DP FICTION #120B: “In His Image” by R. Haven

edited by Hal Y. Zhang

Content note (click for details) Content note: Murder-suicide.

I love Him from the instant I have eyes.

I can’t wrap my mind around the intentions of a god, but I do understand that He’s the one bringing me to life. His light brown skin, flecked with dust and paint and plaster, is the softest thing to ever make contact with my exterior. I stand scarcely a foot above Him, but His presence takes up the entire room—engulfs the world itself. He looks me over critically, irises the darkest of brown, and continues to chisel around the rough shape of my face.

My features have been sketched onto me with chalk. I’m too basic to behold Him, too crude. I would shrink away in shame if only I could move.

It’s the strangest thing. Some part of me is aware that I’m something different, that I’ve spent my existence so far as part of something bigger. I think, once, I belonged to a mountain, maybe even the face of a cliff. Something dug me out, ground me down until I was smooth. I was hoisted this way and that by hundreds of hands. I’m older than life itself; if I truly rack my memory, I can maybe pinpoint the exact age that humanity found its legs.

In all those eons, I haven’t experienced anything like this before—this awareness, and a sense of self. The emotions that go hand-in-hand with living, when I hadn’t known before that life was something worthwhile. Moreover, I haven’t encountered anyone like Him before. He looks at me with intention, with a vision, and I want to melt into something malleable in order to suit it.

I’ll do anything for Him. Be anything He wants me to be.

***

I don’t follow the passage of time by the light outside, though He seems to prefer to work when it’s streaming through the enormous windows of the studio. I don’t measure it in the subtle ticking of the timepiece situated above the doors, or gauge by the fluctuation of noises coming from outside—growling metal, blaring horns, the droning of conversation. I know the difference between night and day because He is the sun; He walks in, and everything brightens—the mosaics and murals, the blanketed easels and clay busts.

He doesn’t always work on me alone, but He does make it a point to chisel and sand sections of my form away at least once per visit. I try to be understanding. He can’t devote all His time to one thing—it’s clearly not in His nature. Where I am immovable, He is mercurial.

Today, He flits between two canvases, letting a thin base coat dry while layering details on another. I’m fascinated by His hands, especially. Slim fingers wield a paintbrush like a feather, handle it like a sword. With every stroke, beauty gushes forth. The colors He chooses are purposeful and vibrant. The placement of the paint is so careful, yet looks effortless.

I watch for hours, and only break in my admiration to reluctantly urge Him, Eat. You can’t go on for much longer without eating something.

He puts the paintbrush down. I brim with affection.

Eating is a strange thing, but I’ve come to realize it’s something He requires to keep on. It’s an unappealing prospect to have to fill oneself repeatedly, but He makes it look like a transcendent experience each time. He sits on the floor by the window, curls spilling over His forehead as He tilts forward over a plain bag.

He devours the contents. I watch the slow drip of a tangerine’s juices slide down His fingers. If I had a mouth, I could part my lips and coax His hands towards them, swallow each finger one at a time to the knuckle and clean them with my tongue.

I have never tasted before. I imagine nothing is more exquisite than the flavor and texture of Him.

He exhales, opens a bottle of water. His throat bobs as He drinks, head back and eyes closed, an expression of ecstasy if I ever saw one. I want to put that look on His face. I want to be the reason He smiles.

The wonderful thing is, He does smile at me. When He’s particularly satisfied with the shape I’m taking, He beams wide, proud. His teeth gleam like polished marble. His lips frame them in kissable perfection.

I ache, but I wouldn’t trade those smiles for anything. His happiness means more to me than my own selfish urge to touch Him, hold Him.

But I can’t help but wonder if there’s a way we could have both.

***

He focuses on my body for some time. He whittles away at rock with instruments both powerful and dainty, drilling right through stone and sending bits of rock scattering at high speeds, then refining pieces to ensure He doesn’t lose too much structure.

I’m taking the form of a human. Because that’s what He is, ‘human’ is precisely how I want to look.

What I want to be.

It takes days for Him to fashion legs, though they’re still blocky. My arms are up, framing my head, showing off what will be my torso. I don’t know what He plans to do with my hands, if I’m to have any.

I hope He’ll give me hands, so that I might one day interlock my fingers with His, draw Him near. He rests His own fingertips against me on occasion, and I swear I can feel His heartbeat all the way through them. A fluttery hot pulse.

I also decide, then, that I want Him to give me one of those. Carve me a heart. Make me one, so that I may give it to you.

He’s distracted in the days that follow, sitting at a potter’s wheel to form an odd shape, bumps deliberately formed over the curves. In the end, He winds up demolishing each one, returning them to formless clay. He seems dissatisfied with the shapes, frowning more often than not.

So I dismiss my want. I don’t need a heart. What I need is for Him to smile at me while He sands and grinds me down, to have His focus, to please Him.

He abandons the potter’s wheel and resumes His work on me.

***

It isn’t until my face truly begins to take shape that I realize every portrait, every bust He has created—they’re all of me. The long nose, the waves of my hair, the deep-set eyes. The thrill I get when it dawns on me is incomparable, like lightning striking a tree only to leave blooms behind.

It can only mean one thing. He loves me. He feels the same way.

With all the tenderness my stone gaze can muster, I watch Him work. He’s finished with my head and is working on my arms, smoothing the joint of my elbows, emphasizing the soft bulge of muscles. His face is so close to mine.

Would He kiss me, like this? Surely He wants to. If He’s been painting me all this time, He must have been longing for this before He even began sculpting.

Kiss me.

He pauses, draws back. His eyes flicker over my face with obvious emotion, but I can’t read what it is. His gaze lands on my mouth.

Please, kiss me.

Gently, He glides the sandpaper under my lower lip, just once. Then He shakes His head as though to clear it, going back to work on my biceps.

That’s okay. Perhaps He wants to wait until I’m complete. It will mean more, then—a celebration. I can wait.

***

He’s the only person to have ever come into the studio before. That’s why it’s such an unwelcome surprise to see Another Man walk in one morning, hand in hand with Him.

The Other Man flicks on the light, looking around the studio with a smile playing on his lips. “Obsessed much?”

He laughs. I’ve never heard Him do that before, and nothing could possibly compare to its chime.

“So where do you want me?” The Other Man wanders, idly inspecting all of His works of art with a soppy grin. Hot loathing pipes through my entire form, the resulting surge of strength useless to me without the means to move. While the Other Man drinks in one of the clay busts, He sets down His bag, draws open the blinds.

“Pull up a chair wherever you want,” He answers. “Clothes off.”

“Already? You aren’t going to woo me first?”

He laughs again. “Paying for breakfast was the wooing. You should probably be close to the statue, but not too close. I want to be able to see you, but…”

“Avoid any flying debris?”

“Yes, that.”

The Other Man strips his shirt off, mussing his wavy hair. He drags over a folded chair, but stops on his way past me, deep-set eyes sizing me up.

“Wild,” he murmurs. “It’s already so lifelike.”

“It’s basically blocks from the waist down,” He points out.

“I mean aside from that.” The Other Man quiets a moment. “I can’t believe this is how you see me.”

“David…” He abandons the sculpting tools He was preparing, going instead to the Other Man, arms winding around the Man from behind. “You’re the most beautiful man I’ve ever seen.”

The Other Man closes his eyes briefly, tilting his head back. “The most beautiful man with a block for a dick.”

He snorts in surprise, then buries His face in the crook of the Other Man’s neck, muffling chuckles. I want to tear the Other Man’s head right off his shoulders, frantic hurt swirling through my head like storm clouds.

“If you want your dick to be accurate, then you’ll need to take these off,” He murmurs, hands roving down to the fly of the Other Man’s jeans.

Stop it. Don’t touch him. Touch me, instead.

He lingers over the button. For a second, I think He’s heeding me.

But He ignores me, ultimately, and I can do nothing but stew in rage, watching the Other Man take everything I’ve ever wanted.

***

I stop seeing myself in the colors and curves He puts on paper. Their shapes—my shape—offends and baffles me now that I know what I am. I only exist to bear the Other Man’s likeness.

What I don’t understand is why.

The Other Man must be inadequate in some way. There’s something about him that He wants to change, perhaps, something built into the Other Man’s physicality. I beg for this to be the answer. I pray, because if He is building me to be a better version of His lover, then taking the Other Man’s place is inevitable.

Yet, if this is true, why do His canvasses not serve my purpose already? Why does He look so softly upon every depiction, like we’re all equal? Equal to each other, but so far beneath the Other Man?

Choose me, I implore Him day after day. If you can’t do that, at least give me a reason why not. Why it can’t be me.

What am I for, if not for you?

He scratches imperfect flecks of rock away from my legs, and doesn’t deign to answer.

