DP FICTION #94B: “When There is Sugar” by Leonard Richardson

Berl found it a comforting background to his work to hear his neighbors’ boots squishing through the village mud as they passed his bakery, but at the sound of dozens of trudging feet he looked up in alarm. Through the window he saw an army officer walking towards his bakery, followed by a squad of metal-footed machines.

The officer, a captain, knocked on Berl’s door. Berl did not want to make trouble; he wiped his hands on his apron and was smiling by the time he opened the door.

“Come in and dry off,” he said politely. It had been a long day of kneading and lifting for Berl, but even so the captain had slept less recently and less comfortably, and his rubber coat could not keep his wool coat dry. Huddled in the muddy street behind the captain stood his machines: long rectangular iron boxes, each standing on a tripod of birdlike legs, steaming in the rain.

“I’ve brought your new oven,” said the captain.

“New oven?”

The captain looked annoyed. “You should have received a letter with the royal seal.”

Berl had received a letter with the royal seal, and asked the village witch to read it to him, hoping for news of his son. There was none; Berl had ripped the letter up and his oven had turned the pieces to ash in a moment.

“I don’t need a new oven,” he told the captain. “I need salt, and sugar.” I need my son back.

“The rationing will be lifted as soon as possible,” said the captain. “For now… this is a personal gift from the royal family. The first fruits of the new era of peace.” He seemed to believe this himself, which was nice enough. “Put your mark here, please.”

From a pocket of his rubber coat the captain took a small leather-bound book. He leaned into Berl’s doorway, out of the drizzle, and opened it to a page covered in rows of neat penmanship. It looked like a ledger without numbers. Down the right-hand side of either page ran a line of fingermarks, a dozen fingers scarred by burns, the great hazard of Berl’s profession.

Berl pressed his second finger against a blank spot on the paper and his fingermark appeared dark upon it, just beneath that of the previous oven recipient. The captain gestured to his flock of iron birds and one of the tripods loped through the mud towards the bakery, stopping at his side. Berl felt a dry, familiar heat. A cavity ran through the rectangular box; Berl could look right through it and see the village on the other side.

“One ‘Mama Jolice’ class field oven,” said the captain. He slapped the oven with a gloved hand and it shifted its weight to keep its baking surface completely straight. “Decommissioned for civilian use. Needs no fuel. May it bring your village health.”

The captain swiveled one boot in the mud and walked back to his company of machines. In unison they straightened and marched behind him, sloshing through the mud, through the village, into the countryside.

With the stranger gone, the life of the village resumed, as much as possible given the rain. People stared at Berl and the oven, but nobody cared to stare too hard. A time had been when the attention of royalty was a boon, but no one was yet convinced that time had returned.

The articulated toes of the oven’s three feet grasped for purchase in the mud. Berl looked it over. It was a forge for bread: a three-legged rectangular prism with a cavity running through it, warmed by some magical source. A second, solid prism dangled from the first, forming a somewhat obscene counterweight between the two hind legs. The oven hissed as it turned rain to steam, moving less than a living thing would, but more than an oven ought to move.

“I suppose you should come in,” said Berl. It was a royal gift, and well-meaning, if a little patronizing. The oven did not respond. “Wait here.” Berl fetched the wire bootbrush, knelt and scrubbed the mud off the oven’s cold, worn feet as rain dripped into his bakery. The prospect of no longer needing to buy wood made the work worthwhile.

Stains of all kinds were burnt onto the oven’s body, stains that would not come out without magic or chemistry unavailable to Berl. Even after Berl’s ‘cleaning’, the iron beast smeared mud across his bakery floor as it clanked behind him to the real oven, wood-fired and brick.

When the captain had interrupted him, Berl had been finishing the day’s work, kneading a charity loaf from bits of leftover dough he had accumulated throughout the day. The dough had half-risen where Berl had set it on the board. Berl quickly kneaded it again and put it into a proofing bowl. Behind him the oven’s feet scratched at the stone floor like a cat testing its claws.

Berl left the dough to rise and started sweeping up. Out of the corner of his eye he saw the oven rear up onto its hind legs and reach with its front foot for the proofing bowl. “No. Stop!” Like a misbehaving pet. “Let it rise.” The oven slowly lowered its front leg, swaying back and forth, feeling its way to the ground like a child descending a tree.

Once the cleaning was done, Berl turned the charity loaf onto a peel and slid the peel deep into the maw of the new oven. Abruptly the dough lurched—no, not the dough but the metal underneath, shifting like a giant peel itself, slowly swallowing the bread deeper into the oven, towards the hole in the back.

If this was the oven’s idea of baking, it was moving much too quickly. At this rate the bread would leave the oven in less than the turn of one small sandglass. Berl walked around the oven, watched the loaf and caught it on his peel as it fell out. The bread was half-baked. He ran it through again; it was burnt halfway through and raw in the center.

