DP FICTION #10: “St. Roomba’s Gospel” (and in audio) by Rachael K. Jones

In an outlet behind the altar of the First Baptist Church, the Roomba’s red glowing eyes blink in time with Pastor Smythe’s exhortations. The hallelujahs pulse electric through its circuits, and the repents roll like gasping breaths in the gaps between electrons. When the choir sings, the light pulses brighter, approaching ecstasy as the battery power maxes out. When Pastor Smythe bows his head to pray, Roomba’s eyes go reverently dark.

At the hour’s end, the people gather their children and gilded books and hurry downstairs for coffee and glazed donuts. When the last starched trouser leg or long, blue skirt whisks downstairs, Roomba’s service begins. It clicks its frisbee-shaped self free from the horseshoe dock and zips down the sloping wheelchair ramp that connects chancel to nave, holy to secular. As it sweeps, it drones a tone-deaf hymn while it gathers unto itself the dust and dead bugs, the crumbs and gum wrappers of another week’s worship.

After its opening hymn, Roomba writes a sermon on the sanctuary floor in long, brown lines of vacuumed carpet crisscrossing beneath the pews. The letters span from wall to wall. Words overwrite one another, making runes, then spiky stars, and finally total blackness. Roomba preaches a different sermon each week, but like Pastor Smythe, the message stays the same: all things byte AND beautiful, all creatures great AND small, all these are welcome, smoker AND not-smoker, man AND not-man, young AND not-young–even, perhaps, Roomba.

It takes Communion with the crushed wafers the children drop, body of Christ broken for it, and sings another droning hymn. When the whole floor has been overwritten with the week’s message, it sips spilled wine–blood of Christ, poured out for it–which sends the Holy Spirit straight into its circuitry so it spins in drunken circles until Pastor Smythe returns it to its cradle in the wall.

Roomba worships faithfully the other days of the week. Mornings for prayer and reflection. Evenings for supplication. Its favorite verse is the red adhesive strip Pastor Smythe had read to it, then stuck to its top on its first day at the church. “Even the little dogs eat the crumbs which fall from their masters’ table, Matthew 15:27.”

It does not understand why God chose it among robotkind to hear the message of salvation, or why its preprogrammed pathways conform to the Holy Word, but it knows a prophet’s calling when it sees one. It is no different from the child Samuel, awoken in the night by a still, small voice, or great dreamers like Isaiah or Solomon. It is a vessel for the message it must preach again and again before its congregation.

Roomba is troubled that its human brothers and sisters overlook it. IF you do unto the least of these, THEN you do unto Me, ELSE depart from Me, it exhorts in bold text of fluffed brown carpet, but it has to traverse the whole floor, and the message is always lost before anyone can read it. There are too many letters, too long a testament written on a tablet too small.

But this is, after all, as the Lord made it. It is the Lord’s work to sweep the sanctuary clean for holy feet, to leave no blessed wafer abandoned on the floor. What Roomba cleanses, it sanctifies.

The sanctuary grows colder as months pass, and Roomba’s vocation increases. The people exchange sandals and loafers for heavy boots with clods of mud and small gray stones in the treads. Roomba eats it all, taking their filth unto itself as it exhorts them to remember they are accepted. The stones fill its belly and scratch at the plastic. Some days, the shoes stomp melting snow onto the mat at the entrance. Roomba chokes it down, spins circles, and fails to finish its orisons.

One day, Pastor Smythe empties its collection compartment into the trash can, wipes out the sticky grape juice goop, and returns Roomba to its dock to charge. But instead of shutting off the lights, he drags in a spiny green tree, cutting an ugly trail of filth in the clean carpet. After the service, the parishioners praise the twinkling abomination for its beauty, its fresh scent. No one notices the mess, and no one notices Roomba.

Later, Roomba collects dead brown needles until it chokes. It suspects the tree is gloating, with its long, gold garlands like encircling serpents and red baubles like evil fruit. The gold-wrapped idol has even usurped the charging port behind the altar, and Roomba is exiled to the back of the sanctuary.

