece of herself.

She lingered in the kiss until the sound blasted three times, knocking her forcefully from the memory.

The bead port was so near her hand, and her arm wanted to make the motion, but she concentrated on keeping her hand shut tight. She’d never gone this far, so she had no idea how long she had to wait until there was no taking back the decision. She worried her resolve would slip.

Around her the machine churned and whirred. Nothing was out of the ordinary, nothing but her fist and a sense of dread she couldn’t shake.

A high-pitched whistle shrieked and surprised her so that she nearly dropped the last bead.

The relative silence in the wake of the terrible sound was haunting. She had the sense of motion in her peripheral vision, but she couldn’t turn to see what had moved. A grinding sound began soon after, and her pod vibrated.

There was an ominous clunk. Something slithered around the lower portion of her body, but she couldn’t see it within the metal and hoses that wrapped her. None of the memories she had left had prepared her for this. She managed not to panic, barely. The next breath she drew was labored.

A series of light chimes rang through the machine’s interior.

“Status,” she said.

The long pause that followed was made longer by the worry that she would go to her end never knowing if she’d doomed the project to failure.

“Online,” replied a voice she hadn’t heard before, more lifelike and feminine than the previous robotic one. “Resources have been reprioritized to support mission-critical utilities. Life support is offline.”

The note of sadness she detected had to be coming from her and not the machine. Her chest felt heavy. “Does it affect the chance of success?”

“By less than one one-thousandth of a percent. We are still well within operational parameters.”

“Good.” She sighed. “How long until the process starts?”

“I’ve already begun.”

“Oh, can you forecast completion yet?”

“No. Spinning up my systems will require a non-trivial amount of time. I won’t be able to calculate time to completion until I know how much has survived my hibernation and the loss of the atmosphere aboveground.”

“So I won’t know if it will work before I die.”

“It will work.”

“How do you know?”

“This project is my sole purpose for being, Archivist. I must believe it will succeed. The magnetic field will be restored, the atmosphere will be regenerated, and the planet will again support life.”

She smiled. Even that small movement drained her dwindling energy. “I think I would have liked you.”

“You would have.” Softness colored the voice again. Was it a trick of clever programming or her own sentimentality?

She laughed, surprised she remembered how. “That’s very presumptuous.”

“It’s a mathematical certainty. Your memories are cataloged and indexed in my database. Part of me is you.”

“I didn’t realize the memories would be retained.”

“The data contained in the beads was a byproduct of the energy transfer, but retaining them was deemed important by my programmers. They take up a very small portion of my total processing.”

“So we will carry on with you.”

“Yes. Nothing will be forgotten.”

The Archivist’s vision grew dim and her thoughts floated through a slow-moving haze. “That’s a relief.”

“Why did you initiate your shut down early?”

“I didn’t want to give up the last bead.”

“The memory held special value for you?”

“I don’t know for certain. It might not even be mine.” Secretly, she hoped the memory was hers. Maybe she’d somehow managed to organize the beads so that the ones that meant to most to her were last in the sequence before she’d forgotten.

“I may be able to tell you, if you would like to know.”

“It’s a goodbye kiss. The woman is leaving, or I am, and I don’t think we’ll ever see each other again. There’s a curved scar on her cheek, but that only makes her more beautiful to me. Her eyes are filled with love and loss, joy and regret. I want to tell her that I love her, but there’s no time. There’s only the hovering moment just before our lips touch.”

Another long pause, with only the sounds of the machine working around her to fill the growing darkness.

“Her name was Marley, and she loved you very much.”

The Archivist had trouble drawing her next breath. What remained of her chest ached. “I thought I would never know for sure if the kiss was mine. Thank you.”

“You’re welcome. Marley was one of my main programmers. My neural pathways are based on her logic, her biology. That connection is why you were chosen to be the Archivist.”

Her eyes stung with the memory of tears. “Why did I agree to this?”

