Tag: John Scalzi

Interview: Rob Dircks

interviewed by Carl Slaughter

rob-portraitHe talks with Diabolical Plots about self publishing, self recording, the sci fi humor market, buddy stories, the rambling/interjective narrative style of his main character, his recent how-to guest blog on Cat Rambo’s site (you guessed it, how to write humor) , the sci fi humor authors and stories that influenced him, his startup self publishing service, his recent membership in SFWA, and his fascination with Tesla conspiracy theories.

He also takes a crack at a 700 word flash piece, “The Moment I Laid Eggs in You,” by Josh Vogt, recently published in Mike Resnick’s Galaxy’s Edge. One of Resnick’s trademarks is humor.

(Mike Resnick, current holder of the most Hugo nominations (with second place far behind), has been interviewed here at Diabolical Plots, as has current SFWA president Cat Rambo.)

 

Why go straight to novel instead of building a short story resume?

That’s a good question. There wasn’t a plan to it at all. I started out writing screenplays (and not selling them), then an anti-self-help book titled Unleash the Sloth! 75 Ways to Reach Your Maximum Potential By Doing Less, then just naturally went for another book, this time long enough to be called a novel. I’ve got lots of short stories, snippets of stuff, in my horde, but haven’t the slightest clue how to go about selling them to publications. Maybe you could give me a few pointers.

 

Why self publish?

Rejection. Well, not entirely. I love building things myself, and as a graphic designer too, I love creating art, books, websites, whatever. So when the rejections started coming in for my manuscript, I knew I couldn’t be the author who waits for the two-hundredth rejection before hitting something. Instead, I said “You know what? The tools are out there now, the playing field is starting to level, so f**k it – I’ll just do it myself.” Of course, the BIG bummer of self-publishing is that you start with ZERO exposure – no agent, or publicist, or publisher out there helping you get noticed. So I’ve had to learn that myself, too. But I’m definitely learning, and enjoying it as I go. (Oh, and I get to keep 70% of my sales with Amazon, and 40% of my sales with Audible. That rocks.)

 

You also help other authors self publish. What can you teach them and what can you do for them?

Well, it’s in the infancy stage right now, but I’m enjoying the ride and getting moving on some projects. There are three ways I’m helping authors: 1. For maybe two or three books a year, I’m handling the whole process, from editing to cover design, to production, platform building and promotion; 2. For authors who just need a particular service, like cover design or interior layout, I offer a la carte paid services; 3. For DIY folks like myself, I post about things I’m learning as I go on my website for Goldfinch Publishing. It’s all free, and people are starting to reach out and let me know it’s helping, particularly with their self-published audio books.

 

Your book is also available on Audible. And you did your own recording. How easy/difficult is that and what’s involved?

I’ve got lots of background in audio recording and voiceover, so I found it easy. But I did write up a lengthy blog post to help others do it themselves as well — because without any experience, as long as you have a few bucks for equipment, a decent voice, and common sense, there’s no reason you can’t do it yourself too. The post is here. In short, you need an account with ACX/Audible (easy); recording software like Garageband (which comes free with all Macs); a decent mic (you can get for under a hundred bucks); headphones; a room that can get quiet, and some foam/blankets, etc., whatever you can use to deaden the sound in the room; and PATIENCE. It took a solid week to record my novel, and a solid week to edit it and upload it to Audible.

 

How much does an audio book sell for, versus an ebook, versus a tree book?

I don’t have any control over the pricing for the audio book, so Audible prices it at $19.95 (I think that’s kind of high, but like I said, I don’t get to determine price). The ebook is $3.99. And the print book is $10.79.

 

You recently wrote a guest blog for Cat Rambo about sci fi humor writing. How did you arrive at each of those 8 lessons?

I’d say it’s a mish-mash of learning, mostly through reading, taking classes, and trial and error. For example, with “Exaggerated Contrast”, John Vorhaus’ book The Comic Toolbox does a great job of walking you through the idea of fish-out-of-water and how it works. But then you start to see it everywhere, in so many things you read and watch on TV, and you play with it in your writing, and eventually it becomes one of the tools in your own toolbox. For “It’s Not About the Jokes,” that probably started when I took a screenwriting class at NYU, and my professor lightly scolded me for just sprinkling in jokes in my work to make it funny. And from then on I made sure to be wary of “jokes.” Some of these that I’ve learned haven’t come from anywhere in particular, like “Playfulness” and “Heart” – I think those were learned a looooonnnng time ago when I was a kid. It’s just always been the way I look at the world, that no matter how bad things are, there’s always something funny in there somewhere, and I’ve always sort of known that the books that I don’t like just lay there flat, with no heart in their characters.

 

Perfect timing. There’s a sci fi comedy in the latest issue of Mike Resnick’s Galaxy’s Edge. “From the Moment I Laid Eggs in You,” a flash piece (700 words) by Josh Vogt. What lessons can we learn from that story?

This story’s great. It sets up the expectation right off (couple just had sex). Then right into the “discovery” (of her egg-laying) — which totally upends our expectations. Totally opposite to the norm. Then it becomes an argument (arguments can be the best comedy), and the classic twist at the end (another defeat of our expectations). It’s great.

 

What kind of market is there for sci fi comedy?

I actually think it’s an untapped market. You have just a couple of huge traditional names in sci-fi humor, Douglas Adams and Terry Pratchett, and maybe Philip K. Dick, and now you have only a couple of modern names that immediately spring to mind: John Scalzi, David Wong maybe. But with successes like Big Bang Theory (a total sci-fi nerdfest comedy) on TV, I think that shows there’s a great potential market for more sci-fi humor — not only does that sit-com grab sci-fi fans, but it crosses over into the mainstream, people who want something funny and entertaining who aren’t necessarily sci-fi fans.

 

Why Tesla?

For a long time I’ve been fascinated with conspiracy theories. They’re very out-there, and usually hilarious. One in particular that I always thought was cool was the theory that Nikola Tesla, in his later years, kept a series of secret journals that contained plans for advanced technologies, some of which might be used as weapons, or as free energy for all. The story goes that the government (of course) took these journals upon his death, and they were never seen again. Also, the fact that New York was home to Tesla, one of history’s great inventors, responsible for alternating current, radio, x-rays, and more — and we never hear about him — made him even more intriguing to me.

 

Your main character is a vivid narrator – when he’s not interjecting or rambling. So why does he interject and ramble so much?

Chip is an exaggeration of myself, and in my writing I tend to interject a lot (in case you haven’t noticed). So it’s natural that he would ramble on even more. But I also think, in my everyday conversations with people, that there is a TON of rambling and interjecting going on. Just listen to two random people talking at a mall, or walking out after a movie, or standing in line at Starbucks. Sometimes these conversations are nothing BUT interjections! I wanted my book to feel very conversational, very much like your ADD friend is blabbing to you about his adventures, while you’re waiting on line at Starbucks.

 

Why a sci fi misadventure instead of a sci fi adventure?

Misadventures are funnier. Think about your favorite sit-coms: the funniest situations are the ones where the most things go wrong. Modern Family is a perfect example of this. Their writers are great at creating little farces, where multiple things keep going wrong, but in the end the resolution makes you feel wonderful. And I always loved Dortmunder, the cat burglar from the old Donald Westlake novels. Those novels were one misadventure after another, but made the ride a whole lot of fun, and actually made you root for Dortmunder even harder. (And laugh harder.)

 

Why a buddy story?

Who doesn’t like a buddy story? Laurel and Hardy. Abbott and Costello. Crosby and Hope. Chandler and Joey. Aziraphale and Crowley in Good Omens, and David and John in John Dies at the End. Seth Rogen and James Franco. The list goes on and on and on. There’s something about a best friend that we can all relate to. It makes the story and the humor more intimate, it makes it easier to root for the hero, it gives the hero a friend to confide in (to help tell the story), and a foil to bicker with (to increase the comedy).

