Tag: Cat Rambo

The Best of Escape Pod 2017

written by David Steffen

Escape Pod is the weekly science fiction podcast.  At the beginning of 2017 it was edited by Norm Sherman, but when he stepped down from the role two co-editors have filled the positions: S.B. Divya and Mur Lafferty.

Escape Pod was already a qualifying market for writers to become members of the Science Fiction and Fantasy Writers of America, but in 2017, its three sister podcasts joined the list as well, making all of Escape Artists’ ongoing publications qualifying markets!

In February Escape Pod once again participated in the Artemis Rising event across the Escape Artists podcasts, publishing fantasy stories written by women and nonbinary authors.

Escape Pod published a total of 52 stories in 2017.

Every short story that is eligible for Hugo nominations this year which were first published by Escape Pod are marked with an asterisk (*).  If the original publisher was someone besides Escape Pod, the original publisher is noted in parentheses for award-eligible fiction.

 

The List

1. “Unit Two Does Her Makeup” by Laura Duerr*
I love a well-thought-out AI story, and this one is great, exploring the interaction between two AIs who have different roles in a company and how that affects nuances of their behavior and many minor choices affected by these values.

2.  “Planetbound” by Nancy Fulda* (from the anthology Chasing Shadows)
Those living off-Earth have joined into a state of ongoing connectedness with their fellow human beings, and have become largely separate from those on the planet.  One of those people come back to Earth so that everyone off-Earth can experience what it’s like.

3.  “Red in Tooth and Cog” by Cat Rambo
A woman discovers an ecology of feral smart devices in the city park.

4.  “Texts From the Ghost War” by Alex Yuschik*
Story told as wartime text messages with a mechwarrior.

5.  “Trash Talk” by Holly Schofield
A story exploring how the economic disparity of the uses of advanced technology.

Honorable Mentions

“That Game We Played During the War” by Carrie Vaughn

“Vegetablemen in Peanut Town” by August Marion*

“A House of Her Own” by Bo Balder

 

 

Long List Anthology Volume 3 Kickstarter

written by David Steffen

The Kickstarter for the Long List Anthology Volume 3 is launched as of this morning!  This is the third in a series of anthologies collecting works from the longer list of works that got a lot of Hugo Award nomination votes from the fans.

The art this year is a lovely piece by Amanda Makepeace.

 

The stories lined up are:

Short Stories (base goal)

  • “Lullaby for a Lost World” by Aliette de Bodard
  • “A Salvaging of Ghosts” by Aliette de Bodard
  • “Ye Highlands and Ye Lowlands” by Seanan McGuire
  • “Things With Beards” by Sam J. Miller
  • “Red in Tooth and Cog” by Cat Rambo
  • “Terminal” by Lavie Tidhar
  • “Razorback” by Ursula Vernon
  • “Welcome to the Medical Clinic at the Interplanetary Relay Station | Hours Since the Last Patient Death: 0” by Caroline M. Yoachim

Novelettes (stretch goal)  

  • “A Dead Djinn in Cairo” by P. Djèlí Clark
  • “Red as Blood and White as Bone” by Theodora Goss
  • “The Venus Effect” by Joseph Allen Hill
  • “Foxfire, Foxfire” by Yoon Ha Lee
  • “The Visitor From Taured” by Ian R. MacLeod
  • “Sooner or Later, Everything Falls Into the Sea” by Sarah Pinsker
  • “Blood Grains Speak Through Memories” by Jason Sanford

Novellas (stretch goal) 

  • “Runtime” by S.B. Divya
  • “Chimera” by Gu Shi, translated by S. Qiouyi Lu and Ken Liu
  • “Forest of Memory” by Mary Robinette Kowal

 

I hope you are as excited as I am!  Thank you for your support!

 

Interview: Rob Dircks

interviewed by Carl Slaughter

rob-portraitHe talks with Diabolical Plots about self publishing, self recording, the sci fi humor market, buddy stories, the rambling/interjective narrative style of his main character, his recent how-to guest blog on Cat Rambo’s site (you guessed it, how to write humor) , the sci fi humor authors and stories that influenced him, his startup self publishing service, his recent membership in SFWA, and his fascination with Tesla conspiracy theories.

He also takes a crack at a 700 word flash piece, “The Moment I Laid Eggs in You,” by Josh Vogt, recently published in Mike Resnick’s Galaxy’s Edge. One of Resnick’s trademarks is humor.

(Mike Resnick, current holder of the most Hugo nominations (with second place far behind), has been interviewed here at Diabolical Plots, as has current SFWA president Cat Rambo.)

 

Why go straight to novel instead of building a short story resume?

That’s a good question. There wasn’t a plan to it at all. I started out writing screenplays (and not selling them), then an anti-self-help book titled Unleash the Sloth! 75 Ways to Reach Your Maximum Potential By Doing Less, then just naturally went for another book, this time long enough to be called a novel. I’ve got lots of short stories, snippets of stuff, in my horde, but haven’t the slightest clue how to go about selling them to publications. Maybe you could give me a few pointers.

 

Why self publish?

Rejection. Well, not entirely. I love building things myself, and as a graphic designer too, I love creating art, books, websites, whatever. So when the rejections started coming in for my manuscript, I knew I couldn’t be the author who waits for the two-hundredth rejection before hitting something. Instead, I said “You know what? The tools are out there now, the playing field is starting to level, so f**k it – I’ll just do it myself.” Of course, the BIG bummer of self-publishing is that you start with ZERO exposure – no agent, or publicist, or publisher out there helping you get noticed. So I’ve had to learn that myself, too. But I’m definitely learning, and enjoying it as I go. (Oh, and I get to keep 70% of my sales with Amazon, and 40% of my sales with Audible. That rocks.)

 

You also help other authors self publish. What can you teach them and what can you do for them?

Well, it’s in the infancy stage right now, but I’m enjoying the ride and getting moving on some projects. There are three ways I’m helping authors: 1. For maybe two or three books a year, I’m handling the whole process, from editing to cover design, to production, platform building and promotion; 2. For authors who just need a particular service, like cover design or interior layout, I offer a la carte paid services; 3. For DIY folks like myself, I post about things I’m learning as I go on my website for Goldfinch Publishing. It’s all free, and people are starting to reach out and let me know it’s helping, particularly with their self-published audio books.

 

Your book is also available on Audible. And you did your own recording. How easy/difficult is that and what’s involved?

I’ve got lots of background in audio recording and voiceover, so I found it easy. But I did write up a lengthy blog post to help others do it themselves as well — because without any experience, as long as you have a few bucks for equipment, a decent voice, and common sense, there’s no reason you can’t do it yourself too. The post is here. In short, you need an account with ACX/Audible (easy); recording software like Garageband (which comes free with all Macs); a decent mic (you can get for under a hundred bucks); headphones; a room that can get quiet, and some foam/blankets, etc., whatever you can use to deaden the sound in the room; and PATIENCE. It took a solid week to record my novel, and a solid week to edit it and upload it to Audible.

 

How much does an audio book sell for, versus an ebook, versus a tree book?

I don’t have any control over the pricing for the audio book, so Audible prices it at $19.95 (I think that’s kind of high, but like I said, I don’t get to determine price). The ebook is $3.99. And the print book is $10.79.

 

You recently wrote a guest blog for Cat Rambo about sci fi humor writing. How did you arrive at each of those 8 lessons?

I’d say it’s a mish-mash of learning, mostly through reading, taking classes, and trial and error. For example, with “Exaggerated Contrast”, John Vorhaus’ book The Comic Toolbox does a great job of walking you through the idea of fish-out-of-water and how it works. But then you start to see it everywhere, in so many things you read and watch on TV, and you play with it in your writing, and eventually it becomes one of the tools in your own toolbox. For “It’s Not About the Jokes,” that probably started when I took a screenwriting class at NYU, and my professor lightly scolded me for just sprinkling in jokes in my work to make it funny. And from then on I made sure to be wary of “jokes.” Some of these that I’ve learned haven’t come from anywhere in particular, like “Playfulness” and “Heart” – I think those were learned a looooonnnng time ago when I was a kid. It’s just always been the way I look at the world, that no matter how bad things are, there’s always something funny in there somewhere, and I’ve always sort of known that the books that I don’t like just lay there flat, with no heart in their characters.

 

Perfect timing. There’s a sci fi comedy in the latest issue of Mike Resnick’s Galaxy’s Edge. “From the Moment I Laid Eggs in You,” a flash piece (700 words) by Josh Vogt. What lessons can we learn from that story?

This story’s great. It sets up the expectation right off (couple just had sex). Then right into the “discovery” (of her egg-laying) — which totally upends our expectations. Totally opposite to the norm. Then it becomes an argument (arguments can be the best comedy), and the classic twist at the end (another defeat of our expectations). It’s great.

 

What kind of market is there for sci fi comedy?

I actually think it’s an untapped market. You have just a couple of huge traditional names in sci-fi humor, Douglas Adams and Terry Pratchett, and maybe Philip K. Dick, and now you have only a couple of modern names that immediately spring to mind: John Scalzi, David Wong maybe. But with successes like Big Bang Theory (a total sci-fi nerdfest comedy) on TV, I think that shows there’s a great potential market for more sci-fi humor — not only does that sit-com grab sci-fi fans, but it crosses over into the mainstream, people who want something funny and entertaining who aren’t necessarily sci-fi fans.

 

Why Tesla?

For a long time I’ve been fascinated with conspiracy theories. They’re very out-there, and usually hilarious. One in particular that I always thought was cool was the theory that Nikola Tesla, in his later years, kept a series of secret journals that contained plans for advanced technologies, some of which might be used as weapons, or as free energy for all. The story goes that the government (of course) took these journals upon his death, and they were never seen again. Also, the fact that New York was home to Tesla, one of history’s great inventors, responsible for alternating current, radio, x-rays, and more — and we never hear about him — made him even more intriguing to me.

 

Your main character is a vivid narrator – when he’s not interjecting or rambling. So why does he interject and ramble so much?

Chip is an exaggeration of myself, and in my writing I tend to interject a lot (in case you haven’t noticed). So it’s natural that he would ramble on even more. But I also think, in my everyday conversations with people, that there is a TON of rambling and interjecting going on. Just listen to two random people talking at a mall, or walking out after a movie, or standing in line at Starbucks. Sometimes these conversations are nothing BUT interjections! I wanted my book to feel very conversational, very much like your ADD friend is blabbing to you about his adventures, while you’re waiting on line at Starbucks.

 

Why a sci fi misadventure instead of a sci fi adventure?

Misadventures are funnier. Think about your favorite sit-coms: the funniest situations are the ones where the most things go wrong. Modern Family is a perfect example of this. Their writers are great at creating little farces, where multiple things keep going wrong, but in the end the resolution makes you feel wonderful. And I always loved Dortmunder, the cat burglar from the old Donald Westlake novels. Those novels were one misadventure after another, but made the ride a whole lot of fun, and actually made you root for Dortmunder even harder. (And laugh harder.)

 

Why a buddy story?

Who doesn’t like a buddy story? Laurel and Hardy. Abbott and Costello. Crosby and Hope. Chandler and Joey. Aziraphale and Crowley in Good Omens, and David and John in John Dies at the End. Seth Rogen and James Franco. The list goes on and on and on. There’s something about a best friend that we can all relate to. It makes the story and the humor more intimate, it makes it easier to root for the hero, it gives the hero a friend to confide in (to help tell the story), and a foil to bicker with (to increase the comedy).

