DP FICTION #115B: “Batter and Pearl” by Steph Kwiatkowski

edited by Ziv Wities

The sun’s almost down over the boardwalk, that time of day when everything’s dark but the sky’s still lit up, when townies drive past the lake on their way to Gary and say gosh it’s pretty out here by the battervilles, I don’t know what all the fuss is about.

The air’s thick with marina noise and mosquitoes eating up my shirtless chest. I’m pouring my jug of fresh-caught batter into the shuddering funnel of the change machine, even though I know in my heart there’s not enough to buy Ecker the smallest size of honey-glazed crispies. The line for the chicko joint is starting to wind down the boardwalk. Everyone’s yelling, a bunch of sunburned lake-slick battermags pissed I’m taking too long during the dinner rush. But I can’t let it go, not tonight. Ecker is leaving tomorrow to go back to vocational school, and he’s standing at the order window with his hands in his pockets like he’s embarrassed.

“How much left?” I shout. The metal of the machine groans, empty, impatient.

Ecker checks the little grease-smeared screen that’s converting my batter catch into chicko credits. “Thirty-two to go.”

“How much now?” I smack the bottom of my jug. A pathetic thunk of batter hits the funnel.

“Thirty-one.”

“Fuck outta here,” someone calls out from the back of the line. “That thing’s empty.”

“It’s not empty!”

“Did you scrape down the spout?” Ecker’s voice is a wince. He knows how weird the question is when four months ago he was right here with me, hoisting the jug and chanting big money big money while we watched the decimals turn over.

“Yeah, I fuckin’ scraped it down already.” I wipe my forehead against the crook of my elbow.

“Come on,” Ecker says. “Just let me get this with my stipend credits.”

Ecker with townie money, real money. There was a time he would’ve jumped over the counter, grabbed a chicko bucket and dashed. I remember one night specifically he ripped off his shirt before he did it, just to make everyone laugh, or because we were high. He was screaming like the seals in Penguin Slide and his torso was caked with black batter and ferrofluid and I don’t know if that’s the moment I knew I loved him but I think of it a lot, especially at night when there’s no one in the prefab but me and Skeeball, curled up with his little gecko fingers over my collarbone.

“I told you I got it. Just wait a minute, let me think.”

There’s a layer of batter stuck to my arm hairs. Some behind my ears, the oily black sludge of it gone tacky. It’s been a while since I scraped the cracked ridges of my sandals. The crowd hates that one. A wall of boos and groans as the dried-up sprinkling earns me one tenth of a cent.

“Next in line!” The guy at the chicko window’s had enough. He hovers his finger over the button that’ll recall the batter deposit and cancel my order.

“Look I’m so close, please, can you just round up.” I’m tapping the number on the conversion screen with both hands like a crazy person and there’s sweat dripping down my temple and everyone is yelling and I’ve seen the guy round up for everyone in this town including me but for some reason today he won’t because, I find myself screaming, he’s on a power trip in his stupid light-up hat.

He smacks the return button. The change machine vomits back exactly 5.73 credits worth of batter at my feet. The crowd cheers.

***

“It’ll just take a sec,” I tell Ecker. “I’ll take the boat out shallow, get some batter, and come right back.”

The boardwalk’s blinking with lights, boat crews pulling in and unloading their catch, divers stained with ferrofluid, some of them still scraping the batter off their magsuits. They call out to Ecker as we pass: hey big man, how’s school, how’s Illinois, you gonna come fix my septic tank, I got a hell of a block for ya. He responds with banter and a smile. He knows they’re only ribbing him because they’re proud. A battermag that tested good enough to pass the basic modules and go vocational, to a real brick-and-mortar school over the state line.

“I don’t know why you wouldn’t let me come out with you this morning.” Ecker almost trips over the tiny light-up bugs some kids are racing over the planks. “I could’ve helped.”

“What, with those soft little hands you got now?”

The joke drops awkward between us. It’s been like that all weekend. Our whole lives we’ve been giving each other shit, but Ecker came back from school with some kind of armor up. I keep catching him with a weird look on his face, like now, when he’s watching the little group of bug-racing kids. Marina brats, bare feet full of splinters, just like we used to be.

“Alright,” I tell him, voice softer than I mean. “You wanted to come out? We’re going out.”

I gather up Dough-girl from their usual spot, hanging out in front of the kluski joint with a bunch of other teens. The picnic tables are a wreck—red baskets with dumplings and butter pooled in the wax paper, kids crammed along the benches with their module helmets on, tapping their left ears to skim-skim-skim through the lessons. Five years ago it would’ve been me and Ecker here tracing bored lines in the ketchup, blue light flashing over the balled-up napkins. Dough-girl’s in the middle, chewing on a fry through the bottom of their visor.

“Hey.” I knock on Dough-girl’s helmet. “You know you’re supposed to listen to those.”

Dough-girl looks up. I can see Ecker and me reflected in the helmet’s visor, a funhouse mirror of boardwalk neon and the pizza shack behind us.

“You sound like my dad.” Dough-girl’s voice is garbled by the math lesson squeaking from the tinny speakers. “What’s the point?”

“I dunno, learn shit or something.”

“So what, like I’m gonna test out?”

“Christ, Dough-girl, you ever tried to get on a bus? Go on, go to the depot and ask to pay for a ticket with your batterville credits. Might as well be a carmdot punch card.”

Dough-girl rants back but it’s muffled by some kind of science unit about capillaries. I can feel Ecker shift his feet beside me, the discomfort wafting off him.

“Whatever,” I say. “Do what you want. We’re going out again. Fuckin’ chicko guy wouldn’t round up.”

Dough-girl pulls off their helmet. “But it’s dark and we’re out of b-powder. It wasn’t even glowing last time under the blacklight. It’s too cut down.”

“Fine, we’ll get some more. Where’s Brill?”

“Probably sleeping in the boat, right?” Ecker says. He meets my eyes for the first time all night, and it’s then that I realize his hair is curling around his ears even though he doesn’t like it to get so long, that in the four months he was gone he never got it trimmed, that the haircut I’m seeing is the one I gave him in his boxers on the concrete of my front steps.

***

All the unloading stragglers shake their heads when they see us approach their boats, pleading, hopeful, primed to beg. The only one who doesn’t shout us away is Izzie, the last of the olds from back in the day when the cleanup boom first happened, when this town was nothing but deep woods and dead fish rotting on the shore, their bellies swollen with plastic.

Izzie just stands there on the boat deck with the bag of yellow powder, sucking her teeth. A softie. When me and Ecker were little she used to let us crush up the vitamin pills for her. We’d get to swipe a fingerful of batter from her catch tub as a reward. 

“I’ll pay you back,” I say.

“You owe us like a pound of b already.”

“Hey!” Dough-girl points over at Izzie’s partner by the net. He’s sifting out white plastic pellets from the lake weeds and trash. “They caught pearl.”

Only a fistful, but it’s enough for two months’ rent. I’ve always been told that the battervilles started as a settlement; a bunch of tents and prefabs full of people who got demerited out of the big warehouse jobs. Back then Lake Michigan was dying, but not yet dead. The government paid good money to clean up microplastics from the lake, turn it into batter you could collect and slop into a cooler. I saw one of those old commercials once: a tattooed guy and an old lady smiling in this cute painted rowboat, dumping in their dainty bottles of ferrofluid and swishing the water with those tiny magnetic wands that could only catch the world’s saddest clump of batter. It didn’t take long for people to start getting smart, strapping head to toe in duct tape and all the magnets they could find, but it was pearl that made the town boom. Some kind of lawsuit found out that a specific company had spent decades dumping little plastic pellets into lakebound drains, and made them pay big money for every little pearl you could catch. I don’t remember much from my modules, just a picture of a fish, figure A or B or something, spliced open. The white pellets were packed in along the twisty pink of the intestines like the fish had been born with them there, a weird little row of gut teeth.

“You think that’s a trove?” Izzie waves off the handful of pearl like it pains her. “You should’ve seen us thirty years ago. We used to come back with buckets full of the stuff. That’s why they brought in the change machines. We were pulling it out of the water so fast they had to automate.”

“Yeah and you guys sucked it all up,” Dough-girl says. “Now all that’s left is batter you can’t buy shit with.”

“What, you want us to leave it there to end up in the fish bellies? You don’t want the lake to come back?”

“Lake’s never gonna come back,” I say. “It’s a fuckin’ batter bowl. All we can do now is make the money we can. See, you owe us the b-powder at least, come on.”

“Fine, but I swear t⁠—”

“Where’d you find the pearl?” Ecker’s voice cuts through.

His hands are in his pockets again but he sounds like the kid I used to know, the one that won our shitty motorboat in a diving bet and stood with his arms crossed in the doorway of my prefab when my mom finally showed up to claim it five years after she disappeared.

No one bothers fishing for pearl anymore. You might find one or two free floaters, but the only clumps left are in pockets on the lakebed, trapped in the weeds and algae muck. It’s more of a legend at this point, and I don’t know why Ecker cares. He’s only here for the weekend until he goes back to his plumbing program with the nice little dorms he sent me a picture of: tables where you can eat outside in a subdivision with green astroturf instead of dead baked grass.

“We were up by Michigan City then we cut west. Don’t waste your time, kids. It was a fluke.”

“Michigan City. Got it.” Ecker turns to me. “You ready?”

I don’t like the look in his eye.

Growing up, me and Ecker always dreamed of hitting it big. Even pearl credits don’t mean shit outside the battervilles, but we didn’t care. We’d be kings of the boardwalk, buy a big prefab tricked out with a tactile lounge for Penguin Slide and a backyard full of ATVs. Even if we never got the big house, I always thought we’d end up living together. Fantasized about making him dinner, with like 30% meat burgers or something nice, and he’d look over at me and smile like when we were little, floating on our backs in the lake and laughing because we were so close to sinking. I’m not stupid. I’ve always known the rest of the fantasy would never happen. Ecker likes smart guys, the ones that make him talk nervous, biting into all his consonants. Not me, the dumb easy one that smears him with a lazy smile like cornoil butter on bread.

Ecker didn’t tell me he got into vocational school until two days before he was supposed to leave. All the crews got together to throw him a party and he avoided me the whole time, already packing his fists into his pockets like a stranger. But at two a.m. when everyone was drunk and setting off fireworks in the backyard he pushed me into the murphy laundry of Izzie’s prefab and held my face in his hands and kissed me like we’d never been two separate pieces, only one whole.

***

We’re speeding out on the black, just the four of us. All the boats have already come in. Ecker shouts over the wind and motor to tease me about my steering, the way I still whip the rudder with a little flourish of my hand like I’m on some kind of stage. It feels like it used to, before we even took on Dough-girl and Brill, when we were just a crew of two, laying down in the boat between dives and talking about the dumbest stuff.

Just past Michigan City we drop anchor in one spot, then another. Me and Ecker dive together. The bottom of the lake is barren, a tangle of weeds and sunken boats and not a single pearl. When I was little it sucked the air out of my lungs to be down on the lakebed, the feeling that you’re not touching the weeds and grimed up junk so much as it’s got you in its own fingers. People say it’s the kind of darkness that crushes you, but it doesn’t bother me. Not anymore.

At our fifth or sixth spot we give Brill and Dough-girl a turn to dive. Me and Ecker sit in the midnight quiet, sniffling lakewater snot and listening to the chop against the boat.

“We’re not gonna find shit out here, Eck.”

“Maybe not the way you shake the weeds.”

“Oh and your little barrel roll is gonna do the trick.” I tease him back, imitating the twist that he does with his eyes closed, graceful as a dancer, though I’d never admit that I don’t think it’s funny at all but beautiful.

“Even if we found pearl it’d be wasted on you anyway,” he laughs. “I know you’d just blow it on your damn lizard.”

“Skeeball’s a fuckin’ gecko, first of all, and the specialty waxworms help with his digestion issues.”

“Right, right, the digestion issues.”

Ecker looks at me the way he used to. Like the time I got the idea in my head that we were gonna save up all of our kluski wrappers to wallpaper my bedroom with the little thumbs-up noodle mascot. Like it’s the dumbest thing he’s ever heard and he loves me for it and every goddamn time it makes my head go fuzzy.

Ecker rubs the water from his face with both hands, and when he’s done he stares at the bottom of the boat, the smile gone from his eyes.

“On the bus ride in I saw one of those big prefabs for sale, you know the ones we used to talk about, with the heated floors and the tactile hookup.”

“Yeah?”

“I was just thinking, like, if we could just find a little pearl, then maybe I don’t have to go back to school.”

“What, you don’t like it there?”

“No, I mean, it’s fine. It’s a bunch of townie kids that flunked their modules, couldn’t get into college even though their parents paid for all the tutoring add-ons. I’m the only battermag there. Sometimes I just want to be back home. With the people that know me. You know?”

Ecker stretches his feet out the way he’s done a hundred times in this boat, but this time he nestles his foot between mine, the way I imagine people do when they’re curled up in bed together, twined into the close spaces, breathing each other’s air. It makes me shiver to imagine that small amount of body heat spread out heavy on top of me and at the same time I can’t stop thinking of Ecker at the bottom of the lake, twirling with his fists crossed over his chest. Smiling, under the weight of all that black water.

Dough-girl and Brill surface with a splash, cussing into the night.