“You know why.”

She’d always known why. It was the only way to save some small remnant of her people, of the world they’d built. “In the end I couldn’t let her go.”

“She would have appreciated that, though I’m sorry we won’t have more time together.”

The last of her vision faded as her brain began to shut down. “I’m scared,” she whispered, hoping her voice was still loud enough to register.

“Would you like me to tell you a story?”

“Yes, please.”

“A small white ship surged and fell on the waves of a turquoise sea. Marley stood in the salt-scented breeze, her feet spread wide to absorb the rolling motion of the deck. Her wife waited on the distant shore, just a speck at this distance…”

The Archivist closed her hand around the bead, summoning the image of Marley with tears in her eyes. Somewhere Marley waited for her. She leaned into the kiss, and let go.

© 2016 by Coral Moore

 

Author’s Note: Memories are such an integral part of our identities that I thought the idea of someone voluntarily giving up their memories one at a time for some grand purpose would be interesting to explore. While writing the story of the Archivist’s failing memory, the machine that would allow her world to sustain life again by eating her memories one at a time occurred to me and seemed to fit perfectly.

 

Author Pic 2014Coral Moore has always been the kind of girl who makes up stories. Fortunately, she never quite grew out of that. She writes because she loves to invent characters and the desire to find out what happens to her creations drives her tales. Prompted by a general interest in how life works, she studied biology. She enjoys conversations about genetics and microbiology as much as those about vampires and werewolves. Coral writes mainly speculative fiction and has a Master of Fine Arts in Writing from Albertus Magnus College. She is a 2013 alum of the Viable Paradise writer’s workshop. She has been published by Dreamspinner Press, Evernight Publishing, and Vitality Magazine. She also received an Honorable Mention in the Writers of the Future contest for the fourth quarter of 2014. Currently she lives in the beautiful state of Washington with the love of her life and two canids.

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Hugo Novel Review (First Look): Seveneves by Neal Stephenson

written by David Steffen

Seveneves is a science fiction novel, written by Neal Stephenson, published in May 2015 by William Morrow, and was one of the novels nominated for the Hugo Award for Best Novel this year.  The story begins with a bang as something inexplicable happens to the moon.  Something punches a hole through it, fragmenting earth’s only natural satellite into seven fragments.  No one knows how this could be possible, or what caused it to happen, but soon they realize that these aren’t the most important questions: the most important question is “How can humanity survive this?”  The moon is going to break up into smaller and smaller fragments and start a catastrophic meteor shower in only about two years.

I’ve been reading material from the Hugo Packet as fast as I can, and I am up against the deadline as I’m reading this one.  I’ve only made it about 40 pages into this 867-page book, so it is by any measure still very early in the book.  We have met who I’m guessing to be the main characters:  “Doc” Dubois Harris is the American astronomer who first predicts the catastrophic after-effects of the breaking of the moon, and is involved in trying to plan for survival plans thereafter.  The other main characters are Ivy and Dinah, astronauts aboard the ISS, which will serve as the basis for preserving as much of earth culture in space as they can.

This is an interesting premise for a book but, despite the breaking of the moon happening on page one, it feels like it’s been off to a fairly slow start.  At page 40 they’ve only just started coming to the conclusion that there are bigger consequences coming, after Doc had noted that earth life seemed to be generally unaffected.  Presumably things will pick up pace from here, since there is a pretty short time limit on getting as many people and archives and resources either below ground or in orbit to avoid the death zone that the surface will be.  I’m interested in seeing where this goes, and I hope it gets going at a faster pace soon, or at least give me some more reason to empathize with the characters.   I think it’s an interesting premise, but so far there hasn’t really been anything that would make me feel compelled to buy the book to find out more.

 

Diabolical Plots is now a SFWA Qualifying Market

written by David Steffen

Just the briefest of notes:  fiction sales to Diabolical Plots now count as qualifications for writers toward joining the Science Fiction and Fantasy Writers of America(SFWA).  Very excited by this news!

