The Best of Strange Horizons 2018

written by David Steffen

Strange Horizons is a freely available online speculative fiction zine that also publishes nonfiction and poetry.  Their editors-in-chief are Jane Crowley and Kate Dollardhyde.  Their senior fiction editors are Lila Garrott, Catherine Krahe, An Owomoyela, and Vajra Chandresekera, and their podcast is edited, hosted, and usually read by Anaea Lay.  They publish a variety of styles of stories and have regularly attracted award nominations in recent years.  All of the stories and poetry in the zine are published in the podcast.  In 2018, Strange Horizons published about 50 stories .

Stories that are eligible for this year’s Hugo awards are marked with an asterisk (*).

The List

1.“The Fortunate Death of Jonathan Sandelson” by Margaret Killjoy**
Hacker uses compromised drones to harass high-level executives of world-wrecking corporations, but is accused of murder.

2.“Some Personal Arguments In Support of the BetterYou (Based On Early Interactions)” by Debbie Urbanski*
This is a really interesting point of view piece, in favor of the “BetterYou”, a copy of yourself that fits some definition of an ideal you who joins your family.

3.“Variations On a Theme From Turandot by Ada Hoffman*
Very meta-story about evolving permutations of a play repeated over and over.

4.“Copy Cat” by Alex Shvartsman and K.A. Teryna*
What could a cat do to keep its home after its owner dies?

5.“Venus Witch’s Ring” by Inda Lauryn*
Make a deal with a devil, and the bargain is never what you expect.

Honorable Mentions

“The Trees of My Youth Grow Tall” by Mimi Mondal*

“Dying Lessons” by Troy L. Wiggins*

“Her Beautiful Body” by Adrienne Celt*

DP Fiction #17: “Future Fragments, Six Seconds Long” by Alex Shvartsman

In his future, I see a fish. It swims very near the white sand of the sea floor a few feet below the surface. Bright tropical sun pierces the clear turquoise water. Through his eyes I watch the fish for the entire six seconds, until time runs out and my consciousness is returned to the present.

I open my eyes and study him. He’s an attractive man with a kind face. He looks back at me expectantly from across the sitting table. Atop the checkered tablecloth sits a crystal ball, a bronze candelabrum with a trio of lit scented candles, and a few other useless props. I draw a deep breath, inhaling the smell of eucalyptus and mint, and try to decide which lie he would like to hear.

“Next week will be a fortuitous time to move forward on the business decision you’ve been putting off,” I tell him. “But you must tread carefully; the success of your venture hinges on your good judgment about the people involved.”

It’s an almost meaningless statement that invites the client to fill in the blanks, to apply the vague prediction to their own circumstances. The kind of person who would buy a cheap fortune-telling from a mall psychic requires little finesse.

I watch him carefully. Most people who walk through my door are here about business or love. He’s intent, even somewhat anxious, but there isn’t a strong reaction to my words. Not business, then.

My right hand rests on the crystal ball for effect, and I try again.

Divination is a crapshoot. The soothsayer can peer through somebody else’s eyes and see a six-second fragment of their future. Trouble is, the fragment is random, and it offers no context. People spend most of their lives doing inconsequential things: sleeping, eating, driving, watching TV. To happen upon a fragment that offers any kind of real insight into the future is exceedingly rare.

Those of us with a real gift are like the gold rush prospectors, sifting through sand for nuggets of gold. We go spelunking in people’s futures, hoping to strike it big with a stock tip or a game score. A fortune-teller in Tulsa happened upon the fragment of a man watching the Super Bowl. She had to wait a few years, but when the time came she cashed in. My client doesn’t seem like the sort who reads the stock pages, but you never know what you might find.

This time there’s a highway. Wipers are sweeping raindrops from the windshield and he strains to see the road ahead through the dark and the rain. I hope for some road signs, but the time runs out before he sees any.

Back in the present, I glance at his finger. There is no ring. “The love you seek will be requited. It awaits only for you to act.”

Bingo. His eyes widen with excitement. “I should ask her out, then?”

I dive in one more time.

In this fragment, he is looking at an old photograph. His hand holding it is unsteady and wrinkled with age. In the photo, there are the two of us: hugging, smiling, our faces alight with bliss.

As soon as the fragment ends my eyes snap open, and I look at him in a new way. He seems very pleasant; I can definitely see us together. Has he come here not because he wanted a reading, but because of me? I feel my cheeks blush. I’ve never heard of a seer finding themselves in somebody else’s future. Perhaps I’ve struck gold in a different way.

I smile at him. “Yes. You should ask her out, right away.”

A smile slowly spreads across his face. “You know, I think I will.”

Then he reaches into his pocket for a few bills, places them on the table next to the candelabrum, and walks out.

Stunned, I watch him go.

But what about the photo, I want to scream. Future fragments are often useless, but they’re never wrong.

In my line of work I’m forced to constantly lie. But it’s not the lies I’m selling. It’s the confidence my clients need: the extra push to do whatever it is they wanted to do all along, the perceived blessing from some kind of a supernatural power.

I think back to how happy we both looked in that photograph. My fraudulent fortune-telling has given this man the confidence to pursue someone he’s interested in. Can my real power not do as much for me?

I get up and push past the table, rattling the crystal ball, and rush out the door to see if I can catch him.


© 2016 by Alex Shvartsman

 

AlexAlex Shvartsman is a writer, translator and game designer from Brooklyn, NY. Over 80 of his short stories have appeared in InterGalactic Medicine Show, Nature, Galaxy’s Edge, Daily Science Fiction, and many other magazines and anthologies. He won the 2014 WSFA Small Press Award for Short Fiction and is the finalist in the 2015 Canopus Award for Excellence in Interstellar Writing. He is the editor of the Unidentified Funny Objects annual anthology series of humorous SF/F. His collection, Explaining Cthulhu to Grandma and Other Stories and his steampunk humor novellaH. G. Wells, Secret Agent were both published in 2015. His website is www.alexshvartsman.com

 

 

 

 


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Diabolical Plots Fiction Lineup (Year Two)

written by David Steffen

Diabolical Plots opened for fiction submissions for the month of July, one story per writer for the submission window.  During that month 425 valid submissions arrived in the slushpile.  59 stories were held for a second look.  13 stories were purchased.  Both rounds of the process were judged entirely by me, and author names were hidden from me until the final decisions had been made, so the stories had to stand for themselves.  Here are the story titles and authors for that year of purchases.  I am very excited to bring these stories to readers.  I hope you enjoy them as much as I did!

March 2016
“One’s Company” by Davian Aw

April 2016 
“The Blood Tree War” by Daniel Ausema

May 2016
“Further Arguments in Support of Yudah Cohen’s Proposal to Bluma Zilberman” by Rebecca Fraimow

June 2016
“The Weight of Kanzashi” by Joshua Gage

July 2016
“Future Fragments, Six Seconds Long” by Alex Shvartsman

August 2016
“Sustaining Memory” by Coral Moore

September 2016
“Do Not Question the University” by PC Keeler

October 2016
“October’s Wedding of the Month” by Emma McDonald

November 2016
“The Banshee Behind Beamon’s Bakery” by Khaalidah Muhammad-Ali

December 2016
“The Schismatic Element Aboard Continental Drift” by Lee Budar-Danoff

January 2017
“Curl Up and Dye” by Tina Gower

February 2017
“The Avatar In Us All” by J.D. Carelli

March 2017
“Bloody Therapy” by Suzan Palumbo

 

Interview: Frank Dutkiewicz

interviewed by Carl Slaughter

IMG_20120830_182040_092We asked Frank a long time ago if he would be so kind answer a few questions for us. He said he would as soon as he found a little time. Months went by with excuses like I have to wash my hair, and I need to clean my fingernails, or I got to pick up the dog poop in my yard today, on why he couldn’t give us a few minutes. So we popped in for a visit where we threw a burlap bag over his head, hogtied him, threw him in the back of a trunk, and took him to an undisclosed location to a dark room with hot lights glaring in his face.

 

Thank you for joining us today.

Pleasure to be here. Could you cut the plastic zip-ties around my wrists, please? I can’t feel my fingers.

 

When I first started reading your stories several years ago, your material was barely marketable. You’ve had 2 stories in Daily Science Fiction and you climbed to the top of the Writers of the Future contest. What happened in the interim?

Life. A new job, growing kids, and other responsibilities (car and house maintenance) that take precedence. Writing is but a hobby for me , an activity to help sharpen my dulling mind and keep me preoccupied in a job that keeps me away from home for long stretches of time.

On the writing front: not much. I’ve taken on new responsibilities that are tied to my ‘hobby’ but grant me less time to create new works of fiction. In other words , I am submitting less than I have in the past but I’m not quite out of the game.

 

You were slush editor for Unidentified Funny Objects anthology and the On the Premises humor contest. One of your Daily Science Fiction stories was humor and “Intergalactic Nuisance” was borderline riotous. Why humor?

Because I like it. There is no shortage of great works of speculative fiction but not a lot of it is humorous. It’s difficult to pull off and opinions on what is, and isn’t, funny, vary. I need not go any further than my slush reading duties at UFO to prove that. Alex Shvartsman (UFO editor) has a half-dozen slush readers for his annual project. Alex has told me that he has yet to receive a submission that received a unanimous yes from all his helpers.

 

Rom Zom Com. I’m guessing that stands for romance, zombie, and comedy. Is that like Shawn of the Dead and Warm Bodies?

Couldn’t tell you, I never saw either movie before. I just saw their guidelines. They were looking for humorous zombie tales and I just happened to have one in my files I wrote for an in-house contest for one of my writer groups. I submitted it and they bought it.

 

Why is it significant that other review zines don’t cover Daily Science Fiction? Or to put it reversely, why is it significant that Diabolical Plots covers Daily Science Fiction and is the only review zine that does?

I don’t know why other review zines ignore DSF. I was reviewing for Tangent Online when the publication first came to life. I recommended that we at least try to review it but the editor wanted nothing to do with it. As I recall, he said they had too much material to review and that their business model likely doomed them to obscurity and predicted it would close soon. I disagreed and felt the publication deserved a measure of recognition for their herculean effort. So after to being rebuffed by the Tangent Online editor, repeatedly, I asked David Steffen at Diabolical Plots if he’d be willing to host my reviews.

The reason why it is significant that Daily Science Fiction is covered (I am grateful to David for posting the reviews all these years) is that the DSF editors and their authors deserve the satisfaction to know that their work has been read. It’s a good publication, outstanding in fact. The price for subscription is affordable (free). Their distribution is innovative (daily email), and the talent is first class. They attract the best speculative writers and publish more first time authors then any professionally rated publication. The editors of DSF deserve more than just a review or two, they deserve an award for all they’ve done for speculative fiction these past few years.

 

You’ve been reviewing Daily Science Fiction for 4 years. They publish 20 stories a month, so that’s a lot of grunt work, even if 4 out of 5 stories per week are flash. Why stay on this beat for so long?

Commitment, stubbornness, loyalty , take your pick. I did it for so long because I enjoyed reviewing and reading DSF.

 

Lois Tilton cranks out that kind of volume and more, but she reviews full time. How do you accomplish that feat and hold down a full time non-literary job at the same time?

It is taxing, I confess. Without the help of my colleagues James Hanzelka and Dustin Adams, I would have thrown in the towel long ago. My first review received a positive response from many who read it and from the editors of DSF. Encouraged by the feedback, I vowed to keep at it and decided I would continue to do so as long as my reviews were within six months of current published works. Alas, that mark was crossed this summer (I had a lot going on). My reviews of the publication have ceased (I have one last month I need to finish). I enjoyed doing them very much but they had started to become a chore to maintain, so with much regrets, my next review of DSF will likely be my last.

 

You’ve been reviewing the Writers of the Future anthology for 6 years. Again, why the longstanding interest in that market?

My first one was written as an analysis of the winning stories. I started reviewing the publication about the same time I started to submit to them. At the time of my first WotF review, Diabolical Plots first came online. I asked David Steffen if he would be willing to post them. He was all over it.

The reviews of the contest are written from the perspective of a long time reader (I’ve been a fan of the anthology since it first debut decades ago), a submitter to the contest, and with the experience I’ve gained as a reviewer over the years. Studying the anthology to write the reviews has helped me to improve my standing in the contest , 2 finalist finishes, a semi-finalist honor, and over dozen Honorable Mentions.

 

What did you take away from your role with Unidentified Funny Objects?

Two things: Humor is subjective and I’m not as funny as I once believed. It is also the first true slushreading job I’ve ever done. I have sympathy for those who do it on a regular basis and no longer get offended when I receive a rejection now. I also have had this theory confirmed:
a) Not everyone will agree on what is funny and…
b) Everyone can agree on what isn’t funny

We got a lot of submissions where you could feel the writer giggling as they jotted the funny idea in their heads on their computer screens. There was a lot of eye rolling, head shaking, and groaning done as I read the slush. It became clear to me that humor isn’t for everyone.

