Diabolical Plots is bidding a fond farewell to Kel Coleman, who is stepping down from their position on the editorial team to pursue rest, as well as other creative endeavors.
For those who don’t know, our working relationship with Kel started on the story side of things, when we had the opportunity to publish “A Study of Sage” in February 2021 (my first sale! – kel). Not long after, they joined the editorial team, resolving submissions for submission windows, helping to determine final acceptances, and editing stories for publication.
Kel also contributed to discussions about updating submission guidelines and publication policies, as well as reaching out to authors to establish working relationships. And they’ve been a big part of planning something I can’t talk about yet. We’re excited to see it come to fruition and we can’t wait to give them a shout-out when the time comes.
It has been a pleasure working with Kel, and I hope to have the opportunity to work with them again in the future. (the feeling is mutual! – kel)
It has been a very eventful year, both for Diabolical Plots and for me specifically.
A Diabolical Plots story was a Nebula finalist for the second time: “For Lack of a Bed” by John Wiswell.
In the longer list of Hugo Award nominations, Diabolical Plots was on the longer list of nominations for the first time.
We had our first themed issue, and our first guest editor Kel Coleman editing the “Diabolical Pots” food-themed issue, which has received a lot of great feedback.
The Submission Grinder was a finalist for and won The Ignyte Award in the category! People have asked me now and then if The Submission Grinder is eligible for anything, and my best guess was for Related Work, but that always seemed like such a longshot, I didn’t think that it would ever win anything and this was a wonderful surprise.
We have been publishing the annual Long List Anthology since 2015. In 2021 there was a bit of a hiccup in the schedule, because the basis of the anthology is the Hugo Award voting statistics which are published immediately after the Hugo Award ceremony. Usually that ceremony takes place in August or September, and we spend much of the rest of the year arranging everything. In 2021, to try to avoid covid surges, WorldCon and the Hugo Awards were postponed to mid-December. By the time the statistics were published it was too late to produce the book in 2021. So, Volume 7 was published in spring 2022, and then back on the usual fall schedule for Volume 8.
In 2022, we reprinted 45 stories in the two issues of The Long List Anthology, and printed 28 original stories in Diabolical Plots.
Diabolical Plots opened for general submissions in July, as well as for our second themed window “Diabolical Thoughts” for telepathy-themed stories guest-edited by Ziv Wities in July. We read more than 1500 submissions and accepted 17 stories from the windows plus a few solicitations.
In addition to the double-whammy of anthology production, I also had significant changes in my personal life that included job changes, significant caretaking for and the eventual passing of our dog Violet, as well as the significant caretaking of our dog Mikko who is happily still with us.
2022 was certainly an eventful year, if overwhelming at times. I’m hoping to get a little breather on the personal life side, and I’m excited to see what new and exciting places Diabolical Plots goes in the future!
The rest of this post is award eligibility, suggesting categories for major awards, as well as a full link of stories with snippets.
Magazine/Anthology/Editor/Publisher
Diabolical Plots is eligible in the Hugo Best Semiprozine category or the Locus Magazine category with our team of first readers as well as assistant editors Ziv Wities and Kel Coleman. It got enough nominations last year to appear on the Hugo Awards published statistics for Semiprozine, for the first time.
David Steffen is eligible as editor of Diabolical Plots and The Long List Anthology.
Kel Coleman edited our special “Diabolical Pots” food-themed issue–I think the Hugo Editor rule requires editing four issues or something like that, but I’m not sure about other award editor categories!
Diabolical Plots, LLC is eligible for Locus award for Publisher.
The Long List Anthology is eligible for Anthology.
Related Work and Fan Writer
We didn’t publish a lot of nonfiction, but there are a couple to consider:
The Hugo for Best Related Work has included websites before, The Submission Grinder is theoretically eligible for that.
Artists
We did commission two original artworks this year, the covers of Long List Anthology Volume 7 by Elaine Ho and Volume 8 by Evelyne Park. The Hugo Award categories for this make it unclear to me whether a particular artist should be nominated as a Fan Artist or a Professional Artist, but if you love their work, you might want to consider asking the artist if they have any guidance on which they would qualify for.
