Daily Science Fiction: May Review

written by Frank Dutkiewicz

A whole year of stories have gone by and here I am, 4 months behind. I’m catching up though. DSF does it make it easy for me. As long as they keep picking good ones, I’ll keep reading.

On to this month’s offeringsâ€

 

The Stories

A vampire comes to visit an old man on his deathbed in “Her Old Man” by Chuck Rothman (debuted 5/2 and reviewed by Anonymous). It is obvious that they had some sort of relationship earlier in their lives and he is resentful of the other female vampire that turned her. She makes him an offer…

This is quite a short story, but I wasn’t really taken with it. I love vampire stories and I think perhaps that is the problem: I am fairly certain I have seen this premise before, so it didn’t feel like anything new. It was well written, though and the twist at the end may appeal to others…

 

“Starlight Cantata” by Brian Laurence Hurrel (debut 5/3 and reviewed by Anonymous)

“Starlight Cantata” follows the first interstellar, faster-than-light space craft as it takes in new solar systems whilst sampling the delights of Earth’s ever expanding electromagnetic emission shell. The further they move from Earth, the older the broadcasts they hear–like traveling backward through time.

This didn’t really feel like a story to me as their was no actual conflict, no plot, no characters (the narrator is unnamed)–nothing really happens apart from observations. It was, however, a thoughtful piece and I quite like how it ended. I sat and thought about this story a little before writing this review and decided that this story itself was like piece of music and tails off quite nicely…

I think that was the effect the author was aiming for and, on that basis, I’d recommend it. Recommended.

 

The church raffle has finally received a donation worth bidding for in “R is for Raffle” by the Alphabet Quartet (debut 5/4). Serena Draffin has donated her life. She may be sick of it but the prospects of stepping into a marriage with a handsome husband and lovely home makes it a grand prize indeed. The novel idea sparks others to donate things about them that others may find valuable. The church will have no trouble filling its treasury this year.

Quite clever, inventive and fun. One of the better stories the Quartet wrote.

 

Yesterday boy lives in the past, but is threatened by street thugs in the present in “Barb the Bomb and Yesterday Boy” by Julian Mortimer Smith (debut 5/5 and reviewed by James Hanzelka). Barb the bomb intervenes, suffering the consequences. She is saved by her mother. The yesterday boy, stuck in the past, does not know about his savior, yet.

This is a nice little diversion, well done and with a nice message. It leaves one asking the question about how our actions of today will affect the future.

 

“Values, Vision and Mission” by James Van Pelt (debut 5/6 and reviewed by James Hanzelka). Crockett is typical of someone in today’s corporate world that just wants to do his job, but management’s business of “teambuilding” constantly gets in the way. The connection to his dog Max foreshadows a new meaning to the old saw, “It’s a dog eat dog world.”

This story isn’t for everyone. It’s a nice fable about the modern corporate world. A fable not because of the obvious, but because of the idea that someone who actually does the work gets rewarded.

 

“Unveiled” by Ron S. Friedman (debut 5/9 and reviewed by James Hanzelka). This story is reminiscent of H.G. Wells, “The Time Machine”, where the inventor has a difficult time making his friends believe his tale of time travel. In this case the inventor has a novel means of proof.

The story appealed to me on a couple of levels, the obvious tip of the author’s cap to Wells, but also the unexpected twist of the proof. It is so simple that you wonder why Wells didn’t use it, but of course then he would have no story to tell.

 

“Facts about Gel, Glop and Other Semi-Viscous Substance You May Have Encountered Recently” by Michael Canfield (debut 5/10 and reviewed by James Hanzelka). This is a fact sheet, complete with misspellings and mistakes normally found in all such works, about a product gone awry. The author even includes the obligatory appeal at the end.

Given the debacle we see every day from corporate America (and other countries for that matter), governments and agencies I’m not sure if the author expects us to laugh or cry. I laughed.

 

Encephalon awaits death and the end to everything in “S is for Solipsism” by the Alphabet Quartet (debut 5/11). The former supervillain (once known as Brainwave) has concluded that the world is a product of his imagination. His rival, Deathdrive, has come to end his tyranny once and for all. Encephalon is eager for it all to end, as his enemy.

An intriguing tale. Much of it is told as a classic bad guy monologue, pontificating to their enemy in the mist of a battle. The imagery is quite good, serving well to the satire the story is. This was one of the best the Quartet has written. So good I’m going to give it aâ€Â Recommended

 

The first man on Mars needs to be one driven dude in “Can’t Stop” by K T (debut 5/12).

Countless sacrifices, sums of money, and candidates are weeded through to get to the one person who will first set foot on the red planet. Such a man will have regrets to reach that goal.

Cute story. Not bad for such a brief tale.

 

“As Fast As You Can” by Nathaniel Matthews Lee (debut 5/13 and reviewed by Dustin Adams). What is it about super-hero stories that fascinate us? We read them and watch them and seemingly can’t get enough. Is it because like no other character, we wish we were them? We wish we could fly or that we were very strong.

Sideswipe is a speedster. He not only moves fast, but spends his moments in a state of sped up, so that we are all moving very slowly. He saves as many victims of accidents as he can, they, not knowing he was even there, believe they have simply been teleported to safety. But Sideswipe is also running from his pain. A failure to save his lost love which eats away as his seemingly eternal existence.

On the surface, perhaps we’ve seen these things before, but author Nathaniel Matthews Lee takes us beyond the mere facts and delves into the emotions of the characters/heroes and we learn not all is as it seems. Pain is found in the truth, and in the lies. This short story has more depth of character than some super-hero movies I’ve seen, and pound for pound, just as much action and gadgets.

Lengthier than most stories you’ll find at Daily Science Fiction, this one is worth every micro-second spent reading it. Recommended.

 

“The Instructions” by Amanda C. Davis (debut 5/16 and reviewed by Dustin Adams) is a harmless, fun little piece of writing about how to improve your life through the benefit of elvish folk, what they take in payment, and why not to slack off when the going gets good.

This isn’t a story per se in that it has a plot, but is nevertheless a fun, short read regarding the mythological creatures we sometimes take for granted.

Or at least, that’s what the instructions say we’ll do.

 

An epidemic paralyzes relationships in “Say Zucchini, and Mean It” by Peter M Ball (debut 5/17). The phrase ‘I love you’ has turned many into babbling catatonic patients. They repeat the words over and over. Hospitals fill and love ones are left behind. Changing the meaning of words seems to be the only hope.

This story revolves around the protagonist and Alice. The two have drifted together, her boyfriend and his roommate fallen victim to the strange disease. The protagonist strives to come to grips with his relationship and the world inflicted with plague driving mankind indifferent.

This tale was odd, and its oddness went beyond the strange premise. The story had the effect on me the author’s fictional disease had on characters. It left me down and indifferent.

 

Getting on the latest reality show should be a piece of cake for the muse of dance in “T is for Terpsichore” by the Alphabet Quartet (debut 5/18). The muse stands in the long line for auditions and watches and absorbs the other contestant’s routines. By the time it is her turn, she should have all she needs to win.

This story reminds me of the time Dolly Parton participated in a Dolly Parton look-a-like contest and finished second. An amusing work of flash fiction.

 

The League of Heroes has lost one of it’s own in “They Do It With Robots” by Eric James Stone (debut 5/19). A grisly stage show out at sea has led Guillermo to Ogden’s trail. Only a robot would be used to cut out a man’s heart, or a hero who had let his love down.

This short piece had an extraordinary premise to it, but the symbolism of it was grand. My only complaint was its short length hampered its execution. Nice idea. Would have been better with more words, in my humble opinion.

 

A model’s will to endure is the theme in “A Study in Flesh and Mind” by Liz Argall (debut 5/20). The protagonist in this story is a nude model for an art class. The instructor is known as the Great Teacher. He is hard and harsh on his students, and on his models as well. A job like this is hard to come by. Holding onto it will test her limits of endurance.

“A Study in Flesh and Mind” is a story of cruelty. There is only one word that fits the Great Teacher , sadistic. The model has worked hard and overcame much to get where she is. She takes pride in her ability to hold her position and interpret the pose her instructor desires. The Great Teacher seems to be bent on stretching the limits of what she can take, and does his best to shove her over the cliff.

This is a story I could have gotten into more if I knew anything about modeling, or even participated in a sketch class before. Where the setting left me feeling a bit out of place, the authors ability to submerge the reader into the protagonist head made this story a work of art. It is only from her point of view can we experience the sadistic cruelty of the Great Teacher and see the session for what it really is , a one-sided battle of wills. I could feel the protagonist’s anger and hatred for the Great Teacher, and I could identify with her exhaustion at the end. Special note: the ending was fabulous.

It is only because of the slow start and my opinion that this story was a bit on the long side that reserves me from giving this piece my full-fledged recommendation, but if you’re looking for the definition of a character driven story, by all means, read this one.

 

A village combats a horrible monster in “Shades of Orange” by Caroline M Yoachim (debut 5/23). Demons deposit Ao, an orange, poisonous creature in the middle of the village. The villagers chose the protagonist, a fellow farmer, to lead the fight against it. The battle is hard fought. Victory means little for the monster’s poison has already infected the land.

This story has its roots in the Vietnam war and associates what Agent Orange did to the poor people over there. The tale failed to move me. Too depressing and predictable.

 

Two asteroid prospectors contemplate how they will spend their riches in “Men of Wealth” by Ross Willard (debut 5/24). Thomas and Geezer have just found the big score. They gamble as they wait and talk of what they will both do when they get back to the station.

This is one of those tales where you have to wait to the end to find the piece of this puzzle of a story you know is missing. The author set this up as well he could, but I still felt cheated in the end.

 

“U is for Ubiquitous” by the Alphabet Quartet (debut 5/25) Privacy? This 68-word story hinges on the present day dual definition of window. Not bad, considering its length.

 

The World Cafà © offers six beverages in “To Soothe Ravaged Throats” by Allison Jamieson-Lucy (debut 5/26). The items on the menu are potent, and are more exotic the further down the list you read, save the last. That one item is a noble choice, and for a price anyone can afford.

A quaint story with an appropriate length. There is little to quibble about it, but not one I would describe as special. Not a bad ending.

 

Friendship runs deep in “Cloaks and Gloves” by Patricia Russo by (debut 5/27). Rall is afraid of the world. Verenisse wishes to help her talented friend and offers to go on a quest to get him a pair of hero gloves. With the help of her cloak, Verenisse braves the harsh world to get her friend the courage he needs.

An editor friend once remarked how amazed he was to receive so many stories that were about characters who walked out their door and go for a walk without anything much happening to them. “Cloaks and Gloves” didn’t have that empty of a plot but it was close.

The story is set in a fantasy dystopia. Civilization appears to have crumpled. Sinister creatures called ‘Rat Folk’ lurk about. Rall creates and sells charms to guard against the monsters, but he makes the charms with his bare hands, a bad idea in this world.

Verenisse, a maker of cloaks, is his friend. Her cloaks give her a false appearance. She dons a cloak of an old woman and braves the outside world.

This tale has all the makings of a dark and scary fantasy. It was setup for a conflict, but a conflict never came. Much was made of the ‘Rat Folk’ yet the characters never come across one. Verenisse does confront a group of ‘Breakers’, which are nothing more than a gang of children. The encounter becomes a non-event, which is how I would describe most of this story.

Despite its eerie setting and ominous promise, “Cloaks and Gloves” became nothing more than a story of a shopping trip in the end.

 

A desperate voice is trying to reach from the other side of your computer screen in “Remember” by Will Arthur (debut 5/30). You are John Samuels, a member of the resistance. You have discovered an important secret about the invaders, so important they placed you in a memetic coma. You now believe you are someone else, living peacefully in 2011. This is your last chance to be free of your illusion.

