written by Frank Dutkiewicz
First review of the New Year! But what about last year? We have a list of our favorites, but before we tell you which ones we liked the best, let us tell you what we thought of these.
A sorcerer learns the hard way the lesson of ‘ends justifying the means’ in “Wider and Deeper” by Carma Lynn Park (debut 10/3). The sorcerer seeks the energy of the dark ones deep within the earth. He intends to feed of their power but reaching them is difficult. He manipulates creatures to tunnel, but doesn’t think of the consequences of letting loose his creations.
The story is told like a parable. The creatures are tools, and tools left alone can be instruments of destruction. I confess, I was not a fan of how this story was told or how it shaped up. I’m not sure if there was a moral in it. If so, I missed it.
A young girl reflects on her parents in “Where Sea and Sky Kiss” by Dan Campbell (debut 10/4). The protagonist of this tale is the child of widowed parents. The two were brought together by her birth, both losing spouses in tragic accidents. The closeness the two had for each other fades, the distance between them growing wider when they move to anew home. The young lady wishes for them to be close , and with the help of items stored away , hatches a plan for them to fall in love again.
I confess, the moral and deeper meaning of this piece was lost on me. A second reading did not help. Perhaps others will find the appeal of it, but I must say, it was not a tale for me.
Silence is the canvas of magic in “Canvas” by M. K. Hutchins (debut 10/5). The protagonist is part of a very talented family. They are capable of wonderful magic, but a deadly plague threatens to take them and all in the land. The protagonist cannot reach the silence to save his nephew. Desperate measures may be the only way out of these desperate times.
“Canvas” is set within a difficult to grasp premise for me. It is a solemn and distant tale told without clear parameters of what is possible.
The author contemplates “If Wishes Were Fishes” by Amanda M Hayes (debut 10/6), and brings a quite cute story to life. A goldfish at a Chinese restaurant swallows a coin tossed into its pool and takes on the wish that accompanies it.
“If Wishes” is a novel take on this common phrase. The reader follows the fish, now transformed into the coin, and sets about making the wish a reality. Well told for such a brief tale.
Recommended.
A man’s hopes and dreams rest on the outcome of a concert in “A Concert of Flowers” by Kate O’Connor (debut 10/7). William Reis is a planet surveyor when he encounters a species of flower that sings when it blooms. He envisions a potential moneymaker, but the risks are high. The music the flowers make is beautiful. If only he can get others to believe in him.
“A Concert of Flowers” is written in series of flashbacks. The story starts at the beginning of the concert, the moment William has been working toward. Each flashback is set as a potential setback for William, yet he perseveres, betting on himself and his idea.
I must say I liked the idea of flowers that sing. Ms O’Connor did a nice job of making them believable to me. However, the story was really about William and fulfilling his dream. As a story about perseverance, it kind of works, but I’ve read better tales of inspiration. But, for a self-described new writer, I must admit this tale is one any writer would be proud to write.
An alien race plays host in “The Human Guest” by Marge Simon (debut 10/10). The alien race tells of the coming of men. At first, they tolerate the new arrivals, then a single human inserts himself into their collective just as mating season commences. The aliens are too polite to refuse. To do so is anti-social.
“The Human Guest” is a distant and dark tale. The nameless human is the worst humanity has to offer. The aliens come off as very human but with a different culture. Details in the story are vague (which was for the best). I found it well-written, just don’t expect an uplifting tale.
Vincent reflects on his life on his deathbed and takes pity upon his robot servant, Jonas, in “The Farthest Coast” by Jeremy Lightner (debut 10/11). Vincent has led a good life but knows his death will mean the end of Jonas. He tries to convey his feelings to his servant, wishing Jonas could have a life as fulfilling as his own. But Jonas has a different idea on what makes a life fulfilling.
“The Farthest Coast” is a moral told as a story. The touching moment of Vincent having pity upon Jonas reverses as the tale progresses. I found myself resenting Vincent’s feelings getting turned to mud. The point of the story was taken but I felt as if the author was making a commentary of what makes for a ‘good’ life.