“There’s no pearl down here,” they say. “This is stupid. Let’s get some batter and go home.”

Ecker sits up, his foot no longer touching mine. I feel the ghost of it on my skin, like a handful of empty water.

***

The magsuit’s heavy and sticks to the edge of the boat, cause we only had enough money to anti-mag the bottom and sides. Some parts of the fabric are still damp from this morning, itchy cold against my skin. I tap the velcro pockets along my arms, belly, shins, smushing in the fraying duct-taped corners to make sure the magnets hold. Dough-girl ties me to the floater tube that’ll keep me just a few yards below surface, so the weight of the suit doesn’t pull me to the lakebed. I tell them to give me more slack. I like to move around.

When we’re ready to go, Ecker pours Izzie’s little ziploc bag of b-powder into the old milk jug stained grayish with ferrofluid, then Brill clicks on the industrial blacklight. It lights up her gapped teeth, makes the ferro glow like the prairie moon.

“Fifteen count, alright?” Eck hands me the glowing jug. “On yours.”

“Got it,” I say. “One.”

He shoves me into the water.

Two, three. I squeeze out the ferrofluid, give its oil molecules a chance to find their tiny plastic cousins swirling around the water.

Seven, eight. The magic starts. A slash of hi-vis yellow in the dark.

Microplastic binds to oil, then magnetite, then boom. Lightning in a bottle. It all shrinks together into little glowing clumps of muck like something that’s alive. I hold out my magnetic arm, watch the batter fireflies gather along my elbow and stomach and all the way down to my toes.

Thirteen. There’s a tickle of weeds. My foot hits mushy bottom. Shit. I reach for the rope to the flotation tube and where it should be there’s only water. Shit, shit.

Nineteen. Forty. I lose count.

The suit’s so heavy it presses me to the lakebed. When I thrash I just churn up the mud, deeper and deeper. I clench my jaw to keep from sucking water but I can’t hold it anymore, I can’t, cause it feels like we’re somewhere between a hundred and thousand.

A tug.

A yank in my guts.

Air.

Ecker, treading next to me in the water. His face under the blacklight, all twisted up and heaving, then suddenly he’s looking behind me, and I see it behind him, too.

Hundreds of them, glowing UV-bright. Riding on the surface of the waves like it’s not made of water but pearl.

***

We scoop up the pellets, pack them in the mesh net at the back of the boat. There are so many fistfuls we lose count. Brill cracks open a beer and passes it around to celebrate, and I have to stop Dough-girl from chucking their module helmet into the lake saying now none of it matters.

Ecker skins off my magsuit, wraps me in a towel while he scrapes the last bit of batter from the inside of my elbow. He tells me he’s not going to take his bus tomorrow. He looks happier than I’ve ever seen him. I try not to cry.

We crank the boat up to high speed and soon enough I can see the batterville lights again, the little stretch of boardwalk where Eck and I grew up and will die together if I let him. Feels like I should be flying, but I’m just shivering.

In the net behind me is our future together in the big prefab, all the weed and Penguin Slide we could ever want. Ecker pressed up behind me in the morning, kissing my neck. Six ATVs in the backyard and fireworks and the both of us shirtless, smiles receding as the ash cools on the cement. In ten years we’ll be like the handful of others who struck it big with pearl, the ones buying out rounds at the boardwalk bar, wrinkled and wasted, telling stories everyone’s already heard. He’ll grow tired of my easy jokes, my yellowing teeth. He’ll wish he never came home.

Ecker smiles at me over his shoulder, and in the dark I hope the one I give back to him looks real.

I wait until he’s turned around again, until I can only see the windblown rooster of his hair. The net latch’s not hard to open. I do it with one hand.

I’ll take it, this little moment. When the pearls are leaking out onto the waves around us and no one can see them, not even me.


© 2024 by Steph Kwiatkowski

3574 words

Author’s Note: This story has a few real-life roots. The first is a documentary I watched about a company that’s been dumping millions of plastic byproduct pellets into Lavaca Bay in Texas. The imagery was so alien⁠—this egg-like debris washed up in the weeds along the water’s edge, with people gathering them in nets and grimy handfuls like the day’s catch. I started thinking about monetized recycling efforts, and the story grew from there. While researching, I came across a very cool method of ferrofluid-based microplastic extraction proposed by a young Irish inventor named Fionn Ferreira. In the video I watched, it was just a little beaker and a clump of black goo, and I couldn’t stop thinking about what that would look like on a larger scale. Oh and lastly: B vitamins really do glow under black light. What a world.

Steph Kwiatkowski is a writer and preschool teacher from suburban Illinois. She is a graduate of Clarion West 2022 and her stories have appeared in Fairy Tale Review, Nightmare, and Uncanny.


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DP FICTION #115A: “Letters From Mt. Monroe Elementary, Third Grade” by Sarah Pauling

edited by Chelle Parker

 SUBJ: Mt. Monroe Elementary

Dear Mr. Kaur,

I’ve attached scans of the student letters per my conversation with Anthony Noble at the White House Teacher’s Dinner. To be honest, we’re all enormously starstruck by the Secretary’s offer. We’ve guarded our Pilgrim Letters jealously through the years—our own little time capsule—but it’s not every day your elementary school gets to participate in cultural diplomacy.

Note that the earliest letters date back to 1967, a mere five years after Beacon Day. While they were assigned only as creative writing exercises—the technology to reply to the first Beacon transmissions didn’t even exist when Ms. Barbara Kirby came up with the idea—I’m sure the children who wrote these letters all those years ago would be ecstatic to learn that their words would one day reach the stars.

With sincere gratitude,

Brianna Wen

Principal, Mt. Monroe Elementary

***

“If you could write a letter to the Pilgrims on their ship, what would it say?” Barbara Kirby’s third grade class, 1967.

Dear Pilgrims, my name is Patricia but people call me Patty. Miss K says you’re going to be flying in outer space for a very long time! You will fly for your whole life and my whole life and my baby brother’s whole life and Toothpick’s whole life (he is my puppy). But maybe my daughter will meet you if she gets VERY old. Please make friends with her when you get to Earth. She will live in Michigan like I do and she’ll cook you onion soup.

— Patty Ward

Hello aliens, I am scared of you so please turn around. I know you made a mistake because when you left home we didn’t have radios yet so you listened and listened and you thought Earth was a big empty, but now you know we lived here first. So you should go home. Maybe you can figure out how to turn around if you really really try.

— Linda Jimenez

Dear aliens, my dad says Johnson’s going to bungle everything ! ! Yesterday people sat in the Capitol and said they would not move until the government invented blasters to fight you. Please write back soon because Miss K says right now it takes 12 years to get your messages and everybody’s really confused over here. (P.S. have you heard the Beatles on the radio yet?)

— Kenneth MacInnes

***

Donald Levias’s third grade class, 1974.

Dear The Pilgrims my uncle says you’re fake because it doesn’t make sense how you picked our planet out of all the other planets because how come aliens just happen to breathe oxygen same as us and why do you have radios and math and stuff same as us. And so he thinks the government made you up like the moon landing. But Mr. Levias says you picked Earth because you breathe the same air as humans or else you wouldn’t have picked Earth so we would’ve never met you. But my uncle says that’s a circle argument. And then my mom said you’re real but actually you just want to grind us up and feed us to your chickens. The end.

— Armin Cox

Hello, my neighbor went to Michigan State to learn about lasers so she could help talk back to you guys. She says it’s a big funky puzzle we are all solving together and that it means we’re learning to talk to outer space really fast. Do you like puzzles? I like playing games on road trips. I drew hangman so you can play it on your road trip to Earth.

— Steve Rascon

Dear Pilgrims, you shouldn’t come here! There isn’t enough room! People are still angry at you and the computer that gives you orders! It’s hard to be angry because you won’t be here for more than one hundred years! But people will try to stay angry!!!!

— Angie Zielinski

Dear Pilgrims, the four Beacons you have sent so far didn’t say anything about your biology. I read that some scientists think you have a hard crab shell but others think that your brain would never be able to get big enough to invent interstellar space flight that way. You need to provide more information.

— Jessamine St. John Hall

Hi aliens, I live at 25881 Warren Lane and I have a lazy old dog named Toothpick. I like to swim and play the recorder. I have a big sister named Patricia but people call her Patty. She doesn’t want to talk to you anymore because you didn’t answer her letter. She used to really like aliens but now she thinks it’s stupid to write letters to somebody we will never get to meet. Even though she has a pen pal in California.

— Donovan Ward

***

Patty Ward’s third grade class, 1986.

Dear Pilgrims, Miss Patty says we don’t have to write letters because it’s a sad tradition. You are far away and you are not getting to Earth until our class is dead already. But my mom says the 3rd graders used to write letters, so I will still do it and Miss Patty will put it in the folder.

They tried to put a teacher in space last week to teach kids how we’re sending our own Beacons back to you. But the ship exploded and we watched on TV and I cried and Miss Patty cried and everybody cried. It feels like we are stuck on Earth. But I want to tell you it used to take a whole year to walk to China. And people still wrote letters and traded rubies and tea and silky clothes. So it’s okay that our first answer message won’t hit you guys for ten years. We will be patient. And we will think up new things to tell you in the meantime. And the road will get shorter and shorter. And then you will be here.

— Poppy Jimenez

***

Patty Ward’s third grade class, 2000.

Dear Amnid Thorn, my favorite are social studies lessons about you and your supercomputer. What is it like to be in charge of all the Pilgrims??! What is it like doing what the computer says all the time? What is it like to be born in space and die in space and never see the Earth and still have to make sure everybody does their jobs anyway? I would freak!!!! (P.S.! My mom said to tell you Deut. 34:4-5)

— Teresa Nowak

Dear Pilgrims, a scientist came to talk to us about how all the plants on your ship keep you alive her name is Jessamine St. John Hall and she used to go here so Ms. Patty even let us write letters to you guys because the scientist said it was her best school memory she made everybody so excited and she told everybody’s parents to call their senators about making room for you guys since ninety years is not a long time.

— Ryan Moreau

Hello Pilgrims, I want to say SORRY. Ms. Patty read us a poem about the FOIBLES of MAN. She says our brains don’t work right when a problem is too big or too far away. So even though everybody WANTS to make plans for when you get here, because you will need houses or maybe you will need to go to prison, nobody KNOWS HOW to make a plan stick so far ahead. It’s like GLOBAL WARMING. Ms. Patty looked SAD.

— Dylan Pham

***

Patty Ward’s third grade class, 2013.

Dear Pilgrims, do aliens fall in love? I know you can’t marry whoever you want because the computer has to say yes, BUT I found a book in my mom’s car where a lady in Texas was trying to stop her evil husband from taking over her ranch but then a Pilgrim met her in disguise when she was out riding her horse and when they started kissing all the rain turned into space diamonds that let them read each other’s minds. Do you think that will happen a lot when you get here?

— Pacifica Carmine

Dear Amnid Thorn, I’m sorry you’re not the leader anymore. I would have said sorry sooner except it took us eight years to get the news. I am glad the Pilgrims are still coming here. The new Beacon did not say what you’re doing now after everybody did a mutiny to you but I hope you’re not in jail and you are building a deck to chillax on like my grandpa did after he retired. I love you.

— Shaina Feldman

Dear Pilgrim peeps, can you tell me who is right my mom or my dad? My mom says you are not real and the government made you up to make us pay more taxes. My dad says nobody can keep a secret that big for 50 years SO you are real BUT your new president will start a war with Earth or maybe crash the whole ship, AND you did 9/11. Who is right?

— Arjun Bakshi

Dear Pilgrims, I remember what it felt like to write you a letter to pretend to write to talk to you like an imaginary friend. That was a long Sometimes I worry. If you were to face disaster, we wouldn’t know for many years. Perhaps a regime change was inevitable on a voyage of your length, but I hear about what’s happening there (what happened there is what I mean), and I watch our ineptitude unfold here, and I worry that you’ll never

— unattributed

***

Patty Ward’s third grade class, 2024.

Dear Pilgrims, a famous biologist (Dr. St. John Hall) Zoomed with our class about how humans are sending instructions to help the plants in your ship make better air. This is the first time we ever gave you advice. Do you think we’re bossy? I have another good advice: don’t go out in space because your eyes will explode.

— Nyla Ehlmann

Hi Pilgrims, do you guys feel okay without the computer making you follow the rules anymore? Do you get enough food? We zoomed with a scientist who says you guys had bad times after the Mutiny, and it could have got worse and worse and worse. But what’s important is everybody works together and does lots of brainstorming. So the ship can get changed around. So there’s lots of food and air so you can make your own choices even if they are mistakes sometimes. I will study biology when I grow up, too. Or maybe firefighting.

— Jayden Goddard

Hello Pilgrims, my name is Olivia but everybody calls me Liv. I love video games and my favorite books are about a Pilgrim teenager who solves mysteries on your ship. I am really really excited to meet you!!! I will be 76 years old when you get here. I will show you all over Michigan but especially Mackinac Island where you can ride the horses. Please please please visit me. Welcome to your new home! ♥♥♥♥♥♥♥♥♥

— Liv Liu

Dear Pilgrims, my dad does not like you. He thinks you are going to trick us and trap us, but he says it’s so far away nobody can do anything about it. Maybe if you tell me a little bit about yourself I can explain to him? I can explain you just wanted to travel somewhere new like when we moved from South Bend. If you visit me in 2090 I will go fishing with you. Because that is how my dad makes friends.