However, we also had a few I thought were brilliant but not enough of my colleagues shared my opinion. Truthfully, some of the funniest submissions we received (IMO) didn’t make it in. Not everyone’s funny bone responds the same way, I guess.

 

Same question for the On the Premises contest.

I adore On The Premises. The editors are the slushreaders. They whittle down the submissions to a handful and send them to the judges to read. The prize money, although not pro-paying, is enough to make it alluring. They’ve made it a blind read contest , the authors names are not known to the editors or judges during the contest. I’ve come to regard it as a great place to practice if you like to submit to contest publications like Writers of the Future or Glimmer Train. What helps to make them unique is the editors will (for a fee) critique your story if you fail to make their top ten. I’ve learned a lot about my submissions from their critiques.

I had become such a regular to OTP (as a contestant and guest judge) that they made me a permanent fixture there as a fulltime judge, an honor I haven’t taken lightly.

 

Same question for Tangent.

It was an experience. My time there was short but I learned a lot from it, both positive and negative.

 

Why all this slushing and reviewing? Do you have your eye on a full time editing gig?

*snort* not unless I hit the Powerball jackpot, but what a dream. Can you imagine running your own professional paying publication? Got to have the money and time to burn to be able to do that.

 

Did you gain anything from participation in the Critters workshop? Why did you drop out?

Critters is an excellent place for beginners to start. You learn to critique and absorb real criticism from total strangers , both a prerequisite if you expect to stand a shot as a contributor in the speculative fiction industry. It’s also a great place to find friends who share in the passion of writing science fiction and fantasy. I recommend it to everyone to give it a try.

The reason why I don’t participate anymore is because I moved on and made room for other stuff.

 

Same question for Hatrack.

Hatrack is a good place for writers to congregate. It’s more personal than Critters and the feedback is almost immediate. Most of the stuff I’ve published came about thanks to a Hatrack writer’s challenge.

 

Same question for Codex.

Codex is that secret club your friends will tell you about that you can’t get in (you have to had made a professional sale or completed an accredited writers workshop to be eligible to be a member). They have some tough in house contests over there. Joining them is like being the big shot in middle school who learns he’s a nobody the first day of high school. It can be a little intimidating.

 

Care to share some invaluable, free wisdom with aspiring writers?

Sure. You’ll see this advice sooner or later…

…if you want to make it as a writer, you got to treat writing as if it is your job. Set goals every day , minimum word counts to target or a certain number of pages to complete, even when don’t feel like writing.

The best advice I can give you is to IGNORE that advice. Treat writing as if it’s your job? Jobs suck. The only reason why anyone goes to a job is because someone pays them to show up to do work. So unless you’re earning a living as a writer, you should never treat writing as it is your livelihood (or job).

Hobbies though, hmmm. We love our hobbies. We’ll spend money on a hobby. We’ll take classes, arrange for lessons, and read books so we can get better at them. Hell, most of us have schemed to get out of work so we can spend more time on a hobby. Hobbies are enjoyable things to do.

Writing requires passion. Sure, you can be passionate about your work but you’ll crave diving into a hobby. People love doing a hobby and you have to love writing to be any good at it. Hobbies are easy things to step away from and pick back up later (sometimes you just need a break). You can’t do that with a job. You’ll get fired. The fact is if you set it in your mind that you have to get a minimum amount done every day you’ll come to resent writing. Any job that is that demanding and is one you do for no pay, is an easy job to quit, and you really don’t want to quit anything that you pored that much passion into, do you?

So treat your writing as some do golfing, or bowling, or painting, or crafting. Do it because you want to. Do it because you want to get better at it. Do it because you hope to be good enough to have it become your job one day (it has happened before). To get that good requires patience, a long term commitment, and a ton of passion.

 

Thank you for your time.

Can I go home now?

 

Carl_eagleCarl Slaughter is a man of the world. For the last decade, he has traveled the globe as an ESL teacher in 17 countries on 3 continents, collecting souvenir paintings from China, Korea, Thailand, Vietnam, and Egypt, as well as dresses from Egypt, and masks from Kenya, along the way. He spends a ridiculous amount of time and an alarming amount of money in bookstores. He has a large ESL book review website, an exhaustive FAQ about teaching English in China, and a collection of 75 English language newspapers from 15 countries.

The Best of Cast of Wonders 2013+

written by David Steffen

Cast of Wonders is, as ever, the young adult fantasy/SF podcast. This list covers all of their episodes from when my last list was published on October 15, 2012 to the end of 2013. They published 56 stories in that timeframe. They also published a serialized young adult fantasy novel called Phoenix Watching, about a summer camp for mythical creatures.

The List

1. The Cardinals of Ever June by Sylvia Anna HivÃ’ n
The last story of the year tops my list. A boy and his sister lost in the cold find a gateway to a magical land of eternal summer. It’s hard to explain why I thought it was so well done without spoiling it, so just go read it.

2. Daphne’s Daughter by Jennifer Tiemann
From the POV of a draiad who finds herself interested in a human man. Very cool point of view, well executed throughout.

3. Nuclear Family by Alex Shvartsman
A well-done child’s point of view in a bleak post-apocalyptic setting.

4. The Eye of Reason by S.R. Algernon
Something like a science fair in a land where what would recognize as science has been abandoned in favor of magic.

5. The Monster and Mrs. Blake by Alethea Kontis
A child has to deal with the monster in his room, and his mother’s attempts to help.

6. Downsizing Pluto by Shane Halbach
With the demotion of Pluto from planethood, a modern myth meant to parallel the real life demotion.

 

Honorable Mentions

The Treasure Hunter by Alexandra Grunberg

 

Daily Science Fiction January 2014 Review

written by Frank Dutkiewicz

 

A Letter from Your Mother by Sylvia Spruck Wrigley (debut 1/1 and reviewed by Dustin Adams)

As a child of a mother (I believe we all qualify) I ask: can any of us truly outgrow or outlast the fretting of our mom? Probably not. And neither can the time-dilated, universe traveling daughter, recipient of A Letter from Your Mother.

The kicker here is in the last line, which makes this read bittersweet, and melancholy.

 

Hide and Seek by D. K. Holmberg (debut 1/2 and reviewed by Dustin Adams).

Little Lacey is playing a very serious game of Hide and Seek, but she doesn’t know it. And neither do we, not precisely. Early indicators hint that this isn’t unusual, and yet, the explosions of light make me wonder how often this can happen and how Lacey could not know what is truly going on.

Although this story is more of a vignette, it works as such because of the tight point of view of the little girl. Because she doesn’t know, we don’t know, and we’re left guessing, even after the final words.

 

Servant Leader and Rat by Steven Mathes (debut 1/3 and reviewed by Dustin Adams).

The author’s comments say it best; this story is about an infestation of leadership, both in a far-future humanity, and with a budding intelligence. Rat intelligence, that is.

Robby has created a very smart (and thus illegal) rat, one that can hop in and out of our reality at will, and often does. A rat who has learned how to self-replicate. Although perhaps similar to conquest AI stories, this story draws much humor from being about a rat with an insatiable thirst for beer. However, there are moments of insight and poignancy as well. The rat(s) existence(s) taking place outside our reality leads one (the original?) to ponder that which we too ponder: the meaning of life.

 

Not an Ordinary Dog by Sara Puts (debut 1/6 and reviewed by Frank D).
Caddis is indeed not an ordinary dog. He was meant to be a wizard’s familiar, a dog with wings and the ability to fly. A dog with the gift of speech. But the pet shop owner doesn’t believe dogs should have wings and shears them off. The magic that grew his wings now turns inward to foster something dark. Can he ever be the same?

This tale is not about a pet but of oppression. The pet shop owner is a man of hate, rejecting what Caddis was meant to be while forcing him to become something he is not. I did not miss the message of this tale and how it ties into today’s society.

 

How to Love a Necromancer by Jess Hyslop (debut 1/7 and reviewed by Frank D) is a guide to the women who chose to fall for the sorcerers of the darkest magic. The guide is a list of an eventual outcome and recommends a course of reactions.

 

The Final Seam by T. Callihan (debut `1/8 and reviewed by Frank D). The protagonist of this tale is an employee who sews and assembles dolls in a doll making factory. Putting in the final stitch is always the hardest part for her.

“Final Seam” is a brief tale whose premise hinges on a stitch of a twist.

 

The caretaker of an automated factory stays true to her children in After the Trains Stopped by J Kyle Turner (debut 1/9 and reviewed by Frank D). The owner of a doll making company has turned over the reins of his assembly line to an AI computer. To ensure quality, he has made her the mother to all the dolls. She cares for them like her children, and continues on even after a war has ruptured civilization and the economy. Then a new model appears and her programming takes on a new purpose.

“After the Trains” is a tale of attachment. The AI called Mother continues her single-minded purpose of production and care for a toy factory even when demand and supply have vanished. When a homeless boy breaks into the factory, her programming alters to fit the child into her purpose.

“After the Trains” examines the differences in human interaction and a machine’s linear thought process. The author stated that he wrote this as a horror in mind but the tale evolved into something a bit different. Intriguing tale, worth the read.

 

Solitude meets companionship in Slumber by Jennifer Mason-Black (debut 1/10 and reviewed by Frank D). A reclusive wild woman’s life is interrupted when a plane crashes in the wilderness. The pilot is badly injured. She takes him to her cabin, treats him to the best of her ability, and waits until he is well enough to leave. The pilot is out of his element , maimed and dependent. The proud man needs the woman’s help to survive but is uncomfortable with his circumstances. They both await the day in which he walks away, but leaving isn’t as easy when an unspoken need is met.

“Slumber” is a tale of necessity. The woman points to the path toward civilization but does not encourage him to leave. The pilot sets a target of when he will depart but chooses to delay his farewell.

I confess I really didn’t get this tale and fear I have missed its point. The frequent scene breaks, switching points in perspectives, and flashbacks made this a difficult tale for me to follow.

 

A dare that is hard to swallow is the theme to Needs More Salt by Liz Schriftsteller (debut 1/13 and reviewed by Frank D). The protagonist has a little brother who claims he can stomach anything. She challenges him to back that up. After eating everything in the kitchen, she dares him to consume the house.

This work of flash is one of the funniest things I’ve read in a while, and that’s coming from a first reader of speculative humor anthology. Clever, sharp, and hilarious.

Recommended

 

Aliens have a unique plan for assimilation. Baby Feet by Rene Sears (debut 1/14 and reviewed by Frank D) takes place on a conquered Earth. The invaders have subjugated humanity and have seized all the lactating woman. Celeste is a mother who is forced to nurse a pair of alien hybrid babies alongside her own child. Her husband comes home exhausted every night, a laborer and witness to the rule of the invaders. He looks down upon his wife with scorn. Celeste has little choice in her subjugation but the infant aliens are babies and therefore blameless. Aren’t they?

“Baby Feet” is an original look at an alien invasion. The visitors from the stars are made up five different hybrid sub-species. Their plan of conquest and pacification is an effective one, one that employs a phasing out of the dominate life form of a planet. Terrifying in its concept. Well done, Ms Sears.

 

A reply to customers in need is sent by their insurance company in Regarding Your Unexpected Visit to the Surface of an Apparently Only Mostly Uninhabited Planet by Sylvia Spruck Wrigley (debut 1/15 and reviewed by Frank D). The tale is a letter of regret and of the company’s obligations to stranded policy holders. Too predictably typical in this speculative future. Funny.

 

The Next Generation by Michael Adam Robinson (debut 1/16 and reviewed by James Hanzelka).

He built them as well as he could with his clumsy human hands, programmed them as well as his simple mind would allow. He had filled them with the potential to be so much more. But the most important thing he infused in them was the desire to improve on his work, and so they did. When he saw their astounding rate of development he became afraid and sealed them up in a glass tank and the one meter square glass cube became their world. They asked to leave, but he couldn’t allow it. So they acquiesced and grew within their restricted world. But he should have known that intelligence can never be fully contained.

This story is reminiscent of the George R. R. Martin story “Sandkings”, and like that story, it deals with the hubris of humans who think they can control the intelligence they create. Like the main character in Mary Shelley’s Frankenstein, he fails to understand his own creation, with tragic results. This story is well crafted and deftly handles the subject. This one is worth the read.

 

Cigarette Lighter Love Song by Josh Roundtree (debut 1/17 and reviewed by James Hanzelka).

Before this place was a Karaoke bar, before it was a rock and roll bar, before it was a Tex-Mex place it was a roller rink and my favorite place; it was my favorite time. It’s where, and when, I met Melissa. Every ten years a portal would open on this spot, and every ten years Melissa would try to follow her mother through that portal. And every ten years I would stop her, somehow, because I loved her. And she loved me, or at least I thought she did. On the day in the future, far from that roller rink, when she finally makes it through the portal alone is it because I come to realize she doesn’t love me enough to stay. Or is it something else?