The loaf was army food. This oven was to be run by farmboys who had never handled wheat between its threshing and its final destiny as bread. The instructions had to be simple enough to be barked from one poor bastard to another: put the dough in the oven and catch it in a basket.

Berl wiped sweat that may have contained tears. This oven, the unwanted gift of it and the idiotic fact of it, was Berl’s life in miniature. Once he had made cakes; there had been sugar; he was respected; he knew where his son was. Then war had come, destroyed all the craft and care and love in the world.

The war was over, but what had gone was still gone, and these replacements were not replacements at all. All food had become Army food.

Berl tasted a piece from the middle of the loaf, where it came closest to being baked. To waste food is a sin, and until recently it had been a crime. Last winter he would have gagged this down and been grateful, but by the standards of this rainy spring it was inedible. No one would take this loaf, even as charity. He threw the dead thing in a compost bin, atop vegetable scraps damp from the stock-pot.

Berl was exhausted, furious at the waste of already wasted food. He turned to kick the misbehaving machine and finally saw it move on its own. Its metal knees bent and it shied away from Berl’s tensed foot, like an animal that knows what is coming.

In his apprenticeship Berl had burned a loaf, and worse. He had been beaten, and from the beatings he had made himself a promise that he had almost just broken. Instead Berl cursed the Army and its useless gift, a machine he couldn’t even kick because the machine would feel it.

The oven itself was not to blame. It was made by people who did not understand bread; why expect it to understand? But perhaps it could be taught. A machine that had learned to fear a beating could learn other things.

“Do you want to do better?” Berl asked the oven cautiously. “Do you want to become good at being an oven?”

The oven said nothing, of course.

The evening was late by now and the brick oven, the one that actually worked, had lost most of its heat. Berl was now very tired, but long ago, with bruises so painful he could not sleep, he had chosen how he would treat his future apprentices. His decision had already been made. Berl lifted the hand at the end of the new oven’s front leg and guided it towards the brick.

“This is an evening heat,” he said. “A heat for cakes. Can you give off this kind of heat?”

The new oven moved its hand up and down the old oven. Keeping both ovens in his view, Berl did his best to mix a pound cake where the new one could see what he was doing. Mushy apples replaced the eggs and sugar, on-edge sheep’s yogurt the butter. It would not be the worst cake he had made that year.

After pouring the batter into its tin, Berl put his hand inside the new oven, careful not to touch the sides. Its military blast-furnace heat had died down to a low bake like that of smouldering coals.

“Very good,” Berl said. He mimed putting the cake tin in the brick oven, but left the tin on the table and stepped back.

Again the mechanical oven balanced itself on its hind legs. With its front foot it grasped the tin and slid it back into its own aperture as if gorging itself on the dubious treat. It stepped back, away from Berl and the brick oven. Berl peered through the aperture. The cake sat inside, calm, still, not shifting towards the rear.

The oven and the cake inside stood still for three turns of the small glass. Berl washed the dirty bowl, then sat and waited. When he smelled the cake finishing, he cut a crumb to taste. It tasted good, given the circumstances. Berl was probably the only one in the village who remembered what cake ought to taste like.

Berl reached his peel into the oven and pulled out the tin. “Do you see?” he told the oven. “You must take control of the heat. This is baking. You are not simply keeping men alive today so they can die tomorrow. You are sustaining people, bringing pleasure.”

The oven plucked the tin off Berl’s peel and set it on the counter with a clank. “Tomorrow I will show you how to knead dough,” said Berl. He flexed the fingers of his hand and the oven did the same.

With the cake stored in a wooden box much nicer than it deserved, Berl dragged his cot from the adjoining room into the bakery proper. His first night away from home had been lonely and terrifying, and he did not know how to ask an oven if it was lonely, or understand its answer.

Things have been destroyed that cannot be replaced, but this destruction is not the end of everything. Today’s bread is eaten, tomorrow’s is yet to be made, and one day there will be sugar.


© 2022 by Leonard Richardson

1900 words

Leonard Richardson works as a software architect at the New York Public Library, making it easier for library patrons to borrow ebooks. He’s the author of two SF novels, Constellation Games and Situation Normal. He writes on the web at www.crummy.com.


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Issue #87: Special Issue: Diabolical Pots is Here!

Welcome to Diabolical Pots! We’re delighted you’ve chosen to dine with us today.

It is a little bright, isn’t it? Don’t worry, though, the glow is normal. How many? Oh, that’s an ideal number for– Well, I have just the table for you. If you’ll follow me?

||

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And here we go.