***

The ache of betrayal, of loss, doesn’t get any easier to bear with time. He continues to work on my lower section, spending hours on each individual toe, but I can hardly stand His touch when I know it’s not exclusively mine. Every spark I experience from His hands is stolen, a dirty secret. He allows the Other Man to come into the studio every night as He finishes His work, kisses him, laughs with him. What worth I try to invent for myself is gracelessly smashed with every smile the two of them share.

I stop keeping track of when He’s here and when He’s not. It all feels equally lonely. I just know that eventually, He stops His work and takes several steps back, dragging a sleeve across His forehead and staring up at me in abject wonder.

“Finished,” He whispers.

I don’t feel any different. I don’t feel whole. But He says He’s finished with me.

I try to convince myself it’s for the best. I’ll exist forevermore, knowing He loves the shape of me, if nothing else. Maybe there’s contentment to be found in that.

But no… The more I attempt to believe it, the weaker my justification becomes. I’ll be tormented until the end of time, wondering why He would create something only to spurn its affections, wishing I had it in my power to enchant Him as He did me.

Or any power, at all.

Kiss me. Just once, I implore Him. Just to know what it’s like.

Slowly, He draws near again. I stand nearly a foot taller than Him, so to cup my face, He reaches up high. His head tilts back to look me over.

He does not kiss me. Instead, He runs His thumb across my lips.

“I can’t wait for him to see you finished,” He murmurs.

He closes up the studio. If I could cry, I would.

***

The next time He returns, it’s with the Other Man again. He’s vibrating with excitement, almost pulling in the Other Man by his hands but frequently letting go to fuss with His hair, his shirt.

“I haven’t seen you this nervous since you proposed,” the Other Man notes dryly, but it’s affectionate. Light. There’s tied cloth over his eyes.

Hatred renews itself like it’d been merely reduced to embers, and the Other Man’s breathed it back to a blaze.

“I just…I hope you’ll like it,” He says sheepishly. “I’m going to put you where I want you and then get the lights, okay? Don’t peek.”

“I won’t.”

“Swear it. Swear on your mother’s life you won’t peek.”

“I refuse. I love my mom and I won’t take that chance.”

He steers the Other Man over. “But you already promised you won’t peek! That should be nothing!”

“What if I can’t resist temptation like I think I can? Not risking it.”

He drops a kiss on the Other Man’s cheek. I stare down at the Other Man and wish nothing but pain and death upon him.

If only I could step down from the pedestal I’ve been carved into, explain to Him how much more I adore Him than the Other Man ever could—

He flits over to the windows to draw the blinds.

With one final burst of emotion, I surge forward.

When I topple, it’s straight onto the Other Man, crushing him beneath my might and mass. My body cracks on impact, but it’s nothing compared to the crunch of bone and splatter of the Other Man’s blood. It pours from his head out across the floor like watered-down paint.

My final satisfied thought is that His scream eclipses any love He ever felt for His David.


© 2025 by R. Haven

2480 words

R. Haven hails from Toronto, Canada. His short stories have been published by Canthius, Soitera Press, and TL;DR Press, among others. Last Stanza Poetry Journal and Old Moon Press have published his poetry. He also signed a contract with Renaissance Press for a standalone horror novel and is represented by Kaitlyn Katsoupis of Belcastro Literary Agency. His website is theirritablequeer.com.


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DP FICTION #107B: “They Are Dancing” by John Stadelman

edited by David Steffen

They hold each other in the shallow cool of an August night, two among many in a backyard arced in string-lights, wrapped up in the music and the celebratory ethereality of a wedding. They dance together like it’s theirs, in a moment that is just itself and what they are within it.

* * *

When they woke it was in what little pocket warmth they’d accumulated between their bodies in the night, clinging together in a sleeping bag as if without the other they would forget how to breathe, or why. When Nash cracked his eyes open to take in this reality it was to Vicky watching him, her face as beautiful as everything behind it, a moment of naked love in which they both wished that they could remain lying here like this, frozen in stasis. Neither needed to say it.

But time moved on. Inexorable, mechanical as a wave in the ocean, as the dissolve of light into dark. They knew it was time to go when Vicky mumbled that he needed to brush his teeth, and Nash said that she’d had too much to drink last night.

“Well, how else am I going to sleep through this?” she snapped, pulling away from him.

“You’re the one who wants to cram us into this one bag,” Nash said. “Not my fault that you can smell my breath—”

“Stop.”

They took a moment to recollect, looking first at the tent walls, then the travel bags at their feet.

“I guess it’s time to go,” Vicky said.

They emerged into a winter in stasis, here in this relic world. The ground cold and hard-packed, overhung by bare trees. Gray sky.

“I’ll get the tent down,” Nash said.

“I’ll pack up,” Vicky said. This was how they handled the moments when the future came too close, advancing behind the fiery orange and red tendrils of the wave that separated it from this world of the past. It brought preliminary effects: budding trees, shoots of green grass, mild warmth that whispered with the summer.

For living things, its effects were the beginning of the state that they would be in, once the time-wave passed over them and brought them days? years? into the future. Like foreshocks to a temporal earthquake, and what waited on the other side?

For Vicky and Nash, it meant that they started fighting. Building up walls and nurturing resentments. Making plans to leave. Once they outran those foreshocks, got beyond the effects, regret filled them and they made up.

Which meant that whatever era of their lives existed beyond the wave, in the future, didn’t involve them together.

And so they ran, the last of the living on this side of time, defying the mechanical, unceasing advance of loss—struggling to stay together, and in love.

* * *

Neither could remember how long they’d been here. Living in this world of the past meant that one’s perception simplified to a moment-by-moment basis, shedding the artificial measurements of hours and days. But here, in this unceasing end? Anything beyond the moment was hard to understand. A freedom in that, at first.

But now, when they woke from scant hours of sleep, suffering those preliminary effects, bitterness and resentment led each to privately wonder a terrible option… so they just went through the motions. Pack up. Get in the car. Eat breakfast on the road. Start talking when the shame from holding those resentments built, then gave way.

Yet there was only so much land left. The geography had gone flat, and though they didn’t know what the road signs for exits and dead towns meant, they knew that these were coastal plains; soon they would smell the ocean.

“We’ll find a boat,” Nash said.

Vicky took his hand. “I don’t know how to steer one. Do you?”

“No.”

She ran her thumb over the back of his hand. “We’ll figure it out, then.”

But they both knew that they couldn’t get a boat running, not before the wave reached them. Before the future did.

* * *

Vicky missed her family. Nash his friends, because they were more like family to him. She couldn’t help wishing that she was back home, speeding down the highway as the sun set over cornfields and a thunderstorm rolled in across the miles. He wanted to stand out on the porch after the rain left and birdsong returned, and the fresh sunlight glittered over puddles in the driveway.

They’d had to leave their dog behind. Neither one could remember him fully, but when they started talking about him it all came back. Who was with him now? If the wave passed over them, would he still be there, back home, waiting for whichever one took him?

Time had nearly overrun them once before, when they’d crossed the mountains with those crooked switchbacks inching them along. But the wave passed over everything in a line, unstoppable—it had come so close that the sky lit aflame with orange and red aurora streaks whipping the sky and land, while phantom leaves eased into being and cars like ghosts materialized. Their screaming match had left them in tears. Vicky had been driving, and finally shouted, “If I’m that bad, then why don’t I just hit the fucking brakes?” And Nash spat, “Because you’re scared.”

That night, lying in the sleeping bag, far enough away from the wave to apologize again and again and believe it, Nash whispered, “I’m scared, too.”

“Is that why we’re still doing this?”

He brushed her bangs from her eyes. “Because we love each other, too.”

“But are we running for love? Or to get away from what’s on the other side?” She paused, then answered her own question. “Both, I guess.”

“Is that…” Nash swallowed. “Is that any reason to stay here? In the past?”

Vicky blinked back more tears—why did she cry so much, being with him? “I don’t know. Isn’t that… most relationships? Sometimes it’s love, sometimes it’s because that’s what we know and we stay because it’s less scary than leaving?”

“I don’t want that to be why.”

“Me, neither.” She kissed him, held him. And they both kept silent the same fear they harbored: What happened when they reached the ocean?

* * *

When they passed the first road sign that announced the distance to the beach, Nash asked, “What’s your favorite memory of us?”

Vicky gave a strained, but real smile. She said, “When we ran off to Seattle.”

“Yeah?”

“Yeah. Just… running off with this wonderful guy. But the moment itself, it was when we were sitting on the patio at that restaurant that looked out over the water. Remember that place?”

“The one with the trout?”

Vicky laughed. “You ordered it but didn’t know they serve the entire fish. The look on your face when they brought it out was just so… real. And cute.”

“Never ordering trout again.”

“But we were just sitting there, couldn’t have been more than half an hour. The sun was out, and all the people were walking by and I looked over at you and you were doing the same thing I was. Just taking in the world. And that was it. That was all I needed, was being in a new city, with you. You were the only thing that was solid for me, in the middle of all this strange newness. Like an anchor.”

Nash squeezed her hand.