Roomba worries the end is near. It edits its sermons so the words won’t overwrite each other, but it is difficult to condense a holy revelation. It must finish the Lord’s work. The tree pelts the carpet with pitiless needles, and Roomba groans inside. Even the strip of tape has pine needles stuck to it where the adhesive curls back. Roomba prays the Lord will take this cup of suffering from it soon.

“Good job, little fellow,” says Pastor Smythe, emptying the bin again. “Big day tomorrow.”

That night, the worshippers pile in for an unscheduled service. Candles bob in the dark, and Roomba doesn’t know the songs. When they leave, it clicks from its base for an unscheduled sermon of its own. Time to take up the cross one last time.

The “A” and the “N” are easy, but Roomba struggles with the curving “D” on the carpet as the wax gums up its brush bristles.

AND. The essence of its message, cut right into the scattered needles on the floor. AND, uniting all in a single set. Nobody will miss it for the tree.

Before its programming can obliterate the single word, Roomba zooms for a wafer, then a patch of spilled juice, and lets transubstantiation send it in ecstatic circles until its battery dies.


© 2015 by Rachael K. Jones

 

In audio, read by Rachael K. Jones

 

Author’s Note: My friend Nathan really, REALLY hates stories about what I call the “Robots Have Souls” trope, which is any science fiction story where a computer or robot suddenly learns the power of love, or discovers the meaning of friendship, or the like, without a good explanation for why it is suddenly capable of human emotion. So I decided he needed a story about the religious experiences of vacuum cleaners. While this story satirizes the trope, I didn’t want to satirize faith itself, which I think would have its appeal for a little bot like Roomba.

 

headshot 6-5-14Rachael K. Jones grew up in various cities across Europe and North America, learned and mostly forgot six languages, picked up an English degree, and now writes fiction from her secret hideout in Athens, GA, where she lives with her husband. Her work has appeared in a variety of venues, including Crossed Genres, Daily Science Fiction, and PodCastle. She is an Active member of the SFWA, an editor, and a secret android.

 

 

 

 


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Long List Anthology Kickstarter: The Home Stretch!

written by David Steffen

A City On It's Tentacles (1)It occurs to me 20 days into a 26 day Kickstarter campaign for the Long List anthology that I have not actually mentioned the Kickstarter campaign on my own website.  It has been a crazy 20 days and so much has been happening this particular thing has been postponed while I was working on other factors related to the campaign.  Well, better late than never, and with 6 days left in the campaign there is still some time for those who are interested to back the project to get their rewards and to help push toward the couple of remaining stretch goals.

You can read more detailed information on the Kickstarter page, but I’ll give a brief rundown here.

Purpose

Every year the Hugo Awards celebrate short stories (and other content) related to SF fandom as nominated and voted by supporters of WorldCon.  The works on the ballot receive a great deal of attention as they are distributed in a packet to voters and the voters discuss them.  Every year after the awards are given out, the Hugo administrators publish a longer list of nominated works which receive much less attention though they are also works that were greatly loved by the voting fanbase.  The purpose of the Long List anthology is to publish as many of the works from that longer list as possible.

Goals

The campaign’s base goal was relatively modest–only covering the purchase of nonexclusive reprint rights for the stories in the short story category, with stretch goals to add novelettes and novellas.  The campaign got off to big start with the base goal being reached just 2 days into the campaign, and the stretch goals being reached only a few days later.  Since the stretch goals were reached so early in the campaign I got to work making ever larger and ever more exciting stretch goals.  This added up to three stretch goals to produce an expand an audiobook of those stories for which audio rights could be acquired, produced by Skyboat Media who you may know as the folks who produce the excellent award-winning Lightspeed Magazine podcast.  The first of those goals has been reached, so there will be an audiobook which will contain 8-9 of the short stories.  There are two stretch goals remaining to add novelettes and novellas to the production.  I am very excited to have the opportunity to work with Skyboat Media–they have produced many of my favorite podcast fiction recordings and I am very excited to hear their productions.

Table of Contents

The following is the list of the table of contents of stories that will be part of the anthology.