This applies to all the past fiction accepted here, as well as the fiction for the current submission eindow open through the end of the month.

 

Hugo Graphic Story Review 2016

written by David Steffen

The Hugo Award for Best Graphic Story covers graphic novels and comic book series (including web comics).   Five graphic stories were on the final Hugo ballot, but Sandman: Overture (written by Neil Gaiman with art by J.H. Williams III) appeared to be only a partial of the book in the Hugo Packet, so I haven’t reviewed that here.

 

1.  Erin Dies Alone written by Grey Carter, art by Cory Rydell (dyingalone.net)

“Erin Dies Alone is an ongoing comic strip about isolation, mental illness and videogames. It’s a lot more cheerful than that description makes it sound.” — that is the description on the webcomic for Erin Dies Alone.  Erin lives alone, and in constant solitude, unemployed (I think?) and doing not much of anything but sitting around the house watching bad TV and smoking pot.  In the first issue of the strip she contemplates a bottle of pills in her medicine cabinet but is interrupted by a visit from Rad her childhood imaginary friend, who digs out her old box of video games.  Much of the comics take place in those video games, as Erin and Rad take the role of those characters in the game worlds.

This is an interesting one, and like the description said, more fun than it sounds.  I found most of the humor a little flat, but it seems like my opinion is not a good gauge for judging the humor of geek comics because most of the time I understand the basis of the jokes but they don’t do much for me.  A lot of the entries are just fun, usually not dipping too far into the dark side (though it is implicit in the setup of the comic).  The games in the strip are based on real games, so gamers will likely enjoy the references and in-jokes more than anyone.

Since the nomination didn’t list a specific plotline or date range, I am guessing that it’s supposed to simply cover all of the episodes from its inception in mid-2015 to the end of 2015 with episode #75, which isn’t of any particular importance.  I’m interested in seeing where the comic is going, and there have been some backstory and some character development, but so far not enough has changed for it to have much of an arc.

2.  Full Frontal Nerdity by Aaron Williams (ffn.nodwick.com)

“Join four guys, usually around a gaming table, as they celebrate and dissect everything geekdom has to offer. From video games to movies to the latest version of D&D, Frank, Shawn, Lewis and Nelson find fault, find joy, and find that you really shouldn’t let Lewis roll for anything if a 1 spells disaster.”

It is what it says on the tin.  Much of the series takes place around D&D gaming table exploring D&D adventures with amusing results (i.e. a battle against a god of puns), but also covers some movies and other other geek culture stuff.  It’s fun, though as I mentioned in #1 I seem to be a poor gauge for judging geek humor because I usually see what the source of the humor is supposed to be without really feeling it, if that makes sense–I haven’t spent a lot of time playing tabletop games, so maybe that is part of the lack in this case.

Since the nomination didn’t list a specific plotline or date range, I’m guessing it’s supposed to cover whatever they published in 2015?  Which begin at an arbitrary point and end at an arbitrary point, and make no effort to really be a “story” in any cohesive sense, so “Best Graphic Story” seems like a bit of a misnomer in this case.


3.  Invisible Republic Vol 1 written by Corinna Bechko and Gabriel Hardman, art by Gabriel Hardman (Image Comics)

“Breaking Bad meets Blade Runner. Arthur McBride’s planetary regime has fallen. His story is over. That is until reporter Croger Babb discovers the journal of Arthur’s cousin, Maia. Inside is the violent, audacious hidden history of the legendary freedom fighter. Erased from the official record, Maia alone knows how dangerous her cousin really is… ”

This description sums it up well.  The story is told in two different time periods.  One through the eyes of Babb as he finds the journal and reads it, and tries to do something with the contents of the journal.  The other one through the eyes of Maia, who is not a part of the official histories but saw many of the events of the rise of McBride’s regime firsthand.