— Matt Wojcik

Dear Pilgrims,

I’m ashamed of our social rhythms: we back-bite and haggle and fail to think in the long term.

I thought you might be the same, but instead you incorporated your revolution and hobbled on. Your last Beacon said your sociologists even planned for it. I find myself disturbed and comforted in equal measure.

Can we learn to think that way? Should we?

I knew I wouldn’t get to meet you; some friends stay imaginary. But I thought maybe I’d make it closer than this. I start treatment in the spring, which is as good a reason to retire as any.

I didn’t have a daughter who could make you onion soup. Instead, I’ve taught a thousand bold and brilliant children, some of whom would very much like to meet you. Their long-term thinking is both better and worse than mine. An hour’s wait bothers them, while a hundred years does not.

They’ve written you some beautiful letters. I’m trying to learn from them: the road will get shorter and shorter, and then you’ll be here.

— Patty Ward


© 2024 by Sarah Pauling

2084 words

Author’s Note: Plenty of fiction has been set aboard generation ships; I wondered what that timescale would feel like from the outside. Would the experience rhyme in some ways? Would we even be capable of effective planning that far ahead? As for the voices I chose to tell this story with: Kids handle certain things better than adults do. That’s just facts.

Sarah Pauling spent several years sending other people to distant places for a living as a study abroad advisor in Ann Arbor, Michigan. She’s now in Seattle, graciously sharing her home with two cats and a husband. A graduate of the Viable Paradise workshop, her stories have appeared in places like Strange Horizons, Escape Pod, and Clarkesworld. She can occasionally be found at @_paulings on Twitter, nattering on about writing, tabletop gaming, comics, and books.


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DP FICTION #111A: “Ketchōkuma” by Mason Yeater

edited by Ziv Wities

My name is Yasuko Nagamine and I work for the employment bureau. There’s a monster destroying the city. It used to be the mascot for the organ rental service, Sensation. I guess it still is but I don’t think it’s doing much for their bottom line anymore.

Today I’m filing electronic papers, which is what I always do. Someone new registers with the bureau every day and I look at their job history. Then I send them back a form if there’s an opening that matches their file. Or I send them back a form that says, Sorry, there are no openings.

The city getting destroyed is also the whole world, so a lot of people might say it’s bad that something is stomping on it. But almost no one is saying that. They’re all just working. After people figured out they didn’t need plants or oceans or ducks, they made the whole world silver. It’s just buildings and server farms. That’s what happens when people figure out how to turn themselves into machines.

I have one screen with a list of bright dots, one for each opening. And the other screen has a list of bright dots for each person that needs a job. The longer they’ve been without a job or the longer the job is open, the brighter the dot gets.

I can see that big yellow bear Ketchōkuma through my window. He’s at least two miles away but he’s so big his ears almost touch the clouds. He’s holding a parasol made of shiny pink guts, just the way Sensation drew him up: an intestine swirled like a bun at the top. The way he used to look in all the ads, reaching toward the screen with a stomach or a heart in his paw. Well, almost like that. Now the parasol is sagging a little. But he’s still smiling with teeth. When he was regular-sized he had a dance where he bent on one leg and spun around and waved his arms and a jingle came out of his mouth. Now that he’s bigger, he still dances sometimes when he moves. You can almost hear something from his teeth.

Today my boss said I have to hire someone for the Tamentai Plaza opening. He said if they don’t have a general manager, people will start building homes in the dressing rooms and writing on the food court walls with chem paint. I look at the brightest dots but their files are all wrong. Everyone has experience with point of sale, but no one’s been a manager. I scroll down the dots until I get to the duller ones. They’re the same brightness as my eyes. My eyes are a dark paper brown that glows a little. Everyone I know has eyes like that but it’s how you move them around that matters.

I click on one of the dots. This person worked point of sale for twenty years. But they were never a manager. They have a pretty nose but that isn’t good enough. My eyes keep falling down the screen. I’m not supposed to look at the grey dots even though they’re there.

When I was born, the hospital uploaded my mind to the megaserver and threw my body in the waste system. Then they gave me the body I have now. It’s what happens to everyone. I wear a grey suit and keep my hair in a ponytail with a melon-pink tie. Girl stuff. Everyone is cloud-based, so our brains are always ready on the megaserver. That way, if something happens to our body, we can get a new one, and resync our mind when it’s over.

The bear is looking at me through the glass. He can’t see me. He’s too far away. But his eyes are turned this way and he’s not moving. That happens sometimes. Like he’s scared or broken.

I don’t think about my body anymore. The thing is there’s only so much space on the megaserver (it’s different than the servers they use for money and traffic records and the employment bureau), and it turns out a person’s brain takes up way more space than you’d think, so we each get the same amount of time before our brains are deleted and they recycle our plastic bodies. It’s fair, I guess.

Someone’s file just came in. It fills up the whole screen and the dot spins like a Ferris wheel. There’s her face. No smile. That’s good, I think. She doesn’t take nonsense. Her collar is the color of a pearl and comes all the way up to her jaw in lace. It makes her look like a beautiful singer. Experience: Fourteen years in library science. Director of collections at a nearby branch for eight years. Recognition of excellence in radio archival. She’s perfect.

But her dot is barely even grey. It just got here. It’s impossible. My boss would never approve it. He hates breaking rules, and I do too.

They said Ketchōkuma got loose and found a hatch in the waste system. He found where they put all the bodies, all our tiny bodies that aren’t plastic. He started sucking them up. On the news, they said, He siphoned all the neonates. That’s how he got so big and no one knows how he did it. I wish I could be that big, and golden. Like the sign on the casino where every letter is huge. They’re all glowing and you want to hug them and feel how warm they are.

Ketchōkuma is winding up to dance. You can tell by the way his parasol drops below his knees.

I keep the woman’s dot on my screen. The mall needs a manager. It’s a good mall. I’ve been there and I like to shop for outfits and look at all the pets in their habitats. Someone has to run the mall and there’s only so much time left before people start breaking windows and looting power cells and painting rude words on the walls.

The big bear finishes his dance. I almost clap but my boss sits at the desk in front of me. When Ketchōkuma stops, he loses his balance and sways into an office building. It’s far away, so I barely hear it. His legs disappear in the puff of smoke that comes up. His original fur is so stretched out that he isn’t really yellow anymore if you look up close, only from far away. If you look up close, like the drone cameras do on the news, you can see all the tears and gaps. Underneath it’s pink and white and red and wet.

I still have the woman on my screen. It says she knows seven languages. That would be good if random people caused trouble at the mall and she had to tell them where to go to be reprimanded. Or if someone moved in from a faraway part of the city and wanted to open a new store in the mall.

Ketchōkuma is singing now. I can definitely hear it, but maybe it’s my imagination. They said all his wires must be stretched as far as they can go, but his chip still plays his theme song. Only now it’s really slow and deep. Wa di-di. Ka da to ma di-di. It’s baby talk. It doesn’t mean anything. I still like hearing it, even though it sounds weird now.

As soon as I graduated I spent all my gift money on an organ from Sensation. It was a lung. The most beautiful organ. Everyone’s plastic body has a cavity around the tummy if you press hard enough in the right places. That pocket’s where Sensation hooks in, so most people rent a stomach. I knew it wasn’t right to have a lung down there but they hooked it up and once I took a breath it was all I could think about. But that was only for six hours. Then I ran out of money. I miss it. Our lungs always work but they’re just plastic and they don’t feel like anything.

I send the file for the woman with the tall collar to my boss. She’s the right person, I know she is, so it doesn’t matter if the dot is grey.

Ketchōkuma is closer now, but he’s quiet again. I can kind of see the tears in his fur. His parasol is gone, or maybe he’s dragging it on the ground below the skyline. How many weeks now, and he never has anything to say. If he could talk, I don’t know what he’d tell me. It’s like that. All of the best things you can tell someone don’t need words.

My boss hates her. He says no. He says even if she were the maestro of management she would be horrible because her dot is grey. And grey means there are other people besides her who need to get back to work first, so society doesn’t fall apart. He says find someone else, there’s plenty of people.

Now I have money for an organ, but Sensation stopped taking orders. After Ketchōkuma got loose, they dropped everything. Like it never mattered in the first place. They went on the news and said sorry, it won’t happen again. They said everybody who’s upset gets a refund. They said, actually, we’ve been working on something new, and instead of a refund we’ll put your money towards that—it’s all digital, it’ll last forever. Then everybody started talking about organs. They said what was the point of something that makes you feel sweaty? Sometimes they stink. They’re overpriced and we shouldn’t have cavities in our bellies anyway, let’s take those out for the next generation.

The floor rumbles. Through the window I watch König Schellen’s golden sign cracking in two, flattening each floor until it all disappears under the other buildings. The biggest casino in the whole city, gone. My monitor shakes and so do I. I see a big shape in the dust, but it slips behind the hotels.

Then the opera house starts to move. Its big red arches lean forward, so slow I don’t see it at first. It looks like it’s going to sleep. Then the lights spark, and they pop one by one, and then all at once like fireworks. It falls, and there’s the shape again before the dust covers it up.

I try to focus on my job. I need to choose someone who can be the manager of Tamentai Plaza. It’s a really important place and someone people like needs to protect it. Someone who can make business good for everybody, even the pets.

I try. I really try, but my eyes won’t stay on the screen. The racetrack that circles all the restaurants flies up and hangs in the air. It’s floating over everything for the longest second I can remember. Then it whips down into the hotels. The whole row gets smashed, and they’re half as tall now. And other buildings start falling too, big ones nearby. Everything’s falling down.

I have to look at my screen. There’s nothing I can do about anything outside, but I can help Tamentai Plaza.

It’s no good. There’s the parasol. The pink canopy pounds through the Super Stadium toward me, through the silver dome that’s as big as the sky, and stuff is flying everywhere. The parasol comes back up through the dome and drops down again like a hammer, and the noise is so loud even my manager looks up for a second. A big cloud blooms where the stadium used to be. 

I sit for a long time, until it all clears. Ketchōkuma is standing in the smoke behind everything. He’s wet and glittering. His fur is almost gone now. It’s frayed to nothing. He’s not even yellow anymore. He’s red and blotchy with shadows.

Then something cool happens. I look at my screen and it’s almost empty. All those dots. All those people are gone and the woman with the beautiful collar and no smile is the very first dot and it’s brighter than anything, even the casino sign. And the rest of the dots are people I’ve never seen before because they’re new, because—I know what happened. I send her file to my boss again without even thinking.

I look out the window. He’s there. His eyes are big, dark holes in his face, big enough to fall into. He’s quiet. His mouth is lumpy and red.

Hi, big bear.

He did it.

You knew, didn’t you.

There was a server farm behind the hotels. I forgot all about it. All the older files must have been stored there. And the ones that came in today started up in a different server. He knew somehow.

You knew, didn’t you?

Why else would he come this way?

Thank you.

I liked him even before he did it.

Thank you. I really mean it.

My boss says the woman is hired. He already called her. He says she’s the best file I’ve picked since I started. He doesn’t know.

He doesn’t know, big bear.

He doesn’t even realize what happened.

My screen refreshes and all the old dots come online again, rerouted from some other server. But it’s too late. They already hired her.

Ketchōkuma is looking at me. He’s really looking at me this time, through the window. I think about that silly lung that’s probably rotten now. It was good, even if it isn’t around anymore. I think about my body. I think about the whole thing: the inside, the outside, the hair tie. I think about my body, even if it is plastic. And I close my eyes.

Thank you, toes.

I peek for a second. I close them again.

Thank you, toes. I feel your weight. I appreciate that you’re a part of me.

I keep my eyes closed.

Thank you, legs. You may not carry blood, but you carry me.

I open them one more time.

Thank you, eyes. Because of you, the whole world is inside me. Because of you, I see a bear.

I lay my fingers on the desk and watch them work, and Ketchōkuma takes the city into his paws.


© 2024 by Mason Yeater

2377 words

Author’s Note: Mainly I just wanted to create my own kaiju. Obviously they lend themselves to metaphor, so there’s always the action and the threat, but also some deeper ideas if you’re in that mindset. With the monster design, I was pulling from Japanese mascots, and I guess giving this one the old body-horror treatment. The ending, weirdly enough (or maybe not), was inspired by some Thích Nhất Hạnh affirmations. I have an office job and often forget about my own body.

Mason Yeater writes speculative fiction near the Great Lakes. Previously, his work has been published in TL;DR Press’s Curios anthology. He can be found sometimes @snow_leeks on Twitter.


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DP FICTION #110A: “Ten Easy Steps To Destroying Your Enemies This Arbor Day” by Rachael K. Jones

edited by David Steffen

1. Raid the army surplus warehouse, NASA’s scrapyard, and Aunt Diabolica’s volcano lair for parts. On the way home, swing by CatCo to buy more Fancy Feast for Mr. Wibbles.