This story is reminiscent of the movie The Matrix. The play on this tale is you are reading very important information while you read your computer. Not a bad attempt but really, it’s been done before. So ignore the story or we’ll unplug your brain.

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A time traveler’s dire warning is wasted on the wrong crowd in “Just Enough Time” by Douglas K. Beagley (debut 5/31). The protagonist and his four friends are enjoying their time in Starbucks when a lovely woman from the future bursts through the door with news of the future. The five latte sippers interrupt her and ignore her pleas to listen, eager to have their own innate curiosities answered instead.

The protagonist engages in prattle in this piece. He (like his friends) come off as extraordinarily self-absorbed. His narration is, you know, like totally dumb or something , if you get my drift. A story about modern twenty-something’s refusing to get the gist of future forewarnings is one thing. Babble with a time traveler as a back-drop is quite another.

Analysis

ÂI haven’t mentioned any before but May’s cover art I really liked. The black, sinister dragon under a full moon with a castle in the background is cool.

David Steffen is the editor and owner of Diabolical Plots. It is by his good graces that you are able to read these reviews of Daily Science Fiction. But other than providing space for them, he hasn’t done a damn thing to help. Nope. Hasn’t bothered to lift a finger at all. It seems he’s too busy establishing a “writing career”.

He completely ignores my suggested path to success – buttering up the publisher with compliments – instead choosing to “submit his best material” and relying that they’ll select his work based on “merit”. Please. Like that will get you anywhere.

Sure, he has some success, managing professional sales to places like Bull Spec, Digital Science Fiction, One Buck Horror, AE Canadian Science Fiction Review, and DAILY SCIENCE FICTION!?!

I guess congratulations are in order, Dave. Could you at least try to not look so happy about it?

Adventures in Amateur Art (Drabblecast Edition)

written by David Steffen

Introduction

I’ve always felt drawn to creative endeavors of various kinds. When I was a kid, I wanted to be a cartoonist. When I was in high school I wanted to program video games. I tend to wander from one creative medium to another, drawn from one to the next by the prospect of something new and interesting. Writing has been the odd duck in this string of attempts in that I actually have stuck with it for years, and I feel like I’ve gotten to a point where I’m pretty good. I’m not planning to quit any time soon. Yet I’m still always looking to explore other mediums just to keep myself from getting too comfortable, because that way lies boredom. If you believe in Muses, at least in a metaphorical sense, I like to say “My Muse, she be fickle.” I’ve tried to force her to work for me, and that always fails. She just leaves if I try that, and will stay away until I stop trying to give her orders. I am much happier, and much more productive if I just go with the flow, and let her drive the car.

Anyway, the point is that I am now, as ever, having fun trying out new creative fields. At the moment I’m dabbling in story illustrations. I’ve thought about doing something like this for a while. In particular, I think it’d be fun to illustrate my own stories, or the stories of friends.  But I have never felt particularly driven to do so. But then along came the perfect opportunity, as offered by the Drabblecast!

Drabblecast is working their way up to a major site upgrade. As part of this grand project, Bo Kaier, their art director, has kicked off the Drabblecast Art Reclamation Project (follow the link for all the juicy details). Since about episode 130 of their podcast, they’ve had illustrations for every single episode, provided by volunteer artists. When they move to the new site, in an effort to make everything more uniform and to provide shiny new content to attract listeners, Bo has asked for volunteers to fill in the episode artwork for all those older episodes. Anyone who feels they might like to take a crack at it, there are still more than 50 episodes unclaimed–follow the link. The deadline stated there is August 1st, but that’s a very soft deadline. They’re currently shooting for mid-September launch, and anything they don’t have artwork for at that time… will just have to go without art for now. So, I’m sure they’d love to have whoever volunteer.

I decided to volunteer for 3 episode artworks for now, and I’ve completed and submitted by the time of writing this post. These will go up on the Drabblecast site when it’s ready to launch, but I’ve asked for permission to show the artwork I’ve done here. And, for those who might be interested in such things, I will describe how I did each of these pieces of visual art from start to finish.

The Art

“Malish” by Mike Resnick

“Malish” is a story about a deal with the devil. It’s a bit out of the ordinary for that type of story in that the main character is not the one who makes the deal. The main character is Malish, a racehorse, and his owner has made a deal with the devil, described in the story only as “the gnarly little man”. The devil comes to claim the owner, and while he’s there decides to nab the horse as well. But Malish won’t be taken so easily.

1. What to depict?
The first thing I had to decide is what I wanted the illustration to depict. I chose this specific story because I figured that I could do the image of the horse justice with the “pet cartooning” method that I was playing with last year. So, of course, I knew the horse would be in the image. But I wanted to get at least some hint of the speculative element into the image as well. In this case, the only speculative element is the presence of the devil, described as “the gnarly little man”. One of the biggest moments in the story is when the gnarly little man first tries to take Malish in the stable, so I decided to illustrate that.

2. Picture of a horse
Next, I needed to actually get started on the image. In particular, I needed to get the outline of the horse. My method for doing this is perhaps not the most sophisticated, but I think it worked well enough. First I needed a picture of a horse. I mentioned this to Bo and, he is such a nice guy, he contacted another Drabblecast fan and got me a few home pictures of one of her horses. Of the three, one stood out to me as a particularly interesting image, so I picked that. I like it, because the horse is looking right at the camera. You can see the horse’s face very clearly and it is the most prominent part of the image, but you can also see the horse’s body in the background. It has some interesting perspective proportions, with the horses hindquarters appearing smaller than its head.

3. Cartoon outline of the horse
Now I needed the bold line drawing of the horse, to give it a cartoon feel, with digital colors to be added in later. I can draw relatively well in freehand, but I decided that, in order to do the horse image justice, I would do some good old fashioned tracing. I printed out the image, overlaid it with tracing paper, and traced the boldest lines with a nice thick 1.2mm felt pen. The lines on the outer edges were easiest to see, as they showed through the tracing paper most clearly. Some of the others I had to just eyeball. Note, I added some lines that aren’t strictly lines in the photo, to suggest the shape of the horse’s body.

4. Binary image of outline of the horse
One trouble is that, when I scan this nice clean outline, the scanned image that ends up on my computer is not perfectly clean. The scanner picks up some of the paper’s texture, etc… So, to get a really clean image, I opened it up in Microsoft Paint, and saved it as a Monochrome Bitmap. This format only stores white and black, nothing in between, what computer vision folk call “binary thresholding”. Saving it as that leaves some extraneous speckles, but by zooming upsize in Microsoft Paint, I could clean those up with the eraser tool.

5. Sketching the hand
And then on to the hand. I drew it in a sketchbook freehand using my own left hand as a model. I’m very happy with how the hand turned out, as it’s one of my better attempts at realistic freehand drawing of human anatomy. For now, drawing the hand as close to my hand as I can.

6. Gnarlifying, cartoon outline, binary image
From the sketch I had to get back to a similar type type of cartoon image as the horse. Tracing paper, thick felt tip. And, remember, the hand is supposed to be the hand of the gnarly little man, so at this stage I embellished from the original image to make it gnarly. I tried to add swelling to all of the knuckles, and while I was at it, extend the fingernails and add prominent veins. And then I repeated the same steps I’d used for the horse to get a clean binary image.


7. Combining cartoon horse with cartoon hand
Now to combine the images, resizing, overlaying. Using Microsoft Paint for this again.

8. Simple coloring of image
Simplest coloring step, just using Microsoft Paint’s basic paint bucket. Tried to match colors to photograph. Tried making the hand green to begin with. The story did not specify the color and I wanted it to appear somewhat “other”.

9. Color shading of image
That last coloring scheme was rather too simple, so tried to add a comic style 2 step shading to the main body of the horse as well as to the hand. To make the shaded areas look like a differently lighted patch of the same color, went into Microsoft Paint’s custom colors, started with the original color, and simply dialed the Saturation level down. Since the new shading levels suggest the shape of the horse’s body, I removed the black contour lines I’d added to suggest that shape.

10. Extra Shading, Red Hand
I changed the color of the hand from green to shades of red because one person, upon seeing the image, immediately said “Is that a zombie and a donkey?” Okay, so green does tend to suggest zombies, so may as well change it. Confusing the horse for a donkey though… Not much to be done about that but educate him on the difference between donkeys and horses. 🙂

11. Final copy
Had to make some more changes before the final draft. In the original one, the hand is rather hidden behind the Drabblecast logo. There wasn’t anything to do but to shrink the image down and draw extensions. These extensions go outside the boundaries shown in the photo so I had to estimate what the rest would look like. I also added in a new background color with a gradient so it isn’t so uniform, and added in the title. I got some help from Bo on the title formatting, adding in the darker boundary to the letters, which i haven’t figured out how to do. That’s good because the font didn’t pop out of the background clearly enough without that.

“Marbles” by Ayn Sauer

“Marbles” is a dark story from a child’s point of view. This is one obsessive little girl, fixated upon her button collection. She plays by herself and sorts the buttons by size, color, number of holes. A neighborhood boy invites her over to play, and shows her his stuffed bunny with button eyes. Big mistake, as she immediately extracts one of the button eyes for her collection. And that’s not the end.

1. What to depict?
Decided to do this one in a child’s art style. I figured it could be a simple crayon drawing, perhaps a self-portrait drawn by the girl at a psychiatrist visit after the fact. And, what better moment to show, but the very moment when she has extracted the button eye. So I decided I’d draw the girl with the button, and the boy with the bunny within a child’s simple house shape. A bit later in the story, the boy’s cat plays an important role, so the cat’s in the image as well.

2. The drawing
I learned a lesson from the Malish illustration, to leave room at the bottom for the Drabblecast logo, so I made a grassy lawn down there. Simple house outline. Girl with triumphant smile and pose, holding up the button. Boy wailing and crying with one-eye bunny in tow. Cat off to the side. Instead of making an electronic font, I decided to draw the title and episode number into the crayon drawing itself. And, since the episode number has a zero in it, I made the zero into a button.

3. Final copy
I handed the image off to Bo, and he did some treatments to it, which I thought turned out well.

“The Fine Point” by Gary Cuba

“The Fine Point” has a very classic SF feel to it. In the story, someone has made a profound discovery about the world we live in–the world is made up of a limited set of repeating hexagon-shaped tiles. He proves this by marking a couple of nearby forested locations. Taking a photo from these two locations creates the exact same photograph. Evidence, he says, that rather than making every bit of Creation completely unique, God has used a repeating set of tiles.

I volunteered for this one because Gary’s a good friend of mine. I get a kick out of his stories and I thought it’d be fun to illustrate one of them to share with all the Drabblecast listeners.

1. What to depict?
This one was a bit trickier than the others to try to decide what to do. I wanted to get the speculative element into the illustration, but the speculative element in this case is extremely subtle. It manifests in the story by showing the two photographs side by side, but that by itself wouldn’t make a very compelling illustration to me. Instead, I decided that rather than illustrating an explicit scene/even in the story I would try to illustrate the concept of the story in a more abstract way. I decided that one way that I could manage to do this would be to try to do an image that might interest the great M.C. Escher, blurring the boundaries between reality and unreality. Since the pictures in the story were a forest, I thought I’d start with a forest.

2. Find a forest picture
I’d fully intended to take a forest picture with my own camera. But, that didn’t end up working out. Whenever I would head out to a nearby park, something would stop me from getting the picture. Sometimes it was weather. Once I got all the way there only to realize my camera batteries were too dead to take even a single picture. So, instead, I searched online and found at Burning Well, a website that has public domain images.