 

Will there be further interdimensional misadventures with Chip and his buddy? Will the girlfriend return for the sequel? Will the government be involved again? Will it involve another one of Tesla’s secret inventions? Will it involve time travel?

I said when I finished this book that I didn’t think I was a sequel kind of guy. But the response has been great, and many people have asked about a sequel, and I’ve caught myself thinking things like “I wonder what really happened to Bobo?” If I do write a sequel, you can bet that it’ll have everything you just mentioned – and more. I’d make it as over-the-top as possible.

 

Which sci fi humor authors influenced you?

The ones I mentioned above: Douglas Adams, Terry Pratchett, John Scalzi, David Wong.

 

Which sci fi humor stories influenced you?

Adams’ Hitchhiker’s Guide to the Galaxy, Pratchett’s Good Omens, anything by John Scalzi but maybe Agent to the Stars is my fav, and even though it’s not sci-fi, I absolutely loved John Dies at the End. There are also lots of Philip K. Dick stories that are total gems and hit your funny bone straight on.

 

Did your advertising background contribute to your fiction skills?

I guess, but only in the sense that all of our past experiences help us in whatever our next thing is. For example, writing copy for ads for twenty years certainly helped my grammar, my pacing, my ability to surprise and delight (hopefully), so maybe those things helped my fiction. But I’ll tell you what the advertising background really helps with: marketing books. As a self-published author, marketing is completely up to you. So I think my experience has given me a bit of a head start, and has helped tremendously.

 

Any stories in the hopper?

Yes! I’m working on my next sci-fi comedy novel, about an A.I. that finds itself in the middle of nowhere, with a very important package to deliver. And I’ve got a bunch of things behind that, clamoring for my attention. The hopper is full. That makes me happy.

 

What’s your take on the SFWA?

I’m new to the SFWA (Science Fiction & Fantasy Writers of America), but so far I like being a member a lot. There are tons of resources for finding your way as a new author, like finding out avenues to sell your book, or targeting blogs for guest posts, comparing notes on promotions and book sales. They have very active member forums — every time I’ve asked a question, it gets answered right away. And I’ll admit I really like the credibility that it lends me as an author. You can’t just pay your dues and become a member: you have to have sold a certain number of books, and only if you pass that threshold are you allowed to become a member. In other words, you can define yourself as a professional. I like that.

 

Any advice to aspiring sci fi writers?

With just one sci-fi novel out, and an anti-self-help book, and a bunch of short stories and screenplays piled up in my drawer, I’m not sure I’m the one that should be giving advice to aspiring writers. But if I had to say one thing, I’d repeat what I’ve heard lots of other folks say: that this is a loooonng road, with no shortcuts, so keep doing your best work, over and over again, and enjoy yourself!

 

Carl_eagleCarl Slaughter is a man of the world. For the last decade, he has traveled the globe as an ESL teacher in 17 countries on 3 continents, collecting souvenir paintings from China, Korea, Thailand, Vietnam, and Egypt, as well as dresses from Egypt, and masks from Kenya, along the way. He spends a ridiculous amount of time and an alarming amount of money in bookstores. He has a large ESL book review website, an exhaustive FAQ about teaching English in China, and a collection of 75 English language newspapers from 15 countries.

Review: Throne of the Crescent Moon

written by David Steffen

This is the last of my reviews of works nominated for a 2013 Hugo Award. When the voting deadline came around, I was about halfway through reading this book, so I finished it up and wrote the review when I found the time. Throne of the Crescent Moon is the first novel by Saladin Ahmed, published by DAW books. You may recognize his name from his previous poem and short story sales. He’s been nominated for the John W. Campbell award, and his name has been appearing more frequently over the past few years.

Throne of the Crescent Moon is an epic fantasy story focused mainly around the ghul hunter Adoulla Makhslood and his assistant Raseed bas Raseed. Adoulla is the last member of his profession left in the world, with his stainless white kaftan that represents his profession. He’s not what you might expect from the job title, though, a fat and grumpy old man who’d like nothing better than to retire, drink tea, and rekindle a lost love who was driven away by his work. But if he retired, there would be no ghul hunters to oppose those who would raise monstrous ghuls from the elements to gain power in the world. Raseed bas Raseed is a young and lightning-fast dervish, a holy warrior who is a deadly fighter, but who is often unprepared for the hars realities of the world and who often finds himself and others failing to meet his lofty standards. Adoulla has hunted many ghuls over his decades of work, and Raseed has gained some experience alongside Adoulla, but now they are facing a new threat more dire than any that either of them have ever faced before, more dire than they thought possible. It will take all of their best efforts and great assistance from their friends to see them successfully through this trial. The fate of the world as they know it depends upon them.

Apart from any other aspects of the book, Throne of the Crescent Moon is notable among so many other epic fantasies in that the central cultures in this story are based around Middle Eastern cultures, setting it apart from the Euro-centric fantasy worldbuilding that has been the standard for a long time. That’s great; anything that encourages more creativity and variety in speculative fiction is a wonderful thing, though in my opinion. I understand why some have expressed great excitement about the book because of its roots being different than what we’re used to. Personally, that’s not what I focus on. I want a good story, period. Happily, this was also a good story, with good writing, and good characters, and doesn’t rely on its different roots to be its only redeeming factor. It is not a crutch, only one aspect of a good book, and I’m happy to see that.

The main party of the book, totaling five people in all, is a varied and interesting group who each get their own POV sections within the story (though Adoulla and Raseed are clearly the focus). There are at least four different magic systems at work among the group, suggesting a very diverse magical world, which helps keep all the characters vital, and makes the world more interesting. The story takes place in a time of political unrest as the Falcon Prince urges the citizens to overthrow the Kalif who rules the city. This political situation ties makes the city feel like a much more real place.

I really don’t have anything bad to say about the book. In the end, I ended up voting for John Scalzi’s Redshirts over this one, but only because that one felt entirely novel in a way that book plots rarely do, because of its strange metafiction format. Despite the Middle Eastern inspired setting in this book, I didn’t feel it made the story into a category of its own–we’re still talking warriors and magicians facing off against monsters–it’s a change in scenery and culture, but not really of format. Not that there’s anything wrong with that, but that’s the primary reason why it didn’t garner my primary vote this year.

I would recommend the book to anyone who likes epic fantasy. Well done, Mr. Ahmed.

My Hugo Ballot 2013

written by David Steffen

I’ve spent the last several months reviewing award nominees. I decided to take it one step further and post the final decisions that I plan to post to my Hugo ballot with explanations (where I deem them necessary) about why I voted the way I did. I encourage anyone reading this to post discussion in the comments about how they voted, why I am wrong in my choices, etc.

What makes this more interesting is that the Hugo Awards use an instant runoff voting system. You rank your changes from 1-x, and can also set a number to the “No Award” category. You can find all the nitty gritty details at the Hugo Page explaining votes. I like the system a lot, much more than just a simple single-cast vote, because if your primary vote is for the least popular story, your other preferences still count for something.

If you are a nominee, keep in mind that I am just judging these based on my own preferences and, though I aim to not make my reviews mean, if you don’t want to hear my honest opinion of your work than you might want to skip this article.

For a full list of the nominees, see the original announcement on the Hugo site.

 

Best Novel

1. Redshirts, John Scalzi (Tor; Gollancz)
2. Throne of the Crescent Moon, Saladin Ahmed (DAW; Gollancz ’13)

Reasoning: I’ve only had time to read one book and a partial so far. I finished Redshirts and reviewed it here–I enjoyed it quite well, though there were some parts I didn’t like it was huge amounts of fun. I’ve started Throne of the Crescent Moon but haven’t finished it yet. Throne of the Crescent Moon is a solid book so far, but even though it has the strength of being set in a non-European based fantasy world, it still lacks the novelty that Redshirts has for me.