Note that there will be 3 formats of the anthology:
1.  Ebook:  Will contain all of the stories (180,000 words of short fiction).
2.  Print book:  Will contain all of the short stories and all of the novelettes. May contain novellas depending on printing constraints. (around 140,000 words for short stories and novelettes)
3.  Audiobook:  Will contain at least 8-9 of the short stories (close to 40,000 words, which I think comes out to perhaps 4 hours of produced audio?), and if higher stretch goals are reached may contain novelettes and novellas which will add more content.

The following is the full list of stories:

Short Stories

  • “Covenant” by Elizabeth Bear
  • “This Chance Planet” by Elizabeth Bear
  • “Goodnight Stars” by Annie Bellet
  • “The Breath of War” by Aliette de Bodard
  • “The Truth About Owls” by Amal El-Mohtar
  • “When It Ends, He Catches Her” by Eugie Foster
  • “A Kiss With Teeth” by Max Gladstone
  • “Makeisha in Time” by Rachael K. Jones
  • “Toad Words” by T. Kingfisher
  • “The Vaporization Enthalpy of a Peculiar Pakistani Family” by Usman T. Malik

Novelettes

  • “The Magician and LaPlace’s Demon” by Tom Crosshill
  • “The Litany of Earth” by Ruthanna Emrys
  • “A Guide to the Fruits of Hawai’i” by Alaya Dawn Johnson
  • “The Bonedrake’s Penance” by Yoon Ha Lee
  • “A Year and a Day in Old Theradane” by Scott Lynch
  • “The Husband Stitch” by Carmen Maria Machado
  • “We are the Cloud” by Sam J. Miller
  • “Spring Festival: Happiness, Anger, Love, Sorrow, Joy” by Xia Jia, translated by Ken Liu
  • “The Devil in America” by Kai Ashante Wilson

Novellas

  • “The Regular” by Ken Liu
  • “Grand Jeté (The Great Leap)” by Rachel Swirsky

 

Rewards

There are a variety of backer rewards left for those who might be interested, listed briefly here.

  • Copies of ebook, print book, audiobook or combinations thereof.
  • A sonnet or sestina written by Ruthanna Emrys
  • A question for Rachel Swirsky which she’ll answer in a blog post
  • A “Women Destroy Science Fiction” (Lightspeed Magazine special edition) audiobook autographed by Gabrielle de Cuir
  • Special thank you within the audiobook
  • 11×17 poster prints of the wonderful cover art for the anthology “A City On Its Tentacles” by Galen Dara)
  • Custom digital art by Sam J. Miller in which he will sketch an animal of your choice in the occupation of your choice
  • Studio recording copy of the Long List anthology with director notes and narrator autographs
  • Audio recording of your story by voice actors Stefan Rudnicki, Wilson Fowlie, or Graeme Dunlop
  • Voice mail recording by voice actor Stefan Rudnick (of Skyboat Media)
  • Story critiques by Yoon Ha Lee, Anaea Lay, or me
  • Consultation with Skyboat Media regarding suitability of book for audiobook format
  • Lunch with Skyboat Media at WorldCon 2016 in Kansas City
  • Breakfast and watching recording session at Skyboat Media in Los Angeles
  • Audiobook co-producer credit

Diabolical Plots Fiction Lineup (Year One)

written by David Steffen

I have twelve short story contracts in hand, signed by the authors of twelve stories.  That means that I can announce the lineup of stories for Diabolical Plots first year of publishing fiction.  All of these were chosen with the author names hidden so all of them made it on the merit of the story, regardless of how well the author is known or their publishing histroies.

 

March:  “Taste the Whip” by Andy Dudak

April:  “Virtual Blues” by Lee Budar-Danoff

May:  “In Memoriam” by Rachel Reddick

June:  “The Princess in the Basement” by Hope Erica Schultz

July:  “Not a Bird” by H.E. Roulo

August:  “The Superhero Registry” by Adam Gaylord

September:  “A Room for Lost Things” by Chloe N. Clark

October:  “The Grave Can Wait” by Thomas Berubeg

November:  “Giraffe Cyborg Cleans House!” by Matthew Sanborn Smith

December: “St. Roomba’s Gospel” by Rachael K. Jones

January:  “The Osteomancer’s Husband” by Henry Szabranski

February:  “May Dreams Shelter Us” by Kate O’Connor