3. Sketch the forest
Hey, look, another use for tracing paper! :) I printed out the photo, then laid tracing paper over it. From that I was able to get the boldest outlines, the starkly contrasting tree trunks, the edge of the treeline in the background. There were a lot of details I had to doodle out by eyeballing it, all the leafy details especially.

4. Lay out hexagon pattern
Just found a single hexagon and repeated the pattern until I’d filled the area. In GIMP, I made the spaces between the grid transparent. I wanted some hint of the hexagon tiles in the story, so that the illustration could more effectively bring the story to mind.

5. Combine, with layers
Okay, now to combine three layers together with selective transparency effects. Again, using GIMP.
First, the sketch on the bottom layer, no transparency.
Next, the photograph on top of that, with a radial transparency to make it look like the photograph has bled away in a circular pattern.Â
Next, the hexagon pattern. This one with a square transparency pattern, so that the hexagon just bleeds in at the very edge.

6. Final copy
I couldn’t quite figure out how to get the title just right, so I handed it off to Bo and asked him for help. He worked his magic, and made the title work very well with the image. Note that the new title even has a color gradient from gray to green, that matches the image. Perfect.

Daily Science Fiction: April Review

written by Frank Dutkiewicz

Cripes! When was the last time I posted a review? Falling behind, falling behind. Someone needs to review these finely crafted tales. Too bad those someone’s aren’t Locus, Tangent Online, or one of those other award nominated reviewing sites. One of these days the rest of the industry will acknowledge the fine work posted at DSF, and Jon and Michelle’s innovative idea of using the internet. One of these days they all will! You’ll see!

Whew. I usually save that rant for my 3rd party political obsession. Instead of politics, lets focus on things far more important. Like this month’s DSF offeringsâ€

 

The Stories

“The Blue Room” by Jason Sanford (debut 4/1) opens with a bored mid-teen named Aiesha. She lives with her grandfather on the family farm in the middle of Wyoming, an unlikely place for a young black lady who spent most of her life in the city. Sensitive to her isolation, Grandpa Loren opens a door she has never seen before and reveals a crystal clear pool. Steps descend into the pool and lead to a stone arch far below. Grandpa claims the water is history and its depths are rich with experiences of her ancestors. She can talk to her lost grandmother and experience past events of her great-great grandfather who first settled the land. The water is a connection to her past, or a trap to keep her there forever.

“The Blue Room” has a plot as deep as the depth of the pool. The wide-open prairie is hardly a place a black girl would choose to live. A few in the white community have not rolled out the welcome mat for her, but it isn’t all bad for Aiesha. A handsome boy from school has taken a shine to her.

Coe lives on a ranch nearby. His family shares a past with Aiesha, and it is a violent one at that. As much as Coe loves the land, he is ashamed of the way his ancestors treated Aiesha’s. The boy defends her honor and as payment Aiesha shows him the Blue room. Grandpa Loren hasn’t forgotten the stories of violence a century and a half ago, and neither have the waters.

“Blue Room” is a delicate mystery. The readers are shown the waters but are left to guess of its true nature. Grandpa Loren is eager to join its depths and can hear his departed wife in its waves. Aiesha loves to swim in it and can experience the past the deeper she dives. It is the mystery of what the waters that kept me glued to this story.

There were plenty of possible outcomes for this piece. The direction in which Mr Sanford chose to take is not one I would have taken but I prefer Jason’s approach. The waters in the tale prove to be a catalyst of events rather than a mirror of the past. What I especially enjoyed about the story was the way it ended, poetic and fitting.

“The Blue Room” is a finely crafted work of art. Not sure I like it enough to hang the art on my wall but I do believe it is lovely enough for any museum. Mr Sanford demonstrates why he is always a threat to win the leading awards every year.

 

Doctor Monveve works in a cryogenic storage facility in “The Rules of Regeneration” by Andrew L Findlay (published April 4th, 2011 and reviewed by Anonymous) and is surrounded by dead but frozen corpses of people wishing to be revived when/if whatever killed them becomes curable. Obviously in a world driven by market forces, the cryo company is forced to ‘wake’ some of its customers earlier than expected when their funds for storage turn out.

The story focuses on the good doctor waking one such individual. I thought the story was well written and an easy read, but it was a little plot-thin. The prose was interspersed with quotes from the company’s rule book for regeneration, but otherwise it felt more like vignette than a plot. The tiny twist is delivered at the end, was very tiny, but was it enough? Not sure it was for me.

 

In “Wings for Icarus” by P. Djeli Clark (published on 5th April 2011 and reviewed by Anonymous), a young boy misses his father, a part time inventor (in his shed). The boy’s father died when one of his inventions–a set of silver wings–fails to perform and he falls from the sky.

The boy finds the wings in the shed and sets about repairing them in secret…

This is well written story with good characterisation, but it didn’t work for me. I didn’t really believe the story; it felt a little contrived in the end. Perhaps others wouldn’t wonder how a boy could repair and fly the wings that his more experienced father couldn’t, but I did.

 

Eternal youth has lost its appeal in “N is for Nevermore, Nevermore Land” by The Alphabet Quartet (debut 4/6). A fairy appears at Ember’s window with an offer reminiscent of Peter Pan. Even if the woman with wings isn’t crazy, Ember isn’t one to throw away the good thing she has for a life in a grim fairy tale.

Rather liked this very brief tale. Ember is the type of child we all hope our children turn into.

 

Our main character meets Femi in a break room and is immediately smitten, in “Break” by Mishell Baker (debut 4/7 and reviewed by James Hanzelka). She warns him that it’s only a spell and that he will see the true her in time. She gives him something to help the process, but he’s sure that it’s not as simple as that.

Nice little story and interesting to follow the two characters through this brief encounter. You keep hoping for something special between them. I enjoyed following them through the process.

 

“Outer Rims” by Toiya Kristen Finle (debut 4/8 and reviewed by James Hanzelka). On their way back from a visit to the rapidly vanishing shoreline, a mother and her kids pick up a hitchhiker. When he shows signs of sickness they take him to the hospital, which is overrun with other victims. The new sickness is virulent and devastating. Can they find a cure before the next storm inundates the place?

I was a little thrown off by the definition at the start, seemed a little confusing. Once into the story, however, it moved forward with a nice pace and interesting twists along the way. Pretty good read.

 

A species of a small world threatens all the realities in “The Pen is Mightier” by Mik Wilkens (debut 4/11). Anseel partitions the Chamber of Overlords to destroy Earth. The inhabitants’ active imaginations have created an entertainment called ‘fiction,’ resulting in an abundance of multiverses in its locality. The splits in reality have become so numerous they threaten to unravel the multiverses and destroy all the realities in the process.

I found this tale clever. How do I love a story that ends the way that it begins.

 

An unusual family’s lives are changed when the authorities crash down their door in “Shards” by Leah Thomas (debut 4/12). The crime they have committed is harboring a golem. The golem was created by the mother to serve as her son’s father. Now men have come to destroy it, imprison her, and take the boy away.

This story is told in three separate letters in the voices of each family member. They are apologies and confessions – explanations of how they felt for each other. They tell of the day when they last saw each other and of the mark that day left on their soul. The tone, attitudes, and perspectives are so very different in this odd world Ms Thomas created. I found them masterfully done.

I waited the good part of a day before I wrote this review. The more I thought of the story, the more impressed I became with it. The premise and narrative left its own mark on me. The ending was surprising, one of which I approve. A story that sticks to your psyche as if it were gum on the bottom of your shoe is one worth recommending. Recommended.

 

“O is for Obfuscation” by the Alphabet Quartet (debut 4/13) is the tale of a boy who wishes to be invisible. The genie warns he would be blind (simple physics) if he were granted that gift but has a solution so he can’t be seen.

Cute story. I like clever genies. The protagonist gets his wish. I liked the outcome of this flash piece.

 

“Selfless” by Kenneth S Kao (debut 4/14 and reviewed by Dustin Adams). Imagine a version of you watching you, judging every move you make with the life that was once theirs.

This story begins with a man, cured of his wasting disease, about to restart his life, only to find he’s a clone of his dying self. There was no cure, only transition.

The clone will live the life he’s always lived, only now he’ll be looking over his shoulder. For the man who is the same man he’s always been, this added insecurity is a bane to his future daily existence. After all, he didn’t decide to clone himself, his “parent” did. So, while his memories are all the same, he is a different man, on a different path.

This feels wrong somehow. Unfair. The author of this piece, Kenneth Kao, did a great job of making me feel for this character and I wonder what his new life will be like. This story, while short in word count, is large in creativity. It will make you think.

 

Young Veri is one of the lucky chosen to ride the mysterious elevator in “The Elevator” by Erik M Igoe (debut 4/15). The elevator is an old relic, set alone in a desert, rusted and weathered. Only a few, winners of a lottery, are granted a rare ride in it. Those who have ridden it before have never spoken of their trip.

Eight-year old Veri receives his invitation in the mail. Telling no one that he was selected, he boards a bus destined to the elevator, where he meets several others lucky enough to be chosen as well.

“The Elevator” is a “Canterbury Tales” collection of conjecture. Each passenger on the bus has their own idea of what the elevator is and what is in store for them. Their opinions vary greatly but all the riders have grand expectations of what is to come. Veri is the lone passenger who hasn’t formed an opinion, he is only eager to experience the unknown the elevator represents to him.

I found this tale to be all build up to a great event that didn’t pay off, which is what the story was about. All the passengers are filled with hope, yet all, except Veri, miss the hope the elevator offered.

The tale ends up being a metaphor of cynicism. Unfortunately, I shared the feelings many of the characters experienced. This finely crafted story failed to have the payoff I hoped for. I suppose that makes me self-absorbed in my own selfish expectations, like most of the author’s characters

 

Megan confronts her school counselor about her friend Susie in “The School Counselor” by Mark Sarney (debut 4/18). The 22nd century is a job-scarce, highly competitive society. Only driven students have a chance of achieving their career desires. Megan believes her friend is destined for poverty unless their counselor pushes Susie to apply herself.

American schools have become career-engineering specialists in Mr Sarney’s bleak future. To stand a minimal chance, students must commit to countless hours of training. Megan is one of the few who is driven to beat the odds, regardless of the cost. Much of this flash is told in miniature bios, usually a turnoff but they served this piece well. For such a short tale, I found the characters engaging and the ending done well. Not too bad for the author’s first publication.

 

Too much of a good thing is better than nothing at all in “Pippa’s Smiles” by Cat Rambo (debut 4/19). Marcus falls for a shipwrecked beauty. Pippa knows little of his language but clings to her new husband as if he is her life preserver. Marcus cannot take her obsession for him. He leaves her the keys to his shop, choosing to remember her warm smile as he walks off to experience life and adventure for himself.

“Pippa’s Smiles” is Homer’s ‘Odyssey’ in reverse. Marcus searches for the love of his life he imagined instead of staying with the love he left behind. Much happens to Marcus in his travels (I will not indulge so as not to spoil it for you) but the ending is predictable the moment he walks out the door. Ms Rambo’s tale is one big moral, a moral that has been told over and over for millennia.

Although the details and events of “Pippa” are new, this is a story everyone has read before.

 

Everyone loves a parade in “P is for Parade” by the Alphabet Quartet (debut 4/20). This futuristic event has much in common with parades of today, but so much is so different.

This very brief tale by the group is by far the weirdest one they have done, yet. I just don’t know what to make of it.

 

“Writing on the Wall” by Vaughan Stranger (debut 4/21 and reviewed by James Hanzelka)

What would happen if machines became self aware? How would that affect daily life for those used to them? This subject has been handled by many authors and in many films. This is a short work that takes on that subject.

Nice humorous look at what happens as machines begin to think like humans. Not a deep and philosophical as longer stories by someone like P.K. Dick, but in a short work still manages to take on the subject with humor and deft. Very well done.