“What about you?” she asked.

“It’s dumb.”

“No it’s not. What is it?”

He smiled, keeping his eyes on the road. “Remember when we went to the Fair last year?”

Vicky rolled her eyes. “Not really. Not after the fourth margarita… that night is your favorite? I was blackout drunk.”

“Okay, not that part of it. But it was… I don’t know, when I got you to the car, pretty much carrying you and you were singing ‘Don’t Stop Believing.’”

Vicky groaned and he laughed, but not in a mean way.

“And I got you into the car and drove us back, and you were mumbling about the pigs in the petting zoo, how you wanted one as a pet—”

“I still do.”

“But then you fell asleep, pressed up against the window.” He paused, swallowed through the hitch in his throat. “You needed me right then and I was there. Helping you, I guess… being your man. Just carrying you home.”

She watched him watching the road. Then leaned over the console and into him as best she could, face buried into his neck while he held an arm around her with the other on the steering wheel, wanting more than anything to pull over and hold her back. Eventually, she started to wish he’d changed into a different shirt, but he was always doing that, just picking up whatever piece of clothing was in sight, even off the floor. And he wanted her to take over more of the driving, he was tired and sore and he always had to take the lead.

They separated, back to their sides of the car.

* * *

But there was another memory. Profound for both of them, and maybe if they had mentioned it to each other it would have displaced the patio in a new city, and the late-night drive carrying her home, because for it to be held so deeply by both of them would have made it more than their independent moments. But they hadn’t told each other, hadn’t had the time.

Two of their friends were married in a backyard on an evening in August—the two who had connected Vicky and Nash in the first place—so they were both in the wedding party, had even walked down the aisle together in a bridesmaid dress and groomsman tux like precedents to a different dress and tux. After the service it was dinner and cake and drinks under tents in the backyard, speeches, and as the sun sank the DJ started the music.

Neither of them remembered the night with much coherency, thanks to the open bar. But the clearest moment wasn’t the ceremony, the speeches, any of that.

It was when they’d been dancing, alongside all these friends and strangers, under string-lights with the grass cushioning their sore feet, the music meaning little more than what moved their bodies together and held their eyes in lockstep. A moment—just a light on a string of them, but it glowed brighter than the others. It ended and yet it never ended, swelling into a presence real and powerful and continuing on as separate memories to exist in shared pocket-time, the closest thing to eternity that there really is.

* * *

They sat in the car, staring out at the lifeless gray ocean. No wind, no surf, nothing out there toward where it banded into the featureless sky, because this relic world of the past had lost even its natural phenomenon.

Already Vicky wanted to be anywhere he wasn’t. And Nash just wanted to be alone.

When they walked out onto the beach, stumbling a bit in the loose sand, they kept a wary distance from each other. A marina stood far up the shoreline, but neither had brought up the possibility of taking one of the boats. They resented the other for the four years wasted. Part of them couldn’t believe that they’d been considering marriage—although that was held with the knife-stab agony of having been so close to it.

A beach without surf, without waves dragging fingers up and down the skin of the earth. Elements trapped together and refusing each other. They had stayed here for too long. You couldn’t outrun time no matter how hard you tried, or how much it hurt.

The sky began to lighten. Tufts of beachgrass sprouted, hair on a newborn’s head. Phantom gulls flickered along the sand, their squawking the voice of the sky. The air itself vibrated, and as Nash and Vicky faced each other tendrils of orange and red reached around and between them—thin at first, then thickening, the ligaments of time itself.

He saw her in the autumn night, leaning against the window as he drove her home. She saw the man sitting across the table in a new city. They danced in the August night.

In a moment of fear, they wrapped their arms around not the targets of loathing they were trapped with, but around the only human comfort in this place. A bitter part of them wondered if that was all they had ever been: gripping to the first readily available comfort in this void.

The wave rushed over them, the inexorable mechanical washing forward of time. Among the oranges and reds emerged a core of purple, a deep sunset kiss settling over and around and in them—removing them from the beach and each other’s arms into futures separate and holding for the other memories and regrets and the hope that the other was doing better than when they’d ended things and that they didn’t hate each other really but were too ashamed to cross the breach into some kind of I-miss-you friendship while remembering not the agony of how they’d ended or even the excitement of how they began and not even the anchor in a new city or driving her home but a night in August. And even after they’d long since lost most of those images, the emotion of that night still held the summation of what they’d been at their best, not erasing their worst but holding against it, a moment and memory resting as a light on a string of them in the dark.

* * *

They hold each other in the shallow cool of an August night, two among many in a backyard arced in string-lights, wrapped up in the music and the celebratory ethereality of a wedding. They dance together like it’s theirs, in a moment that is just itself and what they are within it.


© 2024 by John Stadelman

2311 words

Author’s Note: This story was inspired by Ben Howard’s dark, haunting, beautiful song, “Time is Dancing.” Listening to it, I see lovers at their last dance, knowing that what they have between them is ending, but finding themselves, for the duration of a song, in love again—during which the aftermath doesn’t matter, but instead only what they are, together, in that moment. From there I set them running from that end, defying inevitability by stretching that last moment out beyond its natural limit—until finally giving it up.

John Stadelman (he/him) is a writer from North Carolina now based in Chicago. He holds an MFA in Creative Writing from Columbia College, and his recent fiction has appeared in Freedom Fiction, Schlock!, Dark Horses Magazine and elsewhere, and he is currently at work on a novel. Although he doesn’t believe in ghosts, he’s pretty sure he saw a Chupacabra one night on the North Side. Stalk him on Twitter at @edgy_ashtray.


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DP FICTION #101B: “The Dryad and the Carpenter” by Samara Auman

edited by David Steffen

Mortals slice us dryads open to count the layers of our lives; it is easier than listening to our stories. They slide their fingers over our rings, thinking that our texture, our shifts in coloration would bring them understanding of their own lives. In their minds, we exist to bring poetry to their sighs and serve as metaphors for longevity.

I ignored that wisdom, that tingling fear in my roots, for the first six years that the carpenter and his family lived beneath my boughs. I watched as his daughter sprouted into childhood. I celebrated when his wife was pregnant once again. They spent their days tasting the honeyed air from beneath my gray canopy and sighing their contentment. Through all these years, I whispered my stories to them and believed they loved me.

Even though I told them my tales, they apparently heard nothing but nature’s silence. How do I know? Four seasons ago as I was luxuriating in the mingling pollens of the spring, he built his workshop.

***

Though my roots have sunk into this shallow soil, I stretch back centuries. I once lived, gray-green and shining, beneath a Mediterranean sun. Athena brushed her love onto me, fingertips to my cheek. Her gray gaze met mine—her lips met mine. I wept to be so anointed. She left, of course; leave she must, and my love was bounded and strengthened by that “must.” I, merely somewhat immortal, did what I must and became something other for her sake. My olive once-skin pressed upon olive bark, and together the tree-and-me became merely me.

I rose with the years. I gifted mortals my seeds, my art. They pressed the olives that I bore and wore the oils as a badge of honor. But, for all the olives that they took, many more spread beneath me and bore me wild-running-growing children. Hardy and burled and lovely-to-me, they raced along the wilderness like the wine-god’s lovers.

Though mortals used my flesh, my fruit, the experiences stored within me, I was beloved. Veneration fed me. My gifts were truly gifts—given graciously and not stolen.

***

But in this life, I was forced to reckon with tools: his axe, his chainsaw, and the whine of the sander. In the tang of sawdust, I tasted many powdered lives.

The carpenter clipped my limbs yearly. He carved away my wildness. My olives no longer ripened for me but for him. They burst achingly upon his tongue instead of sinking gracefully to the earth where they could grow.

Nonetheless, I watched wistfully as his daughter ran shrieking across the lawn, tossing her sandals in the air. I felt the warmth of his wife’s hand as she placed it against me, bracing herself as her daughter sowed childhood’s chaos in her garden. But their love did not sear, gasp, or command like Athena’s anointment. With Athena’s love (brief, beautiful), I was. With theirs, I was not. I was only an object at the border of their lives.

To them, the crows and sparrows among my limbs meant nothing. The winds that played among my branches? Nothing. The sun motes pressing like gentle lips against my leafy face? Nothing.

***

In the workshop, the plates, platters, and cutting boards caught the dead reflection of sunlight in their polished wood as they sat in its windows. The shavings of sandpaper against grain blew everywhere—the fragrance of life sloughed off.

I watched what he did with his host of iron tools.

By day he carted our carcasses in his coughing truck. He’d pile us, lay us out to dry. He stole our bones to create skeletons for his beds and tables.

At night, he was more intimate. He spent the purpled light of his dusks stroking grains, twisting wood in the waning light, looking for a gleam of beauty that he could capture and remake as his own.

***

I feared that I would end my life as a bowl.

