Avi Naftali – Diabolical Plots

2023 Retrospective and Award Eligibility

written by David Steffen

In 2023 Diabolical Plots published our second guest-edited themed issue, this time for the “Diabolical Thoughts” telepathy theme, guest-edited by assistant editor Ziv Wities.

We have been publishing the annual Long List Anthology since 2015. In 2021 there was a hiccup in the schedule due to WorldCon timing that pushed that year’s Long List Anthology into 2022, meaning there were two volumes of the anthology series in 2022. The entire basis of the anthology is the Hugo Award nomination statistics, so the work to compile the anthology cannot start until those statistics are published, and in 2021 WorldCon (when the statistics are usually published) didn’t happen until December. In 2023, although WorldCon was held in October, they have not published the nomination statistics yet–according to the WSFS constitution they are allowed three months to do so, which means they have until mid-January. This should mean we can get going on the Long List Anthology in January or February, and it will likely be another two-anthology calendar year.

In 2023, we published 23 original stories in Diabolical Plots.

This year we welcomed two new assistant editors to our ranks: Chelle Parker and Hal Y. Zhang (read our staff page for more info on them)

Diabolical Plots opened for general submissions in July. We read more than 1400 submissions and accepted 25 stories from the window. We were running a little behind schedule for publishing stories, so the last few months of 2023 we published one story per month instead of two to stretch the inventory a bit further.

It was a busy year in my personal life as well, including the passing of our dog Mikko who had been a member of the household for fifteen years. This is the second consecutive year that we had to say goodbye to a dog, so I’m hoping we will have a reprieve for a while.

The rest of this post is award eligibility, suggesting categories for major awards, as well as a full link of stories with snippets.

Magazine/Anthology/Editor/Publisher

Diabolical Plots is eligible in the Hugo Best Semiprozine category or the Locus Magazine category with our team of first readers as well as assistant editors Ziv Wities, Kel Coleman, Chelle Parker, and Hal Y. Zhang.

David Steffen is eligible as editor of Diabolical Plots.

I don’t know exactly how editor catogories are interpreted. But at least for Hugo Award for Editor, Short Form it specifies that they must have been “editor of at least four (…) magazine issues (or their equivalent in other media)”. Ziv Wities edited our special “Diabolical Thoughts” telepathy-themed issue, but has also edited many of our other stories. Even assuming we should interpret “issues” as ALL of the stories for a particular month of Diabolical Plots, Ziv Wities qualifies with the four most recent months being: August 2023, March 2023 (Diabolical Thoughts), January 2023, and March 2022.

I think that Kel Coleman might also qualify based on DP work depending on how an issue is interpreted. They have edited more than 8 stories for us, which is more than 4 issues of the usual size, but those were sometimes not entire months. (I think it’d be fair to count that though).

Diabolical Plots, LLC is eligible for Locus award for Publisher.

Related Work

We published just one nonfiction piece this year: “MOVIE ANALYSIS: Elemental (Pixar), a Movie About the Dangers of Government Incompetence” by David Steffen

The Hugo for Best Related Work has included websites before, The Submission Grinder is theoretically eligible for that.

Short Stories

“Dog Song” by Avi Naftali

So you want to determine whether dogs still exist.

First, our association of dogs with obedience. Is obedience dog-like? Or is it to do with horses now, or children, or hamsters. “Hamster-like obedience.” Dogs have retreated into the bodies of hamsters, maybe. They have a real knack for learning, we’re told, and for evolving themselves. There’s no reason they couldn’t take this extra step. Or maybe they don’t exist, dogs have never existed.

“Tell Me the Meaning of Bees” by Amal Singh

On a sunless morning, in the city of Astor, the word ‘caulk’ vanished.

The word didn’t announce its vanishing with trumpets or a booming clarion call. It faded away slowly in the middle of the night, like the last lyrics of a difficult song. The ones who didn’t use the word ‘caulk’ could not even tell what had gone wrong—the non-engineers, the artists and intellectuals—because for all intents and purposes, they would have spent their entire lifetimes not caulking anything.