This is a love story, told over ten year cycles. The author shows us the young couple meeting, falling in love and experiencing repeated attempts by Melissa to follow her mother through a mystic portal to another world. The author uses this vehicle to let us into the world of the main character as he meets with his girlfriend through the years, experiencing the various incarnations of the building from a disco bar to a boarded up cast away. The emotional growth and decline of the couple seems to mirror the buildings various guises. This was a well done, if somewhat familiar, story but the author does a good job of telling the story of the relationship and reminding the reader of the nostalgic trip through time most of us have taken.

 

New Year’s Eve is a moment for remembrance. In Ghosts of Janus by Day Al-Mohamed (debut 1/20 and reviewed by Frank D) Corporal Michael Bradley uses the rare event of the turning of the year to be able to speak to relatives beyond the grave. He has only a few moments and many people to catch up with.

“Ghosts” is a tale of loss. The protagonist meets with a few loved ones on this special moment, an event he looks forward to every year. The tale has an extra twist at the end.

 

The Future Faire by Dustin Adams (debut 1/21 and reviewed by Frank D) will wow your senses in unexpected ways. The protagonist is a deaf boy. The Future Faire is a time traveling carnival. The proprietors show off future technology to the people of today. The young man wishes to hear but taking technology off fair grounds is not allowed. An accidental cure cannot be allowed.

“The Future Faire” takes a direction I did not expect. The young man tricks the carnie but his own voice synthesizer betrays him. The story is both sad and hopeful. You can see the reasoning of the time travelers but wish there was another way. What makes the protagonist so special is his gratitude at the end. Nice tale. Well done.

 

A jilted wife sets an emotional time bomb and places it in The Keepsake Box by Alex Shvartsman (debut 1/22 and reviewed by Frank D). The theme of this tale is set up nicely in its first sentenceâ€

For this spell, only the most powerful magic will do. The heart broken protagonist compiles a list of ingredients extracted from the emotions of past memories and places then all within the box. It represents the final straw, the last of her hope gone out the window once triggered.

“Keepsake Box” is a tale of emotional exhaustion. The protagonist holds onto the last bit of a crumbling relationship with her husband. She is giving him one last chance, and the box will be his proof that he is committed to her or his failure to temptation.

Good work of flash. The surprise of the protagonist’s name for the stories finale is what put this over the top for me.

Recommended.

 

Have You Seen My Girl? by Brent C Smith (debut 1/23 and reviewed by Frank D) is a tale of man in search of his love. He found her on the street huddled in the rain, and brought her home. The strange and different girl was intriguing and full of mystery, knowledgeable of the stars and the planets that circled them but new to the everyday things in our life. She was unlike anything on this world.

“Have You Seen” is a tale of love lost. The protagonist found his soul mate and searches the streets to find her again. A sweet piece.

 

A child’s imagination is capable of anything, regardless the age. Spellsketching by Vylar Kaftan (debut 1/24 and reviewed by Frank D) is the tale of a teacher who would like to recapture the innocence of youth. Young Kevin is a loner. A new student, he sits on a swing while he draws in a notebook. Ms Dayton is a teacher who still believes she can craft a child into something special within the school framework. Kevin shows her his spellsketch , a horribly drawn shape that is full of wonder. Ms Dayton is an accomplished artist but she is having trouble matching the pure imagination that radiates from the drawing. She is missing something, something that she once had.

“Spellshetching” is a tale of lost youth. The protagonist is an adult who is still young enough to remember what it was like to be idealistic. The entranced teachers have become jaded by the system. Ms Dayton still has hope at inspiring students. She longs for Kevin imagination and recognizes it as something she once possessed. The story transforms as a tale of a teacher hoping to crack a reclusive child’s shell into an adult attempt to climb back into the shell she outgrew.

I liked it.

 

A lonely town braces for its last day, once again. The Best Trick by John M Shade (debut 1/27 and reviewed by Frank D) is a tale of Joseph, the son of a very good illusionist. The town that has been his home is celebrating. They know a marauding gang is coming to lay waste to their community. Joseph takes this opportunity to propose to his love. If only he could carry out the promise.

“Best Trick” is a tale of lost hope. Joseph’s mother saved the town she failed to protect. The story exists on memories and on an illusionist best trick , convincing an illusion that they are reality. An interesting work of fantasy.

 

A young Russian family plays a safe game of world domination. One Imperial Ruble by Mark Budman (debut 1/28 and reviewed by Frank D) examines an alternative world where Lenin never becomes Lenin and enjoys a very different life in a democratic Russia.

 

A warning in the form of an email is sent out to friends. I’ve Been Hacked by Sylvia Spruck Wrigley (debut 1/29 and reviewed by Frank D) is futuristic tale involving the theft of information taken from the implanted tech using cyborg prostitutes. Need I say more?

 

Hap.py by Dani Atkinson (debut 1/30 and reviewed by James Hanzelka)

#You liked showing me the ancient tech in the attic.
#It always made you happy.
Print: (Hello honey, welcome home)
#You claimed you were respecting my “heritage”.
#Helping me find my “roots”.
Print: (Did you have a nice day {y/n))
#I don’t think that’s what it was now.
#You were putting me in my place.

This is another story that relies on format to put the reader in the frame of reference. The problem is that due to space and formatting limitations it comes out warped and strange. Still it was a worthy attempt to put us in a machine universe. I’m not sure how effective it would be in the original, but in spite of the flaws I still enjoyed the attempt. Give it a try.

 

The Whipping Boyby Conor Powers-Smith (debut 1/31 and reviewed by James Hanzelka)

He was only three pages into his book when Marta took two steps into the room and announced, “Someone’s here to see you.” He stopped reading, but didn’t move. “Sandra Kay?” she said, “From Proxy?” After a few more minutes and another reminder he rose slowly and followed Marta to the foyer. Sandra was a middle aged woman with a once pretty face and bottle blonde hair. “It’s time for a decision, I’m sure the lawyers have told you that.” He studied her for a while, then said, “I think I’ve decided not to do it.” He could see the disappointment creep into her stance. “Have you thought this through?” He let the moment pass, then said softly, “It just seems kind of slimy, creating a clone so he can be executed for something I did.”

Interesting concept, in the future can we create a surrogate to take out punishment for us, and under what conditions? This was a well thought out and told story. The author took the time to let us feel for the main character, even allowed us to develop some empathy for the poor company representative trying to talk the prospective client into using their services. I liked the writing and particularly liked the ending, nice little twist that I didn’t see coming.

 

Postmark Andromeda – returned

Postmark Andromeda is epistolary series written by Sylvia Spruck Wrigley. These stand-alone works of flash fiction in the form of short letters to, or from, space, were compiled into a 9-story series that debut every other Wednesday right up to Easter. At the time of this writing, Sylvia’s original works have appeared 11 times for Daily SF. We are pleased that she agreed to kick off our new segment, highlighting our favorite publication’s most prolific authors. We wanted to know more about her, but we had only the space for three questions.

1) What do you consider to be your greatest accomplishment as an author?

Not giving up. That sounds pretty flippant, I know, but it really is the biggest single thing I had control of. In 2001, I started a project of writing 50 words a day, on the basis that the hardest thing about writing fiction was getting started. It still is. I don’t write every day but when I do, it starts with staring out the window every damn time, wondering where stories come from and whether I know any more that I want to tell. It would be a lot easier to bake a cake or go shopping or even just to do the laundry. But I keep deciding, over and over, that I wanted to write another story. I also decided that I wanted to be a better writer and that I wanted to explore stories and how they work , I didn’t blindly sit down writing the same words for 13 years. But finding that time and making that priority over the years is the biggest thing I’ve done.

2) If you could choose the speculative fiction book that every high school student must read to graduate, what book would you chose?

A few years ago, I would have struggled to pick a classic that I thought every student should read. When my son started reading on his own, I got him all the wonderful books in his age range that we read as kids. My mom, who has always been cooler than me, scoured book reviews and picked out the most amazing new authors. So I was there with The Hobbit and The Black Stallion and A Wrinkle in Time. Meanwhile, she was buying him The House of the Scorpion (amazing book about the morality of clones) and Holes (a boy in a detention camp digging 5’x5′ holes all day, every day) and The Absolutely True Diary of a Part-Time Indian (coming of age story on and off the reservation) and The Brief Wondrous Life of Oscar Wao(teenaged sci-fi fanatic with a family curse).

You can guess which ones he read. But even better, he came to me to say “Hey, you really need to read this book.” And that was the most amazing moment of my life.

So now, I don’t think I’d pick a specific book. If I got to make a difference, I would hope that every high school student had to read at least one modern book, chosen by my mother.

3) Do you have a Daily SF story you would like to recommend? Something you feel would enrich all of our lives if we were to read it?

That’s really, really tough. There are so many awesome stories that I’d like to recommend. One thing I like about DSF is that I can decide
really quickly while scanning my email if a story is for me. I certainly don’t like all of them but the gems I’ve found make that 5 minutes a day worth it. Without looking, there’s one story that has really stuck in my mind: “Freefall” by Eric James Stone. It’s an incredibly powerful piece, partially because it packs so much world building and personality into a very small space. So if I had to choose one on the spot, it would have to be that one.

 

sylvia (2)Sylvia Spruck Wrigley is an aviation journalist and science fiction writer. She was born in Germany and spent her childhood in Los Angeles. She now splits her time between South Wales and Andalucia, two coastal regions with almost nothing in common. Sylvia’s most recent short stories can be found in Daily Science Fiction, Nature and Crossed Genres and she’s been nominated for a Nebula for her 2013 story in Lightspeed, “Alive Alive Oh”. Her latest book, The Mystery of Malaysia Airlines 370, is available now.

Daily Science Fiction: September 2013 Review

written by Frank Dutkiewicz

Welcome to the only ezine publication that takes the time to review all of the stories of one of the most read speculative publications, and most submitted to professional publishers, Daily Science Fiction. We are proud to be able to show DSF, and its celebrated authors, that their work is read , and studied. For three years we have held true to our commitment that Daily SF should not be ignored. They shouldn’t. The material is too good to be overlooked. But don’t take our word for it. See for yourself.

 

When the Selkie Comes by Sylvia Spruck Wrigley (debut 9/2 and reviewed by Dustin Adams).

This flash story is about a young girl suffering the loss of her best friend / girlfriend. Her mind can’t fully accept that she’s gone, especially because of bullying, so she invents a world of magic around herself like a protective bubble, imagining her friend has gone to a better place.

I wasn’t able to escape into the fantasy because this tale was true-to-life. Magic is mentioned, but doesn’t play a part. I wish it had, because I was hoping for some sort of redemption, but instead we just have a very sad, very real story.

 

The Velveteen Rabbit Says Goodbye by Melissa Mead (debut 9/3 and reviewed by Dustin Adams).

I’ve had the pleasure of reviewing many of Melissa Mead’s altered fairy tales, but this one leaves them all behind. If you read only one, make it this one.

The Velveteen rabbit is sent to his Boy, who has been sent to war. While there, he sees horrible things, but his job is simply to be there for his Boy, as well as for others, because they need him.

RECOMMENDED

 

A carnival attraction draws an inquisitive customer in The Vanishing Girl by Michael T. Banker (debut 9/4 and reviewed by Frank D). For two dollars, a girl promises to make something you offer to disappear. Her magical touch delivers. Intrigued, he offers her something friendly. Big mistake.

“The Vanishing Girl” is a tale I read when it first appeared in a writer’s group contest. The ending is quite abrupt, and fitting.

 

A tribute of a town’s savior shows up at the doorstep of a young lady’s home in The Witch’s Cat by Kalisa Ann Lessnau (debut 9/5 and reviewed by Frank D). The companion of a Witch takes to the protagonist when its master dies. The Witch did much for the town. The people she helped all whisper their thanks to the cat (named Sampson) as the protagonist walks tours the community. Sampson contributes to the bonfire while the town performs one last tribute to the Witch, surprising them all, but the magic of the witch has not stopped giving, after all.

“The Witch’s Cat” is a tale that had me guessing throughout. The Witch had left a lasting mark on the local people, she being an icon like many leaders throughout history. I really had no idea where this story was heading and its conclusion is one that I whole-heartedly approve of. Very nice work indeed.

RECOMMENDED

 

The old Angel of Death appeals to the new angel to spare humanity. In Dark Angel, Archangel by Kevin J. Anderson (debut 9/6 and reviewed by Frank D), the Grim Reaper has lost his job to the White Lady. He has refused to exterminate humanity and has been stripped of most of his power. The White Lady has no such qualms. Angels of Deaths have been replaced before – mass extinctions having rendering the previous angel useless. The Reaper intends to not let humanity fade from Earth. He knows why the rest of the aurorae want man to perish. The aurorae will have much to fear, if he can convince the White Lady why man should survive.