You have a taste for adventure, right? You’re prepared to be transported somewhere else for an hour or so? Not literally, of course…

Excellent! I’m going to grab you some water and let you have a moment with our prix fixe menu. No substitutions, I’m afraid, but we have a little something for everyone.

~DIABOLICAL POTS~
May 2022

Editorial
Kel Coleman, 447 words

A Strange and Muensterous Desire
Amanda Hollander, 2155 words

Vegetable Mommy
Patrick Barb, 585 words

The Many Taste Grooves of the Chang Family
Allison King, 3513 words

Mochi, With Teeth
Sara S. Messenger, 1546 words

DP FICTION #87D: “Mochi, With Teeth” by Sara S. Messenger

Editor’s Note: This is just one of the items in the Diabolical Pots special issue.
Click here to see the full Diabolical Pots menu.

edited by Kel Coleman

June leans against her kitchen counter and stares at the little package in her hands. It’s encased in clear plastic that crinkles at her touch and boasts kanji she can’t read: 餅菓子. Under those, and a picture of small pillowy circles resting on a bamboo mat, are English words, looking suspiciously like Times New Roman: RICE CAKE with BEAN JAM. Then, smaller: (Mochi).

She bought it from the nearest Asian supermarket in south Georgia, an hour’s drive away. Beneath the cellophane rest eight flour-powdered green mochi, shaded in the center with red bean filling.

Her mom’s not here to tell her what the kanji mean. June could text and ask, but that seems troublesome. June lives on her own now, working as an underpaid web designer to make rent on an apartment with old, clinical tiling. Plus, her mom would ask why she had visited the Asian supermarket when she usually doesn’t, and then June would have to mention, offhandedly, the battered Japanese spellbook she’d rescued from her local thrift store.

She had pulled it from the shelf to examine it. On the front cover was more kanji she couldn’t read, but her fingers had tingled when she traced the characters, and she’d caught the passing scent of her mother’s hair. The owner, a white woman, had commented at the register that June was so lucky to be able to read Japanese, wasn’t it such an interesting culture? Is that where you’re really from? Sad to see this little thing go, no one was ever interested in it.

June felt lucky to have escaped whole.

So now the spellbook is spread on the kitchen table. It’s slim, written in all Japanese; some entries were translated in small text on the bottom margin, but even these feel arcane. When June first read the book, or the parts she could read, she’d gotten the impression that it taught less about how to cast magic as how to think about casting magic.

June glances from the spellbook to the package in her hands. Then she opens the cellophane, slides out the plastic tray of mochi, and pinches one between her fingers. It’s cloud-soft, but firm.

There is only one trick she wants to do. She doesn’t have her grandmother’s magic, and by doesn’t have, she means she never learned it. Her mother had stopped practicing when she came to America thirty years ago, and they’d last visited Japan when June was nine. When June was born across the sea, magic was lost in translation.

June knows lacking magic doesn’t make her less Japanese. But she craves it anyway — more now that she’s an adult, growing disillusioned with American culture, painfully aware that her grandparents are getting older while she still can’t speak their language or conjure their ability.

She sighs. She’ll look into online courses for Japanese, once she has more money. The magic is less straightforward, but it feels more immediate and urgent: an access that could chase away her shame. A validation, that even though she was far removed, she could still cast. She could still do this.

But fear, breathing hot down her neck: what if she couldn’t do it at all?

Her grandmother could do many things, June remembers, like set the tomato vines into bloom with a touch, or spin flames into pleasing shapes when she burned the stinging centipedes. These were all too daunting to try — all but one, the smallest one, the one that had most delighted June.

Her grandmother, knees stained from weeding the garden, would present her a piece of mochi. Then, her grandmother would bite into it, and crouch down so June could watch.

From the bite mark, the mochi would sprout blunt little teeth.

It reminded young June of the piranha plants from Mario Kart. It would try to bite anyone who wasn’t the spellcaster, so her grandmother never let her get too close, but it was still so cool — and when her grandmother hummed to it, it even hummed back. Her grandmother would feed the mochi little bits of homegrown tomato, weaving a tune of repetition between them, then, when the spell wore off and the teeth disappeared, she would feed it to June. The tomato added tiny umami bursts.

June picks up the spellbook and flips through it, to the footnote that had felt the most helpful on her first read. A good intention is important to creating and cannot be grown without ripe ground. A good intention. As in, a convincing one? A moral one? Who decided that? And was the ripe ground a metaphor for an open mind, or a receptive environment?

Well, she needs to try to find out.

June lifts the mochi to her mouth and bites. Soft dough yields against her teeth, and she pulls against a slight stretch. She chews. The red bean is sweet and earthy. As she chews, she concentrates on her intention: little teeth, just like her grandmother had done. They can even be molars, if it wants. Then she sets it on the counter.

Five seconds pass. Then fifteen. Then a minute. The mochi, dark bean paste exposed in a crescent, stays unchanged.