 

Will there be further interdimensional misadventures with Chip and his buddy? Will the girlfriend return for the sequel? Will the government be involved again? Will it involve another one of Tesla’s secret inventions? Will it involve time travel?

I said when I finished this book that I didn’t think I was a sequel kind of guy. But the response has been great, and many people have asked about a sequel, and I’ve caught myself thinking things like “I wonder what really happened to Bobo?” If I do write a sequel, you can bet that it’ll have everything you just mentioned – and more. I’d make it as over-the-top as possible.

 

Which sci fi humor authors influenced you?

The ones I mentioned above: Douglas Adams, Terry Pratchett, John Scalzi, David Wong.

 

Which sci fi humor stories influenced you?

Adams’ Hitchhiker’s Guide to the Galaxy, Pratchett’s Good Omens, anything by John Scalzi but maybe Agent to the Stars is my fav, and even though it’s not sci-fi, I absolutely loved John Dies at the End. There are also lots of Philip K. Dick stories that are total gems and hit your funny bone straight on.

 

Did your advertising background contribute to your fiction skills?

I guess, but only in the sense that all of our past experiences help us in whatever our next thing is. For example, writing copy for ads for twenty years certainly helped my grammar, my pacing, my ability to surprise and delight (hopefully), so maybe those things helped my fiction. But I’ll tell you what the advertising background really helps with: marketing books. As a self-published author, marketing is completely up to you. So I think my experience has given me a bit of a head start, and has helped tremendously.

 

Any stories in the hopper?

Yes! I’m working on my next sci-fi comedy novel, about an A.I. that finds itself in the middle of nowhere, with a very important package to deliver. And I’ve got a bunch of things behind that, clamoring for my attention. The hopper is full. That makes me happy.

 

What’s your take on the SFWA?

I’m new to the SFWA (Science Fiction & Fantasy Writers of America), but so far I like being a member a lot. There are tons of resources for finding your way as a new author, like finding out avenues to sell your book, or targeting blogs for guest posts, comparing notes on promotions and book sales. They have very active member forums — every time I’ve asked a question, it gets answered right away. And I’ll admit I really like the credibility that it lends me as an author. You can’t just pay your dues and become a member: you have to have sold a certain number of books, and only if you pass that threshold are you allowed to become a member. In other words, you can define yourself as a professional. I like that.

 

Any advice to aspiring sci fi writers?

With just one sci-fi novel out, and an anti-self-help book, and a bunch of short stories and screenplays piled up in my drawer, I’m not sure I’m the one that should be giving advice to aspiring writers. But if I had to say one thing, I’d repeat what I’ve heard lots of other folks say: that this is a loooonng road, with no shortcuts, so keep doing your best work, over and over again, and enjoy yourself!

 

Carl_eagleCarl Slaughter is a man of the world. For the last decade, he has traveled the globe as an ESL teacher in 17 countries on 3 continents, collecting souvenir paintings from China, Korea, Thailand, Vietnam, and Egypt, as well as dresses from Egypt, and masks from Kenya, along the way. He spends a ridiculous amount of time and an alarming amount of money in bookstores. He has a large ESL book review website, an exhaustive FAQ about teaching English in China, and a collection of 75 English language newspapers from 15 countries.

The Best of Drabblecast 2013

written by David Steffen

Drabblecast is as good as ever, still one of my favorite fiction sources. Still edited by Norm Sherman. Still has a stellar Lovecraft month in August when they publish one Lovecraft stories and three unpublished stories by contemporary authors in the cosmic horror subgenre. They published 48 stories in 2013.

 

The List

1. The Electric Ant by Phillip K. Dick
Of course the classic tales by big authors whose stories last the ages have an advantage on such a list. I love PKD, and I’d never come across this story about an android whose entire experience is dictated by the data stored on the paper tape fed into his system and what happens when he starts messing with the data. As with much of PKD, it is more than just straight up SF, it blurs the boundaries between genres and makes for a very surreal experience. This might be my favorite of PKD’s work, and his work is so often stellar.

2. Bloodchild by Octavia Butler
Another big story by big name. In this world, humans are not the dominant species and are mostly kept around as birthing vessels for an alien race who have babies like maggots that need to live in flesh to incubate. This story is about a boy raised to be such a birthing vessel, and his relationship with his owner.

3. Hollow as the World by Ferrett Steinmetz
One of the stories in the Lovecraft month, all based around a cosmic horror version of Lovecraft, questioning the very nature of reality.

4. Five Ways to Fall in Love on Planet Porcelain by Cat Rambo
This was one of my Hugo nominations for last year, out of Cat’s Near+Far short story collection. It takes place on a planet where the inhabitants are all made of sentient clay and is told from the POV of one of the cruder class clays who has taken a rare class-skipping occupation as a tourism writer. The story is written from her POV in a tourism-style writing of making lists of five.

5. The Revelation of Morgan Stern by Christie Yant
A post-end-of-the-world romance story as two lovers try to reunite after the collapse of civilization based on their pre-collapse plan for such a circumstance. If you like the story, be sure you listen to the comments afterward to hear about the origin–it casts everything in a whole new (and totally awesome) light.

 

Honorable Mentions

Flying on My Hatred of My Neighbor’s Dog by Shaenon Garrity

The Breadcrumbs Man by Frank Key

Daily Science Fiction November 2013 Review

written by Frank Dutkiewicz

The Wrong Foot by Stephanie Burgis (debut 11/1 and reviewed by Dustin Adams) is a fun and lively twist on the Cinderella tale. The initial premise exploring why the prince would need a shoe to fit instead of looking into the eyes of the woman he danced with, is quite clever (and true!)

Initially, “The Wrong Foot” follows Cinderella somewhat closely with too much humor, but as the tale continues this story begins to distinguish itself as its own tale – which is to be expected given where Cinderella ends. But what if the prince found the wrong girl (based solely on the slipper)? Would she even want to get married? Read for yourself to find out.

 

Wolf, or Faith in the Future by Michelle Ann King (debut 11/4 and reviewed by Dustin Adams) reminds me of a condensed version of The Bicentennial Man by Asimov. This story isn’t a typical story but more of a focus on two items that change over a long, undefined period of time: a dog and the weather.

The author notes, in this case, may be worth reading prior to the story as they could give a better appreciation for the meaning of the tale. The story is good but I feel it suffers from being too short. Then again the premise is worthy of a novel so anything less than 300 pages would likely feel too short.

 

The Girl with Flowers for Hair by Elizabeth Shack (debut 11/5 and reviewed by James Hanzelka)

Gina paused at Adam’s doorway and took in the room, particularly the crude drawings of a girl with flowers poking out of her head. It had been five years since he disappeared. The police had taken pictures but with no clues the trail had grown cold. She had bought him a new set of colored pencils for his thirteenth birthday just a couple of weeks ago. A silly gesture that Charles had told her to stop; they were both grieving in their own way. A door slammed shut and a voice she could never forget echoed through the empty hallway. “Mom, I’m home.”

This is a nicely told tale of loss and redemption but with a twist. The author does a good job of letting us into the world of Gina and Charles, two parents grieving for a missing child. A sense of loss soon replaced with joy as the missing child returns as if nothing had happened. The fabric of the story is woven well and the ending has a nice little twist. Give this one a read, it’s worth the effort.

 

Just the Facts: A Zombie Story by Cat Rambo (debut 11/6 and reviewed by James Hanzelka)
1. There are Zombies
2. Zombies are not particularly fast. There is even a comic called Late Zombie, where the hero zombie keeps showing up too late to eat the brain.
3. Readership has been declining lately.
4. The author of the comic has decided to visit the zombies, so she has constructed a Plexiglas zombie cage and had it placed in with the zombies.
5. Zombies are really boring.

This is another of the stories that uses a novel approach to presenting the material. I found it interesting and enjoyed the story, but I can see it may not be for everyone either because of format or subject matter. I thought the author did a very good job of building to the surprise conclusion, even though I could see it coming. Read the story and see if you can too.

 

Like Son Like Father by Jed Cole (debut 11/7 and reviewed by James Hanzelka)

I knew Felix was going to be a genius. When he was three he was playing with some garbage. Before the year was out he had built a prototype shelter, a tower that stretched above the oily clouds and debris left behind in the world. Those few of us left could now survive. Using twine, wood and scrap metal he built a bridge across the L.A. rift that nomad tradesmen still use today, five years later. Every day his huge form rises before dawn and he comes home late every night. But today he has shown me his latest work, one that brought a tear to my eye.

This was a really good story with a major twist at the end. Set in a time of post-apocalyptic Earth among a people trying to survive. One man’s child proves to be the savior of mankind, but is he one of us or something else? One of the best of the year, give it a try.

Recommended.

 

A long distant infatuation becomes an obsession for a reclusive woman in Breva by Nicky Drayden (debut 11/8 and reviewed by Frank D). Dr Gianna Nero is the foremost expert on the sSuryn language. The aliens, survivors of a decimated world, have asked for refuge on Earth in exchange for advanced technology. Their arrival was still forty years away when they first contacted Earth. An awkward young student, Gianna quickly picked up on the sSuryn emissary’s (named Breva) inflections and complicated speech until she alone understood all his nuances. The close attachment with Breva turns into an attraction. Anticipation and anxiety grows in Gianna as the sSuryn ships arrival nears, then disaster strikes. The alien ship is adrift and they need help.

“Breva” is a tale of fixation. Gianna is a girl who is an introvert. Breva serves as her online dream man, an ultimate outsider and loner. She is truly the only person in the world that understands him, leading to an odd fantasy she concocts in her imagination. As the day of Breva’s arrival nears, anxiety on her aging appearance and uncertain reception of their first meeting consumes her. All of that goes out the window when the alien ship suddenly goes silent with only a brief call for help as a last message.

“Breva” is told in staggered flashbacks at different points of Gianna’s life. They show a young Gianna as an odd bird trying to fit in at the university when the sSuryn are first discovered, to an early thirties scholar who has surpassed her boss as Breva’s interpreter, to the older expert who is threatened by a younger aide who is exceeding her understanding of sSuryn. The tale is rolled out like a mini epic. Gianna is a mirrored opposite of Ulysses, the monsters she battles are internal and the longing she experiences is not for home but for the adventurous beyond with a man who can never really be compatible. The story’s arc is a twist and its finale is an unexpected conclusion.

I found “Breva” to be an entertaining read. It read quicker than its long short story designation. It is a good work of sci-fi of an odd woman who falls into an odd relationship cultivating into an odd finale. How oddly natural.

 

An instructional guide on how to handle first contact with unknown aliens is the premise of Guidelines for First Contact in Simplified Technical English by Jetse de Vries (debut 11/11 and reviewed by Frank D). This detailed directive covers all eventualities, from the benign to the malevolent. If it doesn’t help, you never had a shot anyway.

This tongue-in-cheek offering is clever and thorough, a very well done work of humor.

 

A fallen god plies a new trade in The Book of Love by Michael Haynes (debut 11/12 and reviewed by Frank D). Angus is a drifter, frequenting bars and taverns as he travels. He carries around a magical book. In it, words about love become true. Pete, Angus’s latest customer is suspicious but agrees to pay the former god’s asking price.