The comic was well-drawn and the plot moves forward without slacking in both of the timelines.  But, for me, I didn’t really get emotionally invested in either timeline.  I felt empathy for Maia, but since we already know how the regime turned out I didn’t feel that her account really mattered in any substantive way.  And in the future timeline, I didn’t really care about what Babb did with the journal either–he needs it as a way to make a living, because it’s a breaking story that’s actually new, but it wasn’t clear to me why the journal was actually important as anything other than a meal ticket, especially since the regime has already fallen (it might be different if McBride were still in power).  To be fair, this is only volume 1, and the story has been ongoing since then.

4.  The Divine written by Boaz Lavie, art by Asaf Hanuka and Tomer Hanuka (First Second)

Mark, an explosives expert, signs on to freelance job with his old Army buddy Jason in the (fictional) civil-war-torn southeastern Asian country of Quanlom.  Mark is captured by a group of child-soldiers led by a pair of 9-year-old children with magical powers known as The Divine, bent on forcing a confrontation between an ancient dragon and modern technology.

This story has a gritty feel of accounts of real war that I’ve heard, and the story doesn’t pull any punches.  The biggest issue I had with the story is… why in the world did Mark take the job?  Mark’s wife is pregnant, and he lies to her about where he’s going to take a job from his borderline psychotic ex-military friend in a country where the U.S. isn’t supposed to have a military presence.  I didn’t feel like the story justified that decision at all, and without that decision, the rest of the story wouldn’t happen (at least not from Mark’s point of view).  The  confrontation between magic and technology is a cool premise, but without some clearer character motivation, it falls apart for me.  The Divine are closely based on actual leaders of a child army who were rumored to have mystal powers, to the point that their namesake’s images in the graphic story are recognizable in a photograph of the people.  I don’t know how I feel about those two being turned into characters in a graphic story, even though they’re mentioned at the end as the inspiration.

 

 

 

Review of Hugo Best Dramatic Presentation Long Form 2016

written by David Steffen

This is the “movies-ish” Hugo category, a fan-voted award.  I say “ish” because it’s any presentation over 90 minutes, which sometimes includes things that aren’t movies, such as a season of a TV show or something like that.

Most of the nominees this year were also nominees for the Ray Bradbury Award, which I reviewed previously.  So, for expediency’s sake, I have just copied over the pertinent reviews of repeat nominees.  The one new review in the bunch is of Avengers: Age of Ultron.

1. Max Max: Fury Road

Humanity has wrecked the world.  Nuclear war has left much of the earth as a barren wasteland.  Humanity still survives, but only in conclaves where those in control lord their power over the common people.  Those in power hoard water, gasoline, and bullets, the most important resources in this world, and guard them jealously.  Immortan Joe is the leader of one of those conclaves, with a vast store of clean water pumped from deep beneath the earth, and guarded by squads of warboys who are trained to be killers from a young age.  Despite these relative riches, what Immortan Joe wants more than anything is healthy offspring, his other children all born with deformities.  He keeps a harem of beautiful wives in pursuit of this goal.  When his general Imperator Furiosa goes rogue and escapes with his wives in tow, Immortan Joe takes a war party in pursuit, and calls in reinforcements from Gas-Town and Bullet Farm to join in the fight.  Mad Max of the title is captured at the beginning of the story and strapped to the front of a pursuit vehicle to act as a blood donor for a sick warboy, to give him the strength to fight.

I am only a bit aware of the original Mad Max franchise.  When the previews for this movie came out, I thought it looked completely unappealing.  I honestly didn’t understand what other people were raving about when they were so excited about it as the movie’s release date approached, and after they saw it in theaters.  I wasn’t expecting to see it at any point, so I read some reactions and found them interesting but still didn’t feel compelled to see it.  I finally decided I would see it when I heard some reviewers giving the movie a bad review because they thought it was awesome and action-filled but that this concealed a feminist agenda and they were angry that they had been tricked into liking a movie that had a feminist message.