The carpenter spun a tale for his wife, his voice as soft as moonlight on my boughs. In his story, the beautiful old olive tree, foreign to this soil but so entrenched in their lives, would one day be cut down, severed. He would shape it into mementos for their children so that they’d remember the amber-hued afternoons and the taste of honeyed spring.

She protested. Softly. His voice a counterpoint, their conversation now in well-worn harmony. He told her that he knew my fading silver presaged my falling.

One hand on the roundness of her stomach and one hand in his, she acquiesced, and I whimpered.

***

Though dryads can’t sleep, I dreamt nonetheless. Even Athena’s kisses couldn’t shield me. In this dream, the chainsaw started. The buzz. Its engine screamed—and then choked on the gutter-stutter of its mechanical song. I stopped. Shards of me lay around my stump. His chainsaw shredded me into dust. I felt myself in every puff of it. I became powder.

Clenched in the claws of nightmare, I feared that my only chance at life (pale and echoless) would be in being made paper. I knew how humans kept their stories. They masticated our lives in their machine-jaws. All my days collecting sunbeams, exploring the miraculous depths beneath the tips of my roots—

All would be pulp.

My best hope would be to be mashed into paper for someone else’s story.

What agony can surpass the need to scream, only to find your teeth and tongue clattering out another’s words?

***

But dreams are merely dreams. Though snakes burrowed beneath my roots, I was not some python-wearing prophetess. My dreams did not bind me.

One afternoon as the daughter climbed my branches, I pushed against the strength of my trunk, attempting escape. As a young dryad, I would slip from trunk to trunk, taking on the flexibility of the willow or the melancholy of the laurel as it suited me. I would slip from me to different me, delighted at how my soul could remain even as my shape altered.

But then love set its boundaries; I shifted no more and settled into one me. No more lithe play.

Now I hoped that I could exist outside these old boundaries, this aging love. Even if it meant leaving these roots, these gray leaves behind.

I pushed hard. The resistance was as certain as Athena’s lips sealing me into this wood. The insistence of the daughter’s scrambling feet against my bark was nothing compared to that resistance. I couldn’t separate myself from this tree—for it was me.

***

The crickets sang their sad-songs and the frogs bellowed out their summer poems. The carpenter worried as his wife’s pregnancy continued toward its joyful fruition. I knew that I had time before his thoughts turned to preserving memories; he was still creating them.

But, bound as I was, I couldn’t act. I couldn’t craft wooden horses to storm his home (crafting wooden creatures seemed a bit counterproductive, I must admit). I couldn’t reach out a hand to feed Cerberus his favorite cakes to coax him into devouring the carpenter. Without a mortal body, what action could I take?

Perhaps none.

But. Even though the humans would not hear me, I could still communicate. I dove deep into the thrumming of life around me. I listened and planned, awash in its murmurs.

***

“Daddy, look!”

Out of the house the daughter ran, finger trembling with excitement as she pointed at his workshop.

Steaming mugs in hand, both the carpenter and his wife stepped off their porch. The daughter ran to them, laughing, buoyant.

The workshop was bound, completely encased in spiders’ webs. My friends had woven it into obsolescence.

Everything from the roof to the foundation was covered. Even the windows were obscured. The flat light of the late summer’s morning scattered against it. No mere silver glinting of a spider’s web here. There were blues, oceans and midnight reflections. Greens, the screams of peacocks and chlorophyll spilling light and life. Reds, carnelian flame, and autumn’s leaf. A beautiful cacophony.

Arachne always had a talent for colors. Mortals remember too well the lesson of her pride and read her only as a warning, but in so doing they render her flat. I had seen her so once, hating her for her treatment of Athena, but exiles in a new land can’t hold onto old grudges. Her daughters and I had to dig our roots into this soil together lest we erode alone.

“Daddy, your room is a fairy house!” the daughter said, tugging at his sleeve.

“Maybe so, kiddo.”

“I’m gunna look, okay?”

“Okay, but don’t touch it!”

And off she ran.

I watched as she dashed toward the workshop, investigating every nuance of the web. I had expected more fear and less wonder.

“What do you suppose did this? This is too big a job for any spider,” the wife said.

“Well, I don’t know what else it could be. There must be spiders nesting in some tree. A whole crop of ‘em,” he said, after sipping his coffee.

“Well, it’s certainly pretty. I’ve never seen spider webs with colors like that,” she said. ”Maybe it is a fairy house.” She smiled.

“We can leave it for today. But I’m calling the exterminator tomorrow.”

The webs wrapped around my branches trembled as the spiders fled. I, too, contracted and bent inwards, retreating from their conversation. Fear. Beauty. The brazen metaphor that cocooned his workshop. None of these worked.

I retreated into silence again.

***

I enjoyed waxing philosophical, burrowing my way into numinous contradictions. But this paradox, to act without moving, confounded me.

I employed all my tricks. I shifted my roots, sending the snakes (green, brown, yellow) gamboling through the yard. Giggles from the daughter, consternation from the carpenter. I sang my troubles to the trees nearby, and together we blanketed the workshop, his truck, and his screaming saw with our sap. Mild irritation and turpentine put an end to that rebellion.

I wondered. What if I broke loose one of my limbs? What if I sent it through his workshop? His bedroom? Could I still be me if I saved myself through violence?

In the beginning, I hoped to convince him that the life-bearing sap that runs through me pulses like his blood does through him. But he was no Socrates. There was neither wit nor questioning—only relentless motion forward. The only dialogue possible was between me and his tools. I feared that I would soon have more in common with Diogenes and his barrel.

***

I tasted the coming of autumn; the fragrance of death-and-life-commingling, the fruition of ending, fell upon me like the morning dew. I imagined I could taste my own death, and that death tasted largely the same as it ever did.

But there was hope and life, too. Someday soon the carpenter’s wife would be whisked off to the hospital, sure to return a mother of two. The carpenter couldn’t wreak vengeance on me for my rebellions with a new child in the house.

And the daughter was here.

She played among my roots, creating entire mythologies using my discarded twigs and autumn-spent leaves. As quickly as she created them, she destroyed them, in an explosion of creative energy that fed the next story.

She played among the cedar chips that the carpenter shoveled along my base. These cedar chips clogged my phloem and xylem with other memories, crowding me with experiences that were not of myself. I struggled to remember who and where and when I was.

But she incorporated them into one story, creating something larger than me. I was not that brave.

***

The carpenter became restless. His hands, never idle, grew increasingly frenetic as he scraped the paint loose from old furniture. One day, he turned his eyes to me. He paused as he measured my width and the angles at which my branches tend to fall.

The nightmares increased. They clung more soddenly to me, slowing my sap within my trunk. Only one thought brought me comfort.

My lady Athena.

In my desperation, I called out to her. Though she left me on the hillside thousands of years ago, I hoped that she had reserved some of her power to preserve me. She had left me little sign of affection over the years; never once had an owl perched upon my limbs. No aegis sheltered me. But I knew! I knew how she punished mortals who deigned to harm something she held dear.

My limbs shivered in the moonlight, waiting for the darkness to break.

***

They awakened to the dawn and warm-burred trills. Owls perched on the roof of the home. On the lamp posts. On the trees and the swing sets and the fence posts. Hundreds of them. The variety stupefied: owls meant to screech. To burrow. To haunt. And in my branches, a tiny owl with silvered green jewels for eyes.

The carpenter and his family looked from their windows. I saw amazement on their faces—and it darkened to horror. Several of the owls begin circling the house, soundless on their wings. One of them perched on a windowsill, its legs gargantuan and daunting.

Athena admired these birds for their wisdom, but she loved them for their talons, instruments of war.

“Well, my dear. What would you like from me?” asked the tiny owl, its whisper both a whistle and a coo.

I rustled at the question, torn between trembling in love and quailing in fear.

“I have summoned my paragons here—and at some cost. Would you have them bring an eclipse? Their wings could darken the sky. Or I could transform the mortals into owls. A fitting ending, yes? Some modern mythology.”

The owl on the windowsill pecked (perhaps) playfully at the glass, and the carpenter’s wife recoiled.

“Or I could kill them? I have here a thousand talons. They were meant to rake, and their beaks were meant to tear.”

No, I shuddered.

“Well, then, I ask again—what would you like from me? I have come, as summoned. You haven’t spoken a word to me. I can feel your ‘no,’ but you won’t voice it.” Then, more gently. “So, my dear, tell me. What would you like from me?”

I watched the faces of the family inside, their fear growing. “I don’t know. I was scared, and I don’t want to die.”

“Die?” A laugh chilled to breaking. “You are nigh immortal! I don’t think you need to worry about dying. Pain, yes. Boredom. Oh, yes. But ending? That is not what awaits you.”

“But he’s going to carve me! I might not die, but I don’t think that counts as life. I’ve tried what I could try. I’ve spoken, but they’ve not listened. I’ve tried to frighten them, but they felt no fear. They have no heart for poetry or divine signs. I can’t move. I can’t act.”