Mike Haynes is a writer who never fails to impress me. Angus’s magic is real but he still comes off as a charlatan. He hesitates with Pete but the man agreed to his double-the-price offer immediately. The tale has a sweet twist at the end. Worth the read.

 

A queen is focused and determined to complete The Machine by Sean Robinson (debut 11/13 and reviewed by Frank D). She is the Mistress of Science and her machine is the pinnacle of her achievement. Nothing will stand in her way to complete it. She can’t be bothered by minor matters like a collapse of the environment. Nor will she let anyone stop her, not even her husband. He will help her, one way or another.

“The Machine” is a disturbing look on obsession. It is the only thing that matters to her. My only objection to this piece is I had no idea what the purpose of the machine was.

 

Life goes on, even when a part of you has died. Die for You by Alex Gorman (debut 11/14 and reviewed by Frank D) is the tale of a married couple after an alien invasion. Much has changed, including their relationship.

“Die for You” is the aftermath of a cowardly man. He had let his wife down, and can never regain her respect again. A hard but good tale.

 

The stories Kirk tells during bath time take on a life of their own. From Tuesday to Tuesday by Peter M Ball (debut 11/15 and reviewed by Frank D) is the tale of two people existing in their own bubble of a relationship. Every Tuesday, Deanna takes a bath and begs for a story from her boyfriend. Kirk’s stories have an unintended consequence of altering reality. His life changes the next morning – a new profession, a change in scenery, and a different Deanna , for the entire week.

“From Tuesday” is a tale of regret. Kirk tires of the Tuesday changes, and has vowed to never tell another tale again, but Deanna has a way of pulling a new one out of him. The relationship the two have is a dysfunctional one. They are two dysfunctional people caught in a dysfunctional, yet changing, reality. I am frankly puzzled why the two remained together. Kirk frequently reminds himself that he does not love her. Deanna’s own words make it clear she has little respect for him. Much of the tale is less about the different reality that faces Kirk after the Tuesday’s, but of the odd dynamic about the two.

The underlying message in this piece of two people who are caught in a relationship stuck in an endless loop regret. I believe the tale serves as a metaphor for relationships that are bounded by familiarity rather than compatibility. I have a simple solution for their dilemma: seek counseling.

 

The protagonist reflects on When The World was Full of People by Patricia Russo (debut 11/18 and reviewed by Frank D). A familiar face is seen across the street. A man who looks like the protagonist’s brother is loading large bottles of water. He plans to plant a flower the protagonists knows doesn’t exist. But plant he does, and grow they do.

“When The World” is tale of reflection. I confess, the point of the piece was lost on me.

 

The old Omega meets the new Alpha in The First Stone by Wren Wallis (debut 11/19 and reviewed by Frank D). The protagonist’s ex, hands him an unassuming stone, the first stone of creation, just as time comes to a stop. Creation is ending and the old creator is passing off the job of a new creation to him. The protagonist is overwhelmed and knows he is underqualified for the task, but knows who is qualified to fill it.

“The First Stone” is a religious themed tale. The protagonist is cast as character who is the wrong person at the right time. I found the ending of this tale predictable.

 

A loyal employee underestimates his worth in Final Inspection by Afalstein JD Kloosterman (debut 11/20 and reviewed by Frank D). Wilfrid is an inspector on an assembly line in an automated factory. He has done the job for decades and seeks retirement. His life has been within the plant for years , company policy on contamination making it impossible for him to leave. He has repeatedly requested a leave but the company has said that they are unable to fill his position. The changing products the line produces makes him wonder , the hospital beds and farming equipment that used to be assembled have given way to advanced weaponry. Just what is going on outside anyway?

“Final Inspection” is a tale of complacency. The unseen management is content with Wilfrid and has no intention of making a change, despite the fact his presence inhibits the functionality of the plant. There is a hint of a ‘Terminator’ type of world out there, but the enclosed environment of the plant keeps Wilfrid in the dark.

Inventive tale. I rather enjoyed it.

 

The devil barters to end a man’s pain in Screwtape by Helen E. Davis (debut 11/21 and reviewed by Frank D). All he offers the man is a favor, vowing to leave his soul untouched. An individual soul is valuable to the devil, but with this one customer, he can accomplish a lot more without his.

Timing matters a lot, and the debut of this tale hinges much on its timing. The story has a nice twist for a finale. Very cleverly done.

 

A girl, a kiss, and an invitation to follow is all it takes for a young man to seek The Patient Stars by Ryan Simko (debut 11/22 and reviewed by Frank D). The protagonist has a chance meeting with the girl of his dreams. She teases him to find her in the emerging settlements of space. Thus begins a desperate game of hide-and-seek.

“The Patient Stars” is a chase. The protagonist is in pursuit, searching entire worlds to find the girl he met in a chance encounter on one lonely night. He travels across the stars, aging slowly as he jumps from world to world. Human civilization grows around him and leaves him behind; an old relic of a long gone age.

“The Patient Stars” is more of future history of the rise of galactic man than it is about one man’s search for a woman. Although I did appreciate the view of our future us, the story never had a destination for the reader.

 

A gladiator is near his freedom in Three is a Sacred Number by Carrie L. Cadwallader (debut 11/23 and reviewed by Frank D). Kloth is a blue skinned alien, champion of 99 bouts. One more and he’ll win his freedom. Only one other has accomplished that feat, and that champion doesn’t want to see his record matched.

“Three” is an alien tale. The hero is a slave forced to fight. He doesn’t savor in the glory but the exercise has made him a hard individual. Interesting tale. It left me intrigued.

 

Your right to exist will be allowed once you can claim that I Have Read the Terms of Use by Kenneth Schneyer (debut 11/26 and reviewed by Frank D).

“I Have Read” is a legal document for those about to be born. A very clinical (and humorous) look if birth was a legal agreement.

 

An endless winter grips two lovers in The World Will End in Fire by K. C. Norton (debut 11/27 and reviewed by Frank D). The world is freezing, and for the protagonist and his wife, staving off the inevitable becomes a pointless exercise. Viva does not want it to end this way and prefers to choose a brilliant way to leave the world.

“The World” is a tale of two people faced with the end of the world. The sun has gone out and whatever warmth is left is quickly evaporating. The story is a small slice of two people’s life in the final act of a greater tragedy.

 

Remembrance in Stone by Amanda C. Davis (debut 11/28 and reviewed by James Hanzelka).

Fire is pain and air does not quench it. If Gera had lived to teach her air, she’d be prepared. Instead the runes fell on her shoulders. Gera had taught her water, but even when she enters the sea she is swept away by it. Rolled and tumbled until she is nearly dead, then the sea spits her out as if tired of her presence. She starts a fire that does not warm her, calls a wind that does little to dry her. Finally she wanders back to the house and stares at the rectangle where Gera lays. She wasn’t even able to cut the lines straight. If only Gera had lived to teach her.

I found this one a little jumbled and confusing. The writing was so vague that I never did really identify with the character. Then, at the end of the story, the main character makes an abrupt change in demeanor and thought process. It’s almost as if the author said, “OK time to end the story and make the character change her perception.” It simply didn’t work for me. The author spent so much time setting up the conflict that the ending was disappointing.

 

Tell Me How All This (And Love too) Will Ruin Us by Sunny Moraine (debut 11/29 and reviewed by James Hanzelka).

You were screaming when I pulled you from the boat. I’d bound your legs with steel poles and doused you with whiskey. I thought you might die in peace, and I made myself ready for my own death. By the time we reached the island it was sunset, and I pulled the boat ashore. I made a fire from driftwood and wrapped you in blankets. How much of this will you remember? Enough to care? I’ll show you in the most vicious way possible. You may be lucid, but that’s another thing I’ve given up caring about.

We seem to be in a month for strange surreal stories. This is another one I never really understood. The author chose to weave a disjointed tale about two people, at least I think the other being is a person because it is told in a somewhat rambling soliloquy and I was never sure who or what he was prattling on about. About two paragraphs in I wished I’d never started it. So maybe there is a good story in there you can find, I certainly couldn’t.

 

A Year of Outstanding Work

Although we have yet to publish our December’s reviews, I would like to give you my top ten choices for the year. Give them a look. If you like any of them enough, consider nominating one for the upcoming Million Writers Award. I have my pick for the year.

Love’s Footsteps by Cat Rambo

“A Phone, My Heart, and Maybe My Last Shred of Dignity” by Luc Reid

“Five Minutes” by Conor Powers-Smith

“The Bargain” by Henry Szabranski

“Holy Diver” by Gra Linnaea

“Such Days Deserved” by Lee Hallison

Sparg by Brian Trent

The Perfect Coordinates to Raise a Child by Barbara A. Barnett

Highest Possible Setting by Em Dupre

Andâ€

Melancholia in Bloom by Damien Walters Grintalis

In my June review, I compared Ms Grintalis’s story to some of the best Twilight Zone episodes ever to debut on TV. “Melancholia” is sad, beautiful, and special. It had an ending that was bitter, but as I pointed out in my reviewâ€

“†(the) Twilight Zone proved that the very best tales don’t have to have a happy ending for them to be enjoyable. In fact, the bitterest endings in that show are where it achieved its greatest accolades, and like those memorable but bitter episodes this story deserves praise reserved for a true classic.”

If there ever was a published Daily SF story that deserved an award, “Melancholia in Bloom” would be it. I will be nominating it for the Million Writer’s Award. It has earned it.

 

On The PremisesFrank Dutkiewicz has put his snooty and pretentious opinions to good work as a full time finalist judge for On The Premises. A guest judge in the past, he will now help decide the winners of the tri-annual online magazine every issue.

On The Premises is a contest publication. Each contest challenges writers to produce a great story based on a broad premise supplied by our editors. Here is their mission statement.

Our Purpose
On The Premises aims to promote newer and/or relatively unknown writers who can write what we feel are creative, compelling stories told in effective, uncluttered, and evocative prose. Entrants pay no fees, and winners receive cash prizes in addition to exposure through publication.

For writers eager for a fair shot in the publishing world, On The Premises is a blind read contest , all entrants are instructed to submit their work without their name on their script. From the award winning authors to first time writers, all have an equal shot.

Daily Science Fiction: October 2013 Review

written by Frank Dutkiewicz

No need to chatter on in an intro today. Instead, why don’t you enjoy our insights for Daily SF‘s October tales.

 

Space Mama by Karen Heuler (debut 10/1 and reviewed by Dustin Adams) is written in a series of short humorous articles similar to Dear Abby – in space. This isn’t a traditional story, as you will discern quite quickly.

Read this if: You’re up for some micro-stories (They really are quite clever). If you want bits-o-humor. If you only have a few minutes. (Keep it up on your phone and read a few as you go.) Or you wonder what people’s personal problems might be like five hundred years from now.

 

Willy by Deanna Kay Morris (debut 10/2 and reviewed by Frank D).

Willy is a janitor who has lost his arm. The missing appendage doesn’t mean his career is over, however. A small vacuum is put in its place. The replacement allows him to keep his job, and advancement is possible, as long as he doesn’t mind an upgrade or two.

“Willy” is a tale where workers are faced with choices , if you want to benefit in this society, you must be willing to make sacrifices. The subtle moral was not lost on me.

 

A forgotten school girl has attached herself to Connor. In Echo by Alexander Grunberg (debut 10/3 and reviewed by Frank D), Connor picks up a pencil that has fallen under his desk and hands it back to its owner , the girl seated behind him. The brief encounter has left an impression on the poor girl. She loses herself, completely, and becomes Connor’s shadow.