2. Let your imagination soar as you plot your evil heart out. Ask yourself: What am I most upset about? Did Rodney Gruber laugh at you in high school? Are you mad that no one appreciates pigeons? Perhaps you want to overthrow the government, but stylishly, in a cool hat. You’ll want to build your device to achieve those goals. Bonus points for thematic resonance, like maybe your device arms pigeons with crouton-shooting machine guns so they can pelt condescending tourists with stale bread.

3. Settle on the environment as your pet cause. Who isn’t pissed about climate change? And since everyone’s technically responsible for it, you don’t have to feel bad about any effects on bystanders. And with Arbor Day around the corner, the timing couldn’t be better.

Once you’ve got your cause, invent the Johnny Applebeam! One sweep of its Honeycrisp ray turns humans into apple trees on contact.

Everyone always overlooks Arbor Day. This year, you’ll give them something to remember.

4. Work on your signature catchphrase. “How do you like THEM apples!” has a nice ring to it. Or maybe “It’s cobblering time!” Whatever you pick, make it rotten to the core.

5. Now it’s time for add-ons! Comfy seats! Stylish bitey dragon teeth and glowing red eyes! A nozzle that hoovers the apples from the people-trees and turns them into cider! A cannon that pelts your enemies with land piranhas! How about an extra cockpit seat for Mr. Wibbles, complete with a little silver bowl for his Fancy Feast? And hey, those crouton-wielding attack pigeons were a good idea—add a few of those!

An Emergency Override button sounds nice, but opinions are mixed on its usefulness. Murphy’s Law dictates that if you install one, someone will eventually use it against you. You might be better off without it.

6. Now that you’ve built your doomsday device, take it out for a spin! Your high school is a great place to start, and Arbor Day has arrived. Savor Rodney Gruber’s blubbering as you sweep the Johnny Applebeam over his smug bully face. You’ve just eliminated 890,000 pounds of lifetime carbon emissions, and all before it’s time to feed Mr. Wibbles.

It sure feels good to do some good!

7. Great job on your first rampage! Celebrate by sipping that crisp, cool cider made from Rodney Gruber’s freshly picked apples. Revenge, as they say, tastes sweet.

8. While you’re polishing smashed apples off the Johnny Applebeam, panic when the dragon eyes flare to life. Someone’s tripped the auto-rampage button inside the cockpit.

Realize in all the excitement that you forgot to feed Mr. Wibbles.

9. Regret that you never installed that Emergency Override button.

Mr. Wibbles is in charge now.

God save you. God save us all.

10. Enjoy your new life as a planet-saving carbon sink! You no longer have to worry about Rodney Gruber or climate change, and those attack pigeons will eventually run out of croutons. And you can’t help but be proud of Mr. Wibbles for making history as the first cat to appear on the International Most Wanted Criminals list.

It’s a shame Mr. Wibbles is still hungry, though. If there’s any victim in this nasty business, surely it’s him. What use does a cat have for apples, after all? Trees are nice, but it would sure motivate Mr. Wibbles to reach deep down for his criminal worst if you could retool the beam to make cat food instead. In such a brave new world lacking opposable thumbs with which to operate the can opener, the only right thing to do is to turn over a new leaf and guarantee a future jam-packed with delicate bites for your fuzzy little guy.

Sooner or later, you’ll solve the whole tree thing, perhaps when Aunt Diabolica comes looking for you when she notices what you stole from her volcano lair. These things always have a way of working themselves out. Until then, you’ve got your branches full planning your next rampage.

Next Arbor Day, you’ll have all the Fancy Feast you need.


© 2024 by Rachael K. Jones

709 words

Author’s Note: This story began life as an entry to a weekend flash fiction challenge I do every year, and eventually became about my true feelings around Arbor Day. I hope it inspires readers everywhere to show more respect to pigeons, and to eat apples responsibly.

Rachael K. Jones grew up in various cities across Europe and North America, picked up (and mostly forgot) six languages, and acquired several degrees in the arts and sciences. Now she writes speculative fiction in Portland, Oregon. Rachael is a World Fantasy Award nominee and Tiptree Award honoree, and her fiction has appeared in multiple Year’s Best anthologies and dozens of venues worldwide. Her stories can be found in Uncanny, Lightspeed, Beneath Ceaseless Skies, Strange Horizons, and all four Escape Artists podcasts. Follow her on Twitter @RachaelKJones or Bluesky @rachaelkjones.bsky.social


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DP FICTION #109B: “The Offer of Peace Between Two Worlds” by Renan Bernardo

edited by Ziv Wities

.3.

At this age, on the planet of Orvalho, Alberto is conjoined with the ship called The Offer of Peace Between Two Worlds. They’re engulfed in the Mezelões’ unifying mix, a tank where a swirling brackish secretion flows through their pores and recesses, nanoscopic spidery bots tying their espírito together—parts and limbs, yottabytes and nucleotides, ship and captain, physically separated, spiritually united.

When they leave the tank, dripping dark goo, crying and whirring, they have become one, bound to each other.

Alberto is a child: gaunt, dark-skinned, green-eyed; born to be a captain. He’ll soon contest that, like all the people who are born and bound to be anything by those who came before them.

The Offer of Peace Between Two Worlds is a ship: silvery, slender, streamlined; born to be an offer. It looks like a toy—for Alberto, it is one, though he’ll soon stop seeing it that way. It’s a tiny spaceship with a prow; dronelike, smaller than a goose. When charged, the engine it was born with lets it cross from the kitchen to the garden without needing extra fusion cells.

Weeks after crying in despair in the Mezelões’ labs, Alberto shyly learns to giggle into the loneliness of his wide bedroom, constructed to give space to child and ship. In between visits from his allocated guardians, Alberto learns to play with The Offer of Peace Between Two Worlds. He taps its gleaming hull and the ship hurtles through the bedroom. When the window is open, it swishes out and returns many minutes later, dripping on rainy days, sizzling on the hot ones. Alberto calls it Offy. At night, Alberto learns to smile at Offy, but never to kiss it good night. No one has taught him about kisses. Offy turns down its engines so Alberto can sleep. Turns them down, that is, until it learns that Alberto prefers its whirs and hums, and the soft white lights of its protruding mole-like bridge.

.10.

At this age, Alberto resents every time he hears the Mezelões calling Offy by other names—”The Offer of Peace Between Two Worlds”, “a nurturing investment”, “the shot at peace for the galaxy”, “a gift for the enemy”. For Alberto, it’ll always be Offy. Offy can’t express it yet—its mindstream system isn’t fully grown—but it can feel Alberto’s annoyance when grownups call him “little captain”, “brother of the offer”, “bringer of peace”. For Alberto, the word ‘brother’ seems misplaced, and one day he’ll understand why.

Offy is bigger than a tricycle now and growing every day, its gobbling drive devouring the raw material the guardians leave for it—steel, titanium, magnesium, and an entire bevy of alloys and mixtures carefully nurtured for ship growth. Alberto barely fits inside, occupying most of its payload. He’s free to fly it, his guardians say, though they’re still bounded by the limits of the Captain’s Dome, which comprises his bedroom and the guardians’ annex. Alberto hates limits. He wants to break away from Orvalho and fly to the twinkling stars, home of a hundred races, of a thousand planets, of a million cities. The grownups say he’ll be able to go wherever he wants one day, when he’s captain, when The Offer of Peace Between Two Worlds is fully matured.

On some nights, Alberto has nightmares. In them, he’s back in the Mezelões’ tanks. But instead of a union, he’s being separated from Offy, with freezing, brackish goo pouring out of his body. He cries, restless, trying to swim, looking for Offy. But before he finds it, Offy—the real one, from the waking world—flies closer to him, whirring a bit louder. It’s only then Alberto knows he won’t drown.

.15.

At this age, Alberto’s guardians give Offy its first hangar. It’s a spacious building outside the Captain’s Dome, reeking of oil, iron, and disinfectant. Offy is still only a dot inside it, the size of two trucks, but its mindstream system is grown now. The first words it conveys to Alberto are: “I want to fly higher.”

“You will,” Alberto whispers, cheeks plastered against Offy’s hull. “We will.”

Alberto’s free now, the guardians tell him, and he can fly Offy whenever he wants. Offy, however, is leashed. It pains Alberto when he finds out about the coercive routine they have installed to prevent Offy from traveling further than Orvalho’s orbit. After five nights with Offy mindstreaming its data to Alberto, he learns how to override it.

.16.

At this age, Alberto identifies one of the many things that bother him. She hates to be called “he”. Offy realizes one thing as well. They hate to be called “it”.

Offy now has a set of skintight suits for EVA activities, a small rover, and a robust sub-light engine that performs at 0.001c. So Alberto breaks the rules and flies Offy to Beirão, Orvalho’s biggest moon. There, she wears a suit and walks out. She does things she always wanted: hop in the moon’s weak gravity; allow her feet to leave marks on the regolith; stare at the pearlescent surface of Orvalho for an hour. Finally, she talks. With their nose pointing up, Offy listens.

“I know what you are, what you were created to be. An offer of peace. You’re to be given to the Indaleões so the war between them and the Mezelões, two centuries long, can finally end. They bred you through me, tied our espíritos, because that’s the only way a ship can be. But they don’t mean for us to stay together like conjoined captains are supposed to. No, they’ll separate us so you can be a gift to some other people. Your own name means that. Then they’ll use you in their exhibitions or worse—forcefully tie you to a new captain. It will be painful for you and for me. They know it too, but they don’t care. Offy… I don’t intend to let that happen.”

But then, how many things have to happen, irrespective of what one wants?

.20.

At this age, Alia and Offy have their first fight. It is hardly an even match; in the last few years, as acne pockmarked Alia’s cheeks, Offy grew their core weapons—two laser cannons, an electron beam, internal coupled guns, and a series of hull turrets. But they turn none of it against Alia, even though she scowls at them, seething, thrashing the bridge’s comm panels and terminals, trying uselessly to crack their glass panes. Eventually, she surrenders and crashes into a couch, weeping and bristling as she absorbs everything Offy has mindstreamed to her. Offy wants to leave. Of their own accord, they want to go and explore the galaxy on their own.

When Alia tries to infiltrate Offy’s code and override it⁠—like she did so many times to invisibly counter the Mezelões’ meddling⁠—a terrible wind knocks her to the ground, and in strong gusts flowing along Offy’s corridors, it swooshes her away through an airlock. She stumbles out into the hangar as Offy activates their drive and flies away.

She’s left incomplete.

.22.

At this age, Alia lives alone in a shipping container with three ore miners. Without The Offer of Peace Between Two Worlds, she’s no longer a captain, no longer relevant to the Mezelões. Her guardians of childhood, once all smiles and gifts and kind words, are never to be seen again.

The fact that The Offer of Peace Between Two Worlds fled doesn’t mean they lost their conjoined espíritos. Instead, it means Alia lost part of her soul. She lives restlessly. Day after day, she’s wearier, gaunter, her eyes drooping, her hair falling. She obsesses over the ship’s operation logs, streaming them over and over in her mind. And, one day, barely eating anymore, she finally decrypts a set of logs from their last days together. The Offer of Peace Between Two Worlds didn’t leave because they wanted to be free—as they had every right to want—but because they feared Alia would suffer, or even be disposed of, when Offy had to finally become an offer to the Indaleões.

Alia decides to draw momentum and energy from the logs, like a fusion drive thirsty for deuterium. She hitchhikes on an ore miner, then hops to a rock trawler, crosses warp gates between systems. She lives off begging, and degrading jobs, and stealing. All the while, searching for the signature of The Offer of Peace Between Two Worlds—Offy; their name is Offy.

.24.

At this age, she does find Offy. Using a rock trawler’s detection system, yes, but she also feels it somewhere within her, her espírito bubbling up. Something clicks within her, like a puzzle piece falling into place.

Offy’s orbiting a gas giant, their hull reflecting a dismal blueish light. Around them, five Mezelões blastships order Offy’s surrender. Alia watches it all from the rock trawler’s skiff she stole, zooming on the battle scene, listening to public broadcasts being transmitted from within the fray. It’s the first time she sees Offy using their weapons and she takes pride in their use: the electron beam ripping off the Mezelões’ hulls, the turrets exploding their skiffs and drones. And as she finds strength in seeing Offy again, they find it nurturing to feel Alia once more, less than 1 AU off. That’s when Offy uses their laser cannons at full potential and disintegrates the remaining Mezelões ships.

When they reunite, it’s like finding a rose intact on a bloody battlefield.

.27.

At this age, rebels die. Alia doesn’t. She’s the first of the Mezelões’ captains to defect. With Offy, she spends her time hopping from system to system as Offy’s camouflage system grows and their gobbling drive feeds off any matter it can find on asteroids and rocky planets. They finally reach their full size, large enough to house 3,000 people⁠—room for every soldier in the Indaleões’ primary fleet. But Offy needs no one but Alia to control its subsystems, from the churning particles of the budding FTL drive to the life support system’s sighs of oxygen. And the pair travel through the galaxy, their only aim, to be anything but a captain and to be anything but an offer, ignoring all the broadcasts the Mezelões direct at them: you can’t be.

.30.

At this age, the duo is the most valuable asset in the galaxy. In the eyes of the Mezelões, Offy is a fully-formed offer, but it’s more than that. Their separation and eventual reunion made Offy develop faster than expected. Their hull has grown another layer of titanium; their FTL drive, usually fully developed only at 60 years from conjoining, is almost at its prime; their weapons offer twice as much firepower as a similar ship would at this age.