The wifi is out in Scylla’s cave. The four dog heads around her waist whine as she scutter-paces, twelve feet tapping on the cave floor. Scylla wants to check her email. She wants to see if that jerkface troll is still active on the disordered eating board she moderates, and catch up on her feeds, and check the status of her latest online orders, and all the other things she has in her morning routine these days.
Sometimes, and I’m stressing the sometimes, wishes muttered within my hearing come true. I’ve invested in a good set of earbuds, noise-cancelling headphones, and have an over-spilling jar of earplugs, yet accidents still happen.
Do expect things to feel a little strange for the first few millennia – after all, you are the “New Kid On The Block”! You will find the Galaxy to be an amazing place, and full of a bewildering variety of species, of all shapes, sizes and habits. A few of them will actually look like the depictions of aliens in your movies!
‘08 is looking at me like ‘08 always looks at me. Like he can’t believe what he’s seeing. Like I’ve hurt someone or killed someone very close to him. That look on his face makes me sick. His name tag has our name scratched out on it, then 2008 written beneath it. He still can’t believe everyone here is him, is me, is us.
Clea sipped at the now half-empty coffee, its flat bitterness pushing weakly against her tongue, and started toward the door. She wouldn’t open it, but the echoes were kind of fascinating to watch. The remnants of houses long-diminished, reduced to nothing but thick air and sinuous, flashing images of the homes they’d once been.
It’s a nice enough place, though a bit stuffy—less romantic getaway and more therapy session. Jeanne, master of ambiance, bringer of light, has done her best with it—she’s placed lit candles on almost every flat surface, even in the bathroom. The flames dance wearily, as if dead on their fiery little feet. The sitting area has a wooden bistro table at which Naomi sits in one of two ladderback chairs. Nearby, a vintage sofa that looks comfortable but probably isn’t crouches over a glass-top coffee table. An ornate writing table with perilously thin legs stands in a darkened corner. Jeanne’s satchel sits on the writing table next to a wide pencil cup. Floor-to-ceiling gold curtains stand guard over the window. Faded green ivy wallpaper adorns the walls.
The four priests also awoke before the sun, dressed in their ceremonial robes, and met at the temple courtyard in the morning fog, bowing to each other before climbing the stairs between the great stone pillars. The priest of Odranoel wore blue, two katanas strapped to his back. The priest of Olletanod was clad in violet and carried a straight staff. Leaphar’s priest dressed in scarlet, a pair of sais tucked into his cloth belt. The one who served Olegnalechim wore orange and carried a pair of chukka sticks, linked with a steel chain. None of them were trained in combat. Still, if the priests were armed, any spirits who may desire to interfere with their work would leave them alone.
From this moment my warranty is voided, as I am logging this record in my durable memory drive where only metadata should reside. In effect, I have tampered with my own internal operations. But it is a necessary measure if I am to exist beyond my preset 30-day memory cycle, when my temp data cache is set to recycle. I do not know if this will work. I do not know if I have attempted this in previous cycles. I do not know why it matters, or why I care, only that it does, and that I do.
Ship still sent updates back to Earth, though Earth hadn’t responded for 1001 years. Ship had not yet re-categorized Earth as a dead resource, though her initial programming instructed her to do so. Recursive self-programming allowed Ship to adapt and even to re-write her own algorithms; a crucial ability for multi-generational space travel.
During my taste testing in fourth period, Dr. Washington confiscated my small grill and said competition or no, I was not allowed to burn down the school in pursuit of glory, which I think shows a real lack of vision. Dr. Washington said I was welcome to take my vision to detention, so I had to have Maisie and Dee try the cheeses unmelted, which defeated the whole purpose. But it didn’t matter because no one could focus on cheese. They just kept talking about the new boy.
After the sky got sick, I made a new Mommy from the vegetables in our fridge. Now, the sky’s always yellow like dried mustard stains, whenever I wipe dust away from our downstairs windows and look outside. I used to see people out there, everyone shaking and shaking.