 

“The Ambiguity Clock” by Lavie Tidhar (debut 4/22 and reviewed by James Hanzelka)

This story is set in Southeast Asia. The main character is forced to search for something called an Ambiguity Clock. Set in the near future where technology is rampant he encounters many strange things along the way that are both dangerous and wonderful.

This one started a little slow for me, but I found myself drawn into it. The author did a pretty good job of setting the world and creating interest in the search. Worth a read, just stay with it.

 

In “Necessities” by Nathaniel Matthews Lee (debut 25th April 2011 and reviewed by Anonymous), a squad patrolling on an alien world come across a family of humans living in a house in a clearing. They are invited to share a meal–the fruit of a nearby tree. When they peel their orange-like fruits they find cheeseburgers and other unexpected treats. Apparently the tree gives people what they need, not necessarily what they want.

The soldiers immediately wonder if the tree would grow on Earth, but then find out the tree can produce more than just food.

I liked this story. It was well-written, interesting and the premise was fresh (like fruit from a tree). It’s a pretty short story but works well, although there is no explanation of how the tree works. I initially believed the story was a sci-fi story, but then the introduction of the tree made me think it was a fantasy story.

Still, I liked it. Nice mini-twist at the end.

 

A weary woman’s train has finally arrived in “This Life” by Lee Hallison (debut 4/26). An exhausted Hope is ready to board the crowded A-train. Work is tedious and her dull apartment, and life, hardly seems worth it. The train that arrives is old and empty. An old woman joins her, asking if Hope is ready for a change.

“This Life” is a tale of an offer to start anew. The train destinations are new opportunities. All Hope has to do is step off and a fresh start awaits her. She only needs to decide if a change is what she really needs.

The story’s execution didn’t quite work for me. If in Hope’s position, I imagine I would have chosen differently. However, the old woman knitting may have kept me from making a choice. The story was just too strange for me. Hope’s actions may be understandable because this offer of new opportunity felt too much like an abduction.

Like the train, this tale felt too rushed for me.

 

The different perspective of the tale of Beowulf is the theme of “Q is for Quit” by the Alphabet Quartet (debut 4/27). The hero of the fable contemplates his coming fight with the beast. Eager to confront an equal, for once, in his ongoing battle with evil.

This tale focuses on the motives of Beowulf. I found it intriguing but unsatisfying. Just when it piqued my interest, the story ended.

 

A breakthrough in limitless energy has been discovered in Vacuum Decay by Ramon Rozas (debut 4/28). There is a concern of uncertain disaster. Will history repeat itself? Not in this universe.

I found this very brief story cute but unremarkable.

 

An older woman must convince a dragon in search of beauty her splendor runs deeper than skin deep in “The Beauty Garden” by Damon Shaw (debut 4/29). Eurwen’s village has lost a battle with the white dragon’s army. Now the village must present it a trophy, a beautiful maiden that will satisfy the dragon, or the village will be destroyed. Eurwen’s young and fairer days were long in the past, but she is betting the dragons definition of beauty has a deeper meaning than what lies on the surface.

“The Beauty Garden” has the broadest plot I have read in DSF yet. The white dragon has a desire and motivation I found odd for a mythical reptilian beast. It commands an army and is set on a war of conquest for the sole purpose of collecting living works of art for its own fancy. Eurwen’s plan is a hasty one and it evolves as events are presented to her. The changing premise made the story less and less believable the further I read. The white dragon’s reaction to Eurwen’s continuous attempts to deceive it I found unlikely, especially for a ruthless tyrant.

The author’s comments at the end of the story explained why the story felt incomplete. It is the second installment of a trilogy. The tale read too much like a large excerpt of a much larger piece. I am a fan of many dragon tales but I do have narrow standards of what it takes to make a good dragon story. “The Beauty Garden” falls outside those standards. The author’s excellent writing did draw me in but the unsatisfying storyline left me disappointed in the end.

 

Analysis

I have made much of so many of the brief tales Jon and Michele have given us. So much that I have neglected on giving the lengthy Friday editions their due. With four (sometimes five) works at five thousand words or more, the Friday stories alone represent more literature than acclaimed publications like Lightspeed, Fantasy, Beneath Ceaseless Skies, and several others provide in a month.

The Friday stories are as good, if not better, than what the other professional publications have decided to publish. Maybe I’m not as impressed with the other editors’ choice of literature. Or maybe my tastes in fiction run more in line with DSF than the rest, I don’t know. What I do know is the authors I tend to like who have appeared in those other publication I have found in DSF as well. I contend again. I believe many of those authors are sending their best to DSF first.

Keep up the good work, Michele and Jon.

I like to thank Jim Hanzelka, Dustin Adams, and the Anonymous one. Without their help I likely would have cried uncle by now. You three are priceless to me.

 

Daily Science Fiction April 2011

Cripes! When was the last time I posted a review? Falling behind, falling behind. Someone needs to review these finely crafted tales. Too bad those someone’s aren’t Locus, Tangent Online, or one of those other award nominated reviewing sites. One of these days the rest of the industry will acknowledge the fine work posted at DSF, and Jon and Michelle’s innovative idea of using the internet. One of these days they all will! You’ll see!

 

Whew. I usually save that rant for my 3rd party political obsession. Instead of politics, lets focus on things far more important. Like this months DSF offeringsâ€

The Blue Room by Jason Sanford (debut 4/1) opens with a bored mid-teen named Aiesha. She lives with her grandfather on the family farm in the middle of Wyoming, an unlikely place for a young black lady who spent most of her life in the city. Sensitive to her isolation, Grandpa Loren opens a door she has never seen before and reveals a crystal clear pool. Steps descend into the pool and lead to a stone arch far below. Grandpa claims the water is history and it’s depths is rich with experiences of her ancestors. She can talk to her lost grandmother and experience past events of her great-great grandfather who first settled the land. The water is a connection to her past, or a trap to keep her there forever.

 

“The Blue Room” has a plot as deep as the depth of the pool. The wide-open prairie is hardly a place a black girl would choose to live. A few in the white community have not rolled out the welcome mat for her, but it isn’t all bad for Aiesha. A handsome boy from school has taken a shine to her.

 

Coe lives on a ranch nearby. His family shares a past with Aiesha, and it is a violent one at that. As much as Coe loves the land he is ashamed of the way his ancestors treated Aiesha’s. The boy defends her honor and as payment, Aiesha shows him the Blue room. Grandpa Loren hasn’t forgotten the stories of violence a century and a half ago, and neither has the waters.

 

“Blue Room” is a delicate mystery. The readers are shown the waters but are left to guess of its true nature. Grandpa Loren is eager to join its depths and can hear his departed wife in its waves. Aiesha loves to swim in it and can experience the past the deeper she dives. It is the mystery of what the waters that kept me glued to this story.

 

There were plenty of possible outcomes for this piece. The direction in which Mr Sanford chose to take is not one I would have taken but I prefer Jason’s approach. The waters in the tale prove to be a catalyst of events rather than a mirror of the past. What I especially enjoyed about the story was the way it ended, poetic and fitting.

 

“The Blue Room” is a finely crafted work of art. Not sure I like it enough to hang the art on my wall but I do believe it is lovely enough for any museum. Mr Sanford demonstrates why he is always a threat to win the leading awards every year.

 

 

Doctor Monveve works in a cryogenic storage facility The Rules of Regeneration by Andrew L Findlay (published April 4th, 2011 and reviewed by Anonymous) and is surrounded by dead, but frozen corpses of people wishing to be revived when/if whatever killed them becomes curable. Obviously in a world driven by market forces, the cryo company is forced to ‘wake’ some of its customers earlier than expected when their funds for storage turn out.

The story focuses on the good doctor waking one such individual. I thought the story was well written and an easy read, but it was a little plot-thin. The prose was interspersed with quotes from the company’s rule book for regeneration, but otherwise it felt more like vignette than a plot. The tiny twist is delivered at the end, was very tiny, but was it enough? Not sure it was for me.

In Wings for Icarus by P. Djeli Clark (published on 5th April 2011 and reviewed by Anonymous), a young boy misses his father, a part time inventor (in his shed). The boy’s father died when one of his inventions–a set of silver wings–fails to perform and he falls from the sky.

The boy finds the wings in the shed and sets about repairing them in secret…

This is well written story with good characterisation, but it didn’t work for me. I didn’t really believe the story; it felt a little contrived in the end. Perhaps others wouldn’t wonder how a boy could repair and fly the wings that his more experienced father couldn’t, but I did.

Eternal youth has lost its appeal in N is for Nevermore, Nevermore Land by The Alphabet Quartet (debut 4/6). A fairy appears at Ember’s window with an offer reminiscent of Peter Pan. Even if the woman with wings isn’t crazy, Ember isn’t one to throw away the good thing she has for a life in a grim fairy tale.

Rather liked this very brief tale. Ember is the type of child we all hope our children turn into.

Our main character meets Femi in a break room and is immediately smitten, in Break by Mishell Baker (debut 4/7 and reviewed by James Hanzelka). She warns him that it’s only a spell and that he will see the true her in time. She gives him something to help the process, but he’s sure that it’s not as simple as that.

 

Nice little story and interesting to follow the two characters through this brief encounter. You keep hoping for something special between them. I enjoyed following them through the process.

Outer Rims by Toiya Kristen Finle (debut 4/8 and reviewed by James Hanzelka). On their way back from a visit to the rapidly vanishing shoreline, a mother and her kids pick up a hitchhiker. When he shows signs of sickness they take him to the hospital, which is overrun with other victims. The new sickness is virulent and devastating. Can they find a cure before the next storm inundates the place?

 

I was a little thrown off by the definition at the start, seemed a little confusing. Once into the story, however, it moved forward with a nice pace and interesting twists along the way. Pretty good read.

 

 

A species of a small world threatens all the realities in The Pen is Mightier by Mik Wilkens (debut 4/11). Anseel partitions the Chamber of Overlords to destroy Earth. The inhabitants active imaginations have created an entertainment called ‘fiction,’ resulting in an abundance of multiverses in its locality. The splits in reality have become so numerous they threaten to unravel the multiverses and destroy all the realities in the process.

I found this tale clever. How do I love a story that ends the way that it begins.

 

An unusual family lives are changed when the authorities crash down their door in Shards by Leah Thomas (debut 4/12). The crime they have committed is harboring a golem. The golem was created by the mother to serve as her son’s father. Now men have come to destroy it, imprison her, and take the boy away.

This story is told in three separate letters in the voices of each family member. They are apologies and confessions – explanations of how they felt for each other. They tell of the day when they last saw each other and of the mark that day left on their soul. The tone, attitudes, and perspectives are so very different in this odd world Ms Thomas created. I found them masterfully done.

I waited the good part of a day before I wrote this review. The more I thought of the story, the more impressed I became with it. The premise and narrative left its own mark on me. The ending was surprising, one of which I approve. A story that sticks to your psyche as if it were gum on the bottom of your shoe is one worth recommending.

Recommended.

 

 

O is for Obfuscation by the Alphabet Group (debut 4/13) is the tale of a boy who wishes to be invisible. The genie warns he would be blind (simple physics) if he were granted that gift but has a solution so he can’t be seen.

Cute story. I like clever genies. The protagonist gets his wish. I liked the outcome of this flash piece.

Selfless by Kenneth S Kao (debut 4/14 and reviewed by Dustin Adams). Imagine a version of you watching you, judging every move you make with the life that was once theirs.

This story begins with a man, cured of his wasting disease, about to restart his life, only to find he’s a clone of his dying self. There was no cure, only transition.

The clone will live the life he’s always lived, only now he’ll be looking over his shoulder. For the man who is the same man he’s always been, this added insecurity is a bane to his future daily existence. After all, he didn’t decide to clone himself, his “parent” did. So, while his memories are all the same, he is a different man, on a different path.