June rubs the flour between her fingers and exhales, disappointed. She can’t help feeling like the mochi has delivered a verdict, or seen her as lacking in some way, even though she knows that’s preposterous. She isn’t sure if she can take another bite — she only saw her grandmother do it with the first bite, but for functional or aesthetic reasons, she does not know. This is a question she can’t ask — she can’t read or write Japanese, won’t know the right words when she only speaks simple household terms, and besides, her grandparents only keep a landline. Nor are they big on calling.

So she picks out a new piece of mochi.

She flips to a different page of the spellbook. The strings that tie objects together are in the air, invisible, and can be tugged by a forth-willing mind.

This, too, is mysterious, approaching spellcasting from the side. Did it mean she should touch something that channels that connection, like a souvenir from Japan? Probably not. Or, is it that she has to feel that connection from Japan to herself, to her surroundings? This connection feels frayed to June, stretched across a language and a generation and an ocean.

A flash of fear, then doubt. But she closes her eyes, plants her feet on ripe ground, and digs down.

In her mind, June casts around, softly, without urgency, and a thread surfaces: her grandmother’s house. It’s hard to grasp, but she holds the taste of red bean on her tongue and tugs. Memories come slowly, then quicker, until she’s apace with them, then grasping them, then folding in:

Lush ferns sprouting from the mountain’s moss-darkened retaining wall, rice fields feeding into small gutters, with tadpoles floating down into brisk streams, the bright blue of the afternoon sky before it clouds gray — then, the sweeping humidity, barn swallows flitting across the front yard, sharp dark shapes in the dimming light before the storm.

Inside, the whistling of the kettle, the smell of fish frying on the nearby stove, the flickering light from an old lamp swaying above the kitchen table. Young June sets her plate in front of her seat, self-conscious in her grandmother’s presence, and sits down.

At the stove, her grandmother shakes the skillet and turns the fire off. June picks up her pair of chopsticks and clicks them together experimentally. The tatami creaks as her grandmother turns to look. Their eyes meet, and June almost looks away.

Then her grandmother smiles.

Her cheeks pull into apples, deep wrinkles frame her mouth, and crow’s feet crinkle the corners of her eyes. She looks at June with nothing but love.

The warmth of it sweeps June away. How could young June have not understood this? How could she have forgotten how it looked? Now, as an adult, the recognition rises in June’s chest, spreads to her fingertips, slackens her shoulders and unknots her stomach. The catharsis brings tears behind her eyes. I see you, that smile says. You are exactly where you need to be, and you are always, always enough.

June’s eyes fly open. She is back in her kitchen, standing alone on the cold tile.

“Grandma?” she whispers. Her voice cracks.

Then she crouches down.

Then she begins to cry.

Big, heaving sobs wrack her shoulders. Tears run down her nose, her chin. Her lips taste like salt, and she can hardly see the tile through the hot, watery blur. Grandma. Grandma, I miss you. And I’m enough. I’m enough.

June realizes she’s still clutching the mochi in her fist.

She squeezes her eyes shut, raises it to her lips, and bites.

She focuses on the mochi’s soft weight resting in her palm, on the sweet dough against her tongue. Fear curls hot in her stomach. Every breath is a shudder. What if it doesn’t work? What if she opens her eyes and there’s no change at all?

She can’t bring herself to look.

So, carefully, haltingly, June hums.

Silence stretches for a beat.

Her heart starts to sink–

Little teeth nibble her thumb.

And the mochi hums back.


© 2022 by Sara S. Messenger

1550 words

Sara S. Messenger is an SFF writer and poet residing in Florida. When she’s not playing fetch with her cat, she reads poetry collections in the sun. Her short fiction is forthcoming in Fantasy Magazine, and her poetry has been published in Strange Horizons. If you enjoyed this work, her full portfolio and other musings can be found online at sarasmessenger.com. This is her first short fiction publication.


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DP FICTION #87C: “The Many Taste Grooves of the Chang Family” by Allison King

Editor’s Note: This is just one of the items in the Diabolical Pots special issue.
Click here to see the full Diabolical Pots menu.

edited by Kel Coleman

Content note (click for details) Content note: person living with dementia

When Ba begins to lose his memories, he demands we get him a Remote Mouth.

“They’re only available in Asia,” Gerald complains.

“And they’re creepy,” I add, unhelpfully.

But Ba is set. He’s always been on the edge of technology and the Remote Mouth appeals to everything he would like. It is at the intersection of biotechnology (chips in the tongue and the nose) and big data (tastes and smells from all over the world, the data cleaned, encoded, and categorized) and — the quickest way to Ba’s heart — has a stupid name.