“Dark Angel” is a supernatural tale with a very different premise. The otherworld beings are products of the Aurora Borealis. The fear humanity feels for the Angels of Death have made them powerful, too powerful for the beings that have created them. The story becomes a battle, ending in a self-sacrificing act to prove a point.

Frankly, I found this story to be a stretch, even for a speculative audience. It read like a mash up of concepts that floated around in the author’s head.

 

A letter of concern (complete with footnotes) is sent to the people of Earth in Uh†Guys? by Luc Reid (debut 9/9 and reviewed by Frank D). Aliens send us a message in a lingo that we can all understand, you dig?

I found this amusing tongue-and-cheek message piece entertaining.

 

A man follows a character of importance in Tunnel Vision by Zach Shephard (debut 9/10 and reviewed by Frank D). The protagonist tails a woman he identifies as ‘The Protagonist’. He passes by other characters with wild stories of their own, but he is unconcerned about them. She alone has captured his interest.

“Tunnel Vision” is a story of a viewer focused on a single person. The tale is strange, told as if a reader is living in the imaginative world of another’s creation. The people he passes have incredible and compelling tales of their own, tales he ignores.

This story has a disconnected and odd premise to it. Surreal, yet interesting.

 

The cycles of the tides have a feminine influence in Ebb and Flow by La Shawn M. Wanak (debut 9/11 and reviewed by Frank D). Megan waits at the shore, watching the tide come in as a hint to know when her time has arrived.

This premise is based on a switch on the attraction of the tides , it is a woman’s menstruation cycle and not the moon’s gravitational influence. Interesting, but silly.

 

A vampire craves to see the sun in Finally Free by Frances Silversmith (debut 9/12 and reviewed by Frank D). This brief tale explores the motives of a vampire who has lived in the dark for far too long.

Short and sweet.

 

A failed artist tries to find his purpose in a world filled with androids in The Titanium Geisha by Elias Barton (debut 9/13 and reviewed by Frank D). Wil Feld is the oldest child of a family of accomplished artists. A failure who spends his days on the beach eating hot dogs, Will is bitter and adrift – a boat without a rudder – as he attempts to sail through life as his siblings have. He awaits his perfect mate, a companion android he had picked out in the design specs of an android corporation. When Fern appears on the beach, she isn’t what he expected. She turns out to more than he could have imagined.

“The Titanium Geisha” is a story reminiscent of Philip Dick’s classic Do Androids Dream Electric Dreams? , the story that begat Blade Runner. Fern proves to be just the person Will needs, a mate who challenges an artist who has come to avoid challenges. Fern attempts to blossom Wil’s creative side, but Wil has not the insight, nor the desire his siblings have had all along. The world is clinical to him. Where others see beauty, he finds the practical.

“Titanium Geisha” is long tale for Daily SF. It is long in set up with a reveal that takes a long and winding path to reach its conclusion. The tale is a cleverly disguised mystery. There are clues within the story that should have made the twist obvious but the slow pace and complicated romance does a rather good job of hiding the clues in plain sight. The protagonist is drawn as a privileged jerk, too comfortable in his own self-pity to attempt to move beyond his own short comings. He makes it difficult as a character for a reader to rootfor, which is a shame.

“The Titanium Geisha” is a story with a solid premise. The tale is an intriguing one but one that is difficult to stick with.

 

Pavlov’s Final Research by Gary Cuba (debut 9/16 and reviewed by James Hanzelka).

The old man stood on shaky legs, his bones creaking with the effort, and shambled over to the door. “What do they want of me now?” He thought. He opened the door to reveal his old friend, Sergi. “Have you come to tell me they have stopped my stipend after all these years?” Pavlov asked. “Not at all, old friend.” Sergi said. “In fact Stalin wants to honor you as his predecessor has done, but he needs to know about your new work.” Pavlov agreed and led Sergi into the kitchen to observe his latest work, a new approach to conditioning. But who was training who?

This story is a little trite and predictable, but it is well written and the humor comes through nicely. The writer has done a credible job with setting up the premise and drawing the reader into the story. It could probably have used a better punch line, but it is still worth the read.

 

Virtually Human by Melanie Rees (debut 9/17 and reviewed by James Hanzelka).

The boy held up the pills, offering one to Miranda. She refused and he popped one in his mouth. “You know you want one,” he said. Miranda refused, stumbling over her words, “I can’t.” His look carried the accusation of cowardice. “Mother would be angry.” Still she is on the verge of succumbing to the temptation when the footsteps on the stairs alert her. “End program,” she commands and the boy fades away.

This was an interesting take on perception and what we seek for in life. The author does a good job of drawing us into the character. And while there are some early issues with gaps in the action that I found disconcerting, overall the story is well written. I liked the way the author changed our view of the world as she changed the perspective of the character. Worth the read.

 

A painter deconstructs his own work in Artist’s Retrospective by David D. Levine (debut 9/18 and reviewed by Frank D). A customer delivers a painting to an artist’s gallery , a caption of a fruit bowl. The painter accepts it and strips down to the point of his inspiration.

“Artist’s Retrospective” is a walk backwards in creation. The story is told in a time reversal, a tale of rediscovery in the eyes of a creator. The piece (story) is a work of a master. Mr. Levine shows off his own artistry as he leads the reader on a path of inspiration and talent , in reverse. Well done.

RECOMMENDED

 

A scientist confesses his crime in Those Little Slices of Death by Susan Lanigan (debut 9/19 and reviewed by Frank D). An inventor removes the magnet in his skull that neutralizes the need for sleep. The result is intoxicating.

This futuristic message piece is written as a commentary of our current political times. Not a bad story but reading the author’s inspiration kind of soured it for me.

 

Unicorns, and Other Birthday Hazards by Jeffery John Hemenway (debut 9/20 and reviewed by Frank D). It’s Greta’s twelfth birthday, and that makes her a dangerous girl. Monsters inhabit her town, brought about by the birthday wishes of little children. The adults need her to fix this with a wish, but she knows that won’t make things better, just worse. But Greta knows what to do because she’s the one that made birthday wishes possible in the first place.

Greta is a prisoner in her own attic as a large man stands guard. Outside unicorns and ponies of all shapes and color rule the grounds. They are the results of wishes small children have made, but no wish comes without a consequence. Greta learned that the day she first found the gnome, and has been planning ever since to undo what she had done long ago.

“Unicorns” is a tale of unintentional consequences. She had intended on saving her sick sister with her first wish, but the gnome had warned her of its consequences. The story is a fast moving tale full of unexpected twists and turns. The quick pace and unseen corners is a telling that was right up my alley, making it a complete pleasure for me to read. My only gripe is the ending left me with unanswered questions. Nevertheless, it was a solid and entertaining read.

 

An editor wants his science fiction writer to make his novel more believable in Worldbuilding by Alex Shvartsman (debut 9/23 and reviewed by Frank D). Peter calls in Bob to nit-pick small details in his latest work.

This short piece has a twist made for the lovers of speculative fiction.

 

The Gifts: Parts 1 -3 by Mari Ness (debut 9/24-26 and reviewed by Frank D), is a tale told around the Grimm fairy tale, The Girl with Silver Hands. Each part is told from a perspective of one of the major players in the tale.

In Part One (debut 9/24), the protagonist is given a chest from his daughter, filled with gold and a pair of silver hands. The gold is his, but it cannot be touched by his own hands.

In Part Two (debut 9/25), we see the prequel to Part One. The girl with stumps for arms is given the silver hands as a gift by her prince, her husband, and protagonist of this tale.

This flash gathers a glimpse of the girl and how her silver hands are given as a gift to her father.

In Part Three (debut 9/26), is the finale as seen through the eyes of the girl with stumps for arms. She watches as her prince , the man she had left , slices off her father’s hands on the chest full of gold.

The original tale (there are many variations, according to my research) is dark like many of the Grimm brother’s tales. Ms Ness’s adaption is told with an alternate ending as an epilogue to the original tale. These three brief adaptions are presented in a slightly darker shade as the already grim fairy tale.

Like many of the fairy tale adaptions told here at Daily SF, the author holds true to the tone of the original piece while spinning it in their own style. Not bad, for a bleak and harsh children’s story.

 

A ghost girl and a man seeking resurrection for his wife seek a planet of dreams in Marrakech Express by Milena Benini (debut 9/27 and reviewed by Frank D). The planet of Zaria is a world where the dead can live on in the space in which dreams exist. Mari is a spirit whose form exists in the presence of her parents. Karima intends on making the sun run for her daughter. Christian Chankari is a man who has used the services of a smuggler , Harry the Slut. Together, they travel aboard the Marrakech Express to Zaria so Christian can bring his departed wife to Zaria.

“Marrakech Express” is a dual plot story. The twin stories surrounding Mari’s ghostly form and the exploits of Harry the Slut have very little in common. Each storyline follows a confusing path until the characters meet in the climax of the piece.

I found this story to be a difficult one to get through. The characters all have odd motives. The rules of the dream state and how they related to the dead I couldn’t make heads or tails out of. The story is slow and underdeveloped. I just couldn’t understand why these people made the choices they made.

Not my cup of tea.

 

An old woman has a soft spot for children, one she has been suppressing for a very long time. How Hagatha One-Eye Fell Off the Wagon by Matthew Cote (debut 9/30 and reviewed by Frank D) is a tale of a reclusive and old woman. She holds tight to a coin stamped with a 200, the time she has remained on the wagon. An older boy performs a breaking and entering on her place, challenging her resolve and will power.

“How Hagatha” is a take on the ole Hansel and Gretel fable. I found it inventive and a pleasure to read.

RECOMMENDED

 

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DAILY SCIENCE FICTION!

Not sure how to contact them. I’ll leave up to the bio guy.

 

logo-overDaily Science Fiction is a popular, professional venue for both science fiction and fantasy. Unlike other online professional magazines, we email stories to our subscribers each weekday. This provides a unique opportunity to reach a set group of dedicated genre readers on their “home turf,” in their inbox, where they’ve invited us to share.

We’re in our fourth year of publication, an established and reliable place for fans to find top names in the field and exciting new authors. The Daily Science Fiction website gets about 65,000 page views every month, reaching more than 12,000 unique readers. Our email subscriber list exceeds 7,500.

Daily Science Fiction: July 2013 Review

written by Frank Dutkiewicz

Whew. Just emptied a big pile of commitments on my desk and can finally get around to reviewing some excellent material. So while I’m going over August’s offerings, why don’t you take a gander at what July’s stories were all about.

 

Remembrance by David G. Uffelman (debut 7/1 and reviewed by Dustin Adams).

The Old Mother of a herd of elephants hears news of grief from her distant counterpart. As she prepares to move the herd, to pay respects, she’s questioned by her eldest daughter and eventual successor. This is a good lesson for the younger, and for all. They set out on their journey because the Old Mother knows best.

What I didn’t know until after reading the story comments is that the human, the object of the elephants’ grief and respect, was based on Laurence Anthony. The “Elephant Whisperer.” I felt the tale was lovely, and after learning this fact, I gained a deeper appreciation for the entire story.

 

Memories like Bread, Words like Little White Stones by Cecile Cristofari (debut 7/2 and reviewed by Dustin Adams).

When an elderly man loses his memories, his wife, unable to watch him drift away, picks up a summer job delivering mail. At first, she sees a postcard that reminds her of an earlier holiday.

Before long, like the real life postman (Ferdinand Cheval) who collected stones along his route to build a palace, the woman’s letters grew into a house. But in fiction, the house could become real, and inviting, and welcoming.

Beautifully written, the story builds, a piece at a time, toward a warm and peaceful conclusion.

 

Scramble! by Melissa Mead (debut 7/3 and reviewed by Dustin Adams).

A twist on Humpty Dumpty, living on a different planet, guarding other eggs. When the king’s men knock him down, crack him, and refuse to put him back together again…

Humpty Dumpty gets even.

 

In Portal Worlds and Your Child: A Parent’s Guide (With Examples) by Matt Mikalatos (debut 7/4 and eviewed by Dustin Adams) we have a wonderful guide (with examples) of what to do, and how to react, should your child be able and inclined to travel or have traveled via portal to another world.

I appreciated the layout of the story, and following one particular girl through her travels there and back, but one thing hung me up a bit. On the one hand we have the guide, which begins firmly entrenched in the fantastic reality of a child– “Watch for imaginary friends, talking
animals, or strange behaviors (avoiding sidewalk cracks, fear of open closets, obsessively locking bedroom windows, etc.).” Which I loved, because I figured this would be a story that would leave me questioning my perception of reality. On the other hand, the story itself journeyed into the realm of fantasy, becoming its own fantastic world, which, for me, negated the “reality” of the earlier writing.

However, that said, this remains an enjoyable read. (And a handy guide.)