This feels wrong somehow. Unfair. The author of this piece, Kenneth Kao, did a great job of making me feel for this character and I wonder what his new life will be like. This story, while short in word count, is large in creativity. It will make you think.

Young Veri is one of the lucky chosen to ride the mysterious Elevator in The Elevator by Erik M Igoe (debut 4/15). The elevator is an old relic, set alone in a desert, rusted and weathered. Only a few, winners of a lottery, are granted a rare ride in it. Those who have ridden it before have never spoken of their trip.

Eight-year old Veri receives his invitation in the mail. Telling no one that he was selected, he boards a bus destined to the elevator, where he meets several others lucky enough to be chosen as well.

“The Elevator” is a “Canterbury Tales” collection of conjecture. Each passenger on the bus has their own idea of what the elevator is and what is in store for them. Their opinions vary greatly but all the riders have grand expectations of what is to come. Veri is the lone passenger who hasn’t formed an opinion, he is only eager to experience the unknown the elevator represents to him.

I found this tale to be all build up to a great event that didn’t pay off, which is what the story was about. All the passengers are filled with hope, yet all, except Veri, miss the hope the elevator offered.

The tale ends up being a metaphor of cynicism. Unfortunately, I shared the feelings many of the characters experienced. This finely crafted story failed to have the pay off I hoped for. I suppose that makes me self-absorbed in my own selfish expectations, like most of the authors characters

 

Megan confronts her school counselor about her friend Susie in The School Counselor by Mark Sarney (debut 4/18). The 22nd century is a job scarce, highly competitive society. Only driven students have a chance of achieving their career desires. Megan believes her friend is destined for poverty unless their counselor pushes Susie to apply herself.

American schools have become career-engineering specialist in Mr Sarney’s bleak future. To stand a minimal chance, students must commit to countless hours of training. Megan is one of the few who is driven to beat the odds, regardless of the cost. Much of this flash is told in miniature bio’s, usually a turn off but they served this piece well. For such a short tale, I found the characters engaging and the ending done well. Not too bad for the author’s first publication.

Too much of good thing is better than nothing at all in Pippa’s Smiles by Cat Rambo (debut 4/19). Marcus falls for a shipwrecked beauty. Pippa knows little of his language but clings to her new husband as if he is her life preserver. Marcus cannot take her obsession for him. He leaves her the keys to his shop, choosing to remember her warm smile as he walks off to experience life and adventure for himself.

 

“Pippa’s Smiles” is Homer’s ‘Odyssey’ in reverse. Marcus searches for the love of his life he imagined instead of staying with the love he left behind. Much happens to Marcus in his travels (I will not indulge so not to spoil it for you) but the ending is predictable the moment he walks out the door. Ms Rambo tale is one big moral, a moral that has been told over and over for millennia.

 

Although the details and events of “Pippa” are new, this is a story everyone has read before.

 

 

Everyone loves a parade in P is for Parade by the Alphabet Group (debut 4/20). This futuristic event has much in common with parades of today, but so much is so different.

 

This very brief tale by the group is by far the weirdest one they have done, yet. I just don’t know what to make of it.

 

Writing on the Wall by Vaughan Stranger (debut 4/21 and reviewed by James Hanzelka)

 

What would happen if machines became self aware? How would that affect daily life for those used to them? This subject has been handled by many authors and in many films. This is a short work that takes on that subject.

 

Nice humorous look at what happens as machines begin to think like humans. Not a deep and philosophical as longer stories by someone like P.K. Dick, but in a short work still manages to take on the subject with humor and deft. Very well done.

 

 

The Ambiguity Clock by Lavie Tidhar (debut 4/22 and reviewed by James Hanzelka)

 

This story is set in Southeast Asia. The main character is forced to search for something called an Ambiguity Clock. Set in the near future where technology is rampant he encounters many strange things along the way that are both dangerous and wonderful.

 

This one started a little slow for me, but I found myself drawn into it. The author did a pretty good job of setting the world and creating interest in the search. Worth a read, just stay with it.

 

 

In Necessities by Nathaniel Matthews Lee (debut 25th April 2011 and reviewed by Anonymous), a squad patrolling on an alien world come across a family of humans living a house in a clearing. They are invited to share a meal–the fruit of a nearby tree. When the peel their orange-like fruits they find cheeseburgers and other unexpected treats. Apparently the tree gives people what they need, not necessarily what they want.

The soldiers immediately wonder if the tree would grow on Earth, but then find out the tree can produce more than just food.

I liked this story. It was well-written, interesting and the premise was fresh (like fruit from a tree). It’s a pretty short story but works well, although there is no explanation of how the tree works. I initially believed the story was a sci-fi story, but then the introduction of the tree made me think it was a fantasy story.

Still, I liked it. Nice mini-twist at the end.

A weary woman’s train has finally arrived in This Life by Lee Hallison (debut 4/26). An exhausted Hope is ready to board the crowded A-train. Work is tedious and her dull apartment, and life, hardly seems worth it. The train that arrives is old and empty. An old woman joins her, asking if Hope is ready for a change.

 

“This Life” is a tale of an offer to start anew. The train destinations are new opportunities. All Hope has to do is step off and a fresh start awaits her. She only needs to decide if a change is what she really needs.

 

The stories execution didn’t quite work for me. If in Hope’s position, I’d imagine I would have chosen differently. However, the odd woman knitting may have kept me from making a choice. The story was just too strange for me. Hope’s actions may be understandable because this offer of new opportunity felt too much like an abduction.

 

Like the train, this tale felt too rushed for me.

 

 

The different perspective of the tale of Beowulf is the theme of Q is for Quit by the Alphabet Group (debut 4/27). The hero of the fable contemplates his coming fight with the beast. Eager to confront an equal, for once, in his ongoing battle with evil.

 

This tale focuses on the motives of Beowulf. I found it intriguing but unsatisfying. Just when it piqued my interest, the story ended.

 

 

A breakthrough in limitless energy has been discovered in Vacuum Decay by Ramon Rozas (debut 4/28). There is a concern of uncertain disaster. Will history repeat itself? Not in this universe.

 

I found this very brief story cute but unremarkable.

 

 

An older woman must convince a dragon in search of beauty her splendor runs deeper than skin deep in The Beauty Garden by Damon Shaw (debut 4/29). Eurwen’s village has lost a battle with the white dragons army. Now the village must present it a trophy, a beautiful maiden that will satisfy the dragon, or the village will be destroyed. Eurwen’s young and fairer days were long in the past, but she is betting the dragons definition of beauty has a deeper meaning than what lies on the surface.

 

“The Beauty Garden” has the broadest plot I have read in DSF yet. The white dragon has a desire and motivation I found odd for a mythical reptilian beast. It commands an army and is set on a war of conquest for the sole purpose of collecting living works of art for its on fancy. Eurwen’s plan is a hasty one and it evolves as events are presented to her. The changing premise made the story less and less believable the further I read. The white dragons reaction to Eurwen’s continuous attempts to deceive it I found unlikely, especially for a ruthless tyrant.

 

The author’s comments at the end of the story explained why the story felt incomplete. It is the second installment of a trilogy. The tale read too much like a large excerpt of a much larger piece. I am a fan of many dragon tales but I do have narrow standards of what it takes to make a good dragon story. “The Beauty Garden” falls outside those standards. The author’s excellent writing did draw me in but the unsatisfying storyline left me disappointed in the end.

 

 

Analysis

I have made much of so many of the brief tales Jon and Michele have given us. So much that I have neglected on giving the lengthy Friday editions their due. With four (sometimes five) works at five thousand words or more, the Friday stories alone represents more literature than acclaimed publications like Lightspeed, Fantasy, Beneath Ceaseless Skies, and several others provide in a month.

 

The Friday stories are as good, if not better, than what the other professional publications have decided to publish. Maybe I’m not as impressed with the other editor’s choice of literature. Or maybe my tastes in fiction run more in line with DSF, than the rest, I don’t know. What I do know is the authors I tend to like who have appeared in those other publication I have found in DSF as well. I contend again. I believe many of those authors are sending their best to DSF first.

 

Keep up the good work, Michele and Jon.

 

 

 

 

I like to thank Jim Hanzelka, Dustin Adams, and the Anonymous one. Without their help I likely would have cried uncle by now. You three are priceless to me.

 

 

 

 

 

 

Sale! “The Quest Unusual” to Daily Science Fiction

written by David Steffen

My streak of good fortune continues with a third sale in quick succession!

The story:Â “The Quest Unusual”, a story about a strange… knight?

The magazine:Â Daily Science Fiction.

I’m particularly excited about this one, since Frank Dutkiewicz and his reviewer cronies have worked very hard to provide reviews of Daily Science Fiction for Diabolical Plots. I’m looking forward to being involved on the fiction side.

 

Good news! Another new sale, thus reaffirming my irrational superstition that my sales always come in pairs. This time the story is “The Infinite Onion”, an improbable SF story about a research company that is trying to find new ways to profit from portals to parallel worlds. The venue is AE Canadian Science Fiction Review. Huzzah! I am excited! That is all. 🙂 -David Steffen

Daily Science Fiction: March Review

written by Frank Dutkiewicz

Oh, oh. Falling behind once again. Not Daily’s fault. The quality of stories is still first class. See for yourself.

 

The Stories

The cold is creeping in, in “Snowfall” by Jennifer Mason Black (debut 3/1). Cassandra and Tosh have thrown the last log of an enormous pile of firewood into the wood-burning stove. As they watch the embers die and feel the stove go cold, the siblings reminisce about happier days.

“Snowfall” is a tale of two people that have come to grips with the inevitable. The exhausted pile of wood is a symbol of evaporated hope. The two have made peace with what is about to happen – panic and sorrow long gone for them both – as they become the only attendees of their own wake, choosing to remember the life they shared.

I liked this story. I found it accurate for how two people would react in this situation. The disaster that has happened is unknown but it doesn’t matter to these two at this point. Well done.

 

Millie waits for her bus in “I is for Inertia” by The Alphabet Quartet (debut 3/2). The protagonist sees her everyday, knitting away, at the bus stop. She is there when she boards and there when she departs. Millie is eager to board but she isn’t just waiting for any bus.

Millie may be crazy but the protagonist can see her reasons as philosophical ones. The bus she is waiting for has a destination that we all are eager to get to. This letter, like some of the other Alphabet stories, has an open ending that left me unsatisfied.

 

“Surface” by Thomas J. Folly (debut 3/3 and reviewed by Anonymous).

A society lives for thousands of years under the crust and a pair of intrepid young adventurers defy the warnings of the elders and set off to climb to the surface to get a look at the Eden that waited for them above.

As usual, things don’t work out the way they plan (of course!). I must say I didn’t like beginning of the story where a lot of background information was dumped, but the ending was good. A good twist, well delivered.

 

The use of large, multisyllabic words can, at times, be off-putting, meant solely to disseminate the intellectual acuity of the author. In the case of “Epinikion” by Desmond Warzel (debut 3/4 and reviewed by Dustin Adams), a mouthful in itself, the use of complex words and language was fused so expertly within the narrative that they enhanced the very tale itself. I am reminded of M.T. Anderson.

The story tells of the man who is responsible for cleaning a post victory (or post defeat) battlefield of its Anglo-American corpses. Also in his job description is to retrieve salvageable weapons, and collect dog-tags. He does this with grim determination, and a singing of old battle tunes – to block the sounds of the not-quite-dead-yet fallen.

The details I leave you to discover, and I do recommend you discover them, for this story takes an interesting twist when, due to mechanical difficulties, the Cleaner’s enemy counterpart is forced to land and perform his similar duties simultaneously.