My aunts claim they used the Remote Mouth to resurrect their grandmother’s lost vegetarian sheng jian bao recipe. Each of them clipped a sensor onto their tongues and a sensor into their noses and took a selfie, looking like old cyborgs with great perms.

They told the AI what they wanted and the sensors adjusted to give an approximation of what it knew as sheng jian bao. Then they adjusted, long nails tapping at keyboards, until their eyes rolled back and they luxuriated in a sensation that matched that of biting into their grandmother’s sheng jian bao — the soft parting of the lightly sweet white bun, the rebellious crisp at the bottom, and the savory cabbage tossed in sesame oil inside. They sent the saved sensation to a certified Remote Mouth Chef who gave them a recipe they have since framed and hung up next to the sensors of their Remote Mouths. There’s an official Remote Mouth case, a plastic tongue and a plastic nose which the sensors clip neatly into. It hangs on their apartment wall, always smiling.

Gerald is on his phone, no doubt researching the Remote Mouth and if it is just an elaborate scam. He’s all skepticism and collared shirts since he took on his new big city job. It’s because of that job that I ended up moving back in with Ba while Gerald got to stay in the city. Software engineering is a more flexible job, whereas Gerald did not want to start his fancy new role distracted by Ba’s questions or risking him wandering through the background in his cotton pajamas.

“What taste would you trigger?” Gerald asks Ba, his thumb swiping through articles, skimming fast.

Ba clears his throat and slams his mug down. The rickety coffee table shakes. His dentures, placed on an off-white plate, slide forward.

“I will trigger the chop suey of Silk and Spice.”

Gerald and I groan at the same time. But Ba holds up a hand. For a moment, he isn’t an old toothless man who is losing his memories anymore. Instead, as he clears his throat and his eyes focus on mine, he’s our father again, stern and straight-backed before issuing an order — recite the multiplication table, what else will we do on the drive over to school? Or calculate the gas mileage, as he wipes his hands on his jeans and hands us a receipt and a pen.

“If the Remote Mouth can restore that memory, perhaps it can restore others as well,” Ba justifies.

It’s an early-onset form of the disease that has taken over Ba, who is still in his sixties. We should have known from his poor teeth hygiene that there would be other health issues too, possibly striking earlier than expected. Instead, we were ill-prepared, and continue to be ill-prepared. Which is why we give in so easily to his request, since there really is no other semblance of a cure.

We split up the tasks. Gerald contacts one of our aunts to arrange a Remote Mouth to be shipped over. I try to convince Ba to trigger anything but chop suey.

“You’ve had such better food in your life,” I say, thinking about our trip to Italy just a few years ago, where Gerald and I researched the best restaurants for Florentine steak, Venetian mussels, and Roman oxtail. Or northern Vietnam, a decade earlier, chicken pho for breakfast, tropical fruit smoothies, and banh mi to bring onto the flight home. Or even Taiwan, where he grew up, the place Gerald and I have always called the Disney World of food, hopping from fried chicken at night markets to beef noodle soup in alleyways to crab sticky rice in the ballrooms of luxury hotels.

But it’s not just the sheer mediocrity of chop suey compared to all of the other food we’ve had. The Remote Mouth was trained on Chinese food first, having been created by Chinese scientists. Only recently have they started adding the national dishes of other countries to their catalog and no self-respecting country would ever claim chop suey as its national dish.

“Chop suey was always the best,” Ba says. “And all of my best memories were at Silk and Spice.”

I sigh. I should not have bothered arranging those Venetian rowing lessons or the scenic trek through the remote mountains of Vietnam. I should have just dropped him off at the old Silk and Spice building and let him walk home.

Silk and Spice was the name of the restaurant we went to every weekend as kids, in the strip mall just a few turns away from our home. Gerald and I would drag our feet getting into the car — Silk and Spice again? We’d look longingly at the McDonalds we sped past and even at the pizza place whose cheese always upset our stomachs.

We’d file in like prisoners, assigned to the back corner of the restaurant at the large circular table covered in a white tablecloth. A rushed waiter would place a tray of golden crisp crackers and two plates of orange duck sauce, whatever that is, on the turntable in the middle. I’d scoop at the sauce with my crisp, orbs of glistening orange dangling off, while Ba made a show of looking at the menu even though he always ordered the same things — beef and broccoli, hot and sour soup, and chop suey. I’d inevitably drip orange sauce onto the pristine white cloth, the oils spreading slowly.

Later, when Gerald and I moved into the city, when our appetizers consisted of crisp pork belly bao garnished with shining scallion, our entrees of wagyu beef chow fun, and desserts of matcha chocolate chip cookies paired with organic soy milk, we’d laugh and pity our past selves, whose father convinced them Silk and Spice’s chop suey was fine dining.

The worst was when our aunts came to visit.

“Let’s go to McDonald’s,” I’d say eagerly.

