DP FICTION #119A: “The Year the Sheep God Shattered” by Marissa Lingen

edited by Ziv Wities

Suvin couldn’t make the year’s gods, but she could wedge the clay that made them, slamming it into the table over and over again to get the air pockets out. Her village was a good one for god clay, sturdy and functional, and even without Auntie Deri, who had died in the winter, they had three old people and seven children, a solid number of people for making gods.

Two of the children were new to it this year, their gods clumsy and half-formed but powerful with their toddler enthusiasm. The other children varied from Zora, eleven and dreamy, to Jemmy, a stolid seven and absolutely intent on building as many animal gods as he could manage before the gods had to go in the kiln for Midsummer.

The elders were more considered in their approach to the divine, finding and filling in gaps in the children’s work, each according to their own life experience. Seeing that Jemmy managed a chicken god, a sheep god, and a spider god (likely to be friendly to spinners and weavers), Uncle Orn quietly filled in the rest of the village’s life with a god of the fields and a god of the forests. Auntie Larig made a god of childbirth and a god of death, both, so that the god of childbirth didn’t have to take over both functions. She had seen that once, when she was young, and was determined that it would never happen again.

Bei was too old this year, grown gawky and half-responsible. She skulked around the door of Suvin’s pottery, tossing criticism and complaints at those within, particularly her younger sibling Clar, who ignored her. Zora gazed after her for a moment, but then went back to making a god of rainbows. Suvin stepped out to speak with her.

“Aren’t you needed in the dairy?”

Bei shrugged, her whole body jerking.

Suvin tried again. “You’re not making it any easier on yourself watching. Go distract yourself; you’ll mind less if you’re thinking of something else.”

Bei scowled but stalked off, leaving Suvin feeling she’d made things worse rather than better for the girl.

Not everyone minded leaving the rituals of childhood behind them, nor showed their minding in the same way. Suvin herself had found that she missed the feel of the clay but not the spark of the divine, and by Midwinter of that first year she had found herself apprenticed to the previous potter. Neither of her brothers had thought a thing of it, shedding their childhood as thoughtlessly as an old jacket. But neither was Bei unprecedented. Auncle Phee had spent their adult years yearning for the creation of the Midsummer gods, and had settled into old age with a contented sigh.

Suvin wondered if Auncle Phee might be persuaded to have a quiet word with Bei when they were done making gods for the day, or whether that would feel to a prickly adolescent like piling on. In any case, Bei couldn’t lurk around the pottery all day distracting the god makers; that wasn’t good for anyone. Suvin went back in to find Auntie Larig a spare scribing tool.

By the time Suvin shooed them off to wash the clay from their hands (arms, noses, eyebrows), the ten of them had made two dozen gods, small and sure in their rows, ready to be fired. Suvin regarded them with satisfaction and no small amount of worry: this year’s gods would shape the days of the village, not just in their own year, but in their implications in the years beyond.

She could neither stop nor change them⁠—her days of that were gone, or not yet come again. Every year the old gods had to be shattered, and the new made. Everyone knew from harsh experience that keeping old gods, or letting adults in their prime direct the new ones, led to cult and catastrophe. The old gods had been smashed to dust on the green to release their essence, and these were ready to dry, fire, and cool in time to catch the divine spark at Midsummer. Suvin arranged them carefully and slid the trays in, closing the door of the kiln.

She returned a few days later to take them out, ready to pull out gods, whole and cooled. Instead, there was a mass of clay shards and dust, nothing but rubble in the bottom of the kiln. The entire tray was ruined. Worst of all, Jemmy’s sheep god had shattered in the kiln like a hastily thrown pot, taking the god of childbirth, the god of hunting, and the god of the river with it. Not only was this catastrophic, it was unprecedented. Gods were not supposed to shatter. Gods shouldn’t have been able to shatter.

Something was badly wrong, and if they couldn’t hurry to make more, it was going to be a very hard year indeed. Gods of song or war were optional. A god of sheep was essential. Sheep were the lifeblood of the village. There were other keystones⁠—the river, childbirth, hunting⁠—but the sheep god was the worst of the lot to lose in a shepherding village. Suvin ran to find Jemmy, who was still at breakfast with his parents, Wurran and Arev.

“My sheep god?” he whispered.

“It’s not your fault,” said Wurran and Arev in unison.

“It really isn’t,” said Suvin, “but I was hoping you could see if you could make another one while we try to figure out what went wrong.” Jemmy was on his feet before she’d finished speaking, out the door like a flash, and Suvin had to hurry after him to get him clay that was properly prepared. She had just gotten him set up when she found Wurran had followed them both.