Their meeting is the plot of the story, the character is the heart, and the language is the song. Definitely read this one. Recommended

 

“God’s Gift to Women” by Barbara A. Barnett (debut 3/7 and reviewed by Dustin Adams)

Omnipotence: All, or unlimited power
Omniscience: The capacity to know everything
Precognizance: Knowledge of events before they occur

There seemed to me to be some confusion about the definitions of the three above words in this story, which for me, ruined the punchline a bit. Which is what I felt this story read like — a long joke one might tell another.

So God walks into a bar… Whether or not the man is truly God isn’t clear as the main character states to us that she believes he is. The truth is unclear, although some may say the action taken at the end of the story removes all doubt.

Sadly, there wasn’t a sci-fi or mystical element to this story. So, while short, and harmless, I didn’t feel like it truly belonged on the pages of DSF.

This isn’t necessarily a story to be avoided, I mean, it was humorous enough in its brevity and content, however I’m sure there are other, more thought provoking stories to read this month.

 

“The Song of the Laughing Hyena” by David G. Blake (debut 3/8 and reviewed by Dustin Adams) is a delightfully dark take on The Gift of the Magi, with a little Romeo and Juliet thrown in for good measure.

Kalvin, lord of the manor, has taken full advantage of a servant girl and is, rightfully so, a hated man. Kalvin’s solution is to seek a witch to create a love spell thus solving the problem, and creating a deep, powerful bond.

However, such wounds can not be covered by a salve. The servant girl too finds a method to deal with the atrocity and her pain.

Fatefully, love and hatred combine in an ending that must be read in its entirety. I suggest checking this one out.

 

The quartet proves waste isn’t the only thing recyclable in “J is for Junk” by The Alphabet Quartet (debut 3/9). A Discovery Channel film team is off to investigate the Pacific Trash Vortex. Instead of finding a floating pile of garbage the size of Texas, they discover an island formed of discarded material. The expedition goes from odd to weird when their sexy on-camera star turns up missing.

If you ever watched old monster epics, you’ll recognize this plot really quick. Like most recycled material, this tale is really bland when compared to the original. This tongue-in-cheek recreation was just plain silly.

 

“Tuna Fish” by Andrew Kaye (debut 3/10 and reviewed by James Hanzelka) is an interesting take on protein substitutes. Jonathan has a pregnant wife that is very picky on what she can eat without experiencing nausea. When the source is suspect, he proceeds to gather his own, of course when you do that you sometimes get more than you bargained for.

This one was a little over the top for me, but still fun. It did cause me to think about our sources of food and how little we seem to care about the consequences of our actions.

 

“Shark’s Teeth” by T.A. Pratt (debut 3/11 and reviewed by James Hanzelka)

Nice setting, I love Hawai’i. When a Sorceress is banished to Hawai’i she must find a new line of work. Her friend wants her to open an agency, but she is resisting. That is until she has a chance encounter with a god in human form.

This is a nice use of local Hawaiian customs and folklore blended with a bit of Harry Dresden. I liked the mix, but someone not as familiar with Hawaiian lore might be put off. It is still a good read, and if you are interesting in learning about Hawai’i or just like a bit of fun, dive in.

 

A forgotten mythical beast yearns to feed in “The Cloud Dragon Ate Red Balloons” by Tom Cardamone (debut 3/14). A cloud dragon hungers for the young boys he sees playing in the soccer fields and playgrounds. He is the last of his kind that still roams the Earth, mistaken for a cloud, as other dragons wait for the day to re-emerge.

“The Cloud Dragon” is more of a tale of what dragons used to be than a story of one monster on the prowl. I learned much of Mr. Cardamone’s mythical world, which is what this tale seemed to be, an introduction to his fantasy universe. The story never evolved and therefore sputtered like the spent drops of a depleted rain cloud.

 

Feels conflict with programming in “Skin of Steel” by Siobhan Shier (debut 3/15). The protagonist is a robot who serves as a guard and servant for a spoiled heir of a wealthy corporation. Elaine is the Paris Hilton of her day – beautiful, extravagant, self-absorbed , just as she was designed, perfect in everyway. Not all creations follow all their protocols, while others perform them too well. Public perception is everything so therefore events must be closely managed, especially when disaster is involved.

“Skin of Steel” plays on a conspiratorial notion that nothing is done by accident. Elaine has a flaw in her design, a flaw that most would consider a virtue. Virtues run counter for a company mascot whose unknown job is to stay in the limelight. The protagonist is a robot so is therefore easier to control, but feelings run deep for a machine that has been awarded a measure of free will. New programming forces him to recognize his feelings, feelings held in check by duty.

Ms. Shier portrayal of a spoiled woman, used as a reverse promotional mascot, was brilliant. I found this premise surprisingly plausible. A very inventive work of art.

 

“K is for Kinky” by the Alphabet Quartet (debut 3/16) is an advertisement for the latest sex-ploitation. The narrator entices the reader to try sex in a cover; people used to be born with skin. Sex in your epidermal layer is like nothing you can imagine, just be wary of the aroma.

“K” is one of those far future parodies meant to show how much we are attached to the parts of us that can be so gross, when described in detail.

 

Twin sisters resist an alien invasion in “Self and Self” by Jacob A. Boyd (debut 3/17). Jane and Kim take turns watching each other while the other one sleeps. Earth is in the throws of an alien invasion. Squid-like creatures from light-years away will switch places with you while you dream. The girls make sure to wake the other before the switch can be made. The sisters vow to look after each other even when the people they know have gone. Family must always stick together, even if it is from light years away.

“Self and Self” is a new take on the “Body Snatcher” theme. Many in the world have succumbed to the inevitable. Radio broadcasts have announced it is everyone’s patriotic duty to ignore the switches. Jane and Kim are two who have no intentions of giving in to the inevitable. The story tracks their progress as two girls on the run but with nowhere to go. The whole time you get the feeling you are watching a spider in a tub that is battling from going down the drain. An intriguing and well thought out story.

 

Advancing technology in a world of magic is the theme of “Newfangled” by K. G. Jewell (debut 3/18). The protagonist is left irritated at his son, Mark, after a repair bill to fix his fridge leaves his wallet $1535 lighter. The garage ghoul had a case of the munchies after finding Mark’s stash of pot. Dad is out to discipline his son but discovers Mark is in deep with a tutoring demon. Now Dad feels out of the loop and old in a world that is leaving him behind.

“Newfangled” is a story of changing times. The technology of fridge elves and cactus nymphs has gone way past him. Magic has become too advanced for him to understand but isn’t beyond Mark’s, but the boy has gotten over his head with a debt to his demon. Fortunately, not everything new is beyond the reach of people stuck in the past.

I found this story clever. Mr. Jewell wrote a fantasy that anybody a generation removed from high school can identify with. I like his style and imagination. I will be looking forward to more of his work.

 

A director is having trouble getting his actor to cooperate in “That’s Show Business” by Bruce Boston (debut 3/21). He could just turn the actor off but it would take the Hologram Department a week to make another, an expensive decision for a film already over budget. A decision that would be best suited for a producer.

“That’s Show Business” shows us a Hollywood where the entertainment has taken complete control of entertainment. The story was nice but predictable. The ending I found fabulous. High marks for that.

 

A painter discovers his veins holds the vibrant colors in “Iron Oxide Red” by Gwendolyn Clare (debut 3/22). By accident, the protagonist cut his finger while painting a scene in kitchen. His finger bleeds the color he needs. The painting is a hit, so much so his fellow students salivate for the painted fruit within. The painter discovers he will bleed other colors at different parts of his body, bringing a whole new meaning to putting everything you have into your work.

“Iron Oxide Red” is the type of story only Van Gogh could identify with. The painter becomes a cutter for his art. He slices into different parts of himself to see what colors bleed. The story goes from a painter’s self-sacrifice for his art to a self-deprecating man who can’t comprehend the danger he is to himself.

 

In “L is for Luminous” by the Alphabet Quartet (debut 3/23), a successful husband and wife burglar team runs into trouble when they come upon a wild angel during a heist. The angel bites the Mrs and curses her with the power of illumination. Now she is as bright as a fluorescent moments before it overloads. A glowing burglar is a retired burglar, unless the con duo can rework a new con.

“L” is an inventive flash; a very detailed plot for a story under a thousand words. This tale had a lot going on and had a clever solution to a brilliant problem. It left me very impressed.

 

“Girl Who Asks Too Much” by Eric James Stone (debut 3/24) is a story of an inquisitive child and an irritated adult. The girl can’t stop asking questions of the Great Egg and why some animals and plants came from it and why others do not. Instead of accepting things as the way they are, she must know why. Unable to silence the girl’s questions, the protagonist takes the girl to the Great Egg. She is eager to get to the truth, and the truth she shall find.

The title of this story, “Girl Who Asks Too Much,” is the name the protagonist gives the young lady. She is like most children who can’t stop asking why, and he is like the adult who tires of the endless why’s that follow each answer. Mr. Stone amazes me on how in depth he can make a story with a thousand words. The reveal may be predictable to a few but it doesn’t damper the appeal of this piece.

 

Trust by David D. Levine (debut 3/25). Michele and her family live in a refuge camp subsiding on a cup and half of rice a day. The rising ocean had forced them away from their California home. So little food, so little hope, she forms a plan that will spare her teenage daughter from a dim a future.

“Trust” is a story of misguided faith and greed. Michele takes advantage of her overprotective husband’s prejudice and despair, using her daughter as a pawn. Michele comes off a despicable person. You gradually learn how demented she is as you follow along and view her convoluted logic in a despaired world.

Some of the best stories I have read were done form the perspective of an unlikable protagonist. However, it is difficult to pull off and Mr. Levine didn’t pull it off in this one. Michele is remarkably shallow, and shallow people are difficult to root for.

 

A writer performs body art that leaves her subject speechless in “Words on a Page” by Allison Starkweather (debut 3/28). A man allows his girl to writing something on him, she continues , writing feelings in different languages , and he can feel the words begin to leave him as she does.

“Words” describes what the man is going through as the woman writes. He tries to imagine what she is writing in the areas he can’t see and the words in the places he can. You get a glimpse of his growing paralysis as she writes on every square inch of his being.

The story is of one character playing at the expense of the other. A first I thought it was a tattoo artist gone wild. The ending sentence came off as contrived.

 

A writer performs body art that leaves her subject speechless in “Written Out” by Terra LeMay (debut 3/29). A girl asks if she can write a word on her boyfriend’s back, then goes hog wild. Her writing takes a life of her own as her subject’s words are taken from him and are exposed to the world on the canvas of his own body.

“Written Out” is a companion story for “Words on a Page”. While Ms. Starkweather’s story done mostly from the man’s point of view, Ms. LeMay’s is done exclusively from the artist’s. The two authors critique each other’s works and submitted their stories together. The decision was wise because, although the pieces worked individually, they are brighter when compared side-by-side.

 

We walk a pattern in “M is for Mall” by the Alphabet Quartet (debut 3/30), and if it is disrupted, run for the hills. The protagonist is a security guard at the local mall. Every morning the retired residents of the town arrive to walk their complicated patterns. Then mall management decides to erect a new stand in the way of their routine route. Big mistake.

I found this story to be amusing. Not much to it, and I’m not sure why the results at the end came about, but I still found it fun to read.

 

Victor Frankenstein monster is in search of friends, again, in The Modern Prometheus by Ed Wyrd (debut 3/31).

This is a mini modern retelling of an old classic. The reveal is a ‘when’ the story occurs. Amusing and very short.

 

Analysis

What else can I say? I’m still enjoying DSF. For those of you who have yet to read it, for heaven sakes, subscribe already. Can’t beat the price, that is for sure.