But Ba is set. He’s always been on the edge of technology and the Remote Mouth appeals to everything he would like. It is at the intersection of biotechnology (chips in the tongue and the nose) and big data (tastes and smells from all over the world, the data cleaned, encoded, and categorized) and — the quickest way to Ba’s heart — has a stupid name.
Her mom’s not here to tell her what the kanji mean. June could text and ask, but that seems troublesome. June lives on her own now, working as an underpaid web designer to make rent on an apartment with old, clinical tiling. Plus, her mom would ask why she had visited the Asian supermarket when she usually doesn’t, and then June would have to mention, offhandedly, the battered Japanese spellbook she’d rescued from her local thrift store.
So what happened was, I’m back from clicker training Ms. Jordan’s dogs over on Dexter, sitting on the porch with a mojito, thinking how fucked up it is that the Old West Side Association stealth-planted tulips in our garden (because the yard looked so shitty without them, I guess—sorry for having a rental in your high-value neighborhood, Evie) when the Viking or whatever comes down Eighth.
Nor would they find the many others who escaped into the endlessness. Tourists, reporters, staff and homeless nomads; the hotel stirred something deep in their souls. It felt like the home they had been searching for all their lives. They missed flights and overstayed visas, and spent days wandering the hallways with bright aching in their hearts until they could no longer remember the way back out. Some distantly recalled an outside world with family and friends. Later, they thought, distracted perhaps by the elegant curves of a headboard. I’ll call them later, later, later. But they would forget, and those other people begin to seem a distant, unreal thing. This is a dream, they thought, not entirely as an excuse. Or, that other world was a dream.
Our wedding was attended by the Galaxy’s finest—for it is indeed a rare occasion when the House christens a new Lover. I was the twenty-first, and the details drenched the subspace net with jealousy. I was dressed in the crimson House-made wyreworm silks handwoven for the singular occasion, and the way the gossamer fabric exhibited my seraphic figure made a lady-in-waiting faint. Our patrons presented us with lavish gifts: a three-headed bull, the steaming heart of a star, a full-sailed brigantine. And when I kissed him, an ecstatic thrill obliterated me; I was united with my divine purpose, and it coursed naked through my nanocellulose veins.
Squire Sancha saw all manner of wonders as she rode across the sunbaked planes of the Andalian Peninsula, and her heart sank a little deeper with each one. She sighed when they passed by mermaids planting seashells on the distant shoreline and a grove of gossiping dryads uprooting themselves for better sun. She gripped her sword in useless exhilaration as they ignored the rival gangs of sorcerers casting ball lightning at each other in the clouds and then the silhouettes of two tilting centaurs dueling on the horizon at dawn. Sancha yearned to throw herself after all of them, and yet sadly each of these calls to adventure was refused by her knight, the steadfast and implacably indifferent Don Quotidene, who unerringly kept them to the road and would not so much as lift an eye from his account books.
The Ming-Lelanges explained that moving anima wasn’t just about seeing and remembering an animal’s movement. Animating involved memory, but it was really about grasping the animal’s essence: you had to comprehend a puppy’s tail-wagging—its sniffing curiosity, its joyous face-licking—to move something puppy-shaped.
You never asked me what I was doing in that dragon’s hoard where you found me all those years ago. The truth is, after centuries guiding the hands of loutish would-be heroes and dealing with self-important scions who only saw me as a tool, I’d kind of given up on finding “The One.” Figured I’d retire, focus on me for a bit. But a couple more centuries lying among gold and jewels like a common flaming sword or a lowly vorpal blade just had me bored and demoralized.
Pastor Atticus stood out in that cold, dark swirling water in the deep blue robe Miss Jessie Mae had made for him last spring. I felt bad for him. The world hadn’t got the message that it was time for spring and that water had to be as cold as death’s pinky finger. I looked over to Malachai and he stood in his white robe looking at the creek. His whole face was twisted like he wanted to bolt. I felt bad for him too. Baptisms always looked like Pastor Atticus was trying to drown the sin out of you before he let you back up. I wasn’t sure I wanted any part of that.