 

Best Novella

1. The Emperor’s Soul by Brandon Sanderson (Tachyon Publications)
2. After the Fall, Before the Fall, During the Fall by Nancy Kress (Tachyon Publications)
3. San Diego 2014: The Last Stand of the California Browncoats by Mira Grant (Orbit)
4. The Stars Do Not Lie by Jay Lake (Asimov’s, Oct-Nov 2012)
5. No Award

Reasoning: The only story that I disliked enough to prefer no award was “On a Red Station, Drifting” by Aliette de Bodard. See my Novella Hugo 2013 Review for more detail.

 

Best Novelette

1. In Sea-Salt Tears by Seanan McGuire (Self-published)
2. The Boy Who Cast No Shadow by Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
3. Rat-Catcher by Seanan McGuire (A Fantasy Medley 2, Subterranean)
4. The Girl-Thing Who Went Out for Sushi by Pat Cadigan (Edge of Infinity, Solaris)
5. No Award

Reasoning: The only story that I disliked enough to prefer no award was “Fade to White” by Catherynne M. Valente. See my Novelette Hugo 2013 Review for more detail.

 

Best Short Story

1. Immersion by Aliette de Bodard (Clarkesworld, June 2012)

2. Mono No Aware by Ken Liu (The Future is Japanese, VIZ Media LLC)

3. No Award

Reasoning: The only story that I disliked enough to prefer no award was “Mantis Wives” by Kij Johnson. See my Short Story Hugo 2013 Review for more detail.

 

Best Graphic Story

1. Locke & Key, Vol. 5: Clockworks, Joe Hill, art by Gabriel Rodriguez (IDW)

2. Schlock Mercenary: Random Access Memorabilia Howard Tayler, colors by Travis Walton (Hypernode Media)

3. Saga, Volume One, Brian K. Vaughn, art by Fiona Staples (Image)

4. No Award

Reasoning: See my Graphic Story Hugo 2013 Review for more detail.

 

Best Dramatic Presentation, Long Form

1. The Cabin in the Woods
2. The Avengers
3. The Hunger Games
4. Looper
5. The Hobbit

Reasoning: See my Dramatic Presentation, Long Form Hugo 2013 Review for more detail. I didn’t regret the time spent on any of the movies, so I gave them all a rank.

 

Best Dramatic Presentation, Short Form

1. Game of Thrones, “Blackwater”, Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO)

Reasoning: I’ve never seen an episode of Dr. Who (gasp!), so I can’t comment on the show in any way. I’ve only ever seen the pilot episode of Fringe, which did not inspire me to watch further even though I was excited about the show from the trailers. But my wife and I are avid watchers of the Game of Thrones series. The show is really solid throughout, great writing, casting, special effects, set design, costume design, everything is really stellar. And this episode was an especially awesome episode of a major battle, with great tension and great action all around. Even if I had been familiar with any of the other nominees, it likely would’ve come on top.

I don’t have anything against any of the other four winning the award, so I’m not casting a “No Award” vote for this category. I’m sure that one of the Dr. Who episodes will win anyway.

 

Best Editor, Short Form

1. Neil Clarke
Neil does great work at Clarkesworld, and I look forward to every episode of Clarkesworld. I tend to have a bit of a polar reaction to Clarkesworld stories. I either love them or don’t get them at all. But when I love them, the stories are well worth listening to the others to get to. Also, as a writer, I appreciate Clarkesworld’s lightning-fast response times.

2. John Joseph Adams
I enjoy listening to the Lightspeed podcast as well. I tend to have a polar reaction to Lightspeed stories as well, and a similar appreciation for lightning-fast response times, and it was hard to decide which to rank higher. He and Neil are ranked close enough in my mind that it’s almost a toss-up between the two and I just gave Neil the edge because he’s been a head editor longer. It’s for cases like this that I really appreciate the instant runoff voting.

3. Stanley Schmidt
I am often not a huge fan of Analog stories, often too nuts-and-bolts for me. But they’ve published some really great ones. I will immediately buy any issue with Juliette Wade in the pages, because her linguistics-based SF stories that have run there are among my favorites. There was a Wade story last year, too, a definite bonus. This was Stanley’s last year as editor so it would be neat to see him win, but I’d rather vote based on who I thought was the best rather than nominating for warm fuzzies about the guy who retired.

4. Sheila Williams
I don’t read Asimov’s very regularly, simply because they don’t have a podcast. I have read good stories in the issues that I’ve bought, so I’d have no complaints about her winning.

Reasoning: I’m not familiar with Jonathan Strahan one way or the other. I’m not going to cast a vote for him, but I’m also not casting a “No Award” either.

 

Best Professional Artist

1. Dan Dos Santos
Dan Dos Santos is awesome. I have a print of his depiction of Moiraine Damodred on my office wall. I love his other art as well, such as his Warbreaker cover. He just has a very skilled hand and great eye. I rarely enjoy others’ cover art as much as his. His character art in particular is really great–the examples in the Hugo packet are good ones, especially the baby-toting warrior woman, and the punk woman in the bathroom.

2. John Picacio
I picked for a large part because of the Hyperion cover with the elaborate mechanical monstrosity holding a human infant. His other covers are really good too.

3. Julie Dillon
 I LOVE the “Afternoon Walk” image, with all the monsters being walked like dogs in the park.

4. Chris McGrath
I like the gritty style of these, almost like found photos of fantastical places.

5. Vincent Chong

Reasoning: They always say not to judge a book by its cover, but in this case I had to judge the artist by his cover. The only one I’m very familiar with is Dos Santos, so I had to judge based only on the samples. This was a hard category to pick favorites. I would not be disappointed for any of these five who won the award. But, I’ve gotta pick someone.

 

 

Best Semiprozine

1. Beneath Ceaseless Skies
2. Clarkesworld
3. Lightspeed
4. Apex
5. Strange Horizons

Reasoning: See my Semiprozine Hugo 2013 Review for more detail.

 

Best Fanzine

1. SF Signal

Reasoning: I’ve enjoyed going to SF Signal for various content for years, so I’ll happily give them my vote. The other four I am aware of, but have never read. I’m not using the “No Award” vote, because I don’t have anything against the other four.

 

Best Fancast

1. No Award
2. SF Squeecast
3. SF Signal Podcast
4. Galactic Suburbia Podcast
5. The Coode Street Podcast

Reasoning: This is the second year that the Best Fancast category has been running, and all five of last years nominees are nominated again. This makes me think that no one is actually listening to them and is just nominating past nominees as a habit. I think this may also have to do with confusion over the classification of podcasts who pay their authors, like Escape Pod, Pseudopod, Escape Pod, Drabblecast, and so on. By the word of the rules, these would all be considered Fancasts but many people might guess that they would be classified as Semiprozines. I asked the question of the Hugo committee long before the nomination period ended to clarify publicly the classification of these, but they never responded to me. This is hurting my favorite magazine’s chances of getting award nominations because anyone who wants to nominate them may be splitting across categories. I was very disappointed that the Hugo Committee didn’t respond to my question.

In large part to raise my small voice of protest about the Hugo Committee’s lack of clarification, I am choosing No Award as my primary vote. I would love to see a quality fiction podcast get award nominations, and maybe even win. No offense to the nonfiction podcasters who do good work, but if I wanted to listen to a conversation about SF I would just talk to someone about SF. It’s the stories that I’m here for. And if my favorite fiction podcasts aren’t allowed into the category, then I’m not interested in the category.

It also bothers me that StarShipSofa is the lone fiction podcast representative, because their constant over-self-promotion, Hugo vote begging, unfiltered content , lack of payment is just too many factors that bother me about them. And that’s even not including the aborted nonfiction project they had planned some years ago to supporting a plagiaristic audio adaptation–it was aborted when the moral problems were pointed out to Tony, but I felt that an editor shouldn’t need to have this pointed out to him. It may seem wrong to criticize a “fancast” nominee for unprofessional policies, but venues like Escape Pod and Toasted Cake have shown me that just because a podcast is staffed by volunteers in their spare time doesn’t mean that there have to be no standards.