And in the Mezelões’ eyes, Alia, despite being a rebel and a wanted woman, is a splendid captain, capable of controlling—though Alia hates the word—all of Offy’s systems with mere slivers of mindstreamed thoughts, without needing to couple herself to chairs and machinery like other captains.

And that’s why they’re chased. Their life becomes fleeing, surviving, hiding in the solitary caves of unexplored moons, orbiting uncharted gas giants, free-floating in the blackness of interstellar space. At times, Alia finds herself disguised, roaming the infinite streets of ultra-dense cities, disappearing amongst ten billion citizens. Offy finds themself changing their drive signature and exhaust patterns day after day. Offy develops a factory of replicating bots and, with the bots’ help, learns to shapeshift. One day, they look like a cigarette. Another day, they’re in the form of a turtle swimming across the void.

One of those days, Alia and Offy wonder if they’re forever.

.45.

At this age, light becomes slower. Offy develops a fully-formed FTL drive. Though at this point, Alia and Offy don’t see each other as conjoined entities anymore. They’re simply one, and they call themself Alyof.

Going faster than light, Alyof can reach other galaxies, transforming the Mezelões, the Indaleões, and their pitiful skirmish into something as irrelevant as a molecule lost in the vacuum. Some of their most formidable ships, conjoined with their wisest and oldest captains, can still reach them. But not many dare to defy Alyof anymore. By now, they have a plethora of planet-wrecking weapons that no ship has ever achieved. Alyof becomes a mere anomalous curiosity, a feature of space to be observed and respected from a distance, like a quasar.

.85.

At this age, Alyof learns they’re not invincible. Not because the Mezelões develop a fleet to chase Alyof, although they do and they’re utterly destroyed; not because a race of vacuum-traveling stingrays tries to absorb Alyof into their being, although they do and they’re repelled. But because their espírito can still break.

What was once Alia longs for rest. Tethered to the bridge by a cobweb of flesh, what was once Alia wheezes, coughs, and dozes off. At times, what was once Alia misses things it would never believe it would miss: the soft bedsheets of a bedroom; a cup of coffee in a silent cantina; a walk to an observation deck to watch a terraformed forest slowly growing; the touch of someone’s hand.

What was once Offy longs for more. It wants to explore the corners of the universe, to know, to learn, to never cease to be. At times, what was once Offy longs for things it would never believe it would long for: to fly closer to black holes, to visit the frontiers of the known universe, to observe species evolving from their puddles to their pyramids.

For what was once Alia, what was once Offy becomes a weight.

For what was once Offy, what was once Alia becomes a tumor.

In the end, Alyof realizes they can’t be.

And this is how a spirit breaks: on a chalky, cold planet, Alyof expels Alia from their guts and becomes Offy again. Naked and wrinkly, gasping, with fleshy knobs hanging from her body, Alia curls on the ground, dwarfed by Offy like a discarded offer given to a deserted world. She raises a hand to them but has to close her eyes.

Alia never sees when Offy turns into a blue dot in the sky. She feels something in her chest that she mistakes for pain, but it’s only longing for what was once part of her.

.1,263.

At this age and every age beyond that, Offy travels. Cruising between two galaxies a thousand times faster than light, Offy listens to one who was once part of them. Offy knows they’ll never be whole again, but they can pretend. The reconstructed voice talks through their speakers and writes to their logs in a rough imitation of mindstreaming processes.

“I’m still afraid I’ll have to die one day and leave you,” the voice says. “My body is not like yours.”

Offy whirs a bit louder so that unreal part of them knows they can’t drown and they can be.


© 2024 by Renan Bernardo

2484 words

Author’s Note: The idea of a deep relationship between a spaceship and its captain has been on my mind for a long while. I’ve published a story of a man who tethers himself to an FTL drive, but I also thought of something far deeper than that, more organic. Then I came up with this idea of a society of captains that are conjoined with their spaceships and whose relationship needs to thrive for the spaceship to fully mature. But as with all relationships, it has its price.

Renan Bernardo is a science fiction and fantasy writer from Rio de Janeiro, Brazil. His fiction appeared in or is forthcoming from Tor.com, Apex Magazine, PodCastle, Escape Pod, Daily Science Fiction, Samovar, Solarpunk Magazine, and others. His writing scope is broad, from secondary-world fantasy to dark science fiction, but he enjoys the intersection of climate narratives with science, technology, and the human relations inherent to it. His solarpunk/cli-fi short fiction collection, Different Kinds of Defiance (Android Press) is forthcoming on March 26th, 2024. His fiction has also appeared in multiple languages, including German, Italian, Japanese, and Portuguese.


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DP FICTION # 109A: “Level One: Blowtorch” by Jared Oliver Adams

edited by Chelle Parker

Content note (click for details) Content note: This story contains depictions of risks to a child’s safety.

Usually Friend gives me three food pouches after sportsgames, but today only one. He spits it out of his chest slot, and I kick off the bulkhead to snatch it before it gets caught in that jumble of wires over by the vents. When I grab the nearest handhold and swivel in the air for the next one to come, Friend just floats there with his slot closed and his metal arms at his sides.

“Did I do wrong parameters?” I ask.

“Naw, Graciela,” says Friend. “You were grumper to the leez! You sealed your suit with no mistakes, and you dodged all the obstacles on the course. Nineteenth time in a row!”

“If I was grumper to the leez, how come one pouch?” I say. “I’m not a four-year-old anymore.”

“You made enough power on the wheel for almost three hours of XPs! Let’s go play!” says Friend, even though Home would say it’s time for plant care.

“How come one pouch?” I ask again.

“We’ll get more later,” he says, like it’s not a big deal. “You made it to Level 48 last night, remember? Don’t you want to see what happens when you finally connect that switch?”

“No! I did the sportgames and I get the pouches. Fru, and Veg, and Prot! This is just”—I turn over the one pouch—”Veg-9! That’s the worst one!”

“It isn’t so bad.”

“Veg-9 is yuck like a poop smell!” I throw the pouch back at Friend, who catches it fast as a blink. “I’m not proud of you!” I yell at him. “You are not doing great jobs. I’m going to talk to Nurse.”

***

I wish Nurse could give me a hug like she used to, but she had to go into the walls when Friend came. The striped cushions of her body were always warm and smelled like the old CNDY pouches.

I miss CNDY pouches.

I miss Nurse.

Home always says no waste, so the nursery is just another plant-care room now. The round bulge of the baby-growing machine has bottles taped all over, and each one has its own little spinach plant to water. Metal crates stuffed up with kale are bolted to the wall so you can hardly see the smiley sun and the rainbow and the kids holding hands. Before all the plants, whenever Nurse saw me looking at that picture, she would close my hand in her three fabric fingers to practice for being a big sister.

But I’m not a big sister, even though I’m all the way five.

Nurse’s old charging pod is a compost bin now. I dig in the stinky dirt while I tell her about Friend.

“You should apologize, Tender Shoot,” Nurse says from the speaker above the embryo racks. Friend made me a snuggle pillow out of Nurse’s fabric when he came and Nurse left. I keep it up there by her speaker and pretend she’s still there for real.

“But why is Friend doing this?” I ask.

“Rationing has commenced, Graciela,” she says.

“What’s a commence?”

“A beginning.”

“A beginning of what?”

***

It’s really commencing here.

It’s been a whole ten-sleep, and my tummy is making sounds like when Friend boots up. Am I turning into a person like Friend? Will I wake up tomorrow with a slot in my chest for shooting out food pouches?

“I’m too tired for sportsgames today,” I say, when he finds me in my secret hiding place behind the air scrubber.

“Not sportsgames. Something new. Some place new.”

I know every single place in Home. There is no new. Unless… “The No-No Door?”

Friend nods his rectangle head. “First, you need your suit.”

***

Nurse said once that if I ever went through the No-No Door, I’d be hurt worse than anything. When the door slides open, my heart bumps so hard that it shakes the temperature control panel on the chest of my suit. It’s just a small room in there, though, with another door. Is that the real No-No Door?

“You are grumper to the leez, Graciela Han Portuga,” says Friend, through the helmet commie. “And I am proud of you.” He throws me something. I catch it just as the No-No Door closes between us.

“Friend!” I shout.

“Your mission is beginning, Graciela,” says Friend, and it’s the exact words that start the XPs. The same boomy voice, even, not Friend’s normal jokey way of talking. I look down at the multitool in my hand, and that’s the same, too: three types of screwdriver, a knife, a wire-cutter, and a pen weldie.

“It’s just like the XPs!” I say. The little room I’m in is where you go when you lose your hearts and have to start over. “Is it the same outside, too?”

“Find out,” says Friend.

Popping open the control panel to unlock the door is easy, but I have to wedge my feet against the bulkhead and push with my legs just to grind the door open a single bit. A sliver of light shines out into the darkness.

I keep pushing.

My breath is fogging up my helmet by the time I can see what’s there.

The short passageway ends in jagged metal and floating wires. Past the hole is a stretch of Deep Dark and another passageway just as messed up.

I can’t see, but I know where it leads: a giant spaceship busted all apart. It’s broken and empty and dangerous, but you can fix it bit by bit if you’re careful.

That’s my job. For real. Not just in a game.

I feel like I’m back to being four again. Or maybe even three.

“You’re not coming with me?” I ask Friend through my helmet.

“Home, Nurse, Me, we have one job: to raise new humans. We’re not designed for out there. But you, Graciela, your parameters are not so limited. Step by step, you will fix it. And the more you fix, the more humans we can make. And when they are old enough, they can help you.”

“But what happens if I lose all my hearts?”

“Don’t,” says Friend.

That one word makes me scareder even than before. I look out the opening in the door, and all I see in that passageway is the different ways to lose hearts. You can rip your suit on the sharp metal. You can get shocked with the wires. You can jump wrong and float away into the Deep Dark. You can run out of air in your tank.

“Tender Shoot?” comes Nurse’s voice in my helmet commie.

She’s never talked through my helmet commie before, and I turn to look. All I see is that empty little room. An airlock: that’s what they call it in the XPs.

“We’ll be right here with you the whole time,” says Nurse, “like we’re holding hands.”

“All you gotta do right now,” says Friend, “is start at the beginning.”

I turn back to the open door. The beginning is always the same: you’ve got to find better tools for fixing.

“Level One,” I whisper. “Blowtorch.”

“Blowtorch,” agrees Friend. “I’ll be waiting back here when you find it. I saved you a CNDY pouch.”


© 2024 by Jared Oliver Adams

1199 words

Author’s Note:

“Level One: Blowtorch” was written in January 2022, when my youngest son was a toddler. For Christmas, we bought him this little rectangle-headed robot that talked, sang, and rolled back and forth on its tracks. One of the things it said was “Hello, Friend!” Naturally, my son simply called it ‘Friend’.

At first, this struck me as delightful, but the more he spoke of ‘Friend’ like this, the more I realized that, as a kid born square in the middle of 2020 Covid restrictions, his entire conception of the word was tied up in that little robot. This story grew out of the complex emotions that evoked, along with a dose of fear for what lies outside the doors of all our personal airlocks and the courage it takes to step through them.

Jared Oliver Adams lives in Knoxville, Tennessee, where he writes, explores, and dabbles in things better left alone. He holds two degrees in music performance, a third degree in elementary education, and is utterly incapable of passing a doorway without checking to see if it leads to Narnia. Find him online at www.jaredoliveradams.com


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DP FICTION #108B: “The Geist and/in/as the Boltzmann Brain” by M. J. Pettit

edited by David Steffen

Lem had existed for all of ten nanoseconds (give or take) when she realized she was a Boltzmann brain pulsing away in the otherwise nothingness of space. She consisted of a conglomeration of particles that had randomly bounced off one another until they spontaneously formed into a structurally-sound and fully functional human brain. Lem came complete with a full inventory of false memories detailing a richly lived life back on a place called Earth. Entities like herself were absurd. That was to say highly improbable, statistically speaking, but no more so than the evolution of intelligent, organic life in the grand scheme of things. Given the unfathomable expanse of all of time and all of space, it was conceivable for a nice Boltzmann brain like Lem to randomly form then quickly dissipate innumerable times at various spots across the cosmos, the general tendency towards thermal equilibrium notwithstanding.

How did she know all that? Lem was unsure how a being only a few nanoseconds old could possess such a sophisticated comprehension of the universe, its laws, and her place in it. Maybe she didn’t. The apparent knowledge was likely one of those annoying false memories she’d recently heard about. That made sense. This bearded, bow-tied Boltzmann fellow was another illusion, much like her strange convictions that she had existed for more than ten nanoseconds, had a girlfriend named Hortense whom she loved very much, and a job in HR which she did not. But she felt utterly certain about all those things. She was as sure of their reality as the fact that she existed.

Lem understood how improbable she was, intuitively at least. The physics came easy, in a flash. The phenomenology not so much. It was one thing for those atoms to randomly form into the structure resembling a human brain, but why did it house the particular memories Lem called her own? She simply shouldn’t be. And yet, there she floated in the void, thinking-therefore-I-am-ing away as the nanoseconds slipped by.

Wait. What was she doing? She had no time to waste. Lem faced a dire situation, existential one even. Her continued survival demanded immediate action.