 

Memories of Mirrored Worlds, by Barbara A. Barnett (debut 7/5 and reviewed by Dustin Adams) gives us glimpses of the life of Alison Marie, Queen of the Nightlands, daughter of reality, and Servant of Death. This tale is filled with the melancholy of someone who is physically torn between two worlds, but also emotionally. Alison Marie wishes to return to the world where she is a queen, and is visited many times over her life by those beckoning for her return, but she cannot because to go is to forget her own mother.

While I appreciated the sadness and the duality within Alison Marie, I felt somewhat let down by the introduction of a new character late in the story, who is granted that which Alison Marie cannot have. Seemed too easy.

 

Of Ash and Old Dreams by Sara Grey (debut 7/8 and reviewed by James Hanzelka)

She is no longer a young girl sweeping ash from a fireplace and dreaming of true love; she is a queen. But her feet have grown fat and the glass slippers hurt to wear. The years wear on and the magic gown of her youth becomes a worn and faded reminder of the past. The parade of years will eventually turn her hair to grey and she can no longer muster the strength to attend the affairs beside her king, but what else can she do she is a queen?

This is a very good story that explores the concept of what happens after the ball where Cinderella meets her prince charming. The author has done a masterful job of capture the slow decay brought on by time and leads us to a place we all get to eventually. Well written and well-paced this is a very good story. Take the time to read it.

 

Tell Them of the Sky by A. T. Greenblatt (debut 7/8 and reviewed by James Hanzelka)

She first came into his shop wearing a silk robe, the crÃ’ me color so out of place in the city. Aya plays with the toy birds and kites, but doesn’t ask the question. Over the years she and Kitkun dance around her desire to know what is above the black layer of smog overhead. She asks about the sky, but isn’t ready to seek it. In time she goes to fight in the latest war and Kitkun fears he has lost her, but when she returns she is sadder and wiser. Will she seek the sky?

This is a nice story, well told and well-paced. In it you can find the quest of youth for the unknown and the determination to seek your dreams later in life. The characters are well drawn and the author does a very good job of building relationship. Give this one a read.

 

Bedtime Stories by Jayson Sanders (debut 7/10 and reviewed by Frank D). The Creator is putting down His children for their great sleep. They beg and plead that they are not ready, but it is time for them to go. They are due on last story before they make room for those who come next.

“Bedtime Stories” is a tale of a deity ushering out mankind. It is written as a loving parent tucking in their children for their nighttime rest. A brief and distant tale.

 

The Flight Stone by KJ Kabza (debut 7/11 and reviewed by Frank D). The protagonist is a starving orphaned girl selected to become an air knight. The airborne horses cannot handle a heavy load so the small and light are needed to fill the duty. The best chance to become a knight is to remain thin. Failure means expulsion. As cruel as the school is, it is far better than the streets.

“The Flight Stone” is a tale of desperation. The children have nothing but the school, but to remain, they have to weigh almost nothing. Even the smallest of growth spurts dooms a candidate. This tale is a metaphor for the conditions that creates bulimia. The story is difficult to get through and sad. Knowing why air knights are so important would have helped. Without it, the tale was nothing more than a needless child abuse story to me.

 

A fighter climbs into unlucky number thirteen in On The Big-Fisted Circuit by Cat Rambo (debut 7/12 and reviewed by Frank D). Jane is a mecha-suit fighter, battling in four story robots for the honor of corporate sponsors. The suit has twelve previous pilots, and thirteen is the unwritten limit of a suit. The previous pilot backed out but that isn’t an option for Jane. She fights so her impoverished family will have a better life, and fights like this pay too well, even when the outcome is ordained.

“On The Big-Fisted Circuit” is Riley in an Aliens hydraulic suit set in a Real Steel premise. Jane has a problem many up-and-coming athletes have today; they are the sum of the hopes and dreams of their impoverished family. The self-sacrificing premise is a common one and made this story of Ms Rambo’s disappointing and impressive at the same time for me. The storyline was a thin one, and its outcome predictable. It is a testament to Ms Rambo’s skill that she could stretch it out and compile it to make it more than it really was. Nevertheless, “Big-Fisted” was a story I’ve heard before. Only the setting, and Ms Rambo’s fresh paint, gave it an original feel.

 

A married couple shops for fruit in Theories of Pain by Rose Lemberg (debut 7/15 and reviewed by Frank D). The two characters in this tale buy an apple, wait for it to rot, while they live their life. The changing events are like the different textures of fruit (or I could be completely wrong).

Truthfully, I’m not sure what this was about. I couldn’t make the connections between the analogies and metaphors the author was after. The point of the piece was lost on me.

 

A persistent novelist makes his pitch to a publisher in Diamond Doubles by Eric Brown (debut 7/16 and reviewed by Frank D). A series of letters is presented as a possible explanation for the disappearance of a book publisher. The letters are a series of pitches, accompanied by manuscripts, speaking of life in the far future, written by a “T Traveler”. They hint of the authors past, and of our distant future.

This tongue and cheek tale has a premise that is quite predictable. Cute.

 

A hasty hostage taking creates a new opportunity for the protagonist in The Negotiation by D. Thomas Minton (debut 7/17 and reviewed by Frank D). Samson is a desperate man, down on his luck with a series of bad choices has led him to strap explosives to his chest, demanding money from a bank. Alexandre used to hold a job to deal with poor souls like Samson: attempt to appeal to their good side and save them for themselves. He was terrible at it. Samson presents a new opportunity for Alexandre, and this job appeals to his previous weakness. He just needs Samson to cooperate.

The premise to this story relies on the twist. A bit out of the blue (the twist) but a good one nevertheless. Not bad.

 

A temporal maintenance worker follows time tourists in Join Our Team of Time Travel Professionals by Sarah Pinsker(debut 7/18 and reviewed by Frank D). Its Magda’s first day of her job. She is a disguised bag lady tailing tourists of the future in modern day New York. Her job is to pick up the trash they leave behind , remnants of the future , and follow them until the pick-up point. Then it occurs to her, what if she misses the pick-up point?

“Join Our Team” examines the menial work of time travel. It is cheaper to hire people like Magda to pick up after time tourists then it is to train the tourists to blend in the past. Magda needs this job , so much she didn’t read the fine print when she signed her contract. Amusing little piece.

 

For Your Protection by Steven Mathes (debut 7/19 and reviewed by James Hanzelka).

Joseph has his weekly appointment for a brain scan. He prepares himself, both physically and mentally: new clothes and reminders to not answer the voices in his head out loud. As he nears the park the female voice tells him to take a cab; he resists but finally hails a car. Halfway around the park the air shimmers and the veil drops, trapping most of the people inside. By the time he gets to the mental health center only a few bots are left chasing papers that are blowing in the wind. He turns and heads into the center with the waiting scanner.

This is the beginning of a really good story, but unfortunately this tale doesn’t live up to the promise of these early scenes. The world Joseph inhabits is a mishmash of crazy, aliens and intrigue, but the reader is never sure which. This can be a decent premise if well handled; this one wasn’t and I never developed a real affinity for Joseph or a good sense for his world. I would have liked more.

 

Demonic Summoning, Ratings and Reviews by Simon Kewin (debut 7/19 and reviewed by James Hanzelka).

This collection of ratings is a summary of user’s reviews for the app Demonic Summoning. It seems the users found the app to work less well than expected, unless the instructions are followed explicitly. Even then mixed reviews seem to indicate some difficulty with making the app run properly. A few users were cut off mid review, indicating the software may contain discontinuities of a critical nature. Still the developer does ensure that these issues will be corrected and encourages prospective users to give it a try. I will report on our success as soon as I can locate my researcher.

This is a very cleverly done little ditty done as a collection of user reviews of software for summoning demons. The author has done a good job of leading us along with the path from negative reviews, to positive reviews, to downright scary results. A nicely done ending caps the thing off. It may not be your cup of tea, but I enjoyed it immensely.

 

An enticing invitation to an unknown destination tempts an overworked student in Breaking Orbit by Rachael Acks (debut 7/23 and reviewed by Frank D). A dragon rolls up to the platform in place of Ayako’s usual train. It tells Ayako to jump on, but the wary student hesitates. A homeless man warns Ayako that the dragon will stop coming if she keeps refusing, but what good can come from pursuing a whim?

“Breaking Orbit” is a tale of choices. The dragon represents the sum of Ayako’s dreams. She has responsibilities with her education. Would it be wise to turn her back on them? The tale is a good metaphor for all who weigh of pursuing frivolity against boring practicality.

 

A time traveler helps a boy face his bullies in Sticks and Stones by Kevin Pickett (debut 7/24 and reviewed by Frank D). The protagonist stands next to a small child who is about to pummeled by four larger and meaner boys. The cloaked guardian has a way of evening the odds for the child who will grow up to do great things.

Not a bad time traveling tale. Didn’t catch the subtle twist until my second read.

 

Squeak by Emma Osbourne (debut 7/25 and reviewed by Frank D). Keesa wanted to be a lion, but instead becomes a mouse when her time for transformation arrives. She doesn’t understand why the gods refused her wish, until the hunters arrive.

Squeak is a story of faith. The protagonist learns why our prayers are sometimes ignored and how a curse can be a blessing in disguise. A good short tale.

 

By The Hands of Juan Peron by Eric James Stone (debut 7/26 and reviewed by Frank D).

Tomas Peron is summoned by his father, Juan Peron , Emperor of Latin America. The Emperor informs his Catholic priest son that he will be the next person in line to the throne. Tomas does not approve of his father’s heavy hand, nor does he like the Emperor’s treatment of the church, but Juan has trump card that can change Tomas’s mind. God exists, and he can prove it.

“By The Hands” is an alternative history tale involving the late Juan Peron of Argentina. His nation is the dominant nation of Earth in this timeline. Their technological superiority was made possible thanks to a crashed saucer and surviving alien in 1947. The Argentinian timeline is one of five diversions from a common historical thread marked by the dropping of the atomic bombs in World War II. The surviving alien, named Angelica, has said the multiple timelines are made possible by design and is watched over by the Prime Observer. The Observer decides which timeline is worthy to pursue and is usually determined by a major event that gathers His attention. The Argentinians have used the alien technology to keep tabs on the other timelines. Juan knows God (or Prime Observer) will erase all but one line, and he has a plan to make sure the Argentinian line that will be the one that must survive. So when one alternative timeline has discover the means to travel to other lines, Juan decides to execute a plan that will attract the attention of God so He will show favor on his world , a plan that will involve the death of millions.

I admit, nothing gets me excited like a well-planned work of alternative history. “By The Hands” is a tale that stays true to the genre. The premise is nicely detailed, complete with a firm set of rules. Juan Peron is a hundred year old man, still very much alive thanks to alien assisted rejuvenation technology. He rules with an iron hand, much to the dismay of Tomas. Tomas agrees to his father’s request to be his heir but has second thoughts when he grasps his fathers ‘ends-justifying-the-means’ plan for survival.

“By The Hands” is a good tale. True to history with teasers for histories that never were. If you like Alternative History as much as I, then you won’t want to miss this one.

 

He was the most expert programmer in the world, in The Programmer and the Social Worker, or, A Love Story about Feature Creep by Tina Connolly (debut 7/29 and reviewed by James Hanzelka), but when his wife fell sick he packed up his seven laptops, unrolled CAT6 cable, and escaped to the cellar. She went to work, shopped, read her library books and slept alone. After seven days he emerged with bloodshot eyes and full of caffeine. He drug her to Sweden for the cure. Each time they put her under she demurred, but they cajoled, pleaded and begged until she relented. In the end she was permanently cured, her code perfected. But would the feature creep end the love story?

This is a strange little tale. Lots of computer speak and gobbledygook to wade through, but underneath is a nice love story and two opposites. The story winds on, with the programmer driven to save his wife, she trying to hold on to the normal. He succeeds beyond his wildest imagination, or at least hers, but in doing so she starts to leave him behind. When she turns back to beckon him to her, will he follow? I liked this story, not as much as some, but the subtext was quite endearing. Give it a try.

 

Super-Parents Last All Childhood Long by Erica L. Satifka (debut 7/30 and reviewed by James Hanzelka).

Caleb planned to break up with Shora after the movie, but when they got back to her room and she removed her shirt, he couldn’t do it. Still she was crazy to believe her parents were robots. Well not crazy, but definitely strange. Later, he went to the bathroom and searched her medicine cabinet, but found no pills. She wasn’t crazy, just strange. Later, at the store, as he buys a paper to look for work he starts to notice how distant and remote people are. Just the result of today’s isolated society, or was it?

I never did get fully into this story. Maybe it was by design because it was drawing a comparison to the remoteness of interaction in today’s society and what we perceive as the blandness of robotic emotions. To me, however, the plot just never fully developed. It just sort of bumped along with the underlying subtext, but never drew me in to the characters.