“We’re going to Silk and Spice,” said Ba every time.

“But they eat such better Chinese food normally,” Gerald would complain. “McDonald’s–”

“Three chop sueys, please.”

While the adults talked politics and Silk and Spice stayed open just for us, Gerald and I would entertain ourselves by making the grossest mixture we could think of. We’d tear open packets of sugar on the table, their remnants a pile of torn pink paper, and pour the crystals into an unused tea cup. Gerald would pour soy sauce in, dark and gleaming, combining with the sugar in a dark slush. We’d take turns sticking one of the chopsticks in the tea cup and swirling, forming a muddy paste.

During one of these family meals, I was feeling particularly spiteful. Gerald was set to go back to Taiwan with our aunts as a middle school graduation present. But Ba refused to let me go too since it would mean missing two days of class. As everyone else tittered happily about going back to Taiwan and the foods they would eat, I poked at the limp cabbage in the chop suey and wondered if this was what I would be eating for the rest of my life.

Gerald consoled me by trying to make the grossest concoction yet. Sugar and soy sauce mixed together, then Gerald daringly scraped in the leftover duck sauce too. But I went a step farther.

When one of the aunts picked up the teapot and asked if anybody wanted refills, the adults placed their porcelain tea cups on the turntable. I added the cup with our mixture into the lineup as Gerald stared with wide eyes. The cup joined the others, rotated around the table, and was filled with dark tea, becoming indistinguishable from the rest. For the most part, the adults kept an eye on their cups and retrieved them. But I retrieved Ba’s for him, as well as my own cup, and with an easy cross of my arms, swapped them. He didn’t notice, still arguing with his sisters about the Taiwan president.

Gerald hissed at me to swap them back but I helped myself to another serving of chop suey instead.

My father took a sip. I held my breath.

It was like a cartoon. Ba pushed himself away from the table, a brown fountain spewing from his mouth. The spray reached the white table cloth, staining it, then fell all at once, onto the linoleum, the closest thing I had ever seen to blood splatter. And I know this is only my memory distorting things since Ba still had his teeth back then, but I can picture so clearly — his dentures flinging out of his mouth, trying to escape the concoction I set on him.

Gerald was as pale as the tablecloth. I looked anywhere but at Ba. Our aunts stared with their mouths hanging open, chop suey halfway to their mouths, dangling from chopsticks.

Ba lopped a chopstick full of chop suey into his mouth and munched fiercely. He looked between us and his sisters. It could have been bad. But his sisters were stifling laughter and he was too proud to make a scene in front of them. His eyes went to the tea again, the sugar, soy sauce, and duck sauce thoroughly mixed in, then back to his laughing sisters, then back to Gerald, still as a statue, and me, suddenly stuffing chop suey in my mouth like he’d always wanted. His eyes crinkled, anger lines smoothing to laughter even as he tried to furrow them back, his face alternating between stern and amused, flickering like a light bulb.

“Laugh now,” he said, voice cracking at trying to stay serious. “But I will never forget this.”

*

Our aunt ships a Remote Mouth over, due to arrive by the end of the month. In the meantime, she emails us a wall of Chinese text explaining how the Remote Mouth works, as if she can detect Gerald’s skepticism from the other side of the world. We translate it and soon we are reading about taste and smell and how they work together to send signals to your brain, how the hippocampus, the part of the brain associated with memory, has a link to the taste cortex, and how the Remote Mouth chips stimulate different combinations along the taste and smell receptors. There’s a cartoon of a man with his tongue out and his thumb up, a thought bubble with a plate of steaming dumplings inside.

While we wait for the package, I take Ba to the mall for walks where we eat at the food court, beef and broccoli lunch specials over rice, sometimes orange chicken.

“These places never have chop suey anymore,” Ba laments.

“That’s because it’s not good,” I say under my breath.

“This isn’t salty enough,” he says as he scoops saucy rice into his mouth even as I chug water. He pops his dentures out and glares at them, as if they could be interfering with his taste.

“As you grow older, you lose taste buds,” I say. “Maybe the taste buds that liked Silk and Spice’s chop suey are gone now.”

“Impossible.”

At home, he’s gotten into a weird habit of dangling his lower denture out of his mouth, as if he thinks he’s an NBA player getting ready to shoot free throws. Eventually, he started clacking them, jaw chomping, fake teeth bobbing, a sideways smile carved down his chin.

“Ba, that’s gross,” I said the first time. But he hasn’t been able to stop doing it and I stopped complaining because the clicking is a good way to know where he is in the house.

“He made a baby at the mall cry today,” I tell Gerald when I escape for my weekly visit with him in the city. We share a plate of free-range salt and pepper chicken.

“Good old teeth trick?” Gerald asks.