“The way I see it,” he said slowly, filling the door of the pottery with his broad shoulders, “the only reason making the gods would go wrong is if some part of the preparations weren’t done properly.”

Suvin cast around the pottery in a panic, trying to figure out how she had failed them. “I got the same clay we always get, but that’s not supposed to matter. I kept it moist and wedged it for them and placed it in the kiln myself; I just don’t see what I could have done to prepare it differently.”

“There’s the other half of the preparations,” said Wurran. He raised a significant eyebrow at her, but she was still not following. “The smashing of last year’s gods.”

Suvin’s stomach sank. “But⁠— we all sang and watched⁠—” But she knew whose name had come into her head at his words.

Wurran’s expression grew intense, as though he’d recognized the awful thought that crossed her mind. “How closely did you watch everyone? A lot of people had more than one god. There was all the smashing and the singing—it’s hard to keep track of everything. And you’re thinking you know whose god it is, aren’t you? Suvin, I’ve known you since we were young enough to make the gods ourselves.”

“I just have a theory. I’ll⁠— I’ll tell you as soon as I have it confirmed. I don’t want to make trouble unless I have to.”

“We already have trouble, and we don’t have much time,” Wurran warned.

“I know. But— we have to get this right. Are you okay watching him here?” Suvin gestured at the workspace, at the ready clay, and Wurran nodded. Jemmy, intent on his second try at a sheep god, ignored them both, focused on the curls and rounds that whispered “fleece” into his heart.

Suvin walked more slowly than she should to the house where Bei lived with her parents, aunt, and sibling. An unsmashed god⁠—oh, how she wanted to be wrong. But when she saw Bei sitting outside on a bench, shelling peas, she knew from the girl’s sullen startle that she was right.

“You know why I’m here, don’t you,” she said, sitting on the other side of the pea basket so she could help shell while she talked.

Bei glared at her.

“It’s already going wrong. The sheep god shattered in the kiln because the power isn’t out of all of last year’s gods yet.” She snuck a glance at Bei’s face. The girl was shaken, ashen. That was a good sign: it had not been deliberate sabotage of the other gods. But Suvin knew she couldn’t stop there, as upset as they both were–and as much as Suvin would have liked to just get back to her silent, malleable clay. “Who knows how much worse it will get from here. You have to give it up, Bei. You have to smash the god. I haven’t told anyone it’s you, you can just— do it now, it’s not too late.”

Bei’s eyes filled with defiant tears. “It’s my last one, my last god until I’m old or maybe ever, not everybody lives to be old!”

Suvin shook her head in disbelief. “We all have a last god; that’s just the way of things. You don’t get to keep it. It sucks power from the new gods, tries to form a cult.”

“Mine wouldn’t.”

“They all do.”

Bei leapt to her feet, upsetting the pea basket. “You don’t know my god of beauty! You haven’t been paying attention to it all year⁠—nobody has but me, you all thought it was stupid! Well, I’m not giving it up, and you can’t make me!” She dashed down the path into the bog before Suvin was halfway off the bench.

Suvin sank back, numb. She had expected Bei to be concerned for the village at large, contrite. Biddable. She had expected Bei to behave like a chastened child. Or maybe a thoughtful adult. This cusp stage had caught her completely off-guard. She made her way back to the pottery in a daze. Jemmy was still hard at work. Wurran raised an eyebrow at her.

“It’s Bei,” she managed. “She… didn’t want to stop making gods. Feels like no one understands her, from the sounds of it. Becoming an adult is difficult, but—”

“But no one else threatens our safety because of it. Bei can’t be permitted to either. We’ll have to track her down.”

Suvin blinked up at Wurran. He was so gentle with Jemmy, she had not expected this reaction. “She’s run into the bog.”

“I’ll go drag her out by her hair, she’s small enough,” said Wurran grimly.

Suvin shook her head. “Would you do that to me?”

“I couldn’t, you’re scrappy.”

“But if you could.”

Wurran thought about it. “No, I’d talk to you first.”

“We have to talk to her first. We’re telling her she’s an adult, we have to treat her like an adult. We can’t just take away all the best parts of being a child without anything in recompense.”

“You’ve earned being talked to first. You behave like a reasonable person.”

“I think sometimes we have to be the first ones to be reasonable.”