“The Monologue of a Moon Goddess in the Palace of Pervasive Cold” by Anja Hendrikse Liu

Two centuries ago, I would’ve built thrones made of mooncakes in every room of my silent palace, would’ve filled hot tubs with the fruit sent up on festival night. Nowadays, storing and preserving and pickling feels like a losing race, like if I let even one persimmon spoil in the cold moon air, there won’t be enough to sustain me and Jade Rabbit for the year.

“Devil’s Lace” by Julie Le Blanc

The demon and I had been crocheting for hours, in what appeared to be a sliver of space it’d created between Here and There. Around a plush couch floated pale, winter fog that obscured anything more than a few feet past the limits of the cushions.

“Rattenkönig” by Jenova Edenson

Kim was always having bright ideas. In sophomore year, he’d bought an honest to God stink bomb from the Internet and set it off in the math class hallway. A girl had an asthma attack, and Mr. Allen had to call an ambulance. You brought this up when Kim suggested driving up to Canada from San Diego and back in the span of a week. Kim laughed, and kissed your cheek. He told you that you didn’t need to worry so much about stuff that had happened so long ago. Besides, Evelyn had come back from the hospital with a brand new rescue inhaler.

“The Hivemind’s Royal Jelly” by Josh Pearce

The figure seated on the other side of the plain metal table has a blank look on its face, like its creator gave up halfway through forming its features. It is dressed in an orange jumpsuit, white socks, black slippers. The handcuff that secures it to the table cuts deeply into the waxy pale skin of its wrist.

“The Desert’s Voice is Sweet to Hear” by Carolina Valentine

Zazy tugged her hood forward to get a sliver more shade. Not today, my friend, she replied. She spotted the bonecrawler nest the desert wanted to convince her was a bubbling spring. Heat fatigue washed through her. For a moment, her eyes unfocused and the trickle of insects did resemble running water. Zazy closed her eyes. No, thank you.

“A Girl With a Planet In Her Eye” by Ruth Joffre

For the first thirteen years of her life, the planet was silent. No birdsong. No construction. Only the gentle sway of an ocean pushing and pulling against the aqueous humors of her left eye. Late at night, while her parents slept, she often lay awake and listened to the dense water solidify itself, the salts forming crystals, the crystals becoming pillars in a great, cavernous hall populated at first by no one, and then: music. A pure, high note so sudden it woke her from her slumber and conjured the image of a miniature flautist performing deep in the canal of her ear.

“Re: Your Stone” by Guan Un

Hi HR,
Just letting you know: I moved the artwork “Higher, Faster, Boulder” from the ground floor lobby up to the Second Floor Cafeteria as per Asset Movement Request #5340 from Asset Management, could you please let me know why it’s been moved back to the ground floor?
Thanks,
Sisyphus

“Bottled Words” by Carol Scheina

Unbottle a voice and it would vibrate through air, giving you one—just one—chance for your brain to turn those waves into recognizable words. But for me, it’s not like I could stop a bottled voice and ask, “Can you say that again?” There was no listening over and over, trying to see if I could recognize a new word here or there. There was no telling a disembodied voice that yes, I could hear it with hearing aids, but no, the sound wasn’t clear enough, or my brain wasn’t able to piece the sounds into words, or that I’d much prefer to read its voice on paper.

“Six Reasons Why Bots Make the Worst Asteroid Miners” by Matt Bliss

1. They think they know everything. Like your twenty years of mining experience is useless compared to a high-acting neural processing drive. Like you’re nothing but a softer, weaker liability, and the only thing you’re good for is greasing their joints and blowing out their compressors. Just one bot and one human to babysit them.