I finally rented the movie, expecting it to be pretty much just okay, but really quite enjoyed it.

Charlize Theron as Imperator Furiosa was badass, and I hope there are more movies with her in this role.  Tom Hardy as the eponymous Mad Max was also solid.  Really, great casting all around, and it was really cool to see a woman in one of the lead roles of an action movie where she is an essential part of the action.

Probably one of the coolest things about the movie are the vehicle designs.  Since most of the movie takes place on the road in pursuit, there is plenty of opportunity for these vehicles to be showcased.  They are so much fun just to look at, that I more than once laughed in delight at the absurdity of a design.  My particular favorite was the sports car with tank treads driven by the leader of Bullet-Farm.

Similarly, costume design and other character design were incredible.  It’s… hard to play a flame-throwing electric guitar as serious, but it’s just one example of the over-the-top design that should be stupid, but somehow it all works and ends up being both exciting and hilarious.

It had a lot of striking images, sounds, moments.  In this bleak, most desperate of landscapes you see the most depraved of the depraved of the most heroic of the heroic.  There were heroes to root for, but even those heroes are no pristine blameless creatures, because no such people have survived so long.  Rather the heroes are those who want to try to make some small change for the better in the world around them.  The movie is basically one long chase scene, full of action, full of surprising and epic and violent moments.  I wouldn’t say it’s for everyone, by any means.  But I thought it was a really incredible film, despite coming into the movie with reservations.


2.  Star Wars: The Force Awakens

(this review copied verbatim from my review of the movie posted in January)

The movie picks up about as many years after the original trilogy as have passed in real life, I suppose.  The First Order, the still active remnants of the Empire, is still opposing the New Republic that replaced it.  A group of storm troopers of the First Order raids a Resistance camp on the desert planet Jakku, looking for information.  Resistance fighter Poe Dameron (Oscar Isaac) hides the vital information in the droid BB-8 and sends it away from the camp before he is captured. One of the stormtroopers known only as FN-2187 (who is later nicknamed Finn) (played by John Boyega) chooses to turn his back on a lifetime of training and chooses not to kill anyone in the raid.  Finn helps Poe Dameron escape.  Together they meet Rey (Daisy Ridley), a Jakku scavenger and they join forces to get BB-8’s information to the people in the Resistance who need it.

I enjoyed this movie.  It wasn’t the best movie I’ve ever seen but I enjoyed it from beginning to end and I am glad to see someone has been able to turn around the series after the mess Lucas made of the second trilogy.  The special effects were good, and not the fakey CG-looking stuff that was in the second trilogy.  The casting of the new characters was solid and it was great to see old faces again.  To have a woman and a black man be the main heroes of the story is great to see from a franchise that hasn’t historically had a ton of diversity.    It was easy to root for the heroes and easy to boo at the villains.  The worldbuilding, set design, costume design all reminded me of the great work of the original.  I particularly liked the design of BB-8 whose design is much more broadly practical than R2D2’s.  Kylo Ren made a good villain who was sufficiently different than the past villains to not just be a copy but evil enough to be a worthy bad guy.

Are there things I could pick apart?  Sure.  Some of it felt a little over-familiar, but that might have been part of an attempt by the moviemakers to recapture the old audience again.  I hope the next movie can perhaps plot its own course a little bit more.  And maybe I’ll have some followup spoilery articles where I do so.  I don’t see a lot of movies in theater twice, but I might do so for this one so I can watch some scenes more closely.  I think, all in all, the franchise was rescued by leaving the hands of Lucas whose artistic tastes have cheapened greatly over the years.  I know some people knock Abrams, and I didn’t particularly like his Star Trek reboot, but Star Wars has always been more of an Abrams kind of feel than Star Trek ever was anyway.

I enjoyed it, and I think most fans of the franchise will.

