Tag: Gal Godot

MOVIE REVIEW: Ralph Breaks the Internet

written by David Steffen

Ralph Breaks the Internet is a 2018 computer-animated children’s movie by Walt Disney Pictures, a sequel to the popular 2012 film Wreck-It Ralph. Six years have passed since the events of the first movie, and Wreck-It Ralph (John C. Reilly), the villain of the Fix-It Felix Jr. (Jack McBrayer) game, is still best friends with Vanellope Von Schweetz (Sarah Silverman), one of the player characters in Sugar Rush racing game. They work in different games in an arcade, and they meet to hang out every night when the arcade closes.

Vanellope has grown bored with her game; she knows all three tracks in her game by heart. Ralph tries to help her by making his own new track, but it all goes wrong and the steering wheel of the Sugar Rush game is broken by accident by a frustrated player. Ralph and Vanellope overhear the arcade owner Mr. Litwick (Ed O’Neill) talking with some teenagers who find a replacement wheel online for $200, but that’s more than the game makes in a year, so Mr. Litwick unplugs the game, and Vanillope and all of the others flee into the power strip, orphaned.

Meanwhile, Mr. Litwick has also added a Wi-Fi router, and Ralph and Vanellope set out into the wild unknown of the Internet to go find the wheel themselves, so they can buy it and save Vanellope’s game. With no idea how the Internet works, or anything about humanity besides what they can observe within the arcade.

Overall, this movie was fun, full of little Internet jokes, but it is nowhere near as good as the original Wreck-It-Ralph. Many of the jokes are tired, and unsubstantive, easy often-repeated jokes about spam and pop-ups, which aren’t particularly up-to-date. Almost all of the obstacles in the movie are self-made, and could’ve been avoided by just making better choices. That’s not to say that there aren’t some truly shining moments: the Disney Princesses are a particular highlight, voiced by their original Disney movie actresses!, and Shank (Gal Godot) the best racer in the Slaughter House racing game.

SPOILER SECTION

I usually don’t have a spoiler section in reviews, but there was a part of this movie that I wanted to talk about that is too far into the plot to be part of a spoiler-free review.

As Ralph and Vanellope find ways to make money to buy the steering wheel, Vanellope falls in love with the Slaughter Race game, and Ralph overhears her saying that it feels like home. Ralph is so jealous about this that he goes to dark web and buys a computer virus to let loose into the Slaughter Race game with the intent that it will slow down enough that she won’t want to stay there anymore. Predictably, this goes horribly wrong and becomes the major source of conflict for the movie. They end up working it all out and they stay friends at the end.

And I know this is a children’s movie, and forgiveness is often a big theme of children’s movies. But I think we also have to consider how kids can absorb the themes in such movies, and I think that there are some things that you can’t expect someone else to just get over. Ralph sets loose a harmful contagion because he’s jealous that his friend might take a job far away from him. The contagion gets loose and wreaks havoc. Sure, he asked questions about whether it’s really harmful or not, but he was asking them of someone selling viruses on the dark web.

Ray Bradbury Finalists Review 2017

written by David Steffen

The Ray Bradbury Award is given out every year with the Nebula Awards but is not a Nebula Award in itself.  Like the Nebula Awards, the final ballot and the eventual winner are decided by votes from members of SFWA, the Science Fiction and Fantasy Writers of America (which despite the name has an international membership).

I like to use the award every year as a sampler of well-loved science fiction and fantasy movies from the previous year.  I have been very happy with this tactic, and this year is no exception.

Not included in this review is a nominated episode of The Good Place, because I don’t seek out individual episodes of TV shows for these reviews.  Also not included is Get Out because I haven’t managed to get hold of rentals yet (I’m hoping to rent it this week before the voting deadline, but I’m not sure if I’ll write up a review in time).

 

1. The Shape of Water (Screenplay by Guillermo del Toro & Vanessa Taylor)

Elisa Esposito (Sally Hawkins) is a mute, lonely woman working as a janitor in a top secret government facility in Baltimore in the 1960s.  Generally ignored by the scientists and military men doing their work there, she witnesses the arrival of a strange man-shaped fish-like creature that was captured in South America.  She witnesses atrocities committed upon it in the name of science and in the name of the Cold War to get ahead of Russia, and she risks everything to be kind to the creature, offering it food and teaching it sign language in secret.  The connection becomes friendship becomes love, and she must make very hard decisions.

This was a superb film and I can see why it won the Oscar.  I was skeptical from the early discussion of it that they would be able to sell a romance with a fish-man without it turning out corny or unbelievable, but they did a great job expressing the appeal between the two characters, and selling us on why Elisa is willing to risk everything for him.  It’s certainly not romance-only, there is a lot of drama and action in there as well, and between everything there were moments where I caught myself holding my breath, or gasping aloud.  Excellent film, well done.  Guillermo del Toro continues do make incredible movies, and I always look forward to seeing his next.