Anonymous is currently on a research project for his next book, The Collective Story about Everyone and Everything. He is 234,764,431 pages into it and has contracted a large section of Washington State for the paper to print it.

Special thanks to Dustin Adams and James Hanzelka for their continuing help.

Sale! “The Infinite Onion” to AE Canadian Science Fiction Review

Good news! Another new sale, thus reaffirming my irrational superstition that my sales always come in pairs. This time the story is “The Infinite Onion”, an improbable SF story about a research company that is trying to find new ways to profit from portals to parallel worlds. The venue is AE Canadian Science Fiction Review. Huzzah! I am excited!

That is all. 🙂

-David Steffen

Interview–Brent Knowles

Brent Knowles is a writer, programmer, and game designer. His work has been published in several magazines, including On Spec, Neo-Opsis, and Tales of the Talisman. His story “Digital Rights” won first place in the fiercely competitive Writers of the Future contest in 2009, published in Writers of the Future volume XXVI.

David Steffen: It’s now been almost a year since your Writers of the Future winning story was released. Has that win had any effect on your writing, whether it be the writing itself or your methods?

Brent Knowles: Overall I think that I am a more productive and confident writer after the
win. Winning introduced me to many other authors (not limited just to the
winners in my year but including past winners and judges). I think being in
contact with them online and observing their workflows, triumphs and
setbacks has been illuminating… I have learned a lot about the business of
writing.

David: Where did the idea for “Digital Rights”, your WotF wining story, come from?

Brent: Years ago I wrote a story which featured a man who collected digital
copies of people to experiment on. I never thought the story strong enough
to stand on its own but it became the backbone for ‘Digital Rights’. I find
I do this quite often — merging two or three stories that never quite
worked into a single story. ‘A Ragman’s Vow’, which was published a few
years ago by On Spec, is another example where that worked out for me.

David: You worked with BioWare developing games for ten years. What was your favorite part of the job?

Brent: My coworkers. At BioWare, I was thrown in with a motley collection of
writers, programmers, and artists. It was an incredibly diverse range of
creative people, all moving towards the same goal but in their own ways. I
learned a lot and had an amazing experience with them.

It was exciting being able to work with others, crafting stories and
gameplay that was experienced by millions of users. That thrill when a game
finally goes gold (approved for distribution) is akin to the feeling I get
when a story I write is accepted for publication.

Additionally I enjoyed interacting with our players online, trying to get a
feel for what they liked and what could be improved for the next game.

David: Have you found your writing and code development to be complementary skills?

Brent: There are a few ways in which I have found writing and code development to
be complementary in my life. At the simplest level I find that if I am
burned out on writing I can usually turn to coding as a break, letting my
mind worry about something else until I’m ready to go back to writing.

Coding itself can also be a very satisfying creative endeavour. For me
writing and coding are two facets of the same, core desire I have to ‘create
things’. I like exploring ‘other worlds’… whether those worlds exist in a
computer game I am creating (or playing) or through my writing (or my
reading).

Being able to write code is also useful… I’ve built my own AI ‘Assistant’
software which I use to help me brainstorm and organize my writing. I’m not
a ‘strong’ programmer but I’m a fast programmer and I can prototype things
quickly — think of it as a first draft code. This prototyping lets me play
around with concepts (artificial intelligence, data analysis, image
manipulation, et cetera) and maybe experience some of what my characters
(who are often scientists or programmers or engineers) will be experiencing.

Being technical has also introduced me to real life scenarios that help
influence my fiction. As a consultant with Empire Avenue (the social stock
market) I have been given a preview of how social networks might evolve and
I can use that information to imagine more plausible future societies. I
used this experience in my first science fiction novel and in several short
stories.

David: If you could give just one piece of advice to aspiring authors, what would it be?

Brent: Learn to handle rejection. Unless you are some kind of a genetic
abnormality with an absurd talent for writing (in which case I hate you) you
will have more disappointments than successes. Don’t let the disappointments
sour you. Savor the successes.

David: What is your first memory?

Brent: I have really crappy memory. Most of my childhood memories, I think,
are strongly influenced by photographs of past events… so I don’t know if
I am actually remembering the event or the photograph’s interpretation of my
past.

One thing that did happen to me as a kid and has no photograph to distort
the memory was when I stumbled upon a pack of wolves as a child. Well, I
didn’t actually stumble upon them… they found me.

I used to hang out with my grandfather in isolated logging camps during the
off-season (usually when it was too muddy for the trucks to haul out wood).
Basically we were security so nobody would steal equipment from the camps.
Well my grandfather was security; I was just a kid.

Anyways we were in the middle of nowhere with only a cruddy gravel road
connecting us to civilization. I’d often just walk around and explore the
woods, that kind of thing. One day while I was standing alongside the road a
pack of wolves came walking towards me. They were a large pack with several
pups. I was mesmerized. The pups were fighting over a discarded tin can and
the adults just looked kind of bored. They were completely unconcerned about
my presence and acted as if they owned the place, which I suppose, in some
ways, they did.

I’m not sure what would have happened next, I was being pretty stupid and
still lingering by the road but my grandfather came out and fired a warning
shot and the wolves scattered.

David: If you could choose any fictional character for a roommate, who would it be?

Brent: R2D2. Best roommate ever. He can accomplish any task you need done.
Sure, he back-talks a lot, but given that I can’t understand him I wouldn’t
know what he was saying about me.

David: Do you have any works in progress you’d like to talk about?

Brent: Two of my earlier stories – ‘The Prophet’ and ‘The End of the Road’ –
are enjoying a bit of a second life as digital reprints. The positive
feedback and reader reaction I am getting on them is encouraging me to delve
a bit more into the world of the ‘Wanderer’ protagonist featured in them.
I’ll finish a novel featuring more of his story early next year.

David: Any upcoming publications?

Brent: A few stories. ‘Touch the Dead’, the prelude to an urban fantasy
novel I recently finished writing will appear in On Spec Magazine, possibly
this year. I also have ‘Summer Lover’ in Shroud later this year and my dark
fantasy ‘Bone Dreaming’ was recently accepted by Darwin’s Evolutions.

David: What was the last book you read?

Brent: I have a neverending backlog of magazines and books to read. I am in
the middle of several novels right now (I’m a multitasking kind of
reader)… the last I finished was Druids by Barbara Galler-Smith and Josh
Langston, which I quite enjoyed.

David: Your favorite book?

Brent: Tricky to narrow it down to one. Different books at different times
have resonated with me. ‘The Stand’ threw me into a world and situation that
really stuck with me well past the reading, as had, at a younger age,
‘Watership Down’. Though I have not read it in years ‘The Stone and the
Flute’ by Hans Bemmann still sits in a cherished place on my ‘grab these
books if the house burns down’ pile.

David: Who is your favorite author?

Brent: I’ve never been fixated on any particular authors but some have had a
measurable influence on me — I read a lot of Stephen King and Charles de
Lint during my early years as a writer. Now I’m trying to branch out more,
filling in the holes in my ‘reading education’. I’ve read and enjoyed work
by Robert J. Sawyer, David Brin, and Steven Savile recently.

David:Â What was the last movie you saw?

Brent:Â Return of the Jedi. I decided my kids were old enough to experience
the Star Wars trilogy. A side benefit of that was that it gave me an excuse
to pull out all my old Star Wars toys that I’ve hung onto (did I mention I’m
a hoarder?)

David:Â What is your favorite movie?

Brent:Â Hmm. Again, I’m not much with the favourites but I can watch Empire
Strikes Back over and over and always enjoy it…

David: Brent, thanks for taking the time for the interview! I wish you continued success with your writing.

Daily Science Fiction: February Review

written by Frank Dutkiewicz

Onward! Still plugging away. It feels as if I am finally making ground reviewing this very ambitious project.

This month we have the return of Cat Rambo and the debut of the very successful Jay Lake, but it is also the month that has the most unfamiliar authors to me yet. I believe it is because this is when Daily Science Fiction had reached its stride in the industry. Because of the its pay scale, ease of its submission process, volume of material needed, and friendly availability to its readers; the amount of fresh material and authors , both pro and amateur , likely surpassed or equaled any other publication about the time Jon and Michele received the stories that ended up in this month’s email out. It is a testament of the success of this innovative project. The readers and authors have realized how good of a publication Daily Science Fiction has become. When is the rest of the industry going to acknowledge it?

I will continue to beat the drum, but I’m having trouble turning up the noise.

 

The Stories

“The Elephant Man’s Love Child” by Leslie What (debut 2/1) is the story of a girl imprisoned in a hospital. The girl is the discarded offspring of the Elephant Man, abandoned for unknown reasons by her mother. She gazes at a photo of her father every night, wishing she could be a part of his life.

I can’t really see the point of this story. The protagonist’s plight is sad but nothing much happened in it. This is a tale where the author’s comments would have been useful.

 

The protagonist is an imprisoned fairy in “E is for Excrement” by the Alphabet Quartet (debut 2/2). The fairy has been caged by the MacAllister family for generations and now is the property of a college boy. The first rule on caring for the magical being is to never let him out of the cage. The lad lives in a dorm, a place filled with mischievous young men influenced by peer pressure. A chance for freedom is available thanks to the boys’ desire to try the outrageous.

This brief lettered tale was neat. Gross when you really think about it but done cleverly from the perspective of a clever protagonist. A very nice work of flash.

 

“The Uncharted Isle” by James Hutchings (debut 2/3 and reviewed by James Hanzelka) asks if you ever sat and pondered where that old flame is today? Is she married, with kids? Does she ever sit and ponder where you are? Well here’s the answer.

Nice little thought exercise, sort of Ulysses for the modern man. This little ditty touches on the deepest desires of us all, the desire to be loved, in a short little story.

 

In “Imaginary Enemies” by Colum Paget (debut 2/4 and reviewed by James Hanzelka), Sandra Barclay is in a contest of wills, with herself. Her personality has been split by a radical medical procedure and now she is tormented by her alternate personality, Ingrid. A new procedure can restore her personality, but can she live with herself afterward?

Reminiscent of a common theme of P.K. Dick, what is reality, this story looks at it from the standpoint of the individual. The question of who we are and what we are is deftly handled and leads to an interesting conclusion.

 

“Gathering Glory” by Steve Stanton (debut 2/7 and reviewed by James Hanzelka). Nigel Harris meets his publisher for the first time at a conference. He soon discovered the meeting was more than just about his first story. He was to discover more about himself than he thought.

This story covers some familiar ground with a different perspective. It was interesting to see how the author pulled together the threads of the story. In the end, however, it still seemed a little too familiar.

 

Reliving cherished memories can have many benefits in “Memory Bugs” by Alter S. Reiss (debut 2/8). The protagonist has a memory hive in his home, bugs that record events in your life. He uses the bugs to remember fine details of his date with Susan, beneficial when you wish to impress, debilitating when memories become more important than new experiences.

The memory hive is a tool the protagonist needs for his job. The bugs in them imprint fine details and pass them along into mites (in which you ingest) so you can re-experience them later. The story focuses on the protagonists evolving relationship with his girl, covering several years in a few paragraphs, and takes the shape of an addiction tale. How they work was glossed over. The protagonist’s inability to grasp the downsides of overusing the hive made him unlikable.

Interesting concept pasted onto a plotline that has been told in variety of ways. Not a grand story but okay.

 

“F is Forever” by the Alphabet Quartet (debut 2/9) is about one hell of a resort and spa! Hell has become kinder and gentler. The damned are now treated to a heavenly vacation. Each customer has the ultimate pleasure just a fingertip away, and it won’t get any closer.

“F” is hell with a makeover. Eternal damnation has changed with the times, as has its choice of fitting torture. Entertaining work of flash. I liked it.