(You also might want to read Maria Isabelle’s reaction to the movie, posted here in February)

3. The Martian

During an American manned mission on Mars, a fierce storm strikes the base camp of the astronauts.  One of the astronauts, Mark Watney (played by Matt Damon) is left behind and presumed dead as the rest of the crew aborts the mission and leaves the planet to escape the storm.  But Mark is not dead.  He is alone on the planet with only enough food to last for a year when the soonest he can expect rescue (if anyone realizes he’s alive to attempt a rescue) won’t be for several years.  Determined to live, he sets about the task of survival–cultivating enough food and water to live, and contacting NASA so they can send help.

I can see why this movie got so much critical acclaim.  Usually my tastes don’t align with the Oscar Awards much, but I can see why this one did.  There was a lot to love about the movie–soundtrack, solid casting and acting, great writing, a cast of characters that support each other and succeed through cooperation.  Most of all it managed to capture that sense of wonder that surrounded the exploration of the moon decades ago.  As real manned trips to Mars come closer and closer to reality, it’s easy to imagine this all happening.  (Note that I don’t have enough background to know to what extent the science in the movie was authentic or not, but it felt pretty plausible at least, which is good enough for me)

4.  Avengers: Age of Ultron

The second in Marvel’s Avengers series of movies, that are mega-blockbusters tying together individual comic franchises together in a super-series of movies, this movie starts with the same set of Avengers as The Avengers had:  Iron Man, Captain America, The Incredible Hulk,  Black Widow, Thor, and Hawkeye.  The movie starts out in the middle of the action as the Avengers raid a Hydra compound in the Eastern European country of Sokova.  They capture Baron Von Strucker and acquire Loki’s scepter from the compound.  Tony Stark (Iron Man) discovers an artificial intelligence contained in the gem of the scepter, and he and Bruce Banner (Hulk) try to use it to complete a global defense program that they have been working on–meant to keep the earth safe from attacking alien forces and the like.  But, Ultron (the AI) goes rogue almost immediately, destroying JARVIS (Stark’s helper program) and escaping with the scepter, soon working to upgrade his body and build an army of drones to fight for him, as well as recruiting Pietro and Wanda Maximoff to his cause, two supers with a grudge against Stark.  To save the world they have to find a way to take Ultron down.

This movie was fun action, and I’d happily see it again.  Again it has a cast of big stars who each have their own Marvel movie franchises and it has been a lot of fun seeing that all come together.  Even more so than your average Avenger movie, you can expect an Avengers movie to be even more so because every threat has to be big enough to justify bringing together a whole team of superheroes and trying to get them all to work together.

This was fun, and I quite enjoyed James Spader as the voice of Ultron, as well as the Maximoffs both in character and in seeing their abilities.  But, overall, this movie was not as appealing as the first Avengers movie.  I’m sure part of that is that it doesn’t have the same novelty, starring mostly the same hero cast.  And, personally, I didn’t Ultron as interesting of a villain as Loki from the previous film, or many of the other Marvel villains–he seemed just very much just a default rogue killer bot kind of villain rather than someone with more interesting and nuanced motivations.   So, it was all fine and I am neither disappointed nor amazed at it, but it kind of felt like they were trying to just ride the momentum from the first movie rather than making something that was spectacular in its own right.  On the bright side, (minor spoiler in this last sentence), they left off the movie making it clear there was a third one being planned with a bunch of new members swapping in for the Avengers team–I found I was much more interested in that because then we can find out more about some characters who have not played lead roles, find out how they interact with each other, and build the team anew.

5.  Ex Machina

Software engineer Caleb Smith wins a week-long getaway to the home of Nathan Bateman, the reclusive CEO of the tech company where Caleb works.  Bateman reveals that he has been working privately on the development of AI and the contest was arranged to get Caleb to his private lab in isolation.  The AI is housed in a human-like body with realistic hands and face but with a visibly artificial rest of her body, and she goes by the name Ava.  After agreeing to extreme secrecy, Bateman reveals that Caleb has been brought there to determine if she passes the Turing Test, a theoretical experiment in which one examines an AI personality to determine if it can pass for human.