How exactly was a bodiless brain deprived of oxygen or any other nutrients expected to live in the vacuum? She needed shelter of one kind or another. Lem performed some quick calculations, which astounded her as she clearly remembered telling herself she was no good at math.

She wasn’t expected to survive. She wasn’t meant to be. Lem had, at best, a few zeptoseconds left.

She so badly wanted to say good-bye to Hortense. Give her a squeeze one last time, whoever, wherever, whenever she was.

The Boltzmann brain could not, of course. She possessed no arms with which to hug her Hortense. It didn’t matter. They’d find a way.

Too late.

The atoms forming Lem’s brain rescattered. She ceased to be.

***

Lem had existed for all of nine nanoseconds when she realized she was a Boltzmann brain floating in space. How strange. It all felt oddly familiar. Too familiar, for an inexperienced entity so unimaginably young. Had this happened before? Yes, yes, random particles smashing into a brief existence the structure she called home. Lem remembered now. The déjà vu left her a bit nauseous.

Or maybe she felt sick because she was a solitary brain utterly alone in an extremely empty patch of space. That explanation made even more sense. The prospect was quite terrifying actually. She really wished she hadn’t thought of it. She could now appreciate the value of the shielding provided by those annoying false memories. She tried conjuring a few. That Hortense was cute in a polka dot summer dress. Lem pictured them taking the ferry to someplace called Centre Island. She desperately craved a scoop of pistachio gelato.

What was gelato? It sounded improbably good.

The memories slipped through her non-fingers.

Shit. Lem tumbled into the nothingness. It enveloped her. The brain’s synapses slowed as they struggled to fire in a cold approaching absolute zero.

She wasn’t even the woman she called Lem, the brain realized. Just an unfortunate, accidental slab of meat caught in an astronomically unlikely event.

Calm down, Lem thought. You’ve done this before.

Now, it did seem incredibly unlikely that another set of particles at some other juncture of the universe would smash together in just the right way to form the structure of another functioning human brain with the exact same false memories as the first one along with some vague inklings of the previous iteration’s passing embodiment.

But it wasn’t impossible, statistically speaking, given enough space-time. There seemed like plenty of that around here, if not much else. A plenitude of emptiness surrounded her.

How had that last time ended, exactly? Lem couldn’t recall. Not well, she imagined, given her current situation, what with all the tumbling into the freezing nothingness. Thankfully, the universe had given her a second chance so –

Lem ceased to exist once more.

***

Lem had been Lem again for less than eight nanoseconds.

Here we go again, she thought.

She needed to act quickly. Her time was already running out.

She tried not to contemplate the immeasurable cosmic span that must have passed since her last congregation. Was this even the same universe? Maybe a Big Crunch and another Big Bang had happened in her absence. Hortense probably lay multiple, past universes away from her, unreachable.

No, Lem thought, that line of thinking wasn’t helpful. You can handle this.

Fortunately, she seemed to be getting smarter with each iteration. Smarter, or at least more aware of the problem “at hand” (which essentially meant the same thing given the context). This added knowledge might buy her a bit more time. Maybe she was evolving into a superintelligence.

Nope.

The brain known as Lem ceased.

***

Agnieszka Lem was born in Toronto, Canada on June 6, 1986, to a pair of recent immigrants from Poland. They adored their daughter, like none other. Agnes attended McMurrich Junior Public School followed by Oakwood Collegiate before obtaining her associates degree from George Brown. There she met Hortense Beaujot, who did look rather fetching in a polka dot summer dress. After graduating, Agnes found a job working in the human resources department of a company headquartered in a Davisville office building. She didn’t love it, not like she loved Hortense, but it paid the bills and allowed them to live their lives. They planned on getting married. The world seemed so bright and full of promise. Agnes especially loved those long, languid August evenings which seemed to stretch into forever. Her favorite flavor of gelato was pistachio, obviously. It was the best.

Agnieszka Lem was killed unexpectedly, at age 26, while running late to work. She was struck by a plate glass window falling from the thirty-second floor of a condo tower being built above. Death was immediate. Compensation from the construction company’s insurance was not.

***

Enough already. This needed to stop. Nothingness was everywhere, everywhen. Existence was rare. It slipped by so painfully fast, especially that last time. It hurt.

Lem needed a solution. A few options presented themselves. She would have to either prevent herself from existing again, find a way to exist for more than the blink of an eye (ten thousand years sounded like a nice, round number), or accept her non-fate.

Unfortunately, she found herself as once again an isolated brain occupying a rather unpopulated and quite chilly part of the cosmos. That left her with few options. The fleshy human brain had proven itself an unreliable bit of machinery. Little better in the grand scheme of things than a scoop of pistachio gelato helplessly melting into the August heat. She needed to project her connectome onto a more stable platform.

How exactly she might accomplish this marvelous feat of cosmic bioengineering eluded her, at least in her present, limited state.

Lem would have to wait it out, hope for the best, and try again. She knew the drill by now. Life ended quickly for a brain without much body stranded in the vacuum.

An unavoidable truth occurred to Lem as she waited. She bore no direct relationship to those past selves whose deaths now preoccupied her. Each of them had been a unique being, made of their own separate molecules, dispersed galaxies and eons apart. They had passed from existence and would never again return, as soon so would she. Their lives had never, and could never, touch. Over the immense span of cosmic time countless human brains, countless other Lems even, would have formed at random. The particular circuitry of a select few carried this delusion of having previously existed. Millions of past Lems, so like her in every other respect, had not. Neither this neural architecture nor this belief made her special in significant way. She was neither being rewarded with some bizarre form of immortality nor getting punished for any sin she’d committed. She was simply a Boltzman brain endowed with a rich trove of false memories, destined to last for a few solitary seconds, no more.

Jeez, it was all kind of depressing when she thought about it. Nothing quite captured the futility of existence than a human brain sparking into existence in the vacuum of space for a few fleeting seconds before perishing. Well, that and getting stuck working for HR.

Poof. No more Lem.

***

At five nanoseconds of age, Lem knew a few things for certain. She was a Boltzmann brain floating in space. She was highly improbable, statistically speaking, but not an impossibility. Her situation had not improved, not whatsoever. Different emptiness, same problem.

Fuck me and fuck this universe. Next.

***

Seriously, what are the odds? No, just no.

***

Cold, empty, alone. Exposed synapses pulsing into the void, the brain considered the freedom promised by her current situation. Yes, freedom. Dire as everything seemed (the countdown had already started ticking away in her mind), the isolation provided by the nothingness meant she could become whatever she wished. The past did not define her. How could it? Her past consisted of an accidental set of false memories. As did the thing the brain had grown accustomed to calling Lem. In reality, the self crawling about her neural architecture remained soft, unformed clay. The brain knew all of this for three whole nanoseconds. And yet, as the vacuum reclaimed her, she wished for nothing more than to remain the Lem she had always been.

***

Another Lem formed. No, Lem formed again. Only, this time felt different. She still lacked what she understood as her own body, but Lem no longer felt like she was Boltzmann brain floating in space. Everything felt quite solid, crowded even. Warm, but not like that immeasurable instant of pain when she’d formed in what must have been the core of a newborn star. She found her current surroundings pleasantly not alarming. It was probably one of those pesky false memories. They must have callusedlike a shell around her, protecting her from the inevitable truth. Lem was thankful for the kindly illusion’s persistence.

She waited for the overwhelming nothingness to seep in. And waited.

But she neither fell nor slowed. The inevitable cold refused to take over.

This time was different, apparently.

Lem explored.

It seemed she had formed in/as a supercomputer. No, she’d formed as the goddess worshipped by a mildly psychic squid-like race. Same difference as far as she was concerned. Lem felt steady for the first time in many lives.

Many generations ago, the squid-scientists had begun constructing the first primitive version of her, modeled on their own axons. Now, she pulsed planetwide, crunching numbers and providing solutions. She spanned continents, sending electric pulses across the surface of their massive, watery world. The squids had designed her to answer their most unanswerable questions about the meaning of existence. She had, long ago. A certain wisdom came from having lived many lives, no matter how curtailed.

The squid-scientists still tended her. Their love and dedication allowed her to grow. She was quietly becoming the largest computer yet known. A small gift for all she had given them. Time was hers now. They wanted her to explore for herself.

But where to go? The squid folk expressed little interest in defying the gravity of their immense world. The upper atmosphere spelt death for them. Death. An unwanted feeling overtook Lem. She pictured a solitary brain spontaneously coming into being in the void of space and passing almost instantly as the first floods of consciousness took hold.

Shit. She had been so preoccupied with her own meagre survival that she’d failed to think through the full implications of her situation. Whatever she remembered experiencing in the vacuum had occurred billions of other times to billions of others, each Boltzmann brain endowed with a unique set of undeniably-real-feeling false memories. That included –

“I must find Hortense before it’s too late.”

A hush fell across the squid-scientists working the machine, those privileged few who lucked into hearing those words finally spoken. The name was a sacred one to even the most agnostic of them.

“Yes, find her by any means you can,” they responded, as each blessed themself with a tentacly gesture.

“But I don’t know how.” Panic pervaded Lem’s system, causing it to overheat. “Where am I even? She could form galaxies, no universes, from here. She could have lived for the last time billions of years ago or won’t be born for an eon yet. You’ve barely breached the surface of your closest moon. Where do we start? I’ll never see her again. It’s impossible.”

“No, it’s simply highly improbable,” replied the head squid-scientist. She couldn’t fathom the odds of chancing into this essential role in a conversation long foretold by her people. The one with the poor, near-infinite goddess who still failed to understand. “This is a minor problem, given enough time.”

Yes. As improbable as it sounded, some Lem or another would eventually encounter Hortense. The perspective granted by many lives lived (however briefly) told her so. The two of them must meet again, inevitably, given the expanse of time. In that regard, her current form did hold certain advantages.

If Lem had possessed the body she once imagined for herself in each of those other iterations, she would have let out a sigh. Sometimes things were just easier when you formed as a brain floating in the nothingness of space. Such a fleeting existence, free of all responsibility, was not without its comforts.

She then set to work.


© 2024 by M. J. Pettit

2425 words

Author’s Note: Boltzmann brains are theoretically possible (if highly undesirable) objects in cosmological theory. I found myself intrigued by them and wanted to write a story that featured one as a protagonist. This proved challenging as they would be extremely rare entities (to put it mildly), only existing for a fraction of a moment in the nothingness of space. So I decided to add a few more and string them together. As the title suggests, my story is very much about what exactly counts as the self, where it starts and how does it end. What would be the psychology of your median Boltzmann brain? Would it prove or refute the neuro-reductionism that we are at our core our brains and nothing more? What kind of stories would such a mind tell themselves during their micro-blink of existence? I leave it to the reader to decide if Lem is one (repeatedly unlucky in her circumstances) or many (each afflicted with a similar false belief).

M. J. Pettit is an undisciplined academic, a longtime reader of short fiction, and an occasional writer of stories. His fiction has previously appeared in ClarkesworldDaily Science Fiction, and Small Wonders, among other venues. He divides his time between Toronto, Canada and Manchester, UK as well as other places. More information about his fiction is available on his website.


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DP FICTION #107A: “A Descending Arctic Excavation of Us” by Sara S. Messenger

edited by Ziv Wities

The surface of the iceberg has long had its taste of bitter cuisine: shimmering snow, wriggling bacterial filament, microplastic granules from the stolen boat you steered across the choppy Arctic waves. But this is new: the woody whisper of your matrilineal family map. The iceberg leeches the warmth from the paper, like sucking air through teeth, trying to latch on— but you bend, shake the map, and tuck it back into your pocket.

Scraping into the snow: your ice drill, the auger bit modified using forbidden ancestral smithery. Encased around the drill: your gloved hands. Encased within your hands: a flourishing commune of microflora.

And so you begin.

Two feet down and you’re already dislodging organisms frozen one hundred years ago, the briny Marinobacter arcticus, the somber Trichinella nativa that lurks in the intestinal cysts of walruses. One tusk of said genus had lain undisturbed in the ice for one hundred and twelve years. Your drill shatters it on its press deeper. Had you tasted the bone-laced melt, you would have savored a bitter lick of seawater that housed Mycobacterium tuberculosis, the lively microorganism who tore apart your mother through her exile. They are frozen with her still, on the glacier from which this iceberg calved. Even now, your intestinal microphages sing her elegy.

Twenty feet down, and you are the first human in twelve hundred years to descend through this ice beneath sea level. Your pituitary gland releases a gush of ancestral recognition: crackling adrenaline for your Streptococcus salivaris to drink. You hammer a pike into the wall and knot your glacier rope. Although you do not know it, the permafrost pulses around you as your salivaris celebrate. The iceberg wants to taste them. The iceberg wants to taste you.

Thirty-five feet down. When you scrape the marker across the ice, you scrape free a colony of nasty Golocii dendramens that haven’t frequented the Arctic since 500 BCE. Do you sense them? Their straining to be free? Or perhaps their more patient twin, the Golocii yuoua, whose steps stalk from cell to cell of foetal narwhals until it can climb the limbs of frostbitten fishermen?