Sir Hugh stops to ask peasant Matthew directions to his Lord’s Castle in “The Quest Unusual” by Dave Steffen (debut 10/12 and reviewed by James Hanzelka). He wants to hunt dragons for him. This is unusual since Sir Hugh is a dragon. Now Matthew has a problem does he put his Lord in danger, or deny Sir Hugh and endanger his own life
One of my favorite stories is Ray Bradbury’s “The Dragon”. This is a lighter look at the same subject, with a similar wry twist at the end. Very well done.
The main character in “California Gurls” by S. A. Rudek (debut 10/13 and reviewed by James Hanzelka) is trying to convince his partner of the value in music, specifically Katy Perry. His partner is more concerned with dwindling resources in the post apocalyptic world. The bigger question is “will the pair find what they need to survive?”
I didn’t care for the voice in this story, but that’s a personal taste thing. Aside from that, I thought the author did a pretty good job of creating the setting and developing the story in a short format.
Phoebe reconnects with her mother after the collapse in “Free Lunch” by Will McIntosh (debut 10/14). The story opens with Phoebe finding her husband having sex with a fourteen-old student of hers, in their bedroom, while her mother-in-law sits in the kitchen. Her decision to leave immediately seems like a no-brainer, but a collapsed civilization makes her pause. She has only one place to go, to parents who disowned her 19 years before. But the journey to her childhood home is an eighty-mile hike through a bamboo forest, and information of what life is like beyond her town is skittish.
“Free Lunch” is a prequel to McIntosh’s novel “Soft Apocalypse.” The story is set in a Georgia twenty years after an economical collapse. Rogue scientists have unleashed bio-engineered bamboo and tailored viruses to quell an upcoming nuclear war. The bamboo has choked the land. Life has gotten harder and people are living a life under siege. But the collapse isn’t complete. There is some form of commerce that still exists. Cars (rare that they are) still travel on the roads. Farmer markets survive but it is clear there are less people around and opportunities are slight.
Early in Phoebe’s trek, she comes across a man named Rumor offering a free meal. Suspicious, yet hungry, she accepts his offer. Rumor is recruiting others to join his tribe. They appear to have everything they need. The catch? Phoebe must allow herself to be infected with the Happy virus. Sensing a cult, she politely refuses, but Rumor’s offer is an open one.
The mood of “Free Lunch” starts off dim and gradually becomes darker. Phoebe finds her mother, alone and starving. Food has become scarce and money has lost its value. At first grateful to find her mother alive, it doesn’t take long for old tensions to resurface between the two. Without many valuables, Phoebe is left with the only thing she has worth trading. Life in a cult, infected with a mood-altering virus, doesn’t seem so bad now.
If you are a fan of Will McIntosh, or have bought , or plan to , a copy of “Soft Apocalypse”, this story is a must read. His writing is smooth and premise intriguing. The story is a lesson on how desperation can dismantle a person’s self-respect. If you are after an uplifting tale, steer wide of this one. Phoebe has no good choices to make in this depressing piece. If you do read it, try not to get too immersed into her character. You’ll want to take a shower if you do.
The children of colonists on a new world love hearing the Spidersong by Alex Shvartsman (debut 10/17). The spiders of the alien world are large, hunting and killing the people from Earth. Only the children can hear their songs. They have become the early warning system to the adults, saving them from harm’s way. Only the children can hear the spiders and know what they think. They share a telepathic ability with them, and a kinship the adults aren’t aware of.
“Spidersong” has a twist I won’t dare reveal. The tale is a deceptive tease into the perspective of children who have an ability the adults aren’t privy to. The story is a set up for the reader. Nice piece, I enjoyed it. Keep an eye on those kids.
The protagonist writes a letter to her sister on life in the country in My Dearest Miranda by Jamie Lee Moyer (debut 10/18). The letter describes how she and the staff endure trolls, pixies, goblins, and like. Her husband soothes the help and the widow next door in his private parlor for hours at a time (it is difficult to calm down excitable, and lonely, women, after all). Life in the country is much harder than the city.
This work of humor (written as a letter) follows the exploits of a very naà ¯ve woman. Admittedly, I chuckled a time or two. This delightful tale was indeed funny.
An angel appears before Amy, just as her friend said it would in Amy’s First by Henry Szabranski (debut 10/19). A small angel greets Amy in her bedroom. The corporeal being has an important message for her, just as her friend predicted. Thanks to her friend, she knows just what to do.