“Diamondback V. Tunnelrat” by Nick Thomas

All parties agree to the following facts. A skirmish broke out between the Diamondbacks and the dwarves during the Brass-Tree autumnal equinox fete. The fete is a centuries-old tradition, occurring every year and held in the foothills alongside the Cenen river. Brawls are as much a part of the festivities as the paper lanterns, the stewing of chicken heads, and the traditional weasel-peasel dance. Neither party makes complaint about the violence done to them or by them at the skirmish.

“They Were Wonderful, Once” by Lily Watson

Even by the third hot, sticky day into our road trip, the humans in the back of the transportation trucks remain fascinating. Theoretically, we know where our blood comes from. But this is different, seeing the little bits of them, poking through the slots on the sides of their container, pressed against the grates for lack of room.

“Interstate Mohinis” by M.L. Krishnan

Sometimes, I dreamed about flowing water. About where I would be—not here, anywhere but here—if my body had survived the accident. Mushed, but still recognizable. With its vestigial humanness that demanded respect, especially in death. My ashes would have been tossed into an ocean or a river in a coursing procession of night-blooming jasmine garlands, women who keened and thumped their chests, and drunken louts who gyrated around my urn until they foamed at the mouth. Until they collapsed in exhaustion or pleasure.

“Glass Moon Water” by Linda Niehoff

The afternoons are sprinklers in the backyard and ice-pops while our sisters and mothers watch flickering soap operas in cold, tomb-like rooms, cold from the AC cranked so low. The nights are sleeping out in the backyard in a tent or a sleeping bag unrolled on porches and decks or even in the grass and looking up at the stars. Listening to the AC click on and hum its silver song through the night.

“The Dryad and the Carpenter” by Samara Auman

Mortals slice us dryads open to count the layers of our lives; it is easier than listening to our stories. They slide their fingers over our rings, thinking that our texture, our shifts in coloration would bring them understanding of their own lives. In their minds, we exist to bring poetry to their sighs and serve as metaphors for longevity.

“On a Smoke-Blackened Wing” by Joanne Rixon

The transformation. The wind under the airplane’s wings buckles as the wings buckle, shake, separate into a beating of hundreds of wings. Out of the fog we come. This time, this first time, we are geese: black-brown wings and furious hearts. We fly awkwardly, at odds with the turbulence; we are newborn, but already the flock is forming as our instincts awaken in the air and we orient ourselves not against the ground or the stars but against each other.

“Shalom Aleichem” by Y.M. Resnik

Every Friday night the angels came, and every Friday night they freaked me the fuck out. Which is probably why I didn’t get a million-eyed, one-footed guardian of my own like the rest of my family. This was totally fine with me. I was in no way jealous that my siblings had angels to accompany them to college while I was stuck sitting alone in an empty dorm room. Who needed a creep-tastic companion whose face consisted of a bizarro series of interlocking cogs and wheels forever whirring?

“Every Me Is Someone Else” by Andy Dibble

I’m a medical assistant coming down the hall in polka dot scrubs. I’m walking on the other side, glancing at me.

No, she. But a different she than my mother. It’s hard to keep track. Each is like an organ, involuntary functions only. My therapist says thinking like that is egotistical, but how am I supposed to care about others, when others is just something I tell myself?

“Requiem” by P.H. Low

This is dawn: fields shading from black to grey, flicker-fading starlight, our voices raised against the wind and the red scarves whipping our faces. Our song levitates us ten feet in the air, above dirt roads packed down by wagon wheels and chariots: Carl Lang’s Canter, an ode to unseen horses and sunrise and longing. When we sing—as long as we sing—our feet do not touch the ground.

“Like Ladybugs, Bright Spots In Your Mailbox” by Marie Croke

Someone began sending hand-written spellcrafted postcards out of DC in July of 2024. Those postcards made the rounds for a good nine months, under the radar, scarcely observed. That was, until the rash of good health, the proliferation of wealth, and the sudden uptick in good living coupled with a grand downtick in big socioeconomic issues the mayor was quick to claim as her own—such as suicides and unemployment—brought the situation to the attention of the East US Coven.