Wurran didn’t like it, but he didn’t have a counterargument. The problem, Suvin thought, was that he was the wrong person to do the talking, and she certainly was. In Bei’s mind, she was the cruel person who had chased Bei out of the pottery and denigrated her god of beauty. They would have to find someone else. Someone Bei didn’t find threatening. Someone she loved.

Someone who understood how hard it could be to let go of making the gods.

Auncle Phee was upset to hear the news of the sheep god, and then bewildered by Suvin’s request. “But what can I do for little Bei?”

“Not so little any more. She’s angry with me. I hoped you could talk sense to her. You… reacted like this, but not really.”

They laughed wearily. “I did run off to the bog and weep. I just skipped straight to that part, I suppose. Oh, there was a lot of weeping down there when I was young. I was a little waterfall, you wouldn’t believe.”

Suvin smiled sadly. “We all… grow in our own way. I guess I hoped you might try to speak to her. I could ask her parents, but I think she’s at an age—”

“No, no, not her parents,” said Auncle Phee hastily. “All right, I’ll come. Let me get another shawl and a walking stick.”

The two of them walked together, squelching along companionably on the damp soil. There was neither sight nor sound of Bei until they got nearer the river. Then a thread of her hem showed them where to turn. They found her sitting in the mouth of one of the river caves, throwing rocks angrily into the river.

“Go away!” she shouted.

“We’re just here to talk!” Suvin shouted back. “You don’t even have to talk to me; just talk to Auncle Phee.”

No response. Phee edged closer, though Suvin kept at their heels to provide assistance if necessary. “I know this is hard, Bei,” Auncle Phee started, “but you have to be brave.”

“I don’t! I don’t have to be brave. I can just keep my god with me and it can handle being brave!”

“She’s got us there,” Auncle Phee muttered out of the corner of their mouth.

“But that’s a really bad idea for the rest of us,” said Suvin, equally quietly.

“It is. Bei, that’s a really bad idea for everyone else,” Phee said more audibly. “Like your Dad, or like Clar. I know they must annoy you sometimes—my brother annoyed me—but that doesn’t mean you want them to have to struggle along without any gods.”

“They could share mine!”

“She’s got all the answers,” Auncle Phee whispered.

Suvin sucked breath in through her nose, wishing there were still gods she could ask for patience—especially as that did not look like a blessing that the god of beauty, still clutched in Bei’s pocket, provided. Auncle Phee crept closer. Suvin followed.

“Seeing your god smashed is terrible,” Auncle Phee tried. “Don’t I know it. The whole thing was terrible. It’s the kind of terrible that’s like getting over an ague, though, you just have to grit your teeth and endure it. No one’s come up with another way.”

“Why don’t you, then.”

Auncle Phee wheezed out a laugh. “We’re not that good yet. Maybe that’ll be on you to figure out; maybe that will be your adult work. To quest for some better way, so that people can grow up without pain. I don’t know of one, but maybe you will. But first you have to get there. And a village that depends on one god… isn’t going to raise you or Clar or Jemmy or any of the others to be strong adults who can go on quests. Too many bad harvests and passing fevers for that.”

There was quiet. Suvin wondered if Bei had thought about how little help her god of beauty would be in the face of the barley harvest failing, or spotted fever coming down the river in the wet season. Instead Bei said, “What if you made me another one? A god of beauty? So that mine could just… come back. We have a sheep god every year. If you’d just make me another god of beauty…”

“I can’t, little one,” said Auncle Phee.

“Why does no one understand how important beautiful things are?” Bei cried, and Suvin was moved despite her annoyance. “There are so many, and everyone ignores it! They just go on like lumps, turn the cheeses, milk the sheep, nobody says, oh, look, Bei, look how glorious the lupines are in bloom, look at how perfect this apple is. No one. It’s just me.”

“I don’t mean that I won’t make your god for you, child. I mean that I can’t.”

Bei finally looked at them, sullen but paying attention for the first time.

“My god of beauty wouldn’t be yours. It couldn’t. We don’t find the same things beautiful; we aren’t excited by the same beauty. It wouldn’t catch the same spark. Your god was yours⁠—nobody could have made it for you. I could promise to make you one, but I can’t lie to you and tell you it’ll be yours.”

Suvin thought that Auncle Phee most certainly could have lied. But Bei was listening, at least. Thinking. Suvin had brought Auncle for a reason; it was theirs to try. Even if Suvin hated to see an easy solution rejected out of hand.

“So what do I do?”