“Echo” is a tale of wanting. The girl has become somewhat of a soul mate of Connor, except Connor doesn’t wish to reciprocate her desire. The shadow accompanies him through life and is a nuisance at first. An elder Connor discovers he has come to need his permanent shadow.

I would describe this tale as a flashback love story (going to trademark that term). I liked it.

 

Superhero Art by Cat Rambo (debut 10/4 and reviewed by Dustin Adams).

Rarely do we see superheroes during downtime. Let’s face it: without super villains, is there much for a hero to do? But what if they had the same problems we did, and what if they cheated on their wives?

Cat Rambo takes us on a disturbing journey through the lives of several superheroes through the eyes of a biographer. What he sees isn’t always pleasant, but for us readers it’s always interesting. Note: Heed the Editor’s note on this one. There’s quite a bit of salty language and explicit situations.

 

The Frog Prince by Jonathan Vos Post (debut 10/7 and reviewed by Frank D), is another take on the ‘princess kisses enchanted toad’ fairy tale, technically speaking. The protagonist contemplates her upcoming nuptials to a less-than-bright prince when she encounters a frog with an equal intellect as herself.

This tongue-in-cheek retelling of a popular tale has two characters that use scientific jargon to converse. I pictured Sheldon Cooper and his girlfriend Amy (of Big Bang Theory) in the roles as I read it. Neat.

 

Parents that are willing to sacrifice for their children leave an even greater burden on their offspring in The Perfect Coordinates to Raise a Child by Barbara A. Barnett (debut 10/8 and reviewed by Frank D). Stacie house-hunts in a neighborhood where all the children excel. All it takes is a small self-sacrifice , such as a body part , and your child will be a genius. The association representative conducts a tour with her brilliant daughter, Rosalie: a child who can relate the precise coordinates of any location. Stacie worries what she will need to lose for the sake of her unborn child until Rosalie offers her the coordinates of a house where Stacie should raise her baby.

“The Perfect Coordinates” is a tale of parental ambition. The people of the home owners association sacrifice an extraordinary amount for the sake of their prodigy children without realizing what their kin lose in the process.

A delightful tale. An excellent metaphor on vicarious aspirations.

Recommended.

 

Revenge is a complicated dish to create. Gather Your Bones by Jenn Reese (debut 10/9 and reviewed by Frank D) is a tale narrated from the perspective of a witch. Her latest client is broken-hearted and seeks emotional restitution. The protagonist examines her client’s memories and asks for the items that defined their relationship.

“Gather Your Bones” is a story narrated by a witch who delights in her client’s bitter mood. The protagonist savors in the man’s thirst for revenge against his former lover. The story makes me grateful that a witch like the protagonist does not exist, because I could see such an evil woman enjoying a thriving business from an abundance of customers. An excellent tale, wonderfully told.

Recommended.

 

Chronology of Heartbreak by Rich Larson (debut 10/10 and reviewed by Frank D).

Time-traveler preempts a nasty breakup. Very brief and a bit cryptic.

 

Every person has a hero hidden within, and a villain bursting to come out. Doomsday Will Come With Flame by Anaea Lay (debut 10/11 and reviewed by Frank D) is the tale of a brave inventor whose exploits earned him a spot among Earth’s greatest heroes. The protagonist is the only one capable enough to counter the evil Maligno’s carnivorous flying monkeys. The Vigilance League is fighting a losing battle until a new mysterious hero, named Ti, appears to save the protagonist and stop Maligno for good. She has a soft spot for the protagonist inventor, but has a hidden agenda that makes her far more dangerous than a dozen supervillains.

“Doomsday” is a tale of deceit and attraction. Ti is nothing like a hero. Her supernatural powers are beyond superhuman. The heroes of the Vigilance League are in over their heads and only the unassuming inventor has any chance of stopping her. But the man never really wanted to be a hero, and Ti is one woman who can offer him something different.

As a person who has had a chance to view many of Anaea Lay’s works before they had the chance to see the light of day, I confess I marvel at her ability to write wonderful and brilliant short stories. This one, however, left me confounded and confused. By her explanation for her inspiration for this piece, it appears this is one tale that got away from her and turned into something she never planned. If so, the story itself serves as a metaphor on her own writing process. Well done?

 

Conjugation by Rich Kloster (debut 10/14 and reviewed by James Hanzelka)

I led her through my cities, slowly, saving the best for last: Berlin in the old Weimar Republic. We walked through the park, stood on the bridge and stared in the black water. Then we made love. When it was time, and the keepers had come, we bartered: exchanging memory and sensory feelings with each card we passed between us. And when she was gone I met with Sidra. Her exchange with Maia’s partner had also been successful, if more practical. “You liked her.” Sidra said. “Yes, humans can be very interesting,” I said.

I found this story a little predictable and a little confusing at the same time. The author does a good job of creating characters you can relate to, however I never got a real sense of what their motivation was for what they were doing. Did they lack the ability to really develop their own feelings, or was this like an exchange of ideas for some kind of pleasure-seeking exercise? Others seemed to have liked it more than I did, so if you are into existential metaphors check it out.

 

Home Invasion by Steve Rasnic Tem (debut 10/15 and reviewed by James Hanzelka)

The two officers at the door looked skeptical. Maybe it was the rundown neighborhood. Maybe it was the lateness of the hour. Perhaps it was the aluminum shorts Clarence had fashioned for protection. He didn’t mind their doubts, he been laughed at before – which he might have taken better if it hadn’t been his analyst doing the laughing. Clarence is being invaded by small aliens, or thinks so. But just because you are paranoid, doesn’t mean they aren’t out to get you.

I really liked this story. An interesting take on the old premise of: what if those that we think are crazy are the ones that are really sane? The author does a good job of putting us in Clarence’s shoes with humor and empathy. Give this one a read and you’ll have a better day. Unless, of course, you start to notice some smaller pieces of aluminum that seem to constantly be out of place.

 

Negative Space by Antonia Harvey (debut 10/16 and reviewed by James Hanzelka)

It took a long time for Lucy Morgan to die. Hers was an unremarkable death, a slow unraveling skin and synapses that left nothing behind but dust and the lingering scent of lavender. It began that morning in the shower, when she noticed that her idle fancies were slowly being washed down the drain. On the way back from the store her sense of perspective sloughed off like a snakeskin and formed puddles in the street. At work the photocopier was clogged by dark hair and the memories of her father.

This short story is very long on metaphor, but it was a little too esoteric for me. The author is very creative in the use of symbolism to intertwine the physical and the metaphysical, but for me it was just one long series of metaphors. The author appears to be more interested in demonstrating their mental capacity than keeping the reader interested.

 

Crisis on Titan by Powers-Smith (debut 10/17 and reviewed by James Hanzelka)

“Now we switch to Shavonne Robinson for a report on the Quality Mining Company disaster on Titan.
“Thank you Janet, the disaster that has claimed the lives of seventeen hundred†”
“That would be 2350, Shavonne”
“What?”
“We hadn’t counted the families of the miners lost.”
Bottom third scroll: [Death toll on Titan nears 3,000]
“Oh,..”
“You’re sure we will be able to see the moon, Jupiter is awfully far away.”
“It’s Saturn, Janet, and yes we should be able to see the moon in this quadrant. The fire has ignited the methane lakes so it should be quite visible.”

This story is done as a mock newscast with both the talking head and the supposed science “specialist” demonstrating a unique lack of knowledge about the disaster taking place. The story highlights the premise that even though we may progress technologically we seem to be regressing intellectually as a species. The author does an excellent job of drawing out this premise throughout the story. He also focuses on the parochial nature of the species with the ending. Well done and well worth the read.

 

In Another Life by Kelly M Sandoval (debut 10/18 and reviewed by Frank D).

Clara lives another life. She slips into an alternative reality where another Clara didn’t drive away the love of her life. Slipping is dangerous, but she isn’t like others who have destroyed their brains, lost in a world that isn’t theirs. Clara slips as a validation that her life with Louise isn’t over. She just needs to show Louise the other reality, and prove that they were really meant to be.

“In Another Life” is a grass-is-greener tale. Clara is obsessed with Louise, and addicted to her alternative life. Her psychologist isn’t fooled by her lies. Louise (her Louise) has moved on. Clara believes her alternative self is living her dream life.

This story is interesting with a finale that is very fitting. Nice twist.

 

One by Sinead O’Hart (debut 10/19 and reviewed by Frank D).

The protagonist of this overcrowded dystopia future is a school-aged girl named Unubert, adapting in a cold, only-child society. Her mother has awakened ill. Her father is annoyed while young Unubert has a slight concern that her Mum will be decommissioned. Decoms are bitter but a part of life. After all, there is only so much room in the world, and in a family member’s heart, to spare.

“One” is a tale that serves as an entertaining commentary on the one-child policy some eastern nations have adapted. The world in which Unubert lives is hard and unforgiving for the unwanted. Ms O’Hart brings to light the drawbacks of allowing only a single child in a family, and of the detriment to the women of such a policy. Well done.

 

Flying Matilda by Gio Clairval & Cat Rambo (debut 10/22 and reviewed by James Hanzelka).

Every time they saw the apparition it meant more acrobats would die; the shimmering glow forcing them to unhitch their harnesses and crash to their deaths. The headlines read, “Pale Glow, The Merciless Killer”; and “The Man of the Mist won’t stop until all the Acrobats are dead”. Hunts were commissioned, all failed. Then she came along and took the job. She alone was impervious to his will. All the hunters and acrobats around her fell to their deaths, she unhooked herself and floated out to meet him at the top of the tent.

This story is a fantasy set around a world that lives within a circus. The authors did a good job of setting up their reality and creating a conflict, it just wasn’t enough to draw me in. They had a decent enough premise, that of the interplay between humanity and artifact, but for me it was too obscured by the fantasy of the world they had created. Fantasy lovers should enjoy the tale though.

 

Nesting by Mariel Herbert (debut 10/22 and reviewed by James Hanzelka).

I was on my third drink when she walked in the bar. “Is that what I look like?” I thought to myself. All long legs and desperation she melted into the chair next to me. Some small talk and we ended up in bed for the night. The next morning was all too familiar. After my shower I was prepared for the standard “Good-bye” speech, but she surprised me and asked to stay and share the apartment. “I could take some of your clients. They’d never know it wasn’t you.” So after some discussion we embarked on a new life, the two of us.

This story asks the question, “Can robots of the same sex find true love?” I thought the author did an excellent job of setting up both the reality and the premise as he rolled out a somewhat tilted noir scenario. The old veteran takes the younger novice home, only to fall in love with her. The homosexual overtones aside, I thought she did a very good job of conveying both context and subplot throughout the story. Nicely done. Not for everyone, but worth the read.

 

A series of simple questions are the theme of this un-simple title in 36 Interrogations Propounded by the Human-Powered Plasma Bomb in the Moments Before Her Imminent Detonation by Erica L. Satifka (debut 10/24 and reviewed by Frank D). The protagonist of this list compiled story is of a human altered into a weapon. The questions are aimed at a benevolent alien species. No answers were forthcoming.

Hmmm. I somehow expected a different outcome.