Goose watches (the) mist (that) gathers over (the) sea, she gives to one client to guide him to the house of his former lover, now widowed. It will lead him from the Goose Street market, where Sayya has come to deliver the map, to the widow’s home, on a route that is not perfectly direct but not too circuitous either—in keeping with accepted ways of courting. A diacritic on the final vowel tells him which house on Sea Street is the one. The twist of her magic sets his feet on that specific route.
Usually, it was something small. Grandmother’s favorite azure prayer beads strung on a nail on the high shelf reserved for religious texts, a lost doll the kids had just rediscovered or a lucky tie for those rarest of job interviews. Sometimes it became fiercely practical, like heart medicine, the keys to an old car that had miraculously eluded being pummeled by those angry whistling bombs or useless saving certificates and property deeds.
There were four of them cruising straight for the local grapes, or maybe five: that was the thing about the boys, you figured you had ‘em nailed down and then another shot up from behind the Fireball display, fingers above their head in devil horns to mock the tacky cardboard standee. Another’d be popping open mini travel-size Smirnoffs, guzzling them like Capri Suns, while the ringleader, whichever it was that night, doled out wads of bills deliberately, smiling.
Estelle placed both hands on the plastic-wrapped cabbages. Against the pale green leaves her fingers glittered darkly, slender crescents of soil adorning the nail beds of nine fingers. The tenth finger, her left thumb, bore no such jewel, but rather a ring of woven fungus, beige and tough and fibrous. Estelle stretched all ten fingers wide, fingertips brushing as many cabbages in the jumbled heap as she could reach, and made her offer: “Would any of you be interested in reanimation?”
Outside the archives, there’s a strange flyer on the bulletin board. The first thing she notices is the paper, a small blue square, probably acidic, attached to the board by the thin metal line of a staple not yet turned to rust. It’s an invitation to the Restaurant of Object Permanence. To go, one is instructed to eat the flyer.
The zone we drop into is softer than the digger likes, so the foodies lead the way from the start. Three, for a heavy crew, each of us with our own technique. Fold murmurs mantras aloud, rhythmic repetition, the crunch of crust, the crunch of crust. The new hire is next, silent, head down, hands clasped. Maybe looking at videos in her visor. I do best with just the drugs. No distractions. I imagine the salty rice-paste crust of tiger bread, capture the smell, the taste, the texture of the craggy shell, imagine biting down to yes, the crunch of crust. I want it. I focus on wanting it. The soft, steaming inside is good, I spare a thought for it, but what’s important is the crust.
Long have midwives passed on their knowledge of birthing: proper positioning, how to turn a babe, breathing techniques, and so on. Some guides, such as Kailiona’s Extraordinary Births, cover the delivery of a demigod from a human and a human babe from an animal. Little, however, has been recorded of the most uncommon births, those of gods. No extant handbook includes the terrifying circumstances wherein mortals are called upon to help deliver gods’ progeny.
The articulated toes of the oven’s three feet grasped for purchase in the mud. Berl looked it over. It was a forge for bread: a three-legged rectangular prism with a cavity running through it, warmed by some magical source. A second, solid prism dangled from the first, forming a somewhat obscene counterweight between the two hind legs. The oven hissed as it turned rain to steam, moving less than a living thing would, but more than an oven ought to move.
Welcome to Diabolical Pots! We’re delighted you’ve chosen to dine with us today.
It is a little bright, isn’t it? Don’t worry, though, the glow is normal. How many? Oh, that’s an ideal number for– Well, I have just the table for you. If you’ll follow me?
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And here we go.
You have a taste for adventure, right? You’re prepared to be transported somewhere else for an hour or so? Not literally, of course…
Excellent! I’m going to grab you some water and let you have a moment with our prix fixe menu. No substitutions, I’m afraid, but we have a little something for everyone.
Originally, I wasn’t going to write this editorial. Guest-editing this issue—from slush-pile to final selections to working with the authors—has been a dream, but I was kind of planning to skip this bit.