Suvin wanted to answer: you just go on. You just do. There will be things in life that hurt, things that you grieve for with your whole self, and you… go on, you turn the cheese, you milk the sheep, you admire the field of lupines, you ache, but you go on. But that was an answer Bei might not be ready to hear. Even in the darkest hours, adults were supposed to be there to help children persevere, to show the way through to light again.

“What if Auncle makes you a different god?” she said aloud.

Both of them jumped. They’d forgotten she was there. “What other god did you have in mind?” said Auncle Phee. “I can’t do everything. I can’t do most things; ask Jemmy what use I’d be at a god of cats or beetles.”

“But the abstract ones, you’re good at those. Something else that could help Bei with the journey she’s on now.” Suvin didn’t toss out suggestions. Auncle Phee, of all people, didn’t make gods to order. If they were to accomplish this, they’d need to do it their own way. Phee’s wrinkled face creased further as they thought it over.

“Two gods,” said Auncle Phee finally. “If I have the time—and I will try very hard to have the time. A god of roads, for this new road you’re on. And a god of childhood. For you to say goodbye to. You’ll have a year to pray to it, be with it, let it bless your ways. A lot can happen in a year. And then we’ll see, after.”

Bei burst into tears, and Suvin was afraid they’d failed beyond redemption. Wurran wasn’t right, couldn’t be right, about forcing the god away from her. Yet if she wouldn’t give in of her own free will, what else was there to do?

But she had misinterpreted the girl’s reaction. Bei stepped out of the cave. Suvin could see her shoulders shaking even from her distance, but Bei held out the little clay figure and deliberately threw it to the ground.

It didn’t shatter on impact. Bei took a hiccupping deep breath, and then Auncle Phee was with her, one arm around her as they handed her the hammer from Suvin’s belt and let her strike the first cracking blow. A rosy light flew out of the god with that blow, but Bei continued, crying and smashing, until it was dust on the stones of the cave. Only then did Auncle Phee stop her.

“Well done,” said Auncle Phee, and Suvin said, “I’m so sorry. I’m sorry you had to.”

Bei was crying too hard to answer.

“I’ll get started on those gods right away. There’s still time, isn’t there, Suvin?”

“Of course there’s time,” said Suvin firmly. “Auncle will make you a beautiful god of childhood, light and new, and a wonderful god of roads, strong and broad. And you’ll dance with the other adults at the pole, you’ll take hands and dance. You won’t be alone.”

Bei looked up miserably. “I don’t believe that yet. But I’ll try.”


© 2025 by Marissa Lingen

3280 words

Author’s Note: As often happens with my short stories, I was messing with two ideas that collided. One is that my godchildren are growing up. I am generally pro-growing-up! In favor of adulthood! But it is not at all easy sometimes, in ways that those of us who have already gone through it tend to minimize. The other is that I wanted a fantasy story whose gods are tangibly not just parts of an Earth pantheon in funny hats. “Oh, I’m Bodin, and this is my son Bthor”: no. So I started to think about more seasonal, cyclical ideas of the divine, and this came out.

Marissa Lingen writes fantasy, science fiction, poetry, and essays. She lives in the Minnesota River Valley near its confluence with the Mississippi and is cheerfully obsessed with its geology and limnology. She is also inordinately fond of trees, tisanes, dark chocolate, and Moomins.


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Diabolical Plots Lineup Announcement! (from July 2024 Window)

written by David Steffen

Hello! I am here to announce the original stories that were chosen from the general submission window that ran in July 2024.

First, some stats:
# of Stories Submitted: 1323
# Rejected (First Round): 1220
# Rejected (Final Round): 57
# Withdrawn: 15
# Disqualified: 2
# Rewrite Requests: 6
# Accepted: 23

Note that the overall numbers might include some authors twice in some circumstances. This can happen if an author withdraws before any of the first readers read it, they are allowed to submit another story in its place. Also, if a submission becomes a rewrite request, if the author submits the rewrite while the window is still open then the rewrite would become a second submission to the window. Or a combination of these could make several submissions for a single author.

The overall submission count is lower than the previous window by about a hundred, but there was still plenty of great stories to choose from, enough that we had to send rejection letters for many stories we would have been happy to publish.

This year we recruited a new first reader team because our first reader team carrying over from year to year had grown smaller over a couple years as some first readers got busy with other life things and couldn’t come back. The team with a bunch of new members worked their way through the queue with amazing speed while giving each story the same full opportunity as every other story–many hands make light work. This helped keep the window flowing as the editors never had to wait for a submission to have two votes on it (as you can tell by this announcement coming out almost 6 weeks earlier than last year’s announcement despite the window running about the same time of the year!). Our first readers are an amazing crew and we appreciate their immense help! Check out our staff page for a partial list of our first readers if you want to learn more about them!