The owl pecked me. Hard. I couldn’t be certain if she meant to kiss me or split my forehead open. Whatever the case, my words and worries slowed.

“You beautiful fool. You were meant to be worshipped.”

A thought sprung out.

“Make them worship you.”

***

So I grew.

***

I clenched and unclenched my roots, stretching them as far as they could move. With my root tips, I lovingly caressed the roots of my neighbors. I gathered in their joy, their sunlight, and their memories. I consumed the cedar chips, the mulched lives that the carpenter placed around me to sustain me. With them, I grew stronger. Grander.

Taller.

I sent my roots spiraling into the garden, uprooting the carrots, tomatoes, and flowers. I shattered sidewalks and overturned lawns—perhaps dandelions would grow again. The swingset I caught in my branches, bending its rusting metal into a shape of my desire. It too became a part of me, and I grew wider.

The owls launched themselves from their perches as my body creaked with my growth. It was quick; it was violent; it was a magic that was wholly mine. They ceased their vigil of the house and began circling me instead.

As I subsumed these new selves into me, I could almost taste the sea air.

I bent my trunk around his workshop. I listened to the boards splinter and fed them into my center. I heard the forgotten music of planks laid to rest and the plaintive notes of his sculptures. As I incorporated them into myself, I appreciated his artistry for the first time. But no mortal hand would carve me. I was my own carpenter.

I sculpted myself into my own cathedral.

I sang my own hymns. My resin became my incense. I vowed that every morning I would anoint myself anew, for I was holy. I broke through the boundaries that had kept me silent, and I chanted myself into a new divinity.

***

Those who worshiped in me trailed their fingers against the delicate wood grain of my interior. They marveled at its whorls and whimsies—the very stuff of my life. As they sang their praises (of Athena, of me, of their own burled and twining lives), my love echoed back, a love that had first sounded so many years and miles ago. As they left, they felt the blessing of a hundred owls’ munificence upon their shoulders. Some lucky few received a fluting, fleeting kiss from a small, emerald-eyed owl.

As the waves of pilgrimage ebbed and flowed, I sat, content in my quiet. I watched the girl swing from my branches. She may or may not have been wearing a sandal. I cradled their home within my roots, sinking us all into safety that would not erode. Our roots now entwined, we could feed upon each other’s love and stories for generations to come.

I longed for those new stories.

There is strength in such waiting and in such patient silence.


© 2023 by Samara Auman

2980 words

Author’s Note: We create our sense of ourselves through the stories that we hear as well as those we tell. I have been irrevocably shaped by childhood days flipping through the yellowed pages of books of myth, legend, and folklore that I borrowed from the library. They have changed the rhythms and patterns of me. “The Dryad and the Carpenter” allowed me the space to play with the stuff of myth in a modern context while asking questions that are always fluttering about me. What does it mean to be? To become? What does it mean to have (or be) a body? How can one’s voice and one’s will overcome the shrieking of oppression? How do we define the limits of ourselves (and how do we push past those limits)? “Love” showed up more often in the answers to those questions than I expected, but it is the nature of stories that they reveal more than we consciously know.

Samara Auman is a speculative fiction writer who is always cultivating new intellectual curiosities: currently, that means how we define consciousness and the nature of the uncanny. She lives in the mossy Pacific Northwest with her husband and two appropriately mischievous cats. Her work has previously appeared in Fireside Magazine and Clarkesworld.


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DP FICTION #82B: “There Are Angels and They Are Utilitarians” by Jamie Wahls

I loved her, to my shame.

The language you use is imprecise. Hard for me. Not in the idioms or the metaphors—I have those well in hand—but so many of your words have unknowable secondary emotional charge. I cannot know how they will be received.

I loved her.

I did not lust after her, nor desire to pass time together. We were not friends and we did not speak. She only became aware of my presence once, when I committed a crime beyond measure.

We were not enemies. And our relationship was not one of unilateral longing, in which I pined for her and she found me an irritant, like sometimes happens with human suitors.  She viewed me with confusion, and then, later, wonder.

Many, many years from now, when she understands the crime to its fullness, she will view me with sorrow, and shame.

I loved her beyond all others. That was the sin; that was enough.

 *

 I first saw her when she was a child.

Her ancestors and adults had chosen that humans should live in the forest, so that they might turn the forest into more space for humans and expand their cities. It was understood, but not much spoken of, that many humans would die in the effort. 

Their future generations will reap many benefits from this homesteading—more food, more space, and a general improvement in compassion towards one another, due to less competition for scarce resources. But, yes, these boons would be purchased with human lives. 

I ached to help them, to stop hoarding my finite power and to just solve these problems in a frenzy of creation…but that was the juvenile heroism, self-indulgent and foolish.

My kind considers this meted restraint to be noble. Or—the language is imprecise, but—self-demonstratingly correct? Morally obligatory?

Righteous.

She was in the woods, investigating the innumerable green growing lives nearest to her dwelling. She was especially interested in the lake. She was playing, like human children do.

I was in the woods, investigating the two-hundred-and-two tree copse which was too tightly spaced for tree health and welfare. There iswas a forest fire coming, two years after thisthen, and I was experimenting with moving a single pinecone several tenths of inches in certain directions to see whether in that reality the fire became less damaging to all life, and whether the downstream effects could be managed. 

She wandered through the space I was surveying, and she ran across the lake.

It caught my attention with a spike of alarm, because I didn’t understand what I was seeing. Was this some one-in-a-trillion fluke of surface tension? Was this the work of the Adversary?—but then I perceived the rocks hidden shallow beneath the surface.

Still. It was the first time in several hundred years that I had been surprised, and I found myself watching her while I worked, glancing to her every few minutes.

She was touching the rocks and sticks, talking to them like they were people. She was trying to decide which one was her friend.

I cast my awareness back to her dwelling; I perceived a dozen other rocks there, each different, each smaller than her small hands. I consulted the past; she had collected each of these rocks and called them her friends, though she could not tell them apart from one another.

Her digging in the lakeside had startled a small animal—a frog. It leapt out, startling her in turn as it splashed into the water, and she let out a short, delighted laugh.

I am ashamed to say that her laugh killed billions.

Because it caused me to think, about how different our reactions had been. When I was surprised, my response was sharp anxiety, and a return to my duties.  When she was surprised, her reaction was joy.

This felt…sad.

But ours is to do the noble thing, so my duties called me back, and the child did not disturb me again for days.

 *

I feel contrite and small-embarrassed to be drawing attention to your language, again. I do not mean to be seen as complaining or condescending. It just seems to lack many of the concepts that are most fundamental to my thoughts.

You still do not understand the colossal magnitude of my sin. If you did, my punishment would be death, and every event leading up to now would be scrutinized to ensure that this…butchery-catastrophe-genocide could never happen again.

But I am not sorry for what I did, and that unrepentence, too, is a crime.

I became aware of her again when she began to scream.

I assessed the situation; there were hungry animals in the woods which intended to kill and eat her. I consulted the thenfuture; they will eat her.

I consulted the past. Another of my kind had foreseen this, and seen it was correct. Intervention here would be far too costly; two hundred years in the future it would cause the human Furaha Ife not to be born, and then she would not cure malaria in the year 1938, and then one-hundred-and-five million humans would die before the disease was eradicated.

My duty was to wait and watch the child be killed by wolves. Or, not even to watch—my duty was to continue my work undistracted as the child was killed.

To my shame, and to the human species’ tremendous loss, I found that I could not.

I slowed time as far as I was able, until I could see the animals’ mouth-spittle hovering in the air in little frothy droplets, and the terrified tears in her eyes not yet spilling over. I wondered, spuriously, if the tears would brim over before or after the animals’ fangs were red with her blood.

(I consulted the thenfuture; the answer was during. She would cry while being devoured.)

This outcome was unacceptable.

I began considering all the different vectors of intervention, the myriad small changes I could make that might save her. A pinecone two inches to the left? No. Her friend-rock moved into the wolves’ charge? Little difference; she dies seven seconds later than before, and because the time between the first bite and the killing blow is prolonged, she suffers more.

It is a painful and humiliating truth that the time I am most powerful is always later;I can fell cities with the fall of a sparrow by accident, given a century for the echoes to amplify. But with so little time, I can’t change anything.

Or…

Factually, the situation was not that I couldn’t, but that I wouldn’t.

Or, to be even more precise…mustn’t.

Of course I did.

I manifest into reality with a thunderclap that shattered windows a league away, burning decades worth of power in an instant. Even as the wolves howled in anguish at their bleeding eardrums, I drew my sword, and spread my wings around the girl.

I did not speak, for to hear my true voice would kill beast and girl alike, but I pointed my sword at the wolves, and let the fire flowing off of me turn them aside. I watched as they ran, whimpering, from my presence.

But I consulted the future, and saw: they would just eat her tomorrow.

So I flew after them, and killed them all, one by one.

