Diabolical Plots Lineup Announcement! (from July 2024 Window)

written by David Steffen

Hello! I am here to announce the original stories that were chosen from the general submission window that ran in July 2024.

First, some stats:
# of Stories Submitted: 1323
# Rejected (First Round): 1220
# Rejected (Final Round): 57
# Withdrawn: 15
# Disqualified: 2
# Rewrite Requests: 6
# Accepted: 23

Note that the overall numbers might include some authors twice in some circumstances. This can happen if an author withdraws before any of the first readers read it, they are allowed to submit another story in its place. Also, if a submission becomes a rewrite request, if the author submits the rewrite while the window is still open then the rewrite would become a second submission to the window. Or a combination of these could make several submissions for a single author.

The overall submission count is lower than the previous window by about a hundred, but there was still plenty of great stories to choose from, enough that we had to send rejection letters for many stories we would have been happy to publish.

This year we recruited a new first reader team because our first reader team carrying over from year to year had grown smaller over a couple years as some first readers got busy with other life things and couldn’t come back. The team with a bunch of new members worked their way through the queue with amazing speed while giving each story the same full opportunity as every other story–many hands make light work. This helped keep the window flowing as the editors never had to wait for a submission to have two votes on it (as you can tell by this announcement coming out almost 6 weeks earlier than last year’s announcement despite the window running about the same time of the year!). Our first readers are an amazing crew and we appreciate their immense help! Check out our staff page for a partial list of our first readers if you want to learn more about them!

If you have any comments or questions feel free to comment here or to send us a message through our contact form.

Changes Since the Last Window

We did have a few relevant changes to the submission system software since the last submission window.

In previous years, we did occasionally request rewrites from authors if we thought a story was almost an acceptance and we had something specific and concrete that we could request that (if the author was interested) could move it to become an acceptance. This was always handled outside of the submission system, where one of the editors would mark it as a Rejection but would edit the rejection letter to request chances and invite the author to send in changes. Changes in these cases were generally handled by having the author email one or more of the editors directly, and wasn’t handled by the submission system at all, which made it harder to keep track of, harder to collaborate on (need to forward it to other editors for them to see rather than being in a central location).

After the window last year, just before posting the summary, the submission system has been set up now so that a submission can be marked with the terminal status of Rewrite Request. When a Rewrite Request response is sent, it automatically also includes a special one-time resubmit link. The author can use this at any time. They can use it during the same window, which will bypass the usual one-submission-per-window limit. They can use it when there is no submission window. The link expires after a year (just for data cleanup purposes) but we can regenerate a link after that year on request. When a submission comes back into the system it will be treated somewhat differently, such as notifying both the Editor-In-Chief and the requesting editor. It will also bypass the usual requirement for two first readers to vote on it before it’s resolved, because it has already been seen by editors and was of interest enough to cause a Rewrite Request result. In addition, the submission system links to both the current text and the original text so the editors can compare what has changed if they like.

We also added the ability to handle solicitations to authors through the system. We occasionally solicited authors before, but it was always handled entirely out of the system which again made it harder to coordinate and keep track of it. This works very similarly to the Rewrite Request, producing a one-time link. The main difference is that a solicitation can be generated out of nowhere instead of requiring an existing submission record to start from.

And, since last year we added to the submission form an option for the author to enter Content Notes for the first reader team. We’d tried this in a previous year but had gotten some feedback on the way it was implemented that prompted us to pause the idea and come back to it later when we had time to take the feedback into account. Content Notes are never required but are appreciated! Our first reader team appreciates having a heads up on things like whether the story has the death of a pet, or spousal abuse, or things like that: that way a first reader can either brace themselves for it, or can choose to skip over it if they choose to and let another first reader who is more ready for that to handle it. When our first readers are often reading dozens of stories a week (sometimes even more!) that it can be very taxing to walk into stories with some topics without having a head’s up first and these content notes are very helpful. Authors, though not required to do this, seemed to use it very conscientiously, as stories that our first readers thought should have a warning usually had a relevant warning. So we appreciate authors participating in this when they are able!

The Lineup

The Witches Who Drowned
by R.J. Becks

On the Effects and Efficiency of Birdsong: A Meta-Analysis
by F.T. Berner

The Unfactory
by Derrick Boden

The Glorious Pursuit of Nominal
by Lisa Brideau

Irina, Unafraid
by Anna Clark

The Statue Hunt
by E. Carey Crowder

The Matador and the Labyrinth
by C.C. Finlay

Please Properly Cage Your Words
by Beth Goder

The Rat King Who Wasn’t
by Stephen Granade

In His Image
by R. Haven

The Interview
by Tim Hickson

Paths, Littlings, and Holy Things
by Somto Ihezue

The Year the Sheep God Shattered
by Marissa Lingen

Resurrection Scars
by Sheila Massie

Application For Continuance: vMeet Restroom Utility (RedemptionMod)
by Ethan Charles Reed

Will He Speak With Gentle Words?
by A.J. Rocca

Laser Eyes Ain’t Everything
by Effie Seiberg

(Skin)
by Chelsea Sutton

When Eve Chose Us
by Tia Tashiro

The Octopus Dreams of Personhood
by Hannah Yang

The Saint of Arms
by Mason Yeater

Skin as Warp, Blood as Weft
by Lilia Zhang

Our Lady of the Elevator
by Shiwei Zhou


Best of Strange Horizons Podcast

written by David Steffen

Strange Horizons is a freely available online speculative fiction zine that also publishes nonfiction and poetry.  They publish a variety of styles of stories and have regularly attracted award nominations in recent years.