If you have any comments or questions feel free to comment here or to send us a message through our contact form.

Changes Since the Last Window

We did have a few relevant changes to the submission system software since the last submission window.

In previous years, we did occasionally request rewrites from authors if we thought a story was almost an acceptance and we had something specific and concrete that we could request that (if the author was interested) could move it to become an acceptance. This was always handled outside of the submission system, where one of the editors would mark it as a Rejection but would edit the rejection letter to request chances and invite the author to send in changes. Changes in these cases were generally handled by having the author email one or more of the editors directly, and wasn’t handled by the submission system at all, which made it harder to keep track of, harder to collaborate on (need to forward it to other editors for them to see rather than being in a central location).

After the window last year, just before posting the summary, the submission system has been set up now so that a submission can be marked with the terminal status of Rewrite Request. When a Rewrite Request response is sent, it automatically also includes a special one-time resubmit link. The author can use this at any time. They can use it during the same window, which will bypass the usual one-submission-per-window limit. They can use it when there is no submission window. The link expires after a year (just for data cleanup purposes) but we can regenerate a link after that year on request. When a submission comes back into the system it will be treated somewhat differently, such as notifying both the Editor-In-Chief and the requesting editor. It will also bypass the usual requirement for two first readers to vote on it before it’s resolved, because it has already been seen by editors and was of interest enough to cause a Rewrite Request result. In addition, the submission system links to both the current text and the original text so the editors can compare what has changed if they like.

We also added the ability to handle solicitations to authors through the system. We occasionally solicited authors before, but it was always handled entirely out of the system which again made it harder to coordinate and keep track of it. This works very similarly to the Rewrite Request, producing a one-time link. The main difference is that a solicitation can be generated out of nowhere instead of requiring an existing submission record to start from.

And, since last year we added to the submission form an option for the author to enter Content Notes for the first reader team. We’d tried this in a previous year but had gotten some feedback on the way it was implemented that prompted us to pause the idea and come back to it later when we had time to take the feedback into account. Content Notes are never required but are appreciated! Our first reader team appreciates having a heads up on things like whether the story has the death of a pet, or spousal abuse, or things like that: that way a first reader can either brace themselves for it, or can choose to skip over it if they choose to and let another first reader who is more ready for that to handle it. When our first readers are often reading dozens of stories a week (sometimes even more!) that it can be very taxing to walk into stories with some topics without having a head’s up first and these content notes are very helpful. Authors, though not required to do this, seemed to use it very conscientiously, as stories that our first readers thought should have a warning usually had a relevant warning. So we appreciate authors participating in this when they are able!

The Lineup

The Witches Who Drowned
by R.J. Becks

On the Effects and Efficiency of Birdsong: A Meta-Analysis
by F.T. Berner

The Unfactory
by Derrick Boden

The Glorious Pursuit of Nominal
by Lisa Brideau

Irina, Unafraid
by Anna Clark

The Statue Hunt
by E. Carey Crowder

The Matador and the Labyrinth
by C.C. Finlay

Please Properly Cage Your Words
by Beth Goder

The Rat King Who Wasn’t
by Stephen Granade

In His Image
by R. Haven

The Interview
by Tim Hickson

Paths, Littlings, and Holy Things
by Somto Ihezue

The Year the Sheep God Shattered
by Marissa Lingen

Resurrection Scars
by Sheila Massie

Application For Continuance: vMingle Restroom Utility (RedemptionMod)
by Ethan Charles Reed

Will He Speak With Gentle Words?
by A.J. Rocca

Laser Eyes Ain’t Everything
by Effie Seiberg

(Skin)
by Chelsea Sutton

When Eve Chose Us
by Tia Tashiro

The Octopus Dreams of Personhood
by Hannah Yang

The Saint of Arms
by Mason Yeater

Skin as Warp, Blood as Weft
by Lilia Zhang

Our Lady of the Elevator
by Shiwei Zhou


Best of Strange Horizons Podcast

written by David Steffen

Strange Horizons is a freely available online speculative fiction zine that also publishes nonfiction and poetry.  They publish a variety of styles of stories and have regularly attracted award nominations in recent years.

All of the stories and poetry in the zine are published in the podcast.