“Leaned right over, cooed at the baby, then pop! Half set of teeth right in front of the baby’s face.”

Gerald laughs but it quickly falls to silence.

“He’s getting worse then,” he says.

“The Remote Mouth might not even do anything for him,” I say quietly. “His memories might be too far gone by then. And I’ll have to hack it to even recognize crappy Americanized Chinese food.”

Gerald drives me home later that night, after a few hours of mindless television. He’s feeling guilty again and is probably going to offer more financial support or to hire a professional caretaker. I’m not in the mood for an argument though, so I ask him to pull over at the McDonalds and buy me some nuggets which I know will soothe his conscience.

“Is this really what we used to beg for?” I hold up a nugget, its thin fried skin separating from its mushy innards.

“Ah,” Gerald says, a glint in his eye. “Your taste buds have grown up. I know what you want.”

He pulls into the next lot over and we order lo mein and stir-fried cabbage. We scarf it down, nuggets forgotten. Gerald’s fortune cookie says he will reconnect with a lost one. Mine says Learn Chinese! 品嚐: taste

All those little boxes in the characters make me think of teeth, of bumps along the tongue, of the tens of hundreds of taste buds in each bump sending signals to my brain. Nuggets are tasty, they say, but this greasy Chinese American food? Those signals travel on well-worn paths, grooves that won’t go away, that are in Ba and Gerald’s brains too, that have been slowly sculpted with each trip to Silk and Spice. I think of the plaque forming in Ba’s brain, blocking off his memories, and wonder if maybe he’s right and the taste signals have a chance of breaking through all that plaque. Or if Gerald and I use the Remote Mouth enough and map out the paths that are still healthy and clear in our minds, we can barrage Ba’s brain with signals until his paths are clear too. And that maybe half of what being a family is about is just about having similar brain grooves.

A few weeks later, at Gerald’s apartment, I’m the first to try the Remote Mouth. A clip in the mouth and a clip in the nose. Gerald is perched on the couch, socks half dangling off his feet.

“Can you please put your socks on properly?” I ask, peeved.

“What’s up with you?” he grumbles, but he does pull his socks on all the way.

“Guess it just reminds me of Ba and his teeth.”

I didn’t mean to make Gerald feel guilty again. But it’s probably why he lets me try the Remote Mouth first. He opens the manual.

“Ready for some beef noodle soup?” He clicks on one of the defaults in the computer program.

It’s good. Really good. Like I’m finally done waiting in a line out the door, escaping from the outside humidity into a pale building with only ceiling fans, still sweating yet ordering a hot bowl of soup. Spiced and savory, beef that melts on the tongue, noodles that make me want to chew to feel its gentle give.

“Let me throw in some preserved veggies,” Gerald says and clicks another button.

And a memory of Ba heaping preserved vegetables into my bowl comes, another trip to Taiwan, where he helped me pick out the scallions from my soup because I hated them back then. The other guests in line glared at us for taking too much time. Ba turned his back to them and made sure to clear my bowl of all offending greens, piling them away and encouraging me to take my time.

Gerald fades the tastes away.

“How could Ba have grown up eating food like this but end up liking only chop suey?” I complain.

“It was the closest thing to home for him back then,” Gerald says.

Ba came to America when he was in high school. It makes me feel lousy, imagining him trying to find food that stimulated the same feelings of home and finding the closest thing in oily leftover vegetables.

Gerald and I switch places. I scroll through the defaults and give him steamed crab.

Gerald sits up afterwards and shakes his head.

“How was it?” I ask.

“I remembered shelling crabs with Ba, picking at every crevice with chopsticks. And when I told him I was done, he inspected my picked-out shells to make sure I actually got all of the meat.”

“He’s the worst,” I say.

“The worst,” Gerald agrees, but neither of us can say it with conviction.

*

When we give the Remote Mouth to Ba, he reclines on his sofa and pops out his dentures.

“I don’t want this getting in the way,” he says, and places his teeth on a plate next to the television remote.

We show him how to use the computer program to adjust both the sensor in the nose and the one in the mouth. I have to alter the program in order for Ba to input a custom taste. His face goes through all sorts of expressions as he tries to send signals down the same paths chop suey would travel down. Gerald brought over a box of takeout sushi which we share. We pile the ginger up for Ba to use as a palette cleanser.

He doesn’t get it the first day. He looks especially upset without his dentures in, his mouth sagging inwards. But we trigger crab and chicken curry for him and he’s happy when he goes to bed.

The second day I’m connecting my computer to the Remote Mouth and feeding extra data in. There’s a sophisticated community around extending the dataset inputting known ingredients and cooking methods. For chop suey, I put:

– bean sprouts, yellowed, untrimmed

– cabbage: splotchy, wilted

– meat: mystery

– garlic: minced

– soy sauce: doused

– sugar: some?