So I’ve ranked the four nonfiction podcasts about StarShipSofa so that even if “No Award” gets eliminated as a possibility, I’ll be encouraging one of the others to get the award rather than StarShipSofa.

 

Best Fan Artist

1. Spring Schoenhuth
I love the jewelry designs of Schoenhuth, particularly the Robot Transformation, and the Four Electron Atoms designs. I don’t generally wear jewelry other than my wedding ring but those make me want to start.

2. Galen Dara
a really neat dreamlike style. I particularly like the Ghost River Red image. It feels like a story, and the vivid reds of the hero and the shadowy adversary are very eye catching and intriguing.

3. Brad W. Foster

4. Maurine Starkey

5. Steve Stiles

Reasoning: As with the Professional Artist category, I had to judge these by their samples and would not be disappointed if any particular one of these won, but again i have to choose.

 

The John W. Campbell Award for Best New Writer (Not a Hugo)

1. Mur Lafferty

Reasoning: I confess that Mur is the only one whose stories I am familiar with, and I ran out of time to read the contributed works of the other authors. So, certainly no reason to use the No Award, but my lone vote is cast for Mur.

 

Conclusion

And that’s my take and my voting strategy on all of the categories where I picked up enough of the material to be able to cast votes. There are three categories that I didn’t touch at all: Best Fan Writer, Best Editor Long Form, and Best Related Work. In the In the Related Work category, I did not have time to read any of the nominees. In the Fan Writer and Editor Long Form, I am unfamiliar with these people’s work.

How did you vote? Care to share, drop a comment. I’ve enjoyed putting this together, and I think I’ll try to do the same series of articles again next year. Let me know if you enjoyed it, folks! Do you find it appealing to see how someone else spent his votes?

Review: Redshirts by John Scalzi

written by David Steffen

Most people who spend a lot of time around geeks like myself are familiar with the term “redshirt”. It is relevant here, so for the benefit of anyone who isn’t aware, I’ll briefly explain. The term “redshirt” refers to a “cannon fodder” character in a piece of fiction who exists strictly for the purpose of killing in order to raise the stakes. In the original Star Trek TV series the main recurring characters of the show were often accompanied by acting extras who frequently died in some way that illustrated the dangers of the particular planet they were visiting that week. According to Wikipedia, 73% of crew deaths in the original series wore red shirts.

Looking back on the series, the redshirt cannon fodder members of the crew are kind of funny, particularly to an SF geek who likes to obsess about things and look for patterns. But it wouldn’t be so funny if you were one of those crew members, having gone through Academy training and getting stationed on an exploratory vessel just to get eaten by random planetary fauna.

The prologue is a scene that feels like a straight up parody of Star Trek, with a redshirt POV character meeting a quick and gruesome fate. This is what Scalzi read at MiniCon that had the audience on a constant roll of laughter. The excerpt ends with one of the officers saying “…this and other recent missions have seen a sad and remarkable loss of life. Whether they are up to our standards or not, the fact remains: We need more crew.”

The main characters of the main story of this book are the redshirt type of expendable crew members on an Enterprise-like exploratory vessel, part of a branch new batch of hires that are a result of the aforementioned recent rush of crew deaths. Our main character is Ensign Andrew Dahl who has just recently signed on to the starship Intrepid as a member of the xenobiology department. Early on he meets other new crew members who were hired on as part of the hiring run.

As they start getting acquainted with their positions on the ship, they start noticing bizarre patterns to crew behavior. The subject of away teams carries an ominous weight, which likely has something to do with the fact that all of these new hires were taken on to replace crew members who have met sudden and gruesome deaths on such missions. The longer-standing crew members have a knack for mysteriously disappearing whenever the senior officers pass by, and for some reason neither the Universal Union or even the press show much interest in the ridiculously high mortality rate among crew members. Something screwy is going on here, and they need to find out what before they all become victims.

From the prologue and the first chapters, I had thought this was simply a parody of Star Trek for strictly comic effect. As the book went on, I’m not sure that’s how I would describe. It certainly has elements of parody, and mentions Star Trek specifically by name, but the story takes the redshirt characters’ plight seriously even though the situations and circumstances around them are ludicrous so that I would describe it as an action-adventure SF drama in a setting with parody elements. Which is cool, there’s a nice mix of flavors here of comedy but of real human stakes and tragedy. The ludicrousness of the situation is recognized by the characters themselves, and makes their potential deaths all the more tragic, because no matter if you are afraid of death or not no one wants to die a pointless ludicrous death.

It’s quite a difficult bog of a situation these characters are mired in, kind of science fictional, very meta as it the characters realize early on that their situation is not normal. I liked this main plot and I liked the resolution of it, which it turned out ended about 2/3 of the way through the pages of the book. After that are three codas, which I haven’t quite settled on a firm like or firm dislike for. Coda I is in first person, Coda 2 is in second person, Coda 3 is in third person. The first coda was written about a writer writing about writing–a trope which has been way too well worn by many authors that it has to be something really special. Which it wasn’t. Not surprisingly, I hate the style of the second person story as I always find that method of telling to be gimmicky and distracting. This is no exception. That section alone made me feel like John Scalzi was filling the rest of his pages were more than a bit self-indulgent, more of a writer’s exercise than a book. The actual story told in the Coda 2 was good, but the style was bad. The third coda was good all around and ended on a particularly well done tone.

So, generally I’d recommend Redshirts on the merits of the main plot of the story. Particularly for any Star Trek fans or people who like some weird twisty plot situations. The codas after the main story were a bit hit and miss, and could’ve used a little less self-indulgent writer style and a little more straightforward storytelling, but their content is still worth reading them for.

Daily Science Fiction: October 2012 Review

written by Frank Dutkiewicz

It is, at the time of this writing, the weekend after Thanksgiving. This is the first time I’ve managed to complete my monthly review of Daily SF in under a month of the last story’s debut. Hooray for being current! But enough of my self-congratulatory back-patting, let’s look at something that deserves real praiseâ€

 

Darcy believes in her men in “Mama’s Science” by Shane D. Rhinewald (debut 10/1 and reviewed by Frank D), but Mama warns her not to misplace her faith in such an unreliable creature. Darcy’s father leaves for the stars when she is just five. Bitter, she blames her cynical mother for driving him away. Thus begins a lifetime of head-banging between the two as Darcy builds and shatters relationships.

“Mama’s Science” is a tale of a girl who can’t pick a good man to save her life. Her mother is the pessimistic one, predicting failure and disappointment whenever a man springs on the scene. The story is a commentary that Darcy was in search of support when she needn’t look no further than her mother. But to me, Darcy’s mom hardly comes off as a supportive parent. In the real world, cynical views of the opposite sex from a parent will have a negative effect on a child’s future relationships and I can’t help but to wonder if this was one of the reasons why Darcy couldn’t keep (and pick) a good man.

 

A woman falls for a merman in “What the Sea Wants” by P. Djeli Clark (debut 10/2 and reviewed by Frank D). The protagonist is greeted by a young boy with deep black eyes, once again. He is beckoning her to rejoin him in the sea, a request she was unable to deny several times before. But she is now an old woman, and memories of the people she hurt before, steel her from his charms.

“What the Sea Wants” is a tale of time and evolving legend. The protagonist first met the merman when she was a child, diving into the deep blue off her father’s boat when she became mesmerized by the boy’s dark eyes. She is drawn back to shore where she learns much time has passed and a legend of her disappearance has a risen. The merman returns after many years, pleading for the protagonist to return with his alluring eyes.

I found “What the Sea Wants” to be an enchanting tale. The conflict of desire versus obligation plagues the stories heroine. Each time she returns to the shore, a fresh legend of her disappearance, and knowledge of the broken lives she shattered when she left, is there to greet her. The merman always comes back, years later, to reclaim her. The story is sound and gripping but the ending is a dark one. Well worth the time for a quick read.