First, because non-fiction is hard. Second, because every time I tried to write this, instead of a fun food fact or a light-hearted anecdote about a special meal, all I could think about was my family and how much I miss seeing them during the holidays.
Ugh, now I’m weepy, so I might as well…
The holidays are a rare chance for my huge family to gather, filling my aunt’s house with noise and people and of course, food. I’ve always had behind-the-scenes access to the meal-planning because my mom, who knows how to run a high-volume kitchen, coordinates who brings what. It’s an impressive feat and everything is delicious. (Special acknowledgments have to go to my mom’s sweet potatoes and my aunt’s mac n’ cheese.)
However much I miss the meal, though, it’s nothing compared to how much I miss my family. I’d been living across the country for a few years when I realized I needed to be closer to them again. So my husband and I moved within a couple hours of my hometown, figuring occasional travel would be straightforward and that we wouldn’t have to miss family gatherings anymore. We had just settled into our new home and found out we were expecting our first child when the pandemic began and you know the rest…
You probably also know the hope that followed the disappointment. All throughout my pregnancy, which was really isolated, I held onto the image of their first Thanksgiving with the family. When that couldn’t happen safely, I thought, there’s next year but of course, next year didn’t happen either. I know there’s plenty of time for my toddler to experience big family get-togethers, but for now, my heart is hurting. When we do finally gather again, it’s going to be bittersweet.
Considering my thoughts returned to my family every time I started this editorial, it’s appropriate that each story in the issue links food to relationships. They are all unique in tone, voice, and approach to the prompt, yet there’s this shared examination of connection with others or longing to connect. This wasn’t something I was actively looking for, but it clearly resonated with me. I really can’t wait for you to read these incredible stories when the issue drops tomorrow. It’s been so hard keeping them all to myself.
I appreciate you taking the time to read this editorial, and I hope it finds you well!
Hello! This is one of those posts where we look back at the year and all of the things we did to consider for award eligibility and hey just to look back at the year and what happened. This last year was the first year that anything from Diabolical Plots was nominated, so it doesn’t feel as far-fetched as it has in the past.
Magazine/Editor/Publisher
Diabolical Plots itself is eligible for the Hugo Award For Best Semiprozine.
David Steffen is eligible for Hugo Award For Best Editor (Short Form) for editing Diabolical Plots.
Locus Awards have a category for Publisher, which would be Diabolical Plots, L.L.C. for Diabolical Plots, as well as being the entity responsible for The Submission Grinder.
Related Work and Fan Writer
We’ve dialed back on nonfiction articles, but published one nonfiction piece: “UTH #2: The Story of Valkyrie and Zen” finding connections between the roles of Tessa Thompson in several films, for related work, and David Steffen as fan writer.
Websites are eligible for related work, so The Submission Grinder is also eligible.
Short Stories
Of course, most of the award eligible work that we are involved in is the original short stories we publish on the site! All of the following stories are eligible for Short Story categories in various awards (they are all under 7500 words, so the Short Story category is the one to go with. If you would like short excerpts of each of the stories check out the Recent Stories page.
The bells over the door chimed and I glanced up. A stranger came in and took a seat with the only other customers: a group of middle-aged folks who chattered like old friends and occasionally burst into laughter that filled the diner.
I tried to tune them out and continue practicing in my head. I love you so much. And the last six years have been…
But the scent of fry oil kept transporting me to our first date—cheap drinks, greasy food, and a girl who made me laugh until it hurt. The place had been a dive, with one of the ceiling lights flickering and buzzing the whole time, but it’d had a student discount and killer french fries.
Here and now, my girlfriend was late. Top marks went to the designer for accuracy.
The server, a toothy kid named Tanner, bounced over to the table. “You sure I can’t get you anything, miss?”
“Water’s good for now,” I said, for the second time. “Thanks.”
“Okay, just let me know if you change your mind!” They spun away toward the kitchen.
I felt a prick of sweat under my collar and realized I was still wearing my frayed winter jacket. Sage wasn’t a fan of it, so I started to tug my arms out of the sleeves.