“Amy’s First” is a delightful little tale. The twist caught me completely off guard. Well executed.
Recommended.
A man must decide which sword to choose in Selecting by John M Shade (debut 10/20). A bloodthirsty prince is waiting outside while the protagonist searches the armory, contemplating on his choice of magical sword. Based on the names of the blades, most would be useless, but the sword of Vengeance calls to him.
“Selecting” has the flavor of Fred Saberhagen’s Swords series. In fact, you could call it a parody of the late author’s work. I rather liked it, and loved how the author chose to end this great piece.
Sea Charm by Ann Chatman (debut 10/21 and reviewed by Dustin Adams)
When a story ends, and I don’t get it, I figure there’s something I missed. Being a fairly smart guy, I believe I should get every story, so when I don’t, I feel a general washing away of the entire tale. After reading the author comments, and thinking hard about the tale, I believe I’ve pieced together what happened.
A young girl is saved by a merman who so captivates her, she seeks the aid of an old sorceress to assist her in being united with her savior. The old woman leads us to believe this is a common occurrence. Or at least, that young girls seeks her wisdom. This portion of the story trails off as the old woman visits a seal creature in order to inquire of the merman’s intentions. Seems like a lot of trouble to go through for “this latest girl”.
I won’t reveal the ending, in case I’m off with what happened. However, I did appreciate this story as I read along. I gave “Sea Charm” three rocket dragons.
Junk Silver by Michael Canfield (debut 10/24 and reviewed by Dustin Adams) is an interesting story, worth four rocket dragons, but it suffers one major flaw, which is I’m unable to picture what is going on.
Taken purely at word for word value, it’s nifty, and intrinsically ironic, which is always a fun combo in a story. However, if you’re looking for a traditional story from which you can picture the characters and surroundings, this isn’t it.
To sum up: Two custodial engineers are on earth cleaning the seemingly physical vestiges of the internet wasteland and various other garbage. The conversation, which is the bulk of the plot, is inane but interesting with various factoids throughout.
A woman continues to construct paper animals for her vanishing boyfriend in Like Origami in Water by Damien Walters Grintalis (debut 10/21). Johnny is losing digits. They are disappearing and no one knows why. His girlfriend is his only comfort. He craves her origami and displays them about their apartment.
“Like Origami” is an emotional tale. The story is told from Johnny’s girlfriend point of view. She holds her feelings in, not daring to let them free. She endures, as she watches her dear Johnny waste away.
It is only the mysterious illness that makes this tale a work of speculative fiction. Any person, who had a loved one that succumbed to a long illness, could identify with this story. It is the protagonists attempt to withhold her feelings that make this tale such a strong emotional one. The origami figurines her Johnny loves so much, stand as objects of indictments to her character.
The editors of DSF announced that this tale was nominated for the prestigious (?) award. I hope it wins. It will take an outstanding story to beat it.
Tomorrow’s Dawn by Milo James Fowler (debut 10/26 and reviewed by Anonymous) focuses on a man traveling on a lunar tube and sitting opposite him is a member of a subjugated alien race. The man remembers an incident where an alien suicide-bombed a lunar-tube when he was a child, killing many and he picks up clues that the alien in front of him is going to repeat this act in only a few moments…
I found this story a little predictable. I guessed how it would end mostly because of the effort put in to sustain the perceived threat level. That said the message of the story is clear and important and I think that side of things was handled well.
In Radical Therapy by Edward Gary Kratz (debut 10/27 and reviewed by Anonymous), a young man is referred to a specialist for his problem–namely he believes himself to be a shapeshifter. More than that, he is a shapeshifter who is having difficulty controlling his shifts. It is his hope–and protected by therapist/patient confidentiality–that the man he is seeing will be able to help him. First however, he must convince the man that he is in fact a shapeshifterâ€
If the guy has this problem, and there is a shapeshifting community (suggested by the story) then surely he would seek help via them?
The story was written with a fly-on-the-wall point of view (POV) and avoids dipping into anyone’s thoughts. The whole emotional side of the story is dialogue and facial expressions and for two good reasons. If you dipped into the head of one of them specifically you’d reveal the twist that happens near the end too early, and if you dipped in the head of the other you’d have some terminal POV problems at the end. The problem with handling the POV such is that it doesn’t really draw you in–at all.