 

2.  Star Wars: The Last Jedi (Written by Rian Johnson)

The latest in the Star Wars series, the second since Lucas handed the rights over to Disney, Episode VIII continues where The Force Awakens left off, with Rey (Daisy Ridley) finding Luke Skywalker (Mark Hamill) to seek her Jedi training.  Rey finds the The rest of the weakening New Republic led by General Leia Organa (Carrie Fisher) is trying to hold itself together against the rising force of the First Order led by Supreme Leader Snoke (Andy Serkis) and Kylo Ren (Adam Driver) as the young Darth Vader wannabe.  Finn (John Boyega), carrying the beacon that Rey will track to return, tries to leave the threatened Republic fleet, but is brought back by Rose Tico (Kelly Marie Tran), a loyal maintenance worker.  Together they concoct a crazy plan, something which is in no short supply with hotshot pilot Dameron (Oscar Isaac) Poe also trying to save the New Republic.

Opinions on this movie seem to be very polarized–either loved it or hated.  I loved it.  I thought there was more humor in this one than on average in the series, and the humor was played off well.  Much of the series was built on making some really stupid one in a million strategies and having everything work out perfectly, I felt like this movie made a nod to that tradition but made it so that the results of hare-brained strategies weren’t guaranteed, which I thought raised the tension as well as being a good basis for humor.  The diverse cast continues to be exciting and wonderful–as a woman Jedi main character, Finn continues to be likable and impressive, and the introduction of Rose Tico as a competent likeable maintenance worker contributing just as much as any of the rest of the cast.  The interaction between Rey and Luke was a great source of tension and humor in the movie, and we find out about the history between Luke and Kylo Ren.  Lots of great visual moments, great tension, fun movie.  I look forward to seeing Episode IX to round out the trilogy of trilogies.

 

3. Logan (Screenplay by Scott Frank, James Mangold, and Michael Green)

In 2020, Logan (Hugh Jackman) is in hiding in Mexico with an ailing Charles Xavier (Patrick Stewart) and the albino mutant Caliban (Stephen Merchant) who can track the whereabouts of other mutants.  Something is wrong with Logan–his healing factor should allow him to live basically forever without aging, but he is aging, and he cannot bounce back like he used to.  He drives a limo to make ends meet, and spends much of his time in a drunken haze.  Charles has been having seizures that, combined with his psychic abilities, are paralyzing not just for him but for everyone within hundreds of feet from him, but the medication makes him confused and agitated.  As if they don’t have enough problems, they soon end up having a rebellious girl (Dafne Keen) without a name dumped on their doorstep, pursued by a militant group tasked with capturing her however they can.  The girl reminds Logan of himself in more ways than one–she has the healing factor, adamantium-plated skeleton, and arm-claws, and when cornered she fights like an animal, a formidable fighter despite her small size.  Logan, Charles, and the girl flee their refuge, following the scant rumors of a safe place for mutants in Canada.

Many of the other movies in the X-Men universe would be easily described as “fun” even when the consequences of the conflicts therein are catastrophic.  This movie is much more of a dark post-apocalyptic feeling film.  Everything starts out badly and only gets worse.  Logan, who we’re used to being the picture of health, and too stubborn to die, is ailing and has clearly had suicidal thoughts.  It’s hard to see him that way, and it’s hard to see Charles in such a sad condition as well, and that’s all before the mysterious girl brings a world of trouble into their lives.  The fight scenes in the movie are fast and brutal and don’t cut away from the killing like they have in previous movies–you see the consequences of those adamantium claws.  The ending was satisfying, and fit with the rest of the movie, but given the stakes and the desperate always fighting for that last grip on life tone of the whole film, it gets very dark, very quickly, and rarely surfaces from that.  It’s not a movie to watch if you’re looking for a feel-good light film, but I thought it was a solid entry in the X-Men series, most notable for how different it is from the rest of the series.

 

 

4. Wonder Woman (Screenplay by Allan Heinberg)

Diana (Gal Godot) is raised as the only girl among women on the secret isle of (apparently immortal?) Amazons, formed from clay by her mother and given life by Zeus.  They have been tasked with protecting the world from Ares who has long been determined to corrupt and destroy humanity, but their island is so masked from the outside world that they know nothing of the world outside until an American pilot Steve Trevor (Chris Pine) crashes his plane near the island and she saves him from drowning.  He tells the Amazons of the raging globe-spanning war going on, and Diana sets out with him into the world to find Ares and stop him from destroying the world with his war.

They’ve been talking about making a Wonder Woman movie for quite a while, and it always seemed to crumble before getting much of anywhere, so it’s great to see this finally hit the big screen, and looking great.  Wonder Woman is an old enough comic that it does run the risk of looking corny, but the writers and actors did a great job of making it fit the modern aesthetic without losing its roots.  I loved Gal Godot in this, as one who is both formidable but often naive because she’s never been out in the world, she doesn’t know the world’s current customs, and she has literally never met a man before.  She makes allies through her tough and straightforward nature, and heads straight into a war zone to meet her destiny, and you can’t get much more big hero than that.  It was a great movie, great to see an action movie with a woman as lead, and I look forward to future Wonder Woman movies.