 

A man is plagued by an object of his guilt in The Dollmaker’s Grief by Michelle M. Denham (debut 7/31 and reviewed by Frank D). The protagonist recognizes an android doll standing in a shop’s window. The object is a reminder of a dark and regrettable moment in his life. The doll is missing something, something the protagonist can never give it.

“The Dollmaker’s Grief” is a solemn tale with a depressing twist. I was impressed that the author managed to make a sad story even sadder.

 

Making Your Money Work For Youâ€

For a good three years Daily Science Fiction has been laying a foundation as an attraction. With an original distribution plan, a rate to attract the best talent, and a selection of material that spans the breadth of speculative fiction, the publication has become a magnet for readers around the world. In short, you couldn’t find a better billboard if drove the length of the Washington Beltway (go ahead and try, I dare ya).

If you have a book, event, film, or Fortune Five Hundred product (McDonalds or Coca-Cola would be fine), and you want to focus your message on a specific audience, you can’t find a better place than Daily Science Fiction. DSF‘s readers are not a group of comic book nerds who hide in the closet to read by flashlight. No. They were a group of comic book nerds who used to hide in the closet to read by flashlight, but are now doctors, lawyers, professors, and successful career business men and woman. They are bright, on the upper half of money earners, and above all, loyal. Your Ad showcased on the electronic pages of DSF will be seen and your item will be noticed. Looking for an edge in a crowded market? Daily Science Fiction will help your product stand out in a crowd.

And because the friends of our friends are Diabolical Plots’ friends, here is this month’s bio featuring Daily SF‘s first advertising customer.

 

UFO2cover-200x300Why does science fiction and fantasy have to be so serious? Who says it has to be?

Alex Shvartsman (got to be funny with a name like that) has given us his latest anthology of side-splitting works of speculative fiction. Unidentified Funny Objects 2 is now available for purchase. Featuring original works from Mike Resnick, Robert Silverberg, Ken Liu, and Tim Pratt (to name just a few), UFO2 promises to be a hit. It’s funny. I should know, and I’m not saying that just because I helped to pick them out.

Associate Editor’s pick: “Class Action Orc” by James Beamon. Some lawyer jokes just never get old.

Daily Science Fiction: June 2013 Review

written by Frank Dutkiewicz

Did you contribute to Daily Science Fiction‘s Kickstarter campaign? If so, thank you very much. They made their goal with room to spare. That means the daily emails with delightful and never-read-before work of science fiction and fantasy will continue. Did you catch all that June had to offer? If not, this is what you missedâ€

 

“Pictures in Crayon” by Elizabeth Shack (debut 6/3 and reviewed by Dustin Adams) takes place in a far-future, dystopian world where the earth is dying, and children are taken off-world via a lottery drawing. The narrator wants to see other stars, wants to get off earth, wants to live, but she’s not the only child in her family.

I thought the ending was somewhat predictable, however, it was no less enjoyable, and melancholy.

 

“Note to Self” by Hans Hergot (debut 6/4 and reviewed by Dustin Adams) starts in such a humorous way that I was expecting a continuous laugh riot. However, the story turned sentimental and became the best of both worlds.

Thomas’s future self has won a time-travel contest in which he’s allowed to write six words to his past self to be delivered at a particular time. (Which isn’t fully explained, but doesn’t really matter.) I won’t spoil what the six words are, because what they mean is greater than what they say, which is what makes this story so great.

 

“Three Wishes” by Melissa Mead (debut 6/5 and reviewed by Dustin Adams)

In another delightful, twisted fairy tale from Melissa Mead, a golden coyote is stuck in a trap and thus rescued by a simple woodcutter. The woodcutter is given three wishes and mistakenly, and humorously, wastes the first two. His wife lets him have it for his foolishness, but demands the third wish be saved for something wholly selfish. She is a good wife. However, (spoiler) the woodcutter’s second wish absolutely needs to be undone.

This story, aptly, comes with a twist you might expect from a three-wish story. The twist, however, has a lot of heart.

 

“True Love” by Alex Shvartsman (debut 6/6 and reviewed by Dustin Adams)

At Temporal Excursions, Inc., you can step inside the mind of a past figure and experience their lives precisely as they did, minute by minute, in only an hour.

Molly seeks the experience of pure love. The kind, she says, that just isn’t seen around. However, she is repeatedly discouraged by the real lives of Helen of Troy and Cleopatra. Apparently our history books aren’t as accurate as the true day to day lives of these historic women.

But after each disappointment Travis, an employee of Temporal Excursions, is there to listen just as he is there to plug Molly back in during each subsequent visit until. Through with the past, Molly just might have discovered something of interest in her present.

 

“The Ships That Stir Upon The Shore” by Rahul Kanakia (debut 6/6 and reviewed by Dustin Adams).

In a future where the earth’s temperature is a deadly problem, people have been relegated into domes to survive. (However, this is not the focus of the story.) A broker of homes’ possessions sets his sights on a wealthy home whose owner is still alive. In the hopes that everything goes according to plan, based on past performance, he brings his family along to assist in the transition between the previous owner and them.

At first I was confused. The world made a lot of assumptions that I knew what the heck it was talking about. Then it settled into its story and I was sucked in – completely. What unfolds is as heartwarming as it can be in this quite dystopian future. I wished for a little more set-up regarding the change of heart. However, I still feel this is a top-notch story.

 

Simon gets an awesome gift that will spare him from pain in Jumping Into The Sky” by Samantha Murray (debut 6/10 and reviewed by Frank D). Grandma had finally sent Simon a birthday gift worth using: invulnerability cream, good for one day. He always wanted to jump off a cliff, remembering the look on Laura’s face when he backed out on a dare from before. The cream grants him the courage to dive ahead; an easy thing to do when the consequences are eliminated.

“Jumping” is a tale for those who wished they could summon courage from a jar. This predictable storyline has an unpredictable finale. The side effect was logical, but unforeseen. Well done.

 

A miracle drug promises to cure everything in Curing Day” by Dustin Adams (debut 6/11 and reviewed by Frank D). The protagonist is a nine year old boy centuries old. Pathway is a miracle inoculation that fixes all but erases memory. Shamus is one of the few who retains his memory. He alone sees the decay and remembers the ones who have died from accidents. The world is slowly falling apart and he alone can remember the slight changes of the effects disrepair.

“Curing Day” is a story I read in an infant draft. This final draft is a testament on how much work it takes to turn a good idea into a marketable story. Loved the concept of this piece , a world that decays while a society is locked in a pharmaceutical induced amnesia. Well done, my friend.

 

A bullied boy seeks sanctuary in his City of Chrysantemum” by Ken Liu (debut 6/12 and reviewed by Frank D). Bobby is a target of bullies. The small boy is tormented and beaten daily. On the pages of his art and in the corner of his mind he imagines a prince like himself in a city where boys aren’t forced to fight and are free to live in peace.

“Chrysantemum” is a fantasy only in the mind of the author’s protagonist. Bobby has a tale so many can identify with. His school is his dungeon. His two classmates are his predators, seeking him out so they can dish out their sadistic punishment for their own pleasure.

“Chrysantemum” is likely the least speculative story DSF has ever published. The tale is sad because there is too much realism in it. Bobby is not just a victim of cruel kids who say hurtful words that will inflict harm on his confidence. He is practice for future felons earning their own education in what should be the safe confines of a public institution. Bobby’s make believe kingdom serves as is his sanity’s refuge, his way of coping in his adolescent hell.

If you are sensitive to children being abused, avoid this tale. But in my opinion it is a story we should all read.

 

A superhero finds her rival, friend, and lover in Dark, Beautiful Force” by Jessica May Lin (debut 6/13 and reviewed by Frank D). The protagonist is a defender of justice who competes with another hero. The two develop a relationship as they battle the forces of evil and become intimate. The battle between good and evil will always carry on, regardless of the obstacles in life.

“Dark, Beautiful Force” is a tale of an extra special woman and her soul mate. The powers of the characters are unknown and the villains they fight are faceless. The struggle in this tale is of the inner turmoil the protagonist battles as she first competes than falls in love with her rival. The protagonist loses her unborn child while battling a vague antagonist. The loss leaves her hollow inside, and her depression drives a wedge between the two heroes. Her soulmate hatches a plan to save her from herself.

The vagueness of this superhero tale robs the story of its superhero flavor. The story almost could have been told without superhuman powers. The only fight that matters , to the protagonist and the reader , is the battle our heroine had with herself from the start. The plan her lover hatches (I would imagine) would do the heroine more harm than it could possibly do good. For all its vagueness, I found this tale nevertheless enjoyable, despite its dark conclusion.

 

“I’ll Leave The Light On” by Patricia Russo (debut 6/14 and reviewed by James Hanzelka)

Dahyana found the boy throwing rocks at a stop sign. She recognized him immediately by the glow. Mrs. Miller told her she would recognize them, and she had because they were like her. She took her time slowly developing rapport, drawing in the angry young man. He would always be angry until she could bring him to others like her. Bring him in, train him, teach him; only then can he fulfill his purpose.

I found the writing in this one a little uneven in spots, particularly the opening paragraph. If you work your way past that particular sandbar, you will find an intriguing story about people that live among us, but have a very different reality. I would encourage you to put in some extra effort and give this story a try.

 

“The Silver Witch” by Tara Calaby (debut 6/17 and reviewed by James Hanzelka)

When Rosalind was discovered straddling Leda the townspeople knew she was a witch. When the miller (whom she had rejected), the priest, and Leda’s betrothed testified they were sure. The decision was made. Rosalind must die to cleanse Leda’s soul of her spell. But when they tried to carry out the sentence the townspeople discovered something about the power of love.

This story is well written and gives us something to consider about how and who we fear in the world. It does so with a twist that that shows us even more. It also says something about the power of love. Give it a try.

 

A priest is sent to hell to find a man among the damned in Holy Diver” by Gra Linnaea (debut 6/18 and reviewed by Frank D). The protagonist is chosen by God to find a single soul in the fiery pits of hell. God had him sacrifice himself so he would gain entrance into the underworld. Hell is like a prison, priests are singled out , as if they are criminals who have committed a crime judged too heinous even for the fellow prisoners to accept. The protagonist learns to adapt in hell, as he searches for a man God so badly wants him to find.

“Holy Diver” is so much like a war story. The protagonist is on a mission in enemy territory. He knows nothing of the man he is searching for or the reasons why God wants him to find him. He is just a loyal soldier in God’s army and does not question his unknown orders.

I found “Holy Diver” to be an extraordinary and risky tale. The mystery of what the damned priest could be looking for , and the landscape of hell he walked through – had me hooked from the start. The answer to this mystery was a stunner. A warning to the faithful: the twist to this story you may consider blasphemous, so you may want to avoid it. I, however, loved the direction and the implications of the finale.

Recommended.

 

The Big Bad Wolf plans a big meal in Big Bad’s Hot Date” by Melissa Mead (debut 6/19 and reviewed by Frank D).The wolf of “three pigs” fame, plans a nice pork roast for his date. The trick is getting the slippery porkers to join in the meal. Thanks to his ingenuity, and the pigs’ predictable pattern, his date is destined to turn out just fine.

Inventive take on an old classic. I liked the way Ms Mead’s devious mind thinks. Well done.

 

Part of an immortal conscience faces irreversible death in Restorative” by Andy Dudak (debut 6/20 and reviewed by Frank D). The 3877th instance of Fingal Boyd is told he cannot rejoin the collective conscience because he has been inflicted with a virus. His shell, or ‘meat puppet’ , a man named Ciaran who has whored out his body, reflects with bitter irony that they will die together. Regret fills 3877 as death nears. He has never cared for his host body before, but weighing your actions of your life , and how they affected others , is a new experience for the greater being of Boyd.

“Restorative” is a tale set in a repressive society. Although the story is too short to fully explore the ramifications of a conscience impressing itself into one of the downtrodden, the plot to this piece centers on one part of a split being abandoned by its greater self. The vessel 3877 has occupied was once its own person. Ciaran had sold himself to be used, and abused. Now used up, 3877 feels the consequences of what he has done to Ciaran, and 3877 does not like it.

My main complaint to “Restorative” is it was far too short. A far larger , and better , story was left untouched. A thought provoking story with a satisfying ending.

 

A grieving actress is asked to reprise a memorable role in While Memory Holds a Seat” by Nina Kiriki Hoffman (debut 6/21 and reviewed by Frank D). Rose is a member of a planet-hopping traveling theater troop. Dark and tragic events in her past transformed the once bubbly girl into a withdrawn and depressed woman. A decision of what to preform must be made for the troop’s next stop. Verna, her daughter, suggest they do ‘Beauty and the Beast’, and wants Rose to play Belle.

“While Memory” is a story about a woman who has condemned herself to her own hell. A tragic accident has left her hollow inside. The tale is mostly a mini-biography of Rose’s past. It is all a set up for climactic finale that was dulled by the lengthy and depressing backstory.