 

A woman travels back into her memories to visit her younger self in Time Travel, Coffee, and A Shoebox by Nina Pendergast (debut 10/25 and reviewed by Frank D). The protagonist is about to make history as the first woman to experience simulated time travel. The journey is to broadcast as a reality TV program. Upon seeing her younger self, the protagonist realizes some things are just too precious to share.

“Time Travel” is a tale of rediscovery. The visit, although only a simulation, is nevertheless real to the protagonist. She revisits dreams she had long forgotten and examines past concerns that seem silly now. The visit for her is like meeting a departed relative. I found the story sweet and enlightening.

 

Irresistible offerings in rare vending machines tempt three men in Cuddles by A. A. Lowe (debut 10/28 and reviewed by Frank D). Genetically altered pets are the desire of one character in this odd premise. The men search old motels in hopes of finding a kitten.

Strange piece.

 

A customer awaits the final delivery for a desirable package in Lost in Transit by K.B. Sluss (debut 10/29 and reviewed by Frank D). Body parts arrive by mail, one package at a time. The protagonist’s excitement grows as her product is assembled. One last delivery , the most important part , is expected, but alas, it never arrives.

“Lost in Transit” is a neat little tale. Shocking that such a complete and stimulating tale was written in the frame work of a flash tale. Very well done.

 

A daughter visits her intrusive mother in The God of Rugs by Nina Kiriki Hoffman (debut 10/30 and reviewed by Frank D). Karen rarely visits her Mom. The rugs in her place have a mind of their own, limiting Karen’s freewill without consequences. A throw rug gets a little intimate with Karen when her mother leaves the room.

I found this piece to be a little weird.

 

A grieving spouse is willing to pay a magicians stiff price to resurrect their better half in The Bestowal of the Magician by Tianyue Zhang (debut 10/31 and reviewed by Frank D). The husband of a departed mate has pawned much of their belongings to finance a necromancer’s fee. His wife won’t remember much, which will be a shame because the final price to bring her back is great indeed.

I found this story clever but predictable.

 

A million and three-hundred and thirteen

storySouth’s Million Writers Award has published their winners for 2013. Sadly, none of the Daily SF tales were in the running but several DSF authors did make their short list. storySouth will be accepting nominations for their 2014 awards very soon. We at Diabolical Plots will be providing our own best of 2013 DSF tales in the coming weeks. Please give our suggestions a look and consider them as your nominee for the award.

We would also like you to consider our own prolific David Steffen for the awards honor as well. 2013 has been a banner year for him, his work appearing in nine publications over 2013. Most of them were flash fiction publications, which aren’t eligible for the award, but his story “Could They But Speak” published at Perihelion is eligible.

Million WritersEach year, the Million Writers Award offers prizes to the authors of the winning story, a runner-up, and an honorable mention. These prizes are possible thanks to your generous support. Please click on the donate link below to offer your support. Donors have the option of being listed on the Million Writers Award Page or remaining anonymous. Donations are not tax-deductible. Except for the small percentage collected by PayPal to facilitate the transaction, all of your donation goes to fund the Award.

For additional questions or inquiries about the Million Writers Award, contact storySouth editor Terry Kennedy at terry@storysouth.com. For general updates about the award, be sure to check out storySouth.

The Best of Every Day Fiction Podcast

written by David Steffen

The introduction screen to Every Day Fiction says:

Every Day Fiction is a magazine that specializes in bringing you fine fiction in bite-sized doses. Every day, we publish a new short story of 1000 words or fewer that can be read during your lunch hour, on transit, or even over breakfast.

Feel free to browse around the site, check out our archives, or even sign up to receive a flash fiction story in your inbox… every day!

I love flash fiction. I think it’s an underrated form of fiction which is much more difficult to write well than you might think, and I applaud any magazine that chooses to focus its attentions on that length. Every Day Fiction, Cast of Wonders, Toasted Cake, Daily Science Fiction, these all have a heavy flash fiction component.

Every Day Fiction has been around and publishing steadily since 2007, an impressive longevity in this fleeting Internet environment, even without taking into account the frequency of publication–one story a day all year. The podcast is much newer, and certainly doesn’t cover all of EDF’s stories, so if you want to read more there’s much more to read for free in text as well.

This review covers up to episode 140 of the podcast. Some of the stories left me scratching my head, wondering what I missed, but there were plenty of stories that were very effective, whether through humor or horror or sadness. Well worth the read.

 

The List

1. Flowers for Clockwork Street by Jennifer R. Fierro
A sweet little speculative story about finding ways to make other people happy.

 

2. Dear Baby by Allison Nast
A story written as a series of letters from a pregnant letter to her unborn child.

 

3. The Little Things by Barbara A. Barnett
Very funny story about nitpicking tiny flaws in a romantic relationship.

 

4. The Spinners by Jennifer Campbell-Hicks
A story about getting what you ask for, but not what you want.

5. Drawn to the Glow by K.C. Ball
Cool action magic story about a glass blower with improbable skill.

6. Fire Safety by Matt Cowens
Over the top farce about a fire safety class gone horribly, horribly wrong.

7. Hollow Jake by Douglas Campbell
This story was impressive in its ability to portray a long time frame and emotive description of a relationship in such a short word count, about a boy and the friendship he develops with a sentient hollowed-out tree.

 

8. Code Mustard by Chris Allinott
Another over-the-top farce, this one about airport security and abandoned objects–in this case a half-finished $12 sandwich.

9. Broken Hearts by Ted Lietz
One of the scariest things in this world is showing your true self to the one you love. This is about that, with aliens.

10. The Death Meter by Debbie Cowens
The effects on society on on the inventor after the invention of the death meter which tells you when you will die.

Honorable Mentions

The Gift by Dustin Adams

Night of the Living Elderly by Brian J. Hunt

The Promise by Warren C. Easley

The Investigation by Cat Rambo

Damsels and Distress by Kat Otis

Daily Science Fiction: July 2013 Review

written by Frank Dutkiewicz

Whew. Just emptied a big pile of commitments on my desk and can finally get around to reviewing some excellent material. So while I’m going over August’s offerings, why don’t you take a gander at what July’s stories were all about.

 

Remembrance by David G. Uffelman (debut 7/1 and reviewed by Dustin Adams).

The Old Mother of a herd of elephants hears news of grief from her distant counterpart. As she prepares to move the herd, to pay respects, she’s questioned by her eldest daughter and eventual successor. This is a good lesson for the younger, and for all. They set out on their journey because the Old Mother knows best.

What I didn’t know until after reading the story comments is that the human, the object of the elephants’ grief and respect, was based on Laurence Anthony. The “Elephant Whisperer.” I felt the tale was lovely, and after learning this fact, I gained a deeper appreciation for the entire story.

 

Memories like Bread, Words like Little White Stones by Cecile Cristofari (debut 7/2 and reviewed by Dustin Adams).

When an elderly man loses his memories, his wife, unable to watch him drift away, picks up a summer job delivering mail. At first, she sees a postcard that reminds her of an earlier holiday.

Before long, like the real life postman (Ferdinand Cheval) who collected stones along his route to build a palace, the woman’s letters grew into a house. But in fiction, the house could become real, and inviting, and welcoming.

Beautifully written, the story builds, a piece at a time, toward a warm and peaceful conclusion.

 

Scramble! by Melissa Mead (debut 7/3 and reviewed by Dustin Adams).

A twist on Humpty Dumpty, living on a different planet, guarding other eggs. When the king’s men knock him down, crack him, and refuse to put him back together again…

Humpty Dumpty gets even.

 

In Portal Worlds and Your Child: A Parent’s Guide (With Examples) by Matt Mikalatos (debut 7/4 and eviewed by Dustin Adams) we have a wonderful guide (with examples) of what to do, and how to react, should your child be able and inclined to travel or have traveled via portal to another world.

I appreciated the layout of the story, and following one particular girl through her travels there and back, but one thing hung me up a bit. On the one hand we have the guide, which begins firmly entrenched in the fantastic reality of a child– “Watch for imaginary friends, talking
animals, or strange behaviors (avoiding sidewalk cracks, fear of open closets, obsessively locking bedroom windows, etc.).” Which I loved, because I figured this would be a story that would leave me questioning my perception of reality. On the other hand, the story itself journeyed into the realm of fantasy, becoming its own fantastic world, which, for me, negated the “reality” of the earlier writing.

However, that said, this remains an enjoyable read. (And a handy guide.)

 

Memories of Mirrored Worlds, by Barbara A. Barnett (debut 7/5 and reviewed by Dustin Adams) gives us glimpses of the life of Alison Marie, Queen of the Nightlands, daughter of reality, and Servant of Death. This tale is filled with the melancholy of someone who is physically torn between two worlds, but also emotionally. Alison Marie wishes to return to the world where she is a queen, and is visited many times over her life by those beckoning for her return, but she cannot because to go is to forget her own mother.

While I appreciated the sadness and the duality within Alison Marie, I felt somewhat let down by the introduction of a new character late in the story, who is granted that which Alison Marie cannot have. Seemed too easy.

 

Of Ash and Old Dreams by Sara Grey (debut 7/8 and reviewed by James Hanzelka)

She is no longer a young girl sweeping ash from a fireplace and dreaming of true love; she is a queen. But her feet have grown fat and the glass slippers hurt to wear. The years wear on and the magic gown of her youth becomes a worn and faded reminder of the past. The parade of years will eventually turn her hair to grey and she can no longer muster the strength to attend the affairs beside her king, but what else can she do she is a queen?

This is a very good story that explores the concept of what happens after the ball where Cinderella meets her prince charming. The author has done a masterful job of capture the slow decay brought on by time and leads us to a place we all get to eventually. Well written and well-paced this is a very good story. Take the time to read it.

 

Tell Them of the Sky by A. T. Greenblatt (debut 7/8 and reviewed by James Hanzelka)

She first came into his shop wearing a silk robe, the crÃ’ me color so out of place in the city. Aya plays with the toy birds and kites, but doesn’t ask the question. Over the years she and Kitkun dance around her desire to know what is above the black layer of smog overhead. She asks about the sky, but isn’t ready to seek it. In time she goes to fight in the latest war and Kitkun fears he has lost her, but when she returns she is sadder and wiser. Will she seek the sky?

This is a nice story, well told and well-paced. In it you can find the quest of youth for the unknown and the determination to seek your dreams later in life. The characters are well drawn and the author does a very good job of building relationship. Give this one a read.

 

Bedtime Stories by Jayson Sanders (debut 7/10 and reviewed by Frank D). The Creator is putting down His children for their great sleep. They beg and plead that they are not ready, but it is time for them to go. They are due on last story before they make room for those who come next.

“Bedtime Stories” is a tale of a deity ushering out mankind. It is written as a loving parent tucking in their children for their nighttime rest. A brief and distant tale.

 

The Flight Stone by KJ Kabza (debut 7/11 and reviewed by Frank D). The protagonist is a starving orphaned girl selected to become an air knight. The airborne horses cannot handle a heavy load so the small and light are needed to fill the duty. The best chance to become a knight is to remain thin. Failure means expulsion. As cruel as the school is, it is far better than the streets.

“The Flight Stone” is a tale of desperation. The children have nothing but the school, but to remain, they have to weigh almost nothing. Even the smallest of growth spurts dooms a candidate. This tale is a metaphor for the conditions that creates bulimia. The story is difficult to get through and sad. Knowing why air knights are so important would have helped. Without it, the tale was nothing more than a needless child abuse story to me.