The story didn’t really work for me.
Robbie fights his own war against the great menace of creatures adults never see in I Kill Monsters by Nathaniel Matthews Lee (debut 10/28). Robbie is one kid exterminator. Monsters are everywhere; in the closets, under beds, hiding in the basements (always in the basement). They are menacing, scary, and in Robbie sights. With his trusty baseball bat, he bashes the creatures whenever he sees them. Adults are blind to them but aren’t about Robbie’s odd behavior. Robbie doesn’t care, but when a new kid comes to town and offers Robbie a chance to make two bucks, the monster killer discovers the world is a lot scarier than he thought.
“I Kill Monsters” is humorous horror action tale. Mr Lee plays on the childhood fear that monsters are indeed real. The story has a tone that reminded me of the classic Bill the Galactic Hero. I found myself grinning at it throughout. The story is just plain fun.
A teacher’s once living students drag him back into the Classroom of the Living Dead by James Van Pelt (debut 10/31). The protagonist’s former pupils have forcibly shoved their teacher into their class. They are now zombies and ask for one thing from him, “brains.”
Mr Van Pelt has taken a new spin on the zombie trend with a unique usage of a pun. Pretty clever, even for a teacher.
The Best of the Best Publication Out There
In one of their daily emails, DSF provided a link to one of their reader’s blog with his top ten list of his favorite stories from DSF. Mr Anonymous thought we should do the same so here is our favorites, dating all the way back to DSF’s first issue.
Frank Dutkiewicz
1)ÂÂÂÂÂ Buy You a Mockingbird by Eric James Stone
The most powerful flash fiction I ever read
Â2)ÂÂÂÂÂ Questions by Jacob A. Boyd
A wonderful tale of the afterlife
Â3)ÂÂÂÂÂ A is for Arthur by The Alphabet Quartet
Merlin meets Shakespeare. I don’t know which author wrote it, but they deserve an award for their efforts
And to round out my top tenâ€
Flint’s Folly by J Chant
Blivet for the Temporal Lobes by Dave Raines
Y is for Yellow by the Alphabet Quartet
Grinpa by Brian K. Lowe
Ten Speeds at the End of the World by Gunevere Robin Rowell
Her Majesty’s Guardian by Donald S. Crankshaw
Rinse or Repeat by Sylvia Hiven
Â
James Hanzelka
1) The Quest Unusual by Dave Steffen
2) Paying the Tab by Brian K. Lowe
3) Outer Rims by Toiya Kristen Finley
Deathbed by Caroline M Yoachim
Still Life by A. C. Wise
Writing on the Wall by Vaughan Stanger
Imaginary Enemies by Colum Paget
Barb the Bomb and Imaginary Boy by Julian Mortimer Smith
Vision, Values and Mission by James Van Pelt
Shark’s Teeth by T. A. Pratt
Anonymous
1) Shroedinger’s Outlaw by Matthew W. Baugh
2) If Wishes Were Fishes by Amanda M. Hayes
3) Starlight Cantata by Brian Lawrence Hurrel
Palindrome by Will Arthur
The Artwork of the Knid by John Parke Davis
Our Drunken Tjeng by Nicky Drayden
The Girl Who Asks Too Much by Eric James Stone
The Wish Writer’s Wife by Ian McHugh
Exit Interview by Patrick Johannsen
There is a reason why I gave Dave Steffen’s story The Quest Unusual to reviewer James Hanzelka. James is an avid reader of Daily Science Fiction but rarely keeps up with what’s going on here at Diabolical Plots. He wasn’t even aware the author of that piece was the same person who runs DP. But just to make sure, I asked if he was familiar with the author and wanted to know what made Dave’s story special. His explanationâ€
”â€the main reason I chose the piece is it reminded me of one of my favorite stories, “The Dragon” by Ray Bradbury.”
ÂSo Dave’s piece was chosen by preference and merit alone. For that, we deserve to see that smiling face, again.
The SF award nomination season is here. The Nebulas (the writer-voted award) have been open for a while and close in February. The Hugos (the fan-voted award) opened on January first. Both sets cover works published in the 2012 calendar year. About this time of year, every writer and their dog posts a list of their eligible works.