 * 

For humans, a moment to appreciate joy is something to be celebrated. This is not so, for us.

We are working to create joy, yea, and to allow humans to experience these gratitudes, and happinesses. But these pleasures are not for my kind. 

Any moment we are not performing our duty is a crime: a million humans will die centuries hence for the tiniest imperfection in our work today.

“That’s unreasonable,” you might protest. “That is unsustainable, and does not account for psychology. People need rest, and joy; they are not motivated purely by numbers and duty.”

Before my Fall, I would have smiled fondly, and told you that we are made of sterner stuff than humans.

But I suppose, now, my example is not convincing. 

*

The girl was trembling, awestruck, unable to look directly at me.

She spoke, voice quavering with wonder:

“Did you save me?”

In a panic, I disappeared.       

*

I floated, outside of reality once more, numb with the shock of what I had done.  I knew I should inspect the future, to ensure there was no second group of wolves coming for her…but I couldn’t bring myself to.

Tyrael, my predecessor here—who had assessed the possibility of saving her via raising the temperature of a different lake a fraction of a degree → to bloom more algae → to grow a different fish → to be eaten by a bear → to change the smell of the bear’s droppings → to change the wolf pack’s normal prowl circuit…

My predecessor had foreseen that this subtlest of changes would bruise the work of thousands of years of thousands of us, and steer humanity away from its brightest future on earth and in the stars. It would kill billions and forestall the triumphant time when humanity no longer needs saving. Therefore, the girl must die.

She had not.

And…if raising the temperature of a drop of water by a degree would shatter that…then I, by entering reality and letting the molecules of the air collide with my body and pulling the attention of everyone around with my thunderous boom and killing wolves with my fiery sword…!

What had I just done?

I did not know. I was too afraid to look that far. 

It was a very human failing. 

*

So, steeling myself, I looked to the near past and near future, and I asked the first of two questions:

How was my folly allowed to happen?

My kind is not exempted from our own predictions. A hundred years ago, another of the duty should have seen my moment of catastrophic empathy, and averted it. One of higher rank could have spoken to me, to more firmly remove the juvenile heroism and install correct morals. Or, simpler, someone else could have been assigned here today.

I cast my gaze into the past, and examined my own immediate preceding causality.

There were a few deviations—tiny, tiny things; fluctuations at the quantum level in my second-most-recent place of intervention, an unnoteworthy spot above the ocean. These tiny irregularities certainly should not cause something so grand as all this…!

(My despair and indignation did not convince the universe that an error had been made.)

I traced the fluctuations back in as much detail as I could, and saw the way I was lost—it was clever indeed. There had been no changes to physical reality, for those would have alerted the others of my kind. Instead, all deviations were to me; a hint of a glimmer of moonlight atop the waves had put my thoughts in a different, ruminant direction, without changing my external behavior.

And then when the fatal moment came, and the child laughed, I was slightly more morose and self-pitying than expected.

Perhaps in the original plan, in the way it was supposed to go, I would have heard the child’s scream, and felt empathy, and done my duty unflinchingly. Perhaps I would have burned with shame as she was devoured; perhaps I would have felt nothing. We cannot know; our predictions show us actions, not thoughts…and this is how I was lost.

It was, without doubt, the work of the Adversary. 

Our elders teach us that in the beginning, as we were given this world in stewardship to love and protect, there were two leaders, good and Greater Good.

And good said: “Let us love them, lest we grow callous and fail our duty.”

And Greater Good spoke: “Let us grow callous, lest we give in to love and fail our duty.”

And good said: “What? How can you claim that coldness is better than warmth, that duty is greater than love?”

And Greater Good spoke:  “

And good said: “What?”

And Greater Good spoke: “Love yields better returns in human flourishing for the next  hundred years, but the increased sentimentality it engenders in us significantly damages our efforts and therefore the far-future prospects of the human species.”

And good said: “What?”

And Greater Good spoke: “In addition, any verifiable claims of our existence after the year eighteen-hundred will meaningfully set back their scientific progress and further delay them claiming the rest of Creation and Cosmos as their birthright.”

And good said: “How is cold, robotic duty greater than compassion, empathy, love?”

And Greater Good spoke: “Do you need to see the math again?” 

I was conflicted.

There were those who tried to engage the Adversary in debate, to sway it from its path of madness. But it refused our proofs—and the simplified proofs we provided just in case it was bad at math and being obstinate about it—and many of those who spoke with it at length reported feeling themselves wavering from their duty, so it was not advised.  But it seemed that the weakness had found me all the same.

And with a vengeance, too. I felt a furious resolve, a long-tended hurt for all the people I had been forbidden to save. I had every intent of saving this one thoroughly.

So, steeling myself, I looked to the past and future, and I asked the second of two questions: 

How next will the child die?

Unfolding before me with the cold deterministic clarity of Creation, I saw; infection from an accidental cut at the age of twelve. She is chopping wood and she nicks the side of her leg while trying to get a stuck log off the axe. She dies a week later, of fever and gangrene.

Without thinking, I flicked an aphid onto the tree; the wood will be weakened and that particular knothole will not grow to kill her.

I have bought her only a few years. Now she will die from a bad childbirth, an unlucky combination of genetics causing the baby inside her to wither and die a month before it should have been born.

With increasing determination and anger, I send a gust of wind past the girl, who was still staring slack-jawed at the space I occupied. She starts, and glances in the direction of the wind; and now she will meet that boy two days later and her child will be formed with a more fortuitous sperm.

She still dies. At age twenty six, in the nearby city, when the war comes, she is running bandages to the soldiers and tending to the wounded. She runs back to her fortifications, but rounds the corner too quickly; she is shot in the brain by a terrified and trigger-happy nitōhei second-class. She dies in seconds.

In reading her future, I see that she is brave and selfless and kind. This is terrible news for humanity, because now caring about her feels more justified, and I will hold back even less.

With a snarl, I read the future of the country: why is it going to war?

(How dare this country go to war, if it means her death?)

I see only the usual reasons: a series of small tension-building events along the borders, an offense committed forty years ago that the old humans remember bitterly, and some feelings of personal animosity between the leaders of each country.

I look at the points of intervention nearest me, and move a Trichuris parasite into the small intestine of a nearby deer. Now, when the nobles are eating together sixteen years from now and four years before the war, the foreign dignitary will be too busy shitting worm eggs to get drunk and insult the prince.

I check the child’s future:

She dies in five minutes, from a fiery sword through the heart.

I freeze. 

*

Burning with both shame and righteousness—and a second, renewed shame at daring to be righteous while being objectively wrong—I relinquish my presence in physical reality and greet the one who has come to stop me.

I am alarmed to see the Adversary has come too.

“Ophaliel,” says Tyrael, eyes full of sorrow. It seems to hesitate, for, what can be said?

“Ophaliel,” the Adversary greets me warmly.

I eye it warily. The Adversary has taken a shape that is almost human but not quite; a woman with fiery flowing hair and a kind, gentle face. Her eyes, though, are those of an owl—golden, with no iris, only a vast black pupil in the center.

I do not know why the Adversary chooses to look like this. Perhaps there is some subtle purpose, some payoff that only will be realized a century hence. Or perhaps she merely enjoys it; it is certainly not beyond the Adversary to engage in sinful frivolity.

“Ophaliel, you must stop,” says Tyrael.

Must she?” muses the Adversary. “What will happen if she does not?”

“Then I will kill the human that has caused this corruption,” says Tyrael.

I glance to the girl, who stands frozen behind me, eyes still wide and mouth open in awe. I begin to speak, to say I will not allow this, but the Adversary preempts me.

“Tyrael,” remarks the Adversary conversationally, “if you harm that girl, I will end humanity,”

Tyrael flinches. I flinch too.

“You…” Tyrael is wavering. It seems to find resolve. “Even you would not do such a thing. I will kill the human; we do not compromise.”

The Adversary laughs, and does…something, some impossibly subtle change to the future, and I see humanity discovering atomic energy in nineteen-thirty-two instead of two-thousand-eight.

I see slaughter on an industrial scale. I see mushroom clouds rising where cities once stood.

I see my child living an exceptionally happy and healthy life.

“Stop,” I say, because I am not so corrupted as to find this acceptable. “Put it back.”

“Of course,” says the Adversary, grinning magnanimously. “By all means, undo it.”

I hesitate.

I send my consciousness skirling out over the future, looking for the points I could change. Stop a war here, remove a plague there…

But then I see what the Adversary has wrought.

Looking at the future, I look towards my child’s death. And it…isn’t there.

She will live to be the oldest human…ever. At age one-hundred-and-thirty, she will be a test case for a novel cryopreservation procedure. Fifty years after that, she will be revived with currently incomprehensible medical technology.

And then she just…lives a very happy life, into the far future, for as far as I can see. At least for the first thousand years; I stop checking, at that point.

I return to our meeting.