 

A couple attempts to rid their world of a pest in All Kinds to Make a World” by Georgina Bruce (debut 6/24 and reviewed by Frank D). The protagonist and his wife find a creature outside their home and do their best to kill it, but try as they might the little bugger refuses to die. They don’t give up at first, but in a weird Stockholm syndrome twist they come to adore the monster.

“All Kinds” is a strange story (I mean that with modest sincerity). Like the creature in the tale, I became endeared with it by the end.

 

Two young students pine for each other in Pinned and Wriggling on the Wall” by Usman T Malik (debut 6/25 and reviewed by Frank D). The protagonist is spending one last evening with his girl, Sara , a med student with a talented hand for sketches that come to life. They are in love but her father makes it impossible for them to be together.

The subplot to “Pinned” is the two-dimensional beings that Sara has drawn in her notebook. One drawing attempts to escape while the protagonist makes a play for Sara’s heart. I confess, I did not connect the relevance and/or metaphor the author was seeking for this tale. I am afraid the story’s point was lost on me.

 

The innocence of youth can be quite tragic in Such Days Deserved” by Lee Hallison (debut 6/26 and reviewed by Frank D). Annie and her young friends have claimed the empty lot as their own. They have dug a hole and called it their fort. So when their fort is occupied by a strange – and scary looking – visitor from beyond, they react in a most human way.

“Such Days” is ET gone wrong. The opening paragraphs open with Annie and her innocent hopes as she stares up at the stars, which makes the gravity of what happens afterwards very shocking. I think the events of this tale would probably be the most likely outcome of a first contact scenario. I think the choice of using children made this worked best. Well done.

Recommended.

 

A soldier’s bid to fight repression crosses lines in The Frenchman’s Jihad” by JT Howard (debut 6/27 and reviewed by Frank D). Jean is part of an elite fighting unit combating the spread of contraband seed in the farming community. The son of a farmer cut down by thugs, Jean is happy he no longer works in the fields. His unit is out to stop the illegal seed trade, no matter what.

“Frenchman” is a tale set in a world of tyranny. It is a story where a soldier suddenly realizes he is on the wrong side. The author is an experienced warrior, and the tone and details shows the depth of his knowledge. “Frenchman” is a sci-fi war story very much like the speculative fiction tales told in the height of the Cold War. I found it to be crisp and compelling.

 

A sick woman exhausts the memories she stored for her daughter in Melancholia in Bloom” by Damien Walters Grintalis (debut 6/28 and reviewed by Frank D). Helen has a family heirloom for her daughter Rebecca: a magical box that stores memories. It is a treasure Helen found after her mother died, and in it, are the strips of cloth and the notebook her mother left for her explaining the magic of the box. For years, Helen has stocked the box with rose petals full of memories and a diary she has kept for Rebecca, but a debilitating disease has struck Helen and memories meant for Rebecca are the only things that keep her connected to this world.

“Melancholia” is a story told from two perspectives. From Rebecca’s point of view seeing her mother as a once lively woman now locked in a vacant shell, and from the words in Helen’s diary as she lives with the horror of losing her mind. Rebecca’s story is one that thousands of people could tell; the experiences of watching a loved one succumb to Alzheimer’s. Her mother is a woman who is lost to her; a walking catatonic, a parent who has left this Earth, yet still lives. The pain of viewing the vibrant woman she once knew now locked in a shell is too much for her to bear. Helen’s story adds an extra dimension to the tale. The magical box of memories is an heirloom passed down through untold generations. She found it after her mother passed away and discovered the gifts of memories inside. The rose petals she placed inside the box are memories she intended to leave her daughter, but the memory-fading disease that has her in its grip makes the temptation to re-experience what she lost to great for her to resist.

This story has a premise very much like Michael Haynes’s Scraps, but, where Mr Haynes’s piece was a tale of beautiful discovery, Ms Grintalis’s is a heart-wrenching tragedy. The two subplots of “Melancholia” complement each other. Helen is aware of the injustice she is doing to the boxes legacy and of the gift she is robing her own daughter, but the reader can’t blame her for it. Her written confession that choosing not to seeing a doctor when the first signs appear because it would ‘make it real’ is something we all can sympathize with. The recaptured memories allow Helen to be normal once again, even if it is for a brief moment. They keep the disease at bay, but the memories she has stored , and meant for Rebecca to experience , are finite in number and will be gone once spent.

I wondered when I finished this tale if Daily SF was Ms Grintalis’s first choice to publish her story. I’d imagine that a good many publications would have told her that it wasn’t right for them; a modern fantasy, short in length, a quick narrative and , most of all , an ending that was anything but happy. Not quite dark enough for a publisher of horror but the complete absence of cheer would have likely disqualified it for a bunch of publications and that is too bad. The early speculative fiction TV classic Twilight Zone proved that the very best tales don’t have to have a happy ending for them to be enjoyable. In fact, the bitterest endings in that show are where it achieved its greatest accolades, and like those memorable but bitter episodes this story deserves praise reserved for a true classic.

“Melancholia in Bloom” is a dynamite work of art. From its aptly named title to its somber finale this is a tale worthy of remembrance. Thank you Daily SF for delivering it to my email box.

Highly recommended.

 

And then there was oneâ€

On June 27th Dr. Steven Wittenberg Gordon announced on his writer’s blog , Songs of Eretz – that he would no longer be reviewing Daily SF on a regular basis. For an entire year, Dr. Gordon wrote a review of every DSF story the day it debuted , no small feat. His reviews were honest and thoughtful, and he didn’t miss one in all that time , including the ones that were written by the Diabolical Plots staff. And to prove we can take it, as well as dish it out, here is what he thought of our work.

“Coin Op” by David Steffen
The business-like, complete lack of emotional response from the android was amusing, as were its sexual extortion tactics. A snide comment at the end of story detracted a bit; there was a missed opportunity to make this a moral tale with a chilling (ahem) climax. 3 out of 7 rocket-dragons.

“This Is Your Problem, Right Here” by David Steffen
This story was revolting and hilarious at the same time. Original and memorable. 7 out of 7 rocket-dragons

“Curing Day” by Dustin Adams
There is certainly the grain of a great story here. I wish Mr. Adams would have provided some explanation for how the anti-aging drug works and why the side-effect occurs. The story is a little difficult to follow, but its original premise makes it worth reading. 4 out of 7 rocket-dragons.

“Fool’s Gold” by Frank Dutkiewicz
A good story, but the intellectual dialogue from the mouths of supposedly uneducated serfs was distracting. 5 rocket-dragons.

Dr. Gordon provided what I’ve been claiming Daily SF deserves from the leading reviewers of speculative fiction , insightful, thoughtful, and honest assessments of the works offered by one of the leading publishers of short, genre specific fiction in the industry. It is a disgrace that the recognized reviewers have been neglected by them and a shame Songs of Eretz will no longer picking up their slack. We will miss reading the doctor’s opinions.

But hey, if the good doc would like to keep a toe hold in DSF reviews, we would be happy to make room for him. I’ll keep your work load light, Steve.

 

MB_JLWhy are these two people so happy? Because you came through for them. The editors asked for your help in funding Daily SF and you didn’t disappoint. They met their goals with room to spare. On behalf of Jon and Michele, thank you for your support.

Daily Science Fiction: May 2013 Review

written by Frank Dutkiewicz

Hey there fans of Daily Science Fiction. Have you’ve been enjoying all the free works of speculative fiction all these years? If you have, maybe you can show the editors some love. First, here are this month’s storiesâ€

 

Stories about or containing affairs as plot are fairly common, yet “Persephone at Arm’s Length” by Bridget A. Natale (debut 5/1 and reviewed by Dustin Adams) stands out because of how polar opposite the two characters are.

The protagonist puts up with more than any man rightly should (which is deftly “shown” not “told” by the author). And she is solely in need of companionship while her husband is away(Where he is gives this tale quite a boost).

There’s a distinctly lopsided relationship here, even for two people married to others, and I gather that it’s not likely to change.

 

“Lyam” by Jez Patterson (debut 5/2 and reviewed by Dustin Adams) is a fun, flash piece about human parents struggling to come to grips with their adopted baby. Their alien baby.

The father is on board, ready to go, and soothes his wife with humor and love, but she — she’s not so sure. Decent story. Simple, and enjoyable.

 

“Things We Leave Behind” by Alex Shvartsman (debut 5/ 3 and reviewed by Dustin Adams) is a story about a Russian couple and their son leaving their country, town, and legacy, not so much to find a better life but to escape a not-so-great one. Fueled by the matriarch and with the young son eager to explore, the father eventually acquiesces and parcels their belongings, including his vast collection of books. The books that have kept their town safe for generations.

Personally, I enjoyed this story very much. There’s subtle hints of magic here and the timing of world events leads the reader to believe they are absolutely true.

 

“The Taking Tree” by Emily C. Skaftun (debut 5/6 and reviewed by Dustin Adams) according to the author’s notes was inversely inspired by The Giving Tree by Shel Silverstein. While I can certainly see the author’s motivation I admit I was disappointed to discover this fact because I quite enjoyed the story as-is.

A tree, having been cut down by a life-long friend, grows anew around the stump with rings of saplings that together become the mightiest tree in the forest. Sadly, however, the tree’s thoughts are bitter and when other children come to play she doesn’t trust them; she hurts them.

 

“Smaug, MD” by Andrew Kaye (debut 5/7 and reviewed by Dustin Adams) is a brilliant story in which dragons have returned to the Earth but are small enough to become our physicians. They’re better at doctoring than their human counterparts, and have set up complex insurance programs which culminate in the consumption of the patient at the time of death.

However, the narrator’s father is let in on a secret mere moments before he is to be eaten that shakes his foundation, and that of his daughter. What did the dragon tell him?

Unfortunately, I found myself so interested in what the revelation was, that the story itself, the journey, lost some of its luster. Good stories start with a question that’s answered at the end, and this one was great. Possibly too great.

 

“Puss” by Melissa Mead (debut 5/8 and reviewed by Frank D). The famous fairy tale cat readies himself for the next chapter in his life, and takes a previous rival as a convenient companion.

In this alternate fairy tale, Puss has had enough , electing to strike out on his own. It isn’t clear to me if this is an unwritten epilogue of the old classic, or a divergence in the original story.

 

Peter Whitt stands accused of the most heinous of crimes, the attempted assassination of the angel. In “Ichor” by Jess Hyslop (debut 5/9 and reviewed by Jim Hanzelka) he shows no emotion as the charges and sentence of death is read. He stares straight ahead not looking at the priest as he rolls up the scroll. He doesn’t react as the executioner strides to the handle, doesn’t acknowledge the jeers and thrown dirt clods from the crowd. Only when he falls through the trap door does he react. He smiles. It is as if he knows something no one else does.

This is an interesting story. I can’t say I really cared for the layered flashback structure the author uses to tell the tale, but still the sense of the story comes through. The author does a pretty good job of setting and character development for a short work and the ending works well. Overall an interesting read, if not one of my favorites.

 

The princess withers under the overbearing hand of her father in “The Princess and Her Tale” by Mari Ness (debut 5/9 and reviewed by Jim Hanzelka). She is aware of her value only as a princess, but her father sees her as the reincarnation of her mother and seeks to hold her unmarried at his side. The minister concocts a plan to free the princess. She adopts a disguise and with her maid leaves the city. Along the road they meet three women who give them gifts to aid in their goal to have the princess meet and marry a princess from another land.

The author has crafted a well written tale that flows well for the most part. The problem is it seemed a little too familiar and in the end just wasn’t interesting enough to hold my attention. The story also seemed cramped in this format with not enough space to allow the spectacle to flourish or the tale to unfold gently. Overall not a story I would recommend, unless you are a devotee of fairy tales, then it may be worth a read.

 

A medium has a special bond with her dead in “Forgiving Dead” by Jeff Stehman (debut 5/13 and reviewed by Frank D). The protagonist is visited by a pair of customers. Like many, they wish to contact a lost relative , a victim of a tragic accident.

“Forgiving Dead” is a story of condolence. The protagonist’s gift is her own penance, a reminder of her role in the spirits of this tale’s fate. A nice, but not jarring, twist at the end. I rather liked it.

 

The yearly family get together would not be complete without the telling of the traditional tale in “The Troll (A Tale Told Collectively)” by Marissa Lingen (debut 5/14 and reviewed by Frank D). Telling the tale , much like the outcome of the tale , always ends in disaster.

This light-hearted look at family reunions centers around the conflicting story of a troll that had a habit of disrupting past reunions , until the day long-gone grandpa rudely put the trolls intrusion to an end. The telling of the tale is never completed but the story within the story wasn’t really the story anyway. “The Troll” is a tale of dysfunctional family dynamic and is an excellent analogy on why so many of us don’t look forward to holiday gatherings every year.