 

“Not the Destination” by Richard E. Gropp (debut 10/3 and reviewed by Frank D). Protagonist embarks on trip in space and takes the slow route.

“Not the Destination” is very brief and left me full of questions. It is not known if his motives are for solitude or scenery. Not knowing made the story unsatisfying for me.

 

Kelley accepts the only thing her mother wanted to protect in “Scraps” by Michael Haynes (debut 10/4 and reviewed by Frank D). Her chain smoking mother has passed away, not done in by cigarettes as Kelley predicted but in the horrible fashion of a house fire. She is handed a small fireproof safe, the only thing to survive the blaze. Inside is an item that was a bone of contention in their relationship, a dollar store scrapbook her mother gave her for a Christmas gift. Inside the pages are mementos of heartbreaking events in their relationship , programs to a school concert Kelley played in, a cast list to spelling bee her mother never made it too, and such. The book revives bitter memories Kelley would just as soon forgot but these little scraps have memories of their own.

“Scraps” is a tear jerker of a tale. Kelley remembers a mother who was rarely there for her. Kelley believed her mother threw the book away after her fit when Kelley opened the gift. Other bitter memories surface as she thumbs through it, but when her hand brushes against one of the items a new vantage point of an event flashes in her head; memories that belong to her mother.

The first half of “Scraps” is of Kelley’s recollection of her relationship with her mother. In her eyes, mom was an irresponsible parent. The author does an excellent job of getting the reader to sympathize with Kelley, but as in most contentious relationships, there is another side, and we get to see it. The story is a reflection that many people who have lost a loved one who were difficult to love can identify with.

I found “Scraps” to be a wonderful story. The only gripe I had with it was the disconnected perspective the author used. The 2nd person perspective gave the story an extra layer of distance when the premise deserved a close and personal one. It dulled some of its emotional impact. It robbed a very good story from becoming a rare jewel of the ages. Nevertheless, “Scraps” is a must read.

Recommended.

 

Jiao needs to know more about a nerd’s magic coat in “Nathan and the Amazing TechnoPocket NerdCoat” by K J Kabza (debut 10/5 and reviewed by Frank D). Attractive, she has been propositioned by geeks before, but when Nathan pulls out a teapot too big to hide in his coat, out of a pocket, she agrees to meet him after work.

“Nathan” is a tale of a curious waitress and man who is hiding more than storage closet’s worth of items in his coat. Jiao is sure the Ichabod Crane-ish man isn’t being honest with her when he claims his teapot trick was just a sleight-of-hand ruse. She isn’t buying his denials as his story keeps changing and the amount of things coming out of his coat keep growing. Her curiosity becomes horror when a hand reaches out of one of the pockets.

I found the story long in development but with a satisfying twist in the last half of the tale. I hesitate to write more so as not to spoil the story for those who haven’t read it but I will say the ending had a nice poetic justice finish to it.

 

An alien is losing her mother again in “Blue Sand” by Caroline M Yoachim (debut 10/8 and reviewed by Frank D). The protagonist is a squid-like creature. She has just pushed her mother’s corpse into the sea where it can live a happy afterlife and visit her when the tide is low. She becomes concerned when the blue sand covering the beach is showing signs of change. The aliens from Earth have come to take the sand , as souvenirs and to use as glass , and now her mother and the other ghosts are beginning to fade.

The aliens of “Blue Sand” have a unique connection to their ancestors. The blue sand that lines the beaches are the broken down remnants of the departed. The protagonist can visit her mother skittering on the surf and talk to her. Strange pebbles of green slivers first begin to appear then the blue sand slowly begins to be replaced by white. Her mother is disappearing, and this time for good.

“Blue Sand” is an environmental message wrapped within a Far Eastern mythological theme. The unseen humans cannot see the ghosts and have no idea what they are doing to the life on this world. The protagonist is powerless to stop them but has a connection too strong to allow it to be abandoned. Well told. I liked the ending.

 

Renan paints for his master in “Caput Mortuum” by Andrew Kaye (debut 10/9 and reviewed by Frank D). He is a dim man who can see colors outside ordinary people’s viewable spectrum. He paints what he can see for his master, a trait that aids his master’s experiment.

“Caput Mortuum” is told from the perspective of a mentally challenged man. He can see the remnants of magic. His talent is crucial to his employer , Esteban Soliente , as he works to develop an armor to protect ordinary men against magical weapons.

The author of this tale did a wonderful job writing from the perspective of a clueless protagonist. Esteban is working on a revolutionary protective gear that could tip the balance of power, which makes him dangerous to many. The reader is in the unique position of knowing more than what the protagonist can grasp. Difficult to do, masterfully done.

 

Each day the postman delivers a piece of life lost along the way to an old man in “Lost and Found” by Jamie Todd Rubin (debut 10/10 and reviewed by James Hanzelka). The young caregiver watches as each is delivered and relished as the old man comes to remember things long forgotten. It is the week in a life of all of us at some point in time. A week that will end on a Sunday sometime in the future.

This was very well written. It took a while to get into it, required an investment from me, but the payoff was well worth it. The author did a good job of pulling me into the life of the main character and showing me a bit of his life. As the story moves to its inevitable end, I came to know the man and feel what he felt. Well done.

 

Commander Thero watches the destruction of the planet from his bridge. In “This is the Way the World Begins” by C. L. Holland (debut 10/11 and reviewed by James Hanzelka), they will need to destroy all life before they can begin reshaping it for their purposes. The Prefector wants his own planet and it’s the commander’s job to give it to him. In spite of some problems with enslaved beings they use to wipe out the world’s population everything is proceeding as planned, or is it?

This is a nice little morality tale. The author set it up nicely, but the plot was a little too obvious. It is still nice to get a little reminder that absolute power, or the illusion of such, can ultimately lead to our own demise. Nicely written and the point is well made. Give this one a read if you’re in the mood for a little twist of fate.

 

The protagonist is keeping it real in “Shimmer” by Amanda C. Davis (debut 10/12 and reviewed by Frank D). She is an artist in high school. Too many of her other classmates are caught up in the latest craze, shimmer. It is the ability to turn perception into reality. Do you want to be tall and beautiful? Improve your image and your peers will perceive you as so. Trying to become something you are not does not sit well with the protagonist, but a successful artist in this altered-percption world requires a good front for the admirers of art. She must decide if her desire to showcase her vision worth her self-respect.

The protagonist is appalled by shimmering so she becomes disappointed with her good friend, Benjie, when he pastes a photo-shopped image of himself , taller and handsome – in the form of a poster on the walls in school. She wishes everyone could simply be themselves and not the false faÃ’ ade that shade people in their lives. An invitation to present her art gets her to compromise her principles. Benjie is put off by her hypocrisy, forcing her to reflect on her decisions.

“Shimmer” is an odd premise. The constant changing perceptions of others morphs the features of people from moment to moment. Why such a technology would be desired is lost on me. The heroine of this tale wins an opportunity to present her work in an art exhibit , a one in ten thousand chance. She wants to look her best for the exhibit (an understandable reaction) but her friend Benjie can’t help but to shove her own words back at her.

“Shimmer” is a tale featuring a deep protagonist in a sea of shallow characters. The story is a commentary on society’s constant need for improvement of self-image at the expense of our own self-respect. An odd set of circumstances brings the protagonist’s love of art at odds with own values, setting up a finale fitting for an artist eager to make a statement. I found the story to be heavy on message, and thought the storyline was stretch. Perhaps readers who remember high school as a cruel place can appreciate the message in “Shimmer”. I for one would sooner forget it.

 

Gar-gag is out for another conquest in “Trophy Wife” by Samantha Murray (debut 10/15 and reviewed by Frank D). He is after his seventh alien life-giving organ trophy. This new world has a different form of contest, and is out to master the art of the battle the call ‘dating’.

This short tale is a tongue-in-cheek look at the hazards of internet dating. Cute but with a predictable outcome.