All of the stories and poetry in the zine are published in the podcast.

History

When Mary Anne Mohanraj founded Strange Horizons in the year 2000, online publications were often looked down upon in many circles as inferior to print magazines–not getting much attention come award season and that sort of thing.  Since then the attitude has shifted greatly and many of the award honors every year go to online publications.  I believe Strange Horizons is the oldest of those online publications that regularly draws that kind of honor, and Strange Horizons has done a lot to turn around fandom’s opinion about online publications.

Mary Anne Mohanraj was Editor-in-Chief of Strange Horizons until 2003.  Susan Marie Groppi was Editor-in-Chief from 2004 through 2010.  The current Editor-in-Chief is Niall Harrison and the current fiction editors are Julia Rios, An Owomoyela, Catherine Krahe, and Lila Garrott.  There have been other fiction editors in the past, but I’m honestly not sure where to find a full list.

Strange Horizons is a nonprofit organization in the US and is run entirely run by volunteers so that all the money goes toward licensing the publication rights for the content.  Most of their funding comes from their annual fundraising drive, which ended a few days ago.

One of the rewards for reaching goals in their 2012 fund drive was to start producing a fiction podcast, which began publishing in January 2013.  Anaea Lay is the host and also narrates most of the stories.  There is also a poetry podcast if that suits your fancy–I am focusing on the fiction podcast here because I don’t understand poetry well enough for my opinion to be of much value.  Since then, all of Strange Horizons stories also appear on the fiction podcast.

Best Episodes

1. “The Game of Smash and Recovery” by Kelly Link
Wonderfully weird story of two siblings waiting on a strange planet for their parents.

2.  “Broken-Winged Love” by Naru Dames Sandar
Story of a dragon parenting a child with a damaged wing.

3.  “The Suitcase Aria” by Marissa Lingen
A castrato magician hunts an opera house murderer.

4.  “Why Don’t You Ask the Doomsday Machine?” by Elliot Essex
From the POV of a machine that outlasts civilization after civilization.

5.  “Din Ba Din” by Kate McLeod
Living days completely out of order, often years apart.

6.  “Such Lovely Teeth, Such Big Teeth” (part 1 and part 2) by Carlie St. George
A modern story of Big Bad Wolves.

7.  “What We’re Having” by Nathaniel Lee
A skillet serves the food that we’re having tomorrow.

8.  “ARIECC 1.0” by Lillian Wheeler
POV of AI meant to help people with traffic and weather issues.

9.  “Among the Sighs of the Violencellos” by Daniel Ausema
A very interesting and evocative mix of fun elements, including fantasy hero tropes.

10.  “Significant Figures” by Rachael Acks
Alien masquerading as human tries to protect Earth from other aliens. My favorite character is a waffle iron.

 

Honorable Mentions

“The Innocence of a Place” by Margaret Ronald
Cool epistolary tale trying to piece together evidence of a mysterious series of events that happened in the early 20th century, with a historian’s notes on the subject.

“Dysphonia in D Minor” by Damien Walters Grintalis
A world where music is used to build things, and a story about the people who do this as an occupation.

“20/20” by Arie Coleman
Time travel is used to change the result of medical treatment plans that turned out to be incorrect.

“The Visitor”  by Karen Myers
Very cool alien POV and its first contact with humans.

“Never the Same” by Polenth Blake
A sociopath who has learned to function even in a society that scans for sociopaths and treats them differently tries to make a positive difference in an SFnal world.

 

The Best of Beneath Ceaseless Skies Podcast 2012+

written by David Steffen

Beneath Ceaseless Skies continues to be a great source of fiction set in a secondary world. This list encompasses all of their podcasted stories since my last list in March of 2011, about 38 episodes. Keep in mind that they only podcast about half of their stories, so check out their text if you want to get the full backlog.

On to the list!

 

1. The Three Feats of Agani by Christie Yant
My favorite short story for several years, my definite #1 pick for award season. The story of a girl going through rites of passage of her culture’s religion while coping with the death of her father. Great philosophy, and a good story well told.

2. Mr. Morrow Becomes Acquainted with the Delicate Art of Squidkeeping by Geoffrey Maloney
So much fun, this reminded me of a Drabblecast episode. Interacting with alien squid creatures in Victorian period.

3. Worth of Crows by Seth Dickinson

4. The Ascent of Reason by Marie Brennan
Another story set in Driftwood, where dying worlds go as they disappear.

5. A Place to Stand by Grace Seybold

 

Honorable Mention

Cursed Motives by Marissa Lingen