I was skeptical of this from the first reveal that it was going to be based around the Turing Test.  I am skeptical of the Turing Test as more than a momentary discussionary point because it claims to be a test of intelligence, but it’s really a test of humanity-mimicry.  For an artificial intelligence to appear to be truly human would probably mean that it would have to feign irrationality, which is a poor requirement for a testing of an intelligence.  I thought the movie worked pretty well with the flaws in the concept of the test by moving beyond the basic theoretical Turing Test and starting with a later development of the same concept in which the tester already knows the  AI is artificially created, but wants to see if the tester can still be convinced emotionally of the being’s humanity despite knowing its humanity is manufactured.  This still has the flaw that the thing being tested is human-mimicry and not actual intelligence, but it seemed like the movie was aware of this continued flaw and in the end I thought that by the end I was satisfied that the AI had not just been treated as a human-analog but a separate entity in its own right, which made the movie much more satisfying than I had thought it would be.

Hugo Novella Review 2016

written by David Steffen

The Hugo Awards Best Novella category covers stories between 17,500 and 40,000 words.  See here for a full list of the nominees this year.

1. Perfect State by Brandon Sanderson (Dragonsteel Entertainment)

Kairominas is God-Emperor, who has defeated every foe and united the world under his rule.  He has lived for hundreds of years and has become powerful in Lancing, an arcane power drawn from the sky.  Of course, everyone else in the world is a simulation, all of it designed specifically to keep him engaged and interested and satisfied with his life.  Knowing this doesn’t mean that he doesn’t feel a sense of responsibility for the simulated people he rules–EVERY natural person is the most important person in their own custom-designed simulated world.  Kai tries to forget, as often as he can, but he has been called upon by the Wode, the makers of these worlds, to fulfill his obligation by going on a date with the ruler of another world in a neutral world.

Brandon Sanderson continues to be consistently one of my favorite writers from year to year, in large part because I love his worldbuilding, especially his magic system worldbuilding.  In this case the magic that the protagonist wields is a simulated magic, part of a computer program, and the protagonist knows this, but it still ends up giving the story as a whole a magic parallel worlds story even though it is actually a science fictional simulated worlds story.  I like science fantasy, and enjoy that mixed feel.  As ever, Sanderson provides stellar worldbuilding with interesting and relatable characters, and manages to convey all this at the perfect pace so that it is never bogged down with excess explanation nor confusing in its brevity.  Solid read from beginning to end.

 

2. Binti by Nnedi Okorafor (Tor.com)

Binti is the first of the Himba people (of Namibia) to ever be offered a place at Oomza University, the seat of learning in the galaxy.  To accept the offer, she leaves her family behind and travels far away from the place where her family is so deeply rooted.  Her fellow travelers do not respect her cultures or traditions, and she has a long and frustrating (if enlightening) road ahead of her.  But before they even arrive at their destination planet, their ship is attacked by the Meduse, a deadly alien race at war with the world she is joining.

Great epic story from a point of view not usually portrayed in speculative fiction.  Before reading this story I was entirely unfamiliar with the Himba people, and I enjoyed it in large part as an opportunity to learn something about a real-life  culture, as well as to see wider representation in fiction.  Besides those factors, Binti is also a protagonist that I loved to root for–smart, capable, and brave.  I’ve been hearing people talk about this story all year as a possible award nominee, and I can see why.  I thoroughly enjoyed it.