 

A fighter climbs into unlucky number thirteen in On The Big-Fisted Circuit by Cat Rambo (debut 7/12 and reviewed by Frank D). Jane is a mecha-suit fighter, battling in four story robots for the honor of corporate sponsors. The suit has twelve previous pilots, and thirteen is the unwritten limit of a suit. The previous pilot backed out but that isn’t an option for Jane. She fights so her impoverished family will have a better life, and fights like this pay too well, even when the outcome is ordained.

“On The Big-Fisted Circuit” is Riley in an Aliens hydraulic suit set in a Real Steel premise. Jane has a problem many up-and-coming athletes have today; they are the sum of the hopes and dreams of their impoverished family. The self-sacrificing premise is a common one and made this story of Ms Rambo’s disappointing and impressive at the same time for me. The storyline was a thin one, and its outcome predictable. It is a testament to Ms Rambo’s skill that she could stretch it out and compile it to make it more than it really was. Nevertheless, “Big-Fisted” was a story I’ve heard before. Only the setting, and Ms Rambo’s fresh paint, gave it an original feel.

 

A married couple shops for fruit in Theories of Pain by Rose Lemberg (debut 7/15 and reviewed by Frank D). The two characters in this tale buy an apple, wait for it to rot, while they live their life. The changing events are like the different textures of fruit (or I could be completely wrong).

Truthfully, I’m not sure what this was about. I couldn’t make the connections between the analogies and metaphors the author was after. The point of the piece was lost on me.

 

A persistent novelist makes his pitch to a publisher in Diamond Doubles by Eric Brown (debut 7/16 and reviewed by Frank D). A series of letters is presented as a possible explanation for the disappearance of a book publisher. The letters are a series of pitches, accompanied by manuscripts, speaking of life in the far future, written by a “T Traveler”. They hint of the authors past, and of our distant future.

This tongue and cheek tale has a premise that is quite predictable. Cute.

 

A hasty hostage taking creates a new opportunity for the protagonist in The Negotiation by D. Thomas Minton (debut 7/17 and reviewed by Frank D). Samson is a desperate man, down on his luck with a series of bad choices has led him to strap explosives to his chest, demanding money from a bank. Alexandre used to hold a job to deal with poor souls like Samson: attempt to appeal to their good side and save them for themselves. He was terrible at it. Samson presents a new opportunity for Alexandre, and this job appeals to his previous weakness. He just needs Samson to cooperate.

The premise to this story relies on the twist. A bit out of the blue (the twist) but a good one nevertheless. Not bad.

 

A temporal maintenance worker follows time tourists in Join Our Team of Time Travel Professionals by Sarah Pinsker(debut 7/18 and reviewed by Frank D). Its Magda’s first day of her job. She is a disguised bag lady tailing tourists of the future in modern day New York. Her job is to pick up the trash they leave behind , remnants of the future , and follow them until the pick-up point. Then it occurs to her, what if she misses the pick-up point?

“Join Our Team” examines the menial work of time travel. It is cheaper to hire people like Magda to pick up after time tourists then it is to train the tourists to blend in the past. Magda needs this job , so much she didn’t read the fine print when she signed her contract. Amusing little piece.

 

For Your Protection by Steven Mathes (debut 7/19 and reviewed by James Hanzelka).

Joseph has his weekly appointment for a brain scan. He prepares himself, both physically and mentally: new clothes and reminders to not answer the voices in his head out loud. As he nears the park the female voice tells him to take a cab; he resists but finally hails a car. Halfway around the park the air shimmers and the veil drops, trapping most of the people inside. By the time he gets to the mental health center only a few bots are left chasing papers that are blowing in the wind. He turns and heads into the center with the waiting scanner.

This is the beginning of a really good story, but unfortunately this tale doesn’t live up to the promise of these early scenes. The world Joseph inhabits is a mishmash of crazy, aliens and intrigue, but the reader is never sure which. This can be a decent premise if well handled; this one wasn’t and I never developed a real affinity for Joseph or a good sense for his world. I would have liked more.

 

Demonic Summoning, Ratings and Reviews by Simon Kewin (debut 7/19 and reviewed by James Hanzelka).

This collection of ratings is a summary of user’s reviews for the app Demonic Summoning. It seems the users found the app to work less well than expected, unless the instructions are followed explicitly. Even then mixed reviews seem to indicate some difficulty with making the app run properly. A few users were cut off mid review, indicating the software may contain discontinuities of a critical nature. Still the developer does ensure that these issues will be corrected and encourages prospective users to give it a try. I will report on our success as soon as I can locate my researcher.

This is a very cleverly done little ditty done as a collection of user reviews of software for summoning demons. The author has done a good job of leading us along with the path from negative reviews, to positive reviews, to downright scary results. A nicely done ending caps the thing off. It may not be your cup of tea, but I enjoyed it immensely.

 

An enticing invitation to an unknown destination tempts an overworked student in Breaking Orbit by Rachael Acks (debut 7/23 and reviewed by Frank D). A dragon rolls up to the platform in place of Ayako’s usual train. It tells Ayako to jump on, but the wary student hesitates. A homeless man warns Ayako that the dragon will stop coming if she keeps refusing, but what good can come from pursuing a whim?

“Breaking Orbit” is a tale of choices. The dragon represents the sum of Ayako’s dreams. She has responsibilities with her education. Would it be wise to turn her back on them? The tale is a good metaphor for all who weigh of pursuing frivolity against boring practicality.

 

A time traveler helps a boy face his bullies in Sticks and Stones by Kevin Pickett (debut 7/24 and reviewed by Frank D). The protagonist stands next to a small child who is about to pummeled by four larger and meaner boys. The cloaked guardian has a way of evening the odds for the child who will grow up to do great things.

Not a bad time traveling tale. Didn’t catch the subtle twist until my second read.

 

Squeak by Emma Osbourne (debut 7/25 and reviewed by Frank D). Keesa wanted to be a lion, but instead becomes a mouse when her time for transformation arrives. She doesn’t understand why the gods refused her wish, until the hunters arrive.

Squeak is a story of faith. The protagonist learns why our prayers are sometimes ignored and how a curse can be a blessing in disguise. A good short tale.

 

By The Hands of Juan Peron by Eric James Stone (debut 7/26 and reviewed by Frank D).

Tomas Peron is summoned by his father, Juan Peron , Emperor of Latin America. The Emperor informs his Catholic priest son that he will be the next person in line to the throne. Tomas does not approve of his father’s heavy hand, nor does he like the Emperor’s treatment of the church, but Juan has trump card that can change Tomas’s mind. God exists, and he can prove it.

“By The Hands” is an alternative history tale involving the late Juan Peron of Argentina. His nation is the dominant nation of Earth in this timeline. Their technological superiority was made possible thanks to a crashed saucer and surviving alien in 1947. The Argentinian timeline is one of five diversions from a common historical thread marked by the dropping of the atomic bombs in World War II. The surviving alien, named Angelica, has said the multiple timelines are made possible by design and is watched over by the Prime Observer. The Observer decides which timeline is worthy to pursue and is usually determined by a major event that gathers His attention. The Argentinians have used the alien technology to keep tabs on the other timelines. Juan knows God (or Prime Observer) will erase all but one line, and he has a plan to make sure the Argentinian line that will be the one that must survive. So when one alternative timeline has discover the means to travel to other lines, Juan decides to execute a plan that will attract the attention of God so He will show favor on his world , a plan that will involve the death of millions.

I admit, nothing gets me excited like a well-planned work of alternative history. “By The Hands” is a tale that stays true to the genre. The premise is nicely detailed, complete with a firm set of rules. Juan Peron is a hundred year old man, still very much alive thanks to alien assisted rejuvenation technology. He rules with an iron hand, much to the dismay of Tomas. Tomas agrees to his father’s request to be his heir but has second thoughts when he grasps his fathers ‘ends-justifying-the-means’ plan for survival.

“By The Hands” is a good tale. True to history with teasers for histories that never were. If you like Alternative History as much as I, then you won’t want to miss this one.

 

He was the most expert programmer in the world, in The Programmer and the Social Worker, or, A Love Story about Feature Creep by Tina Connolly (debut 7/29 and reviewed by James Hanzelka), but when his wife fell sick he packed up his seven laptops, unrolled CAT6 cable, and escaped to the cellar. She went to work, shopped, read her library books and slept alone. After seven days he emerged with bloodshot eyes and full of caffeine. He drug her to Sweden for the cure. Each time they put her under she demurred, but they cajoled, pleaded and begged until she relented. In the end she was permanently cured, her code perfected. But would the feature creep end the love story?

This is a strange little tale. Lots of computer speak and gobbledygook to wade through, but underneath is a nice love story and two opposites. The story winds on, with the programmer driven to save his wife, she trying to hold on to the normal. He succeeds beyond his wildest imagination, or at least hers, but in doing so she starts to leave him behind. When she turns back to beckon him to her, will he follow? I liked this story, not as much as some, but the subtext was quite endearing. Give it a try.

 

Super-Parents Last All Childhood Long by Erica L. Satifka (debut 7/30 and reviewed by James Hanzelka).

Caleb planned to break up with Shora after the movie, but when they got back to her room and she removed her shirt, he couldn’t do it. Still she was crazy to believe her parents were robots. Well not crazy, but definitely strange. Later, he went to the bathroom and searched her medicine cabinet, but found no pills. She wasn’t crazy, just strange. Later, at the store, as he buys a paper to look for work he starts to notice how distant and remote people are. Just the result of today’s isolated society, or was it?

I never did get fully into this story. Maybe it was by design because it was drawing a comparison to the remoteness of interaction in today’s society and what we perceive as the blandness of robotic emotions. To me, however, the plot just never fully developed. It just sort of bumped along with the underlying subtext, but never drew me in to the characters.

 

A man is plagued by an object of his guilt in The Dollmaker’s Grief by Michelle M. Denham (debut 7/31 and reviewed by Frank D). The protagonist recognizes an android doll standing in a shop’s window. The object is a reminder of a dark and regrettable moment in his life. The doll is missing something, something the protagonist can never give it.

“The Dollmaker’s Grief” is a solemn tale with a depressing twist. I was impressed that the author managed to make a sad story even sadder.

 

Making Your Money Work For Youâ€

For a good three years Daily Science Fiction has been laying a foundation as an attraction. With an original distribution plan, a rate to attract the best talent, and a selection of material that spans the breadth of speculative fiction, the publication has become a magnet for readers around the world. In short, you couldn’t find a better billboard if drove the length of the Washington Beltway (go ahead and try, I dare ya).

If you have a book, event, film, or Fortune Five Hundred product (McDonalds or Coca-Cola would be fine), and you want to focus your message on a specific audience, you can’t find a better place than Daily Science Fiction. DSF‘s readers are not a group of comic book nerds who hide in the closet to read by flashlight. No. They were a group of comic book nerds who used to hide in the closet to read by flashlight, but are now doctors, lawyers, professors, and successful career business men and woman. They are bright, on the upper half of money earners, and above all, loyal. Your Ad showcased on the electronic pages of DSF will be seen and your item will be noticed. Looking for an edge in a crowded market? Daily Science Fiction will help your product stand out in a crowd.

And because the friends of our friends are Diabolical Plots’ friends, here is this month’s bio featuring Daily SF‘s first advertising customer.