“In the Shelter of Ghosts” by Risa Wolf

They approach the house frame I’ve erected, set up where Dad’s old house once stood. They place the machine on a slate slab I’ve set up by what I hope will be the front door. I uncap my electrical source as one of the mediums puts on ceramic-weave gloves to connect to the leads. I tamp down a flare of worry, reminding myself that I’d just recharged the lead-acid battery at the solar station and redid its plant latex cover a few days ago.

“It Clings” by Hammond Diehl

Of course a dybbuk is flat. Flat as a blini. All the easier for that damn ghost to slip under your collar.

Of course a dybbuk is colorless. That’s why, when you say you’ve got a dybbuk, most people say, no you don’t. Go see Dr. Weiner. Spend a few days in Florida.

DP FICTION #95A: “Dog Song” by Avi Naftali

edited by Ziv Wities

So you want to determine whether dogs still exist.

Let’s not get ahead of ourselves.

Consider our association with the meow. Do we think of the phrase “meow” and picture a dog? Or is it some animal now, possibly a clam, or a variety of bird, or a noisy sort of vegetable. “Meowing like a celery stalk.” If the phrase “meowing like a dog” has vanished from common vocabulary and been replaced with something else, then have dogs been replaced as well? It is hard to be certain. There are other symptoms; diagnose at least six before taking confidence in your conclusion.

A third test is the nature of ears. When you are leaping around the hill in excitement and your ear flips inside out, do you think, “how dog-like of me to have an ear that has flipped inside out from excitement!” Or do you think, “strange, I do not have a single species to compare this phenomenon to,” and thus conclude that an ear flipped inside out is a human institution? It is human ears that flip inside out, you suppose. Not dog ears, because dogs do not exist anymore in our current reality. They’ve never manned the buses, or ran the companies, or built the airships, or colonized the planet’s space stations. The dogs have packed their suitcases and taken their technology with them.

The fourth test is a question of hieroglyphics. Do dog-headed hieroglyphics exist? Then perhaps dogs still exist in your universe. Is the sphinx still a woman with the body of a dog? Has she been displaced? Has her voice and her infamous dogsong been muted? Have her riddles ceased to afflict the commuters on the public transport, or do they still read the franchise-distributed newspapers and work to ignore the dog-riddles coded into the news stories? (Answers are available in the back, in upside-down print.)

The fifth is the cold wet nose. Perhaps there is a memory of hiding in the tornado shelter, and your mother presses her cold wet nose to your shoulder to reassure you. Certainly no other animal has that cold wet nose, most human of noses, which fluff will keep sticking to and keep needing to be licked clean. Or: in your memory, her nose is dry. It is not a tornado shelter, and she presses her cheek, not her nose. The cold wet nose is a dog-nose, because dogs exist. The tornado shelter is not a tornado shelter, because it is not needed for tornados. The distant airships wreathe the buildings on the skyline in a flickering green.

The sixth is burial. How do you bury your dead? A bone dug up: is this a dog-like behavior? The mounds of earth could be from the laying of a sewage pipe, or maybe an archeological excavation. Soil has not been restricted to dog territory. When the dead happen, they can be slid into the earth, secure that their bodies will not be co-opted, because dogs do not exist. There is no reason to quarantine the dead and burn them. Their ashes are not encased in salt and sealed into the trunks of baobab trees. Instead, if ashed, you can scatter your dead on the wind. There are no airships to intercept them. If desired, you can even put your uncle’s ashes into the earth, along with building foundations, and pirate treasure, along with bodies. Burial remains a human institution, a very humanoid endeavor.