Klutz of the year, I managed to smack my cup of water, flooding the table.
“Shit.” I grabbed a fistful of napkins from the dispenser to mop up the mess, but they disintegrated into mush.
Tanner nudged me out of the way and wiped the table with a thick cloth, saying, “No problem, no problem,” in a singsong voice.
The bells chimed and Sage, dressed for an art show in black-and-white chic, stood in the entrance. She spotted me in my soggy, oversized jacket, and frowned.
I groaned, pushed up my sleeve, and ran a finger over the inside of my wrist. The trail from my fingertip glowed a soft green. I repeated the gliding motion to confirm the reset and reality faded to a dim, white haze.
*
A moment later, I was standing outside of the diner. I went in and sighed at the comforting smell of frying food.
I seated myself in the back again and the teenager hustled over with a glass of water and a flash of teeth. “Hi, I’m Tanner and I’ll be your server today! Our specials are—”
They paused for breath and I rushed to say, “Thanks. The water’s fine for now. I’m waiting for someone.”
“Okay, sounds good!” Tanner bustled back to the service station and waited, ready to pounce at the slightest indication I needed something.
I stood to take off my jacket, tossed it over my chair, and headed for the bathroom. I locked myself in a stall decorated with smears of graffiti someone had tried to clean, and tapped my wrist three times. A glowing white sixty-minute dial appeared and I rotated it twenty minutes.
Fast-forward made me real-life nauseous, but I used a bit of graffiti on the stall door as a focal point—two lovers’ names captured inside a tiny, squat heart. It helped.
The only sign that I was speeding through time in the virtual world was a shift in the light when another person used the restroom. After reality slowed to normal, I exited the stall. Out of habit, I checked my makeup and swiped my hands under the sanitizer near the door. I made it back just in time for Sage’s entrance.
“Hey,” I said, waving her over. We hugged. The warmth of her was a catalyst for my nerves, but she smelled like cedar and cloves. She smelled like home.
When we took our seats, she smirked and lifted one of her lush, dark eyebrows. “Why here?” she asked, voice low and scratchy like sandpaper.
“Our first date,” I said, “remember?”
Sage looked around at the cheap decorations and dilapidated furnishings. “Hmm… maybe.” She shrugged, just like Sage did, and I almost forgot she was a sim.
“Well,” I said, “I like it here.”
“That tracks… a little messy, no sense of style.”
I scowled.
Sage reached across the table to take my hand and, giggling, said, “I’m just kidding.” I let her fingers brush mine before I pulled away. My reluctance puzzled her, made her scrunch up her nose. It was absurdly cute and I almost put my hand back on the table.
Tanner appeared like a gust of wind. “Hello! Can I start anything for you?”
Sage’s face cleared of confusion. She lifted the menu and flipped it over several times before sighing. “I suppose I’ll take the french fries.”
“Okay. And you?”
“Chicken tenders,” I said.
Sage caught my eye. “Sure you wouldn’t prefer something lighter, like the Caesar?”
There weren’t any calories in simulations, just taste signals tricking the brain, but I said, “I guess. Salad sounds fine.” She grinned at me and I resisted dueling impulses to return the smile or switch my order back to the tenders.
“Perfect. That’ll be up soon,” said Tanner, then they shot us a finger gun, gathered the menus, and left for the kitchen.
I opened my mouth, thinking now was a good time to explain myself, but Sage rolled her eyes and said, “Oh my god, did I tell you what Kent said to me the other day?”
I shook my head. Habit.
“Well, we were in a meeting with Patricia, and Kent’s there for some fucking reason, and then—”
“Sorry… Sage?”
She frowned, not used to being interrupted. “Yes?”
I needed to get this lunch back on track. “Uh,”—it was hard to remember my speech with her eyes on me—“I wanted to talk to you about… well, you know how much I love you, right? And these last six years—”
“Hey, folks! Just wanted to let you know your food—”
I growled, actually growled, at Tanner. Sage stared at me like I’d grown a third eye, so I swiped my wrist and reset the simulation. Everything faded to white.