History

When Mary Anne Mohanraj founded Strange Horizons in the year 2000, online publications were often looked down upon in many circles as inferior to print magazines–not getting much attention come award season and that sort of thing.  Since then the attitude has shifted greatly and many of the award honors every year go to online publications.  I believe Strange Horizons is the oldest of those online publications that regularly draws that kind of honor, and Strange Horizons has done a lot to turn around fandom’s opinion about online publications.

Mary Anne Mohanraj was Editor-in-Chief of Strange Horizons until 2003.  Susan Marie Groppi was Editor-in-Chief from 2004 through 2010.  The current Editor-in-Chief is Niall Harrison and the current fiction editors are Julia Rios, An Owomoyela, Catherine Krahe, and Lila Garrott.  There have been other fiction editors in the past, but I’m honestly not sure where to find a full list.

Strange Horizons is a nonprofit organization in the US and is run entirely run by volunteers so that all the money goes toward licensing the publication rights for the content.  Most of their funding comes from their annual fundraising drive, which ended a few days ago.

One of the rewards for reaching goals in their 2012 fund drive was to start producing a fiction podcast, which began publishing in January 2013.  Anaea Lay is the host and also narrates most of the stories.  There is also a poetry podcast if that suits your fancy–I am focusing on the fiction podcast here because I don’t understand poetry well enough for my opinion to be of much value.  Since then, all of Strange Horizons stories also appear on the fiction podcast.

Best Episodes

1. “The Game of Smash and Recovery” by Kelly Link
Wonderfully weird story of two siblings waiting on a strange planet for their parents.

2.  “Broken-Winged Love” by Naru Dames Sandar
Story of a dragon parenting a child with a damaged wing.

3.  “The Suitcase Aria” by Marissa Lingen
A castrato magician hunts an opera house murderer.

4.  “Why Don’t You Ask the Doomsday Machine?” by Elliot Essex
From the POV of a machine that outlasts civilization after civilization.

5.  “Din Ba Din” by Kate McLeod
Living days completely out of order, often years apart.

6.  “Such Lovely Teeth, Such Big Teeth” (part 1 and part 2) by Carlie St. George
A modern story of Big Bad Wolves.

7.  “What We’re Having” by Nathaniel Lee
A skillet serves the food that we’re having tomorrow.

8.  “ARIECC 1.0” by Lillian Wheeler
POV of AI meant to help people with traffic and weather issues.

9.  “Among the Sighs of the Violencellos” by Daniel Ausema
A very interesting and evocative mix of fun elements, including fantasy hero tropes.

10.  “Significant Figures” by Rachael Acks
Alien masquerading as human tries to protect Earth from other aliens. My favorite character is a waffle iron.

 

Honorable Mentions

“The Innocence of a Place” by Margaret Ronald
Cool epistolary tale trying to piece together evidence of a mysterious series of events that happened in the early 20th century, with a historian’s notes on the subject.

“Dysphonia in D Minor” by Damien Walters Grintalis
A world where music is used to build things, and a story about the people who do this as an occupation.

“20/20” by Arie Coleman
Time travel is used to change the result of medical treatment plans that turned out to be incorrect.

“The Visitor”  by Karen Myers
Very cool alien POV and its first contact with humans.

“Never the Same” by Polenth Blake
A sociopath who has learned to function even in a society that scans for sociopaths and treats them differently tries to make a positive difference in an SFnal world.

 

The Best of Beneath Ceaseless Skies Podcast 2012+

written by David Steffen

Beneath Ceaseless Skies continues to be a great source of fiction set in a secondary world. This list encompasses all of their podcasted stories since my last list in March of 2011, about 38 episodes. Keep in mind that they only podcast about half of their stories, so check out their text if you want to get the full backlog.

On to the list!

 

1. The Three Feats of Agani by Christie Yant
My favorite short story for several years, my definite #1 pick for award season. The story of a girl going through rites of passage of her culture’s religion while coping with the death of her father. Great philosophy, and a good story well told.

2. Mr. Morrow Becomes Acquainted with the Delicate Art of Squidkeeping by Geoffrey Maloney
So much fun, this reminded me of a Drabblecast episode. Interacting with alien squid creatures in Victorian period.

3. Worth of Crows by Seth Dickinson

4. The Ascent of Reason by Marie Brennan
Another story set in Driftwood, where dying worlds go as they disappear.

5. A Place to Stand by Grace Seybold

 

Honorable Mention

Cursed Motives by Marissa Lingen