 

In “Swallowing Ghosts” by Cat Rambo (debut 2/10 and reviewed by Anonymous), a boy, never named, fails to cover his mouth with his hand when he yawns and his dead Grandma’s warning comes to pass; he swallows a ghost (see title). Said unnamed boy troops over to his Grandpa and, despite his ghost-acquired handicap of involuntary verbal gobbledy-gook, is able to recruit the eccentric old man to his ghost bustin’ cause.

But can Grandpa exorcise the ectoplasmic visitor?

I have read quite a few Cat Rambo stories, and although this isn’t my favourite story–it’s pretty short and fairly simplistic–I still like it. It doesn’t showcase her talents in quite the way I have seen in some of her more complex and darker stories. That said, this story is simply a bit of fun.

 

“The Birdcage Heart” by Peter M Ball (debut 2/11 and reviewed by Dustin Adams) begins with a hint of sadness and a touch of cruelty and degrades from there. It also began with such a foreign concept that it was initially hard to imagine and grasp. Yet, the human mind adapts and soon I had accepted that a man literally has a bird cage in his chest in which various species of birds are kept.

The man’s affections for a woman whose motivation reeked of fetishism was sympathetic. Most of us have been in poisonous relationships where we’ve done the bulk of the changing. The man in this story is no different, only, he’s got a bird cage in his chest cavity.

The story circles around to where it began, and the man learns to trust himself. After taking so much external emotional damage, he’s able to risk some internal for the sake of allowing himself to feel an attachment to the birds he keeps within himself.

I appreciated the metaphor at the end of the story, but found the journey to get there a bit cumbersome.

 

“Boy Seeds” by Nina Kiriki Hoffman (debut 2/14 and reviewed by Dustin Adams), suffers from one major and devastating problem: it is too short. It’s a novella or novel crammed into short form, and while the story itself was interesting enough, I found I couldn’t latch on to any one aspect of it because of the speed in which it moved. One does not visit a fine art gallery then run full tilt through it.

Noma lives in a Big Brother like society in which she’s expected to conform to certain normalities. However, she’s always had her own mind and has gotten into trouble for this in the past. So, when it’s time for her to grow her own boy, she dives in and invents one who is sure to touch her heart. However, with an expiration date of six months, this is not a wise idea.

The story ends sort of abruptly and if there’s a moral, I didn’t discover it, however I do believe this is merely a fault of the story’s length. If it were say a hundred pages, or two or three, I would read every word because that is what this idea needs. It needs to grow, and live – for more than six months.

 

A sick mother, approaching army, and a ribbon-happy shaman shape “A Ribbon For A Shaman” by S. J. Hirons (debut 2/15). The protagonist is a young man. His father cares for his ill mother while the silent shaman ties a ribbon around everything of value, a sign that it should be left alone. The village worries for the sanity of their shaman and consider replacing him. The protagonist is not ready to give up on his mother, or the shaman, and learns the old man has plans for him.

“Ribbon” is a complicated tale. The author wrote the shaman as a man losing it. The rules of the ribbon seemed silly to me though. I saw no reason why the ribbon law had to be obeyed. A hint of a consequence would have made the story more convincing for me. Not a bad piece but sticking with the story took a bit effort.

 

Mal’llandri, God of a Thousand Tongues, has come to Earth in “G is for Graven” by the Alphabet Quartet (debut 2/16). The god destroys Las Vegas as demonstration of his power. He rewards worshippers with supernatural gifts. The sculpturist protagonist wishes for the power of psychometry to help her improve as an artist. She should be wary of all-powerful gifts from all-powerful beings.

“G” is the tale of misguided faith. The new god proves to be more devious than his mortal cohort’s envision. The protagonist unwittingly discovers how a gift she thought would help her create would destroy her humanity. A well-done letter.

 

In “Tonight with Words Unspoken” by Jeff Samson (debut 2/17) a couple is off to make a new home on a distant world. They have developed a habit of falling asleep and waking separately as a couple and decide they should enter their deep-sleep chambers the same way. Habits can be difficult to break, and some can break the habit makers when broken.

“Tonight” is a dark tale of grief. The ending, although sad, became an unnecessary travesty compounded. The enormous expense of traveling to another star is erased by the protagonist’s inability to adjust to loss. I’d hope any psychological examine would weed out individuals like him.

 

“Rinse or Repeat” by Sylvia Hiven (debut 2/18) is the tale of an unfaithful man hoping to fix the mistakes of his past. In a modern day Manhattan populated with immigrating mythical beings, Gabriel braves Chinatown in hopes of finding a displacer. The middle-aged husband of an understanding wife fell hard for a fairy and now wants to return to the moment when he first pumped into the Merridy Redwing to prevent the events that ruined his marriage and eventually broke his heart. It is regret that leads Gabriel to take this fateful step, but desire can prove to be an equally powerful of an emotion.

“Rinse or Repeat” is a short but full tale. The story is under 5000 words but had more detail, setting, and intrigue than most novelette size tales. Ms. Hiven wrote a very convincing love-struck Gabriel a year removed from a steaming affair. She set him in a New York with dragons lurking in the shadows and fairies intermingling as temptress vixens run amok. We view a society in which fairies take advantage of men and get a brief insight of their non-human motivations. Ms. Hiven also introduces us to a method of time travel with clear and strict rules, an important element for me (can’t make time travel too easy).

Gabriel is resolute in his decision to change his past. His earlier risk-taking confirms his commitment to the reader. But as the story evolves, and the more we learn of affair, his resolution starts to waver. The ending serves as the pinnacle of the tale, Gabriel standing at a fateful, irreversible moment between desire and healing.

I was very satisfied when I reached the end of this story, but it wasn’t until I wrote this review that I learned how much I really enjoyed it. I didn’t think I would be praising it so much but I am impressed with the impression it has left on me. This is the first work of Sylvia Hiven I have read. I will be looking forward to her next. Recommended

 

In “Vestigial Organs” by Katie H. Camp (debut 2/21 and reviewed by Anonymous), a couple is worried about their child who appears to be special. She laughs at things the parents don’t understand, steals toys from other children without them realising; the parents consult a physician who quickly diagnoses the problem–her eyes function perfectly. She lives in a society of blind people who don’t like the advantage it confers on the odd person born with eyes, but they have a solution for this problem…

I thought the story was well written, but felt the premise was weak. I am no expert, but seeing confers a major survival advantage, which was the major complaint the parents seemed to be making, they couldn’t control the young child (ergo, an advantage). What about the poor or those who can’t afford physicians? No society is without its critics andÂI wondered how this society could defend itself against a single determined sighted man.

In the Country of the Blind, the One-Eyed man is king.

A story isn’t merely its prose, characters, or dialogue, it is also the premise.ÂFor me the premise seemed flawed, which sapped the pleasure from this well-written tale.

 

A gun is the main protagonist in “Hello, said the Gun” by Jay Lake (debut 2/22). The story is of an artificially intelligent handgun who was left in an oak tree a century and a half before. He encounters a girl who happens to be walking by. Lonely and neglected, the gun seeks to be held once again.

“Hello, said the Gun” is a tale with twin perspectives. We learn of a character known as only ‘Girl’, a loner left to fend for herself in a harsh world. She is wary of Men and her solitude has left her suspicious of everything. Gun only wants to talk to someone. It’s AI programming has allowed it to learn, adapt, and improve on itself. Being left in a tree for so long runs counter to what its designers intended for it. Of the two characters, the weapon comes off as the one most human.

Jay Lake’s accomplishments speak for itself. So impressive they are that the editor’s joked that their publication “â€set a record for being the longest to publish a Jay Lake” tale. Well I think it may have been wise to wait a bit longer. As always, Mr. Lake has a way with words that makes his stories easy to follow, but switching perspectives in a tight narrative rarely works, and it certainly didn’t work in this one. I had a problem with a premise that had a character who experienced so little human interaction in her life (talking about the human one here) and yet was able to converse fluently. The ending also came off as non-eventful to me.

I have read plenty Jay Lake stories and found them fabulous. The praise for most of his work is well deserved but with this one instance, I am left disappointed.

 

An old racing mare is the subject of “H is for Horse” by the Alphabet Quartet (debut 2/23). She has lived a long life, birthing many champion horses. She longs not for her youth when she could run like the wind but of a majestic prince she knew long ago. Fine horses like herself are often treated like princesses. This princess awaits her prince.

“H” is a story with a unique twist, one you won’t suspect. The authors did well using the perspective of a horse without turning into a Disney-cartoonish narrative. The ending of this flash piece is done really well. I rather liked this letter of the quartets.

 

Paolo wants to forget in “Trick of Memory” by D. A. D’Amico (debut 2/24). He wishes to erase the memory of his time with his abusive wife, Lisa, and has purchased a pill called Vive. The drug has the capability to erase recent pain, in moderation, but Paolo just swallowed an entire dose just as Lisa walks in. The couple duel as Paolo waits for her to be a stranger to him once again. Lisa can’t just let him off that easy. Being a tormentor can require some craftiness.

“Trick of Memory” is an odd tale. Although it isn’t really one, I liken it to a couple’s final moments, as one is about to commit suicide in front of the other. Paolo has suffered some wicked abuse over the months and erasing his memory of her comes across as his way of giving her the finger rather than an escape from pain. Lisa seems to delight in giving him hell, and reacts as if letting him off the hook would be like allowing him to escape the fiery underworld while she was left to burn in its flames.

The story I found very interesting but following a dysfunctional couple, not bright enough to part ways, made it tough for me to care what happened to them.

 

An old family harpsichord returns in “The Mysterious Barricades” by Lyn C.A. Gardner (debut 2/25). The musical instrument has been in Lucy’s family for years. Believed to be lost in a fire that killed her mother years ago, it has been returned to her, partially restored. The harpsichord has a history of dividing her family, and now it has ended up with her just as the love of her life, Adrienne, is leaving for a job in Paris. Now old memories are reborn to mingle with a present that is crumbling around her.

“The Mysterious Barricades” is a weird ghost story. Lucy is a woman who is suffers from separation anxiety. She can’t handle Adrienne out of her life. The harpsichord is anchor to her past. Family ghosts haunt it. They replay old events in her life and help her reassemble the old musical machine. The flashbacks that play before her eyes remind her of the effect it had as its very presence drove a wedge between her parents and grandparents. The strange events all lead to an odd climax, and strange ending.

It was a weird trip following this story. Lucy story may be more of one person’s mental breakdown than it was about ghosts.

 

“Waiting in the Corners” by Brian Dolton (debut 2/28) is more of a confessional than a story. The mysterious narrator is elusive about who and what it is, hinting that is less a thing of substance but an instiller of fear and apprehension.

I really don’t know how to comment on this one. The narrator seems to be warning the reader without implying any kind of threat. It is ominous but harmless at the same time. In short, it becomes a journey into a haunted house that is scarier on the outside than the inside.

 

Analysis

The Alphabet Quartet still delights me, as does the growing variety of fiction and authors. On to March.

Frank Dutkiewicz, Dustin Adams, and Anonymous each contributed to this review and all had their turn in the sun. Time to shine a light on someone else.

James A. Hanzelka graduated from University of Utah with a degree in Chemistry in 1972. After graduation he became the property of the US Army for the next twenty years. He later found work as a Physical Scientist, developing test methods for evaluation chemical defense equipment for the US Forces. He has developed several unique methodologies, which resulted in both National and International awards. He was a member of the international community developing standards for protective equipment used by militaries around the world. He is the author of over 150 different technical documents and papers. Since 1998 he has been involved in private consulting on chemical defense equipment development, and is currently in pursuit of a career in writing. He holds degrees in chemistry and industrial engineering and claims to know nothing of a guardian angel that hovers over his left shoulder.