 

“The Chosen One” by Huston Lowell (debut 10/16 and reviewed by Dustin Adams) is a complex tale that debates the contrast of blind faith and scientific analysis. Two men, in their search for the Chosen One, watch a little boy playing and while one man sees signs in everything the boy does, the other suggests caution and further study.

I found myself confused when one man accused the other of being the Chosen One, especially after they’d described the specific conditions the Chosen One need be born under, but I believe that was immaterial to the true purpose of the story, which was the debate mentioned above.

 

“The New Kid Is No Angel” by James Valvis (debut 10/17 and reviewed by Frank D). The protagonist is having a hard time getting along with a new friend. The two can’t come to an agreement on which superpower is better.

A tongue-in-cheek flash tale of a geeky comic book loving pair. Mildly amusing.

 

The protagonist attempts to get in touch with her mother in “My Mother’s Body” by Christie Yant (debut 10/18 and reviewed by Frank D). Her mother has succumbed to a horrible but unidentifiable disease. She has the same illness and is taking the action her mother sought.

I confess, I didn’t fully grasp the premise of this piece. The images of what her mother went through are disturbing but I am quite lost at what she is doing to counteract it. It appeared a healthy human being had sacrificed herself for reasons that are unclear to me.

 

Mark finds his special someone in “Phone Booth” by Holli Mintzer (debut 10/19 and reviewed by Frank D). In a city full of superheroes, an occasional detour in your day from a villain can be expected. Mark’s train is diverted where he meets the girl of dreams, Lisa. The two hit it off and a budding relationship soon follows. She is a guarded woman, often gone on business trips and errands but spends every available moment she has with him. When the world is full of ‘capes’, and villains to keep them busy, disruption in a relationship can be expected, can’t they?

“Phone Booth” is the tale of an everyday man within a world rich in superheroes. Lisa is just the type of girl he has been in search of his entire life; lovely, thoughtful, caring, and with a bit of mystery about her. Their relationship is a slow developing one. Lisa’s friends are wary of Mark and protective of her. Of course, on this world, disaster can strike in any moment.

“Phone Booth” has a premise that is pretty transparent. It isn’t hard to see where the story is headed. It is (spoiler alert) very much like the movie “My Super Ex-girlfriend”, minus the corny and dark humorous component. This story examined what it would be like when you live in a battlefield of good versus evil on grand scale. The author wanted to keep a story with an out-of-this-world premise grounded. Nice tale of a sweet romance set in the most extraordinary settings.

 

Losing your memory at 30,000 feet can be an experience. In “Don’t Look Down” by Anatoly Belilovsky (debut 10/22 and reviewed by Frank D) the protagonist is a man suffering from dementia. Sky diving is his idea of treatment. Nothing like seeing your life flash before your eyes to spur those old memories into action.

I had to read the author’s comments to understand the concept for this story. I was confused on why he was suddenly hit with amnesia. “Don’t Look” is a tale with a very slight speculative element. It seems to me, he is suicidal and his daughter is irresponsible for allowing him to flirt with death like this.

 

An introvert enjoys a cup of coffee in a diner. “The Number Two Rule” by Lesley L. Smith (debut 10/23 and reviewed by Frank D) is the tale of a woman who is lost. She spends her time watching an especially cute little girl play in the park every day. She must never interact with anyone. She should be invoking rule # 2, but it is a very difficult rule to follow.

“Number Two Rule” is a story set for a twist. For me to reveal anymore would be revealing too much. I rather liked this tale.

 

Sam needs to say his final goodbye to his departed wife in “Over There” by Dany G. Zuwen (debut 10/24 and reviewed by Frank D), but is not sure he can face her to do it. Ellen, his wife, died years before but had her essence downloaded. He can see her holo-image in the Room where they can talk but not touch. A depressed Sam met Naomi six years before when he last visited the Room. He plans on visiting Ellen one last time to let her know he found someone new, but discovers old feelings are a hard thing to dismiss.

“Over There” is set in a future where the afterlife is real, made possible with technology. Sam is racked with guilt, and his departed wife’s understanding words only makes it worse for him. She is willing for him to move on.

This tale has quite a poetic ending. Because of her ability to traverse the electronic net, Ellen has kept tabs on her husband. Sam comes off as man who should have invested in on grief counseling. Interesting story. I’m glad I read it.

 

An origami artist competes without his hands in “Susumu Must Fold” by Tony Pi (debut 10/25 and reviewed by Frank D). Susumu is an origami master who lost his hands in a tragic accident. Cyberneticists were unable to attach arms that would return the digital dexterity he needs for his craft. Entering the hall with one arm and hand covered in a glove, Susumu is out to demonstrate that hope is never lost.

“Susumu” is a tale of perseverance. The origami master must overcome his own limitations and the taunting words of a rival. In his corner are miniscule robots he is mentally connected too. The method of folding is different but art is something that comes from the heart.

I read an earlier version of “Susumu” when it appeared in the writer’s group contest the author referred to in his comments after the story. I thought then that the protagonist had an unfair advantage over his opponents then, just as I do now, but the issue of what is fair play is not the point of this tale. The competition Susumu is not against his fellow competitors but rather against the disability thrust upon him. I feel the message in “Susumu” would have had more meaning if the protagonist had been a painter instead. A story of microbots folding paper just seems too much like cheating to me.

 

Mia fights the Empty. “A Handful of Glass, a Sky without Stars” by Damien Walters Grintalis (debut 10/26 and reviewed by Frank D) follows a week in the life of a young woman surviving in a post-apocalyptic world. Toxic fumes have poisoned the air, a result of a war fought a generation before. The citizens are devoid of feelings , the Empty. An inhalant combats the condition but its effects fade over the course of a few days. Many chose to end it all before Saturday , the day to regenerate against the Empty. TGIF is now a matter of life and death.

The world of “A Handful” is a depressing lot. The city of which Mia lives is an island of refuge in a sea of devastation. Much of the world is dead. Protestors insist the rest of humanity should follow suit. Mia clings to her fleeting feelings and dreams of the stars her father claimed beyond the dark, polluted sky.

I found it difficult to believe a city like the one in “A Handful” could exist. It is a faÃ’ ade; its citizens operating as if their world is still functional, inconceivable when the very air and soil is toxic. The story is an examination on how civilization could continue when hope itself is gone. I am unsure how the drug Mia took could counteract it, or how the government could feed the masses. Viability of the storie’s premise left me with too many questions to give the tale’s message a fair shot.

 

Caroline is her father’s daughter in “My Mother’s Shadow” by Henry Lu (debut 10/29 and reviewed by Frank D). She is a little girl, one of the cursed born without a shadow. Her mother married a man without one and the trait has been passed down. Shadowless people have been condemned by god and are shunned. Caroline wishes she could be more like her mother, but is too full of resentment to know it isn’t her shadow that makes her mother so special.

“My Mother’s Shadow” is a tale of prejudice. The shadowless people are treated as harshly as the Jewish people were under the Nazis. Caroline misses her father but resents others like her, feeling as if they’re responsible for her misery. The tale is told well in the eyes of a small child who is discriminated for no reason other than sharing a lineage with a cursed race. Her anger is misplaced as she attempts to make sense of the hatred towards her.

Nice but sad story. The ending may have been too open ended for some but I rather liked how it was concluded.

 

The protagonist has a best friend who is always watching over her in Just Today by Nina Kiriki Hoffman (debut 10/30 and reviewed by Frank D). Ben is a ghost, killed in a hit-and-run accident while they were trick and treating. Usually, he is watching out for her but fails to warn her when the neighborhood bully corners her. It’s too bad Ben can’t help her, but he keeps trying anyway.

“Just Today” takes place while the protagonist as on her way to school. Several images from different movies (A Christmas Story, Ghost, Sixth Sense) came to mind while I was reading this, making it feel as if the author borrowed heavily with the premise as she wrote it. The story drifted and the plot had trouble remaining grounded. Cute idea but the incomplete ending and jumbled storyline lessened the enjoyment of the story for me.