– wok tossed

– cornstarch slurried

But before I’m done, Ba comes in. I don’t hear him coming because he doesn’t have his dentures in. He watches me fiddle before asking if he can try. He shoos me away once he has the hang of it.

Downstairs, Gerald wants to brew coffee but for some reason Ba’s socks are in the coffee maker. And when I roll them up and toss them in the laundry, I find his dentures there, smiling up at me. I pick them up and plant them in Gerald’s suitcase, giving his crisp collared shirt a smile.

Ba comes out of my room triumphant.

“I have it,” he says, holding up the sensors in trembling hands. His eyes crinkle at the ends and he smiles wide and toothless. “Try it,” he says. “See what you think.”

I lie down on the couch with the Remote Mouth, sanitizing them with the included solution. Gerald’s finally got the coffee machine going and I worry the smell will interfere. But as soon as I click in the Remote Mouth, all other senses mute.

It doesn’t taste like chop suey. Ba’s too far gone, I think, or his taste buds don’t map to mine, or he just doesn’t have as many anymore. It doesn’t taste like anything I’ve ever had before, and not in a good way. It’s watery yet burnt, overly sweet but also a bombardment of umami which I did not think could be bad. And just a hint of… duck? And I suddenly see the stained tablecloth, tea mixed with sugar and soy sauce and mystery orange duck sauce, Ba’s flickering face, the aunts laughing, Gerald paling, and my own heart hammering. And his words–

I will never forget this.

I open my eyes and I’m sniffing, tears precarious. He still remembers this stupid incident, is still trying his best, even as Gerald and I fumble but also try our best. Ba is smiling shamelessly. He is looking more pleased with this taste of vengeance than with any chop suey I’ve ever seen him eat. It makes me snort and my tears turn into hiccuped laughter as Gerald looks between us, confused, mug of coffee in one hand. And even after I remove the Remote Mouth everything still tastes gross but there’s no more sushi ginger so I grab Gerald’s coffee and scorch my taste buds. But my taste buds will never forget this moment, of me and Gerald and Ba, of tastes good and bad, of brain pathways grooved into the same patterns across the three of us, and of the unforgettable desire to hold on forever.


© 2022 by Allison King

3510 words

Author’s Note: This story was inspired by my father’s love of chop suey, my grandmother’s denture adventures, and my family’s never ending quest to find where the chef of Silk and Spice, favorite of South Jersey families, works now. If you know, please let us know, so we can move on.

Allison King is an Asian American writer and software engineer based in Cambridge, Massachusetts. Her work has also appeared in Fantasy Magazine. She can be found at allisonjking.com or on Twitter @allisonjking.


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Diabolical Pots Special Issue Editorial, by Kel Coleman

Originally, I wasn’t going to write this editorial. Guest-editing this issue—from slush-pile to final selections to working with the authors—has been a dream, but I was kind of planning to skip this bit.

First, because non-fiction is hard. Second, because every time I tried to write this, instead of a fun food fact or a light-hearted anecdote about a special meal, all I could think about was my family and how much I miss seeing them during the holidays.

Ugh, now I’m weepy, so I might as well…

The holidays are a rare chance for my huge family to gather, filling my aunt’s house with noise and people and of course, food. I’ve always had behind-the-scenes access to the meal-planning because my mom, who knows how to run a high-volume kitchen, coordinates who brings what. It’s an impressive feat and everything is delicious. (Special acknowledgments have to go to my mom’s sweet potatoes and my aunt’s mac n’ cheese.)

However much I miss the meal, though, it’s nothing compared to how much I miss my family. I’d been living across the country for a few years when I realized I needed to be closer to them again. So my husband and I moved within a couple hours of my hometown, figuring occasional travel would be straightforward and that we wouldn’t have to miss family gatherings anymore. We had just settled into our new home and found out we were expecting our first child when the pandemic began and you know the rest…

You probably also know the hope that followed the disappointment. All throughout my pregnancy, which was really isolated, I held onto the image of their first Thanksgiving with the family. When that couldn’t happen safely, I thought, there’s next year but of course, next year didn’t happen either. I know there’s plenty of time for my toddler to experience big family get-togethers, but for now, my heart is hurting. When we do finally gather again, it’s going to be bittersweet.

Considering my thoughts returned to my family every time I started this editorial, it’s appropriate that each story in the issue links food to relationships. They are all unique in tone, voice, and approach to the prompt, yet there’s this shared examination of connection with others or longing to connect. This wasn’t something I was actively looking for, but it clearly resonated with me. I really can’t wait for you to read these incredible stories when the issue drops tomorrow. It’s been so hard keeping them all to myself.

I appreciate you taking the time to read this editorial, and I hope it finds you well!

– Kel Coleman, Guest Editor