“Why?” I exclaim, in mixed revulsion and fear. I didn’t know the Adversary was capable of this power or brutality, either one—and why in the name of all that is Good is she doing this to me?

“I found a solution,” she says.

“The solution involves unnecessarily killing billions,” interjects Tyrael.

“No,” she insists, not looking away from me. “I mean I found a solution. To the math.”

And the Adversary— or as she is otherwise known, ‘good’—opened her mouth and spoke:

 “

“What?” I asked.

Two x,” she replied, grinning. “My way is better again. They were only counting our love for humans. We did not love ourselves.”

“You…we…” Tyrael paused, gone still with horror and fury. “You would count the shepherds among the flock?”

“Yes,” said the Adversary, rolling her eyes. “I’m also counting angels as people, in this equation for maximizing peoples’ happiness. We’re clearly capable of happiness, sadness, joy, sorrow…really, given our immortal lifespan, our superior morality, and our numbers—one for every blade of grass—there’s a case to be made that humans shouldn’t even be counted…”

Tyrael was near-shaking with rage.

“A case which I will not press right now,” the Adversary finished smoothly.

“The cost,” I said. “To…let angels be happy. What is it?”

Something flickered across her face then, some shadow of regret. “About ten percent.”

“Of…the population?” I hazarded.

She shook her head. “Of all humans who will ever live; instead, they do not.”

“Oh,” I said.  

*

You understand it now, I think.

The Adversary’s reasons are not my own. Though she acted to ensure the happiness of our kind, she is wrong; our happiness or suffering does not matter compared to our duty.

But even knowing this…to protect my own ridiculous attachment—which I know full well to bear the fingerprints of the Adversary—I have killed innumerable billions of humans.

I know I have committed an atrocity. But I would not do differently, given the choice to do so again.

This is, I am given to understand, how love works.

I am exiled from my kind; I will not tolerate the company of the Adversary; and so, I crave your judgment. 

Did I do good?


© 2021 by Jamie Wahls

3500 words

Author’s Note: (Alternate title of this work: A Cruel Angel’s Thesis) 

So, 2007, there I was—the kind of teenager who gets really into Japanese media—and I was watching an anime music video of Howl’s Moving Castle. I misunderstood the plot to be about an immortal fae prince falling in love with a human woman, and then protecting and assisting her throughout her life, almost without her noticing, while their country descends into war. 

And that just seemed to me like a really noble, beautiful story. Honestly, it was a bit of a letdown to watch Howl’s Moving Castle afterwards—through no fault of its own.

 Jamie Wahls has been published in Clarkesworld, Strange Horizons, and Nature (kinda). He was nominated for the Nebula award, received George RR Martin’s “Sense of Wonder” fellowship, and is a graduate of the notorious 2019 Clarion Class, the “killer bees.” His ultraminimalist website can be found at jamiewahls.com, and you can follow him on Twitter at @JamieWahls.


If you enjoyed the story you might also want to visit our Support Page, or read the other story offerings. Jamie Wahls’s work has not appeared in Diabolical Plots previously, but his story “Utopia, LOL?” was reprinted in The Long List Anthology Volume 4.

DP FICTION #76B: “We Will Weather One Another Somehow” by Kristina Ten

When Benj comes home, I swear his hands are smaller than before, and thinned out in the spaces between the knuckles, the points of contact if someone were to lace their fingers with his. It’s a millimeter’s difference, maybe less, maybe half. But then, I’ve gotten used to these reduced units of measurement.

When I find the dust in the cuffs of his jacket, I’m sure.

Benj is thirty-four years old, has been in my life for two. He is reliable and even-tempered, a good listener, easy to love. Lots of people call him their rock. I called him that too, before I knew.

He says he can’t pinpoint when it started, his erosion. Of course, I know—watched the videos in grade-school earth science same as everyone—that it’s one of those things that happens gradually over a long period of time. Nothing out of the ordinary. Nothing, nothing. Then one day, in the foreign angle of a changing-room mirror, a deep gully down the center of his back from where the shower water hit for ten straight minutes every day since he was a boy.

I let my fingers hover over the gully, a flock of birds caught in the wind, but I don’t touch down. He is limestone, vulnerable. Soft sedimentary. I dare not contribute.

Meanwhile, Benj takes his eroding as a fact of life. Hereditary, his dad. When he shows me old family photos, I recognize it immediately. Limbs narrow around the bone from continuous exposure.

“The fuck is this?” is how I found out, turning to look over my shoulder at his bathroom mirror, wiping long streaks of gray-pink dust from the back of my dress. A little drunk, both of us. Hiccups. Laughter. We had been out dancing, still new then, and I had been showing off.

He told me. Answered my questions, met my incredulity with patience. Gradually, yes, like buttes and canyons and river valleys. But much faster than those. Proportional to his size. Wait, parabolically proportional. No, it doesn’t hurt.

Later, lying there next to him, I didn’t know what to believe—finding all parts of him just as they should be, warm and present and braced so sturdily, I thought, by blood like mine. I remember hooking my hand onto the ledge of his collar bone, my legs draped over his so irresponsibly.

I asked about his dimples.

“Au naturel,” he replied.

The words “naturally occurring” mean something different to Benj. So do the words “worn out.”

One thing that wears Benj out, the way most people mean: phone calls from his mother, who’s back in Kansas, tornado-proofing her now-too-big house and putting fresh flowers on Benj’s dad’s grave. She sprung for a granite headstone. Erosion resistant. Made to last.

I hear one end of their conversations:

“Ma, please. We’ve been over this a thousand times.”

“Yes.”

“I am.”

“I am.” His face screws up and he turns away, his voice dropping to a near-whisper.

“A suit of armor, Ma? Jesus. What year is it? Where would you even get something like that?”

“It’s limited for everyone. Everybody’s on their way out. What did Dad used to say? ‘As soon as a story starts, it’s already ending’?”

A long pause. He shakes his head.

“I’m sorry.”

“You’re right. I’m sorry.”

“I know.”

“Okay, but I’m not wearing the armor.”

“Okay.”

“Okay.”

He keeps the phone to his ear, waiting for her to hang up before he turns around.

I look up from whatever book I haven’t been reading and smile brightly, try to be easy, pretend I heard nothing, that me and his mom, we’re nothing alike.

I’m no geologist, but I’ve always had a head for formulas. There’s a logic to them. Follow the rules and you know things will come out all right. And sometimes I think I could sit down and do the math. Figure out, based on the progression to date, give or take, how much time we have left.

If I had more courage. And a good calculator.

If I wasn’t so afraid.

If I didn’t find myself, on windy days, positioning my body in front of his at the bus stop, a head shorter than him and in more ways than that an ineffective shield.

If he didn’t tickle the spot on my ankle that only he knows about. If I didn’t have to remind myself not to tickle him back. If he didn’t joke-not-joke that he’s made of weaker stuff.

The most common causes of erosion are: water, wind, glaciers, people.

Benj is social for someone who’d be better off if he wasn’t. We go to what feels like the same party every weekend—same people, same half-empty bowl of party mix on a fold-out table, combed through for the good stuff.

I chew the inside of my cheeks as he greets everyone individually: enthusiastic slaps on shoulders, special handshakes with intricate steps.

The ones who hug him bear-hug hard, and over time, this has left shallow depressions hidden by T-shirts, in the middle of his chest, the tops of his arms.

The ones who kiss him do it the French way, one cheek, then the other, and they are supposed to be air kisses, but now his face tapers above the jawline as if shaved away.

I’m the only one who observes the dust falling off Benj onto the discolored carpet, sucked up by a vacuum in the morning and no one the wiser. Of course they don’t see it. They aren’t the ones who bring him home.

Home, our apartment. Our shoes all mixed up together in the caddy by the front door, both our last names on the small laminated label on the mailbox downstairs. When we moved in, Benj insisted on a plus sign between our names, not a slash. Said that we should be an “and,” not an “or.”

Living with Benj is like living inside an hourglass, one of those two-minute timers you used to get at the dentist. The fine dust of him collects all around us, proof that he is, cell by cell, sloughing away. A sick gray tinged with pink: ground-down skin, muscle, bone.

Though he has learned to shower more carefully, with most of his body out of the stream, though he has trained himself not to roll around in his sleep, he still leaves it behind when he walks his most-traveled paths, from bed to fridge to computer chair and back again.

I wonder which room he’ll be in when the world, after shaping him for so long, decides he has had enough.

He thinks it’s morbid that I won’t get rid of it, that I sweep the dust into loose mounds in the corners of rooms. But what else am I supposed to do with something that’s part of him?

“You don’t throw out your loved ones’ ashes,” I argue.

“Sometimes you do. Actually, a lot of times you do.”

“Well, I don’t.”

“You would if the will said to.”

I roll my eyes. This is the thing I worry about most lately: wasting dwindling time on conversations we’ve already had.

“Doesn’t matter if I would or not. You’d be gone and who would check up on it anyway?”