 

3. Penric’s Demon by Lois McMaster Bujold (Spectrum)

Lord Penric is riding on the way to his betrothal when he comes upon a riding accident with an old woman injured on the ground.  She turns out to a Temple divine, the servant of the Bastard, one of the five gods that rule over the world.  In her dying breath she bestows upon him the demon that possesses her as part of her role, which now resides in Penric’s body.  While demons are expected to pass to another person after the death of their hosting divine, normally it is all prearranged with a specific chosen person, rather than a random passerby.  What, exactly, this means for Penric or for the demon, no one seems willing to say, apart from the fact that he now must change plans in order to speak to the people who can tell him.

This story is billed as taking place in the same world as three of Bujold’s novels, but I never would’ve suspected from only reading the story itself.  The story is self-contained, so you can read this story (as I did) with no prior knowledge of the world or people in it, and expect to be able to follow the story.  It’s possible that you may have a greater appreciation for events if you have more familiarity, but it could all be followed very easily.

Not long after his possession Penric learns that the demon can speak to him using his own mouth, so much of the book envelops as part of Penric (sort of) talking to himself in private, learning about the demon and what it is capable of, and more about their uncertain future together.  This was a clever way to convey the world to the reader, and was fun to read as well, because the demon is an interesting character in its own right and there is a great deal of chemistry between Penric and  the demon.  Since Penric is entirely unfamiliar with demons apart from rumors, and knows little about the inner workings of the temple, he has to learn on the road as he’s traveling with the demon, and so does the reader.  He is taken out of his familiar but unremarkable town out into the wider world.  This story was a great deal of fun and it was quite interesting to see the demon’s abilities unfold as it established a rapport with Penric.

4. Slow Bullets by Alastair Reynolds (Tachyon)

Scur is a soldier in a vast interstellar war spanning hundreds of solar systems.  That war is finally nearing an end, and she is beginning to allow herself to contemplate the life that may come after when she is taken prisoner by a war criminal and left for dead.  She wakes up on a prisoner transport where everything seems to be going wrong–the passengers are all thawing out at once, war criminals and prisoners from both sides of the war lines.  Their slow bullets (implanted devices that both store their soldier’s history, and can be set to kill them if they turn rebel) are their only links to their past.  Not only that, but there is something seriously wrong with the ship.

Lots of action and difficult decisions in this story, as soldiers from opposite sides of a long and gruesome conflict wake up in a closed system with each other.  Scur takes on the responsibility of being an impromptu leader to try to keep everyone from each other’s throats long enough to understand how they all ended up there, how to best salvage as much functionality out of the malfunctioning ship as possible, and where to go from there.  A solid science fictional tale about a group of opposing soldiers trying to unite in a post-war environment to try to survive.

 

5. The Builders by Daniel Polansky (Tor.com)

The Captain, a mouse, sets out to reunite the old gang of thieves and scoundrels of various  species (stoat, owl, mole, salamander, and others) who had all scattered after the last job went disastrously wrong.  As he seeks each one out and recruits them anew on this mission to right what has gone wrong, we learn about each of them and their background before they reach their destination and carry out The Captain’s revenge.

This story was cleverly told, with a feel that I found reminiscient of Ocean’s Eleven or other heist films, about gathering a group of elite specialists and then facing down insurmountable odds (though here there is more direct confrontational action rather than sneakery in general).  My favorite character was probably Bonsoir the stoat, whose blustery mannerisms were fun to witness.  The story was laid out so that you gradually find out more and more about the job that went wrong as each character appears and plays their own part.

I enjoyed the story best when it bordered on the comedic, often in Bonsoir’s dialog, or in some of the amusing chapter titles.  The action was well written and convincing as well, and there was no pulling punches with the deadly consequences of the  whole quest.  I enjoyed the read, but I guess for me I was hoping to be able to relate to some degree to the purpose of the quest, and I just didn’t find it at all compelling.  I was interested in the characters, their histories, and what they wanted from their futures, and I cared enough about them that it just seemed a waste to send them into this situation to quite likely die for a reason that I didn’t find that compelling.  That’s a testament to the portrayal of the characters that I cared enough about them to care about the potential waste of their lives, I suppose.