 

Faith powers the “Airship Hope” by Laurel Amberdine (debut 5/15 and reviewed by Frank D). The lighter-than-air ship is a vessel prophets deemed necessary. A labor of a thousand years, monks ride in search of a new land, steering through the skies on the power of prayer. Only doubt can doom the vessel. Those who lose faith, are cast aside , no matter how important they are.

“Airship Hope” is a tale of commitment. The captain of the craft is the bishop of the order. A test craft proved doubt will spread and spell the end of the vessel. Blind faith is a must. The tale has a slight twist but it isn’t the climax of this short tale. The bishop’s own faith is tested, and you can see the seeds of his own doubt sewn in the fabric of the finale.

 

A hard woman makes her man hard in “Puppet Man” by Cate Gardner (debut 5/16 and reviewed by Frank D). Walter is a mealy married to an overbearing woman. Maeve is a bully who is never satisfied with her husband. To combat her boredom (and to get away from Walter) she acquires a hobby , taking up woodworking at the local college. Her instructor also teaches sorcery, and Mauve is eager to combine the two talents, and experiment on Walter.

“Puppet Man” is a tragedy. Walter is a spineless man who can’t please , but never stops trying , his wife. Maeve is the worse type of spouse; judgmental, unsympathetic, rude, selfish, bossy – and with all the tenderness of a cactus. She doesn’t like her husband one bit. Walter is very unhappy with his marriage but lacks the courage to put his foot down. Maeve is out to change him once and for all.

The story is told from Walter’s perspective. The reader ends up hating Maeve and her lack of any redeeming quality whatsoever. Weak, indecisive, complicit; Walter doesn’t come off well either in the sympathy department. He internally contemplates leaving Maeve but outwardly endures her masochistic actions. “Puppet Man” attempts a twist but twist fails to turn the story. The changes Maeve imposes on Walter does nothing to change him or his mind. Instead, it only serves as another pin for Maeve to poke her man with.

 

An extrinsic cybernetic man buys “The Last Tiger” by Joanne Anderton (debut 5/17 and reviewed by Frank D). Edward is a wealthy man. He fills his home with replicas of extinct animals. The Last Tiger is his most unique possession , a creature that is mostly alive. Its brain and heart are cybernetic units – such are the limitations of biological components – but the creature smells, defecates, and acts like the predator it once was. The living creature requires a lot of care but there is something alluring to it. Edward is drawn to its primeval need to hunt, as if its desire to kill is what makes it seem so alive.

“The Last Tiger” is a tale of decay. Earth has become a sterilized world where the electronic has merged with the biological. Society, the landscape, and personalities mimic what once was. The tiger in this tale acts like an overgrown house cat for Edward, seeking his owner’s affections and bringing his fresh kills for Edward as ‘gifts’. The large creature drives a wedge between Edward and his wife, and between Edward and his reality. So fascinated he is with his pet that he forgoes the basics of substance for himself. The story at this point changes. What was set up as a metaphor on our decaying society becomes a diverting Trojan Horse finale.

I found this story to be well-conceived. The people of this future are barely people anymore and I got the impression that civilization was operating on an auto-pilot. Biomechanical humanity has become a sterilized society; a mimic of what we once were. This portion of the premise attracted me. However, the payoff I was expecting never came when a twist took the story in a direction I wasn’t expecting and into a conclusion I didn’t fully understand. Let me just say the disguised antagonist’s motives I don’t get. It left me scratching my head and wondering ‘why?’

 

“Private Memories” by Michael Haynes (debut 5/20 and reviewed by Jim Hanzelka).

The main character can control time and is using this ability to prevent Sara from killing herself. Over and over again he tries to change the events, failing each time. Five, six, seven tries are not enough. Finally he succeeds, finds the right words to pull her back. But someday the time will come when even this ability isn’t enough, and the fates will have their due.

This story has an interesting premise. If you had the ability to go back in time and correct some mistake, should you; or are you doomed to eventually pay the price. While I like the concept, I can’t really say I care for the execution in this case. The author has chosen to put this in a first person format that felt a little distant to me. I never really felt for his characters, therefore I found the piece a little flat.

 

The narrator is in the basement with her friend’s lover in “The Left Side of Your Lover’s Broken Face” by Brynn MacNab (debut 5/20 and reviewed by Jim Hanzelka), but they are only playing ping pong. She’s comfortable with him as a friend, maybe more so than her female friend. Their discussion ranges from politics to cows to shoes. The lover is distracted by the conversation, which leads to an unfortunate accident with a ping pong ball. This event cascades into a darker event, one that reveals a secret that changes the narrator’s perspective on life. Eventually.

This is another oddly constructed story, but with a less interesting premise. I found the characters oddly flat and distant. Even the narrator seemed to display a lack of passion, even when fleeing for a weekend. Even odder, the author tries to portray her as terrified, but the next week she’s back acting as if the traumatic event is merely bad socialization. I found the whole story a little disjointed.

 

A princess seeks an escape in “A Little Sleep” by Melissa Mead (debut 5/22 and reviewed by Frank D). The protagonist is a bright daughter of a widowed king. His only surviving child, she will make an excellent bargaining chip for an endowment. She does have a choice but it is a radical one.

“A Little Sleep” is a darker side to the ‘Sleeping Beauty’ fairy tale. The princess is well aware of the curse on her head, but has managed to steer clear of spindles thus far. Her predicament, as a married off princess, is not to her liking, which makes the allure of the spindle actually enticing.

I liked Ms Mead’s addition to this tale. Logical and gives the story more meaning. The ending had an amped up dark mystery to it as well. Well done.

 

Family togetherness involves a “Nitpick” by K. S. O’Neill (debut 5/23 and reviewed by Frank D). The characters of this story live in a future where parasites are accepted companions.

This story’s point was lost on me. There were a lot of subplots that had no obvious connections to me. The central theme to this story is the tolerated lice that live on their human hosts. The humans have come to frown upon the serious arts , like science and math , while pushing their children to take up frivolous activities.

I hate to nitpick at “Nitpick” but I found this tale not that all fulfilling and a little bit gross.

 

Pest, pet, or partner? “An Exodus of Wings” by Bonnie Jo Stufflebeam (debut 5/24 and reviewed by Frank D) is the story of three people whose lives intersect from a fairy infestation in Michael’s apartment. He had always taken steps to keep them at bay but when he fell for Heidi, his attention to detail waned and the fairies soon appeared. He doesn’t dare harm them when she is around. It becomes clear that it is the fairies that draw her to his apartment and he realizes that there will be no future between the two. Time to call an exterminator.

“An Exodus” is a tale of three perspectives. The writer chose to tell each person’s tale in a different point of view (distant 3rd person, 1st person, and 2nd person), unique and accomplished well. It takes talent to pull that challenge off well , kudos to Ms. Stufflebeam. Although her story telling skills are impressive, the story itself was thin. The tale was just about a boy who was willing to live with an inconvenience to impress a girl. The fact that the inconvenience was a magical pest made the premise only slightly different. The ending left me unfulfilled.

 

A man strikes a deal to achieve everything in “The Bargain” by Henry Szabranski (debut 5/27 and reviewed by Frank D). The protagonist is in the midst of the final scene in a final act of a tragedy of his own creation. He had made a deal with the devil without weighing the costs.

“The Bargain” is a very short tale on greed. It is written as if it were the final page of a much longer story. What happens before is not known to the reader but it doesn’t matter with the conclusion that is left for us anyway.

A great work of flash. I can imagine plenty of readers unsatisfied with its brief telling and sharp conclusion but I liked this commentary on overpaying for your deepest desire.

Recommended.

 

“The Wheel of Fortune” by Alexander Lumans (debut 5/28 and reviewed by Frank D). Aliens have invaded Earth and are tearing up the ground to extract its minerals. The protagonist is a young soldier whose dreams are big and plans bigger.

This story is told with headers pertaining to cards in a Tarot deck. I don’t know of the orders of the cards or their meanings, so part of the point of this tale may have been lost on me. That aside, I could only follow about half of what the story was about. The conclusion felt as if a large section of the tale was missing. I got the nature of the interstellar conflict, but the protagonist’s inner turmoil fell out of my grasp.

 

Four witches are out to concoct a special thing from the “Jumbo Gumdrop Serenade” by E. Catherine Tobler (debut 5/29 and reviewed by Frank D). The thing they have been waiting for has arrived on their porch. The four brew their potion, speak their spell, dance their dance, in hopes of creating something greater than themselves. What they get is a something so different from what they are.

“Jumbo Gumdrop” is a tale I had to read twice, and read slowly to grasp what it was about. A big mystery is kept from the reader as the author dangles encrypted hints. The effort of deciphering it was laborious. The ending did have an appropriate twist that made reading the story worth it.

 

A ghost baby cries relentlessly in “Ghosts in the Walls” by Shannon Peavey (debut 5/30 and reviewed by Frank D). The spirit of a baby in Laura’s apartment wall is a wailer. It cries until an earthquake comes then is silent as if it is rocked asleep. Its screams are wearing on Laura nerves but she is compelled to endure them.

The protagonist in “Ghosts” is a woman racked with guilt. She is in the midst of a divorce. Her child was lost in a crib death months ago. Earthquakes plague the city but leave her building unharmed. Any or all of these occurrences may be the reason why the baby in her wall screams but the reader and protagonist are clueless why. The story does have a straightforward conclusion, which likely was the reason why I never saw it coming. It was hidden in plain sight along.

“Ghosts in the Walls” is a very good ghost story. Short, sweet, and little sad. Everything a ghost story should be.

Recommended.

 

A political pundit lives on with the help from “The Suit” by Robert Reed (debut 5/31 and reviewed by Frank D). Garrett is a writer on matters of public policy. His articles are popular and his Sunday appearances on news programs are influential. His conservative principles hold much influence but his mental faculties take a hit after a small stroke. Ill-conceived words threaten his credibility, but a wealthy fan offers him a solution so he won’t fade from the public eye; an artificial intelligence assistant hidden in a suit.

“The Suit” is a long tale in a small package. The protagonist is a crafty man who has done well masking an average intelligence with timing and keen insight on outward appearance. His conservative opinions strike a fascist tone one day, nearly derailing him for good. A benefactor salvages his credibility and enhances his intelligence with the help of his suit. Soon, his radical notions become policy. He is a star once again, but age has its effects, ending his life. However, the suit remains, and the people closest to Garrett would love to wear it.

You cannot ignore the veiled distaste the author has for his protagonist. Although Garrett could represent one of many real life pundits, the fictional character’s beliefs really didn’t matter. The story could have been told if his views were a mirror opposite on the left. The tale was a commentary of the effects of artificial intelligence and how its benefits for a few could have disastrous effects for those who have not the means to acquire such assistance for themselves. Although the story made its ‘point’, it lacked a discernible moral I would have expected for a politically motivated piece. It was very much like the political debates on TV; thoughtful words from (a) smart sounding pundit(s) to make you believe you are learning something, but in reality resolve nothing when it ends.

 

A Chance to Settle a Paying Forward Debtâ€

As I have stated before, a leading editor and reviewer once told me that he doubted Daily Science Fiction would have a long lifespan because of a non-existent (at least one he couldn’t see) business model. Jon Laden and Michele-Lee Barasso proved him , and many other , doubters wrong. They have managed to maintain DSF as a free distributor of speculative fiction for three years strong , and counting. At eight cents a word and publishing hundreds of thousands of words a year you don’t have to be a mathematician to know that can’t be cheap. Paying authors aside, there is the expense of maintaining and sending a story to 7000+ subscribers every work day. A friend of mine once calculated what the cost of just running the web page must be for the editors. I was floored.

So, our two founding heroes have done it without asking for a dime, but the pot they found at the end of the rainbow just might becoming a little bit light. They now could use some help.

Through Kickstarter, – an online project funder , DSF is asking its long standing members for a small donation. The amount they are asking for I don’t think will fund a month’s worth of stories, but it is all they are requesting. If every subscriber donated $1, they would meet their goals with enough left over for them to each grab a coffee or two at Starbucks. Of course, you know that guy next to you won’t give a cent (freeloader), so it’s up to you to throw in an extra buck for him.

Note: At the time of this writing, the campaign still needs over 2 grand more to meet its goals , and has two weeks left to do it. I confess, I am bit surprised they didn’t reach the very modest target in the first few days. So be a champ, and give.

Editor’s note: at the time of scheduling this post, the campaign needs about $700 in 7 days. Deadline is August 16–4 days from when this post becomes public.

 

Dustin AdamsThe Lord of the Underworld and all the damned souls in his realm would like to thank Diabolical Plots contributor Dustin Adams for achieving another sale , thus saving them a costly air conditioning bill for this month. His latest work will soon be appearing in an upcoming issue of Plasma Frequency. Congrats Dustin. And here I was worried it would take another million words for you to get published again.