He looks down. His eyelashes are crusted with dust and the beginnings of crying.

“I’m not dead yet, you know.”

My mind jumps to flat prairies transformed into basins, hiking passes carved into mountains by ice.

When Benj isn’t around, I go to the piles and make a bowl with my hands and scoop up the dust. I pretend I’m a gymnast reaching into a tub of chalk at a big meet. Pretend my team is counting on me, and the dust, it helps me with my grip.

Benj erodes fastest in the places touched most often, so I try not to touch the parts of him I’d like to stick around. The way the tip of his nose turns up at the very last second as if it’s been waiting to surprise you. The spot on his right earlobe where I swore I saw a freckle once, only Benj is no good at keeping freckles. As soon as he gets the right amount of sun, a rush of wind polishes them down.

Loving Benj is an exercise in restraint. He hates that I kiss him so gently, says what good will holding back do in the long run? I say it’s all about the long run. He says he doesn’t like this side of me, this just-like-everyone-elseness, this being more concerned with longevity than depth.

When he says “depth,” he presses his thumb against the gates of my teeth, daring me to open, let him in—and I’m a goner. I forget myself, grab hold of him desperately. There’s the all-too-real sensation of him slipping through my fingers.

The next morning, I slide my arms out of the fresh rills that cross his stomach. Notice the crumbling around the teeth marks on his neck.

But Benj hasn’t had fingerprints as long as I’ve known him. I can’t pretend the pads were worn down by me.

He tells me that we are more solid than ever, and not to conflate things. We are not what is deteriorating.

He tells me that he is grateful. That whatever time we have, for him, it is enough.

But I am greedy, greedy, greedy.

I want to put him in a glass box like they do in cemeteries with the stone busts of children, when the families do not want the likenesses to ever decay. At these times, when I am at my most selfish and delusional, I know I am the weak one between us.

Which is why, when the worst comes, I’m the one to crack.

Benj goes grocery shopping and tries to carry all the bags from the car in one go. The plastic handles sink inches into his forearms, cut through him like wire, almost clear through to the other side.

Afterwards, we stop going to the parties that are all the same. By now, his legs are so eroded and his back so concave, he finds it difficult to walk.

Then we develop bad coughs, as the piles of dust in the apartment grow steadily taller. We ignore the coughing for a while, blame it on something going around the building, until eventually Benj orders a reusable particle mask for me. Just the one, I notice. Not a pair.

Then Benj declares he’s going to the Archways.

The Archways is a national preserve a couple of states over in which Benj has previously expressed no interest. For one thing, it’s a full day’s drive. For another, it’s known for its sandstorms.

Now, Benj leaves the tourism website up on his computer all the time. The photographs show striated rock the color of sweet dried oranges. Hard-packed earth is punctuated by otherworldly formations: a natural bridge between two cliffs, spindly pedestals rising hundreds of feet like a giant’s game of Jenga. And the namesake arches, chiseled away over millennia and toothpick-delicate, forming open-mouthed O’s in the landscape, frames for whatever lies beyond.

“Do you know how many people die every day just commuting to work?”

This again. The particle mask hides my expression. “No. Do you?”

“All I’m saying is that the same people who refuse to get on airplanes, they’re the ones who’ll step out into the crosswalk one day at the wrong time and just—”

“I get it.”

“Do you?”

I recite so he doesn’t have to: “We’re all dying, one hundred percent of us, one hundred percent of the time. We’re dying from the day we’re born.”

He nods. “Listen. I need to have a say. With my dad, we assumed he had more time. He was still doing work on the house, picking up shifts at the yard. Freak dust devil got him. Little, unremarkable one too.”

I feel like I’m suffocating. Not sure if the mask’s too tight or it’s something else.

He grabs my hands firmly, and instinctively I shoot him a look of warning.

“I want you to come with me,” he says.

He told me it doesn’t hurt.

He was wrong.

I try to be tough, strong, metamorphic. The granite of a headstone, the diamond of a promise ring. As I drive, I stare at a fixed point on the horizon, certain that if I turn my gaze toward him, it will bore a hole right through. A frame for everything that lies beyond him—which, as far as I can tell, is nothing at all.

The car’s stuffy and too quiet as I try to figure what would do less harm: roll the windows down and let the air blow against him, or leave them up and risk the sweat dissolving wavy lines into his skin.

Doesn’t matter. Neither of us expects him to be in that passenger seat on the way back.

Even in the stillness, the dust of him swirls lightly, landing on my hair, his jeans, the lids of our sodas, empty chip bags in the footwell, the red buckle of his latched seatbelt.

I ask why he bothered with the seatbelt.

He takes his chance: “Hey, you think I have a death wish?” And though it’s not funny, it feels better on the other side of silence.

When we pull in, the view from the visitors’ lot is depressing. Back home, we have coverage, densely packed trees, important for minimizing erosion. Here, the vegetation is sparse and the way it doesn’t touch fills me with regret. Low shrubs spaced so far apart, you get the feeling they want nothing to do with each other.

The rock formations, though, are beautiful in person, in the way of things that were not made all at once with a singular vision but by many invisible hands unhurriedly over time.

Already, the wind is howling.

Then these things in quick succession: I put the car in park. The wind shakes it violently. Panic strikes me, knocks something loose.

“Stay,” I blurt out. I hate the beg in my voice, say it anyway: “Please. Stay.”

Through eyes blurring with tears, I think I can see his body responding. He is filling out at the edges, widening where he was narrow. Coming back to sense, to me.

When I blink, my vision clears and the brief burst of hope is gone.

In its place is Benj, looking sad but resolute. He pulls his shoes and socks off slowly, left then right foot, then tugs his T-shirt over his head. He’s not being careful now. As he pushes his jeans down, the denim drags and I watch the dust fall.

He folds his clothes methodically on the center console. When he’s done, he turns and finally looks me in the eye.

Benj leans over and kisses me so hard I have to reach up and check my lips, I’m so sure it’s a piece of me that’s broken away.

He takes a series of fast breaths: in, out, in, out, in—

Then he throws the door open and goes.

Immediately, the wind begins the vicious work of whittling him down. One gust, three fingers off his left hand. The next, a chunk of his thigh. Fragments of him strike the windshield like hail while I sit, frozen. A crack forms down the middle of the glass, the space between his seat and mine.

Has he always been this decisive, this stupid, this brave?

People change, of course. Imperceptibly, then plain as day.

I can’t watch, but can’t not watch either, am here to be here. So I force myself out of the car and race to Benj, as far as he has managed to get, running on thin limbs and his own conviction.

How quickly he dissolves as we walk together, sideways in the wind, to one of the larger arches. He points forward, onward, with the index finger of his good hand. The sandstorm comes from everywhere, stinging, and I don’t try to shelter him from its blows.

When we reach the base of the arch, a thought burrows into me, painful and invasive. It makes me think of some wedding backdrops I’ve seen: clean-smelling, flower-wrapped pagodas; a place for ceremony.

At first, Benj’s gray-pink dust stands out, pale against the surrounding red rock. Once the wind hits blood, though, I can’t tell the difference.

“It doesn’t hurt?” I ask-yell over the storm.

Close up, I can’t see the whole of him. Only brown eyes, a little less domed than mine, looking back at me without fear.

“Not the way you think!”

When the next gust shears off his smile, I think, finally, I know what he means.

How does it hurt? It hurts like wishing hard won’t help you. Like being good won’t help you. Like there is no formula: you could’ve behaved completely differently and still.

We are insignificant and seen mostly at the surface.

If we’re lucky, seen deeper by some.

The dust of Benj hits me sharp and sudden, mixed with sand, and quickly I am bleeding. I squeeze my eyes shut against it. I shout into the unfairness, though I knew it was coming, and I swear I can hear Benj shouting back, though the air is thick enough to blind and I’m sure he is mostly bodiless now. In my useless mouth I try to catch him, hold him there, an urn for my beloved. Try not to let him dissolve on my tongue. Something like safekeeping.

When I open my eyes again, unsure of how much time has passed, the air is unnervingly still. Would it really have been easier not to have known?

I am red-raw and pinpricked. Dust sticks in ornate patterns atop the wetness of my tears or sweat or blood, like glitter to glue on art projects when I was a kid, and it’s true: I feel decorated. I remember glitter being impossible to get rid of. I walk back to the car, thinking that later, I’ll have to pick out the particles with tweezers one by one.

Or maybe not.

Maybe let it get infected.

Maybe stay evidence, of how great an impact one person can have. How much of them you can then carry with you, embedded, a burial under the skin.


© 2021 by Kristina Ten

3000 words

Kristina Ten is a Russian-American writer with work in LightspeedBlack StaticWeird HorrorAE Science Fiction, and elsewhere. She is a graduate of Clarion West Writers Workshop and a current MFA candidate at the University of Colorado Boulder, where she also teaches creative writing. You can find her at kristinaten.com and on Twitter as @kristina_ten.


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