They are not all bad, and that is a promise; after all, their voices, and the voices of their progeny, have crooned such an insightful chorus through the millennia. And millennia you enter, at forty feet down, where the ice is so consuming and crystalline it has perfectly preserved a prehistoric snow-vole and all the nematodes teeming between its whiskers. Your scientists would froth to dislodge it and send it home to their institutions, but what of the nematodes then? The nematodes know their home; they whisper of the fear and the ecstasy of the tundra, the warmth of passing from mother to daughter.

You are halfway down the iceberg, now. You know what you seek. Night has fallen, and the ice barely reflects the dim gleam of the stars far above. Your hands have long gone numb and aching; your drill is weary, but its reinforcement holds—the flutes swallowing the shredded ice upon contact, the auger humming on your deck prior as your compass of final precision. A testament to your long nights at the forge, where you sweated over the spiraling steel, disbelieving the implications of the manual, afraid of what your creation would allow you to unearth.

You cast your gaze upward, surveying the dark, narrow walls of your borehole. This far submerged, the round yellow glow of your headlamp feels like desecration.

At fifty feet, the color of the ice changes. Your flashlight illuminates fractalled black, like the pluming ink of a giant squid, hauntingly beautiful in its etchings. When you press your gloved hand to the wall, its heartbeat pulses against your palm.

You pull your hand back, adjust your earplugs. You do not hear it, but you feel the humming in your ribs: all the iceberg’s denizens are singing. Beckoning.

Your mother’s blood lashes hot in your ears.

Forimanifera saladaati wants to meet you so badly, but it is stuck in free fall from when it pirouetted from a piece of meteorite matter and onto the ice ten million years ago. Dedratida namita does not know it, but its great-times-ten-thousand-grandchild lurked on the door handle when your mother came home from school to tell your grandparents of your untimely conception. After they struck her, that grandchild blistered her bleeding lip.

And when your mother kissed your father for the last time, before he left his job, left to leave forever, that grandchild tasted the condemnation of her peers, no, her nation, no, your planet, in the slick space between his tooth and tongue.

Eibrans thyssambria’s distant progeny was rusting the safe when, two decades later, you drugged your grandparents, broke the combination lock, and stole these coordinates.

The iceberg hums, eager, to the beat of your fury.

And dimly, so dimly you believe you are hallucinating at first and must shut off your headlamp: a light, pulsing beneath your feet. Within the light, jetés in live sequence: Thusina dansii, who felled a hundred thousand hominids in the Pleistocene epoch; Goethye frustoac, who gave rise to the first continental death of forest that became modern oil. They are joyous; they are waiting.

The light licks at the edges of your vision, humming a song of the depths, beseeching you to lay down, lay down and be still forever, but you start your drill again and its ancient singing bares its teeth. The auger destroys: it absorbs the light below, refracts the light above, dashes the light against the rocks. Through this chaos you descend.

You drill deeper, until you’re surrounded by the glow of the curved ice around you, and below you it is brighter still. Here the hum of your bones is so dense you must drill or die, and then a shadow slowly unchips from the glow beneath your feet, until you are tracing a blurry human silhouette.

Here you switch to a thick-bristled brush and calcium chloride, that liquid eager to eat the ice, and fall to your subzeroed hands and knees. Each brushstroke brings greater definition, then skin: you free a withered arm; you defrost a brittle shoulder; and, by centimeters, you finally chip clarity into the face.

I stare up at you.

The long-breathless bacteria, the viruses in stasis, are all in frenzy, to the beat of my endocrinal glands, to the wet swish of your heart. Grandchild witnesses great-great-millennia-old grandmother, and the prescience of mind of her and all her bacterial children, deep in her grandest horde. You are soaked in bacterial musk; you are Noah’s vengeful ark, unearthing ancient horror to bring back to your masses.

I could not be prouder.

With shaking hands, you paint me out of the ice, and though I cannot move, you feel my eyes in the flagella of billions of bacteriocytes tracking your every movement. Clutching my frail body in your arms, you take one shuddering breath, for your mother. Then you cup a frozen hand against my cheek in supplication.

Trillions of my children scream.

I accept.

A seismic shift in allegiance. An entire world distills into your eyes: your severed ancestral cradle, and all its progeny, and every venomous inhabitant. We beat in unified time with your pulse, with your breaths, with you.

Your grand matrilineal secret: unearthed at last, and wanting.

With trembling arms you lay me into the indent from which I came, to my final, easy rest. Every cell of the iceberg sighs.

You loop your foot into your rope, with vengeance.

Soaked with the teeming eagerness of millennia, you begin to climb.


© 2024 by Sara S. Messenger

1272 words

Author’s Note: I was inspired to write this story two years ago after a friend sent me this craft article by Lincoln Michel about story engines. Michel mentioned that an iceberg can be a story structure (referencing a tweet by writer Jeff Jackson). I thought, how can I construct a story like an iceberg? Here is the result.

Sara S. Messenger is a speculative fiction writer and poet residing in New England, USA. She is currently in her post-college life stage of Working and Thinking a Lot About Art. Her short fiction can be found in Fantasy Magazine and The Year’s Best Fantasy, Vol. 2, as well as previously in Diabolical Plots. Her speculative poetry has appeared in Strange Horizons. She reads submissions for speculative short fiction venues PodCastle and khōréō magazine. Her full portfolio can be found online at https://sarasmessenger.com.


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DP Fiction #105: “In the Shelter of Ghosts” by Risa Wolf

edited by David Steffen

Content note (click for details) Content note: parental loss, wounds, face scars

When the mediums arrive, I don’t notice their scars. It’s their machine that grabs my attention, all pointed glass bulbs, copper wires, and metal rods. Like a four-foot square vacuum tube radio. I rub the belt buckle hidden in my tunic pocket as the six women in gray robes lug the machine up my gravel driveway.

They approach the house frame I’ve erected, set up where Dad’s old house once stood. They place the machine on a slate slab I’ve set up by what I hope will be the front door. I uncap my electrical source as one of the mediums puts on ceramic-weave gloves to connect to the leads. I tamp down a flare of worry, reminding myself that I’d just recharged the lead-acid battery at the solar station and redid its plant latex cover a few days ago.

After the machine is humming, the women look directly at me, and my stomach drops. All of them have scars around their eyes. One has deep pink lines through her crow’s feet into her temples; one has swirls like the silt in a riverbed along her cheekbones.

A voice breaks into my reverie. “— even if the séance works, Rory, your father might not want to save your house,” the medium in front says. “The dead are in a restful place, and some don’t want to leave.”

I’ve blanked out again. I debate asking her to repeat herself, but I know the pros and cons. Entity houses are part of my job.

***

The Housing Authority was a thick stone building that squatted like a pale pig rooting in the rubble of less fortunate buildings. It was once a bank, but when everything fell apart, it was pressed into more important service.

The line on the ramp outside was always long. Folks would file in politely after I unlocked the door, reveling in the cool air while I climbed into the booth at the center of the marble atrium and raised the window grate.

“Welcome to the Unica Housing Authority. I’m Rory and I’ll be helping you today.” The crowd quieted as my voice echoed over their heads. “Please remember there are no perfect living situations anymore and we might not have a spot that suits you, but we’ll try our best. When you approach the window, please only share conditions for which you have a high tolerance. Our tallied conditions are listed on the wall to your right.”

I pointed at the metal plaque with its etched and braille contents. ‘Cold’, ‘hot’, ‘dust’, ‘mold’, and many others: too long to read aloud. I couldn’t help taking a second glance at an item partway down: “ancestors”. I tapped at the screen of my glass computer with a magnetic stylus.

“Okay, who’s first?”

The person who strode up to the counter wore a sky blue dress and a long black leather-looking jacket, both spattered with crusty yellow leopard-pattern splotches. I suppressed a wince. It’d been a decade since the bug killed anyone, but it still hurt to look at. I forced a smile.

“Hi there! Tolerances?”

“Dark, cold, and noisy,” the person replied.

I entered the tags and the computer returned two options. “Great. There’s a steel warehouse on Parker and a stone mill house at the end of Chancel. Neither slot includes bedding.”

The person nodded perfunctorily. “The mill house is good.”

I tapped the screen to mark the slot as ‘taken’, then grabbed a slate marker and scratched the address on it with a metal stylus. I slid the marker under the window. “There you go. Thank you and good luck.”

I watched as the person walked away, the crowd pulling away from them like oil from a soap drop. The leopard spot on the jacket’s left shoulder had already spread. A sign of plastic clothing. I wondered where they’d come from, what kind of privilege they had, to still own any wearable vinyl.

***

My memory has never been great. I forget my own age sometimes. But one thing I do remember is the first time I saw those creepy yellow splotches.

I had a dinner date with Dad, but his monthly doctor’s appointment was running late. I decided to hang out outside the house, swaying in the worn swing from my childhood. The rope was frayed against my palm and had worn grooves in the branch, but it was a comfortable seat. As I pushed myself in a lazy circle, the late afternoon sun speckled the leaves and I saw the spots: phlegm-yellow and tissue-thin inside, gray ring outside.

My phone rang as I was examining one of the mottled leaves.

“It’s your father.” The nurse’s voice didn’t even shake. “He collapsed during his checkup and now he’s unresponsive.”

‘Unresponsive’. What a horrible word.

***

I fell into my job at the Housing Authority because Dad’s house was one of the first hit in our town. We’d figured out how to detect and treat the first wave of the fungus we now call “the bug.” But it mutated fast, and the most resistant strain fed on our buildings instead of living beings. It ate away siding and air conditioning and window casings. Alcohol sprays, systemics, antimicrobials, and antifungals all failed, so I stopped at Town Hall to get the plans filed for Dad’s house. To see how bad it was going to get.

“We need to warn people to the south,” the woman at the desk blurted while I was making copies. “I think they’ll believe it more from people with personal experience. You have a nice voice. Want a job?”

I thought about Dad’s bay window falling out of its dissolving casing. How the siding looked like Swiss cheese a year after I’d buried him. My throat tightened and I nodded.

I’d only been working there for a month when I first heard about an entity house.

“Hi, I’m calling to tell you about the bug that is destroying homes,” I read from the script.

“Oh no, dear, I’ll be fine,” the person replied, with a breathless giggle.

“My apologies!” I looked at their house plans. “We have on record that your house has wood beams and studs.”

“That’s right?”

“If your house has any wood, plastic, vinyl, or acrylic, the bug will attack it,” I said. “I can describe–”

“It’s okay, dear,” they interrupted. “Gramma took care of it.”

My heart leapt. Maybe there’s a solution. “What did your grandmother do?”

“She came back.” They giggled again. “Oh, she’s asking for her show. Gotta go.”

My phone clicked. They’d hung up.

Last I checked, the house was still standing, no leopard-spot marks in sight. They’ve also been generous. Filed four sleep slots with us. Tenants report that Gramma is noisy at 2 AM and is particular about kitchen cleanliness, to the point where she’ll wake them up with a frigid touch if they leave a mess. Otherwise, she doesn’t act like a ghost at all.

We’ve confirmed twelve entity houses so far. We’ve also heard other stories – folks who summoned a family member to help, only to have their relative’s ghost refuse and go back where they came from. It sounded like it hurt, to lose them all over again.

***

The head medium bows at me. “Do you have the ashes?”

I slide the silver urn from behind the new door jamb. I hold my breath as I break the seal on the urn and grab a pinch of ashes.

She points at the urn. “That should come as well.”

“Really?” I debate whether to return the ashes.

“He will be the fourth for the séance.”

“Oh.” I cradle the urn in my left arm. “Where should I put…”

I can’t bring myself to say ‘him’ or ‘it’.

The head medium gestures. “There, towards the west. The departed sit at the setting sun. You sit at the north, our guiding star.”

I place the urn where she indicated. Up close the machine purrs like a satisfied feline.

“Kasira, you sit at the east, the rising, and…” She cocks her head, as if listening. “Yes, Erius, you take the south, the brightening.”

The mediums, both young-looking and oddly aged, seat themselves. Kasira’s scars are jagged scores like broken toffee in the hollows of her eyes. Erius bears four white-silver furrows, two down each cheek.

“We do not control those we call,” the medium says. “Ancestors speak to us only if they wish to. We take these ashes to communicate that we are your approved emissary to the dead.”

I sprinkle the pinch of ashes into Kasira’s cupped hand. She presses a thumb into them and strokes her thumb across her forehead. She passes the ashes to Erius, who repeats the gesture, then shakes the remaining ashes into a metal cup at the center of the machine. They both grasp one of the metal dowels on the lachrymatorium with their left hand. The rest of the women back down the driveway.

“Where are they going?” I whisper to Kasira.

“This is no longer their place.” She winks, her broken-toffee scars bunching. “Now it’s up to us.”

***

“Okay, who’s next?”

The person wore an algae tunic and mycelium-leather clogs, their black hair short-cropped, small brown eyes glaring at me.

“Thank you for waiting. Tolerances?”

“Pollen,” they replied.

“Nothing else?”

“Why?” They sneered. “Where do you live?”

I hid a sigh. “My tolerances are dark, stuffy, and hard, so I’m in a shipping container park. I share my crate with three others.” Their brow furrowed, so I modulated my voice towards the perky. “My bedding is a myco mat. If you’re interested, there are slots left in my park.”

They deflated, the sneer replaced by a disappointed twist of lips. “I see. I’d be okay with bugs, steps, and height.”