 

Little Red Riding Hood boards the bus to Grandma’s house in “Red at the End of the World” by Lynda E. Rucker (debut 10/31 and reviewed by Frank D). This darker version of a famous fairy tale begins very un-fairy tale-ish. The famous Red’s attempts to remain low key are foiled by a blabby bus driver. A cute young man , Snow White , attaches himself to her and the pair embark on the journey to granny’s together.

“Red” is a strange retelling of the legendary Grimm classic. It took a good third of this tale for me to realize who the protagonist was. Red takes an instant liking to Snow White (how SW became a he is beyond me) and is expecting the grisly scene when she arrives at Grandma’s.

I confess, I have no idea what point the author was trying to make in this story. I found the needless sub-plots , the Snow White character, unexplained references to anarchistic events, grisly scenes of violence , to be distracting and head-scratching to their relationship to the rest of the story. Particularly puzzling was the ending. It alluded to a larger backstory. Instead of a creepy ominous feeling of dread I think the author was after, it left me shrugging my shoulders in indifference.

 

Helping to fertilize a grass roots movementâ€

If there is a person who has the capability to generate a buzz via the web in the closed universe of speculative fiction writing, that person would be John Scalzi. If you don’t know who he is, then you don’t read enough science fiction. His acclaimed novel, Old Man’s War has been in every Best Science Fiction Novel list I have taken the time to read. His latest novel, Redshirts, debuted at number 15 on the New York Times hardcover fiction best sellers list. To list all his accomplishments would likely force Dave to get out his scissors and preform a rare edit for one of my reviews. So to summarize, John Scalzi is one popular guy.

His blog, Whatever, gets a lot of web traffic (as Diabolical Plots once discovered a couple of years back in a redirected link from Mr Scalzi, thank you very much, sir). With a daily visitor rate in the neighborhood of 50,000, John has been all too willing to share his vast network of followers for the up and coming writers. One way he has done that is with an Award Awareness Post. For two years running, he has given authors and editors the opportunity to promote their works for consideration for the Hugo’s. The thread is very long (205 comments) but I was delighted to find a good 7 or more authors mentioning their Daily SF stories as candidates (some of them I felt were worthy). At the tail end of the long lists of posts, you will find DSF editor Jon Laden’s own list of stories he felt were deserving.

Did any of them get nominated? Sadly, no, however, making the long list for Hugo’s Best Semipro Magazine, was Daily Science Fiction. Although it only garnered 5% of the vote, it beat out several publications that made the short list in the past. Not bad for an often ignored , but innovative , email publication.

Thanks to the voting members who wrote in the magazine. Hopefully, they’ll get DSF to crack the top five next year (not an easy feat when you see who they’re up against). And hopefully, Jon and Michele will make the editor’s category next year.

Have you ever watched an old Star Trek episode and thought it would suck to be the guy wearing a redshirt on an away mission?

John Scalzi’s Redshirts: A Novel with Three Codas is a novel for you. This New York Times bestselling ‘soon to be classic’ is a tale of a young redshirted ensign assigned to the Intrepid, where wearing the redshirt on an away mission is a death sentence. To learn more, visit macmillan.com

Hugo Picks 2012 (Part 1)

written by David Steffen

This is the first year that I’ve chosen to pay for a supporting membership to Worldcon. This is where the Hugo awards, the fan-based major award of the science fiction community, are presented. Paying for a supporting membership not only gives you the right to nominate and to vote, but also gives you the Hugo packet, a package containing most of the individual Hugo nominated works and examples of work from Hugo nominated individuals and magazines. That’s a load of bargain-priced brand-new fiction at $50.

Now, I should mention that I don’t think that the Hugos are generally indicative of the best science fiction and fantasy out there. Many of the nominees and winners I just find perplexing, often dull or unimaginative, and some authors get nominated every year even when it seems entirely clear to me that they are just “phoning it in” and the fans somehow feel that they are obligated to vote for this person.

Another thing I should add is that I only ended up getting registered on July 19th, a relative latecomer to the registration. The Hugo voting deadline was on July 31st, and I had only read a few of the entries. So to fully vote, I had more reading to do than I had time to do it. So for this first installment I’ll only be covering those categories in which I had a chance to absorb enough of the content that I feel comfortable making an informed vote. For each category I’ll list my first choice as well as any others that I was close to voting for.

 

Best Novella

1. The Man Who Bridged the Mist by Kij Johnson
An Imperial engineer travels to a small town on the banks of a mist-river to connect two halves of the empire. Novellas in general tend to be too slow for my tastes. This one is as slow as most, but I felt like it really used the space effectively. I really felt like I knew the characters by the end and I wanted them to be happy.
2. Kiss Me Twice by Mary Robinette Kowal
This one was a close contender for my top pick. It’s an effective science fiction mystery story, which uses the SF effectively as more than just a backdrop. Mystery generally isn’t my favorite genre or I might’ve picked this as the top instead.

 

Best Novelette

1. Ray of Light by Brad R. Torgerson
Brad’s a friend, but I didn’t pick his story because of that. I truly thought that this was the best of the group. It made me care about the characters. This takes place in a future Earth where inexplicable aliens have come and put up a shield between Earth and the sun so that the earth freezes over. The only humans who lived are those who fled deep below the ocean’s surface to live in underwater colonies. Nobody expects the surface to be thawed for several more lifetimes, but when a group of teenagers goes missing, a father goes to investigate.
2. Six Months, Three Days by Charlie Jane Anders
A story about a romance between a man who can see the future and a woman who can see a variety of possible futures. I enjoyed reading this one as well, though its appeal was more of a thought experiment than the emotional connection I am more typically looking for.

Best Short Story

1. The Paper Menagerie by Ken Liu
The story of the son of a Chinese mail-order bride and the emotional connection she tries to make with him. Heartbreaking on several levels, this story really made me watch for more Ken Liu stories.
2. Shadow War of the Night Dragons: Book 1: The Dead City: Prologue by John Scalzi
This story was posted as an April Fool’s joke last year on Tor.com, formatted as an excerpt from an upcoming Scalzi novel. It was based on a previous blog post analyzing the most common words used in fantasy novel titles. John Scalzi took this as a challenge, and wrote this beast of a title, and the story itself is just as funny, making fun of all the common epic fantasy cliches. I heard Scalzi read this live at MiniCon 2011, and the live performance made it even better.
3. Movement by Nancy Fulda
The story of a child with “temporal autism”, although the story says explicitly that it is not actually autism but is has some common symptoms. The girl does not think on the same timescale as everyone around her, this story is about her efforts to understand the world around her on her own terms.

 

Best Dramatic Presentation (Long Form)

1. Hugo
Awesome Martin Scorsese movie adapted from the children’s book titled The Invention of Hugo Cabret.ÂÂFollows an orphan boy living in the mechanical depths of a train station in Paris in 1931. The main storyline itself is really great, but it was very effective at showing the magical appeal of early cinema in the few decades before that.
2. Game of Thrones Season 1
I haven’t read any of George R. R. Martin’s books in this series, so this was my first exposure to them. The casting is amazing across the board, the special effects are great, great characters, great plot. Not a lot of fantasy in it, though there are a few select key places of fantasy, as the name implies much of it revolves around political maneuvering to rule countries. Great stuff, and it makes me want to read the books. Now if Martin would only ever finish writing them.

Best Dramatic Presentation (Short Form)

1. Remedial Chaos Theory (Community)

This is one of the best shows on TV right now anyway, but this episode was above and beyond. It begins with a simple enough premise. The study group that the show centers around is at one of their apartments, and have ordered in some pizza. The apartment building’s door buzzer is broken, so when the pizza man arrives, someone has to go down to retrieve it. Nobody wants to, so they roll a die to decide. From there the episode splits into 6 timelines, each one with a different person going down to get the pizza. It doesn’t sound that interesting, but a lot of small variations add up to major and differing consequences between each timeline. I’m hoping for another Hugo nomination next year for the Community episode “Journey to the Center of Hawkthorne”, in which Pierce and the rest of the study group have to play a very complex 8-bit video game to earn Pierce’s inheritance. Brilliant. I wanted to play that game so much!