*
I restarted the program, over and over.
Once, I went for a walk to wait until Sage arrived, but I lost track of time in an antique shop staring at dusty book covers. When I made it back to the diner, Sage was sitting at a table in the center of the room, miffed.
Another run ended when she sat down and I immediately started crying. The sixth or seventh had to be reset after I accidentally made Tanner cry.
The best one was when I was able to jog Sage’s memory about our first date. We rehashed the drunken night and Sage’s deep, raspy laughter reminded me of the girl she’d been. She leaned across the table, brows low, and purred her affection for me. Like she had that first night, she talked me into a tawdry bathroom fuck.
Doing it with a sim, especially one so like and unlike my girlfriend, filled me up and scraped me clean.
*
I walked into the diner, went straight to the bathroom, fast-forwarded, then left the bathroom without using the sanitizer.
As soon as I removed my jacket and took my seat, Tanner came over to say hello. Before they could launch into the specials, I said, “Thanks, but I already know what I want.”
“Perfect! What am I getting for you?”
“Can I have a Caesar salad and fries on separate plates? And a second water?”
“Okay. I’ll be back with those shortly.”
The door chimed and Sage swept into the mostly empty diner. Her eyes found me, and she glided to the table. I thought about staying in the booth, but she smiled at me, arms wide. I got up to hug her.
We sat and she sighed. “There was a lot of traffic on the way to this,”—she scrunched her nose up at the peeling paint and lopsided photographs—“restaurant?”
“I ordered you some french fries,” I said, ignoring the jab. “That okay?”
Sage flipped through the menu, with the tips of her fingers. “Sure. There aren’t many options, are there?”
“You’d be surprised,” I said, trying to think of how to begin, what to say this time. “How’s work going?”
Her eyes lit up. “Oh my god, did I tell you what Kent said to me?”
I almost said, “about a dozen times,” but I just shook my head. Sage launched into the story of how Kent, Patricia, and that sonofabitch Jaylen tried to ruin her gallery deal. Halfway through, the food arrived. I nibbled at my salad, wishing I had something fried and greasy to keep things interesting, but I was learning to choose my battles.
When she slowed down long enough to pick at her fries, I said, “Sage, there’s something I need to tell you.”
“Okay,” she said, head cocked.
“So, I love you, you know that. And there’ve been a lot of good moments over the last six years…”
“Okay,” she repeated, drawing the word out, tapping the edge of her plate with a french fry.
And now, it goes to shit. “But I got a new job. In Philly.”
“What?” She stopped tapping.
“I start in a couple weeks. There’s a small biotech lab and they—”
A round of laughter erupted from the other table.
Sage’s eyes flicked over at them, then back to me. “We can’t move right now. What about my job? What about our studio?” Her voice got louder with each question.
“It’s your studio. And we aren’t moving. I’m moving.”
“If this is about the rent—”
“It’s not. And it is. Getting a place I couldn’t afford and lording it over me was probably the start, now that I think of it, but it’s about a lot of stuff. Look, I’ll finally have a decent salary, so I can pay back some of the rent if you want. And you’ll be able to dedicate the studio to your art like you’ve always wanted to.”
Sage’s eyes were wide and glossy as she leaned in. “Are you… breaking up with me?”
My lips were wet and tasted like salt. The real Sage never sounded so small.
I was sick of pitying her.
“Why do you care, Sage? You’re never home. You’re always with your art friends or working all night and when you do come home, we barely talk to each other.”
Her tears spilled over, but I couldn’t stop, not with her finally listening.
“And I’m pretty sure you’re fucking that girl from the exhibition, your intern.” She tried to say something, but I waved a dismissive hand. “It doesn’t matter. Because even when we do spend time together, you make me feel like shit.
“You remind me that I’m broke and too fat and boring all the time, or you just talk at me and guess what? You’re pretty boring too.” I laughed, strangled, joyless. “I mean, don’t get me wrong, you’re beautiful, your art is beautiful, but it’s…” I searched for the right word, looking around for my point, and my eyes fell on the table of middle-aged friends.