The seventh is opposable thumbs. Who has thumbs these days? Have you shaken hands with your pet while telling it, “Good boy, Rex, have a biscuit,” and noted how it clasped your palm with all seven of its opposable thumbs? Have your own thumbs been feeling lively? Have they been whining softly at night, when they think you cannot hear them. Do they ache when you bring them near a flank steak, or whenever you think a disloyal thought. Or, perhaps thumbs are something for humans to enjoy alone. The opposable thumb: what a people-person thing, you think. You might say to yourself, I sure do enjoy holding these bottles and unscrewing these jam jars and thinking whatever thoughts I want! What a Homo sapiens thing it is, to have opposable thumbs!

The eighth is unexpected gifts. Did you open your mailbox this morning and wonder at the rose-patterned box you found inside? Possibly you brought it to your kitchen table, anticipating its contents. “Another thrall-cap!” you might say. “They keep sending me more, and I already have so many!” Or you told the postman, “My apologies, clearly this strange hat was delivered to the wrong address, since I don’t know the sender or even what a thrall-cap is.” There are no dogs to send you overnight post. There’s no reason to be alarmed, perhaps, by the families wearing beeping hats who are marching single-file out of their homes toward the airships in the distance; they are simply pursuing some healthy form of exercise.

The ninth is the flensing of divinity. When the dogs, pouring from their airships, swarmed that titanic body and brought its flayed corpse tumbling from the clouds, did you say, my goodness, who are those four-legged creatures nipping at god’s heels? Or was it no mystery, because dogs exist. As they spread the softening cadaver across the continent, did you think: what is that sound I hear when I mean to be sleeping? Or did you say, there goes that dogsong again, and close the curtains against the afterimage permanently burned into the evening sky, of a flensed corpse tumbling down.

The tenth is the hieronymic engine. They’ve been building it for ages, and now you can see its rays at night like a lighthouse. Your brother begins to pant in the heat. You watch him struggle with holding items, his thumbs not quite operational. Gagging on bread, on all fours. You may note a bristled stubble on his arms, which he’s tried shaving into nonexistence. He fights the engine’s influence; it is not his fault that some are involuntarily susceptible. His speech will choke him till he swallows it, till the tail uncurls from his spine and he throws himself out the screen door, bounding over the hill, straight to the species that has assigned him new loyalties.

Have dogs been banished? Have they been expunged? The anxiety, that you might take your morning coffee and look out the window and see those airships again. Then you will remember, the dogs were no story. There is a migraine-like aura which they bring with them and you recognize it unwillingly. Your grandfather used to tell you about it. He’d say: fighting for what’s right can be hard but you must stick to it like a barnacle. He’d talked about this before. You were certain your generation had evaded these necessities but they’ve followed, universe across, and you begin to understand something your grandfather would not:

A barnacle glues itself to familiar rock from chemical instinct.

Pry it free and who knows what other life it can live. Why cling to familiar humanity? Do dogs exist? Could you yourself demonstrate the answer to that question?

You tell your children, it’s not that you’re selling out. You’re just tired, and you can read the signs of what comes next. You remember your grandfather’s stories. Soon things will not be very pretty, and to be human among dogs will mean pain and dying. It’s an unappealing concept. You have the choice, before it happens, to change your body into the shape of those with power. Why not? Many have done it already, when given the option. Your neighbors howl now. You find yourself amenable to joining them. Let the human race shrink by one more. Your still-human neighbors may fight back, they may resist. They may turn soldier in some war to reclaim their world for humanity. You’ll try not to be impatient with them for it. Certainly your approach to a shifting climate is the more convenient option. In which case: conceal this reference sheet, conceal this guide to diagnosis. Ensure it can be found later, by another person who may need it more than you did. Human survival is not individual. It relies on dependable transmittal of information across the species.

We’ve been here before. Your story is not the only story. What you’re embracing now to maintain a serene existence is not the end of the striving human; not for someone else.

1474 words

Avi Naftali’s fiction has previously appeared online in Shimmer Magazine. Avi grew up in Los Angeles, and he currently works a nine-to-five in New York, where he shares an apartment with his husband and a very affectionate cat who is currently throwing a tantrum because Avi is late in feeding him his dinner.

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