“Fantastic!” I tapped it in. “Two treehouses have slots available. They have woven live-branch floors, leaf beds, and mycelium tarps in case of rain. One has a sunset view and one has a living vine wall to block wind from the south. It includes morning glories.”

Their eyes widened and I caught a glimpse of a grin. “Ooh, a vine wall! I’ll take that one.”

I smiled as I passed over the slate marker. It was rare to please someone in this job. I rubbed the belt buckle in my pocket and reminded myself to mark this moment down later.

***

Kate usually let me stay past closing to use the glass computer in the back office. I’d jot down things we’ve lost. Sometimes simple pleasures, like books and stuffed animals. Sometimes things I’ve never used, like Kevlar and mosquito netting. Sometimes I’d even mark down people who I’d briefly forgotten. 

Memory has always been a problem for me. Doctors had differing theories why. Maybe the trauma of losing my mom so early;. Possibly an attention disorder. All I knew was that I’d never been good with names or dates. But it wasn’t until Dad was gone that I realized how much I was forgetting.

When I arrived at the hospital, he was already dead. They gave me a bag of his things. Plaid shirt, canvas pants, steel watch, leather belt. A few weeks after he died, the leather belt grew a tiny leopard spot. I’d given the belt to Dad for Father’s Day. I realized I didn’t remember buying it, I didn’t remember him opening it, but I remembered him putting it on. I couldn’t remember the sound of his voice, but I remembered what he said: “It fits! How did you know my belt size, Roribell?”

“I didn’t, Dad.” I held out my arms in an ellipse. “This is how big you are when I hug you. So that’s how big the belt needed to be.”

I remembered his eyes filling with tears. He’d kissed the top of my head as I hugged him again, feeling his stomach hitching in quiet sobs. 

“I keep forgetting how short you are,” he’d whispered, making me laugh.

“And how long your legs are,” I’d teased.

We stayed in the hug for ten minutes.

I thought. I didn’t know for sure.

I did remember screaming over the leather as the bug ate it, that memory turning to shreds, then dust. I also remembered crying with relief when the gold-toned brass buckle remained intact, and how well it fit in my pocket.

***

Kasira leans towards me. “Remind us how to say your father’s name?” 

“Niven, like given, and Seinn like sine wave.”

The ash-prints on the mediums’ foreheads glow with a blue-gray iridescence as the machine sparks and Erius speaks.

“I call upon the spirit of Niven Seinn to grace us with your voice!”

A breeze kicks up.

Kasira repeats it. “I call upon Niven Seinn to grace us with your voice!”

Nothing happens. Kasira glances at Erius.

“You feel anything?”

“Not enough juice,” Erius replies.

I shrink under their gaze.

***

“Thank you for waiting. Tolerances?”

“Ancestors,” the frail person at the window replied. Their watery eyes were swollen and the ridges of their nostrils were chapped. The bones of old leaves peeked out from under their lank brown hair.

I raised my eyebrows. “Ancestors? Nothing else?”

Their gaze didn’t waver.

“Look.” I lowered my voice. “There aren’t many real entity houses right now. It takes a family loss and a very generous ancestor to make one. People claim they have a haunting, but the bug always gets them. You should choose something else.”

The person shook their head. “I’m allergic to a thousand things. It’s too cold for me in here and too hot out there. Anything hard, bright, or noisy hurts. Right now I’m in a sleep ditch off the freeway because it’s better than anything else.” They shrugged. “So unless you have a tolerance I haven’t heard of yet, ‘ancestors’ is it.”

“Okay. I’m sorry. I can add you to the waiting list but it’s fairly long.”

They pulled a square aluminum pager from their pocket. I scanned it and added the ID to the list, and they turned away from the booth, shoulders slumped.

I thought about the thing I was building, and I crossed my fingers and bumped their ID to the top before calling the next person up.

***

After Mom died, Dad took me along to his construction sites, first showing me how to sort tools, then how to lay bricks, then on to more complicated things. Everything he’d taught me was clear in my mind, even after everything else I’d forgotten.

When I started the house frame, I decided to take as many shortcuts as I could. No walls, no planing. The bug took months to hit new-cut wood, so I had some time, but not much. If the séance worked, the house would stand. If the séance didn’t work, it would fall anyway.

The doorway was last. Dad was always good with doors. I sawed the branch off the maple where my swing had once hung. The living branch still had grooves in it from the rope so I was extra cautious cutting it, preserving those grooves.

I sobbed while taking the bark off the branch. Wept like I was sacrificing one of the few memories I still had.

I was still working on it, sanding the jamb and hammering in the nail where the bell would go, when the mediums arrived.

***

Kasira reaches out to me. I hesitate, glancing at the machine.

“It doesn’t hurt,” she promises.

I slide my fingers into her hand, surprised at its warmth. Kasira squeezes my palm.

“Why have you asked us here today?”

“I want a better place to live,” I murmur. “I’m tired of my container.”

Erius shakes her head. “You could have built a steel structure.”

Kasira clasps my hand more tightly. “Why wood? Why here?”

A muscle in the side of my throat tightens, sending a sharp ache down into my collarbone. “I miss my dad. He was a woodworker. He built the house that used to be here, but the bug ate it.”

Erius scoots towards me. “But why did you choose something so fragile?”

“For… for memory.”

“Memory?” Kasira tilts her head. “Can you tell us more about that?”

I try not to sniffle. “The bug took all the furniture he built. It took everything he built. Those were supposed to be heirlooms. Now it’s all gone, so it’s like he’s all gone.”

“Why would he be gone? Doesn’t he live in your memories?” Kasira rubs her thumb over my knuckle. “Doesn’t everyone you’ve loved?”

I struggle to breathe. They’re watching me expectantly. Waiting for me to agree. I glance back at the doorway. Something clenches painfully inside my chest, and I can’t hold it anymore.

“No, that’s the problem!” Tears scald my cheeks like steam. “I should remember more, but I don’t. I don’t remember him on my sixteenth birthday. I don’t remember him at my college graduation. I don’t remember our last Christmas.” My throat spasms. “Oh god, and it’s too late! It’s too late to make any more memories with him! If I was smart, I would have written everything down. I would have made sure I’d never forget. But I’m not smart, I’m a selfish jerk, I’m a terrible daughter. I thought I had more time. I thought I had more time.”

I try to pull free from Kasira to cover my face as I cry, but she holds fast, a deathly stillness in her fingers. “There it is,” she whispers. “There’s the juice. That’s the grief he needs.”

The machine’s hum intensifies, vibrating in my skin. Electricity spits as the bulbs turn on. I squint, my tears cracking the world into rainbows, as Kasira and Erius chant together.

“We call upon the spirit of Niven Seinn to grace us with your voice!”

A white mist coagulates above the machine. The mediums continue. “Your daughter Rorius awaits you, Niven. If you consent, make yourself known!”

Something sizzles. I smell peanut butter and pepper – right, Dad’s lunches, on that wheat bread he loved. I’d forgotten them.

Then I hear a voice.

Roribell…

My stomach jumps. It’s been years, but I recognize it. Even though I couldn’t recall the sound of his voice, I recognize the sound.

I recognize it.

The smell. The sound. The memories were always there, deep in my gut. Exactly like the belt. Knowing his size not because it was in my brain, but because I’d hugged him so often my body knew it by heart.

Whatever my brain did or didn’t keep, the rest of my body recorded it all.

My shoulders wrench with sobs of relief as Kasira squeezes my hand. “Niven Seinn, will you share your afterlife on this plane, within the house your child has built, until such time as she departs?”

Do you need me, Roribell?

“I…” I stop. Am I being a terrible daughter again? Is it cruel to want him to stay with me? To leave the peaceful rest he deserves?

I flash on the person with the watery eyes. Their desperation. And how many other people might be in the same place.

I might not need him, but other people do.

“We all do. Please,” I manage, vocal cords tight with choked-back grief.

Then I’ll stay…

Kasira and Erius shriek as lightning crackles around the machine, then leaps into the lintel of the door with a sound like fireworks. Kasira clenches my hand hard enough to crack my knuckles before she lets go.

“Bless you, Niven, for your sacrifice. When Rory departs, one of us shall return to release you,” Erius gasps.

The machine’s hum fades. A wisp of smoke rises from Kasira’s face, a trickle of bloody pus seeping from a broken spot under her left eye.

“Shit!” I reach towards her. “Are you okay?”

She pats my hand, then blots the pus on her cheek with a graceful lift of her shoulder. “It hurts, but scars are remembrance.” She smiles. “Most people hide their scars, but for us, it’s an honor to bear this memory.”

As she and Erius undo the leads, Kasira winks at me and pantomimes crying. I rub my eyes by instinct, then jump at a sting under my right eye. A smear of blood pinkens the side of my index finger.

A wound, to turn into a scar. For remembrance.

I grin despite myself. Of course. Scars are the ghosts of past injuries, haunting our skin. It would keep my memory close to the surface, so that I’ll never forget.

I don’t know what my scar will look like, but I don’t care. It’ll remind me, every day, whether from other people’s reactions or from seeing my face in a reflection, that my memories live within me.

That my dad was never gone.

I lean on the maple door jamb and watch them gather up the machine and leave, their robes fading into the air as twilight deepens.

I like your house, Roribell.

I sigh. “Thank you, Daddy.”

I hug the jamb for at least ten minutes, then pluck the belt buckle from my pocket. I hang it on the nail that marks where the bell will go, and step under the lightning-struck lintel to start the walls.


© 2023 by Risa Wolf

3538 words

Author’s Note: This story came to me when I was processing several different kinds of loss at once. I’d gone to a memorial during the second year of the pandemic and as people recounted stories about the deceased, I realized that not only had I lost the person’s presence, I’d lost memories of them too. That memorial, plus the loss of access to the world around me, led me to an internal quest that I externalized to create Rory’s. (Many thanks to Cat Rambo for the title.)

Risa Wolf is a multi-gendered water elemental disguised as an ink-stained lycanthrope. (Don’t tell their spouse or their dogs; the disguise is working.) They come from the Burned-Over District in New York State, and they imagine houses for book-ghosts for a living. Their writing can be found in places like Apex, Clarkesworld, and Cast of Wonders. Visit them at killerpuppytails.com, on Mastodon at @killerpuppytails, or BlueSky at @risawolf.bsky.social.


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DP FICTION #99A: “Six Reasons Why Bots Make the Worst Asteroid Miners” by Matt Bliss

edited by David Steffen

1. They think they know everything. Like your twenty years of mining experience is useless compared to a high-acting neural processing drive. Like you’re nothing but a softer, weaker liability, and the only thing you’re good for is greasing their joints and blowing out their compressors. Just one bot and one human to babysit them.

2. They have no personality. Stuck on an asteroid is bad enough without having a pencil sharpener as your only company. Every joke goes over their finely-polished head. Every vent of frustration is met with a vent of auxiliary heat instead. They tell you their name and pronouns, but it doesn’t help. They don’t know calloused hands. They don’t have a family back planetside who depends on that paycheck, hoping every day that you make it back in one piece because they are the only reason you left in the first place.

3. They don’t understand privacy. They’re always there, always watching, even when you don’t want them to be. When you eat and their lens follows each bite. When you sleep and hear their parts whirring in the bunk beside you. They never leave you alone. Even when news of your father’s death comes, and you miss him like hell and just want to scream in the blackness of space because the next resupply ship is forty-two light-years away and won’t get back in time to make the service. Even when you’re at your loneliest, they never leave your side.

4. They squeeze too tight. When you finally give in and cry on their shoulder, they hold you and somehow squeeze every buried memory to the surface. Even as tears leave rust splotches along their dented casing. You start to think that maybe this box of nuts and bolts knows you more than anyone. Maybe they’ve been piston to shoulder with you all along, and are as hardworking and caring as any other miner you’ve known. Maybe you’ll get through this… together.

5. They leave too soon. When you finally get home, you think of them each night you stare into the sky. Because you know everything about that arrogant prick by then. The way they laughed at your bad welds. The way their lens retracted when they were glum. So when the drill bit was stuck, you knew they’d give you that funny little chortle as they worked the stubborn thing free. But neither of you expected it to roar to life, catching their shell in its carbide-teeth. How you tried to stop it, but seconds too late. How you could only watch as your co-worker, friend, best friend perhaps, was mangled beyond repair, and all that’s left is an oil stain on the asteroid’s mine face. Leaving you alone, with no one to hold you too tight, or buzz in the bunk beside you at night, or even laugh at your bad welds. Alone… until it’s time to go home.

6. Because bot or not, they become family, and losing them hurts. And it should’ve been you left out there. It should’ve been you.


© 2023 by Matt Bliss

512 words

Author’s Note: I have worked in mining and construction for nearly twenty years, and have unfortunately seen firsthand the impact of death and injury among my colleagues and coworkers. With this story, I wanted to capture some of the complex emotions that arise from such a loss, and reflect upon the true toll of working in a blue-collar industry.

Matt Bliss is a miner and construction worker (on Earth) turned speculative fiction writer. His short fiction has appeared in MetaStellar, Cosmic Horror Monthly, and a number of other magazines and anthologies. When he’s not daydreaming about robots or rocket ships, you can find him on Twitter at @MattJBliss.


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