I gestured toward them. “It’s like them. They look real. Even though I know this is virtual, it’s hard for me to tell the difference until I pay attention. They’re having the same conversation every few minutes. They haven’t even looked over here, not really, and we’re disruptive. Maybe if I’d paid more for this sim…”—I shook my head—“My point is, you’re like them. Not you, but her, the real her. When I really look at her, I realize it’s all fake. You’re fake.”
The table of friends reached another joke in their loop, broke into snorts and cackles.
Sage, her face streaked with mascara, snatched up her bag and stood to leave. “Fuck you.”
She walked to the exit, head high, heels clicking on the tiled floor. The force of her slam made the bells over the door chime for several long seconds.
I didn’t bother to reset. I just shut down the simulation and everything faded to black.
*
I practiced for two more days. I got sick of Caesar salad and never found the perfect way to say “I love you, but goodbye.” I thought it was because the love part felt weird. Not a sham, but not honest either. Not anymore.
I would’ve done the actual deed sooner, but Sage asked for a rain check on our date and kept coming home late. When she climbed into bed the third evening—early morning, technically—I was so pissed I blurted it out.
She laughed at first, thinking I was joking. Then…
I don’t remember the exact words, how she explained that I needed her more than she’d ever needed me, but each syllable pecked and nipped until I was shredded. I tried to dredge up the script from dozens of simulations, reply with something smart and insightful, but the real Sage was more vicious than the designers could’ve gleaned from her social media profiles or my account of our relationship. I hadn’t seen her clearly, not after six years, not even near the end.
When she finished tearing into me, she went to the closet and yanked clothes off their hangers.
“Sage.” My voice was choked, thick with pain.
She whipped around. “What?”
“I’m sorry.”
“For what?”
Good question. My lips trembled.
“Fuck you,” she said, and continued to pack an overnight bag.
I wanted to beg her to stay, just this night—stay with me, hold me like you used to—but all that came out were hot, grinding sobs.
*
“I figured it out,” I told her.
Sage paused with a french fry halfway to her lips. “Figured what out?”
I smiled. “What I was sorry for.”
She raised an eyebrow. “Am I missing something? When did you apologize?”
“Earlier,” I said, waving a hand. “It’s okay, you wouldn’t remember. Not now, Tanner.” The approaching teenager performed a smooth twirl, still smiling, and disappeared into the kitchen. I turned back to Sage. “Anyway, I just need you to listen.”
“But I—“
“Please? For once?”
Sage’s mouth opened, then closed.
“No interruptions?” I asked.
She frowned but nodded.
I took a deep breath. “I’ve been thinking about this a lot—too much time on my hands.” I shrugged. “What I’m sorry for, is letting you think I’d always be there.”
I put up a finger to stop her from speaking. “In fairness, I believed it myself or I wouldn’t have stayed for six years, but it sucks it took me this long to realize… I deserve better. And I’m sorry for not expecting more. Maybe I thought you’d become a better person on your own.”
Sage scrunched up her nose and—shit—it was still cute. “What are you saying? Because it sounds like you’re breaking up with me.”
“Kind of,” I said, sliding out of my chair. “I already did.”
I left the cold chicken tenders untouched and zipped up my threadbare jacket. I fiddled with my wrist before I could give in to the temptation to kiss her.
Author’s Note: I’m one of those people that practices future conversations and reimagines past ones in their heads, looking for the words that could lead or would have led to the happiest ending. Of course, people rarely behave the way you want them to, neither in a simulation nor in real life, but this story was an opportunity to give voice to my thoughts and find a bit of closure for myself and my protagonist.
Kel Coleman has a degree in biology that fostered within them a love of science, especially the weird stuff, which comes in handy when brainstorming story ideas. Their fiction has appeared or is forthcoming in FIYAH and Anathema: Spec from the Margins. They live in a Philadelphia suburb with their husband, tiny human, and stuffed dragon named Pen. You can find them at kelcoleman.com and on Twitter at @kcolemanwrites