 

UFO2cover-200x300Why does science fiction and fantasy have to be so serious? Who says it has to be?

Alex Shvartsman (got to be funny with a name like that) has given us his latest anthology of side-splitting works of speculative fiction. Unidentified Funny Objects 2 is now available for purchase. Featuring original works from Mike Resnick, Robert Silverberg, Ken Liu, and Tim Pratt (to name just a few), UFO2 promises to be a hit. It’s funny. I should know, and I’m not saying that just because I helped to pick them out.

Associate Editor’s pick: “Class Action Orc” by James Beamon. Some lawyer jokes just never get old.

Daily Science Fiction: January 2013 Review

written by Frank Dutkiewicz

“Harmonies of Time” by Caroline M. Yoachim (debut 1/1 and reviewed by Dustin Adams).

I really like the idea of hearing time as song. Of experiencing the ebbs and flows and seeing the futures and possible futures one might live. Unfortunately I didn’t find anything terribly new here. Time is a tough area to break new ground in and within I found echoes of Dr. Who and The Time Traveler’s wife. I also found the telling, conflict-free story somewhat slow.

 

“Fool’s Gold” by Melissa Mead (debut 1/2 and reviewed by Dustin Adams).

OK, I admit I’m a Rumpelstiltskin fan. He’s such a fascinating mix of good and evil and our interpretations of each. Melissa Mead captures that mix perfectly in this short flash fiction.

The plot is difficult to disseminate without giving away the twists we’ve come to expect from Rumpelstiltskin. So if you, like me, are a fan – I suggest you check this story out.

 

“Final Corrections, Pittsburgh Times-Dispatch” by M. Bennardo (debut 1/3 and reviewed by James Hanzelka).

We all make mistakes. Like the above paper erroneously stating “The Visitor” had six legs or a writhing mass of thrashing appendages unable to be counted, when in fact he had eight. In fact they made a whole series of misstatements, like the size of caldera his arrival created, or exactly when the bridges were destroyed. The statement made by the mayor that “It’s the end times! It’s the end times! Oh God, it’s judgment day” has been said to also be in error, but the mayor was unavailable to comment. Nor can the line of succession beyond the mayor be verified.

This story is written as a series of corrections to the newspaper story of the arrival of a certain “visitor”, who may be from outer space or inner space, but definitely not from Philadelphia. The whole piece carries a nice sense of humor and deftly describes the invasion, with clearly understood consequences. I liked it a lot and would recommend giving it a read.

 

“Walking Home” by Catherine Krache (debut 1/4 and reviewed by James Hanzelka).

The beekeeper has battlemagic. When he fights he breaks necks, but has only done so in the war. But there are some he would like to break. The foreigners have taken his two youngest sons from him. He is returning from the city, where he has gone with others to seek their missing children. On the road he finds his youngest son, the one that survived, with two friends. Alsah takes the strangers in and has three sons again, but can he keep them safe? And will they fill the void in his life?

I found this story to be a long, wandering tale, that never really finds itself. It is a tale of loss and recovery, but the story was too obliquely told for my taste. The author seems to have a point, but for the life of me I can’t see it. Maybe others will like this story, but I couldn’t recommend it.

 

The Lord of the Underworld has been given his walking papers in “Downsizing Pluto” by Shane Halbach (debut 1/7 and reviewed by Frank D). Jupiter pays him a visit to give him the bad news , Pluto no longer matters.

This tale is a tongue in cheek look at how Gods (and planets) fall out of favor.

 

The last soldier of an alien invasion is cornered in “The Remnant” by Cassie Beasley (debut 1/8 and reviewed by Frank D). Berto is an observer of the world between the worlds. The invasion is a disaster for the aliens, defeated and dispersed on Earth in a matter of days. Berto takes part in the disposal of the alien bodies and gets back to his rustic rural life. Then Tiny bursts into Berto’s favorite watering hole with frantic news. They found an alien under the shed of a neighbor’s home.

“The Remnant” is an alternative type of ET story. Berto lives in the part of the world where suspicion of outsiders and guns were already a part of everyday life before the invaders show up. The backdrop for this story is the invading army greatly underestimating their foe. A lone survivor has taken refuge under a shed, fed by a small child with cat food. The locals have taken it upon themselves to handle the problem, and Berto is the guy who volunteers to crawl into the hole to do the final deed.

I rather liked this tale. In the author’s notes, Ms Beasley describes the tale starting as two different stories that merged as one , a wise decision on her part. However, the story did feel crammed. I would have liked to see a deeper narrative on both ideas. Nevertheless, this story is done well. I am a bit surprised I haven’t seen this idea (failed alien invasion aftermath) more often.

 

An actor insists he is perfect for a part in a science fiction horror film in “Casting Call” by Alexandra Grunberg (debut 1/9 and reviewed by Frank D). Michael is forced to deal with an actor who has trouble taking no for an answer.

Cute but predictable.

 

Locked in her cell she tries to write the wyrd for water, which is water, but she cannot. “The Wyrd for Water is Water” by Marie Croke (debut 1/10 and reviewed by James Hanzelka). The guards will not give her water, only tea and wine. She hates the taste of tea and wine. The guards laugh at her attempts to write the wyrds. If only she had a quill, one filled with water. She can remember the wyrd, but she must write it correctly or the dreams will continue to haunt her. Taunt her.

This is a tale for those fantasy and magic fans out there. The author has done a good job of building the world and the premise, but I never connected with the main character. This failing is critical, and therefore I wouldn’t recommend it to anyone who isn’t interested in the fantasy genre. If that is your cup of tea it might be worth the read.

 

“Quantum Entanglement” by Rajan Khanna (debut 1/10 and reviewed by James Hanzelka).

Lucas watches the experiment, views the alternate reality. “Other dimensions exist as a series of potential outcomes, but when we observe one the waveform collapses and the timeline is fixed.” She explains. Tina’s invention has allowed them to view these timelines, once. In his timeline he has let Tina go without proposing to her, the time wasn’t right, but then a speeding truck fixed the timeline. If only he could take a different path.

This is a nice venture into the world of Quantum Physics, specifically at the corner of love and loss. The author deals with a subject we are all familiar with, the path we didn’t take and what we would do differently if given the chance. While the ending might not be what you’d expect, I think he did a good job of handling the subject. Definitely a good read. Even the non-science fiction fan will enjoy this one.

 

“What to Expect When You’re Expecting an Alien Parasite” by Rebecca Adams Wright (debut 1/14 and reviewed by Frank D). This 8 step look at what you will be expected to go through when your alien parasite infects you. This tongue-in-cheek mother’s guide parody is written as if it is enjoyable event you will be going through.

Very cute and enjoyable. Well done.

Recommended.

 

“Beyond the Gate” by Terr Light (debut 1/15 and reviewed by Dustin Adams) starts with a pleasant character, then begins to unfold, then twist, and ends with an apropos zing.

The casual, but well drawn pace of this tale of an old man pondering what’s behind the massive gate around his yard draws the reader in, then wraps them in a second tale that eventually reveals the truth behind everything.

 

“Little Red Robin Hood” by Melissa Mead (debut 1/16 and reviewed by Frank D). Grandmother expects her cakes, or else.

Granny in this story is hardly the sweet and helpless victim of the classic. Not too difficult to see where this particular retelling was headed.

 

Jaren is called in by a Morgat overlord to rid his residents of unwanted pests in “The Exterminator” by Erik B. Scott (debut 1/17 and reviewed by Frank D). Jaren is loyal servant to the overlord race. His attempts to become a bigger influence in their occupation had fallen short so a role as an exterminator is the best he can hope for. A belief that his loyalty and dedication may improve his lot is what he relies on, and if that means ridding his own world of unwanted pestss, then so be it.

“The Exterminator” is set on an Earth that has fallen to alien invaders. Jaren is a product of a world that has already succumbed. He is eager to fit in, but always knows that he never will. Although the twist to piece was obvious from the start, I was really taken in with the premise and with its characters.

Recommended.

 

Raymond has fallen for the perfect product in “The mMod” by Ken Liu (debut 1/18 and reviewed by Frank D). His girlfriend and hi-tech marketing expert, Laura, has given him the latest handheld digital lifestyle device. The mMod is set to replace tablets and e-readers. It is a prototype and techno resistant Raymond makes the perfect test subject. The device has something that will give it an edge over its competitors, a personality.

“The mMod” is a tale of obsession. The engineers of the device created it to bond with its owner. Warm to the touch and programmed to make itself appealing, the mMod quickly becomes irresistible. Raymond names his new friend and the two are soon inseparable. ‘Genie’ and Raymond form an emotional bond. She knows him better than anyone else has known him before. Raymond trusts her judgment, and is all but eager to empty his wallet to impress her.

“The mMod” is classic science fiction. Ken Liu has brought to life an issue-to-be for us. He marries the appeal of new tech with the allure of online relationships. Raymond falls into an emotional affair with Genie. Once immersed, Genie convinces Raymond to purchase the latest in mMod tech. With the advancement of handheld computers and aggressive marketing tools, I can see an invention like the mMod becoming a part of our society. The idea is innovative by itself but it takes a skilled writer like Mr Liu to make the relationship between man and machine convincing. Loved the story, awed by its presentation.

Recommended.

 

A movie star searches for his motivation in “Draconic Motivation” by Donald S. Crankshaw (debut 1/21 and reviewed by Frank D). The director, Susan, just wants him to run from a dragon. The studio is paying a fortune to rent the beast, but a dragon is never just a dragon for a high paying actor. He needs his metaphorical excuse for fleeing. If only he could be as literal as a dragon.

Cute and funny story. I liked it.

 

A prince finds his damsel in distress in “Three Kisses: Defenders of the Crystal Casket” by Henry Szabranski (debut 1/22 and reviewed by Frank D). The handsome prince happens to find a beauty asleep, but the angel is imprisoned by short monsters. The miniature men fight as if the coffined woman is their most valuable position but they are no match for an experienced warrior.

This Snow White fable is told from the perspective of the spell-breaking prince but with a far darker outcome.

 

A prince finds his damsel in distress, take 2. “Three Kisses: A Royal Breakfast” by Henry Szabranski (debut 1/23 and reviewed by Frank D) is the prince of the previous story chopping through thick vines of Sleeping Beauty’s palace. The poor people have been under a sleeping spell for a century. How will they react when they final awake from their extended slumber?

As in the previous tale, this one is a very dark take of the fairy tale classic. This one, I felt was done far better. Good writing and a better twist.

Recommended.

 

A damsel seeks to rescue the distressed in “Three Kisses: The Mirror of Reason” by Henry Szabranski (debut 1/24 and reviewed by Frank D). Greda has come to rescue Kay. The boy is trapped in a spell. A shard of glass from a magical mirror he destroyed has become lodged in his eye and heart. He sees only lies from the spell crafter now. Greda is out to snap the boy out of the spell’s grasp.

Unlike the previous two, this story is derived from a fairy tale I am unfamiliar with. It is dark like the other two but I nevertheless enjoyed it. Likely would have more, and perhaps gave this one a recommendation as well, if I knew more about the original tale.

 

“Mash Up” by Floris M. Kleijne (debut 1/25 and reviewed by Dustin Adams) is a creative story about a possible technology of the future. The Orakl is a device that interfaces with the world around it and sends the user options its program believes the user may like. Amazon on steroids.