 

Best Editor (Short Form)

1. Neil Clarke
2. John Joseph Adams
3. Sheila Williams
4. Stanley Schmidt

 

Best Artist

1. Dan Dos Santos

I just think that Dos Santos’s artwork is the best out there today. I have a signed print of his illustration of Moiraine that was published in ebook rerelease of the Wheel of Time series.

 

Best Magazine

1. Apex
2. Lightspeed

 

Best Fan Artist

1. Maurine Starkey

 

Best Fancast

1. SF Signal Podcast
I like the SF Signal site anyway, but I really liked the discussion in the example episode with a lot of recognizable names about the future of the publishing industry
2. SF Squeecast
A Christmas themed episode that was a lot of fun. All of the members of the group are clearly having fun while they tape, and they really comes across.
3. Galactic Suburbia Podcast

 

Best New Writer

1. Mur Lafferty

Strange to think that she counts as a new writer because I’ve been listening to her stuff for years on the Escape Artists podcasts, and hearing about her self-published books. I really like her style though, some of my favorite EA episodes have been written by her.

 

As the year rolls on I’ll be reading the rest of the Hugo packet just for fun, at which point I might have more posts to pick out my favorites. And this is also the first year that I’ve been eligible for SFWA membership, which means that I can now nominate and vote for the Nebula award–so I may have something about that as well.

MiniCon 46, Con Report

written by David Steffen

Yes, con season is in full swing once again. As usual, over Easter weekend, Minicon has come to the Twin Cities. Charles Stross was originally scheduled to be the writer guest of honor, but family medical emergencies caused him to bow out (good news: according to Stross’s blog, the prognosis is excellent. Hooray!). He called in his friend, writer John Scalzi. The music guest of honor was local Chas Somdahl. There was no artist guest of honor (I never did hear why).

So here is my con report for Minicon 46 of 2011. Just to warn you, this won’t be a full description of everything happening there because:
-I’m not a particularly social person. I do all right with people I already know, but not so much with crowds of those I don’t. In theory, it should be easier at a con, since I obviously have shared interests with these folks, but I still have trouble with it. So, most of my time was spent in the programming portions of the con.
-Also, as usual Minicon hits too near the end of the semester when everything is super busy. I spent the prior two weekends in my office doing schoolwork. I expect to spend the next two weekends in my office doing schoolwork. I haven’t been able to spend as much time with my family as I would’ve liked recently, so rather than spend nearly every hour at the con I tried to decide ahead of time which programming events were can’t-miss so that I could come home during other times.

Anyhoo, on with the con report.

Friday

I had to work on Friday and, well, I didn’t peruse the schedule ahead of time as closely as perhaps I should have. I knew the opening ceremonies were at 7, but hadn’t realized there was programming that happened after the opening ceremonies. On my way to the registration desk, I ran into about four people I already knew. This was a much better start than the previous year where every single person was a stranger.

So I went to the opening ceremony. Chas gave a very entertaining opening song about the life of a guitar player. The main art for the con was awesome, a guitar-shaped spaceship with Minneapolis perched upon it, flying to Venus. Neat mix of different idea. The OTHER art was also very entertaining, John Scalzi’s head in a water-filled jar, Futurama presidents style, to fit the theme “Not Yet Dead From the Neck Up”.

Panels

I just hit one panel on Friday, “Whose Sketch Is It Anyway?” Neat idea, members of the audience start a sketch and hand it off to the artist folk up front. Cute idea, worked well enough. Cute kids there to help keep stuff light too.

PNH and the Deaftones

Music! Tor editors Patrick and Teresa Nielsen have a band called PNH and the Deaftones. Apparently the word “deaf” is actually accurate, as they said both Teresa and their other band member (whose name I didn’t catch) are deaf. They say well enough, with Patrick playing guitar and all three singing. It was a fun time, and afterward I chatted with Teresa for a while. She’s a very nice person with lots of fun stories; ask her about the roast of Harlon Ellison at the first Minicon she attended.

Saturday

Panels

I went to the panels “Short Stories and the People Who Love Them”, “Non-Western Cultures in Fantasy”, both fine panels, no complaints.

For me the highlight of the weekend was “Live Model Drawing”. Awesome. They provided art supplies, and two volunteer models: con co-chair Joel Phillips in a leather kilt, and a woman who volunteered, in fantasy garb. It was great! I’ve been trying to do some sketching on the side, but usually I don’t have models posing for me. I’ve sketched Heather a couple times but usually she only sits still long enough if I catch her napping, and with her I worry what she’ll think of the outcome. “No dear, your head is not actually lopsided; that’s just my lack of skill on display.” So it was nice to have an hour to just sit and draw people. Here are pictures of how it turned out. Look at the bottom of this page to see the sketches I made.

And then I caught the John Scalzi Reading. With permission of Stross, he read the opening of Stross’s upcoming book “Rule 34”. It was reasonably good, I probably won’t pick it up, but it wasn’t bad. Then Scalzi read a chapter from a book he has slated for 2012, about…. Aw crap, Scalzi said that I can’t tell anyone or he will know about it, and send his wife to kick my ass. I’ve learned from experience that Scalzi hears all, and I’d rather avoid a late night pummeling from Mrs. Scalzi, so I guess I’ll keep my mouth shut. But when the book comes out, I’ll jump up and down and wave my arms and recommend it because it is awesome. After The Book Which Must Not Be Named he read from an April Fool’s novel excerpt titled “The Shadow War of the Night Dragons, Book One: The Dead City.” Hilarious! Even more hilarious is that many people took the announcement seriously. Including someone in Hollywood who called his agent expressing interest. Ha!

Sunday

Panels

Panel: “Common Misconceptions About Publishing”, with Patrick and Teresa. Lots of good information though I’d heard most of it elsewhere before. Got a chance to talk to Patrick and Teresa afterward for a while longer. More good stories, including some real examples of what NOT to do. For instance, when submitting artwork, one normally sends in prints through the mail or send a website. Some artists insist on showing up at the office with the determined stance “My art doesn’t reproduce well.” Well, if that’s true, it’s a wee problem for book printing, unless you intend to hand paint every print!

And the other: “The Works of John Scalzi”. Since I’ve only read part of one short story by Scalzi I didn’t have much to contribute to the discussion. It was fine though, lots of audience participation.

Readings: And I hit three quick readings by local authors. Michael Merriam, Dana M. Baird, and Marissa Lingen. These are folks in the local writer’s group MinnSpec, which I’ve been meaning to get more involved in, so it was nice to hear some of their work.

Closing Ceremony

A nice wrapup, mostly based around thanking everyone who contributed their hard work. At this point I realized how much cool stuff I had missed, both through my brief time there and by not exploring the con suite and other peripheral areas more thoroughly. Most interesting thing that I completely missed was the medallion search, a trivia-based hunt for 1973 pennies scattered about the hotel. Some of the clues were fairly simple but some of them were amazingly hard! Next year I should see if I can puzzle out one or two.

Also, the Hugo nominations were announced once they were posted online at Renovation. I was particularly excited about a few. Moshe Feder for Best Editor, Long Form–he was here for Minicon 45, and I gave my first novel pitch to him, very nice. Dan Dos Santos for his art–I met him at Minicon 45, a very nice guy and I bought a portrait by him of Moiraine Damodred. Peter Watts’ short story “The Things” in Clarkesworld, and Clarkesworld itself for semiprozine. Good luck everyone, but those most of all!

And with that my con weekend was over. Next year I won’t be in school anymore, so hopefully I’ll be able to hit Minicon 47 more thoroughly.