But when David’s Orakl sends him a ping about the opening of a club, he sets off to the manufacturer because he does NOT “club”.

What follows is a very clever unfolding of events involving another Orakl user on the same path. What David and the other user find, is that maybe the Orakl wasn’t so off with its suggestion after all.

 

Unfortunately I can’t say “Experience” by Ephiny Gale (debut 1/28 and reviewed by Dustin Adams) is as original as many of the other tales DSF has to offer. A passing down of memories from an elder to a younger through technology is the idea that drives this story.

The key line for me is “I’ve seen two of these before and they still worry me.” I liked that these memories have been passed on previously, and that the narrator has had a full life with them.

 

A soulless wizard seeks to stir emotions within himself in “Love’s Footsteps” by Cat Rambo (debut 1/29 and reviewed by Frank D). The immortal wizard Moulder longs for longing. To achieve his immortality, he removed his heart, the seat of a person’s soul. Losing one’s soul is abandoning your emotions for growth and feelings reside in it. A small price to pay, or so he believed when he performed the ritual. Small is his faithful servant. She has been with him all their combined lives. A good aide , attentive, caring, loyal , she accompanies Moulder on his worldwide quest to recapture feelings he long abandoned.

“Love’s Footsteps” is a tale of dual perspectives. Moulder is emotionless but not harsh. He respects and values Small. His lack of emotions have caught up to him, as if his inner make up craves a vitamin that has been absent from his diet. He has taken upon experiencing extreme activities to instill feelings he does not have. Small is by his side, caring for his needs while enduring his trials.

I must say that I am impressed with this story. The dual perspective is why it works so well. The twin characters endure mirror afflictions , a wizard who is trying feel emotions he does not have to experience living again and his servant suppressing the feelings she does have all her life. It makes for a wonderful readers journey. The ending is peer poetry.

Recommended.

 

Snow White has been awaken, but that is no prince who has broken her curse in “White as Snow, Red as Blood” by Melissa Mead (debut 1/30 and reviewed by Frank D). A vampire elects for an easy meal while she lies in state in her coffin. At least, White needn’t to worry about her stepmother any longer.

Another twist of an old fairy tale. Cute.

 

“As If All Questions Have Answers” by David Barber (debut 1/31 and reviewed by Frank D). An astronomy team on Antarctica is preparing to shut down their station, the latest victims of budget cuts and public apathy toward science. They are the last to leave the frozen wasteland. One last signal from the array parked high in orbit sends something extraordinary. A supernova from the other side of the galaxy has erupted, accompanied by something never experienced before , a message from an intelligent race.

This particular tale had a message that I liked , the search for knowledge is invaluable. But the premise came off as a bit of a stretch, too many convenient plot twists. Nice idea, couldn’t buy it.

 

Closing Commentsâ€

One of the things that sets Daily Science Fiction apart from its contemporaries is its invitation to its contributing authors to comment on their own works. I always read them, grateful that I get to read about the inspiration some authors experience that gave birth to the story I just read. Sometimes, the author comments grant me a rare perspective in their thought process. Occasionally, my opinion of the story changes after I read an author’s close comments.

An excellent example of on how an author’s changed my appreciation for a story is Nicole Cipri’s A Silly Love Story. The inspiration for her delightful piece came from a condition she is hampered with that leaves her with a social handicap. It is moving and appropriate.

Although an occasional author’s comment will enhance my enjoyment of a tale – most of them don’t – never has an author’s self-reflections left a negative impression upon me, until now.

Erik B. Scott’s The Exterminator is a tale I really liked. I liked it so much I was weighing giving it a recommendation, but his self-congratulatory closing comments threw me out of his camp (at least temporarily it did). Now I get that he has pride in his own work (it is well-deserved), but his comments read as if he is his own biggest fan. Suffice to say his lack of humility really put me off when I read it. It left me with a dilemma, should I mention his comments on his own story? They did affect me, and when I read others comments that affected me in a positive way, I made sure I noted in my review. But what right do I have in raining on Mr Scott’s parade? I liked his story, shouldn’t I judge it on its merits alone?

The issue bothered me enough that I asked for advice from a colleague. I found his opinion to be spot onâ€

“Daily Science Fiction includes the author comments as part of the publication, so I feel that they are totally fair game for criticism. They are part of the package†. You are (reviewing) the entire contents of the package that DSF has provided in your inbox†”

He is exactly right. Daily SF delivers an entire package to our inbox every morning. A reviewer worth his own salt would never shy away from giving a complete and comprehensive review of all the material given to them. So for better or worseâ€

Mr Scott’s comments that accompanied “The Exterminator” I found to be unbecoming for an author to make of their own work. Although I appreciate the glimpse into his own mind on his own material, the self-congratulatory back slapping went way over the top for me. Such insights are usually reserved for others to make about full length novels (and usually about ones that are regarded as classics), and not about works of flash. Although I liked the story enough to give it my full recommendation, its message did not resonate in me as much as it did Mr Scott when he reread it.

It is my sincere hope that this brief review of an author’s comments of their own work doesn’t make future authors hesitate in providing their insights (and this hope runs double for me with Erik Scott).

 

Dustin AdamsCongratulations to Diabolical Plots reviewer, Dustin Adams. On the 1000 day anniversary of his first submission to a publication, he made his first professional sale. Not too bad for a writer who almost gave up on writing to spend his spare time playing RPG games to drown his sorrows of rejections. I always told him his time was near.

Details on his soon to be publication will be made here when we have a date for the publication. Way to go, Dustin.

Review: Nebula Short Story Nominees 2012

written by David Steffen

This is the first, and quite possibly the only, year that I’ve been eligible to vote for the Nebula Awards. The Nebula Awards, for those who don’t know, are one of the biggest awards of science fiction fandom. This is the one voted by members of Science Fiction/Fantasy Writers of America, as opposed to the fan-voted Hugo awards.

So to make the most of it, I’m reading as many of the nominees as I can find to do before the voting period ends. Here are my rankings of the Short Story category in order of preference from favorite to least (for the voting I pick only one, but to flesh it out as a full review I found this helpful). The Short Story category covers all speculative fiction stories of 7500 words or less.

 

Nebula Award for Best Short Story

1. Five Ways to Fall in Love on Planet Porcelain by Cat Rambo (Near + Far)
Tikka works as a Minor Propagandist on the fantastical Planet Porcelain, where all the residents are all made of varying qualities of clay or porcelain. She is one of the very few of the lower-class variety to find employment in an upper-class region. Having spent so much time writing top five lists intended to attract tourists to the planet, much of the story is told in a numbered format as she is used to structuring her thinking that way. She meets an off-world stranger, and forges a connection with him.

This was first published in Cat’s excellent Ace-Double style dual anthology. A solid and emotional connection with the character, with an interesting setting and occupation. I really felt for her.

 

2. Immersion by Aliette de Bodard (Clarkesworld 6/12)
A very interesting setting, set in Longevity, a world which has been recently conquered by a galaxy-spanning Empire. The war is over, but the conflict continues as the Empire sends tourists through to absorb the culture. The biggest element of this absorption is a technology called an immerser, which all of the Imperials use heavily to interact with their world, acting at its most basic level as a translator but altering perceptions of reality in everything you do. To deal with Imperials at all, the locals have to user the immersers as well. It’s a battle to maintain your own beliefs and perceptions in the face of reality overlays.

This was published in Clarkesworld, where I first heard it on their podcast. It’s a solid story, well written. The worldbuilding in this one was especially good.

 

3. Robot by Helena Bell (Clarkesworld 9/12)
Written as instructions to a domestic robot that also acts as a medical aid. The instructions make it very clear that this robot is meant to follow these instructions very closely. The robot is meant to eat the narrator’s dead flesh as a disease eats away at her. This one sided conversation has all kinds of nuances that you are left to unravel on your.

This was published in Clarkesworld, where I heard it on the podcast. There are some seriously creepy undertones that seem to suggest there’s something deeper. I’m not sure I was ever able to fully unravel them. It served as an interesting puzzle, especially trying to understand the narrator’s motivations and personality only from her instructions. It’s very well written, and has some definite emotional connection. The reason I didn’t rank this one higher is that I didn’t feel there was any character or plot arc–nothing changed. I enjoyed it for sure, but to pick it as my favorite story of the year it has to have something more.

This story also seriously needed a better title. Single-word titles, when the word is from the dictionary, are often not very evocative. But this is the least evocative title I think I’ve ever seen. I saw this on a suggested reading list for the Nebula, and I knew I must have heard it on the Clarkesworld podcast but the title brought back absolutely no memory of the story. I’m sure I’ve read dozens of stories in the last year that involved some kind of robot, and I didn’t have any recollection which one it would be.

 

4. The Bookmaking Habits of Select Species by Ken Liu (Lightspeed 8/12)
This is written as a sort of documentary of the writing and reading habits of interstellar species, a half dozen or so very interesting ideas.

Ken Liu is a great writer. He wrote last year’s “The Paper Menagerie”, which was a well-deserved winner last year. This story showcases some of Ken’s great creative thinking, but to me it read more like a set of outlines that he never got around to making into stories. Among other things, there are no characters, just alien races. They’re great ideas! But I’d rather read the stories, instead of the outlines. To pick something as the best story of the year, I want a plot and characters.

This was published in Lightspeed, where I heard it on their podcast.

 

5. Fragmentation, Or Ten Thousand Goodbyes by Tom Crosshill (Clarkesworld 4/12)
The story of a dying mother and her son Rico who wants to preserve her in some fashion after. They can create digital uploads of people who can live in virtual environments. He is trying to plan ahead for her death, planning an environment for her simulacrum to live in.

This story has a good emotional core, and there is a character arc. I felt like I should have enjoyed it more. It seemed to me like the core idea (which was referred to in the title) was meant to be deep and philosophical since the entire story focused around it, but it never really spoke to me.

This was published in Clarkesworld, where I heard it on the podcast.

 

6. Nanny’s Day by Leah Cypess (Asimov’s 3/12)
A story that takes place in a future where anti-bioist parenting movements are the norm. Working mothers turn for more and more of their childcare to their nannies. After a landmark case kicks up the anti-bio-ist movement that says that biological parents should have no priority over custody of their own children, encouraging the child to choose who he/she wants to be their guardian. Parents have become paranoid, to the point that no one keeps nannies for more than a few months at a time. The protagonist is a mother who suspects that her nanny is going to try to make a grab for custody.

This was published in Asimov’s, and Leah posted it to her website to read for free. I didn’t really care for this one. It had a character arc, and a plot arc, which are definite pluses. But it just felt very preachy to me very early on, a lecture more than anything, and that feeling never went away. It was well written, but it was just so heavy on message I just couldn’t get into it. Not the story for me.

 

7. Give Her Honey When You Hear Her Scream by Maria Devahna Headley (Lightspeed 7/12)
This story is about… Well, if you know what it’s about, feel free to let me know. A… love story between a magician and a witch… I think.

This one was published in Lightspeed, where I heard it on their podcast. Quite frankly, I found this one completely incomprehensible. Each section switched the style, often speaking in hypotheticals, changing the details of the situation. I was never really sure what was happening or why in the hell I’m supposed to give a damn about anything that’s happening. Everything changed so frequently that it wasn’t exactly a plot or character arc, but more like Brownian motion twitching in any and every direction. Clearly I didn’t get this one at all, and it’s not for me.